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Michael Mar 2019
The Obscenity of Conscript (and PTSD)

He sits at the table nursing his beer,
Scruffy, unwashed, a bit smelly I fear,
When he thinks he's unseen he'll wipe off a tear.
Come closer I'll tell you his story.

A bank "johnny" married, his future a joy,
For a pretty young girl and a fine young boy.
But then you decided his "year" to deploy...
For a war you did not intend winning.

And so, after kissing goodby to his bride,
He stepped onto a bus full of vigour and pride,
To Kapooka was taken - a happy bus ride...
To a war you did not intend winning.

By training, his past wiped off that it might
Be replaced by the will for a jolly good fight
And that he be led by his team to the light...
Of a war you did not intend winning.

Well, he gave his time plus all that he saw,
The killing, the maiming, brute life in the raw,
With the drink that he took to escape from your war,
A war you did not intend winning.

And when it was finished and home he returned,
Two years his life missing, by God how that burned,
Then by erstwhile good friends he found himself spurned,
For fighting your war without winning.

Turned back from its door by the ****** RSL.
He was just looking to talk with some others as well
Who's life, just like his, had been turned into hell
For fighting a war without winning.

And the lovely young bride who'd looked on with such pride
As her husband departed their warm bedside
Has found she can't talk to nor get alongside,
Of the man she thought had been winning.

For he sits at their table hunched over his beer,
'Midst all of those things that he once held dear,
And refuses to tell her what she needs to hear,
Thus loosing what they'd both been winning.

Now she has gone to her mum and her dad,
And erstwhile "good friends" think he's gone to the bad
But you and I know he's just feeling so sad
And never thinks about winning.

He sits at the table nursing his beer,
Scruffy, unwashed, a bit smelly I fear.
When he thinks he's unseen he'll wipe off a tear
And now you know his story.
emma hunt david  Dec 2018
winning
emma hunt david Dec 2018
Razor on the bathroom sink and the smell of pine and aftershave
Calloused hands
Dirt fingernails
You packed and formed the soil like clay
Like paint
You were an artist, silent in the morning
Coffee before work
One beer after
One beer after and a warm dinner she made
Pine and aftershave
on the stairs
on the carpet
on the carpet on the stairs
Lean in
Lean in, kids
Lean in and I’ll tell you about them
You said,
You are an artist,
Silent and coffee in the morning
Loud and beer on the stairs,
on the carpet in the afternoon
Leather seat
Newspaper dogear
Brewers turned on
In the leather seat,
‘Turn it up,
They’re winning!’
They’re winning
They’re winning
Screen porch
Wooden door
Screen porch through the wooden door
Sitting
Bumblebee Boompa
Bumblee Boomps
In the garden
On the sink
In the kitchen
On the stairs
In the living room
On the porch
You are an artist
Silent in the morning
Loud
Loud
Loud in the afternoon
and winning
aniket nikhade Oct 2015
The battle is far from over, since the battle is yet to be won.
As of now in the present the battle continues.

The risk of failure of failure remains somewhere at the back of mind.
The thought about failure not only triggers, but also gives surge to an anxiety from time to time.

What now?
What next?
What else?

The battle continues.
Not only the battle needs to be fought,
also important is to fight the battle with a positive mindset and a never give up attitude.

Important to keep in mind the fact that a win in the battle is the only thing that needs to be achieved at any cost.

Agreed and accepted that winning and losing remains part of the game
Still it’s winning that makes the real difference
It’s winning that counts.

As and when you win, then only things and people around you change
Definitely everything will not change on it's own,
nor do the people around you,
it's the mindset that undergoes a change
It's winning that makes all the difference.

The outside world looks at winners from a different point of view.
So once you win, then things change for you.

The outside world will then look at you differently.
Even you have to change your views about the outside world and look at with the same level of difference in mind
At first you were no one,
now that you have won,
winning has given you an identity, a new face.

Definitely, then it will come to mind that it’s winning that has made all the real difference.
It’s winning that counts

Keeping in mind the fact that the battle needs to be won,
move ahead with a desire to win and fight the battle till the very last moment in time.
judy smith May 2016
For the fifth year in a row, Kering and Parsons School of Fashion rolled out the ‘Empowering Imagination’ design initiative. The competition engaged twelve 2016 graduates of the Parsons BFA Fashion Design program, who "were selected for their excellence in vision, acute awareness in design identity, and mastery of technical competencies." The winners, Ya Jun Lin and Tiffany Huang, will be awarded a 2-week trip to Kering facilities in Italy in June 2016 and will have their thesis collections featured in Saks Fifth Avenue New York’s windows.

The Kering and Parsons competition, which is currently in its fifth year, is one of a growing number of design competitions, including but not limited to the LVMH Prize, the ANDAM Awards, the Council of Fashion Designers of America/Vogue Fashion Fund, and its British counterpart, the Woolmark Prize, the Ecco Domani fashion award, and the Hyères Festival. among others.

In the generations prior, designers were certainly nominated for awards, but it seems that there was not nearly as intense of a focus on design competitions as a means for designers to get their footing, for design houses to scout talent, or for these competitions to select the best of the best in a especially large pool of young talent. Fern Mallis, the former executive director of the Council of Fashion Designers of America and an industry consultant, told the New York Times: “Take the Calvin [Kleins] and the Donna [Karans] and the Ralph [Laurens] of the world. Some of these people had money from a friend or a partner who worked with them, but they weren’t out spending their time doing competitions and winning awards to get their business going.” She sheds light on an essential element: The relatively drastic difference between the state of fashion then and fashion now. Fashion then was slower, less global, and (a lot) less dominated by the internet, and so, it made for quite different circumstances for the building of a fashion brand.

Nowadays, young designers are more or less going full speed ahead right off the bat. They show comprehensive collections, many of which consist of garments and an array of accessories. They are expected to be active on social media. They are expected to establish a strong industry presence (think: Go to events and parties). They are expected to cope with the fashion business that has become large-scale and international. They are expected to collaborate to expand their reach, and while it does, at times, feel excessive, this is the reality because the industry is moving at such a quick pace, one that some argue is unsustainably rapid. The result is designers and design houses consistently building their brands and very rarely starting small. Case in point: Young brands showing pre-collections within a few years of setting up shop (for a total of four collections per year, not counting any collaboration or capsule collections), and established brands showing roughly four womenswear collections, four menswear collections, two couture collections, and quite often, a few diffusion collections each year.

The current climate of 'more is more' (more collections, more collaborations, more social media, more international know-how, etc.) in fashion is what sets currently emerging brands apart from older brands, many of which started small. This reality also sheds light on the increasing frequency with which designers rely on competitions as a means of gaining funds, as well as a means of establishing their names and not uncommonly, gaining outside funding.

The Ralphs, Tommys, Calvins and Perrys started off a bit differently. Ralph Lauren, for instance, started a niche business. The empire builder, now 74, got his start working at a department store then worked for a private label tie manufacturer (which made ties for Brooks Brothers and Paul Stuart). He eventually convinced them to let him make ties under the Polo label and work out of a drawer in their showroom. After gaining credibility thanks to the impeccable quality of his ties, he expanded into other things. Tommy Hilfiger similarly started with one key garment: Jeans. After making a name for himself by buying jeans, altering them into bellbottoms and reselling them at Brown’s in Manhattan, he opened a store catering to those that wanted a “rock star” aesthetic when he was 18-years old with $150. While the store went bankrupt by the time he was 25, it allowed him to get his foot in the door. He was offered design positions at Calvin Klein (who also got his start by focusing on a single garment: Coats. With $2,000 of his own money and $10,000 lent to him by a friend, he set up shop; in 1973, he got his big break when a major department store buyer accidentally walked into his showroom and placed an order for $50,000). Hilfiger was also offered a design position with Perry Ellis but turned them down to start his eponymous with help from the Murjani Group. Speaking of Perry Ellis, the NYU grad went to work at an upscale retail store in Virginia, where he was promoted to a buying/merchandising position in NYC, where he was eventually offered a chance to start his own label, a small operation. After several years of success, he spun it off as its own entity. Marc Jacobs, who falls into a bit of a younger generation, started out focusing on sweaters.

These few individuals, some of the biggest names in American fashion, obviously share a common technique. They intentionally started very small. They built slowly from there, and they had the luxury of being able to do so. Others, such as Hubert de Givenchy, Alexander McQueen and his successor Sarah Burton, Nicolas Ghesquière, Julien Macdonald, John Galliano and his successor Bill Gaytten, and others, spent time as apprentices, working up to design directors or creative directors, and maybe maintaining a small eponymous label on the side. As I mentioned, attempting to compare these great brand builders or notable creative directors to the young designers of today is a bit like comparing apples and oranges, as the nature of the market now is vastly different from what it looked like 20 years ago, let alone 30 or 40 years ago.

With this in mind, fashion competitions have begun to play an important role in helping designers to cope with the increasing need to establish a brand early on. It seems to me that winning (or nearly winning) a prestigious fashion competition results in several key rewards.

Primarily, it puts a designer's name and brand on the map. This is likely the least noteworthy of the rewards, as chances are, if you are selected to participate in a design competition, your name and brand are already out there to some extent as one of the most promising young designers of the moment.

Second are the actual prizes, which commonly include mentoring from industry insiders and monetary grants. We know that participation in competitions, such as the CFDA/Vogue Fashion Fund, the Woolmark Prize, the Swarovski, Ecco Domani, the LVMH Prize, etc., gives emerging designers face time with and mentoring from some of the most successful names in the industry. Chris Peters, half of the label Creatures of the Wind (pictured above), whose brand has been nominated for half of the aforementioned awards says of such participation: “It feels like we’ve talked to possibly everyone in fashion that we can possibly talk to." The grants, which range anywhere from $25,o00 to $400,000 and beyond, are obviously important, as many emerging designers take this money and stage a runway show or launch pre-collections, which often affect the business' bottom line in a major and positive way.

The third benefit is, in my opinion, the most significant. It seems that competitions also provide brands with some reputability in terms of finding funding. At the moment, the sea of young brands which is terribly vast. Like law school graduates, there are a lot of design school graduates. With this in mind, these competitions are, for the most part, serving as a selection mechanism. Sure, the inevitable industry politics and alternate agendas exist (without which the finalists lists may look a bit different), but great talent is being scouted, nonetheless. Not only is it important to showcase the most promising young talent and provide them with mentoring and grant money, as a way of maintaining an industry, but these competitions also do a monumental service to young brands in terms of securing additional funding. One of the most challenging aspects of the business for young/emerging brands is producing and growing absent outside investors' funds, and often, the only way for brands' to have access to such funds is by showing a proven sales track record, something that is difficult to establish when you've already put all of your money into your business and it is just not enough. This is a frustrating cycle for young designers.

However, this is where design competitions are a saving grace. If we look to recent Council of Fashion Designers of America/Vogue Fashion Fund winners and runners-up, for instance, it is not uncommon to see funding (distinct from the grants associated with winning) come on the heels of successful participation. Chrome Hearts, the cult L.A.-based accessories label, acquired a minority stake in The Elder Statesman, the brand established by Greg Chait, the 2012 winner, this past March. A minority stake in 2011 winner Joseph Altuzarra's eponymous label was purchased by luxury conglomerate Kering in September 2013. Creatures of the Wind, the NYC-based brand founded by Shane Gabier and Chris Peters, which took home a runner-up prize in the 2011 competition, welcomed an investment from The Dock Group, a Los Angeles-based fashion investment firm, last year, as well.

Across the pond, the British Fashion Council/Vogue Fashion Fund has awarded prizes to a handful of designers who have gone on to land noteworthy investments. In January 2013, Christopher Kane (pictured below), the 2011 winner, sold a majority stake in his brand to Kering. Footwear designer Nicholas Kirkwood was named the winner 2013 in May and by September, a majority stake in his company had been acquired by LVMH.

Thus, while the exposure that fashion design competition participants gain, and the mentoring and monetary grants that the winners enjoy, are certainly not to be discounted, the takeaway is much larger than that. These competitions are becoming the new way for investors and luxury conglomerates to source new talent, and for young brands to land the outside investments that they so desperately need to produce their collections, expand their studio space, build upon their existing collections, and even open brick and mortar stores.

While no one has scooped up inaugural LVMH winner Thomas Tait’s brand yet or fellow winner, Marques'Almeida, it is likely just be a matter of time.Read more at:www.marieaustralia.com/short-formal-dresses | http://www.marieaustralia.com/formal-dresses-sydney
Mitchell  Dec 2011
Winning Salute
Mitchell Dec 2011
In the frame time with mimes
Circling around in rhyme
Where the whispers are shouted
And the misery is publicized
In colorful banners all emphasized
Take thy front foot to the left
And they back foot gone to theft
All here on the bitter mans salute
All here on the fitter mans salute
All here on the winning mans salute

And in sticking finicky horse flies
War torn and wishing they were never born
Telling tales that now are screened as myths
Where love is prophesized in the shape of gifts
No man may enter and no woman may squeal
We are all habits in finely packed eight dollar meals
Shipped off and clipped off
Like coupons were are richly scuffed
So here lie the bitter mans salute
So here lie the fitter mans salute
So here lie the winning mans salute

With the bid that went through by the government official
Stating that all tax will be in the form of red wax
Each child must pray to someone else so to obey
Kidnapped minds that grind their kinds as thin as lines
Non-sensical quotes that drift in the minds like long lost boats
Skimming the surface of a service of true freedom
Reaching millions with a smile with crossed fingers as long as miles
And here lie the bitter mans salute
And here lie the fitter mans salute
And here lie the winning mans salute

Our timing in the black market square
Makes all who enter shiver and dare
Know not who you hate only who you love
Take a start toward the finishing line above
Inside all of this lies no secret and no lie
Your heart will be broken but do not cry
Bright in the day but dark all around me now
The farmers in the field work with no plow
She's memorized by pity pain capturing her life
Sharpening the ****** weapon a heart shaped knife
Make your way down and
See the bitter mans salute
See the fitter mans salute
See the winning mans salute
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chances abuse palm week existed ignorant blind dice sheep agree joke spy spill odds immeasurable *** pushing wanderlust softly midst presents blade guided ripped round ball lovely rhythms beats cars glaze wash fates evening vein gloss juvenile sides faces graces month circular rung wheel rises permeates father supreme portal liked rip fades october sitting grin showing surrounded explored opened confused wall quietly deftly scene sighs lingering radio altered evaporated suns dreamed vibration important appetite exactly devil inhabiting brains ordinary beckons constant local organic soothing linger meditation moonlight lads height ethereal simplicity kinda cigarette suggest violence blew bombs arise trips predict surface guy movements grey car stepped large bank forward landed lied ancient purely crash direction inspired release warned melodic rhythmic telling mysticism blues riddle blur floating drama neck lover nerve poisonous glare factory wage character suburbia escaped gates 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Composed on 00:53, 21/09/2016 using Hello Poetry's 'Words' algorithm. We don't assume this means something.
WARNER BAXTER May 2015
Spinning
swirling slashing
powerful   tornado
lightning bolts thunder and sirens
Spinning* wind sounds like a train head Spinning
homes  spun  to  the  land  of  Oz
a whole town blown away
dizzy head still
Spinning



Grinning
dazed and confused
does not look like Kansas
told to follow  the yellow road
Grinning at the yellow road still Grinning
horse  of  a  different  color
merry old land of Oz
in awe always
Grinning



Winning
contests are fun
I am proud of my work
gold silver bronze honor awards
Winning is goal humbled if not Winning
Rictameters  are  fun  to write
thank you host and judges
I  am  happy
*Winning
mama janal Mar 24
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aniket nikhade Aug 2015
From over a period of time
From time to time
Again it has been assessed and proved
A loss of focus not only will cause delay, but also result in failure
Keep a focus on your goal
Awaken your mind
Activate your senses
Mobilize your thought process
Focus on your goal.

Obstacles have always been there in everyone's life
They are part of everyone's life
Dealing with obstacles enriches the level of experience
Skills are honed over a period of time
Same are put to test when overcoming an obstacle
Time and again it has been proved that time is the most critical factor in dealing with an obstacle
A lot of time gets consumed when tackling an obstacle
When dealing with an obstacle always be sure about yourself
Be firmly grounded
No matter what happens
Even when things get out of control
As each and everything moves towards an extreme end.

Recall, recollect and remember everything
From the past and from prior

Be optimistic about yourself
Don't give up
Never lose hope
Learn and remember
Keep it in mind
Dealing with obstacles is a part of reaching towards goal.

A lot of things come into focus when handling things in routine life
When we miss something
We learn from it
When we skip out something
We learn from it
As and when a mistake is made
We learn from it
Learning is a continuous process
Learning never stops
We learn new things and new ways
Learning has always remained a continuous process.

Shaping the future does add the much needed zinger and spice to routine life.
Since the process of learning continues it brings into focus many more new things
A few amongst them include progress, growth and reach
Each amongst the three has got a definite role to play in the present and also in future.

The outside world is a fast changing place
Different from all that we know
As and when you play a game
Important, you know rules of the game
Over a period of time things change
Then comes the right moment of time
Something for which you had been eagerly waiting for quite long
Having learnt from your own prior experience
Having honed your skills
Now you really know very well as to how to play the game
Now following the rules becomes part of your habit
Still a lot of things remain
The goal is still far away
Far, far away

When it comes to winning
Make sure you have got both experience and expertise
Experience and expertise works as a contrast
When to use the right element
In what ratio, depends on need of the hour.

When the right thing takes place at the right moment of time
From then onwards nature of things differ
Gradually everything starts happening in the right direction
Definitely time has a vital role to play in everyone’s life.

Learn as much as possible
Learn from the highs and lows of life
From the mistakes of your life
Learn from the experiences of the past
Imbibe as much as possible
Once on firm grounds, then move ahead
Make it a habit then and always remember
Keep it in mind
As and when you play a game, whenever you play a game
Winning is not an intention
It’s winning for which you are playing
It's your aim.

Give your best to achieve your aim
As and when you win,
Then,
From then onwards
Make it a habit of achieving your aim.
Sacrelicious Jul 2012
Boy,

She's
got you
all *******
again.

Just.
Bound.
Once more.

To her
infernal-eternal,
heart breaking
beauty.

Witch, she possesses.
you,
to play the pawn
in her *****'s game.

Like a champ.

But will you really be winning?

When you find all-o-those,
***** little secrets.

She has hidden in her black-lace-*******.

— The End —