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Ellen Joyce Jun 2013
I placed you in a boat of pinks and blues with a smooth white satin sail and let you lie beneath the sky so pregnant with infinite possibility that the night might tear at anytime and unleash a loveliness so heavenly it would turn us to a pillar of sugar and whip us up into candy floss beehives for the angels to play dress up with.  We are the multicoloured whispers, each one a syllable in the cacophonous swishhhhhshhhhhshing melody of the dewdrop chiming, petals kissing rhyming, intertwining of all that is beautiful uniting in the crescendo of the wind.  The soft sensations of angels breathing warmth on skin, shimmering shadowing of the ripples in the satin of a sail brought to life as if to hail the glory of the universe.  Water and wind and the will of the world gathers momentum and movement to wrench down to the depths of our heart and I feel the unfathomable maul to our caul and begin to tear us there in the place that has held us for so long.  There is no flood of blood pooling at my feet on the just forming glistening path being marked with frost and crocuses and the knowing that you are not here but that we are still we.  You are drifting into the inbetweens, where reality is a ***** word and your story, our story still unfolds in the pitter patter merry dance of keys and tongue beating our being into a rocking chair and a lullaby.  I have dreamed you almost to life, and though not alive, we are five.
This is a scrap, snippet, fragment of something that's been sparking for sometime and is in need of a quiet space and time!
Ellen Joyce Jun 2013
There's a time in  the morning
when the hidden sun is stirring to rise
as the bottoms of boats sink in first water.
Stillness.
Empty roads and empty pavement.
Cobbles kissed with frost
sparkling diamond dew.
The waves rise and crash
like crowds of cheering children
stampeeding into Narnia or Lilliput.

In the still of morning sands
there are no thoughts
only peaceful fancy
fantasy flights on the back of sea frett
or beneath the murky grey/navy foam-frilled ocean.
This world is mine
every grain of sand
every footprint mine
every inch of fabric green draped;
every exhale turned winter wisp laced
with the magic of endless horizons.
Just an early morning walk in my seaside town.
Ellen Joyce Jun 2013
And Ovid said "she asked for it"
she turned Tereus to lust on sight and caused him to **** her
over and over and over
the only control remaining to speak the truth.
a tongue turned phallus
that was to be cut off, castrated
to silence, make powerless -
Philomela subjugated
beneath the vile grunts of the patriarchal chorus
mumbling grumbling over the rumbling
of a revolution of women rising to dance, to shout, to sing
to bring Philomela from Hades to cascading waters of womanhood
extinguising the flames of the hell that is here.

Here in the he said - she said
in the legal loop holes
in the seems like
in the ridiculous pondering of legitimate ****
as if when Tess, at pitchfork, took off her clothes before Alec
that it could be consider seduction, romance.
The threat of violence - silence.

Here where we remember world cup victories but forget Nanking
hundreds, thousand of women violated and broken for sport
because **** is a weapon of war
because Lord knows bombs and bullet aint enough
Soldiers photographing rapes like snapshots to take home as souvenirs.
- the sadistic ******* who sexually assaulted, mutilated and murdered
daughter, sister, mother, grandmother
and then headed home to the ***** of the matriarch,
to hold their own teenage daughters in the arms that turned screams to silence.

Voices silenced.  
Vocabularly lost.
Women have come to fight silence with art
to speak in a language without words because there are not words
to tell of a hell that ------------------------

But when Toni Morrison told the truth
the truth in all its gorey graphic raw ugliness
the people tried to stick together the pages
to conceal the painful truth,
to build up pyres of life stories and watch them burn
The pen stamped underfoot into silence.

And Pa simply said "shut up and *** used to it"
and those words still echo now across the world
and there was noone to tell
nothing to be said - just the colour purple
and silence.

Silence is being broken
across this world women rise to tell, to share, to voice, to shout, to say, to sing

We've had enough, enough of being treated like dirt,
we've had enough enough of putting up with the hurt,
we've had enough enough of getting trashed from above,
us women have had enough -

we've had enough they say
of this vile hierarchial structure of **** that almost always favours the male
of arseholes like Galloway and Akin putting forth their perverse poisonous perceptions
of one in three women being ***** or beaten
of one in three women having to pick up the pieces and find a way to live
of one in three women feeling the weight of the silence

As the monologues echo in theatre stalls
as ***** taken to the streets both female and male
as men declare themselves feminists and walk the walk
the spirit of Philomela unites with her tongue,
the silence created by the threat of violence is cracked
the us and them mentality that allows us to hurt the other challenged
the once burned books have gone mass market
and we as a human race will no longer be told "to shut up and *** used to it"

We are standing as one
for the sake of the one
the every one in three women
one will billion rise
Inspired by Slutwalk movement and One Billion Rise.
Ellen Joyce Jun 2013
Dusky rose inflated with love unseen.
Between the imprints of my heart does gleam,
the punishing what ifs - what might have been.
My fingers wringing, twist and knot tight;
wondering where we lost the fight,
to a life much darker without your light.
I loop string and tie our laughter with a bow,
that it might bring light to this song of woe,
that though we remember, we may let go.
Birthday balloon never seemed so sad
and yet I know we should be glad
for who you were and what we had.
Since you were loved and love lives on
Though we don’t hear you, you’re never gone.
Dedicated with all my heart to the love, life and memory of Elin Julie Hansen.
Ellen Joyce Jun 2013
My memory beats in rhythm with my heart.
Spilling out snapshot flashes of life like a flick book's muffled cries.
Controversial plastic shell, elastic strap, stick insect mattel covetted for months
until Santa dropped it down the chimney,
almost as fast as she sprogged and regained her figure
- the original scrummy yummy mummy set to spread low self esteem.

My daddy said anyone can crank out a kid like she did,
as my mother ground her teeth to protest on behalf of her traumatised frame.
Strange, I almost became one of the lost - before I grew cells and self,
another fragile foetus swinging on a noose
from gallows where once a ****** failed to stayed closed.
Little life curled tight self soothing sings al na tivke iredem bim'nucha

My memory beats in rhythm with my heart
as I lie beneath my shroud of sadness filled with down shrinking from the light of day
I want to tell you that I love you,
that my heart brays, beats, bleets, breaks, aches for you.
My soul, spirit, self thrice chorus al na tivke iredem bim'nucha
as waters flow from deep to deep
where danger dances and solace is sought
from beyond the fruitless orchards and willows weeping
branches reaching out for you.

My memory beats in rhythm with my heart
surrounded by madonna, ***** and all betwixt
spheres of life protruding, pronounced, announcing themselves;
in streets where bundles, terrors, cherubs, banting, brat and bairn alike
shriek, scream, squeal, shout, squalk, squabble, sing
in a cacophony that makes my heart weep and ache in longing
to sing to self in solitude al na tivke iredem bim'nucha.

My memory beats in rhythm with my heart
pulsating thoughts, dreams, hopes of you through the whole of me.
Brought to my knees I seek wisdom, guidence, strength to let you go.
The river is waiting for you, you who I hold tight in my caul
trying to trust, seeking strength to hakshev le'ivshat haga'lim
holding the thought of you,
the love of you,
the hope of you
tight in my arms crooning my lullaby of lament
al na tivke iredem bim'nucha
Translations
When I wrote this poem to express the letting go of the babies much loved but never to be I thought of a song actually from the Prince of Egypt, a film I first watched in Hebrew, so I looked it up.
al na tivke iredem bim'nucha
hush now be still love my baby dont cry
hakshev le'ivshat haga'lim
sleep while you're rocked by the stream
Ellen Joyce Jun 2013
Its my body, my money, its up to me what I do with it.
But everyone else is wearing it.
I cant help the way I feel.
Blonde
Red
Orange
Brown
Purple
DMs purple with pink laces
school skirt altered in the textile lab 3" shorter
hormones racing, zipping, vibrating, fizzing till the top pops
stairs made for stomping and storming
cackling laughter crackling down the telephone wire
clothes left on the bedroom floor abandoned for a girl crisis.

You cant read my mind
read my lips
read my body
read my journal sandwiched between the midriff covering cottons gran bought for Christmas and the skimpy lace thong I'd be grounded for buying

Mother's mattress sanitary towels tossed aside
for shamefully purchased tampons
instructions included

and time has passed
and masks have fallen
and I find you there in the muck and the mire
and dust you off
until

I see your face - all mothers lipstick and glittering pink eye shadow
and the smile that stores secrets in a treasure chest.
Your legs shake like Bambi's but you get to your feet
and nestle yourself into me warmly, strongly until you fall right into me
and you run and you run and you run and you run and you run
right through my veins
giggles throbbing through my pulse
pajama parties and homemade perfume radiating in my eyes
and there you are
and there I am.
This poem was inspired by and dedicated to Eve Ensler and her book 'I am an Emotional Creature' which expresses girlhood in relation to men and women as something which we are all encouraged to surpress.  This is a snippet of my girlishness - the girl I was, am and will always be.
Written 2011
Ellen Joyce Jun 2013
What do you see, nurse, what's going on?
What are you thinking, when my buzzer turns on? -
desk full of paperwork growing in size?
climbing into bed and closing your eyes?
perhaps you are aching from hours on your feet?
or maybe you're desperate for something to eat?
I'm sure being overworked is something you hate,
but shouldn't you leave that at the hospital gate?
I lay here riddled with cancer, moaning in pain
wondering if you care or if I'm a drain.
I wonder if a kind hand will take mine in care,
or if I will be met with a cold stony glare.
I know you don't have time to sit by me a while,
but would it really be too much to flash me a smile?
When you come with charts and machines to inspect
is it too much to ask that you show me respect?
I know you're all human and that you feel too,
but it isn't my fault you have so much to do.
Please don't excuse yourself with the woes of your day,
I'm scared and I'm hurting as life fades away.
I spent my life teaching with compassion and care,
but this cancer it grips me, I've nothing to spare.
Some of you have the most beautiful of hearts,
but the lottery of care, it tears me apart -
I worry if a smile is the last thing I'll see
or if you'll be looking at your watch, instead of at me.
I'm probably not you're first and I won't be your last,
but I'm the only me, present, future and past.
The life I have lived is fading; death hangs overhead,
Fill my last days with kindness, for soon I'll be dead.
So return to your training, your core values, be aware
are you the nurse with the kind touch or the cold stony glare?
I wrote this poem as I sat watching my uncle finally sleeping in a haze of wonderful pain relieving drugs in a hospital dying of cancer.  This poem was entirely inspired by Crabbit Old Woman and the Nurse's response to Crabbit Old Woman and stands firm that there is no excuse for poor care.
Written 2011
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