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Laying around
about the dorm room
Bored
Looking for quick
Stupid cash
We came upon a listing
My roommate and I
in the local paper
Artist models needed
No experience necessary
That was key

The guy on the phone was chirpy
He lived
Close by in Oakland
He gave us directions to where
He would pick the two of us up
We
Would take the bus
He would be in a station wagon
Beige

He met us sure enough
Old
Old as the ******* sea
Formal suit and tie
Maybe a hat
We drove back to the apartment
And entered
First my roommate
And then myself

A ****** yellowed set of rooms
Where we will be heading to the right
To the kitchen
I’ve noticed the battered ***** *****
Mattress
Also
To the right
Stains and an attached clamp lamp
A single stark bulb

We were greeted by an even chirpier young lady
She was like a baby Joan Jett
All rocker black and leather
Sleek hair slicked back
She seemed somehow to like
really really old men

She took over and reached
for the plastic folder
She handed it to us
“You need to look at this before we go on
This is what we do”

Obediently, we cracked it open
and peered inside
Bent over we studied
Sticky plastic pages
Of brightly faced girls
Page
After
Page
Smiling with awkward innocence
No bright eyes nor youthful effanescance
No desire
Nothing wet
Except their palms with thoughts of escape
And 100 dollars

I only remember the girls whose makeup faded around the neck to betray
the true color of their flesh
Not flushed at all with sticky expectation
They left no impression in their nakedness
Ghosts
Shades
They should have been in class or doing something else

But our Joan!
Joan was a star.
Her photos were full of sass and delight
She was more than happy
to show you her ******
Over and over and over
She said
Actually
it’s a club
The guys pay a monthly fee
And they come here and shoot
In the apartment or maybe outside
They cannot touch.
There is no *******.
Mostly they shoot
Me.

Alone.
A Pixie Star.
This was were that old man’s money was.

I don’t remember what she told us
What she used to do before
this had to be a moment
A rather short moment
She would move along because
This kink was overstuffed with
impotence
and ineptitude.
Kink that might be easier to deal
With
On a properly lit stage
Or a quiet motel room with the shades drawn
Cash up front.

But for now
She was the enterprise.
And what would he do without her?
We three giggled and guffawed
in the little kitchenette.
We weren’t game for the arrangement.
She knew that.
But she liked to talk.
Men like that are pathetic.

Seriously why would we do this?
All those faces in the book!
Four on a page
Excitedly, we thought that we recognized
One or two
I know her!
Look I know her! I’ve seen her
in the Poli-Sci Building!
I’m sure we did not know any of them.

The mattress.
I could not fathom what happened on that thing.
I don’t want to know.
I had to look the other way as we left.
Did he perform
Abortions?
With hangers and kitchenware
Can ******* be that messy?
Just opening your legs?

We said goodbye to her!
She was wonderful.
She would sparkle forever.
Joan Jett!
Piling back into this hoarder’s
station wagon amongst
the musty boxes and newspapers
strewn all over the backseat with us
He drove
to the bus stop
A waste of his time
Disgruntled
Failure

He asked
How should this ad read
so that
this doesn’t happen again?
We offered no suggestions.
It had been fun
However idiotic.
I don’t remember
how long it was that
we kept our bus trip
secret.
Sabbathius Dec 2014
Plunge yourself into the abyss
Forget all the things you’d miss
Give in to nature's embrace
Leaving behind not a single trace
Boldly venturing into the unknown
Facing all kinds of dangers alone!

Put aside your troubles and worries
Forget about the same old stories
Point your finger and close your eyes
Spin around, give it a hundred tries
Take whatever you need and flee
Nevermind the direction, do it for me!

It's time to cross the seas,
Climb the tallest of all trees!
Knock down a hive of bees,
So just get up off your knees!

It's time to fight with sharks!
To be the one who barks!
Quit strolling around the parks
Quit scoring the lowest marks


*Self-Exile for Amateurs by João Massada is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Sometimes I just feel like leaving this noisy city and boring routine, and go live an adventure in the woods, or a tropical island, to be in contact with nature
WickedHope  Sep 2014
Amateurs
WickedHope Sep 2014
So you want to forget?
You have a drink.
Or six.
So you want to get high?
You roll your own.
Light up.
So you want to feel alive?

All you little amateurs,
Let me show you.
Come join me
In my chemical chemistry factory,
Or my suicide surgical stand,
Homemade scalpel in my hand.
I can help you.
I feel the opposite of alive.
If I was brave, I'd take my life.
Sabrina May 2015
you wouldn't need a second chance
  if you had treated me right the first time
kick em to the curb ladies
thrcy Apr 2016
No poem in the world could ever describe the abundance of love you have showed me. Nor every lyric to a love song could ever compare to how you take care of me, how you caress me into your arms for a hug after a bad day I was having and in that moment I knew everything was going to be alright with you by my side. Lovely Stoner I want you to know, you mended my broken heart and months ago I was on fire just waiting for myself to burn. But when you touched me, you turned that disastrous ugly burning fire, into a magnificent lovely firework and showed me off to the world just to remind me that my existence and my beauty is still admired by other people. Lovely stoner thank you for reminding me that I don't need to search for my other half because I'm not  a half, I am full just by myself. That I am full of love and beauty that only a few people could ever see and you felt bad for them because they couldn't see it. Thank you for being good for my mental health, for loving my insecurities and my flaws and for making a heart for each of my flaws, because I should learn to love myself no matter what. For showing me that I don't have to prove my importance to other people because you said if somebody can't see what a masterpiece I am, they didn't know what art looked like and you called them amateurs. I remember you once told me I am like the moon, who goes through phases because of my mood swings and the moon isn't always bright and full, for I have my bad days and I feel this emptiness at times but you said "you don't ever stop loving her." You told me that throughout your dark time I was the moon to guide you through and the moon dusted has clouded your vision and I lit up your life like no one else has. In that moment you said the most honest and heartfelt thing to me and I've never been so close to anyone ever. Thank you for only making me cry out of laughter and my stomach doesn't even hurt from laughing and realizing in the middle of the laughter that you are the one. I wouldn't want to go through the bad times with someone else and through my good times I just want to spend it with you. Thank you for making every day as special as it can be and for having the patience with me. I love when you take me high through my lows. I know you aren't the romantic gesture type, but thank you for always showing you love me in the simple little gesture type of way. Thank you for accepting and loving me just the way I am lovely stoner.
lovely stoner part VI
Firefly Sep 2014
“Discipline allows magic. To be a writer is to be the very best of assassins. You do not sit down and write every day to force the Muse to show up. You get into the habit of writing every day so that when she shows up, you have the maximum chance of catching her, bashing her on the head, and squeezing every last drop out of that *****.”
― Lili St. Crow

“What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat.’ And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.’” — Maya Angelou

“Suggestions? Put it aside for a few days, or longer, do other things, try not to think about it. Then sit down and read it (printouts are best I find, but that’s just me) as if you’ve never seen it before. Start at the beginning. Scribble on the manuscript as you go if you see anything you want to change. And often, when you get to the end you’ll be both enthusiastic about it and know what the next few words are. And you do it all one word at a time.” — Neil Gaiman

“Meggie Folchart: Having writer's block? Maybe I can help.
Fenoglio: Oh yes, that's right. You want to be a writer, don't you?
Meggie Folchart: You say that as if it's a bad thing.
Fenoglio: Oh no, it's just a lonely thing. Sometimes the world you create on the page seems more friendly and alive than the world you actually live in.”
― David Lindsay-Abaire

“Now, what I’m thinking of is, people always saying “Well, what do we do about a sudden blockage in your writing? What if you have a blockage and you don’t know what to do about it?” Well, it’s obvious you’re doing the wrong thing, don’t you? In the middle of writing something you go blank and your mind says: “No, that’s it.” Ok. You’re being warned, aren’t you? Your subconscious is saying “I don’t like you anymore. You’re writing about things I don’t give a **** for.” You’re being political, or you’re being socially aware. You’re writing things that will benefit the world. To hell with that! I don’t write things to benefit the world. If it happens that they do, swell. I didn’t set out to do that. I set out to have a hell of a lot of fun.

I’ve never worked a day in my life. I’ve never worked a day in my life. The joy of writing has propelled me from day to day and year to year. I want you to envy me, my joy. Get out of here tonight and say: ‘Am I being joyful?’ And if you’ve got a writer’s block, you can cure it this evening by stopping whatever you’re writing and doing something else. You picked the wrong subject.” — Ray Bradbury at The Sixth Annual Writer’s Symposium by the Sea, 2001

“writing about a writer's block is better than not writing at all”
― Charles Bukowski, The Last Night of the Earth Poems

Biting my truant pen, beating myself for spite:
"Fool!" said my muse to me, "look in thy heart, and write.”
― Philip Sidney, Astrophel and Stella



“What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat.’ And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.’” — Maya Angelou

“Suggestions? Put it aside for a few days, or longer, do other things, try not to think about it. Then sit down and read it (printouts are best I find, but that’s just me) as if you’ve never seen it before. Start at the beginning. Scribble on the manuscript as you go if you see anything you want to change. And often, when you get to the end you’ll be both enthusiastic about it and know what the next few words are. And you do it all one word at a time.” — Neil Gaiman

“I encourage my students at times like these to get one page of anything written, three hundred words of memories or dreams or stream of consciousness on how much they hate writing — just for the hell of it, just to keep their fingers from becoming too arthritic, just because they have made a commitment to try to write three hundred words every day. Then, on bad days and weeks, let things go at that… Your unconscious can’t work when you are breathing down its neck. You’ll sit there going, ‘Are you done in there yet, are you done in there yet?’ But it is trying to tell you nicely, ‘Shut up and go away.'” — Anne Lamott, Bird by Bird

“Now, what I’m thinking of is, people always saying “Well, what do we do about a sudden blockage in your writing? What if you have a blockage and you don’t know what to do about it?” Well, it’s obvious you’re doing the wrong thing, don’t you? In the middle of writing something you go blank and your mind says: “No, that’s it.” Ok. You’re being warned, aren’t you? Your subconscious is saying “I don’t like you anymore. You’re writing about things I don’t give a **** for.” You’re being political, or you’re being socially aware. You’re writing things that will benefit the world. To hell with that! I don’t write things to benefit the world. If it happens that they do, swell. I didn’t set out to do that. I set out to have a hell of a lot of fun.

I’ve never worked a day in my life. I’ve never worked a day in my life. The joy of writing has propelled me from day to day and year to year. I want you to envy me, my joy. Get out of here tonight and say: ‘Am I being joyful?’ And if you’ve got a writer’s block, you can cure it this evening by stopping whatever you’re writing and doing something else. You picked the wrong subject.” — Ray Bradbury at The Sixth Annual Writer’s Symposium by the Sea, 2001

“The secret of getting ahead is getting started. The secret of getting started is breaking your complex overwhelming tasks into small manageable tasks, and then starting on the first one.” — Mark Twain

“The best way is always to stop when you are going good and when you know what will happen next. If you do that every day … you will never be stuck. Always stop while you are going good and don’t think about it or worry about it until you start to write the next day. That way your subconscious will work on it all the time. But if you think about it consciously or worry about it you will **** it and your brain will be tired before you start.” — Ernest Hemingway

“Many years ago, I met John Steinbeck at a party in Sag Harbor, and told him that I had writer’s block. And he said something which I’ve always remembered, and which works. He said, “Pretend that you’re writing not to your editor or to an audience or to a readership, but to someone close, like your sister, or your mother, or someone that you like.” And at the time I was enamored of Jean Seberg, the actress, and I had to write an article about taking Marianne Moore to a baseball game, and I started it off, “Dear Jean . . . ,” and wrote this piece with some ease, I must say. And to my astonishment that’s the way it appeared in Harper’s Magazine. “Dear Jean . . .” Which surprised her, I think, and me, and very likely Marianne Moore.” — John Steinbeck by way of George Plimpton

“Over the years, I’ve found one rule. It is the only one I give on those occasions when I talk about writing. A simple rule. If you tell yourself you are going to be at your desk tomorrow, you are by that declaration asking your unconscious to prepare the material. You are, in effect, contracting to pick up such valuables at a given time. Count on me, you are saying to a few forces below: I will be there to write.” — Norman Mailer in The Spooky Art: Some Thoughts on Writing

“[When] the thoughts rise heavily and pass gummous through my pen… I never stand conferring with pen and ink one moment; for if a pinch of ***** or a stride or two across the room will not do the business for me — … I take a razor at once; and have tried the edge of it upon the palm of my hand, without further ceremony, except that of first lathering my beard, I shave it off, taking care that if I do leave hair, that it not be a grey one: this done, I change my shirt — put on a better coat — send for my last wig — put my topaz ring upon my finger; and in a word, dress myself from one end to the other of me, after my best fashion.” — Laurence Sterne

“I learned to produce whether I wanted to or not. It would be easy to say oh, I have writer’s block, oh, I have to wait for my muse. I don’t. Chain that muse to your desk and get the job done.” — Barbara Kingsolver

“Writer’s block…a lot of howling nonsense would be avoided if, in every sentence containing the word WRITER, that word was taken out and the word PLUMBER substituted; and the result examined for the sense it makes. Do plumbers get plumber’s block? What would you think of a plumber who used that as an excuse not to do any work that day?

The fact is that writing is hard work, and sometimes you don’t want to do it, and you can’t think of what to write next, and you’re fed up with the whole **** business. Do you think plumbers don’t feel like that about their work from time to time? Of course there will be days when the stuff is not flowing freely. What you do then is MAKE IT UP. I like the reply of the composer Shostakovich to a student who complained that he couldn’t find a theme for his second movement. “Never mind the theme! Just write the movement!” he said.

Writer’s block is a condition that affects amateurs and people who aren’t serious about writing. So is the opposite, namely inspiration, which amateurs are also very fond of. Putting it another way: a professional writer is someone who writes just as well when they’re not inspired as when they are.” — Philip Pullman
Really stop waiting for your muse. These quotes came from various sources,thus including:Books Taking Up Space In The Bookshelf,Journals, and of course The Internet.
Days gone without writing: 9

A new poetry posting site from God's own country, Kerala in India

Poetry dates all the way back to the beginnings of Humanity. People have always been questioning nature, and the day-to-day existence of themselves and other humans love, death, survival, war, injustice, and the universe are all examples of things that have been questioned by men and woman since the roots of human existence. Whether in nursery rhyme, ballad, jingle, rhyme, anthem, or music, people have found poetry to be an outlet for expressing these questions, sensations, and experiences

People often associate it with strict rhyming patterns, complicated vocabulary, hidden iconic meanings, and difficult rhythmical conventions. Poetry is even taught in school to be an intricate, complicated, inexplicable puzzle. True, poetry is difficult. Sure, it can be harder to understand than prose. However, that is only because sometimes it is involved with your inescapable complexities
and uncertainties of your existence.

In this era when the soul wants to go on a spree, imagination and creativity are all merged to serve and let you fulfill your wish to express. The pen, mightier than the sword, is free and can conquer hearts all over the world. So here is a site which allows unity in diversity and considers not cultural and racial barriers. It welcomes professionals and amateurs equally as poetry believe not in prejudice. Human beings are free to write their feelings and emotions. We therefore invite here people from all over the world to celebrate under the ipoetree. Feel at home here under the shade of this tree which
pines to have as fruits your poems.

Williamsji Maveli (Williams George Maveli) is an enthusiastic and solid writer. He is a sincere, resourceful and diligent in his poetic work. He is very well connected and networked within the literary community and is willing to take up projects even in his tight schedules. His writings reflect the amount of research on the current events that has gone into it along with his knowledge and expertise in the field. However, Williamsji’s many poems are simple to read, interpret, and understand. His latest book, titled “ARAMVIRALTHUMBATHU…” (On the tip of the sixth finger), is now published and released by H & C Books,Trichur, Kerala in India, which is a collection of lyrics.

If anyone is interested, please email to williamsji@yahoo.com or write to

WILLIAMSJI MAVELI
PO BOX 3
ANGAMALY
ERNAKULAM DISTRICT,
KERALA - INDIA

www.ipoetree.in
Where Poets grow and glow !
If anyone is interest in the above poetry site, Please write to williamsji@yahoo.com
Crimsyy  Mar 2017
Amateurs
Crimsyy Mar 2017
I can taste the clouds
when our hands are intertwined
and his utterances always linger
but more like euphoria than
a shattered spine.
And I've never spoken to him
a lukewarm truth,
I've never loved him in grey;
We're amateurs,
cradled by caffeine on
Monday mornings,
still learning how flowers
can break through skin
that's mourning.
Mateuš Conrad Oct 2016
they never tell you about the seagulls and the pigeons, do they?
sure sure, they have the bees and the birds covered,
your #mama and your #papa - you overheard them doing the
piston orchestra and said: the sort of onomatopoeia that
sounds just like you, that silences the sort of: just like you.
but why not listen with covert  benignant anticipation -
i did think English was a rotten
tongue, but i think French is worse...
                                                        ­  endear you? sure:
                 they put these additions
to the encoding, but never, ever explain how it works...
if dialectical is gone then diacritical
remains...
                                          ­                               and it's there,
a pink ostrich doing the go-g'ah dance
imbecile pigeon: neck a strut and half
by half nearly hanging off a desecrated body that's in limbo
on the scaffold where Charles I met his first cousin ******
thanks to Ollie Cromwell.... none of the Versailles
i have you know....
                            there should be a Greek
                   Kn                  symbol....
             not K as in potassium... something more.
and i'd never hear ****** jesus' i'm
the mountain                            on the radio,
thank you advertisement.
               but that thing about Jihadist French?
well... it's here,
                               i thought the English
were bad with not using diacritical marks,
second in command? diacritics,
first in command? dialectics?
abandon the first, the second is hyenas' razor
sharp: bite and smile at the same time.
           no, i'm not joking...
i'm choking you.
                             this is what the Jihadist in France
saw...
                            main example? how diacritical marks
**** around the syllable laws...
             bypass them straight... past them...
             main example? they never teach this...
i was never taught this, i was taught this in
an anti-alphabet ruling - it's not atomic
(but it really is), hence it's compounded -
but it's really atomic,
               where are the ancient atomic scientists now?
nowhere.
                         all of this came from
a footnote from maldoror, by isidore ducasse -
i too thought about putting Uruguay on the map -
                    in the notes, the use of "accent",
yes, a revelation from on high -
                      look at the French, how they speak it:
aplatissement
                             apply diacritic revision
and cut off the excess: aplatissemą -
                             (humiliation) -
          if only the French, then only the French know
how to create dyslexia... excess spelling
where distinct phonetic units should exist -
they never teach you how diacritical marks change
the syllable cutting up, the butcher's or forensic's inquiry -
                 they never teach you the use of diacritical
marks like they might teach you punctuation markings -
                  they never do the science of liberated pause -
liberated i.e. understood -
                                    you're just given the fudge
and told... CHEW! CHEW! CHEW!
                                    they never tell you how to
cut-up words as they should be cut up..
                                   never did they say
colon = umlaut over u and means prolonged
   i.e. uu          or omega
                                        because never was the
current aesthetic questioned...
                             Dictator Blue, adherent of
the dictionary bible said: already said, rex, rex, ego rex.
                    but there's this thing going on
from above - on high -
                           and all they want is to understand...
                  even i would hate to be left out...
still from the notes from the book maldoror -
                s'arrêter à             (to dwell on /
                                     stress) -
ê (circumflex) is like the grave approach -
                 the circumflex is binding -
            i.e. the -er is optional, but a necessary
aesthetic for the form to be written, but not said -
meaning the sound units disappear -
                  hands on the joints, a book is closed -
ê represents this: s'arrêt
                                                         ­  (-er) -
                   saret -
                                            ugly, isn't it?
well, if you wrote             saret
                rather than      s'arrêter               you wouldn't
be looking at the Louvre -                again, even without
diacritical marks you don't say     Louvré -
                                          but Loùvre -
               so the ê
                                     binds the r and t
   and makes                  the   -er obsolete -
which is why French is worse than English:
it utilises diacritical marks
                                       for odd syllable intakes
and other surgeon oddities -
    to learn the proper use of diacritics (using French
as a canvas) is to learn syllables again, and again...
all over again... one might say:
at least the English do not use diacritical markings
and subconsciously are so thoroughly
accommodating to alien cultures...
                       and that's justifiable, they are the fathers
of globalisation... they use phonetic encoding
without diacritical markings to enshrine
a Bangladeshi English, as much as a German English...
   they are the propagators of accents -
even the Scots are speaking proudly about the
matter of fact...
                            so indeed, diacritical marks
are not only concerns for aesthetic reasons,
but is pronunciation markings within words,
                          not between words:
intra                     v.                inter                  (wording);
they never teach you how to extend a sentence
with a semi-colon (;), because they only managed
to tell you that means wink: ;) -
                          in the same way that they didn't tell
you that a colon is (a) making a list, but also
       (b) an emphasis - the alternative to italics.
they didn't! i know they didn't because they didn't
teach me this!             i had to learn it myself!
              which is why i find diacritics so fascinating
that dialectics and its abandonment can rot in hell...
at least i don't have to deal with nuanced opinions
or the discussion or the non-discussion of
                 opinions...
                                       i can look at something
and see the blatant pronunciation dynamics at work...
            not between words, but inside words...
French is the best to investigate...
                        maybe that's why the Jihadists are
attacking France, from sheer frustration at not being
given access to the cordiality of speech when
settling into their envisioned Caliphate misnomer -
                    but diacritical marks are precisely that:
and when amateurs teach they never bother explaining
the atoms, they just say: turkey! gobble up that frying pan!
and you do! you are never given the most basic units,
you're never told what the time-span between a
full dot (.) and a semi-colon (;) is...
                                        ****: you can run a mile or
100 metres in under 10 seconds, but when it comes
to an aesthetic pause you're told to start
the hyperventilation sequence or blame it on asthma
rather than
                                 what's actually the archaeology of
rhetoric - these are rhetorical symbols...
                                   and that's the foremost question
that needs a debate: how to make rhetorical puncture
symbols into aesthetic symbols -
                   how to steal from rhetoric and do a Robin
Hood for aesthetic? primarily because there are
punctuation signs above letters, or below letters -
                   < (more than)
                                 > (less than)
      and the circumflex and caron -
                                         tilde
  or approx. 5                              i.e. ~5...
            and the millionth additive to make decimals
shake...
                                you never get told this...
if i was told the basics of diacritical markings enabling
a smoother syllable dissection i'd probably speak German
fluently...
                       when i should have been given crumb-like
understanding of a language, i was given a whole
loaf of bread, for ***** sake; that ain't cool -
          teach me language from the basics,
on the promise of teaching me a language like i might
be taught penguin talk: on the promise of
an onomatopoeia deciphering: it sounds like this...
                   : + u = oo             onomatopoeia e.g.:
                       pool                    /                  pull -
yes, the quiet literal representation -
  but English can be ***** by this appropriation -
not utilising diacritical marks makes certain words
sound alike but be spelled differently,
            via the same methodology extending into
certain letters being pronounced as entire words;
e.g.                   why                                  &             y.
reason? missing diacritical marks.
             oh, and the most blatant form of Judaism
  given              y               h                    w               h
                   without Abraham, without Moses,
without circumcision         without Jesus...
                                                               choice is yours.
Ils ont vu les Pays-Bas, ils rentrent à Terre Haute;
Mais une nuit d’été, les voici à Ravenne,
A l’aise entre deux draps, chez deux centaines de punaises;
La sueur aestivale, et une forte odeur de chienne.
Ils restent sur le dos écartant les genoux
De quatre jambes molles tout gonflées de morsures.
On relève le drap pour mieux égratigner.
Moins d’une lieue d’ici est Saint Apollinaire
En Classe, basilique connue des amateurs
De chapitaux d’acanthe que tournoie le vent.

Ils vont prendre le train de huit heures
Prolonger leurs misères de Padoue à Milan
Où se trouvent la Cène, et un restaurant pas cher.
Lui pense aux pourboires, et rédige son bilan.
Ils auront vu la Suisse et traversé la France.
Et Saint Apollinaire, raide et ascétique,
Vieille usine désaffectée de Dieu, tient encore
Dans ses pierres écroulantes la forme précise de Byzance.

— The End —