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Shofi Ahmed Mar 2017
I wanted to sneak into
a space down the star
I couldn’t sleep in a night
Huh I was yet to get an
answer to a quiz why!

Though I showed a mirror
The moon floats in the night
gently, the dark could
mingles into the light.
But one couldn’t relay
My sweetie toyed it away!

As if no matter what if one
wishes so is free to sway.
Huh my sweetie toyed it away!

Did the Moon score
tapping in on the starry
night’s blackboard,
how many *****?
Who can tell, who can tell?
Though a cheering sun rises
In the end by the rose.
Myriads stars meltdown
in a stunner’s teardrop.
That stirs coming so close.
Yet is a dwarf over the ocean!

Touches the moon not
one that pulls the most.
The sea lives by the small earth
There is no law in love
My sweetie toyed it away!
nja Feb 12
She wanted to remain pure,
unstained,
unpoked.
She had toyed with getting a tattoo
but realised it wasn’t
individual anymore.
But she was in need of validation.
Was she past her peak? She’s still cool right?

The needle stuck into her skin like the scent of an old lover. It left a fizzy sensation behind.
The ink spread.
She kept poking,
stabbing,
stick n poking.

What emerged was a star.

Startled,
strained by Tar,
scarred,
her sparkle faded.
My experience of doing a stick n poke tattoo of a star on myself. My thoughts on my first tattoo. I called my star tattoo Tar.
Monogamy
more like
Fogogamy
man playing woman
Testing themselves
Filling this
Mythical void,
only leaving
women, so
Toyed and torn.

This False idea,
If woman are not mimicking the hand
they use to please themselves,
they simply wash their hands of them all together.
And then,
the relationship, she thought was smooth sailing
Completely switched up,became
this sinking ship with
no relation.
I don't hate men and I know woman do the same thing we are all people. That choose to use what we can to help our ego's at times I don't judge and I hope I don't offend anyone. I am just frustrated, cause I'm new to dating again I find the process to be difficult.
H E L E N A Feb 25
I think
I knew where I stood from the start,
Pallid petal, distilled from dust.

I thought
I was found, finally,
When the winds uncovered me

And I was brought
Far away, further
Towards the sky; the sun.

But to be brought was to be bought,
Sold and played out.
Pale were my affections, pale were my doubts.

To be hurled back onto the ground!
A shred, a tear to shed;
Tore me ー the torment of regrets.

If you only knew my pain;
To be suffered for worthless gains,
Perhaps, you would never want to fly again.
"Once a thing of beauty, now lies with the filthy."
All observation is from a particular point, but
acknowledged subjectivity's better than naught.
Thus follows some comments on their qualitative nature.
Use them as you deem. In this piece everything is as it seems.

Caffeine is unappreciated enough,
Give credit to that stimulant for the things it does.
Coffee has little time to play, for there are errands
to attend to before the light fades.

The amphetamine will spin you until you're spun,
The cathinone will also try you with its luck.
The stimulant is a trickster [touch within]
and a magician never reveals their secret,
Even when seeking it befalls endlessness.

Me and E(cstasy) used to dance all night,
Closer to all your dreams was as far
from the light, we soaked ourselves
in emotionality and I soared high:
Perfection in the dark
rekindled my heart
; 'cause
on pills you love everyone.

******* is always hungry but will never feed you
for it is naught but the scent of pure ego;
because on coke everyone loves you.

There is nothing to learn from an opioid or benzodiazepine
beyond the hedonistic stupor in-between awake and sleeping.
Similarly, cigarettes never taught me anything about myself
much like quick, ***** ***, that's nicotine and painkillers, in essence.

Alcohol is reliable for those sociable
but can hurt the body and scorn the emotional.
Drink toyed with me, then she abandoned me;
Despite that messiness I still reminisce occasionally.

Gamma-HydroxyButyric acid [GHB] requires utmost caution,
One must observe the proper conduct when
wading through such subtle intoxication.

Don't use ket too much, don't use angel dust.
If you want a supreme arylcyclohexylamine
seek out methoxetamine, use it responsibly.
Dissociation, end of line; no[thing is o]ne.

Always be considerate before transcending reality,
Reverence for psychedelics keeps them self-regulatory.
Of all the compounds they would humble and reveal to you;
Existential, being when tripping; every[is]one.

Cannabis I dared to use recreationally
for it often reminded us when one should act sensibly.
That deep conversing with trusted friends
is better than any substance I have ever had the nerve to test
.
I was seeking to be lost,
In that journey I found myself
and composed this journal from said
karin naude Apr 2013
pictures of past lovers are looked through the eyes of a woman scorned
dragged down into the depths of hell
by a fiery monster that mishandles me
striking yellow eyes
each breath felt on my bruised skin
he mutilates me for fun
my screams echos through the empty corridors of hell
all the while having to watch my past over and over again
made to relive each moment magnified
torture would have been a far lessor punishment
my face has to remain neutral as i look at pictures of lovers past under the careful gaze of others

the anger in my ever grows
these men they toyed with me as if i was not human
in there eyes my soul did not breath
i was no more than a second thought
i run through the corridors
trying to open doors while trying to stay out of the clutches of my captor
i need the find the door to mercy
i stumble
broken the monster finds me
.
Bonnie & Clyde

You held my hart in your hands and my soul in your mouth, we watched the moon slip through the dark knight, A lullaby of blood and sticky labels, reach for the sky, reach for the sky, No more dollars, No more heists, No more; No more, Bonnie & Clyde.

won't you save me, for I've been running all my life, I've been sinning, I've been stealing and I know that that ain't right, won't you save me, won't you teach me right from wrong, I've been sinning, I've been stealing, please take me home.

We sang to the pound of the engine, you lay your head in my lap, so sweet so simple, you toyed with the coins in my pocket, reach for the sky, reach for the sky, No more dollars, No more heists, No more; No more, Bonnie & Clyde.

won't you save me, for I've been running all my life, I've been sinning, I've been stealing and I know that that ain't right, won't you save me, won't you teach me right from wrong, I've been sinning, I've been stealing, please take me home.

We danced to the  backdrop of yellow fields, spattered with red confetti, shookhands with the devil, all dressed in rags, reach for the sky, reach for the sky, No more dollars, No more heists, No more; No more, Bonnie & Clyde.

The devil he has taken me, and I can't run no more, No more sinning or stealing, for now my life is done; you can't save me, You can't teach me right from wrong, No more sinning, No more stealing, For now this soul has gone.

Ten cops, camera and a smile, Photo for a trophy, V8 Ford full of holes, reach for the sky, reach for the sky, No more dollars, No more heists, No more; No more, Bonnie & Clyde.
Gospel song  sung by bonnie,
Bonnie's redemption prayer;
but it still all ends in bloodshed.
Terry O'Leary  Sep 2013
NeverLand
Terry O'Leary Sep 2013
NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
    such strange things ‘have Never happened in our Land’,
    such quaint things ‘could Never happen in our Land’’,
    such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

    The ***** grinder preaches fine on Sunday afternoons -
    he quotes from books but overlooks the Secrets Carved in Runes:
    “You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
    it’s sink or swim as echoed dim in swinging door saloons”.
    The laughingstocks are flinging rocks at ball-and-chained baboons.

    While ghetto boys are looting toys preparing for their doom
    and Mademoiselles are weaving shells on tapestries with looms,
    Cathedral cats and rafter rats are peering in the room,
    where ragged strangers stoop for change, for coppers in the gloom,
    whose thoughts are more upon the doors of crypts in Christmas bloom,
    and gold doubloons and silver spoons that tempt beyond the tomb.

    Mid *** shots from vacant lots, that strike and ricochet
    a painted girl with flaxen curl (named Wendy)’s on her way
    to tantalise with half-clad thighs, to trick again today;
    and indiscreet upon the street she gives her pride away
    to any guy who’s passing by with time and cash to pay.
    (In concert halls beyond the Walls, unjaded girls ballet,
    with flowered thoughts of Camelot and dreams of cabarets.)

    Though rip-off shops and crooked cops are paid not once but thrice,
    the painted girl with flaxen curl is paring down her price
    and loosely tempts cold hands unkempt to touch the merchandise.
    A crazy guy cries “where am I”, a ****** titters twice,
    and double quick a lunatic affects a fight with lice.

    The alleyways within the maze are paved with rats and mice.
    Evangelists with moneyed fists collect the sacrifice
    from losers scorned and rubes reborn, and promise paradise,
    while in the back they cook some crack, inhale, and roll the dice.

    A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
    with broken neck, he looks a wreck, the sparrows all aflutter,
    the passers-by, they close an eye, and turn their heads and mutter:
    “Let’s pray for rains to wash the lanes, to clear away the clutter.”
    A river slows neath mountain snows, and leaves begin to shudder.

    The jungle teems, a siren screams, the air is filled with ****.
    The Reverent Priest and nuns unleash the Holy Shibboleth.
    And Righteous Jane who is insane, as well as Sister Beth,
    while telling tales to no avail of everlasting death,
    at least imbrue Hagg Avenue with whisky on their breath.

    The Reverent Priest combats the Beast, they’re kneeling down to prey,
    to fight the truth with fang and tooth, to toil for yesterday,
    to etch their mark within the dark, to paint their résumé
    on shrouds and sheets which then completes the devil’s dossier.

    Old Dan, he’s drunk and in a funk, all mired in the mud.
    A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
    “I’m feeling pain and crying rain and flailing in the flood
    and no god’s there inclined to care I’m always coughing blood.”
    The Monk, he turns, Dan’s words he spurns and lets the bible thud.

    Well, Banjo Boy, he will annoy with jangled rhymes that fray:
    “The clanging bells of carousels lead blind men’s minds astray
    to rings of gold they’ll never hold in fingers made of clay.
    But crest and crown will crumble down, when withered roots decay.”

    A pregnant lass with eyes of glass has never learned to cope.
    Once set adrift her fall was swift, she slid a slipp’ry ***** -
    she casts the Curse, the Holy Verse, and shoots a shot of dope,
    then stalks discreet Asylum Street her daily horoscope -
    the stray was struck by random truck which was her only hope.

    So Banjo Boy, with little joy, he strums her life entire:
    “The wayward waif was never safe; her stars were dark and dire.
    Born midst the rues and avenues where lack and want aspire
    where no one heeds the childish needs that little ones require;
    where faith survives in tempest lives, a swirl within the briar,
    Infinity grinds as time unwinds, until the winds expire.
    Her last caprice? The final peace that no one could deny her -
    whipped by the flood, stray beads of blood cling, splattered on the spire;
    though beads of sweat are cool and wet, cold clotted blood is dryer.”

    Though broken there, she’s fled the snare with dying thoughts serene.
    And now she’s dead, the rumours spread: her age? a sweet 16,
    with child, *****, her soul dyed red, her body so unclean.
    A place is sought where she can rot, avoiding churchyard scenes,
    in limey pits, as well befits, behind forbidding screens;
    and all the while a dirge is styled on tattered tambourines
    which echo through the human zoo in valleys of the Queens.

    Without rejoice, in hissing voice, near soil that’s seldom trod
    “In pious role, God bless my soul”, was mouthed with mitred nod,
    neath scarlet trim with black, and grim, behind a robed facade -
    “She’ll burn in hell and sulphur smell”, spat Priest and man of god.

    Well, angels sweet with cloven feet, they sing in girl’s attire,
    but Banjo Boy, he’s playing coy while chanting in the choir:
    “The clueless search within the church to find what they desire,
    but near the nave or gravelled grave, there is no Rectifier.”
    And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

    A sodden dreg with wooden leg is dancing for a dime
    to sacred psalms and other balms, all ticking with the time.
    He’s 22, he’s almost through, he’s melted in his prime,
    his bane is firm, the canker worm dissolves his brain to slime.
    With slanted scales and twisted jails, his life’s his only crime.

    A beggar clump beside a dump has pencil box in hand.
    With sightless eyes upon the skies he’s lying there unmanned,
    with no relief and bitter grief too dark to understand.
    The backyard blight is hid from sight, it’s covered up and bland,
    and Robin Hood and Brother Hood lie buried in the sand.

    While all night queens carve figurines in gelatine and jade,
    behind a door and on the floor a deal is finally made;
    the painted girl with flaxen curl has plied again her trade
    and now the care within her stare has turned a darker shade.
    Her lack of guile and parting smile are cutting like a blade.

    Some boys with cheek play hide and seek within a house condemned,
    their faces gaunt reflecting want that’s hard to comprehend.
    With no excuse an old recluse is waiting to descend.
    His eyes despair behind the stare, he’s never had a friend
    to talk about his hidden doubt of how the world will end -
    to die alone on empty throne and other Fates impend.

    And soon the boys chase phantom joys and, presto when they’re gone,
    the old recluse, with nimble noose and ****** features drawn,
    no longer waits upon the Fates but yawns his final yawn
    - like Tinker Bell, he spins a spell, in fairy dust chiffon -
    with twisted brow, he’s tranquil now, he’s floating like a swan
    and as he fades from life’s charades, the night awaits the dawn.

    A boomerang with ebon fang is soaring through the air
    to pierce and breach the heart of each and then is called despair.
    And as it grows it will oppose and fester everywhere.
    And yet the crop that’s at the top will still be unaware.

    A lad is stopped by roving cops, who shoot in disregard.
    His face is black, he’s on his back, a breeze is breathing hard,
    he bleeds and dies, his mama cries, the screaming sky is scarred,
    the sheriff and his squad at hand are laughing in the yard.

    Now Railroad Bob’s done lost his job, he’s got no place for working,
    His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
    The union man don’t give a ****, Big Brother lies a’ lurking,
    the boss’ in cabs are picking scabs, they count their money, smirking.

    Bob walks the streets and begs for eats or little jobs for trying
    “the answer’s no, you ought to know, no use for you applying,
    and don’t be sad, it aint that bad, it’s soon your time for dying.”
    The air is thick, his baby’s sick, the cries are multiplying.

    Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
    their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
    Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
    and midnight dreams abound with screams. Bob knows he needs to hurry.
    It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
    he chooses gas, they breathe their last, there’s no more cause to worry.

    Per protocols near ivied walls arrayed in sage festoons,
    the Countess quips, while giving tips, to crimson caped buffoons:
    “To rise from mass to upper class, like twirly bird tycoons,
    you stretch the treat you always eat, with tiny tablespoons”

    A learned leach begins to teach (with songs upon a liar):
    “Within the thrall of Satan’s call to yield to dim desire
    lie wicked lies that tantalize the flesh and blood Vampire;
    abiding souls with self-control in everyday Hellfire
    will rest assured, when once interred, in afterlife’s Empire”.
    These words reweave the make believe, while slugs in salt expire,
    baptised in tears and rampant fears, all mirrored in the mire.

    It’s getting hot on private yachts, though far from desert plains -
    “Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
    Beyond the blame and pit of shame, outside the Walled domains,
    they pet their pups and raise their cups, take sips of pale champagnes
    to touch the tips of languid lips with pearls of purple rains.

    Well, Gypsy Guy would rather die than hunker down in chains,
    be ridden south with bit in mouth, or heed the hold of reins.
    The ruling lot are in a spot, the boss man he complains:
    “The gypsies’ soul, I can’t control, my patience wears and wanes;
    they will not cede to common greed, which conquers far domains
    and furtive spies and news that lies have barely baked their brains.
    But in the court of last resort the final fix remains:
    in boxcar bins with violins we’ll freight them out in trains
    and in the bogs, they’ll die like dogs, and everybody gains
    (should one ask why, a quick reply: ‘It’s that which God ordains!’)”

    Arrayed in shawls with crystal *****, and gazing at the moons,
    wiled women tease with melodies and spooky loony tunes
    while making toasts to holey ghosts on rainy day lagoons:
    “Well, here’s to you and others too, embedded in the dunes,
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