Bones for Breakfast
July 2014

Bones are like peanut brittle.
Gnawed on til toothless,
by us old mangy mutts.
Tastes sweet tender as a drop 'o dew,
Feels soft in a bride's whisper, "I do."
But speaks crunchy crackles of Tic-Tac language,
instead of ******* out bad breath breathe shards in.

Although bones may break,
become buried under archaeologists' noses,
slip through crevices cracked and crumbled.
They were once anything but brittle,
covered only by skin yet to be bruised,
backs yet to be battered,
blood yet to be spilled,
faces yet to witness the history yet to be written.

I do not believe we are supposed to eat bones,
but we break them down into shreds of paper-back tidbits,
consumable by children during the snack time called 'history class.'
Our teachers are creating cannibals,
consuming culture on textbook platters,
but pay no mind while wearing bone bibs,
they leave out the thickest cuts of meat and just eat the ribs.

History is a living thing, dressed to deceive those who blindly believe.
I remember reading George Washington's claim to fame,
"I did not chop down that cherry tree."
But Mr. President, what about your enemies?
Because every revolution needs people to die for the revolutionaries.
Ain't that a sweet piece of cherry lie pie?

I learned Genghis Khan sure got it on with many women,
but didn't read about Alexander the Great's great ***,
much of it involving a same-gendered mate.
Wait, was that a mixture of patriarchy and hetero-normativity?
Words that weren't worth the pennies to print?
Who hired these fact checkers for the publishing industries?
I'll give you a hint,
Learn who has the most to gain from condemning intellectual content and corrupting it with a corrosive lack of social conscience.
As textbook reps tell professors, "Buy our books with cute new features."  But since when was that what made good teachers?
And so, these chapters get served to us on poo poo platters,
passed off to be refreshing as fresh mint pours in for corporations like Pearson Education.

I surveyed the lay of the land in Egypt,
purveying the literature of pharaohs.
Pyramids meant to portray a portrait of powerful people,
not a foolish riddle.
"Who built them," we ask.
But not of curiosity for whose backs broke building.
Its whose bones mummified beneath are made into mythological creatures along with Sphinx features.

I was taught the Holocaust was a unique horror story,
along with the catch phrase "never again."
Yet those 600 pages neglected to educate about the "re-education campaign" against the Cambodians.
Where was I to learn of the Rwanda civilization's tensions and exterminations?
Perhaps those pages were buried in the mass graves and dirt ditches, deserted and desecrated like the indigenous individuals we now call Native Americans.

Tell me more about art again.
It conveys a message about the historical humans experience,
but I think that message got lost sometime in the Renaissance Period.
When men had beards and wore colorful clothing,
but now that is either unprofessional or deemed gay as a bad thing.
When women were depicted full-bodied as that meant social status,
but now they are painted in photo shop with air brushes and slimmed slick.
We've created a glorious new empire of gastrointestinal bypass Groupons, and have either **** out or surgically removed all the bones we swallowed to get here... So, who's ready for lunch?

Oh
to be the girl in those adverts ,
Light,
skinny,
beautiful
A tragic line
to every gentle rib
I fetishise her fragile fingers
A monstrous beast reflected in the mirror, the worst possibility.

Tis poetic, there she stares
Says her lines; remaining fair,
Into my face, My acting is heavy handed and awkward
She’s a consumable reality,
She’s easy on the eyes
The fragile female,
salvageable.

We are a tragedy of ages, her Juliet, I Faustus
They silently boo while I slop onto the stage
A lazy slob,The **** of society, just don’t eat you fat ****. men like curvy girls We don’t want to see you, You’re so brave!  You’re the problem, it’s not hard hide your mass from view, unkempt, repulsive, vile. hide yourself it offends my sharp eyes.
I open my drooling mouth to speak, but there are chins smothering my mouth
My eyes clouded by greasy cellulite
I don’t want to exist like this.

So just stop eating.


I’d give an arm and a leg,
my pale teeth,
my parasitic possibility
my child

i have a nosebleed
and i breathe steam
seamlessly from this black hole,
******* life-air away
from those who actually
deserve
to live.

why this blood-red mud
frightens my friends
i'll never know-
it's me! so real!
me, the drinkable.
me, so easily consumable.
me, in a manipulative form.

my clay brain, melted,
sliding through my nose,
it brings the *****
little piece
of **** that i am
out into the light

where everyone can see it.

Time stopped.
I was consumable fuel
for the audience of this world.
Breathe taking eyes
strike my body to be
racked with the feeling.
Parts encase these lungs
that forget what it's like
to function properly.
Breathing? What's that?
As I greedily gulp
mouthfuls of air
followed by my obnoxious tendencies
to forget my basic
****** functions.
Why?
Anxious.
But for what?
All you did was look at me.
The effect leaves lasting
impressions to this
day.
Words.
What are those?
I left them downtown
as I stumbled along with you
maybe we can go back
someday
and retrieve them.

my intention is
to create this
uncomfortably wonderful
unsterilized environment
get high off the light
of seventy small fires
fall in love with the kind
that could **** for hire
get a job buy ****
keep it quiet then expire
nil in its entirety
fluid in its movement.

this is textual ambiguity
the rest is inaffectual
doses of good old
uhmerican ingenuity
like conceptual moses
roaming thru the
******* desert for
forty years

leave him alone
he doin his thang.

he's tryna find his consciousness
truant from the ensuing madness
nothing here is as it seems still
I promise you there
ain't **** to fear.

the people want
consumable truth
available for daily use;
they like being choked
& smoking the cracks
in the broken mirrors
also know as home.

a single empty room
& it doubles as a tomb.

how queer.

portals,
boundaries,
encased snapshots,
an edit.

a consumable fragment,
a glimpse,
palatable.

Dontcha just hate trying to finish a poem?
It's always like there could be just a hint of this, a dash of that;
too much seasoning, not enough time spent simmering;
did you use the right amount of ingredients;
was it tablespoons or teaspoons?

Dontcha wish you could just pluck one out of the freezer:
One wrapped up in a neat little package?
Leaving it on the stove-top to thaw a little,
before heating it up at your timely convenience?

I wish I knew when these **** things were done;
Wish I could stick em in a microwave, clock in the allotted time for a work like that to be well-cooked and consumable--
Wait around zoning out to the droning tone of the toasting note,
then awake from my spell by the sweet dinging of completion.

I'd take that steamy sucker out of that commodious kiln
in such great haste I can barely hold it in my hands!
"Boy oh boy does this one look tasty!"

I'd sit down with my necessary utensils and have a go at it, chewing thoughtfully and enjoying this wonderful piece I have prepared by myself for myself--and without all the hassle and wasted time
spent slaving over books and pages and pens and inspirations!

But ****;
Nobody likes poems cooked out of pre-made packages;
they're a little too rubbery, a little too mushy, a little too bland--
and worse off they were made by the assemblyman's hand! (or claw).

Nobody likes their poems coming out of pre-made packages;
They ain't nothing like the real thing.