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a (the) woman’s body (pretty pleasing)

is my reciprocal

her waist is my happy place

her neck is my doorway

the rest is
best when she is mirror accessorizing,
preening, **** upon first rising,
tallying the gains and the losses

unaware of my watching,
never satisfied she, tho she is 98% unadmitting contented,
as she shifts her weight,
from knee to knee extended alternating
with slow delicacy

for the pleasure is trebled
for her imagine image reverberates
throughout the house

for ever(y) mirror is pre-positioned,
accidentally angled just so, lol,
her image transported from living room to dining alcove
all the way to the kitchen’s bleacher seats

she doesn’t know and asks why I’m grinning,
answer is
no confessionary, no telling I’m swelling and
sinning

eyes scheming-dreaming of her reciprocity

she smiles and says  
“good morning bad boy”

maybe she does know
but you won’t tell her,
we, you and me,
are pretty pleasing

she is 1/me
she is won over me
friends or frenemies (feminist safety instruction card)

a coastal flight, boredom has me riffle through the various
offerings in the seat pocket, and on the safety instruction card
come across this...
<•>

she’s blunt, direct, proffers me an either/or choice,
game on either way, pick door A or B, up to me,
she’s no lady, but a hipster shooter using semi-automatics,
three lines of verse, rat-a-tat-tat, your guts spilling,
hoho you’re dead or kicked in the *****, at the minimum

if only she knew what she was up against

I got words for which there ain't no antidote,
can whip her into a lovers frenzy with cooing metaphors,
slap her with stingers so that she’ll retreat hasty to another site

friends or frenemies, how juvenile, how sweet, how absolutely
childish girl, no interest, play in my arena, I have studied with
the masters and lionesses and offer you no terms but this:

be my lover

extend your reach, speak slow and soft, open and willing,
my sonnets demand close attention, slowing and holding,
building links into chains that make boundaries into a single
tie that binds, not for now and not for later but for the only measure that poets alone command: forever

concede and give up that conceit that tough is a defense,
lose everything for rewards you have yet to witness, conceive,
in my circle is in my circle where the intuitive rules and gasps of shocking come so frequent, they are normal breathing

be my lover

knowing that we will never meet never see the inside of
the furnace that can be dreamed-created with tonguing verbs,
adjectives that dance intertwining pas de deux,
oh my femme fatale, my agent provocateur,
let us learn together how,  to teach each other
come,
will be the only action word ever required

come
come write me
come together
come close my eyes
come open them wider
come free me to be a one two

anger is false brevity - loving is the languid forever languishing flames of golden burning orange caramel, word chips of
liquidity that verses, penned passioned calculations,
see how takes many stalks needy to  birth bound into a
single sheaf, count the wips of smoky wispy slivers,
combine and separate, the calculus of recombinant,
offering a unique poem with a momentary invitation,
an equation of equality and there is no diverse different


<•>

the first class steward sh/wakes the dozing body
with an apology;
“landing soon, would you like some breakfast before we land?”

the sleepy soul replies,
come to me with water,
just water...for my dream
he rises with words in his  unwashed mouth,
mouth, is unwashed, tongue tastes dregs, bits
of morsels of his past, some good, some bad,
some tastes of places, of women he has loved,
sweetness of sorrow, dregs of regret, and all a
jumbled, tumbled, intertwined, clinging combo
of nations, his~stories …a mashup of a mashup’s
smashup

he tries to separate them, this admixture, to better
recall, but the sacrificial fire lit, the ember-members
are too burnt, indistinguishable and can’t find the
vive entre les differences…

South of france, tahiti, the one he loved in cities,
Toronto, L.A., and Portland, and the communes
in Asia, but tries harder but it’s no longer possible
to separate the essences and the similarities same,
and a great sadness is what he recovers when runs
his tongue across the roof of his mouth, the roof of
his memory, the roots of his…being…his unbecoming

he rises to a glorious day, where he is can’t be sure,
who he is with, certainly not, the why, but he recovers
some pants and the idea of a fresh start seeps creepy in,
but by the time both legs dressed, his mind’s eye wanders
to a new sunrise and old template of temptations. . .
i love poetry
unto
death or till
the watch
stops ticking

which ever comes

last.
i’m the man who’s gonna wake up next to you

slipping away, a non-starter, her leg crosses over mine,
a right sided shakedown shackle, adhesion flesh as
tough as old yellowed scotch tape sticking stuck

no escaping, a known 6:00am risk when you sleep with
a pre-advertised holy roller, twist and turner woman,
making you into an unofficial woe-man (too)

left hand grabs the lamenting instrument, the beat up iPad,
to record your enslavement, a distraction from the bladder’s
faint morn winking at you with a Cheshire grin, muffling a
chuckle, at a predicament wonderful familiar, but unresolvable

this situation, a category of life’s small measure of annoyances,
invokes the wordy title, and a write-down list of pluses and minuses,
which I’ll spare which o’witch be the longer list

poems are where you find them, under your nose,
looking out a city bus window, but sometimes like flypaper,
they just come unasked and stick to you, the separating of the skin,
like a too tight bandaid, ain’t worth the pain and freedom gained

later, share this missive and her suggestion, she will prepare an
NDA (a non-disclosure agreement)  or adopt other strategies like
pushing me out of the bed without warning when i am typing ,
to witch and to wit, reply,
ah!
another poem commissioned, and

perhaps, name change too, needed,
making love in the morning


12/14/19
been awhile, since kept my named promise,
but here I am writing about planting, love making,
one of which I’ve got a small amount of almost expired experience
that still asks to be shared & sharing, whom am I to say nooooo

late August, and the hush all over the place,
in the sad notes of chilling & distilling the seasons fantasy,
summer will be forever here, escape to the sea sunroom visionary,
the ceiling fan whirring low and slow, should the heat increase,
onerous march of dimes times suspended here, almost,
hoping the heat will increase, and those negative
dropped acorn hints, early falling leaves, crumbs of nooooo

when we make love in the afternoon

will pour a little sugar on you honey, it will be a viscous wall
to hold back change, sticking everything in its place, “as is”
just as it exists at this precise second, wearing manly summer pink,
every day and no one thinks it strange, everything’s green
though rain is forbidden here like in Camelot + the sound of noooo

more is swallowed up in ooooohs and ahs, and if making love
in the morning, afternoon and all evening is what it takes to
stop time, to seize this day as a permanent forever day,
no sacrifice to great, no none, no nope, yes to nooooo...
10:00am
August 24, 2019
for & with you
making love with no love
(kissed her with his freedom)

<•>

a new person in an overnight stay in a strange,
aptly named,
bed and breakfast

and

you do all the same things that just feel good, careless loving
that comes from practiced renewable remembering,
kiss her neck for hours, drink in her crescendoing cooing

rename her Appalachia, bemused, wondering why,
she gasp-asks, when your tongue traces her odyssey body
from her Georgia to her Maine, then no need to explain

it all feels familiarly strange, imbalanced, shaky, loving the thrill
of your first solo bike ride, an invisible hand letting go,
the wow of walking the line of new freedom and
old responsibility that you have walked on both coasts

carry on, love is coming to us all lyric, enacted-recalled,
loving yet another
long cool woman in a black dress with unquestioning

how to explain to her, how to yourself, loving with no loving,
and the best you can stammer is it is like writing a poem
with too many commas or none at all

she laughs you up with one mouth lingering,
then one amazing kiss on your heart
and nose,
grabs a piece of toast and gone girl,
then you are returned to alone, to the dreams that
may or may not have occurred and two hands overflowing with
too many commas
and none to keep
<•>


11-18–17 2:54am, somewhere
“kissed her with his freedom”
Cactus Tree by J. Mitchell
11/18/17 2:54am
“teach your children well, their father father’s hell,
will slowly go by”

but not with patronizing
or speechifying,
let the lesson be not a
lecture but an admission
of things parents did not understand
till the experience stained their fingers
in a manner such,
couldn’t be erased

show them the marks
that is all you got,
slow to be thought about,
the moralizing inherent,
the punchline
requires not
a
summation, title,
in the telling
is the selling
in the south,
the drawl is just one
of many a
sad love song

sad?

aye,
a trickery,
it’s a
rhythm rustler,
rhythm hustler,
a vipers innocuous,
a woman’s poem
poisonous spoken

this fool northern boy,
lay on the grass,
at her feet,
attentive
smiling
cause he loves listening
to the drip drip,
of the warming venom
seeping in to his cold,
codified northern veins
and his fooling ways
arrested and defeated,,
my fated causality,
by mine own hand done in,
'twas the death I ordained,
when to the addiction of ego,
I did, did I,
surrender and concede
Nov. 2017
ken not the
vive la différence!
entre les deux,
these two bed and head chambers,
for all poets are seducers,
regardless of ***, race, creed or color

when first we employ our working, yeoman vocabulary,
we plain start,
to relate but not to regale,
the whom we are,
hoping our moments unique,
will  breach the boundaries
of our collective commonality connectivity,
and find human receptivity

thus, the seduction of self commences

though every possible combination of words has somewhere been inscribed and committed, we ****** ourselves
(the seduction of poetry)
with potions of notions that we are and always be our
first, and now soon forever,
yours as well

of course, we are, it's true,
our very own first admirer & lover,
having conquered the hillock of self,
see the universe expanding and the
****** need to conceive
and prowess to please
beyond the beyond with
the poetry of seduction

do not want your body, heart or soul,
commitment, allegiance, vows,
sacred or profane,
all such in vain

crave your everything,
not even a legal nine-tenths satisfactory

dare not call me arrogant or presumptive,
gaze upon the mirror that cannot lie,
rereading thy words assemblage,
and deny to lie to yourself

want you, you want me,
my adoration,
we want to be in
a poem together,
lovers at the molecular level
where words dissected into letters, then again,
into guttural sounds where a simple outcry is an elegy,
a love poem, a wound, a denouement, a preface, a tear,
a welling, a heaving, a sigh, an exhalation, all,
an entrance to where the need for words
is long since past

the sin and crown of seduction completed,
unanimously

now breathe out
and then,
breathe in
there is no new, only renewal:
the space between brain and mind

the harder shell a skulking humanizing container,
the neuronic heart cells,
brain stem and heart bloodstream
scented/stented,
deny the newness of no new claim

the tower of ourselves built on the babble
of old images and read readings,
songs in seconds recognized by just the first two notes,
the point is this when do you become a grownup,
when new is but renewal, with a hint, a pinch,
of a new insight maybe recognized

now, how will you know me new when your eyes
search the iron bank cellar, where,
by voice deep, by fuzzy photographs, what tissues will connect
when the new sight knows me from too many old poems/songs?

!when the babies gather round for lifting up, sky scratching,
when the old man grand father, carries three upon his back,
a nonpareil horsey ride,
when the doorbell rings
I’m older than now, you’ll say,
read your wild mercury back pages,
taking the grays of our mutually curly
Medusa locks as a renewal gift offering
that will someday
match mine!
for any greek god or goddess you may happen to know
the flesh goes familiar, those “things “ that manufactured
desire frequent, hacked by time, weakness of spirit, no blame,
just the same, the not so vague re-collections, not insane, we-
we’re crazy desirous in ways only humans can rationalize
naked crazy desire, mating for life, the eroticism of certain letters,
e, k, s, t & y
and unbefitting, un-bewitting:
accident incredible incredulous,

you have spelled ecstasy,
not reality for ecstasy
is a state of trying to
make memories so crazed
that they become
lore
factual,
actual,
but beyond
belief,
singed with
grief, at their
disappearance
from current
history.

we play Prince, Michael Jackson,
The Commodores,

like the way
we tasted,
eclectic,
eclectic,
*******
direction,
the wordle
of interconnected
devolvement
fluidity

she states you write differently,
what’s the differential that been inserted?
are you pregnant or just elder?
her head shaking, possible sighting
of tears, fall into teacups, poured into
the aquarium, where the species
remind us we don’t cross breed,
and when we don’t, we master
the creation of rationalizations
and know, no, that it is a far worse
than the then of naked, pure, unlimited
desire.

ah.


we agree,
that changing my name
would be gracious,
efficacious,
hazardous, potentially
noxious and go back
to our laptops to
shed verbal tears.
The Tenderness

My hand slow motion falls, with the soft of the gentlest rain,
sensed,
but not disturbing,  nay reassuring,
by the quality of the sensation, rolling caresses over
the hillocks of her body, outlined beneath the
Sea of Coverlets

My arm rotates and reverses, back forth, up down,
as if it were a well oiled engine, the hand strokes with
a smooth four cylinder stroke, gentle coating the panorama of
her body on the surface of our Planet-of-the-Bed.

The woman does not stir, meaning the dewey doux
intensity of my touch, there sufficient to please but
not disturb, is a perfect ten,  for I intuit, that she attends
to my comforting attentions, with pleasure
by the
absence of objection.

This will not be the first poem I have written on this day,
but though not premiered, the experience is newly born
with each escapade of tenderness delivered, and steel hard
iron of ironies, it please. me as much if not more, for fully
awake and alert, am receiving by the giving and though
she stirs not, my heart does, for the electrical pulses of my
soothing her, soothe me in much the same way.

This is how I make love in the morning.

This is why this Poems is well titled and entitled as

“The Tenderness”
6:43 AM
7/25/23

— The End —