It was always going to be black and white
that's the typeface on my preference of late
defining day and night with your choice of tights
those fine dividing lines on your partnered limbs
wrapped tall in belts daring as a Lara Croft climb
a silky striped raggedy ann gone neat sensuous
tight strapped to a two striking sinuous princess
committed to lodge sins inside my Loveland challenge
hemmed in round towers together to never-never unhinge

at home we horse around and rub along together
boosted by the interplay between cotton twill gathered
pulled low one side then canter balance riding high
as you level up to a line up of outbound thigh
saddled with a lovely leg stirrup over here
and a lean waist wobble to match up there
eyebrow lifts to starch arrowroot attention
over the swings and sway of every action
so swift I play catch-up each morning
delayed by fumbling for ones gone matching
it's a wonder you don't just wander away
in a daze from my one legged hopping display

then I would travel far as a bee
long-legged as stilts could be
to sing to your nails and feet
and be spun free flaunting
our google
a red white and blue
pair of giggles unfurled like flags
in your slim line dancers' legs
dangling ideas like fair weather socks
to goggle one direction behind your back
unique like nobody else contains within
thin licked then rolled back ciggie skins
so I pinch holes in the bacci parts
sinking into slats like leaky wooden boats
your avoiding tiptoes gadfly and curl in return
my feet undoing knits with swats and swirls
toeing tinkling notes like piano keys
undertones pink tinged with tingling knees
and when a jukebox plays
my coins are there always
for I've got your pop socks in motion
your vox populi's united under my skin
with impressive pulled tight bands
embedding imprint elastic rings
inky red slinking down
leaving parallel links


ignore my pins and needles
alone in dead of night
longing for your leggings
luminous stripe tights
today it's all me put on the spot
today it's music you might hate
biographies of people you don't like
subtitled movies too deep to bother
blue jeans dull dyed against your garter belt
a one man team can't DIY a drill majorette
spiralling shafts that come to a threaded point
enthralling with alternating knee bend bit pants
so pretty poly soft I'm pulled up like a fool
fully mixed up by your weaving cotton wool
wave me down in your way of sweet patter feet
a patterned cakewalk for you to catwalk sock it
to me in a stand in posey kind of way
this way to stand outs knitted to fancy
uncross your legs and cross-stitch
my path with gaited kisses
closely

sitting in your corvette
bass boosted songs
and friday sunlight reflecting
off crisp puddles from yesterday
you hit the gas
and my hair goes straight
to the roof
feels like i’m trapped in
a fish bowl, sports cars
easy to get in
but impossible to get out
maybe that’s your plan

1.) tizzop introduced gangsta poetry february 2021
     no man ever before created a poetry genre alike
     gangsta poetry, robust melting *** of languages
     and ethnicities, as it reflects the united states

2.) the idols of gangsta poetry are rooted in the
      underworld, blacks, hispanics, italo- and irish-
      americans, asians, arabs, germans, kurds,
      yugos, albanians, afghans, northern-africans...

3.) multilingual are the core, heart and soul of
     a gangsta poem: glockz, rubix cubies, 31er
     salam, jebeš igru, habibis, brüder, fo' sho':
     rapid months, frozen silverfruit, whole ones

4.) every letter of gangsta poetry becomes the
     side effects of our brand's real-life greed and fury
      mourning the end of beloved baby mommas
      deaths caused by strayed bullets that vamoose

5.) gangsta poetry aims to be published among
      all ethnic communities of the 50 united states
      deadline 08/16/21 stresses american willpower
      gangsta poetry scandalously hits us's curriculas

6.) each of the 194 remaining countries is urged
     to promote and govern gangsta poetry for
     the neglected, weighted with glacial contempt
     these males and females discover their kind in us

7.) tizzop established a saying: "treat every being  
     with an open mind, but fight back, baby, if anyone
     disrespects you, the gps, or our hangarounds"
     at war, we remember our families before we blast

8.) bar none, each gangsta poet is free to connect
      affiliate and distribute with and for the gp's
      brothas and sistas -- gps create examples of
      social diversity and historical dimensions

9.) female gangsta poets are a quarter of us
      some keep it gal, united sisterhood, astute flow
      in memory of leery leyla, chalondra, kateyy,
      mountainbird, ivanka cociç, ashima abraham

10.) genderfree, gangsta poets are chosen
        undertakings composed by thugs & artists
        the spirit of a few meets strife of hood speech
        gp evolved from a movement to an own identity

11.) restrictions do not apply for written creation
        strategic outgrowth and unshaken cash flow
        gp embraces brainy ones, and our soldiers
        narrators in conspiracy, art nouveau trips

12.) gangsta poetry admires the following people:
        jeezy, killa cam, toni der assi, iron sal, dmx
        anton chigurh, sigmund freud, rashid stoogie
        larry hoover, elliot york hp, kevin of allpoetry

13.) taktloss, luis fonsi, blockmonsta, all bolivian
        and peruvian farmers, te amamos, our brothers
        187 strassenbande, senion mogilevich, nirvana
        john murphy, dem dudes alpha hotel frankfurt

14.) much love to all global units, poets, thieves
        traffic architects, hackers, true skippos
        german bakeries, all-black betting shops
        jews from brighton beach, hispanic halos

15.) benny da bandit, tony tarantula, gambino, brate
        hamza al-mighty, fat **** frank, jens, das brain
        fred merciless, familia escorpio, ruben and levi
        ali firefists, kimbo slice, scarface, oleksiy, dejan

16.) daim, loomit, dns 1up, **** my **** crew
        berlin kreuzberg 36ers, playboys hannover
        yard bird 1955, taki 183 n.y.c., basquiat, level
        dbl ffm-skychildren, bomber, city mission
    
17.) gangsta poetry overwhelmingly shaped by
       our ancestors who boosted the poetry of ages
       train bombers, rappers, trappers, taggers, cutters
       we descent from them, honor their names

18.) gangsta poets die for poems that struck
        gps, fans and critics in a possessive way
        limits of real talk and boasting are in flux
        trance batters the face of reason, at dusk


                                          *


Once upon a time at March 22nd, 2021
Kreuzberg SO 36, Berlin, Germany...
Dedicated to all Gangsta Poets Worldwide

Heaven and hell yeah, disciples outpace seconds
Greetings from Wondaland, a.k.a. The Magic City

When your self esteem gets boosted
A healthy beer has been brewed
A perfect sowing has been sewed
I'm getting butterflies when I used to get moths
Feeling a little less goth

A question that should be on
Your mind this evening is why?
Why are the people of Greece--
Why is the nation of Greece--getting
Spanked & punished by their EU
German & French economic overlords?
We should be saluting tonight’s
Referendum NO vote results,
The Greek electorate voting against another
Devastating round of economic sanctions,
Voting NO on more years of austere living.
In fact, it should be U.S. foreign policy to
Support complete Greek withdrawal from
The European Union. That’s right:
“Euro No, Drachma naí!”
The EU is fiscal tyranny,
Led by the EU autocrats,
Angela Merkel & whomever is sitting in the
French baby high chair these days.
Isn’t it a strange coincidence that the
EU whip, always seems to be cracking on
Their swarthier brethren,
Their southern European members,
The Spaniards, Portuguese, Italians &,
The Greeks.
The Greeks have had enough.
One would expect nothing less from
These fiercely independent
Hellenistic people.
And you can **** the Greek people
Up their ***** all you want &
Many of them might like it, but
The Greeks will survive,
Survive as they have for nearly 3,000 years,
Give or take a Kalamata olive or two.
We breathe the air of Greek culture,
Deep respiration of so much of
What we still call learning these days.
We owe the Greeks: it was
Greek inception of so much
Math & science &
Countless other right-brain
Spatial ability & logical precision; not to
Mention so many left-brain contributions in
Sociology & ethics,
Politics & democratic government,
Geography & religion,
Education & philosophy,
Sculpture & art, philosophy,
Live theater & literature.
We owe the Greeks.
Had we interceded with the Brits on Greece’s behalf,
Reminding them that we bailed out their sorry ***-cheeks
After two 20th Century world wars, perhaps
The British Museum might have Fedexed
The so-called Elgin Marbles--
Those boosted friezes,
Jacked right off the
Parthenon façade,
Should have Fedexed them back to
"Eleftherios Venizelos,"
Decades ago.
George’s wife, that foxy babe
Amal Clooney sure thinks so.
We owe the Greeks.
The world owes the Greeks.
Let us all help the Greeks.
Let’s encourage them to quit the EU.
To Greeks I say: trust & patience,
You’ve got the sun.
You’ve got the sea.
A clean white landscape,
Ouzo & Retsina,
Spanakopita & Moussaka.
The Greek Islands:
Crete & Mykonos,
Santorini & Corfu,
Rhodes & Ios
Samos & ****** . . .
We owe you.
We love you.
We will come to you.

There's a feeling I've felt hindering on the tip of my tongue, twirling with sawdust at the end of my bed. Its tingled my toes and tickled my nose and killed all hopes that this is just happiness.

Sleep is for figments and products of sanity, neither of which I can claim heritage. Well perhaps figments in the waking hours of the darkness, but that is a tale for another time.

I can feel his fingertips stroking my sides, reminding me what it is to feel human and vulnerable and perfect. Didn't know he boosted me ego and turned me into the self absorbed maniac you see before you today. Tyrant, remembrr? Oh wait, that's another tale altogether again.

I ramble in the night, in the morning, all the time. My thoughts wander with echoing clarity to encompass the truth about me; not everything is quite right. The teacups are lopsided at the unbirthday table tonight.

Yet again, speaking in riddles and stories unbeknownst to you. Stupid me, stupid Grace, stupider you. Why are you so open to my madness anyway? Maybe you're the crazy one.

This sick godlike embodiment I feel is one I forget isn't real, isn't me, isn't life. But wait. Its a part of me, so perhaps it is real as well? Call a jury, wake a judge, there must be a verdict on my elation. Am I a minor deity or are the synapses playing some cruel joke on my heartstrings?

Heartstrings, why did I bring them into this? I have shut them off for now, for they are dumb and deaf to honesty and logic and do whatever the hell they feel. Or is it whatever the heaven? I forget sometimes where the real misery is, or how the expression goes. I've never quite gotten everything right, being as upside down as I.

Insomnia brings out the manic in me, and I know its not real, but for a moment, just a moment, I belong. I am real, I am loved, I am powerful. Weak little Grace is no more, with her fears and contradictions. Just strength is left, and it is glorious.

Just remember not to let the heffelumps get you in the night, for they are the true evil behind your honey ***. Or am I a heffelump? I can't remember anymore.

This is going nowhere, everywhere, somewhere.

Wake me up inside before I destroy myself, or simply perpetuate my perfection with a caress of your hand. Whatever suits your fancy.

Call me Aphrodite and we'll call it a night after hours of mindblowing ***. But you expected that all along, of course you did, because you know my bones better than we both realize.

When you put your hands on me I feel ****. But yet again, right now I an perpetually **** and twitchy and awake and fake. Dare you to kiss me anyway.

Dare you to see me, psychotics and all.

Bet you'll run like the rest, yet like all good hiders its refreshing to be found every once in awhile.

Find me, and see. See the monster behind my beautiful eyes. That's the day when you'll see what true danger looks like; me.

Insomnia makes me odd, but yet again I'm always odd.

Little miss muffet sat on her tuffet, eating her curds and craves, for a man betwixt her to tell her she's killer and make her a siren next day.

Forget, no, yes, its all I do. Its not how that goes, for sirens are certainly not temporary. I am certainly a black widow every day, not just each odd thursday.

Go to bed, Grace. I beg of you.

Close my eyes and say goodnight to the beloved moon, for the sun is nearly up and it certainly hates me, I am sure of it.

Just never forget all this is wrapped up in one little old me. No one seems to remember that until its far too late, so might as well run now, because otherwise little miss muffet here on her tuffet will be the death of you.

Lancaster bore him—such a little town,
Such a great man. It doesn’t see him often
Of late years, though he keeps the old homestead
And sends the children down there with their mother
To run wild in the summer—a little wild.
Sometimes he joins them for a day or two
And sees old friends he somehow can’t get near.
They meet him in the general store at night,
Pre-occupied with formidable mail,
Rifling a printed letter as he talks.
They seem afraid. He wouldn’t have it so:
Though a great scholar, he’s a democrat,
If not at heart, at least on principle.
Lately when coming up to Lancaster
His train being late he missed another train
And had four hours to wait at Woodsville Junction
After eleven o’clock at night. Too tired
To think of sitting such an ordeal out,
He turned to the hotel to find a bed.

“No room,” the night clerk said. “Unless——”
Woodsville’s a place of shrieks and wandering lamps
And cars that shook and rattle—and one hotel.

“You say ‘unless.’”

“Unless you wouldn’t mind
Sharing a room with someone else.”

“Who is it?”

“A man.”

“So I should hope. What kind of man?”

“I know him: he’s all right. A man’s a man.
Separate beds of course you understand.”
The night clerk blinked his eyes and dared him on.

“Who’s that man sleeping in the office chair?
Has he had the refusal of my chance?”

“He was afraid of being robbed or murdered.
What do you say?”

“I’ll have to have a bed.”

The night clerk led him up three flights of stairs
And down a narrow passage full of doors,
At the last one of which he knocked and entered.
“Lafe, here’s a fellow wants to share your room.”

“Show him this way. I’m not afraid of him.
I’m not so drunk I can’t take care of myself.”

The night clerk clapped a bedstead on the foot.
“This will be yours. Good-night,” he said, and went.

“Lafe was the name, I think?”

“Yes, Layfayette.
You got it the first time. And yours?”

“Magoon.

Doctor Magoon.”

“A Doctor?”

“Well, a teacher.”

“Professor Square-the-circle-till-you’re-tired?
Hold on, there’s something I don’t think of now
That I had on my mind to ask the first
Man that knew anything I happened in with.
I’ll ask you later—don’t let me forget it.”

The Doctor looked at Lafe and looked away.
A man? A brute. Naked above the waist,
He sat there creased and shining in the light,
Fumbling the buttons in a well-starched shirt.
“I’m moving into a size-larger shirt.
I’ve felt mean lately; mean’s no name for it.
I just found what the matter was to-night:
I’ve been a-choking like a nursery tree
When it outgrows the wire band of its name tag.
I blamed it on the hot spell we’ve been having.
’Twas nothing but my foolish hanging back,
Not liking to own up I’d grown a size.
Number eighteen this is. What size do you wear?”

The Doctor caught his throat convulsively.
“Oh—ah—fourteen—fourteen.”

“Fourteen! You say so!
I can remember when I wore fourteen.
And come to think I must have back at home
More than a hundred collars, size fourteen.
Too bad to waste them all. You ought to have them.
They’re yours and welcome; let me send them to you.
What makes you stand there on one leg like that?
You’re not much furtherer than where **** left you.
You act as if you wished you hadn’t come.
Sit down or lie down, friend; you make me nervous.”

The Doctor made a subdued dash for it,
And propped himself at bay against a pillow.

“Not that way, with your shoes on ****’s white bed.
You can’t rest that way. Let me pull your shoes off.”

“Don’t touch me, please—I say, don’t touch me, please.
I’ll not be put to bed by you, my man.”

“Just as you say. Have it your own way then.
‘My man’ is it? You talk like a professor.
Speaking of who’s afraid of who, however,
I’m thinking I have more to lose than you
If anything should happen to be wrong.
Who wants to cut your number fourteen throat!
Let’s have a show down as an evidence
Of good faith. There is ninety dollars.
Come, if you’re not afraid.”

“I‘m not afraid.
There’s five: that’s all I carry.”

“I can search you?
Where are you moving over to? Stay still.
You’d better tuck your money under you
And sleep on it the way I always do
When I’m with people I don’t trust at night.”

“Will you believe me if I put it there
Right on the counterpane—that I do trust you?”

“You’d say so, Mister Man.—I’m a collector.
My ninety isn’t mine—you won’t think that.
I pick it up a dollar at a time
All round the country for the Weekly News,
Published in Bow. You know the Weekly News?”

“Known it since I was young.”

“Then you know me.
Now we are getting on together—talking.
I’m sort of Something for it at the front.
My business is to find what people want:
They pay for it, and so they ought to have it.
Fairbanks, he says to me—he’s editor—
Feel out the public sentiment—he says.
A good deal comes on me when all is said.
The only trouble is we disagree
In politics: I’m Vermont Democrat—
You know what that is, sort of double-dyed;
The News has always been Republican.
Fairbanks, he says to me, ‘Help us this year,’
Meaning by us their ticket. ‘No,’ I says,
‘I can’t and won’t. You’ve been in long enough:
It’s time you turned around and boosted us.
You’ll have to pay me more than ten a week
If I’m expected to elect Bill Taft.
I doubt if I could do it anyway.’”

“You seem to shape the paper’s policy.”

“You see I’m in with everybody, know ’em all.
I almost know their farms as well as they do.”

“You drive around? It must be pleasant work.”

“It’s business, but I can’t say it’s not fun.
What I like best’s the lay of different farms,
Coming out on them from a stretch of woods,
Or over a hill or round a sudden corner.
I like to find folks getting out in spring,
Raking the dooryard, working near the house.
Later they get out further in the fields.
Everything’s shut sometimes except the barn;
The family’s all away in some back meadow.
There’s a hay load a-coming—when it comes.
And later still they all get driven in:
The fields are stripped to lawn, the garden patches
Stripped to bare ground, the apple trees
To whips and poles. There’s nobody about.
The chimney, though, keeps up a good brisk smoking.
And I lie back and ride. I take the reins
Only when someone’s coming, and the mare
Stops when she likes: I tell her when to go.
I’ve spoiled Jemima in more ways than one.
She’s got so she turns in at every house
As if she had some sort of curvature,
No matter if I have no errand there.
She thinks I’m sociable. I maybe am.
It’s seldom I get down except for meals, though.
Folks entertain me from the kitchen doorstep,
All in a family row down to the youngest.”

“One would suppose they might not be as glad
To see you as you are to see them.”

“Oh,
Because I want their dollar. I don’t want
Anything they’ve not got. I never dun.
I’m there, and they can pay me if they like.
I go nowhere on purpose: I happen by.
Sorry there is no cup to give you a drink.
I drink out of the bottle—not your style.
Mayn’t I offer you——?”

“No, no, no, thank you.”

“Just as you say. Here’s looking at you then.—
And now I’m leaving you a little while.
You’ll rest easier when I’m gone, perhaps—
Lie down—let yourself go and get some sleep.
But first—let’s see—what was I going to ask you?
Those collars—who shall I address them to,
Suppose you aren’t awake when I come back?”

“Really, friend, I can’t let you. You—may need them.”

“Not till I shrink, when they’ll be out of style.”

“But really I—I have so many collars.”

“I don’t know who I rather would have have them.
They’re only turning yellow where they are.
But you’re the doctor as the saying is.
I’ll put the light out. Don’t you wait for me:
I’ve just begun the night. You get some sleep.
I’ll knock so-fashion and peep round the door
When I come back so you’ll know who it is.
There’s nothing I’m afraid of like scared people.
I don’t want you should shoot me in the head.
What am I doing carrying off this bottle?
There now, you get some sleep.”

He shut the door.
The Doctor slid a little down the pillow.

It’s Sunday morning, 7am. My phone jiggles and a Doja-cat ringtone jars me awake. It’s Kim asking if we want to set out for some frisbee golf - you have to tee-off early on the weekend to avoid the rush. “No, I moan, not today” I say, licking my emery-paper dry lips and trying to focus my eyes on the giant LED numbers of my alarm clock, “Leong and I got shot,” I add for maximum dramatic effect.

Later, about 11am. I’m lead-ball tired and so is Leong. My arm hurts so bad I can hardly lift it. Leong says hers does too. We’re kind of binging “Riverdale” but, in reality, we’re curled up, blanketed, and surrounded by pillows on the living-room sectional couch, napping off and on.

It’s slightly odd, being at home again with my mom, who used to manage everything about me. She knew when I should go to bed and get up, what vegetables and fruit I ate. She knew my teachers, who my friends were, when I had homework due, or needed a dental cleaning, when I had a doctor's appointment (although she really was my doctor), how I was feeling, if I had my period, when I took a bath, when my sheets needed changing - everything.

Now my mom has her brakes on - I can see her sometimes, flexing to comment on something, like our plan to go to the pool party the other night at 11pm, but stopping herself.

I guess I’m a different (university sophomore) me and she’s a different (more hands off) her.

Leong’s very Chinese-respectful around my parents. She calls my mom “mamma” and Step (my stepfather) “baba“ and practically comes to attention whenever they address her.
They’re just parents,” I say, denigratingly, “relax.” She nods, she’s trying.

Early yesterday (Saturday) morning, Leong and I were in the kitchen, at a round table, deep in our kitchen bay-window area, where we’re surrounded by plants and hanging ferns. My mom was making us a pancake and bacon breakfast (yum!), which was lovely, in theory, but Leong and I were badly maimed (hung over) - which I’m willing to bet she guessed. The night before we went to a high school graduation throwdown.

“Do you girls have plans for tomorrow?” My mom asked, as she transferred several pancakes from a frying pan onto a baking sheet in the oven.
“Nothing in particular, why?” I replied, as I looked up to eye-drop my seemingly sandy eyes.
“You’re going overseas in less than two weeks and I’d like to have you two covid boosted before then. You might feel tired or sore the next day,” she said, as she flipped her latest set of four pancakes in the frying pan, “so getting them today would be ideal.”
I look to Leong, to check her reaction and she shrugs with her coffee cup to her lips.
“Ok,” I say, “sure.”
“Leong,” my mom begins, “do you need to check with your parents?”
“Mom!” I almost shout, reacting harshly. I’m hung-over, mercurial, and embarrassed that she’s treating Leong like a child.
“No, Mamma” Leong says, looking at me, frowning - stepping over my outrage, solicitously - both answering the question and calming me down at once.

My mom transfers the latest batch of pancakes to the oven, where there’s now a flat baking pan piled with them. She closes the oven, flicks off the gas burner, picks up a silver tray that was lying on a side table, covered with a kitchen towel, and comes over to us.

She lifts the towel and we see two covid booster syringes and alcohol wipes.
“Now?” I say, slightly alarmed (I’m not a big fan of shots).
She raises one syringe to the light for a brief inspection and taps it twice. She cleanses my right arm with an alcohol wipe, gently pinches an area and injects me with one quick, smooth motion - I hardly feel it. She steps around to Leong, who’s also sleeveless, and repeats the process with the other syringe.

And just like that, we’re all boosted, in less than a minute. She hands us both our updated covid cards and says, "Alexa, announce breakfast is ready.”
Doctor moms can be handy.

Drug; he controls my brain.
He stirs an irresistible blend of chemicals in my body and convinces me to fall for him; he increases blood flow to the primitive areas of my brain and activates the circuits responsible for love and desire.

Adrenaline; he balances my stress.
He keeps my heart strong and healthy as thoughts of him and us dominate me and excite me, prompting me to get tachycardia (fast heart rate above 100 bpm) and my blood pressure to rise.

Dopamine; he regulates my focus.
He stimulates desire and triggers pleasure in me; I remember everything about us, then forget about my surroundings; I am motivated to please him, then I daydream and become unable to stay on task.

Serotonin; he stabilizes my mood.
He charms and induces me to perspire and relax, crave and distance him, lose and gain sleep, feel pain and relief, get happy and upset, and decrease and increase my immune system functions.

Medication; he forces my loveswept cells to go haywire.
He has cured my lovesickness, shooed away my regrets, helped me move on from my past, boosted my (self-)confidence, made me look forward to tomorrow, and offered me a ticket to bliss.

Oxytocin; he enables me to produce lovestruck hormones.
He affects my moral molecules as he attracts my undivided attention, pushes me to trust him, raises attachment and empathy, brings psychological stability, and encourages me to want to be closer to him.

Vasopressin; he causes me to secrete lovetastic chemicals.
He renders me monogamous and continues to have me hooked onto him; he makes me thirst for him, display amorous behavior, defend him and us, and maintain a strong partnership.

Love is a captured moment
A song in tune
A sound in silence
A crystal so pure

Love is a boosted hearbeat
A thousand callings
violet roses are blue
For the "Te Amo" you wanted so true

Set me deep down
And pick me apart, when you feel like
'Cause I know you won't forget to remember
Keep me confused
With your picking up
Writing blocks about a stuck tape recorder

She was the epitome of simplicity,
A key to elegance.
It was her style,
Her signature on what she wore.
Her own style she picked from fashion,
Cause fashion fades quickly,
Style remains forever,
It represents quality.
The colours she wore were those that looked good on her.
She dressed not to be noticed,
But, she dressed to be remembered.
It gave her confidence,
Boosted  her personality.
Promoted modesty, beauty,
And above all elegance.