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Esther Jan 2019
we're both preceded by our reputation

we want the sun in our face

only to turn our backs to kiss the shadows.
this ain't for the best
my reputation's never been worse, so
you must like me for me.
tianna Nov 2018
come on, come on, don't leave me like this
i thought i had you figured out
something's gone terribly wrong, you're all i wanted
come on, come on, don't leave me like this
i thought i had you figured out
can't breathe whenever you're gone
can't turn back now, I'm haunted


- a song by Taylor Swift
sorry i haven't written in a long time
enjoy some Taylor Swift lyrics! <3
Layla Emory Holt Sep 2018
The way you loved him
Fast
Wreckless
Crazy
Was unhealthy

The way I loved him
Carefully
Splendidly
Fearlessly
Was heaven

So why
is he sticking around
to be with you
for longer
for more
forever

Why am I here
yet again
on the
side
lines

Watching a game
I could be winning
but instead
I have to cheer for
the opposing team
rcb
From the BBC today,


Excerpt

Why does Taylor Swift write so many one-note melodies?

"It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master.

Take, for example, her first US number one, OUR SONG

Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song."

That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope.

But Our Song also establishes another of Taylor's trademarks: The one-note melody.

Excerpt

Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech.

"They emphasise her relatability by mimicking the cadence of speech."

"They emphasise her relatability by mimicking the cadence of speech."

"They emphasise her relatability by mimicking the cadence of speech."

Rebuttal

Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands.

ALL POETRY BEGAN AS RHYME IN SONG.

Cadences are singing statements that confer a discipline and unity.

Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion.

One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state.

It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE.

If you want to sell and make money you better start thinking about the 99% of people who are not geniuses.

If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine.

You are not an artist.

You are an employee.



"Rhyme sells because the people you are selling too can remember your lyrics."

"Rhyme sells because the people you are selling too can remember your lyrics."

"Rhyme sells because the people you are selling too can remember your lyrics."

Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ



                                           BECOME
                              EVERYONE ON EARTH
               ALL POETRY BEGAN AS RHYME IN SONG
                      HOW BADLY EVERYONE INSISTS
            NOT SHARED BY THE MAJORITY OF PEOPLE
                                         HOW BAD
                    
                 artist?
or employee?
BBC article conclusion.
Well it’s a thing about wood,
a sea-cret about stone
a tension in the heavens;
has left earth all alone…

You’ll find it in your heart,
see it in your mind
hear it in the sounds;
repeating over time…

That’s the thing about stone,
the difference in the wood
all the loneliness of earth;
out of a darkness came good…

A secret in a song
a music in the wood
a message in stone,
from the heavens;
as it should.

Secrets in song
music from wood
messenger-stone
a feeling of good…

Love of your heart
found in your mind
beauty of the heavens;
and it’s repeated over time.
Neil Harbee Sep 2017
I used to be Bruno Mars, you can COUNT ON ME
I used to be Ed Sheeran who'll be there 'til we're 70
I was Avril Lavigne who said I LOVE YOU
But not All Time Low, I ain't MISSING YOU

I'm Against the Current, burning a little BRIGHTER
Like Bleachers, I WANNA GET BETTER
Like Big Time Rush, I'm HALFWAY THERE
Like Taylor Swift, WE ARE NEVER EVER GETTING BACK TOGETHER
Kinda rushed. I just made this on midnight because I can't sleep.
Sophia Chang Jul 2016
“When I was a little girl I used to read fairy tales. In fairy tales you meet Prince Charming and he’s everything you ever wanted. In fairy tales the bad guy is very easy to spot. The bad guy is always wearing a black cape so you always know who he is. Then you grow up and you realize that Prince Charming is not as easy to find as you thought. You realize the bad guy is not wearing a black cape and he’s not easy to spot; he’s really funny, and he makes you laugh, and he has perfect hair.”

-Taylor Swift
{24.07.16}
Really loving this quote by the queen of love songs herself.
kakashi's wife Jun 2016
When I was seventeen
After you kissed me you
Asked if I wanted something to eat
I said later
And you frowned
Because only true rejection
Could make you die inside

When i was eighteen
After you kissed me you
Asked me if I wanted something to drink
I said not now
And you left
Slamming the door and
Collapsing in defeat

When i was nineteen
After you kissed me you
Didn’t even offer me anything
Because you knew
Even without me saying
You knew that i would decline
And you left after saying goodnight

When i was twenty
After you kissed me you
Told me you were sorry and
Said this was the best for us.
This time i slammed the door and collapsed in
Tears and now it was my turn
To be rejected
you may think this is serious but its actually about tay zonday
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