“Another night in London; I’m alone again.
He’s out there somewhere thinking of me
Or maybe someone else.
Come stand next to me,
Pour yourself some virtual tea.
I’m sitting in the garden waiting,
Waiting for you to convict yourself
Sitting here, loving him and hating you,
You who thought only of yourself.
I loathe you, but I must please you,
Must outwit you to save him
How does it feel, now you’ve enslaved him?
“I take you both back to our sitting room to sort
It out. Say it’s a domestic but we know that’s rot.
We sit across from each other, he’s silent;
I am not. I analyse your past, the lives you took
And you stare at me with a killer’s face,
Your hooded eyes and rubber mouth,
With its fake smile relishing death.
“You know I know the real you,
But he must too.
Can he forgive you?
He must do it or
One of us will once again
Be shot through by you!
Which of us will it be?
“But this is just a calculated pause,
In a long con; do you realize
How close you came to ending up in a box?
You aren’t the only killer in town.
You have angered others beside me;
If my brother could howl, he would have;
He just sneers and has you followed and
Every move you make is being trapped.
Your dowdy clothes fool don’t me now,
Since I remember your assassin’s gear,
So clearly, just before you shot me.
And I know you weren’t just being nice,
No pistol could be that precise.
But now the question comes:
I give you the choice I never had:
Do you want to live or die?
Your husband won’t want you dead but I…”
She stares him, black defiant eyes,
He marks the seconds with fibrillating heart
He has never known her, from the start,
Do killers possess some hidden cloak
Like his lover’s naked mask?
Her theory of self-portrait disguises
Leads him to a sudden change of plan
“Why didn’t you come to me for help?”
He had forgot how well he lies.
And he sees that she knows it in her eyes.
There is only one solution for both.
Based on the real and imagined triad of relationships and hidden feelings.
