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Valentin Eni Nov 15
I feel
an angel’s touch, so soft, so near,
a mountain crumbles,
its roar I hear.

I see
the shadows carved by lightning’s glow,
the light of a seed
in the earth below.

I hear
the silence stretched across the years,
curses rising from the graves
through tears.

I believe
in the stain of a demon’s dark embrace,
in the power of words
to claim their space.

I know
who will bear the weight my cross demands,
why the world bleeds
through trembling hands.

I feel
the steps that lead me closer to my breath’s last bend,
the touch of an angel
before the end.

*

I Feel
(Alternative translation I)

I feel
an angel's touch upon my skin
I feel once more
a mountain crashing, tumbling in

I see
the shadows lightning leaves behind
I see anew
the light within a seed confined

I hear
the silences an age has kept
I hear again
the curses rising from the crypt

I trust
the foulness that a demon breeds
I trust still more
the power that resides in deeds

I know
who'll bear the cross that's meant for me
I know as well
why bleeds the heart of all we see

I feel
how many steps till death I tread
I feel once more
an angel's touch upon my head
(Originally written in Romanian.) The poem engages all the senses to convey a feeling of transcendence and existential struggle. The contrast between life and death, light and darkness, is a central motif.
This poem presents a journey of awareness, moving between sensory experiences and spiritual reflections. The angel at the beginning and end bookends the work with a spiritual framework, suggesting a reliance on faith amidst the chaotic contrasts of existence. The use of sensory verbs ("feel," "see," "hear") is immersive, pulling the reader into the speaker's evolving realization of mortality and existence.
Emery Feine Sep 27
A cemetery filled with tombstones everywhere
Even though their lives never existed
And she wrote their lives to be a never-ending tragedy
And maybe it would've changed if they coexisted

They went on so many adventures in her mind
Even if it was just to escape reality
And she then began to lose track of time
Lost in her own mentality

She erased their stories as she got older
But never against her they rioted
And no one could ever scold her
Because they had been quieted

But she still grieved when she thought about them
And she cried over their non-existent tombs
And she wondered what they could have become
If she let them live for infinite moons

If you look closely into the late night
You can see a girl holding a rose of fiction
And if you look deeper, you can see she might
Put it on a grave with no inscription
this was my 35th poem, written on 10/26/23. I don't like how this one turned out; it was supposed to be abt daydreams being lost, but the girl just seems like a manipulator idk
AE Aug 2021
I once poured my heart out onto some letter
Read it whenever you find yourself reminiscing about your childhood
On my tongue remains those words, the ones we stole from the graves of poets
They try to take shape into conversations, reaching my lips but still falling short
So they live out their days,
Becoming old memories
leaving behind the bitterness of sea salt

Words we never exchanged
Kurt Schneider Feb 2021
Mistakes
Mis
takes
Like graves
In the end
they
are laid out before all
to walk by and see
and say:
“that won’t ever be me”.
From the ashes and dust
We rise again
Bearing the scars of death
As we count our lost
From the bones and graves around
Many have fallen
And the sword is red

We march through the village square
Bearing more corpses
Looking for a place to rest
From the raging sword of the invaders
We seek the face of the gods

Why do we dance on their graves?
Like masquerades in the village square
The kings come from afar
And we take them to the shrine
The invaders helped us built
And none shed a tear…
None raised a wail…
And none grieved
Because it’s not their lost

They said we wail too much
For the lost was small
A tiny drop in the ocean of blood
That has flooded the land

Our contribution was small…yes, small contribution
Or how else could we justify this ceaseless carnage?
So they took more
More women…more children
More boys…more girls
Some pregnant…some suckling
A sacrifice to make up for the rest

We thought our shrine was big enough
To pacify the gods and save their wrath
But we were wrong
Their white regalia is not red enough
The blood is not deep enough for a swim
But why desire blood as one seeks for water in the desert
Oh sword! When will you rest?

The king is coming
Maybe he will see the mountains of graves
And the waiting dead—candidates for mass burial
Maybe he will say it is enough
And the priest can take the blood
And pour on the altar of the gods
So the living can rest
And the land will know peace
And the sword be no more red
May the gods be pacified
This sacrifice is enough
A reaction to the many killings Fulani Herdsmen in Benue State and the nonchalant attitude of the Federal Government to the situation. And the political pilgrimage that followed afterwards to the site of the mass graves of the victims.
annh Jan 2021
❅ ❅❅❅ ❅❅❅ ❅❅❅ ❅❅❅ ❅❅❅ ❅

...damp
feet
make
shallow
graves
in
paths
not
swept
quite
fre­e
of
snow...


❅ ❅❅❅ ❅❅❅ ❅❅❅ ❅❅❅ ❅❅❅ ❅
‘The past is somewhere we can walk with our memories
Never with our footsteps’
- Mimi Novic, The Silence Between the Sighs
Nickolas J McKee Nov 2020
So sweet the daffodils,
You placed upon my grave.
Thinking of us all timed,
Lost soul to you to save.
Darling, where were you, all,
So close to me of thine.
Floating, flying, the rose,
Away from a birthed vine.
You placed the wrong flowers,
Thinking you cared for me.
Hand sprouting from below,
Grabbed upon you to see.
So sweet the daffodils,
For you & me to share...
Khoisan Sep 2020
Live love hate forgive
while reapers are having tea
the earth is calling
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