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Mateuš Conrad Jul 2018
.    like cardinal Leto remarked, having received news from Versailles... why is it always the ******* French?

perhaps in a less crude manner,
drinking wine,
while eating raw fruits -

  always a bad combination...
no *****, no meat?
   bad idea... wine, and raw fruit
akin to strawberries?
    irritable bowel movements...

- and that's because Einstein
didn't discover the concept of
gravity, in the format of: sideways?
in the form of orbits?
   expansive waves...
   that allowed for the elliptical interpretation?
like the old
              argument:
      (heliocentric) oval...
             contra the (geocentric) circular
"concern" for...
   whatever is up / down
            sideways in
      the Copernican terminology...
because there was ever a "shape"
concerning the universe,
  and not a medium,
            an extraction for the metaphor
for water,
   gas, liquid, solid...
              and the fourth aspect
of ancient elements:
   its existence in a vacuous "space"?

- but i can't fathom the French at this point...
once upon a time...
one Frenchman equated the motivation
for a "summa summarum"
    to be bound with a thinking,
and a curiosity...

            the current fashion of Latin
abbreviations...
   this... cogito ergo sum?
   it's nonsense...
    speak it long enough...
   and you'll find yourself inclined
to suppose that cogitans per se:
is a motivation, an impetus to exist...
yet... so much of thought it "wasted"
or, rather, to craft an impetus to
"doubt", within the confines of fiction...
but the motivation has lost its
origin within the confines of doubt,
and has been replaced by
the Freudian unconscious,
   a serialized phobia fest... notably
including a, clown...

originally, thought (per se) was
a secondary motivational outlet
that precipitated into being...
    first came... doubt...
   but... these days?
               doubt is a conspiracy theory,
no longer an emotional thrill
to prop-up thinking...
   and we have the French existentialists
to thank for this...
for they subverted their own
idea...

             negation has replaced doubt
as the origin, and motivation
for thinking...
        yet... this sort of "thinking",
has made, its materialization, so, so...
obscene...
    i can hardly find it surprising while
i took to propping two worthwhile
economic outlets...
   prostitution (since they will spend
the money i give them...
on things... i wouldn't even care
for propping up)...

    and... alcohol (scotch whiskey,
russian standard *****...
    shveedish cider...
                     german beer)...

but how can you even claim an existence,
if...
       there is no thrill...
of what is the secular expression of faith:
i.e. doubt?
  how can you replace doubt -
a motivation for thinking, materialized
into being... with negation?
  jean-paul Sartre attempted this inversion -

doubt has been replaced with negation
in his system...
             it's like that cliche of an English
1960s ***-joke / ***-like...
       this... frivolity over a blatant lie...
a lie so... bogus...
    so ineffectual in translating a hidden truth
that... you allow it...
   to care for the cheap comic aspect
of the execution...

but how can the French suddenly
feign to disbelieve their secularism -
   resorting to the antithesis,
namely:

  original

  doubt motivates thinking,
  which subsequently motivates
   being within the confines of reason,
or rather, reasonableness...

20th century existentialists

negation "motifs" thinking,
   which subsequently motifs
"being" within the freedom of non-reason,
or rather, unreasonableness...

   and by negation,
   i don't mean the atomic conceived softening
blow...
   akin to: dis-ease...
    i.e. (as i explained it to one old man
in a park, walking his dog):
  a negation, or ease... a denial of...

how can the Cartesian model work,
when the 20th century French existentialists
began with the presupposition:

   i deny, i think, therefore i exist?
where is the original thrill of
the secular aspect of faith, within the boundaries
of doubt?
              gone... vanished!
****! a **** on the London tube,
during the rush hour,
  during the heatwave
                of the past month!

                   perhaps this only comes
as a method of assimilating an increased population,
within the confines of the Taoist maxim:
the best way to aid the world,
is to forget the world, and let the world
forget about you...

             perhaps... the Andy Warhol 15 minutes
analogy...
      that in order to encompass the individual,
the world, and the individual within it...
   the approach had to change
from the original, exciting, exploration
genesis of thought, bound to the genesis
of doubt...
             having to be replaced by
a genesis of denial...
      the second tier of a secular society...
    the zeitgeist of Herr Censor...
to filter through what we see so often,
faces, bodies...
  but would be much more comfortable
having been bound to Plato's cave,
         of complete shadow theater...

perhaps... but the original tier of
secular societies' alternative to church prescribed
articles of faith...
                     to have replaced
the thrill of doubt...
      with this... Byzantine pillar of denial
as motivational groundwork for
thinking impetus
   that becomes an article of being?
am i the only one to see the frustration,
how, people abhor their being,
being founded upon an act of denial,
rather than an act of doubt?

     the once thrilling maybe (gnostic):
   has become the stale, "i don't know"
    (agnostic) - as if... people can't tell you
whether zebras have stripes!
   where there was once an article
of secular faith (doubt) -
   now?
                        there's not even that!

p.s.
  there has to be a much needed new mantra,
all publicity: is bad publicity -
unless of course you're riding that
fame juggernaut and are paying
for your all-inclusive status akin
   to madonna: since fame dies off
and you, none-the-less invest in the momentum...

one day where i drink a bottle of wine,
half a liter of whiskey,
   and i'm apparently not "screaming" in
my sleep from the heat,
the whole, "apparently", as i retorted:
at 5:15am? i was alseep! i was asleep!
how can i stop screaming in my sleep
like a banshee:
the sleeper and the blind man both see
eye to eye regarding the future to come...

one day without engaging in internet
content: of my own accord,
next day? this... this... lethargy builds
up in me... i end up thinking:
i can't do this any more,
this insomnia culture globalism of
24h news reels is tirying me,
i pick up the sunday newspaper
which i found to be respecteable...
the sunday times,
  i peer into the magazines...
toxic masculinity,
    desire: what three women want...
i'm bored...
well more tired than bored,
bored-tired...
                 what women want:
what an exhausting question...
**** fantasy, beta-male provideer...
yada-yada-yada...
                    
    the only relaxing aspect of the day
(apart from the shade) is watching
england beat india in the cricket...
i always loved cricket sport terminology:
50 overs... innings...
wickets... 6 throws of the ball in an over...
the rest? i'm no atlas...
i don't like the world crashing in on
me with all its problems...
not because i don't have the right
advice to give,
but i remember the most modern secular
motto about giving advice borrowed
from Athos of the creation of alexandre dumas:

the best advice? to not give advice...
you cannot be held accountable
for giving bad advice: and people complaining,
or good advice and leaving
people in your sphere of influence...
asking for more - non verbatim... of course...

second categorical imperative?
tao...
              the best way you can help
the world: is to forget the world,
and let the world forget you...

                        you only need two absolute
maxim vectors to orientate yourself
in this world,
a third is nice, but: it can be kept loose...
at least two on a tight leash...

but one night spent drinking,
not writing anything:
and i am... spent!

                            the boogieman of england's
persistent complaints...
the muslims are not integrating,
the english: we should give them more
ground...
           o.k., o.k.... joe peshi in the role
leo getz in lethal weapon II...
            i too had to integrate!
i said: like **** if you think i'll give up
my native tongue when spoken in private...
you're not getting it...
i'll spreschen ihre zunge, no problem,
i'll even write you pwetty free verses to boot!
but, guess what?
  i will not force you to eat my
sauerkraut, my schnitzels,
                           my smoked sausages,
my raw herrings etc.,
                      integration does not work
within the confines of: pampering to a people
expected to meet you half-way...
what happened when the polonaise attempted
to meet the english half-way?
brexit...
oh come on guv'... is there a ******* tram
echoing its way out of my eye
when you peer into it while i attach
an index finger to the bottom lid to give
you a clearer picture?
           25 years in england: no englush girlfriend:
i guess all the english girls just love, just love love
being ***** by 9 pakistanis
daubed in gasoline...
                   hey: they **** thrill...

i'm tired of the weakness of the english,
the humpty-dumpty nature they are imposing,
self-cencorship,
    appeasing, like neville chamberlain...
bringing back the munich agreement...
not on a piece of paper,
instead... waving a scrap of a toilet roll...
so the english could wipe their own *****
on the promises of the germans...
if this really hurts the northern monkies...
guess how much it hurts the sourthern fairies...
(well... fairy, is a designated region surrounding
devon, bristol, hardly a ******* fairy in essex)...

   why am i foreigner and i share
the same nausea of the natives,
                     exhausted by the narratives?
i guess the english didn't like the polonaise:
but the polonaise are to blame...
came here with a list of benefits they could claim:
without having even lived 5 years among
the natives... housing benefits, child benefits...
believe me: the polonaise are the only
people in the world that hate each other...
to the extent of citing bitter criticisms...
whenever i pass through warsaw to see my grandparents
i am gripped with a sickness:
this homogeneity is too much for me...
shove me back into the east end of London...
too much of the same genetic material...
and that's when the language i am keeping
(seemingly for vanity reasons) fizzles out
into your basic encounter and that basic reminder
that circa 40 million speak it too,
better or worse, but they speak it...

of all the festivals? download...
                                   i wish...
    glastonbury?       not my thing...
kylie? i'll concede: slow? live, with instruments,
rather than the studio original...
wasn't that a cover of
   bowie's fashion?
                  sure as hell sounded similar...
but i heard the cure were playing...
so while writing my father's invoice
i made myself a paperclip bracelet...
   i figured... "let's just pretend to be there"...
and no, the 1980s weren't that bad when
it comes to music,
not now, by comparison...
the cure's kiss me, kiss me, kiss me (1987)
release?
one of those rare albums you can
listen to akin to reading a book...

                       but there's still that persisting
exhaustion... i came from under communism,
from under the iron curtain,
but at least there was the economic aspect
of communism involved...

   only today i watched the story
of the terrible inversion of english jursprudence,
i.e.: guilty until proven innocent...
the 1975 case of the silesian vampire...
an innocent man was hanged...
the original vampire?
    smashed his wive's head in,
then his childrens', then he set himself
on fire...
              then again: the tragedy of those
rare cases of being presumed guilty
rather than innocent...
then the reverse: presumed innocent rather
than guilty and getting away with it,
through the parody of death
and the non existent god...

   there could not be anything more exhausting
than communism without a communist
economic model...
this current state of affairs in the west:
cultural marxism and the yet to be discovered
antithesis of cultural darwinism...

i'll use the cartesian chirality for a moment:
sum ergo cogito...
i don't like using political terms...
but... liberal (classical) - i don't even know
what sort of thinking goes into the label -
in the east? the liberals are exhausted
by a resurgent nationalism within
   the newly acquired capitalist system...
in the west? the liberals are exhausted
by an insurgent communism within
an ageing capitalist system...

         on a side: seriously, why even bother
engaging in any sort of "public intellectual"
debates when the public are only
discussing two books: 1984 and brave new world...
**** it, might as well talk to a camel jockey
who only own and rides the waves of
time in this world only using one...
muhammad...
   whom Khadija **** Khuwaylid
would probably whip into his young
respectable shape...

                  and this is how Ezra Pound comes
into rememberance:
usura... at least the muslims do not
play into the game of usury:
of interest... borrow a quid,
pay back £2.33...
            that's the only way you can
gain respect of the muslims:
if they truly were the money lenders
of this world: which they aren't...
unless a newly blessed...

   among the philistines and the proselytes...
england is such a tiresome project,
even on the outskirts of London...
i'm being dragged down by this intervention
of marxism: on a whim,
on a whimsical projection...
of "adding" values...
            
           communism would have worked...
in exceptional circumstances...
poland... circa 1945 - 1990...
syria: the current year...
  to whatever year is demanded...
exceptional as in: war torn...
where was the marshall plan
   for poland, when there was one
for sweden (neutral) and switzerland
(also neutral)?!
        black youths bothered about
the summer holidays,
having to live in council flats,
  concrete goliaths...
           want to know what it feels like
when entire cities are like council
estates,
with only pockets of remaining
   free-standing houses among
overshadowing council flats?
                                    nee bother...
sure... in a country where:
the house is the castle and there's a labyrinth
of castles constituting outer suburbia...
balconies... that's what the soviet
models had... balconies...
where women could grow flowers...
concrete staccato gardens in the sky...
the blocks of flats in england
didn't have balconies (sky gardens,
          esp. the early ones, massive fault)...
i spent one summer reading
bertnard russell's history of western philosophy...
lying in my grandparent's balcony,
in the shade...
watching passerbys among
          the barking dogs of the neighbours...

one day, one ******* day!
   and i'm already exhausted from the castrato
english narrative...
pandering to the people you expected
to integrate...
  no! you're not changing your standards...
your standards are perfectly reasonable!
i'm tired of the english pandering
to the sort of people who, will, not,
integrate!
               i integrated in a way
of respecting both the english culture,
as well as hiding / preserving my own...
why don't i just do the following:
   pisać po polsku?
                      like some czesław miłosz?

ah... good point... at what point
is the standard of integration appreciated?
when nothing is preserved?
surely integration is supposed to
accommodate some variation
of preservation?
     i might add: that's a fine line...
preserve all? no integration...
preserve some? integration...
                    preserve none? no integration...
food is a cheap target to example
with...
                   it's a low hanging fruit...
given that even i find indian cuisine
   the most superior in the world...
food is a cheap target concerning integration...
but the niqab?
  when the local english authorities
are employing face-recognition
technology and when testing it...
are forcing people to uncover their faces,
subsequently arresting them out of protest...
but not the women wearing the niqab...
out of? out of what?
   a secular society shouldn't be allowed
to discriminate against any religion...
it should discriminate against: all religions!

                isn't that what the secular ideology
is all about? the... softcore version
of soviet atheism?
        secularism of the west (miltary-industrial
complex)...
"vs." soviet atheism of the east
  (scientific-industrial complex)...
           i'm still so ******* tired
               of this bogus trap of "necessary"
                       commentary.
D Conors Oct 2010
this is where i sit like stone,
knowing soon it shall be over,
all balled up and all alone,
wreathed in sickly crimson clover;
in a corner cold and stark,
where the pressure chokes my chest,
my mind's eye fizzles into dark,
i cannot eat nor find sweet rest.

i no longer see the pathways,
where i have strolled past fields of pain,
cloaked in shadowed sunless days,
walking weary in the chilling rains;
of torrid teardrops that always fail to fall,
stuck inside behind my bloodshot eyes,
between sight and dreams i scarce recall,
haunted by the sounds of ghostly cries.

i no longer feel the passions,
i had once did cling,
for there no longer comes a need to rise,
or open my mouth to sing.
__

I sit:
http://beautyineverything.com/175543419
d.
17 oct. 10
Amitav Radiance Sep 2014
Through the hourglass
Time flows freely every minute
Precious moments in each grain of sand
Try to hold them in your palms
And it slowly fizzles away
Kate Deter  Jul 2014
Fireworks
Kate Deter Jul 2014
I want to write something deep and poetic
About the fireworks I saw.
But all I can come up with
Is the physical attributes—
The seeing that I did,
The hearing that I did,
The feeling that I did,
The experiencing that I did.
Red comets shot upward
In a slight arcing path
To explode in brilliant light
And rain down upon the spectators.
There’s a hush of anticipation in the audience
Between the moment they notice
The curling smoke trail,
The breathtaking visual display,
And the slightly delayed KERPOW
As the firework’s sound
Finally makes its way through the air.
Each exploding fragment
Fizzles through the air with a quiet hissing,
Competing with the screeching
Of the next firework going up.
It’s almost kind of sad:
Each firework aims for the sky,
Reaches as high as it can go,
Leaving behind bits of itself as it does so,
But hits some invisible ceiling—
Some fireworks’ ceilings
Are higher than others—
And that is their maximum.
They can take no more,
They cannot reach the sky,
They cannot reach the stars,
They cannot reach their brethren,
And so they explode in their sadness or anger;
But in doing so,
They light the way for others.
Evie G  May 2021
Fizzy
Evie G May 2021
Drinking her is a terrible experience
The furious fizz fizzles on your tounge, insisting on its existence in your mouth
The facade of fun from the fucia bottle flickers,
leaving you with clear liquid suffering
It flagrantly fizzes around your mouth, flicking your tastebuds.
It’s funny she says.
Then the facade of fizz fizzles,
You taste hatred
A bitter thirst.
An acrid stench of fear, inflicted on others
An unrelenting
Slog
Of equal suffering.

I do not know who made fizzy water,
but i would like to have a chat.
Michael R Burch May 2020
Epigrams by Michael R. Burch



Conformists of a feather
flock together.
—Michael R. Burch

(Winner of the National Poetry Month Couplet Competition)



My objective is not to side with the majority, but to avoid the ranks of the insane.—Marcus Aurelius, translation by Michael R. Burch



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.

(Published by Romantics Quarterly, Poetry Super Highway, Poets for Humanity, Daily Kos, Katutura English, Genocide Awareness, Darfur Awareness Shabbat, Viewing Genocide in Sudan, Better Than Starbucks, Art Villa, Setu, Angle, AZquotes, QuoteMaster; also translated into Czech, Indonesian, Romanian and Turkish)



Childless
by Michael R. Burch

How can she bear her grief?
Mightier than Atlas, she shoulders the weight
of one fallen star.



Stormfront
by Michael R. Burch

Our distance is frightening:
a distance like the abyss between heaven and earth
interrupted by bizarre and terrible lightning.



Laughter's Cry
by Michael R. Burch

Because life is a mystery, we laugh
and do not know the half.

Because death is a mystery, we cry
when one is gone, our numbering thrown awry.

(Originally published by Angelwing)



Autumn Conundrum
by Michael R. Burch

It's not that every leaf must finally fall,
it's just that we can never catch them all.

(Originally published by The Neovictorian/Cochlea, this poem has been translated into Russian, Macedonian, Turkish and Romanian)



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.

(Originally published by The Neovictorian/Cochlea, this poem has been translated into Russian, Arabic, Turkish and Macedonian)



*** Hex
by Michael R. Burch

Love's full of cute paradoxes
(and highly acute poxes) .

(Published by ***** of Parnassus and Lighten Up)



Styx
by Michael R. Burch

Black waters—deep and dark and still.
All men have passed this way, or will.

(Published by The Raintown Review and Blue Unicorn; also translated into Romanian and published by Petru Dimofte. This is one of my early poems, written as a teenager. I believe it was my first epigram.)



Fahr an' Ice
by Michael R. Burch

(apologies to Robert Frost and Ogden Nash)

From what I know of death, I'll side with those
who'd like to have a say in how it goes:
just make mine cool, cool rocks (twice drowned in likker) ,
and real fahr off, instead of quicker.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Multiplication, Tabled
or Procreation Inflation
by Michael R. Burch

for the Religious Right

"Be fruitful and multiply"—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, "WHEN! "



The Whole of Wit
by Michael R. Burch

If brevity is the soul of wit
then brevity and levity
are the whole of it.

(Published by Shot Glass Journal)



Nun Fun Undone
by Michael R. Burch

Abbesses'
recesses
are not for excesses!

(Published by Brief Poems)



Saving Graces, for the Religious Right
by Michael R. Burch

Life's saving graces are love, pleasure, laughter...
wisdom, it seems, is for the Hereafter.

(Published by Shot Glass Journal and Poem Today)



Skalded
by Michael R. Burch

Fierce ancient skalds summoned verse from their guts;
today's genteel poets prefer modern ruts.



Not Elves, Exactly
by Michael R. Burch

Something there is that likes a wall,
that likes it spiked and likes it tall,
that likes its pikes' sharp rows of teeth
and doesn't mind its victims' grief
(wherever they come from, far or wide)
as long as they fall on the other side.



Self-ish
by Michael R. Burch

Let's not pretend we "understand" other elves
as long as we remain mysteries to ourselves.



Piecemeal
by Michael R. Burch

And so it begins—the ending.
The narrowing veins, the soft tissues rending.
Your final solution is pending.
(A pale Piggy-Wiggy
will discount your demise as no biggie.)



Liquid Assets
by Michael R. Burch

And so I have loved you, and so I have lost,
accrued disappointment, ledgered its cost,
debited wisdom, credited pain...
My assets remaining are liquid again.



**** Brevis, Emendacio Longa
by Michael R. Burch

The Donald may tweet from sun to sun,
but his spellchecker’s work is never done.



Cassidy Hutchinson is not only credible, but her courage and poise under fire have been incredible. — Michael R. Burch



Brief Fling
by Michael R. Burch

Epigram
means cram,
then scram!



To write an epigram, cram.
If you lack wit, scram!
—Michael R. Burch



Fleet Tweet: Apologies to Shakespeare
by Michael R. Burch

A tweet
by any other name
would be as fleet.

@mikerburch (Michael R. Burch)



Fleet Tweet II: Further Apologies to Shakespeare
by Michael R. Burch

Remember, doggonit,
heroic verse crowns the Shakespearean sonnet!
So if you intend to write a couplet,
please do it on the doublet!

@mikerburch (Michael R. Burch)



Love is either wholly folly,
or fully holy.
—Michael R. Burch



Civility
is the ability
to disagree
agreeably.
—Michael R. Burch



****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner.

As you fall on my sword,
take it up with the LORD!”

the wise owl replied
as the tasty snack died.

(Published by Lighten Up Online and Potcake Chapbooks)



The Beat Goes On (and On and On and On ...)
by Michael R. Burch

Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.

(Originally published by Grand Little Things)



Midnight Stairclimber
by Michael R. Burch

Procreation
is at first great sweaty recreation,
then—long, long after the *** dies—
the source of endless exercise.

(Published by Angelwing and Brief Poems)



Love has the value
of gold, if it's true;
if not, of rue.
—Michael R. Burch



Teddy Roosevelt spoke softly and carried a big stick;
Donald Trump speaks loudly and carries a big shtick.
—Michael R. Burch



Nonsense Verse for a Nonsensical White House Resident
by Michael R. Burch

Roses are red,
Daffodils are yellow,
But not half as daffy
As that taffy-colored fellow!



There's no need to rant about Al-Qaeda and ISIS.
The cruelty of "civilization" suffices:
our ordinary vices.
—Michael R. Burch



Sumer is icumen in
a modern English translation/interpretation by Michael R. Burch

(this update of an ancient classic is dedicated to everyone who suffers with hay fever and other allergies)

Sumer is icumen in
Lhude sing achu!
Groweth sed
And bloweth hed
And buyeth med?
Cuccu!

Originally published by Lighten Up Online (as Kim Cherub)

NOTE: I kept the medieval spellings of “sumer” (summer), “lhude” (loud), “sed” (seed) and “hed” (head). I then slipped in the modern slang term “med” for medication. The first line means something like “Summer’s a-comin’ in!” In the original poem the cuckoo bird was considered to be a harbinger of spring, but here “cuccu” simply means “crazy!”



The Complete Redefinitions

Faith: falling into the same old claptrap.—Michael R. Burch

Religion: the ties that blind.—Michael R. Burch

Salvation: falling for allure —hook, line and stinker.—Michael R. Burch

Trickle down economics: an especially pungent *******.—Michael R. Burch

Canned political applause: clap track for the claptrap.—Michael R. Burch

Baseball: lots of spittin' mixed with occasional hittin'.—Michael R. Burch

Lingerie: visual foreplay.—Michael R. Burch

A straight flush is a winning hand. A straight-faced flush is when you don't give it away.—Michael R. Burch

Lust: a chemical affair.—Michael R. Burch

Believer: A speck of dust / animated by lust / brief as a mayfly / and yet full of trust.—Michael R. Burch

Theologian: someone who wants life to “make sense” / by believing in a “god” infinitely dense.—Michael R. Burch

Skepticism: The murderer of Eve / cannot be believed.—Michael R. Burch

Death: This dream of nothingness we fear / is salvation clear.—Michael R. Burch

Insuresurrection: The dead are always with us, and yet they are naught!—Michael R. Burch

Marriage: a seldom-observed truce / during wars over money / and a red-faced papoose.—Michael R. Burch

Is “natural affection” affliction? / Is “love” nature’s sleight-of-hand trick / to get us to reproduce / whenever she feels the itch?—Michael R. Burch



Translations

Birdsong
by Rumi
loose translation by Michael R. Burch

Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!

Raise your words, not their volume.
Rain grows flowers, not thunder.
—Rumi, translation by Michael R. Burch

The imbecile constructs cages for everyone he knows,
while the sage (who has to duck his head whenever the moon glows)
keeps dispensing keys all night long
to the beautiful, rowdy, prison gang.
—Hafiz loose translation/interpretation by Michael R. Burch

An unbending tree
breaks easily.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Little sparks ignite great Infernos.—Dante, translation by Michael R. Burch

Love distills the eyes’ desires, love bewitches the heart with its grace.―Euripides, translation by Michael R. Burch

Once fanaticism has gangrened brains
the incurable malady invariably remains.
—Voltaire, loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.
—Thomas Campion, loose translation/interpretation by Michael R. Burch

No wind is favorable to the man who lacks direction.
—Seneca the Younger, loose translation/interpretation by Michael R. Burch

Hypocrisy may deceive the most perceptive adult, but the dullest child recognizes and is revolted by it, however ingeniously disguised.
—Leo Tolstoy translation by Michael R. Burch

Just as I select a ship when it's time to travel,
or a house when it's time to change residences,
even so I will choose when it's time to depart from life.
—Seneca, speaking about the right to euthanasia in the first century AD, translation by Michael R. Burch

Improve yourself through others' writings, thus attaining more easily what they acquired through great difficulty.
—Socrates, translation by Michael R. Burch

Fools call wisdom foolishness.
―Euripides, translation by Michael R. Burch

One true friend is worth ten thousand kin.
―Euripides, translation by Michael R. Burch

Not to speak one’s mind is slavery.
―Euripides, translation by Michael R. Burch

I would rather die standing than kneel, a slave.
―Euripides, translation by Michael R. Burch

Fresh tears are wasted on old griefs.
―Euripides, translation by Michael R. Burch



Native American Proverb
loose translation/interpretation by Michael R. Burch

Before you judge
a man for his sins
be sure to trudge
many moons in his moccasins.



Native American Proverb
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.



Native American Proverb
loose translation/interpretation by Michael R. Burch

Let us walk respectfully here
among earth's creatures, great and small,
remembering, our footsteps light,
that one wise God created all.



The Least of These...

What you
do
to
the refugee
you
do
unto
Me!
—Jesus Christ, translation/paraphrase by Michael R. Burch



The Church Gets the Burch Rod

The most dangerous words ever uttered by human lips are “thus saith the LORD.” — Michael R. Burch

How can the Bible be "infallible" when from Genesis to Revelation slavery is commanded and condoned, but never condemned? —Michael R. Burch

If God
is good
half the Bible
is libel.
—Michael R. Burch

I have my doubts about your God and his "love":
If one screams below, what the hell is "Above"?
—Michael R. Burch

If God has the cattle on a thousand hills,
why does he need my tithes to pay his bills?
—Michael R. Burch

The best tonic for other people's bad ideas is to think for oneself.—Michael R. Burch

Hell hath no fury like a fundamentalist whose God condemned him for having "impure thoughts."—Michael R. Burch

Religion is the difficult process of choosing the least malevolent invisible friends.—Michael R. Burch

Religion is the ****** of the people.—Karl Marx
Religion is the dopiate of the sheeple.—Michael R. Burch

An ideal that cannot be realized is, in the end, just wishful thinking.—Michael R. Burch

God and his "profits" could never agree
on any gospel acceptable to an intelligent flea.
—Michael R. Burch

To fall an inch short of infinity is to fall infinitely short.—Michael R. Burch

Most Christians make God seem like the Devil. Atheists and agnostics at least give him the "benefit of the doubt."—Michael R. Burch

Hell has been hellishly overdone.
Why blame such horrors on God's only Son
when Jehovah and his prophets never mentioned it once?
—Michael R. Burch

(Bible scholars agree: the word "hell" has been removed from the Old Testaments of the more accurate modern Bible translations. And the few New Testament verses that mention "hell" are obvious mistranslations.)



Clodhoppers
by Michael R. Burch

If you trust the Christian "god"
you're—like Adumb—a clod.




If every witty thing that's said were true,
Oscar Wilde, the world would worship You!
—Michael R. Burch



Questionable Credentials
by Michael R. Burch

Poet? Critic? Dilettante?
Do you know what's good, or do you merely flaunt?

(Published by ***** of Parnassus, the first poem in the April 2017 issue)



*******
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy is an illusion to the expert:
the Bedouin has learned how not to want.



Lines in Favor of Female Muses
by Michael R. Burch

I guess ***** of Parnassus are okay...
But those Lasses of Parnassus? My! Olé!

(Published by ***** of Parnassus)



Meal Deal
by Michael R. Burch

Love is a splendid ideal
(at least till it costs us a meal) .



Long Division
by Michael R. Burch as Kim Cherub

All things become one
Through death's long division
And perfect precision.



i o u
by mrb

i might have said it
but i didn't

u might have noticed
but u wouldn't

we might have been us
but we couldn't

u might respond
but probably shouldn't




Mate Check
by Michael R. Burch

Love is an ache hearts willingly secure
then break the bank to cure.



Incompatibles
by Michael R. Burch

Reason's treason!
cries the Heart.

Love's insane,
replies the Brain.

(Originally published by Light)



Death is the ultimate finality
of reality.
—Michael R. Burch



Stage Fright
by Michael R. Burch

To be or not to be?
In the end Hamlet
opted for naught.



Grave Oversight
by Michael R. Burch

The dead are always with us,
and yet they are naught!



Feathered Fiends
by Michael R. Burch

Fascists of a feather
flock together.



Why the Kid Gloves Came Off
by Michael R. Burch

for Lemuel Ibbotson

It's hard to be a man of taste
in such a waste:
hence the lambaste.



Housman was right...
by Michael R. Burch

It's true that life's not much to lose,
so why not hang out on a cloud?
It's just the bon voyage is hard
and the objections loud.



Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Ironic Vacation
by Michael R. Burch

Salzburg.
Seeing Mozart's baby grand piano.
Standing in the presence of sheer incalculable genius.
Grabbing my childish pen to write a poem & challenge the Immortals.
Next stop, the catacombs!



Imperfect Perfection
by Michael R. Burch

You're too perfect for words—
a problem for a poet.



Expert Advice
by Michael R. Burch

Your ******* are perfect for your lithe, slender body.
Please stop making false comparisons your hobby!



Thirty
by Michael R. Burch

Thirty crept upon me slowly
with feline caution and a slowly-twitching tail;
patiently she waited for the winds to shift;
now, claws unsheathed, she lies seething to assail
her helpless prey.



Biblical Knowledge or "Knowing Coming and Going"
by Michael R. Burch

The wisest man the world has ever seen
had fourscore concubines and threescore queens?
This gives us pause, and so we venture hence—
he "knew" them, wisely, in the wider sense.



Snap Shots
by Michael R. Burch

Our daughters must be celibate,
die virgins. We triangulate
their early paths to heaven (for
the martyrs they'll soon conjugate) .

We like to hook a little tail.
We hope there's decent *** in jail.
Don't fool with us; our bombs are smart!
(We'll send the plans, ASAP, e-mail.)

The soul is all that matters; why
hoard gold if it offends the eye?
A pension plan? Don't make us laugh!
We have your plan for sainthood. (Die.)



I sampled honeysuckle
and it made my taste buds buckle.
—Michael R. Burch



The Editor

A poet may work from sun to sun,
but his editor's work is never done.

The Critic

The editor's work is never done.
The critic adjusts his cummerbund.

The Audience

While the critic adjusts his cummerbund,
the audience exits to mingle and slum.

The Anthologist

As the audience exits to mingle and slum,
the anthologist rules, a pale jury of one.



Athenian Epitaphs

How valiant he lies tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch

Here he lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch

Mariner, do not ask whose tomb this may be,
But go with good fortune: I wish you a kinder sea.
Michael R. Burch, after Plato

We who left behind the Aegean’s bellowings
Now sleep peacefully here on the mid-plains of Ecbatan:
Farewell, dear Athens, nigh to Euboea,
Farewell, dear sea!
Michael R. Burch, after Plato

Passerby,
Tell the Spartans we lie
Lifeless at Thermopylae:
Dead at their word,
Obedient to their command.
Have they heard?
Do they understand?
Michael R. Burch, after Simonides

Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
Michael R. Burch, after Glaucus

They observed our fearful fetters, braved the overwhelming darkness.

Now we extol their excellence: bravely, they died for us.
Michael R. Burch, after Mnasalcas

Blame not the gale, nor the inhospitable sea-gulf, nor friends’ tardiness,
Mariner! Just man’s foolhardiness.
Michael R. Burch, after Leonidas of Tarentum

Be ashamed, O mountains and seas: these were men of valorous breath.
Assume, like pale chattels, an ashen silence at death.
Michael R. Burch, after Parmenio

These men earned a crown of imperishable glory,
Nor did the maelstrom of death obscure their story.
Michael R. Burch, after Simonides

Stranger, flee!
But may Fortune grant you all the prosperity
she denied me.
Michael R. Burch, after Leonidas of Tarentum

Now that I am dead sea-enclosed Cyzicus shrouds my bones.
Faretheewell, O my adoptive land that nurtured me, that held me;
I take rest at your breast.
Michael R. Burch, after Erycius

I am loyal to you master, even in the grave:
Just as you now are death’s slave.
Michael R. Burch, after Dioscorides

Stripped of her stripling, if asked, she’d confess:
“I am now less than nothingness.”
Michael R. Burch, after Diotimus

Dead as you are, though you lie still as stone,
huntress Lycas, my great Thessalonian hound,
the wild beasts still fear your white bones;
craggy Pelion remembers your valor,
splendid Ossa, the way you would bound
and bay at the moon for its whiteness,
bellowing as below we heard valleys resound.
And how brightly with joy you would canter and run
the strange lonely peaks of high Cithaeron!
Michael R. Burch, after Simonides

Having never earned a penny,
nor seen a bridal gown slip to the floor,
still I lie here with the love of many,
to be the love of yet one more.
Michael R. Burch, after an unknown Greek poet

I lie by stark Icarian rocks
and only speak when the sea talks.
Please tell my dear father that I gave up the ghost
on the Aegean coast.
Michael R. Burch, after Theatetus

Everywhere the sea is the sea, the dead are the dead.
What difference to me—where I rest my head?
The sea knows I’m buried.
Michael R. Burch, after Antipater of Sidon

Constantina, inconstant one!
Once I thought your name beautiful
but I was a fool
and now you are more bitter to me than death!
You flee someone who loves you
with baited breath
to pursue someone who’s untrue.
But if you manage to make him love you,
tomorrow you'll flee him too!
Michael R. Burch, after Macedonius



Sunset
by Michael R. Burch

This poem is dedicated to my grandfather, George Edwin Hurt

Between the prophesies of morning
and twilight’s revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



The Greatest of These ...
by Michael R. Burch

for my mother, Christine Ena Burch

The hands that held me tremble.
The arms that lifted
  fall.

Angelic flesh, now parchment,
is held together with gauze.

But her undimmed eyes still embrace me;
there infinity can be found.

I can almost believe such love
will reach me, underground.



Love Is Not Love
by Michael R. Burch

for Beth

Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.

(Or went on a binge at a nearby mall,
then would not cook.)

Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.

When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when

all that it knows
is: O, because!



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.

And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine

and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.

And so lead me back tonight
through bright waterfalls of light
to where we shine as one.

Originally published by The Lyric



Ali’s Song
by Michael R. Burch

They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.

Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.

My face reflected up, dark bronze like gold,
a coin God stamped in His own image―BOLD.
My blood boiled like that river―strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.

Originally published by Black Medina

Note: Cassius Clay, who converted to Islam and changed his “slave name” to Muhammad Ali, said that he threw his Olympic boxing gold medal into the Ohio River. Confirming his account, the medal was recovered by Robert Bradbury and his wife Pattie in 2014 during the Annual Ohio River Sweep, and the Ali family paid them $200,000 to regain possession of the medal. When drafted during the Vietnamese War, Ali refused to serve, reputedly saying: “I ain't got no quarrel with those Viet Cong; no Vietnamese ever called me a ******.” The notice mentioned in my poem is Ali's draft notice, which metaphorically gets tossed into the river along with his slave name. I was told through the grapevine that this poem appeared in Farsi in an Iranian publication called Bashgah. ―Michael R. Burch



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow ...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Departed
by Michael R. Burch

Already, I miss you,
though your parting kiss is still warm on my lips.

Now the floor is not strewn with your stockings and slips
and the dishes are all stacked away.

You left me today ...
and each word left unspoken now whispers regrets.



Roses for a Lover, Idealized
by Michael R. Burch

When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?

When winter makes me think of you,
whorls petrified in frozen dew,
bright promises blithe spring forgot,
will I recall your words―barbed, cruel?



Ibykos Fragment 286, Circa 564 B.C.
loose translation/interpretation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening—
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.



Deor's Lament (circa the 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland endured the agony of exile:
an indomitable smith wracked by grief.
He suffered countless sorrows;
indeed, such sorrows were his ***** companions
in that frozen island dungeon
where Nithad fettered him:
so many strong-but-supple sinew-bands
binding the better man.
That passed away; this also may.

Beadohild mourned her brothers' deaths,
bemoaning also her own sad state
once she discovered herself with child.
She knew nothing good could ever come of it.
That passed away; this also may.

We have heard the Geat's moans for Matilda,
his lovely lady, waxed limitless,
that his sorrowful love for her
robbed him of regretless sleep.
That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many acknowledged his mastery and moaned.
That passed away; this also may.

We have heard too of Ermanaric's wolfish ways,
of how he cruelly ruled the Goths' realms.
That was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his crown might be overthrown.
That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are limitless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I can say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just king. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors had promised me.
That passed away; this also may.



Infatuate, or Sweet Centerless Sixteen
by Michael R. Burch

Inconsolable as “love” had left your heart,
you woke this morning eager to pursue
warm lips again, or something “really cool”
on which to press your lips and leave their mark.

As breath upon a windowpane at dawn
soon glows, a spreading halo full of sun,
your thought of love blinks wildly ... on and on ...
then fizzles at the center, and is gone.



The Toast
by Michael R. Burch

For longings warmed by tepid suns
(brief lusts that animated clay),
for passions wilted at the bud
and skies grown desolate and gray,
for stars that fell from tinseled heights
and mountains bleak and scarred and lone,
for seas reflecting distant suns
and weeds that thrive where seeds were sown,
for waltzes ending in a hush
and rhymes that fade as pages close,
for flames’ exhausted, graying ash,
and petals falling from the rose,
I raise my cup before I drink
in reverence to a love long dead,
and silently propose a toast—
to passages, to time that fled.

Originally published by Contemporary Rhyme



Veiled
by Michael R. Burch

She has belief
without comprehension
and in her crutchwork shack
she is
much like us . . .

tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief . . .

ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered . . .

and if you were to ask her,
she might say:
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,

and we might agree:
seeing her mutilations.

Published by Poetry Super Highway and Modern War Poems.



Twice
by Michael R. Burch

Now twice she has left me
and twice I have listened
and taken her back, remembering days

when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.

But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:

rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.

Originally published by The Lyric



Prose Epigrams

We cannot change the past, but we can learn from it.—Michael R. Burch

When I was being bullied, I had to learn not to judge myself by the opinions of intolerant morons. Then I felt much better.—Michael R. Burch

How can we predict the future, when tomorrow is as uncertain as Trump's next tweet? —Michael R. Burch

Poetry moves the heart as well as the reason.—Michael R. Burch

Poetry is the art of finding the right word at the right time.—Michael R. Burch



The State of the Art (?)
by Michael R. Burch

Has rhyme lost all its reason
and rhythm, renascence?
Are sonnets out of season
and poems but poor pretense?

Are poets lacking fire,
their words too trite and forced?
What happened to desire?
Has passion been coerced?

Shall poetry fade slowly,
like Latin, to past tense?
Are the bards too high and holy,
or their readers merely dense?



Your e-Verse
by Michael R. Burch

—for the posters and posers on www.fillintheblank.com

I cannot understand a word you’ve said
(and this despite an adequate I.Q.);
it must be some exotic new haiku
combined with Latin suddenly undead.

It must be hieroglyphics mixed with Greek.
Have Pound and T. S. Eliot been cloned?
Perhaps you wrote it on the ***, so ******
you spelled it backwards, just to be oblique.

I think you’re very funny—so, “Yuk! Yuk!”
I know you must be kidding; didn’t we
write crap like this and call it “poetry,”
a form of verbal exercise, P.E.,
in kindergarten, when we ran “amuck?”

Oh, sorry, I forgot to “make it new.”
Perhaps I still can learn a thing or two
from someone tres original, like you.



Haiku Translations of the Oriental Masters

Grasses wilt:
the braking locomotive
grinds to a halt
― Yamaguchi Seishi, loose translation by Michael R. Burch

Oh, fallen camellias,
if I were you,
I'd leap into the torrent!
― Takaha Shugyo, loose translation by Michael R. Burch

The first soft snow:
leaves of the awed jonquil
bow low
― Matsuo Basho, loose translation by Michael R. Burch

Come, investigate loneliness!
a solitary leaf
clings to the Kiri tree
― Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness―
the night heron's shriek
― Matsuo Basho, loose translation by Michael R. Burch

One apple, alone
in the abandoned orchard
reddens for winter
― Patrick Blanche, loose translation by Michael R. Burch

The poem above is by a French poet; it illustrates how the poetry of Oriental masters like Basho has influenced poets around the world.

Graven images of long-departed gods,
dry spiritless leaves:
companions of the temple porch
― Matsuo Basho, loose translation by Michael R. Burch

See: whose surviving sons
visit the ancestral graves
white-bearded, with trembling canes?
― Matsuo Basho, loose translation by Michael R. Burch

I remove my beautiful kimono:
its varied braids
surround and entwine my body
― Hisajo Sugita, loose translation by Michael R. Burch

This day of chrysanthemums
I shake and comb my wet hair,
as their petals shed rain
― Hisajo Sugita, loose translation by Michael R. Burch

This darkening autumn:
my neighbor,
how does he continue?
― Matsuo Basho, loose translation by Michael R. Burch

Let us arrange
these lovely flowers in the bowl
since there's no rice
― Matsuo Basho, loose translation by Michael R. Burch

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch

The butterfly
perfuming its wings
fans the orchid
― Matsuo Basho, loose translation by Michael R. Burch

Pausing between clouds
the moon rests
in the eyes of its beholders
― Matsuo Basho, loose translation by Michael R. Burch

The first chill rain:
poor monkey, you too could use
a woven cape of straw
― Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
― Matsuo Basho, loose translation by Michael R. Burch

Like a heavy fragrance
snow-flakes settle:
lilies on the rocks
― Matsuo Basho, loose translation by Michael R. Burch

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
― Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
― Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
― Matsuo Basho, loose translation by Michael R. Burch

Will we meet again?
Here at your flowering grave:
two white butterflies
― Matsuo Basho, loose translation by Michael R. Burch

Fever-felled mid-path
my dreams resurrect, to trek
into a hollow land
― Matsuo Basho, loose translation by Michael R. Burch

Too ill to travel,
now only my autumn dreams
survey these withering fields
― Matsuo Basho, loose translation by Michael R. Burch; this has been called Basho's death poem

These brown summer grasses?
The only remains
of "invincible" warriors...
― Matsuo Basho, loose translation by Michael R. Burch

An empty road
lonelier than abandonment:
this autumn evening
― Matsuo Basho, loose translation by Michael R. Burch

Spring has come:
the nameless hill
lies shrouded in mist
― Matsuo Basho, loose translation by Michael R. Burch

The Oldest Haiku

These are my translations of some of the oldest Japanese waka, which evolved into poetic forms such as tanka, renga and haiku over time. My translations are excerpts from the Kojiki (the "Record of Ancient Matters"), a book composed around 711-712 A.D. by the historian and poet Ō no Yasumaro. The Kojiki relates Japan’s mythological beginnings and the history of its imperial line. Like Virgil's Aeneid, the Kojiki seeks to legitimize rulers by recounting their roots. These are lines from one of the oldest Japanese poems, found in the oldest Japanese book:

While you decline to cry,
high on the mountainside
a single stalk of plumegrass wilts.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch

Here's another excerpt, with a humorous twist, from the Kojiki:

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch

Here's another, this one a poem of love and longing:

Onyx, this gem-black night.
Downcast, I await your return
like the rising sun, unrivaled in splendor.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch

More Haiku by Various Poets

Right at my feet!
When did you arrive here,
snail?
― Kobayashi Issa, loose translation by Michael R. Burch

Our world of dew
is a world of dew indeed;
and yet, and yet...
― Kobayashi Issa, loose translation by Michael R. Burch

Oh, brilliant moon
can it be true that even you
must rush off, like us, tardy?
― Kobayashi Issa, loose translation by Michael R. Burch

A kite floats
at the same place in the sky
where yesterday it floated...
― Yosa Buson, loose translation by Michael R. Burch

The pigeon's behavior
is beyond reproach,
but the mountain cuckoo's?
― Yosa Buson, loose translation by Michael R. Burch

Plowing,
not a single bird sings
in the mountain's shadow
― Yosa Buson, loose translation by Michael R. Burch

The pear tree flowers whitely―
a young woman reads his letter
by moonlight
― Yosa Buson, loose translation by Michael R. Burch

On adjacent branches
the plum tree blossoms bloom
petal by petal―love!
― Yosa Buson, loose translation by Michael R. Burch

Picking autumn plums
my wrinkled hands
once again grow fragrant
― Yosa Buson, loose translation by Michael R. Burch

Dawn!
The brilliant sun illuminates
sardine heads.
― Yosa Buson, loose translation by Michael R. Burch

The abandoned willow
shines
between rains
― Yosa Buson, loose translation by Michael R. Burch

White plum blossoms―
though the hour grows late,
a glimpse of dawn
― Yosa Buson, loose translation by Michael R. Burch; this is believed to be Buson's death poem and he is said to have died before dawn

I thought I felt a dewdrop
plop
on me as I lay in bed!
― Masaoka Shiki, loose translation by Michael R. Burch

We cannot see the moon
and yet the waves still rise
― Shiki Masaoka, loose translation by Michael R. Burch

The first morning of autumn:
the mirror I investigate
reflects my father’s face
― Shiki Masaoka, loose translation by Michael R. Burch

Wild geese pass
leaving the emptiness of heaven
revealed
― Takaha Shugyo, loose translation by Michael R. Burch

Silently observing
the bottomless mountain lake:
water lilies
― Inahata Teiko, loose translation by Michael R. Burch

Cranes
flapping ceaselessly
test the sky's upper limits
― Inahata Teiko, loose translation by Michael R. Burch

Falling snowflakes'
glitter
tinsels the sea
― Inahata Teiko, loose translation by Michael R. Burch

Blizzards here on earth,
blizzards of stars
in the sky
― Inahata Teiko, loose translation by Michael R. Burch

Completely encircled
in emerald:
the glittering swamp!
― Inahata Teiko, loose translation by Michael R. Burch

The new calendar!:
as if tomorrow
is assured...
― Inahata Teiko, loose translation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
― Fukuda Chiyo-ni, loose translation by Michael R. Burch

Because morning glories
hold my well-bucket hostage
I go begging for water
― Fukuda Chiyo-ni, loose translation by Michael R. Burch

Spring
stirs the clouds
in the sky's teabowl
― Kikusha-ni, loose translation by Michael R. Burch

Tonight I saw
how the peony crumples
in the fire's embers
― Katoh Shuhson, loose translation by Michael R. Burch

It fills me with anger,
this moon; it fills me
and makes me whole
― Takeshita Shizunojo, loose translation by Michael R. Burch

War
stood at the end of the hall
in the long shadows
― Watanabe Hakusen, loose translation by Michael R. Burch

Because he is slow to wrath,
I tackle him, then wring his neck
in the long grass
― Shimazu Ryoh, loose translation by Michael R. Burch

Pale mountain sky:
cherry petals play
as they tumble earthward
― Kusama Tokihiko, loose translation by Michael R. Burch

The frozen moon,
the frozen lake:
two oval mirrors reflecting each other.
― Hashimoto Takako, loose translation by Michael R. Burch

The bitter winter wind
ends here
with the frozen sea
― Ikenishi Gonsui, loose translation by Michael R. Burch

Oh, bitter winter wind,
why bellow so
when there's no leaves to fell?
― Natsume Sôseki, loose translation by Michael R. Burch

Winter waves
roil
their own shadows
― Tominaga Fûsei, loose translation by Michael R. Burch

No sky,
no land:
just snow eternally falling...
― Kajiwara Hashin, loose translation by Michael R. Burch

Along with spring leaves
my child's teeth
take root, blossom
― Nakamura Kusatao, loose translation by Michael R. Burch

Stillness:
a single chestnut leaf glides
on brilliant water
― Ryuin, loose translation by Michael R. Burch

As thunder recedes
a lone tree stands illuminated in sunlight:
applauded by cicadas
― Masaoka Shiki, loose translation by Michael R. Burch

The snake slipped away
but his eyes, having held mine,
still stare in the grass
― Kyoshi Takahama, loose translation by Michael R. Burch

Girls gather sprouts of rice:
reflections of the water flicker
on the backs of their hats
― Kyoshi Takahama, loose translation by Michael R. Burch

Murmurs follow the hay cart
this blossoming summer day
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

The wet nurse
paused to consider a bucket of sea urchins
then walked away
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

May I be with my mother
wearing her summer kimono
by the morning window
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

The hands of a woman exist
to remove the insides of the spring cuttlefish
― Sekitei Hara, loose translation by Michael R. Burch

The moon
hovering above the snow-capped mountains
rained down hailstones
― Sekitei Hara, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
― Kakio Tomizawa, loose translation by Michael R. Burch

Spring snow
cascades over fences
in white waves
― Suju Takano, loose translation by Michael R. Burch

Tanka and Waka translations:

If fields of autumn flowers
can shed their blossoms, shameless,
why can’t I also frolic here —
as fearless, and as blameless?
—Ono no Komachi, loose translation by Michael R. Burch

Submit to you —
is that what you advise?
The way the ripples do
whenever ill winds arise?
—Ono no Komachi, loose translation by Michael R. Burch

Watching wan moonlight
illuminate trees,
my heart also brims,
overflowing with autumn.
—Ono no Komachi, loose translation by Michael R. Burch

I had thought to pluck
the flower of forgetfulness
only to find it
already blossoming in his heart.
—Ono no Komachi, loose translation by Michael R. Burch

That which men call "love" —
is it not merely the chain
preventing our escape
from this world of pain?
—Ono no Komachi, loose translation by Michael R. Burch

Once-colorful flowers faded,
while in my drab cell
life’s impulse also abated
as the long rains fell.
—Ono no Komachi, loose translation by Michael R. Burch

I set off at the shore
of the seaside of Tago,
where I saw the high, illuminated peak
of Fuji―white, aglow―
through flakes of drifting downy snow.
― Akahito Yamabe, loose translation by Michael R. Burch



ON LOOKING AT SCHILLER’S SKULL
by Johann Wolfgang von Goethe
loose translation/interpretation by Michael R. Burch

Here in this charnel-house full of bleaching bones,
like yesteryear’s
fading souvenirs,
I see the skulls arranged in strange ordered rows.

Who knows whose owners might have beheaded peers,
packed tightly here
despite once repellent hate?
Here weaponless, they stand, in this gentled state.

These arms and hands, they once were so delicate!
How articulately
they moved! Ah me!
What athletes once paced about on these padded feet?

Still there’s no hope of rest for you, lost souls!
Deprived of graves,
forced here like slaves
to occupy this overworld, unlamented ghouls!

Now who’s to know who loved one orb here detained?
Except for me;
reader, hear my plea:
I know the grandeur of the mind it contained!

Yes, and I know the impulse true love would stir
here, where I stand
in this alien land
surrounded by these husks, like a treasurer!

Even in this cold,
in this dust and mould
I am startled by an a strange, ancient reverie, …
as if this shrine to death could quicken me!

One shape out of the past keeps calling me
with its mystery!
Still retaining its former angelic grace!
And at that ecstatic sight, I am back at sea ...

Swept by that current to where immortals race.
O secret vessel, you
gave Life its truth.
It falls on me now to recall your expressive face.

I turn away, abashed here by what I see:
this mould was worth
more than all the earth.
Let me breathe fresh air and let my wild thoughts run free!

What is there better in this dark Life than he
who gives us a sense of man’s divinity,
of his place in the universe?
A man who’s both flesh and spirit—living verse!



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Farewell to Faith I
by Michael R. Burch

What we want is relief
from life’s grief and despair:
what we want’s not “belief”
but just not to be there.



Farewell to Faith II
by Michael R. Burch

Confronted by the awesome thought of death,
to never suffer, and be free of grief,
we wonder: "What’s the use of drawing breath?
Why seek relief
from the bible’s Thief,
who ripped off Eve then offered her a leaf?"



Anyte Epigrams

Stranger, rest your weary legs beneath the elms;
hear how coolly the breeze murmurs through their branches;
then take a bracing draught from the mountain-fed fountain;
for this is welcome shade from the burning sun.
—Anyte, loose translation/interpretation by Michael R. Burch

Here I stand, Hermes, in the crossroads
by the windswept elms near the breezy beach,
providing rest to sunburned travelers,
and cold and brisk is my fountain’s abundance.
—Anyte, loose translation/interpretation by Michael R. Burch

Sit here, quietly shaded by the luxuriant foliage,
and drink cool water from the sprightly spring,
so that your weary breast, panting with summer’s labors,
may take rest from the blazing sun.
—Anyte, loose translation/interpretation by Michael R. Burch

This is the grove of Cypris,
for it is fair for her to look out over the land to the bright deep,
that she may make the sailors’ voyages happy,
as the sea trembles, observing her brilliant image.
—Anyte, loose translation/interpretation by Michael R. Burch



Nossis Epigrams

There is nothing sweeter than love.
All other delights are secondary.
Thus, I spit out even honey.
This is what Gnossis says:
Whom Aphrodite does not love,
Is bereft of her roses.
—Nossis, loose translation/interpretation by Michael R. Burch

Most revered Hera, the oft-descending from heaven,
behold your Lacinian shrine fragrant with incense
and receive the linen robe your noble child Nossis,
daughter of Theophilis and Cleocha, has woven for you.
—Nossis, loose translation/interpretation by Michael R. Burch

Stranger, if you sail to Mitylene, my homeland of beautiful dances,
to indulge in the most exquisite graces of Sappho,
remember I also was loved by the Muses, who bore me and reared me there.
My name, never forget it!, is Nossis. Now go!
—Nossis, loose translation/interpretation by Michael R. Burch

Pass me with ringing laughter, then award me
a friendly word: I am Rinthon, scion of Syracuse,
a small nightingale of the Muses; from their tragedies
I was able to pluck an ivy, unique, for my own use.
—Nossis, loose translation/interpretation by Michael R. Burch



Excerpts from “Distaff”
by Erinna
loose translation/interpretation by Michael R. Burch

… the moon rising …
      … leaves falling …
           … waves lapping a windswept shore …

… and our childish games, Baucis, do you remember? ...

... Leaping from white horses,
running on reckless feet through the great courtyard.  
“You’re it!’ I cried, ‘You’re the Tortoise now!”
But when your turn came to pursue your pursuers,
you darted beyond the courtyard,
dashed out deep into the waves,
splashing far beyond us …

… My poor Baucis, these tears I now weep are your warm memorial,
these traces of embers still smoldering in my heart
for our silly amusements, now that you lie ash …

… Do you remember how, as girls,
we played at weddings with our dolls,
pretending to be brides in our innocent beds? ...

... How sometimes I was your mother,
allotting wool to the weaver-women,
calling for you to unreel the thread? ...

… Do you remember our terror of the monster Mormo
with her huge ears, her forever-flapping tongue,
her four slithering feet, her shape-shifting face? ...

... Until you mother called for us to help with the salted meat ...

... But when you mounted your husband’s bed,
dearest Baucis, you forgot your mothers’ warnings!
Aphrodite made your heart forgetful ...

... Desire becomes oblivion ...

... Now I lament your loss, my dearest friend.
I can’t bear to think of that dark crypt.
I can’t bring myself to leave the house.
I refuse to profane your corpse with my tearless eyes.
I refuse to cut my hair, but how can I mourn with my hair unbound?
I blush with shame at the thought of you! …

... But in this dark house, O my dearest Baucis,
My deep grief is ripping me apart.
Wretched Erinna! Only nineteen,
I moan like an ancient crone, eying this strange distaff ...

O *****! . . . O Hymenaeus! . . .
Alas, my poor Baucis!



On a Betrothed Girl
by Erinna
loose translation/interpretation by Michael R. Burch

I sing of Baucis the bride.
Observing her tear-stained crypt
say this to Death who dwells underground:
"Thou art envious, O Death!"

Her vivid monument tells passers-by
of the bitter misfortune of Baucis —
how her father-in-law burned the poor ******* a pyre
lit by bright torches meant to light her marriage train home.
While thou, O Hymenaeus, transformed her harmonious bridal song into a chorus of wailing dirges.

*****! O Hymenaeus!



Sophocles Epigrams

Not to have been born is best,
and blessed
beyond the ability of words to express.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

It’s a hundred times better not be born;
but if we cannot avoid the light,
the path of least harm is swiftly to return
to death’s eternal night!
—Sophocles, Oedipus at Colonus, loose translation/interpretation by Michael R. Burch

Never to be born may be the biggest boon of all.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Oblivion: What a blessing, to lie untouched by pain!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

The happiest life is one empty of thought.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Consider no man happy till he lies dead, free of pain at last.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

What is worse than death? When death is desired but denied.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

When a man endures nothing but endless miseries, what is the use of hanging on day after day,
edging closer and closer toward death? Anyone who warms his heart with the false glow of flickering hope is a wretch! The noble man should live with honor and die with honor. That's all that can be said.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Children anchor their mothers to life.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

How terrible, to see the truth when the truth brings only pain to the seer!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Wisdom outweighs all the world's wealth.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Fortune never favors the faint-hearted.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Wait for evening to appreciate the day's splendor.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch



Homer Epigrams

For the gods have decreed that unfortunate mortals must suffer, while they themselves are sorrowless.
—Homer, Iliad 24.525-526, loose translation/interpretation by Michael R. Burch

“It is best not to be born or, having been born, to pass on as swiftly as possible.”
—attributed to Homer (circa 800 BC), loose translation/interpretation by Michael R. Burch



Ancient Roman Epigrams

Wall, I'm astonished that you haven't collapsed,
since you're holding up verses so prolapsed!
—Ancient Roman graffiti, loose translation/interpretation by Michael R Burch

There is nothing so pointless, so perfidious as human life! ... The ultimate bliss is not to be born; otherwise we should speedily slip back into the original Nothingness.
—Seneca, On Consolation to Marcia, loose translation/interpretation by Michael R. Burch

Keywords/Tags: elegy, eulogy, child, childhood, death, death of a friend, lament, lamentation, epitaph, grave, funeral, epigram, epigrams, short, brief, concise, aphorism, adage, proverb, quote, mrbepi, mrbepig, mrbepigram, mrbhaiku

Published as the collection "Epigrams"
Nat Lipstadt Jan 2014
after five years
when I write her a love poem,
she is always surprised,
her unexpectation
so very pleases me.

after five years
when I write her a love poem,
I am always surprised,
that a new way to say it,
uncovered.

but this I can tell you,
not once
do I ever write
nor will I ever pen
those I love you words.

they are too easy, too cheap,
a dime a dozen,
naked words make me weep,
dress 'em, cloak 'em, try to
Pradip 'em in
mystery, charming humor,
use conjuring spells of
Bala imagery unreal,
Bzynga!

work hard to tell her why,
work hard to guard your originality,
work hard to tell her in ways
that her into me
smiling, crying, punching.

so I write love poems,
every now and then,
special ways recalled,
teasing her about her forgetfulness,
about her teasing me with rhyming
that is less than spectacular,
how my body has
reshaped itself to fit her.

tell her
I love you,
plain,
well that be downright,

pffft.
(an interjection used to express or indicate
a dying or fizzling out)

the key is to tell her
in a fashion original,
personal to us.

that what all these endless
love poems here strive,
but too oft, fail to arrive.
all tricked up, too direct,
passion burnt used up
after but a single read

stroke her cheek
with soft stanzas,
torrential directness,
no subtly,
fizzles.

write for the long haul,
words that five years hence,
words that five hundred years hence,
make her into me
smiling, crying, punching,
like the first time
she read them,
like they did
five years ago.
Jan. 9th, 2013
The soft whirling hum of a fan works its way from one corner of the room to the next. I succumb, defeated, deflated, shoulders slouched over, to passing wafts of air that briefly foam over the drooped skin of my emotionless face. Its touch invigorates the senses, momentarily reminding me to take in a breath of the foul and arid air that lingers lifelessly in this second story bedroom. As a sliver of light makes its way slowly up my chest and falls back to its original place, a muffled sound of pain boils over slowly softly searing through my torpid ears. Meanwhile, transparent tendrilous hands of memories begin to curl through my mind appearing and quickly vanishing like steam before I can grasp the true gravity of their presence.
        It must be ninety seven degrees in here. A drop falls from my face onto the back of my clenched hand and for a moment the fan is at it again pulling my head with it from side to side. Oscillating, it dictates a hypnotic lullaby, an ***** riddled rhythm sanding away at my rigid thoughts. Another drop falls toward my wrists driving me away from the blissful moment. Then losing its grip a metallic clang reverberates throughout the room as the object leaves my hand and finds the old wooden floor. Looking back at my hand I see where the two drops had fallen, now glistening in the dimly lit room. Were those tears? When I direct my sight down to meet with whatever had fallen a rush of blinding pain jaggedly inhibits my vision with a flaming wall of white instinctively calling my eyelashes into the backs of my eyelids painfully. My voice cracks and I hear the same singe of grief from earlier reflect ballistically throughout the room and into the hallway where ghosts gargle back an echo of my anguished voice. Am I hurt?
        Afraid now of what I may have done,I cautiously work my foot away from the chair and navigate it across the floor until it hits the handle of something sending it spinning around. Reaching down, the once trance like hum of the fan falls deaf and gives way to a steady beat of drips that are accompanied by an ever increasing tightening of my chest. When I reunite with the object I had dropped the image of blood and steel mesh a murderous hue onto my fingers as I fumble to recover it. Realizing what has happened my mind fizzles and pops with panic and I begin to beg for respite, for a chance to revisit the moment before I had slit open both wrists. Cold anguish flushes the heat from the room and out into the hall as the dam of reality breaks and in with it a torrent of emotions and images of the blood peppered hardwood floor that now seeps dauntingly with the new life it is drinking. In desperation my eyes fire off in every direction, finding an open journal perched on a coffee table. The pages are in a fretful fury revealing pages dotted with smudges and smears of bloodied ink and teary paragraphs. Confused, I begin to search the room again and there beneath the window blinds lies the woman I have loved for eleven years lifeless in a pool of blood. Lorraine.
        My head lashes violently backward as if to howl toward the moon of time in an attempt to beckon the falling grains of sand to return to me what had once been mine. A sobering clarity strikes me and I begin to recall the events that led up to this moment. Beginning with a distressed phone call from Lorraine. I came,I told you I would come. And then I recall the strange feeling that scaled through my body slithering down my arm until it coiled its nervous grip around my fingertips as they bit into the **** of our bedroom door. As it creaked open, I had thought, I'm here baby, but you were already gone. Lorraine. It took what felt like hours to reach the part of the journal where you had confessed your infidelity that resulted from the tangles of promises I never kept, from the things I hadn't done, and should have said. Oh Lorraine why didn't you tell me. I would have changed, would have done anything for you. I'm so sorry,I forgot, I hadn't noticed. After seven years I thought you knew, but I will show you now. I will give you my life as you had given yours. I would have forgiven you ******, they were only kisses that meant nothing. Lorraine...and then nothingness.
        A grey shadow in a once enraged Congo of colors and emotions in an otherwise empty room now fill my eyes until I'm choking on its thick smoke and drowning in tears. When one of those tears fall, this time on my bloodied wrists I'm called back to the present moment. Once more the fan catches my sight directing me toward your lifeless body, and then a warm hand from the deepest recesses of my mind begins to cradle my shoulder. Lorraine. My eyes flutter open and find you placing a kiss on my forehead as you say something sweetly into the soft embrace of night. The scent of your hair bristles around my cheek and ears while you caress the short hairs along the ridges of my neck. All I can manage in the moment is to pull you in closer as I whisper "I'm sorry Lorraine. I love you. I can show you." A tear catches a lock of your hair as you kiss my lips and with your love I am drawn back into our bed and out away into sleep.
I'm interested in knowing what you readers believe happens in the end. Is he dreaming and alive, is he already dead, or is he dying? I've heard some interesting theories from friends and family but I would also value your opinions as well, and with them, in the future be able to write short stories like this that have even better ambiguous endings.
Amanda Lee Oct 2014
now I’m haunted by all these holes found in my armor
and if my heart beats any harder I will lose it
well congratulations, I didn’t know
you two had made things so official
just don’t call me when it fizzles
in fact, don’t call me at all.
flatsound
Mateuš Conrad Mar 2020
.a very prominent interlude of bitterness - something that needs to be drank as an antidote of the aftertaste of a brothel... bourbon - sickly-sweet bourbon of a brothel... otherwise the best beer on these isles: the original stout: st. guinness - second, 13... hop house lager by the same culprit... i don't know about you but a regular IPA doesn't float my boat... stale pale ale of 3 day old sputnik ***** excavation of bio-matter living off of iron shrapnel and termite ****... let's not go over-board with the bitterness of fenugreek seeds added to a curry... but... a hop lager is not an indian pale ale... because? well: because of the excited circumstance of extra bubbles! once upon a time that horrid absinthe period... last time i checked i became the st. peter of the drug details... ***** tells you too many truths come the moral-hangover the next day... but ms. amber in her guise of adele bloch-bauer by klimt: take her for a whiskey, take her for a bourbon... a chanel no. 5... or a brandy or a cognac... please excuse me from drinking the ales... goldwasser: athens, sparta, venice... dan dan Danzig... i'd call the genesis of world war II to be... that envy of the city-state... the little cosmopolitan high-heavens of a concentrated locum... of affairs of both tourism and the subsequent merchant class... that Danzig didn't belong to anyone: not really... does it even matter now? the current city-state model is... don't bother filtering the excesses... it has to become diluted... you'll find pockets of concentration near them... yes... homogenous... therefore solaced by that fact alone... only teasing incorporating outside influences... it's not going to be a replica venice or danzig... for that you'd need a window... st. peter designated the window into europe as a capital with an access to the sea... not land locked... even though i'm pretty sure that moscow has a river running through it... jump-start the window: a capital by the sea... hey presto! a window: the baltic sea into europe... words that become apparent: microcongestion of undigested souls... a schrödinger's cat... one foot in limbo... another foot in reicarnation... lob it or nutmeg the footie: it's a particle when observed and a wave when not observed... an orbit for the schematic... but a cloud when getting into the nitty-gritty details: specifics oblong... misnomer... if my ******* into a tissue, subsequently flushed... then a baptism of a shower... is not a genocide? then... bullseye... the ***** that made it into the ****... it's an abortion mid-week... i'd count that ****** come a certain count of months... otherwise... well... there's that cat of his... one foot in limbo and one foot in reincarnation... wasn't it the western exhausted theological mind: from that god of the omni- litany looking toward the budding-ha-ha? abortion... prized ***** makes it to the egg... ah... ****** from the argument of effort... me and the basic schematics of genocide... otherwise: schrödinger's cat... one foot in limbo... one foot in reicarnation... better still... Farinelli! drop the ******* don a niqab! the muslims and an eye-fetish... mind you... i do have a hand-fetish... "fetish"... i can count five of hers and only four of mine... fingers! unless she is a proper Arab bride with roots of synonyms in the Ukraine... and she has butcher's hands... hot-dog fingers... and a kardashian thick-*** that is just readied for a 12" dung-digger of ******... while at the same time... breaking the floral patterns of a porcelain geisha's... "missing tongue O"...

manícorona: peanut-crown!

               in between the hype and...
in between the trough...
and the happy pigglets of prop
and grandour...

little charlie little dervish of
a dar: gift...
                        win-win scenario...
i'm worried about...
constipation...
           terribly bothered...
                    
         but there's also the fact that
i haven't seen a dentist for...
a donkey can count a decade:
at least that's my hope...

my tooth filling has become lose...
having finished with yesterday's
etc. i tried to fall to sleep...

the pain came as a blunt object
in need of sharpening...
it wasn't a sharp object per se:
to begin with...

the radio was off...
the dream of falling asleep to the sound
of rain like it might be
a song off the cure's disintegration
album: lost...

                 i concluded:
it must be a dream...
how else explain this trivial pain
of a tooth when all the bones lay
intact in a body in an impeding grave?

to have been lullabied by a trivial
pain of a loose filling...
                   i'll give it until monday
to check a dental clinic...
i'll wait... because:
god only knows i am bound
to learn something new from
this crazed - infuriating pain -

          but at least that has
constipation covered...
    fear not: ****** **** of the golem heights!
no chelsea smile up your alley:
any time soon...

        the crown virus...
sooner or later: yes my liege...
yes my sire...
i'm sure the africans will... jump the queue...
we've been raising money for
a malaria vaccine...
i'm sure they'll be quick-on-the-mark
to raise money for the crown-virus
epicenter! europe!

oh... come come... komme komme, meine liebe!
it's true!
the europeans will be fundraising
money for malaria...
while the africans will be fundraising
money for the peanut-crown virus...

or... i like that one quote i heard,
"somewhere"...
   a stewardess asks a mother whether
or not her son would like some peanuts...
the mother says... he's allergic to peanuts...
he's allergic to maize... air...
glutten... ******* haribo gelatin and all...
he's allergic to hiccups...

                           there's a winking match
involving imitation chess between
the very sick psychiatrists
and the mildly sick schizophrenics...
a bilingual comes along into their foray...
and asks: who's multiplying
and who's in charge of division?
all a splendid metaphor... wouldn't you agree?
there... metaphor...
already the focus is gone... splinters...
some go to metaphysics,
some go to metaphors...
some go to orthography...
some go to: telepathy...
        some go down the para-
hello, my name is Norman...

         it's natural then... darwinism in action...
hold a peanut to a crowd of
people allergic to peanuts...
the joy of cashews...
the joys of pecans...
   cashews, pecans, brazilians...
macademians... hazels and waldorff's...

no other feeling...
like a ripe hop lager in between
a bourbon's drip drip drip...
      
                   horrid breaking up an already
comfortable ideology... isn't it?
when something like this speaks for itself
and the "lamm von gott" is brought before
the altar...
                           darwinism sings!
sings! like the brian jonestown massacre...
this is my body... my peanut...
brought to a cult of peanut-allergy-riddled
anemics and haemophiliacs...
        
the darwinian ideology fizzles out...
when it's not longer looking up through
the telescope of a primate's ***...
but looking through the form most primodial...
i've been gardening for the past week...
i've watched an earthworm here...
an earthworm there...
        life without eyes without ears
without music... but this idiotic god-given
impetus, imperative, "will": "freedom"...
virus... crown virus...

sooner or later we'll all be kings and queens,
sneezing and waiting for the entire
small intestine to come out of our noses
like glue: glut and gelatin pieces
wobbling where once bones stood
to be later broken...

a beer in between these slugs of bourbon
will do just that...
all good when it concerns
of apes and men...
           the similarity greatly helps...
but of course we'll borrow from other
skeletons...
                  no one ever heard of a headache
from having "too much"...
i.e. od przybytku: głowa nie boli...
o ale boli boli boli...

      constipation...
            the peanut crown virus...
and a loose tooth filling...
                ***** blondes and "how many"
light-bulb jokes it would take
for a tsunami of bleached ***** hairs to turn
into a happy cousin itsy-bitsy:
a spider cravat... what else?

otherwise history...
   either a wet-dream or a castration...
              or the bull wrestled by the horns...
or a dog wrestled by either kicking it in
the ******* or wrestling with its mandible jaw...
echoes of warriors...
warriors and pirates... the lesser muscles
of a farmer? a blacksmith?
              either a wet-dream or a castration...
lost avenues of "heroes":
all leading to: up my ***... otherwise known
as my original churchill's V...
the welsh longbow men: ditto the fwench...

such a shame that so much of history
is to be filtered when the children learn of it...
and whenever returning to it...
it's as stale as an antique's roadshow...
or it's: skimmed over...
whatever natural selection gave...
i don't know whether it's natural
to witness this historiological selection...

some would say:
too much of a congested toilet: n'est-ce pas?
too many of the dead are still haunting us...
natural selection contra:
historiological selection...
                             the ape versus the virus...
it is over-inflated...
where are the boils, the blisters...
the glutton spew of ****?
                              
                     this is... it?
panic riddled neurotics?
   so... so... twiddle-thumb-twiddle-toe...
where are all the psychotic:
airing of the soul examples?
smoke and mirrors...
   if i see a *****?
   i'll let you know!
          we'll huddle and watch
tom hanks win an oscar for
Philadeplhia...
                          show me a *****
******* a zombie...
         this, this grand disguise as flu...
it's almost a precursor
to a greater joke...
       of... phantom limbs that
had grenades worth of champagne
bottles being uncorked as
the origin of the demise of...
if only they named the ship Prometheus...
Titanic is so general...
     Atlas... Hyperion...
                  Oceanus...
                                   you can't expect
to keep an adjective as a noun: afloat...
or could have... could you?

but about time you listen to all the darwinists...
when the seas are: a'rough...
ask them about not looking up from
that telescope via a monkey's ****...
about the darwinism of a...
very original... very basic: a first...
first in line end result...
that might have been us...

                 tough luck bringing
no wine and no bread...
to the congregation...
nut-allergy riddled whisperers and soon-enough
to be drop-off counts of: the sieve...
the peanut! crown - and:
if only it was as simple as a reconquista
of what the goths left behind having
stalled spain's worth
and having died off in north africa...

now's the time to stop looking through
a darwinistic: famous detail of:
the peeled banana on the inner-sleeve...
the root or yellow...
teasing you unpeeled for all that was
the velvet, the velvet and the underground...
a very pushy bladder...
i mean: fickle bladder little gremlin
with a yappy-yappy for a mouth...
and it's not the sort of mouth that echoes:
hungry! hungry!
the sort of mouth, though...
give it the plumber...
                          
        how very pedestrian of me.
The charred scent of paper
Atop the ******* skyscraper
Burns when a life is consumed
In its greenish greedy gown
On it has been proudly sown
A golden triangle. It assumed
Its complete authority over
The human race we chase
Its glinting giggling gorge
Postponing the petty morgue
Adorning chests in a tower
Of wealth, of woe, of war
Some are the jacks in tar
Others the *****, the ace

Hovering over cities
Teasing the daisies.
That thick soot
Flawless is flaying
Slowly peeling
Away layers of our root
We gambol and gamble
Pitiful onions in unions
Hawkers jaywalking
Hunters, judges, humble
Flock of those who can think
Trying to make sense of ions
We can with a gun link
Deaths and collapsing ink.

The bright dollar bill smolders
On Atlas’ sore shoulders
An intricate golden lattice
In lieu of a benighted bodice
It lifts Man on a rusty noose
King on a heap of newspapers
The charred choking scent
Demonic, deliquescent
Atop the ******* skyscrapers.
For a divine raiment
Would the goofy government
Trade your blood and lymph
For a smoke and mirrors nymph?
I choose not, please turn us loose?

We are the scorching enemy
All in all, possessed by the mark
We gloat over the metonymy
Of our radiant success
We are nothing under duress
But pigs left bound to bark
In the mud of our sockets
Buy this diamond necklace
So you can prove, in the race
Of rats, you are the best of piglets
“How much does it cost?’’, asks the poet
But his voice is regarded as a dandling duet
Society sleeps, makes loves, guzzles
A writer too, probably feebly fizzles…


All the while the creased cremated paper
Will keep on swallowing us over and over
This smoke once was the signal of civilization
It is now the ominous gleam of our globalization
Soothing soot it is not, it throttles us all
I foresee it but soon we shall
Fall back into this drowsy land
Demise of those who did not stand
Up behind the legacy of a quill
That is now silent in steel, still
Child, write down your future
Your literature will triumph for sure!
I’d read his lines instead of gulping down
The shiny pill of tomorrow brand new uptown!

January 26, 2016
Guillotière, Lyon
7:17 pm
Jacob Sykes May 2013
poisoned well of the antichrist littered with ground cover
picking out ****** flecks of gravel
blacktop kneeskin
patience pieces of scattered space time
to go back to the future of continuity
lack of genius ingenuity
and the suckling of the pig entourage

riding in a flat top hatchback
cadillac of the daily grind
upperclassman japan onii-chan
brother in arms from anotha motha
hug from afar colliding with crackpot theory

terrible fantasia cooling bricks in soggy sun
swallowed his pride with a glass of self-worth
and these ***** don't cook like they used to
I don't look like I used to
warped veil of camouflage chameleon leather
with a ****** level of automobile salesman

tried to get closer to god
ground him up, picked out the stems
twisted him into thin paper
touched flame to his finger tip and a son of Adam was born

gum shoe gaze
or the emptiness felt at the end of reasonable doubt
correctional text messaging system
sent from hoarse corpses
tenderly poignant in their ****** coffins

will think for food
cries from an outdated MENSA
over ***** and under-appreciated
siting on hunched shoulders to get a better look
to be a martian in a plain port

wharf warehouse whaling boat
red tide in a Shanghai *******
floodgates made of bitter premise
that last bit of purple yam
**** Okonkwo
Things Fall Apart fell apart due to faded highschool ambitions and bloodshot eyes
cruel like the shade of off-cerulean

champagne fizz tickles at the soft meat of his tarnished throat
and silver tongue
as the matchstick framework
so fragile in comparison
fizzles out on drenched sidewalk
while cigarette ash floats by
like gray gnats
Bacon sizzles
*** fizzles out
Bacon comforts
Relationships cause discomfort.
© JLB
23/10/2014
12:13 BST

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