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whoever  Nov 2018
goners
whoever Nov 2018
“what are we?” she asked

with despair, he replied, ”we’re nothing”
Kara Rose Trojan Dec 2014
My Second Letter to Allen Ginsberg
Dear Allen,
Almost five years ago, I wrote you a letter, and in
That letter, I purged my drunkenly woeful cries
That seem so first-world now and naïve –
The things I grimed over with luxuries I didn’t
Realize that rubbed against my plump limbs
Like millions of felines poised at the
Tombs of pharaohs.

Oh, Allen, I’m so tired –
These politics, and poly ticks, so many ticks that
Annoy my tics. Allen! I smear your name so liberally
Against this paper like primer because the easiest way
To coerce someone into listening to you like
A mother
or predator
tugging or nibbling on your ear –
Swatches of velvet scalped from a ****’s coat
Are you and I talking to ourselves again?
Candid insanity : Smoky hesitance.

Dear Allen, I’m so tired –
Yes, I love wearing my ovaries on the outside like
Some Amazonian soapbox gem glistening from beneath
The iron boots of what the newspapers tell me while
I cough at them with the hurdled delicacies of alphabet soup.
Give vegetables a gender and call them onions, Allen.
Sullied scratch-hicks pinioned feet from slapping
Society’s last rung on the ladder.
Ignore the swerve of small-town eyes.
Scapulas, stirrups, pap smears, and cervical mucus – now do you know who we are?

That fingernail clipped too short, Allen. We’ve all got AIDs
And AIDs babies, haven’t you heard? Hemorrhaging from the political
****** and out – they haven’t reached the heart.  
Since when have old white men given a **** about some
13 year old’s birth control? I’m riding on the waves of the
Parachute game and I swear this abortion-issue is just a veil outside Tuskegee University
Being further shove over plaintive eyes, swollen and black.
Pay up and
shut up.

I still remember my first broken *****, Allen.
Can you tell me all about your first time?
The vasodilatation that made veins rub against skin,
Delirious brilliance : unfathomable electricity.
I made love during an LSD experience, Allen,
And I am not sorry. I see cosmic visions and
Manifest universal vibrations as if this entire world is
A dish reverberating with textiles and marbles, and
All are plundering the depths of the finished wine
Bottle roasting in the sink like Thanksgiving Turkey.
The patience is in the living. Time opens out to you.
The opening, between you and you, occupied,
zoned for an encounter,
given the histories of you and you—
And always, who is this you?
The start of you, each day,
a presence already—
Hey, you!

Ah, Allen, if you are not safe, then I am not safe.
And where is the safest place when that place
Must be someplace other than in the body?
Am I talking to myself again?
You are not sick, you are injured—
you ache for the rest of life.

Why is it that I have to explain to my students that
sometimes what I'm spouting is prescribed by a pedagogical pharmacy --
but all they want to know is "what do the symbols on the television mean?"
I am completely aghast against the ghosts of future goners --
I am legitimately licensed to speak, write, listen like some mothers --
I am constantly cajoling the complex creations blamed on burned-out educators --
I am following the flagrant, fired-up "*******"s tagging lockers --
Pay up and
shut up.

Yes, and it’s Hopeless. Allen.
Where did we get off leaping and bounding into
The dogpile for chump change jurisdiction, policing
The right and the left for inherent hypocrisies when
Poets are so frightful to turn that introspective judgment
Upon ourselves?
We didn’t see it coming and I heard the flies, Allen.
Mean crocodile tears. Flamingo mascara tracks
Up and down : up and down: bow – bow – bow – bow
Buoyant amongst the misguided ******* floating around
In the swirlpool of lackadaisical introspection.
What good is vague vocab within poetry?
Absolutely none.
Would you leave the porchlight on tonight?
Absolutely, baby.

Dear Allen, would you grow amongst the roots and dirt
At the knuckles of a slackjawed brush of Ever-Pondering Questions
Only to ask them time-and-time-and-time-and-time-again.
Or pinch your forehead with burrowed, furrowed concentration upon those
Feeble branches of progression towards something that recedes further
And further with as much promise as the loving hand
Attempts to guide a lover to the bed?

Allen, I wish to see this world feelingly through the vibrations of billions of bodies, rocking and sobbing, plotting and gnashing like the movement of a million snakes, like the curves collecting and riding the parachute-veil.

Ah, Allen! Say it ain’t so! Sanctified swerve town eyes.
And everything is melting while poets take the weather
Too personally
And all the Holden Caulfields of the world read all the
*******’s written on the walls and all the Invisible Men
Eat Yams and all the Zampanos are blind and blind
And blind and blind and blind and blind
Yet see as much as Gloucester, as much as Homer,
As much as Oedipus.

Oh, Allen, do you see this world feelingly
and wander around the desert?
Colored marbles vibrating on the curtailed parachute paradox.
Lamentation of a small town’s onion. Little do we know, Allen,
That what you cannot see, we cannot see, and we are bubbling
Over in the animal soup of the proud yet weary. I can see,
However, how the peeled back skulls of a million
Workboots and paystubs may never sully the burden
Of an existential angst in miniscule amounts.
Pay up and
shut up.  

My dearest Allen, there is always a question of how
The cigarettes became besmirched with wax to complement
What was once grass, and
What was once a garish night drenching doorknobs.
The night's yawn absorbs you as you lie down at the wrong angle
To the sun ready already to let go of your hand
As you stepped, quivering, on to
The shores of Lethe.
julianna  Feb 2019
goners
julianna Feb 2019
We’re stuck in a web
Inter-connected
Hyper-connected
But sometimes some get lost
They become a diaspora
Of goners.
Once here
And now
Disappear
It’s like what you say these days matters more than who you are.
Eriko  Jul 2015
Goners
Eriko Jul 2015
an overdressed succession
to the painted infatuations
pondering stand still in front of canvases
as the mind toils with suspension
beginning to peel back those layers
those brisk moments
subscriptions in distaste
the same faces repeatedly
beaten to templates
catch a breath
smoke a little
keep those goners sustained
keep a smile
before it slips away
Ciel  Mar 2019
Innocent Death
Ciel Mar 2019
I look up at the chaos around me
and see.
I see people saying their last prayers,
Waiting for their fateful endings,
I hear the church bell toll in its last call,
I feel the suffocating heat from the burning buildings,
I smell the smoke from the ignited city,
I taste the desperation in the air and the bitterness of regrets.

But in the middle of this tumult,
One thing stands out;
One person.

A little boy stands there in a tan attire,
dark gray ash contrasting his almost-white hair
and tears stains on his ivory cheeks.
A grim expression marking his features,
He shakes as if freezing
and although the heat has almost become unbearable,
he stands in the middle of the flames
barefoot yet unharmed.
A scythe lays at his feet,
and a pale horse stands by his side,
making his small body look even smaller.

As if feeling my stare,
he locks eyes with me.

And as the world burns down,
the reflection of the cataclysm in his brown eyes
and the look of innocent incomprehension he wears
is the single most heartbreaking thing in the moment.

Suddenly, I do not care about the screams and cry of the despondent goners.
I do not feel the harsh scorch of the burnt remains under my bare feet.
I do not mind the tears welling up in my eyes due to the fumes.
They are but a distant reminder of the atrocity surrounding me.
I can only focus on the strange guilt reflected in his warm eyes.

From those same eyes, a tear rolls down his cheeks
And as it reaches his dimpled chin,
he raises a little hand to wipe it away
And then waves at me.
I do not wave back,
too stunned to move or react,
But I could tell he did not expect me to anyways.

With one last look,
he picks up the scythe with an unusual easiness
and turns to walk towards the flames,
the horse close behind him.
And soon, they are one with the flames.
The first of the Four Horsemen series of poems: Death. This image came to me in a dream one night.
13  Apr 2014
Zwo, drei, vier
13 Apr 2014
Electricity is talking; we understand
losing interest in conversations. creating land.
droplets of ice define the day
August ends in the middle of May

intrepid peeling; scabs of the earth
the hands fail; a dumbed feeling
Eins, the seeing blind have never seen
on screen, a shape of many faces

in through the open windows outdoors
smoke dries the unseen. air dry.
so paragon goners repulse the cleaver
the system has failed

so much detail to attention
when pink isn’t even a color
time is wasted on time itself
unfortunate cookie

wires once made you. complete.
ask for the answer to the question is nothing
Zwei light birds on a wire
the happenstance, the fire

where hell listens, there sight is drawn
selfishly we glare and mourn
******* ice cubes yelling “Jesus may…”
cold as **** the cesspool lay.

So, maybe I’m over thinking this.
Posted on 27th September 2013 7:55pm
Edited by Harish Nair (http://glimpsesoflucidity.tumblr.com/)
She cried a single salty tear
all her hurt bound over the year
She realised she'd turned her hand
a footprint left behind in the sand

and all you goners, you left her from here
left her crying one salty tear
and she never left or walked away
she took each step, made it day by day

She took a hand and it was not yours
left your memory on distant shores
drowned your sorrow in sweat and blood
stayed a good girl, like all good girls should

and you took her more than she baragined for
left her naked and shivering on the floor
left her alone with her salted eyes
left her loving all she despised

no love song for you
and no glory be no more
she left your mercy washed up on the shore
no more are you here
no more i wonder or try in vain
no more should i let my love be my shame

She smiled a good smile and all was good
she stopped being a good girl
like all good girls should
she drank from her life and felt the burn
remembered all that she had to yearn

she lived a good life when all was said
left you lying there in your bed
and ****** on your sorrys and i wonder and what fors
didn't wait around for locked hidden doors

She fell full forwards and backwards a mile
she hit a battlefield when she saw your smile
but no alas, alack, you are no more
your love is like sand, washed upon the shore

good evening, good morning, good night
you lost me within the range of your sight
it took me 6 months and 6 months no more
to realise you are nothing, nothing no more
I disassociate to my "friends" lives scrolling by,
I don't need any spliff or fungus to reach
Peak apathetic  non self congruence.
Watching years pass by in seconds
Is all the psychedelic room temperature
Mental priming for my primate mental
That I could ever hope for

Before being snapped back out
By the cubed carrot reward of
Internet interaction
Which keeps me salivating and searching
For ways to increase the amount of time
I don't have to associate with that guy inhabiting my body
For a while I can see my problems as goners
Being slowly erased from my mind like a magnet over a hard drive

Until a kindly panic attack reminds my of
My lack of lack of control
And the selfless self centered guilt keeps me
Wishing I were working instead of living
Who could be so audacious
As to propose a life out side
Aaron LaLux Nov 2017
Always have my notebook with me,
‘cause they say the pen’s mightier than the sword,
so I’m trying to cut through the tension & the red tape,
with the power of these words,

on the ledge of The Razor’s Edge,
resisting these suicidal tendencies to jump,
feeling like Darrell with these quarrels,
trying to catch some feelings before we all go numb,

on the leading end of the Cutting Edge,
going for the gold like Doug & Kate,
& I know it took awhile but I’m here now,
my only hope is that I’m not too late,

leaning out on the leading edge,
deleting friends and repeating trends,
with suicidal tendencies and telepathic technologies,
already wrote the whole message just need to hit SEND,

as we immerse ourselves in these alien technologies,
and submerse ourselves in Emotional Anthropology,
all this done as a Road Scholar not a Rhodes Scholar,
no PHD or GED just knowledge for free without the college degree,

a one man School of Thought & class is always in session,
which is why I always have my pen with me,
as I write instead of type these thoughts,
before they become digital originals on your hand held screen,

same way that cash is becoming cryptocurrency,

holding my emotions in the palm of your hand,
which is kinda why I write these diatribes,
to remind you I’m alive inside and not yet fully an Android,
even though I’m on an iPhone feelings like an AI,

& the machines still need me,
because The System still needs you,
& AI still hasn’t found a way to be AEI,
can’t create Artificial Emotional Intelligence moods,

can’t be you not even with YouTube,
can’t be I not even with iPhones,
can’t sing a song or hum a tune,
can’t write anything close to something like this poem,

and that’s the truth and I’m not trying to be rude,
but I want to smack that phone right outta your palm,
‘cause Palm Pilots have us all on auto pilot like drones,
feeling like Luke in Episode II: Attack of the Clones!

& I just wanna go home but the closest thing I have is a home button,
it’s just Me, Myself & I on CBS with the All Seeing Eye & my iPhone,
got me wondering if this is all an act and the whole globe’s frontin’,
as I die inside while writing these diatribes they never miss you ‘till you’re gone,

& that’s exactly why I write these poems,
that have that melancholy testimony feel,
because everything feels phony on these phones,
and I just want to connect with some one or something that’s real,

so I write these Melancholy Testimonies,
as a discourse of our crash course that occurs sans remorse,
without recourse either of course because there’s no reverse,
plus we dig our own graves so it only makes sense we drive our own hearse,

& you can dispute if you want to,
but can’t really argue with truth I’ve done my research,

I mean I’m at a restaurant right now,
watching two guys eat together without even having a conversation,
they haven’t even looked up from their phones once,
I assume they’re friends but you wouldn’t know it by their lack of interaction,

eyes & attention given complete to their iPhones or Androids,
stuck in an upright fetal position head down neck cricked back bent,
which makes me want to stand up & warn them that if they don’t change their ways,
one day they’ll wake up dead and wonder where their live’s went,

we’re almost there folks,
take over almost complete,
& yeah maybe it took awhile but just ask Kurzweil,
we should have Singularity by 2040,

and I’m still writing,
trying to figure out how to defend humanity against defeat,
feeling like Sarah birthing this poem like Sarah birthed John Connor,
& we’re almost all goners as we all honor The Rise of The Machines,

but before we go,
please remember one thing,
that these Creative Arts were/are/will be,
our Last Bastion of Humanity,

because a computer can draw maps,
but can not draw a painting,
a computer can write codes,
but can not write poetry,

and that my fellow human,
is exactly why I keep writing,
to remind us to stay human,
& take a stand as we defend this Last Bastion of Humanity,

& I do this by always having my notebook with me,
‘cause they say the pen’s mightier than the sword,
so I’m trying to cut through the tension & the red tape,
with the power of these words…

∆ Aaron LA Lux ∆
10/11/17

Jennifer Powell  Sep 2012
Father
Jennifer Powell Sep 2012
Why are there gates into Heaven if it's never too late to be forgiven?
Can we not just fall to our knees and beg for mercy there at the entrance?
I just don't see the God that you preach as someone to say "too late".
I can't see how he can stand to watch his children burn in Hell.
For Heaven's sake.

I don't understand
how a man
with so much virtue and honor,
can be someone
who allows his children
to be accepted as goners.

— The End —