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Chad Young Feb 2021
What is quantifiable are the symbols. What isn't quantifiable are the zones between the symbols, unless there are many symbols present that form spaces.
There are partial symbols, i.e. a gesture of an animal is present but not the form of the animal.
Reality stays more abstract with partial symbology.
What is known about the symbol gives reality meaning.
Speaking of visions as symbols separates the meaning from the visual experience.
The person who doesn't see the symbol as the reality has not been exposed to reality which is somewhat hard to ascertain.
When, in dreams for example, there are just collages of things, it is hard to say that it is more than a collage. But if I recognize symbology, it allows me to see every part of the picture.
Symbols are more for the artist than the scientist who simply wants to verify what happens in reality. While transcendent of verification of meaning is reality "filler", yet it attains to meaning only if it is seen as symbol.
The filler is more abstract because logic only exists here if we consciously give something meaning. Otherwise a huff of a dog, for example, is merely a passing image.
Since concrete objects already have existential meaning, they cannot constitute as filler.
Visions, because they only partially exist, calls into question existence itself.
In filler reality, it becomes participatory as to giving reality meaning or just enjoying the visions.
What separates this filler world from normal mind is that meaning is no longer the key to reality.
Simply experiencing the visuals explain reality in an easy way.
Meaning almost ruins the mode of experience.
laying in contemplation
Styles  Aug 2018
Hungry Lips
Styles Aug 2018
Feed me your mouth,
   so I can satisfy my desires
      with the taste of our destiny.
      
      I long for the rush,
      from our lips, when they touch.
    symbols of each other,
signaling one another,
   our body language,
  speaking to,
us.

Lost in forever,
the moment consumed,
by passion
George Krokos Dec 2010
Aborigines and kangaroos
boomerangs and didjeridoos.
Leafy gum tree branch and koala bear
black stump in the middle of nowhere.
Jolly swagman camped by a billabong
in 'Waltzing Matilda' a favourite song.
The wild brumbies roaming free in the outback
a scruffy hobo living alone in a country shack.
Aboriginal myths called their dreamtime
the native Australians regard as sublime.
Ring-tailed possum and wombat
aussie bloke wearing akubra hat.
Alice Springs and Ayers Rock
outback stations and livestock.
Ned Kelly bushranger and his law brushes
the Eureka stockade during the gold rushes.
Laughing kookaburra and old man emu
platypus swimming in underwater view.
Banjo Patterson’s poem ‘The Man from Snowy River’
who went riding down mountain side without a quiver.
Surfers paradise and the Great Barrier reef
sixties rock ‘n roll legend: Johnny O’Keefe.
Anzac marches and the land of the Southern cross
old Cobb & Co. stagecoach used to travel across.
Glorious summer sunshine and winter rains
severe country drought and the desert plains.
Eucalyptus scent and Tea-tree oil
good health remedies from the soil.
Fresh water yabbies and the witchety grub
all make good tucker in the bush or scrub.
Crocodiles in the Kakadu national park
Burrumundi and the great white shark.
Sydney harbour bridge and the Opera House
Daintree rain forest and the kangaroo mouse.
Sheep wool farming and old shearing sheds
Melbourne Cup horse race for thoroughbreds.
Riverboat cruising up and down the Murray
passing border country towns not in a hurry.
Cradle mountain and the Tasmanian Devil
saying ‘fair dinkum’ means it’s on the level.
AFL rules football and big crowds at the MCG
playing one day cricket there is exciting to see.
The Fitzroy Gardens and Captain Cook’s cottage
are there for all to see as symbols of our heritage.
The Twelve Apostles standing along a rugged stretch of coast
a Ninety-Mile beach is something about which we can also boast.
The Glass House mountains are a sight to see and even to climb
by those who consider themselves fit enough and in their prime.
The great Australian Bight and the road on the Nullarbor plain
is a great feat to drive across and be able to come back again.
The local native wild dog known by name as the Dingo
has nothing to do with a game people play called Bingo.
There’s also a game called two-up that some people play
by which they gamble most of their weeks wages away.
Luna Park in St.Kilda and the annual Royal Melbourne Show
are places where you can take the kids to have fun people know.
There’s the local pub where you can go and have a drink with your mates
and is what many do all day long having a few too many in all the States.
This great southern land of Australia has so much to see and to offer
it would be a ****** shame if one didn’t give a **** or was a scoffer.
_________
Private Collection - written in 2002
thegirlwhowrites Jan 2015
I, a woman of letters, have been waiting for you, a man of numbers. I’ve been fantasizing of the day when you would deliver at the porch of my heart your algebraic equation. The x’s and y’s merged systematically with all the symbols, forming an indelibly inked pattern that would finally make sense. I have been waiting and hoping and praying, but all I’ve got so far are your invalid equations, the confusion, the uncertainties, the unsolvable mathematical sentence that I want so desperately unscrambled. How can you not, in your genius, find the right equation, even as I now try to draft a coherent verse?

for j.e.
*013115
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Alan McClure  Jan 2014
Symbols
Alan McClure Jan 2014
You lie on your back in the meadow
the big yellow blue in your eyes
You're golden, unfolding and gath'ring
the love of the limitless sky
And there's no need to fear
that this feeling is one that will pass
As your fingers entwine
in the dandelion shimmering grass
And they're sensing a message encoded within
the language of everything
And you're searching serenely for symbols
In the breath of a butterfly's wings

Now the sunlight is scattered and shattered
by the broken grey blade at your side
And your banner is ****** and tattered
Though you cannot remember just why
And your eyelids descend
Your features are soft with a smile
You breathe out and in
with the simple regard of a child
And you know as you go that as one story ends
another one surely begins
And you're searching serenely for symbols
in the breath of a butterfly's wings

Now you've happily danced in this pattern
for as long as you care to recall
There's a tapestry tangled around you
that you've barely affected at all
And you're taking your leave
as a cloud dissipates in the sky
And you don't even ask
why a tear trickles down from your eye
Yes you cast the thought out, there is no room for doubt
when you're hearing the fat lady sing
And you're searching serenely for symbols
in the breath of a butterfly's wings

Now the sun can be gentle and loving
the sun can be angry and fierce
And it is what it is in the instant
That it glints in a dying man's tears
You go when you go
you depart from the path you create
And you know what you know
in the moment you know it's too late
In your peace and your bliss it was easy to miss
all the people who pulled on the strings
As you searched so serenely for symbols
in the breath of a butterfly's wings
As you searched so serenely for symbols
in the breath of a butterfly's wings.
Arvind Krish Mar 2016
Tomorrows Exam is Mathematics
loaded my head with unknown tricks
Doodling with numbers
Yes, teacher calls us dumbers
Too much problems, yet very lil, solutions
The long mountains of  graphs
The Greek symbols alpha, beta omega
equations and formulas
Find height, depth use trigonometry
My answer a picture of a tree
infinite zeros in red
Sets, Relations,  Geometry,
variables and algebra and Lines,
Its like stepping into a field of mines
All time me wondering why
reciprocal of zero undefined?
much of the time
In exam, I stay
undefined!
Tomorrow's my maths exam..... yippee
onlylovepoetry Aug 2018
[tongue taking taken prayer]

come worship in my temple.
your tongue gowned by silence,
thy teasing vibrations disperse my slack,
exchanging it for a rigidity that is even softer, looser,
an improvement possibility impossibly incomprehensible

the noises of freedom from anonymity is thy silenced tongue
unleashed, teasing, speaking tongues unrelenting and unremitting, tongues unforgotten for they never were
learned, and incapable of being self-taught

my pleasure sprouts mushrooms in thy loamy foam,
thy rainfall nourishment, seed plant growing life morning borne,
thy tricked up sonnets played within my hearts harp,
tunes never known but coming from the land of plenty,
my new promised land

teach me where the apostrophe goes, the comma and
why the question mark is curved and dotted like my body,
why we need punctuation to separate the first from the next

trees weep as if every dry rain petal is instantly imbibed,
wanting more for my swollen by thy ministrations,
I cry out
my ice storm, my thunder, embalm me within the
electric spreading in my veins shocking steady constant

thy name thy name I beg to give thee a name
to understand what has befallen me


you can call me by my favorite of
all my seventy two,^
your first baby squeals and
even now in human manufactured agreed upon symbols
(words),
every utterance a prayer heard and answered

my name is a heated and unbroken
hallelujah,
I am thy god, and you, darling you,
my beloved
^https://www.chabad.org/kabbalah/article_cdo/aid/1388270/jewish/72-Names-of-G-d.htm
Lora Lee May 2016
I am hungry
and it is reflected
in the contours
of every inch
                  of skin
every cell a-flutter
tiny wings and heartbeats
activated within
right down to
the ribosomes and
kidney-shaped
mitochondria
right up through epidermis
woven as threads
of softness penetrating
your inner hard, dark parts
causing them
to melt into
                my light
I am craving
to feel your
absolute heart's
raging core
my aching flesh burning,
my heart, wrapped in
a love
              so pure
My need to be
devoured surfaces
in smoothness,
at a glance
You feel it acutely,
no room for doubt
or subtle chance
               I am ravenous
for muscle-worked arms
(arms that could easily
try to break)
to be supremely
gentle as you part
my thighs like the ocean
and sacredly partake
the slickness of your tongue
in my feminine grace
the stains of my love
drenching
                your noble face
your eyes on mine
as I sharply breathe
         need to hold your
head stroke your
           hair know that for me              
the king takes off that
garland of gold
breaking free of
all symbols of status
the only real treasure
the queen who
gives to him,
and who he now pleasures
     and I let myself be consumed
with the reverence
of a psalm
my love pouring into you
healing your hurts,
               like a balm
in this private landscape
we are the most
ferocious of tender
estuaries
in an eternal vista
in this hour of somewhere,
the sea hauls us in
like ancient creatures,
     bringing the fossils
back to life
in lustrous foam
as they
         inch their way
into the spirals
    that we
feel we could
call
     home‎
Appropriately attuned with "Alternate World" by Son Luxe...yes in an alternate world, so much could happen
https://www.youtube.com/watch?v=5wnIs71n_kE
and, for the mood:  "Hazey"by Glass Animals
Yes.
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
The Terry Tree  Aug 2014
Devil
The Terry Tree Aug 2014
Hidden grace, no light for revelation
To pass such limits is to become ******
Like the dragon or a serpent monster
Your myth has become fixed in minds on earth

All the forces that disturb you demand
Darkness is your indetermination
Blazed in trails of blackness you command
Symbols of evil and demonic birth

In the Underworld you plot and saunter
Grotesque in cloven hooves or horns you stand
You are our fear the tormentor at hand
Stealing our only hope for self-love worth

You disturb and weaken every nation
Eliminating those who will prosper

You have a tool box filled with shapes galore
A choir of demons at your disposal
You wear the face of animals to prove
That you exist but will not show your face

Temptation is your favorite proposal
As you create ****** carnage and gore
Attacking innocents world wide; global
It is your goal to blacken and erase

It is unclear when you will make a move
Your starless magic uncontrollable
Your angry heart is inconsolable
In every mouth you leave an awful taste

The only thing that satisfies is war
Beelzebub to slaughter good it behooves

Clipping spiritual wings of all beings
Entering into those at their weakest
Supposition of your essence is sly
What you are has no particular shape

You've made a pact to stand against Jesus
Disintegrating all Saints from seeing
Wicked ways are in all ways the cheapest
To ingress means whole-purity escapes

Human life is interwoven freely
Free will allows the mind to go deepest
When we take the path we take the steepest
Secreted in your invisible cape

To return is without guaranteeing
With mastery disposing us to die

I believe that beneath us is a rug
One that you delight in pulling away
Much like this rug our minds become feeble
And we begin to believe everything

Our moral and metaphysical ways
Begin to end as our shoulders will shrug
Entire atmospheres are grey for days
To open up our mouths yet not to sing

What we decide can often be lethal
A personal domain of hellbent maze
As we lose sight our lives become a daze
Of which no hope or light can often bring

Our deception is your favorite drug
When we feel at our worst you are gleeful

The seeker of hidden knowledge must keep
A balance like the Hermit's inner peace
Otherwise the journey will fall victim
To flowing currents of hateful power

Like a wolf in sheep's clothing you have fleece
To hold on to our light is to succeed
Pull back the reigns of life commanding "Cease!"
Do not fall from your enlightened tower

Satan is a trickster sent to sicken
Our ability to wager disease
To believe that he exists is to please
Negative energy to devour

The best part of me is only asleep
Isolation has become addicted

Prince of Darkness, Antichrist, King of Hell
Appearing to the blind slave of instinct
You have no sovereignty be gone from me
I confront thee I am ready and still

Lucifer, Angel of Darkness extinct
You do not know my spirit guides that well
Distraction is what makes you so succinct
I have no desire to go downhill

Your downward spiral was a slide to see
How you manipulate what others think
Mephistopheles, Archfiend of distinct
Measures to tear others down you conceal

I dispel, I kiss forever farewell
Rest quietly in harmony dreaming

A lullaby for you I have written
On my heart as ancient as Egyptians
The Vedas and Sumerian temples
Will embrace you even in rejection

Your actions are despised in omission
I believe your bitter self was bitten
Release your broken spirit condition
Open your eyes and arms to affection

We can all be as one in one vessel
There are good folks and there is suspicion
Prayer of my song, a hymn of permission
Release thy tortured ways to connection

Evil drifts up, Listen, Listen, Listen
As our bodies fill with light and tremble

Shhhhh.......

© tHE tERRY tREE
Poetic Form | Turco Bref Double
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