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Mark Toney Dec 2019
Hong Kong China crunch
clash of ideologies—
iron mixed with clay
12/4/2019 - Poetry form: Senryu - Copyright © Mark Toney | Year Posted 2019
Anjali Nov 2019
if freedom of speech
is the most prominent here
why am i mute

why is it that i
feel the pressure not to speak
when i can do so

i feel that all i
can do is stay quiet in
this loud enough room

i just am quiet
in this room of loud beings
letting voices speak

not much speak but scream
scream so i cant hear myself
so i'll be quiet

i try to go leave
but shockingly they notice
and the screams come close

i hide away from
the voices that can haunt me
because of volume

my ears are bleeding
somebody help me, i cant
leave the loud voices

is it my right
to be able to scream back?
i dont really know

i dont know if i
am allowed to scream back to
these scary voices

what if the voices
dont try to listen, what if
they silence my point

they probably will
i cant help but think they will
silence what i say

i wish i could speak
saying what i have to think
but i feel i can
freedom of speech
BoF Sep 2019
Broke my heart
To see you
slaughtered
Like animals

Not all were saints
Mistakes in life were made
JUSTICE
Had not been served
Silence before your pleads
Could be heard
Your death
Will not go unheard
This poem was written regarding all the recent and past deaths caused by police brutality surrounding  prejudice with people of color.
Donward Bughaw Apr 2019
Ilang buhay pa
ang katulad nilang
makitil,
magkulambo ng tabla
at matabunan ng lupa
na nilinang at pinagyaman
nang mga sariling kamay at pa?





©2019
Para sa naging biktima ng Negros 14.
Daniel Long Dec 2018
Much madness
is divinest sense –

An eye that hath discerned the severest madness,
according to Emily’s judicious eyes, hath much sense –

The starker lunacy
be equated to divinity –

‘Tis common, unwritten law that we assent common beliefs
And ‘tis uncommon beliefs that common law demurs –

In this, as all overcome,
The stoic few as she will come –

Sanity hath common sanction
Or, you’re forthwith a risk –

Touched by a chain
And bound in shame –
A  tribute to the famous poet Emily Dickinson. I chose the poem "Much Madness is Divinest Sense," authored by her. You will find references to the original piece, but I put my own little wordplay on it with rhyming. Enjoy!
You breathe in day by day, inside a cage that tightly wraps around you like skin.

And you ask yourself in desperation: "Who am for I that speaks?" - Don't look down they always say.

You'll just be met by strangers anyway.
Jamie Newton Jul 2018
Let’s talk about life and let’s be frank
All global strife starts and ends at the bank

With fake inflation and monetized debt
It Cripples our nations, controls us through threat

Now let me be formal and you might think me mental
But free markets are normal it’s really the Central

Creation of cash at a click of a button
Valued at trash, your debt they take cut-in

War for resources innocence left in lurch
While weaving clauses to suppress free energy research

The influence is deep, insidious at best
Our lives they will reap seen as figures to invest

It’s a perfect legal sin That we do not deserve
Its the evil of Central Banking and Fractional Reserve
Bank ethically ❤️
Kathryn Crowley May 2018
This poem is now a song on https://soundcloud.com/musicalroutes

Soft day in general
some went off to pray at the cathedral
In our way we gave thanks
Sunset end of day temple riverbank.

Your eyes shone full of life
Living the dream in the west
where you believed that you had a choice

Remembering
Savita
Oh
gentle vibes forever flowing wild.

So how many more must Ireland lose?
How many more before stopping the abuse?
Don’t follow blindly crazy preachers
Healthcare  basic feature.

Remembering Savita
Oh gentle vibes
Forever flowing wild.

Lack of true compassion must be a virus
Cults and politicians just desire us
But today the cure is here
Light will replace
Light will replace the fear
For every woman
Future generations.
For a free download of my song, go to my Soundcloud page or send me a message if you'd like me to E-mail you a copy.
Emily Rowe Apr 2018
when i got my first period,
i was thrilled.
marked with the crimson stroke of womanhood,
i was no longer a little girl.
i was no longer too young
to be a part of the whispered gossip filled conversations
of the women in my family.
my sister and i could share boxes of pads and tampons,
bottles of advil and naproxen.
i was no longer too young to go bra shopping,
too young to understand.
i could read Teen Vogue and relate to every word,
i was a woman.

no one told me that it was now okay.
it was now okay for men to comment
on my new chest.
it was now okay for boys to yell their
tube sock dreams of my wider hips.
no longer protected by the shield of childhood,
it was now okay.

while i experienced many new things
after that first visit from Aunt Flow,
i also began to feel things i had not felt before.
an unexplained, unwarranted hatred of
the body i lived in,
my burden of anxiety heightened
with raging hormones in my blood,
mood swings worsening the monster
living under my brain named depression.
red spots on my face that boys liked to make fun of
as if their faces were not acne warzones themselves.
another growth spurt, as if i was not already towering
above the other girls in my class.

“don’t let anyone see your pad when you go to the bathroom to change,”
my friend whispered to me at school,
“it’s inappropriate.”
“don’t say period in front of boys,
it’s gross.”
“don’t talk about puberty,
boys think it’s unattractive.”

suddenly i realized that my body
was not for myself
and it was my responsibility
to act like I didn’t feel like there were
earthquakes in my ******.
it was my responsibility to hide my new body,
because my education was not as important
as the pervy boys in my math class.
it was my responsibility to not bleed through
my new jeans,
and miss class because i’m crying in the
bathroom as i call my mother to bring me
a change of clothes.

because being a woman is unattractive,
but when she’s half naked on the cover of ******* we like it.
because spreading your legs open for a ******
is gross,
but when a man is in between them it’s hot.
because a woman’s body was never for women,
unless it’s ****** and crampy,
then we don’t want to hear about it.

i am here to say that Womanhood is for women.
i am here to say that young girls should take pride
in their new bodies.
your body is yours and no one else’s
and you should never feel ashamed of it.
you should never feel shame
when the crimson wave comes.
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