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Shofi Ahmed Mar 2018
The body is for life but only to die
then there is an exception not all is linear
there is a feminine rose after the death
for her no more death on Earth!
She was there before the first matter
it was in the making before her eyes.
The first and foremost luminary feminine
moved on heartily panning flawless flow
aligning into the finest angle of the first matter.
Across the nadir to the zenith
Fathima eyes on upon it as it comes to be
shaping and forming art of miracle:
One true masterpiece without a mirror!

Arts on the go Fathima moves on
praise be to the Lord she being made to measure
mathematically perfect by birth the pi is her!
(The pi tends to circle the blank space within is feminine
while the circumference of the circle is masculine)
She can budge equally in the shadow
in patternless pi decimals and in the open,
in integer and into a whole full number!

Hops up her first step she looks for ‘the all’
the complete whole the absolute one Allah.
Time and again she steps up but finds no floor
her measured step by default lays on 360-degree circles
and scans everything at the first go still finds no bottom!

The first luminary masculine peace be upon him
first looks in the open she takes the veiled angle.
Through the evermore pi decimal micro-hole
she looks on and witnesses the first matter a water drop
surfaces up without a base without a roof on top!
It follows through truly the copy of the original
softly springing around the serene water paints  
of all the maters to be created from this first drop.
Fathima looks at it and veils withdraws her reflection.
Little chip bottomless deep into the finest nature
Fathima instills countless Boolean gates making
access to her beyond digital and AI and conditional.

The sky hasn't yet forgot that follows suit
first, a star was born stepping in Fathima’s shoe.
It tried so did the full set of the galaxy only to disperse
into a profound constellation never finds the bottom.
Amidst this water circle floats the first soil
Allah called it His house that He first created from it.
Every planetary orb pilgrimage around it in the core
named the Ka’abah up to the heart of the earth it rose.

In the pre-designed world following the first masculine
Fathima the first feminine pilgrimaged around it
not in the open but strictly in the patternless pi veil.

Nature is never uneven on the hand of the uneven pi
every little fraction a small decimal counts connects to the dot showing and without showing a pattern
long live, long live the digital charisma is on the rise!

The sun rises and retraces back in the middle lane,
the black box scores at the end of the day it's only a dark chart!
The Moon is yet to moon over an unturned sublunary-dip
It pulls all, the mighty sea that the earth can't
and syncs into the feminine water cycle but save only one
with Fathima floating out of the box it can’t link up!

Like millions, ever wonder where Fathima’s grave is?
The earth strived too to the death bite to print her footprint!
Most of the mass visiting Medina look too see the grave of the holy lady Fathima. It has been a tradition since her death some fourteen hundred years ago. There are two graves where she is buried but which one is her is still unknown. Reportedly she wanted her grave to remain unidentified.
Mateuš Conrad Feb 2017
for any of my work to have any meaning, i can only suggested browsing Empedocles (of Acragas), in saying that, i suggest the name, primarily it's a form of philosophy, written in poetic form... in that it exhausts the need for poetic technique: i.e., there's more to see, than actually hear.

- just like i don't understand people who fake doing the maestro whenever they listen to classical music, in the same vein: your greengroccer... your plumber... your electricians.... god forbid you t.v. guy....  don't translate that oddity in, modern music and imitating drummers... i get air guitar, i get air maestro... no one really bother the drumming brigade, when i listen to classical music, i am looking for a maestro, when i listen to contemporary music i, want a drummer, bad; ****! St. Thomas' gospel is becoming real... like i really, really, need a *** change.... never mind the 50cl of whiskey waiting for me, or sasha foxxx's eyes... the job? hammer in a thousand nails... industrialise ***, what do you get? a **** economy... why would god enter the equation if all the problems are theological self-made-heresy? it's not even that *** sells, and god gives gives rise to stampedes... what with the Koran and oil, are we counting to state the same arithmetic... i mean: the industrialisation of ***... nothing that hurts, nothing but a quip... that sorta of definition belongs in China or India with a billion participants... what we have is a case of mouthing off the competitors, when you're actually chihuahua in the Sahara of expectation.... i'm as mad as the numbers say i am... personal stories are non-essential.... i included mine for added effect... or a presumtpion that i might: acknowledged as having said anything in total....counter to english existentialism, so wholly preoccpupied with zoos and biology as the only scientific resource... i can't agree to it making sense, in the standard item-basis-list of following-up an argument... that dire, fake or indeed couch-sloth desert-prune is only half of *σ
... i mean there's a tendency of a natural disparity, to ensure a dialectical health of any if all argument... σ = per se... it's because there no single, identifiable argument, the one current is a vogue argument, in the realm of zeitgeist parameters... it's not the only one... the world will move on... it's only that at the zenith of civilisation, we are only bound to industrialise ***, and art is, as according to W. Benjamin, in a state of: ditto, in the age of machanical, reproduction... easier said than... and so done... i feel the anaesthetic needle doing the suggested thing, of numbing me... it's not when art is given onto this Moloch-like altar... it's when *** is industrially-scaled to require cinema... and the quickie-dip of dimension having repertoire in threes... i have no care to ensure there's a narrative and a frenzy... i just care to say: there's a narrative, and a frenzy.... that one has no insurance, and that the other has all the resources that would otherwise invole a familial life... which now, evidently, is prone to same-*** affiliations than compliment-*** affiliations... meaning less art from the **** realm, and more art from the hetero or h-quasi realm (origin ****)... you need to talk about the cushions, if you're going to sleep in the bed, ****'s sake! -

to really live by the "rules" of existentialism,
to live an existential doctrine,
is to really: live an uneventful life,
or should i say: rather ordinary?
  well... i wouldn't go as far as saying it
might be boring, just... un-spectacular.

and all it takes it five beers and, oh, about
6 miles of wet wintry cement,
   and o.t.t.'s album blumenkraft,
with the crescendo song: billy the kid strikes back...

walk 6 or 7 miles in winter
and you come back into a warm abode
and you have skeleton hands...
numb from the cold...
but in england winter is different
than on the continent...
a wet winter (which is very english)
is worse than a dry winter (which is
continental)...
  as honesty goes... -18C in a dry winter
is probably not as bad as -1C in a wet
winter...
    so there's me, completely
****-faced watching the t.v. series
this is us, and one of the characters is
a black kid that gets adopted by
a white family when
    one of the triplets of the white family
dies in child-birth,
and he finds his biological father...
and also a mid-life crisis:
white folks told me to excell,
so he does,
   black daddy was a poet and played
the piano...
and he experiences a mild
schizophrenia... see, it's not a scary word,
i mean: without the extreme symptoms...
   a split-mind...
thankfully i cushioned mine on bilingualism...
and i have been ever since: bilingual -
nothing to be proud of,
   after all: there's the genius polymath...
but it's not about that: it's about winter...
winters in england are so different to
winters on the continent...
the grey skies? oh, that's here all year...
    talk about being a weather man
in Saudi Arabia, most of them moved to England:
where the action is...
          
but really, i can't imagine why existentialism
as a movement, culminated in the zenith
it achieved (precursor movement?
phenomenology)
        oh yah yah: were nieche, very Kensington,
very, Chiswick...

but to really appreciate an existentialist
dogma, a truly uneventful life...
   and given that existentialism in the French
vein akin to Kant but not so much Heidegger
lends itself to the cartesian maxim...
well... that's because it kinda has to,
but not really...

  Kant took out i think and merely focused on that,
his biography goes along the lines of:
a ritual walker, stayed in one place,
    a rook of the clock, i couldn't exactly call him
a pawn... nonetheless...
             a very uneventful life...
why? thought.
    
    what's the most interesting thing i've done today?
i thought, or, i had a thought (a / the article scissors
cutting off the -ism)...
and that's about it...
    had a thought...
                   i hit the gong that thus translates into
the post ergo / therefore of i am,
   and then i realised: i wasn't motivated enough
by my thought: to do much!
              
historically speaking, my writing can only be placed
into a dynamic of being called post-existentialism,
it's not boasting, it's just a plain fact,
   like Monday will be St. Valentine's day, 2017...
and some men collect stamps,
   and some men like fishing,
    and some men have the habit of writing about
things that are, a bit like Avogardo's constant,
meaning they'd love to speak about these things
over, and over again, and never get bored of them,
or for that matter: start families.

strange how it works, have it all...
       or have none of it, to later only have that one
vector that's opposite of mortal, ******...
        or have both, in a way,
and be later traced to some Shakespearean controversy
about a mistaken identity...
well... there's that too.

that must be it, existentialism, and the most,
ordinary life...
         pause for what, akin to something else i wrote
about beginning the thought catching
up to the walk a few days earlier which began
with z and i and diacritical marks,
how northern slavs wouldn't necessarily disrespect
the already present diacritical mark
on the ι (iota), i.e. regarding acute z (ź),
and how if z & i appear together, i.e.
    z and immediately after it, i... you don't bother
writing an acute version of z,
   as a southern slav (balkan) might,
with his caron (ž)...

or a bit like stating the old chestnut of universals
vs. particulars...
   well... they can say what they like about
the cheapness of writing in this medium
but there is nothing so gut-wrenching as a deleted
passage, that will never return...
    immediate heartache... there on the screen,
the computer decides to "have a mind of its own"
moment by either your carelessness
          or the computer's defects and: ****!
gone, a shift+ and suddenly... writing while not
looking at the keyboard, as you do... ****!
gone... gone baby... gone...
    and if that's not analogy of: a lesson
in placing your hands correctly onto the computer
does me: you're looking at the keyboard
and not at the screen...

  how about writing with my eyes closed?
  haven't seen anyone attempt that...

here goes:

    and with that i give you hades...

not bad, i should try it more often... it's not believable
because it's actually correct and has no mistakes....
*******.

alternative? and with that i give you sheol...
   still the same... double *******.

((   ((
    
and that's all it takes... the part where you let go,
because you have to:
  the regret can be there, but soon has to
be overruled...
   it mattered at the zenith of logic,
it was really there, for such a brief moment,
i could call it a study in how you can ****
a very lucid moment, and then have to "resort",
but, rather: merely accepting it as having no place
in the overall composition...
    so to the windowsill, finishing off
blackbeard (whiskey and coca cola and
a cigarette)... changing the aura from
o.t.t.'s album taken home from the "marathon"
(yes, the prime existential tool is the transcendence
of synonyms, encouraging misnomers
or: how to not build dams, or become custard
beavers, looking for words...
    the river, every time, always looking at a river...
the sea and the people and time...
   rivers occupy an infinite concept of space
and the change within such a Thermopylae,
as it might give you indigestion,
or the highest serving rank of memory...
the sea and the people don't scare me,
and it's hardly a thing of admiration...
its just a sight of pulverisation, a headache...
the river, the solitude, and the fact that local
newspapers have adverts of only lonely women...
sure, read a national newspaper and there
are women seeking men, women seeking women,
men seeking women, men seeking men...
but look at a local, a local newspaper: only women
advertising themselves for candles and firecrackers...
it seams men were always programmed (a priori)
        into the gravitas of solitude...
what i really meant to say: existentialistic writings
can appear foreboding with the ditto...
with the perception that there's this ulterior,
dark-seeded motive...
      i just thought about bypassing the thesaurus,
like some writers do,
    you can spot it when they do,
a word they looked up from their labour
of lumberjacking the keyboard
sticks out like a modern statue, or a broken finger,
a word: right off the pages of a thesaurus...
   i just mean that there's nothing sinister enclosed in
the said "brackets"...  there's nothing additional about it,
but as narratives go... you sometimes want to bypass
Sherlock Holmes and write a synonym-antonym,
you want to bypass the thesaurus, content with your
own vocab riches, but too "lazy" / engrossed in
what's actually coming...
say, that interlude, a cigarette, finishing off the whiskey,
with the glass freezing and having a layer of ice
around it... and: why i'll never be part of the nirvana's
or the doors' cult...
     pearl jam's indifference, from their second album.

so it's sometimes thereuputic letting go,
  after all, no one built a house on the summit of Everest,
if i wrote something of such clarifying quality,
and lost it... i can only apply an imagery of having seen it,
the best i can suggest that i wrote something
akin to 1 + 1 = 2, and then accidently deleted it...
and that's the sad part,
universals as vowels, particulars like consonants,
    even numbers akin to 2 and odd numbers akin to 1
(divided into decimals, or the wormhole of 0.123456 etc.) -
it was a beautiful sight, and then, again: ****!
gone... like a magician doing a trick
   and then... the sadness of having lost the technique
to recreate it...
well, the best i can do to recreate it is based
on a short argument...
   if universals and particulars (relying on the fact
that both have a plural form,
  i.e. so not 1 in 1, but the many of 1,
   and akin to: the 1 in many, and the many in many,
and the 1 in 1 / focus, something identifiable) -
or loosely universals like vowels, and particulars like consonants,
but given the two experience diacritical distinction /
additions... i could best remember what i wrote
as: 1 e.g. particular, if divided: fractions, and after
fractions: decimals...
                2 e.g. universal, if divided: whole numbers,
and after whole numbers fractions, and later decimals...
   so on and so forth with 3 (particular), 4 (universal),
     5 (p.), 6 (u.)...
                 a bit like having your own telescope
and microscope, just looking at what we make silence
of, our two ways of encoding what could have,
or should have been said, that was nonetheless said,
transcending our contemporaries as, what can only
be described as... an echo, lost in the caves of aeons...

this promenade begun with something to z & i...
or z, i, ι, ź and ž (what a nice pentagram,
i was watching the six nation's match
between wales and england,
and lo! behold... a goat at the fore!
  mind you, i took a cigarette break when they scored
their two tries).
Cardiff? yeah, been there once...
         Poland v Wales qualifying match,
donning a polish football shirt, got approached
by two young welsh girls saying: your team is ****...
started giving it the local... how fast they ran away...
and they say we laugh more than we cry,
   and i could be the one to snigger a sly laugh at
that memory, but cinema memory says to me:
time to usher in the reverse-psychology,
calling white black, and laughter crying...
        or as i like to call it, the paradox marriage
that has, literally not tentacle hold on the world,
   the bilingual marriage,
             lodged deep inside my head,
most recognisable by my theory study of diacritical
marks, or actually having noticed them,
and having no real, authentic accent to remind me
that i belong in either geography...
         whether from beginning, or toward an end...
some call it acting, some call it faking,
  i call it: just what i was given, or, more precisely:
what i earned... and that was to no good use...
        unless... this is the best expression of what the foundations
look like.

what was i thinking of? ah!

   it just involved the σ                       ς roundabout...
the aesthetic variation for one,
but on another investigation, well, sigma, total, sum,
and how be obey it like a golden ratio or pi,
   it's just auto-suggestive of how we are never truly
synchronised in our arguments...
   but, "paradoxically", or should i say: by a miracle,
make up the greatest potent to have an argument...
  we can never truly really synchronises ourselves
to fill the boots of expressing an utopian dream,
otherwise we wouldn't dream... period...
  so bye bye Freud and that method of escapism...
     we already ensured that, if they be our creation,
the gods are already at war with the Titans...
      i'll actually acknowledge that in an age of
pop philosophy in that Greece was, a place of allowing
a fertility of thought and later popularising it
(we don't live in times where there's a fertility consecrated
on the altar of thought, or what philosophy is, thinking per se /
for itself... innovators! scientists! up-starts!
or as some might say, the other pronoun battle,
the one without genitals involved,
as could only be sooner said:
  per se, or per per...
                       in in...
nothing sexualised... it's only that there's a limit in pronouns,
per se / in itself must come across the muddle
regarding the moment when people lose their
identity and begin their life with: ? thought
rather than i think,
       i can't place it anywhere else than inside my head,
better there than in the genitals,
   or wasn't Jesus circumcised and the zeitgeist
of St. Thomas' gospel and the transgender movment?
    the church is old, and counter-authoritarian,
it's just a tired institution, so it has no actual authenticity
over the current changes in society,
    might as well call onto Islam to move the chess pieces...
or that's what i'm currently seeing...
   i was just thinking about a logical limit in language,
e.g. timbaland's song the way i are...
   there really is a logical limit on how far you can
suddenly just forget grammar...
            so why begin with per se?
                 at best described as a cogitans (
Mateuš Conrad Sep 2015
but have you noticed, have you noticed how  all mental health problems
stem form a seemingly aether virus that attacks the pronoun category;
i mean with proper justifiable schizoids you will not hear of the nouns
being ransacked for an equation that equates itself to misnomers;
it's all categorised negation of ease within the framework of pronouns.
it's strange that philosophers stress the pronouns so much these days
and those countless prior, but why do mental health diseases
attack the pronouns and not the nouns? they attack the verbs
thoroughly, but prior to the verbs exposing an illness
the pronouns are attacked, so that many considering the singularity
of expressing thought are ill because of being forced into a plural expression
of thought: "voices." i find it hard to understand, but it's the reality,
the aether virus attacks the pronoun
on the backdrop of a king's casual expression / use
of pronouns, when a king casually says
of himself as omni or multi with one and we respectively;
so why are pronouns so weak and nouns so strong
that a tree cannot be a misnomer attaché of timber
and rock not a pillar, or mountain as the verb: mountaineering?
the pronoun category is weak from day one,
because it suggests photographic duck animation on the lip pursed
into a quack quack, but if we constructed thought
without knowledge prior, eating the fruit of knowledge
rather than the fruit of thought, using the starting point
of the genesis metaphor, it's sometimes a no brainer
to have weak thinking and strength in knowing,
for if there was strength in thinking and weakness in knowing,
i'd be the one chiseling these words in the ice age on a cavern wall.
so, given, that diseases such as the famed premature dementia
attack the pronouns but not the nouns the schizoid one
will convene life with: pizza is pizza and sunshine ray down the drain
clock the millionth dead parting of grasshoppers in decimals -
while man unto man lusts one man's parting in decimals,
but should dire said, part man with integers, and insects with decimals!
but still, in the terminology of a cartesian understanding of illness,
in that segregational aspect of things "sorted,"
why are mental illnesses tattooed in a weak pronoun usage
compared to a strength in other grammatical categories?
why are not mental illnesses ******* the life out of the nouns?
the nouns are intact, the pronouns attacked,
and the verbs chess piece the pawn from the casually speaking clown king
into a beast imprisoned, for while the pronouns are attacked
and the nouns left intact, the attack on pronouns expresses itself
fully in verbs of the never existent tact: with such magic
as to claim knock knock on plank is the same as knock knock on veneer.
Shofi Ahmed Oct 2017
Shining upon the rose,
lovely the sun rises
over the midday sky.

Without a second thought
the brightest one steps up
bends the ear on the ground.

Prophet Muhammad's (PBUH)
wife was waiting.
He was walking his way home.

Maybe or maybe not
one can revive from the
death sleeping at the night.
Hearing the sound
of the homecoming
beloved's foot though
one can't die.

The blessed lady heard
the sound of the foot
and was sure it was his.
This is it, it's the man, it's his!
He is coming home.

The sun is walking on the way
it will show up
upon the rose in no time.

Ah, only to discover,
it was Fathima walking
father's home!

She, a woman had
her foot sounds the same as
the man's, the greatest of all!
The very one cannot be copied
because he is the masculine original.

Because from the one
same circle came
the man and the woman.
Maybe with a little gap
spilling infinite pi decimals
new days and new nights.

Still, these are a show of
the one Moon and the one Sun!
Shofi Ahmed Jan 2020
(0)
Fly perfectly straight and high, and show the fly
out of the fly-bottle on your way.
Rise to victory, far above the blue sky,
and reap the reward: the opening of paradise!

The road ahead is clear and open this way,
with things small and big growing and disappearing up this way.
You will see sunrises and sunsets waxing and waning,
with mention of the moon and stars in the dark.
Be mindful as you sway, it's got to be laser-sharp.
There is no hard shoulder on this highway,
miss it by an inch and risk losing everything forever!

There is hope, there is light up high
pick up your paintbrush, just like the sun does
goodness knows how it sneaks in, right in the black
canvas of the night, painting the first light
lo, it shows up in heaven, the candle of the daylight.

As long as there is a man and a woman,
never give up, our canary bird can fly
rosy or not, the nest in every morn nets a sunrise!

(1)
A woman indeed plucks up the courage
she never had to look up to the stars
be it for the guide or the light in the night.
Fathima herself was the full Moon every night
is thanks to her Godsent innate light.

With it, she can bask in the full spread of the pi
on top of its short decimals mounting high
constantly as if countless stars in the sky.

The time and space under the sun
and that under Fathima's light
are far apart from each other
yet they coexist side by side.

As she points out,
"A circle is masculine
while pi is feminine."

Pi forms the circle with fine prints,
decimal dots continue to spring,
sprawling trillions of new digits,
the bandwagon is still increasing.
Connecting the dots is an untouched dream.

The full moon pi picture is veiled,
unseen at large, yet in short, 3.145 it can live!

(2)
Fathima flies her lock of hair
in the lurking air of the transcended pi
the primitive feminine does that,
no wonder she is God's secret feminine opus!
An immeasurable black hole lies in between
the short and transcended pi, running like a river,
dancing anew on every riverbank
in the many curls of Fathima's jet black hair.

She lent out a hair to the planet earth
and crossed over like a silhouette
without spilling out the colour
of the transcended end of the pi.
The earth takes it in the core in her heart
as if it would keepsake it forever.

Weaving the pi in Fathima embeds two hairs ties one
perfect circle at the back and one at the front of the universe.
Inside each hair the earth is finest fluid in the core
none is as deep as high as proportionate a perfect flow.
No time is as revealing no music is as sweet in this orb
no force is as mighty nor as prevailing a true giant
causing gravity and the heat at the earth's core.
Matter and spirit mix free in the play both wax lyrical
thanks to the pure resonance of 'Qun Be' the word of God!

(3)
The way to the earth's core is exposed to none other
save the Angel of Death the lucky one.

See both sides of the one lofty sky swathed in countless stars  
but the day and night render through still remains an unseen one  
Terra is shalet zeroed in Fathima is heaven on earth!  
Up in the sky-high bank turning the starry bowl upside down
Fathima took no star nor a pearl diving deep down the Arab water,
the brightest luminary came after Muhammad (PBUH),
in veil from the Night of Measures and into the flipside in the night
she's gone without lifting the veil but left her penetrating mark.

Few could find the shortcut contemplating on a blank canvas
the Moon looks down into the abyss down the sea eyes on far
for a mirror in the bottom on the as above so below matter
since Godsent Fathima touched on the all-inclusive primitive water.
The sun gets caught up in the very water dew she raised in the sky
the ancient fold of time still unfurls with the sun-kissed flowers
for the new hands yet the fingerprint on the sun remains only her!

Azrael heads to Fathima around the year 632 after death
touches down in Medina on his usual thin earth he steps.  
But this time a little mundane dust couldn't be thicker
he keeps descending deep down to the earth's centre
following from Medina but the angel locates her
inside the perfect circle a closed geometric figure.

(4)
Fathima is the female headline her secret is not all known
when she used to visit the Prophet Muhammad (PBUH)
he would stand up for her hold her hand and kiss it
and seat her on his seat, she would do the same to the prophet
when he would visit her like they did know each other
in and outside the spheres of heaven and earth!

She is the embodiment of the infinite feminine variations
the first spiritual woman created following God's word Qun.
Her is the mother tongue of the ever diversified feminine lingua
no one woman on her own can rhyme with her alone
she has no peer her rhetoric is unique like none other.
The galactic run from planet to planet up on the starry ladder
climbing high up the mountain heaven yet streams out like oval
off their rock bottom stone until that unleashes the final run
in perfect circle delving into the rhythm of the loop at the centre
made of Fathima's hair charged by 'Qun' God's uncreated word.  

Prophet David can sing on the bank of the river
and can see the fish are jumping to him out of the water.
The masculine is open form, eye on everywhere,
but not her the woman is in juxtaposition her
all-inclusive schema supplanting the details rest only on her.
She is the unseen world within the world at best imagine her!
Guess, through this inwardly open door who might disappear?
It's nature before the scientist on ultimate discovery of the matter!  

Aligning with her down the rainbow up high the land absorbs
the grooming sky looking on the running rivers within her.
Her words spread through like the smart cloud that flies far
over the lands and valleys but not even the wind none other
gets a sniff of the potion and melody it caries until that rain down
without a hurdle without a visual she moves on at the target
such a soul needs no after death lift from the angel of death.

Before Azrael Fathima loses an arc of the circle then and there
so not the earth but giant Azrael can take the pressure!
Marked by a fluid discharge since then she is cooling this fire
In Shaa Allah God willing when she ajars it, it will be elixir!  

(5)
Draw a straight line, but it won't be perfect
it keeps bending, fly straight touching the sky
the flight path won't look like a straight line
it would be like the crest of a crescent moon
like curve touched the sky, like climbing up
atop the pyramid is not going high straight on
it goes up from the widespread seked slopes.

Moves in golden ration 1.618 not the full two
and gets the designing formula flawlessly full
micro to macro all levels all the way to the true north!    

Fathima being the original feminine eyeing at her
she can tap in the knowhow of naturally feminine nature.
And discovers the immanent pattern - the world
is pre-designed and measured is never a coincidence.
The creatures' creativity, scientist's science
is to follow, discover working formulas like phi and pi.

Play along it works until an unknown hour strikes
comes with accurate knowledge dead on time
numerically correct never miss taking a life away
as if it was calculated beforehand before the birth.
A newborn is born for a limited time
already set but no one knows when it goes up  
is a deadlock clock but it isn't so shrouded
in the blueprint of the creatures' grand design
there the clock ticks safe and sounds it never dies!  

(6)
Fathima hailing from the other side of the pool
eyes on the ever live pre-design side of the creation!
Then its corporeal face was only a water drop,
the primitive one looks see-through it has dead zero
knowledge of its lively other side of the pool.
She comes closer and perfectly mirrors both sides
that shines through on her reflected face on the water.
An absolute new image that livens up the dead part
Bang - Big Bang! The corporeal world gets the spark
explodes out from the very first drop of the water!

Fathima's appearance was miraculously instrumental
God reveals nature the finite and infinite, 0 and 1,
future in the present and the death and life in play!
Nature follows suit it just saw the perfect role model
banged out but only to its corporeal set
it aspires to be with its infinite reality yet!

Fathima leaves the door open constructing a perfect circle,
hardly straight, took the mixed bag of countless variations
she zooms into the abyss irrational portion of the first matter,
the primitive water drop and aces the circle with her hair
that nothing can equate throughout the corporeal world.
Done the math discovering the zero starting point at the bottom.
The ocean of digit numbers, the DNA of all things material
banged out of it, still, the zero is numberless irrational!

(7)
All things, within oneself and in a set constantly vibrate,
strive to align with the enduring reality of itself.
The atom vibrates to reach out to its immortal portion
that doesn't die and is in the know of its lower base.
The planets are in a defined circular orbit, accurately measured
just the apex on top of their dynamic pyramid the pyramidon
is tucked away; they too have an irrational portion in the circle.

With the finest spin, they zoom in the spacious universe,
in part and like the sun outside the constellations round they go
never miss a target line yet to re-discover Fathima's perfect circle
the origin of their digital essences' breakthrough
the door to their transcended destination de jour.
Lo the matter turns the last stone pulsing across the cosmos
the mortal horizontal spread, the spirit returns home.

The earth has a line in its swansong it has a place in paradise
it's not here to stay for good neither to perish forever!

Matters form and break without losing the rope,
it's not to paint the shades of the eternal blue
but to ace an irrational portion in the circle
at the heart of the earth, as above, so below.  
The deep the high the perfect circle
up and down the centre of gravitation for all!

At even and at odd the vibration within the matter is fluid
somewhere is parched there the arch matter must make a splash.
Far away on that dark beach, the full-fledged sea of the matters
outpours its billowy potion with the Moon on the frontline
from deep within the physical world's most glowed up firefly!

(8)
The seven seas swell up smoothly into the moonlight-dip
oh, the waterless Moon at the core is still fasting.
Led by time the sweet swan punting along the waves
streams down the watery inner circle of the planets.
Until stuck in the Moon no water in the last waterfront
but paradise is on the other side of the pool!  

The sun dips away into the night
while the eve baths in the shades of pink and gold,
the dazzling hues soon turn to taupe.
Drawing down painting the picture in full colour
only to find the time is up on the halfway,
yet to print a colour copy of the night!
The other unseen half is passed down to the Moon
tiptoeing in slow motion in the depths of the night
barely keeping the head afloat in a fathomless ocean
of shades of black hails from where knows no one.  

The sun enkindles the moon half-lit keeping itself away
amid shadows as if comparing the shades now it knows
a Mehrem a veiled female is ahead not to look on or
compared to that the sun has no light or true are both.

Wrapped in the eternal night beneath its black mole
once the moon on the front approaching most close
directly down to the centre of the earth eyes on
over that inlaid string hairy black perfect circle
never did it turn back the same gaze is still on
orbiting around the earth in synchronous rotation.

(9)
The never-ending night is becoming a night indeed
it's coming to an end so soon in our time.
In Shaa Allah I will see it with my eyes before I die
in the Night of Measures in an odd night in Ramadan
Fathima from the transcendental end of irrational heart
will turn on top of the curve opening for the first time
a 9-degree angle in the circle at the centre of the earth.

Instantly the leading force, time will get the first sniff
of the other world, so peaceful heart-melting serene.
Rapturous time feeling an ounce of the enduring peace
for the first time cutting all the corners with ease
will be propelled into its yet uncharted golden mean.
Scurrying to the peaceful abode time will be on its wings
across the globe, people will be stunned seeing
how first the times pass from then on incredibly quick!

Fathima, the first spiritual woman on duty, will start
pulling her hair back off the circle at the centre
Juxtaposed in between the worlds of here and hereafter.
She will take back every inch of it, the heavenly bodies
will feel the pinch of her every little subtle pull
that too is a boon helping them perfect their circle.

(10)
Soon she opens it just 9-degree wide at first
the Moon will see a glimpse of the first drop of water.
Without it, it's living perched without the water of life
that's destined to rain down soon and the Moon
back into its original pond shall revive!
Mapping the pi's whole infinitesimals playground
finally, Fathima will turn the circle upside down
on the dot the stunned sun shall rise in the western sky!

By now under Fathima's hair's shaded closed circle
it must have sailed far over the blue sky in the other world.
Billowing with the breeze over the sea of uncharted water
and stacking to the brim with all that it could discover
humbly stood like a cloud in that corner of the sky.

The time is finally ticking fast to rain down with love
paradise's welcoming schema rendering in waterpaint drops
on the Moon over the sea of matters, that's most glowed up firefly
ah, finally can break the fast sipping in a drop of elixir!
It's their heavenly adopted, Miʿrāj performed, primitive water.
The Moon with the seven seas will leave off the corporeal shell
gliding gracefully with this stately water nymph as if it never dies
and will make a splash plopping into the pond of paradise!  

For the matter ultimately is water and its extent is sound
Fathima will fetch it the water of life and take it to the next life!
Oh, the matter shall do both die and revive with Israfil's sound
the cloud will fly out of the dead water on the ground,
like the earth with chorus songs of the rain revives.
When that a melodious nymph in the water makes waves
see paradise is here the Moon over the sea can't take off its eyes.

(11)
Hang on though they all set ready on their horizontal span  
to pull in such a fluid yet colourful descending like a rainbow swan.
First chaste Fathima will evaporate her hair's perfume away
that's yet lingering in the water warming it up to its premium
no crowd then can see where this heady, fragrant cloud will fly!
There are the momentum and delights where that will alight.

Israfil might then blow his trumpet swooning the world away
the secret will remain a secret exception is said in the Qur'an.
A strange sound will silence the chorus of the innate digits
collapsing the floating cosmos bubbling on their music.  
The corporeal circle will collapse as if there is no base no pi
the melody of the first word Qun means Be will still be loud
supercalifragilisticexpialidocious so how can we all expire?

Israfil too will play his reviving trumpet pure mellifluous
and In Shaa Allah numerically perfect Fathima will rise
amidst the resonant Qun as like she did in the beginning
when except prophet Muhammad (PBUH) there was nothing!
Now the earth once zeroed in beneath her hair will follow her
the stunned terra will discover Fathima took her hair away
only to shift the constellation up onto the upper world!

The old songs of the planets the chorus of the digits will revive
from the zero bases in the core the digital panache that dance
planet upon the planet as if they are always at the perfect hertz.

Indeed that is yet to come, the arts of the fine layers
opening from the irrational pi, the finest one is to flower
when Fathima will unloop her circled hair at the centre
piercing the very immanent irrational cut
that no creation can fathom only the loving creator Allah
will turn odd to even in between the here and hereafter
then the ocean stuck in deep salt shall turn to enduring potion!
The As-Sirat shall turn to be the bridge to paradise
the body shall revive with the enduring soul forever
and with ah Fathima couple shall enter paradise In Shaa Allah
with the rhapsody 'all praise is for Allah' Alhamdulillah!
Shofi Ahmed May 2018
Are you a witness of the precise moment
on that very proverbial, unpredictable day
when everyone did mind the gap
but the Ramadan moon took a step?

None could time it at first, as if it got out
from a black hole or an uncharted water well:
down the trail, who can tell?

Now a day or two is gone, has passed by.
The moon is in the fast lane soaring high,
and fills the orb with serene soft light.

Ah, buddies catch up, the suave fireflies.
Tons of these stay awake in the night.
Before they fly away, vanishing afar
into the epic portion of the night.
A confluence down the black moon,
only to catch a glimpse of any pattern:
a morning star or a forming pin bar,
a slice of light on a gingerly lit chart.
Premiering the Eid moon’s first blush.
Yet, if only one can time it, when will it flash?

Deep down a black moon, all eyes black out.
Still, how can one sigh though? Ah,
the unpredictable black moon, should it show
just a peek, showers the earth with Eid’s joy!

Will it show up in no time, far from the sight—
galaxies light up the shady nook of night.
A houri in the Eden rings the alarm.
The veiled bunch of fairies push the sky.
Every star throws its hat, only to tell first
when a crescent moon will crop up
And with the first spill of moonlight,
topflight it goes, pushing the boat out!

A walk down the black moon
without a light or water gone into the blue,
As though walking dead, blindfolded.
No pattern, decimals of Pi undefined by design,
but spot on gets to the apex spike!

There’s still an unmarked blank space
the light on this way doesn’t paint.
And this time, the time won’t tell
is there anyone who can is anyone’s guess.
So should the houri dare to run, then
cherubic she be on her flawless flaw,
rushes to ask the Queen of Heaven!

Oh, good luck to her, a wild one.
Time the black moon, its first glance
precisely when the Eid moon will crop up.
Enlighten us, we are more than curious.
Tell us, too—don’t just tweet it to the stars.
A poem from my book Zero and One available on Amazon.
Shofi Ahmed Jan 2019
Zero is enduring
zero is deathless.
Nothing is up to it
none can mirror it
though forever
it's an open case.
The eyes are yet to
see an open face!

Because like it's
nothing is in perfect shape
purely a perfect circle!
Nothing matches it
as like Fathima is none else!

Ever more sprawling pi decimals
never go unnoticed propelling
to the end surge before her.
Before the original one
Fathima is yet to be mirrored.

All the planets turn circular
before the unseen perfect circle.
Fathima nails it snapped it up
circled it with her hair!
Before the furthest sighted eyes,
the dot at the earth's centre
at its pool of primitive water.

Fathima embeds in a loop of her hair
thus supercharges the water!
It finds the cut, the golden ratio,
constant continuity in her hair's inner flow.
And the Big Bang happened
there, their breakthrough!
The potential worlds to be
from the first drop of water
she gets them all buzzed out.
From down the rock bottom,
from the zero null
Fathima finds and raises the sun!

Nothing is comparable to it on the ground
nor up on the high, we only see the fire
of a heavenly phenomenon is beyond the sight!
Shofi Ahmed Jun 2018
Hold it with nothing
only behold with the eyes!
Lo, this crescent Moon:
The heaven's smile in the night!

It’s the discovery made
walking down the black moon.
Without a light in the sight
as if walking blindfolded
but didn't go into the blue.

Took a trip into the matrix
without squaring the circle.
With no pattern, no more decimals of pi
undefined by design but found the Moon!
The Cross, the Cross
Goes deeper in than we know,
Deeper into life;
Right into the marrow
And through the bone.
Along the back of the baby tortoise
The scales are locked in an arch like a bridge,
Scale-lapping, like a lobster's sections
Or a bee's.

Then crossways down his sides
Tiger-stripes and wasp-bands.

Five, and five again, and five again,
And round the edges twenty-five little ones,
The sections of the baby tortoise shell.

Four, and a keystone;
Four, and a keystone;
Four, and a keystone;
Then twenty-four, and a tiny little keystone.

It needed Pythagoras to see life playing with counters on the living back
Of the baby tortoise;
Life establishing the first eternal mathematical tablet,
Not in stone, like the Judean Lord, or bronze, but in life-clouded, life-rosy tortoise shell.

The first little mathematical gentleman
Stepping, wee mite, in his loose trousers
Under all the eternal dome of mathematical law.

Fives, and tens,
Threes and fours and twelves,
All the volte face of decimals,
The whirligig of dozens and the pinnacle of seven.

Turn him on his back,
The kicking little beetle,
And there again, on his shell-tender, earth-touching belly,
The long cleavage of division, upright of the eternal cross
And on either side count five,
On each side, two above, on each side, two below
The dark bar horizontal.

The Cross!
It goes right through him, the sprottling insect,
Through his cross-wise cloven psyche,
Through his five-fold complex-nature.

So turn him over on his toes again;
Four pin-point toes, and a problematical thumb-piece,
Four rowing limbs, and one wedge-balancing head,
Four and one makes five, which is the clue to all mathematics.

The Lord wrote it all down on the little slate
Of the baby tortoise.
Outward and visible indication of the plan within,
The complex, manifold involvedness of an individual creature
Plotted out
On this small bird, this rudiment,
This little dome, this pediment
Of all creation,
This slow one.
Hark! Take heed, for this cake be both mighty and magnificent!

1.75 cups flour
2 cups white sugar
2 tsp. baking soda
1 tsp. baking powder
0.75 cups unsweetened cocoa powder
1 tsp. salt
2 eggs
1 cup (as in 8 fl.oz/250mL.) strongly brewed coffee (make more and drink it!)
1 cup buttermilk (or 1 tbs. white vinegar+1 cup milk mixed well, blah blah)
0.5 cups cocoanut oil (or 0.33 cups basicallywhatever oil), a little less if ***
1 tsp. vanilla extract
OPTIONAL:
2-3 shots (60-90mL; 0.2-0.33 cups) black spiced *** (Kraken, if at all possible)
I also want to experiment with whiskey/burbon.. if you try it, let me know!

--Flour, sugar cocoa powder, baking soda+powder, salt mixed in one bowl
-- eggs, coffee, ***, buttermilk, oil, vanilla in another

Slowly mix the dry into the wet until as homogenous as possible.
I use an 8"x8" (20cmx20cm) pan @350F (175 C) for about 40 minutes, but I check on it at round 30 minutes because some variance may well apply. If you use olive oil, or avocado oil, or whatever other more fluid oil, I find a slightly hotter oven (375 F/190 C) can be advisable, but pay attention to your specific scenario! The worst that's happened for me is the top gets a bit crusty, but that pleasantly works with the overall moisture of the cake, especially with olive oil and the *** addition.
Do the toothpick test to see if it's ready!

Frosting is applicable, as well, because this Magical Cake is not horribly sweet for how horribly sweet it sure is. I usually just sprinkle some confectioner's sugar on it to make it look all fancy for my classy friends and band-mates.
ENJOY!
Bake responsibly, but have some fun.
Also, suffer the decimals!
This cake made my night, so I wanted to share what I can. The recipe!
Bet you didn't see that **** comin'! Hah!
Chemistry! Delicious chemistry!
-
287

A Clock stopped—
Not the Mantel’s—
Geneva’s farthest skill
Can’t put the puppet bowing—
That just now dangled still—

An awe came on the Trinket!
The Figures hunched, with pain—
Then quivered out of Decimals—
Into Degreeless Noon—

It will not stir for Doctors—
This Pendulum of snow—
This Shopman importunes it—
While cool—concernless No—

Nods from the Gilded pointers—
Nods from the Seconds slim—
Decades of Arrogance between
The Dial life—
And Him—
Shofi Ahmed Aug 2018
Alexander of Macedonia this time
won’t U-turn from the might Gangaridai.
At the bubbling edge in the Indian subcontinent,
one would dare, taking his last plunge,
believing it here the proverbial Well of Life!

Yet Al Khwarizmi will discover the algebra,
drawing from ‘nothing,’ purely untouchable:
The Zero from the Indian pole.
Not a digit, not a number on its own, yet it’s all.
Every number jumps up in the zero loophole!
Then the whole number bows down into decimals,
escalating the hunts of the 1.618 golden ratios.

Plough through at your own pace
for the uncharted water, for ab-e-hayath.
Sip in a drop of elixir in this secured zone.
Sylhet is in the core, is written in stone.

What do these mean? I too wonder
down the line, I was intrigued by the Arab
and Indian tectonic plates’ slow dance.
Both rolled out, hugging each other
Then the Makkan soil lying at the heart of earth
gets exposed, with Sylhet’s soil it pairs up!
360 Sufi dynamos, mathematically a perfect circle,
find the match giving a perfect heads up
laid on the nine yard show the whole box of wax,
simply inking the vivo jump on the storylines.

What’s under the tectonic-rug at the bottom of the earth?
Shush softly, whisper—the heavens might hear it out!
Hold on to the least bit, it could be all one wants.
The earth, the ocean, all started with a drop of water!
Let alone any well, which way did this original matter,
the first, primeval drop of water stream down
Has this alleyway been exposed here, or in Paradise?
Then how can we say we don't have a secret for Paradise?
Sylhet is regarded as the spiritual capital of Bangladesh.
Shofi Ahmed Sep 2018
Glowing bright in the dark
is the moon the half of the sun!

The sun from the heavenly blue
colour in the midday rose to bear the light
and basks into the other half of the night.

Goodness knows when but God willing
the ancient bird of time once will fly.
Numbering the numberless stars
filling the one halve the half of the sky!

Maybe each star is a shining piece
of one half cut halve that's yet to reunite.
As the cream always rises to the top
and God promised the believers paradise.

Perhaps then without cutting in a fraction, once
paradise is packed with the folks of the good ones
there will be no more partial decimals of the pi!

I wonder then how will it look, a full moon picture?
If then the forever intact paradise lends a mirror
of the ‘immanent feminine’ In Shaa Allah
God willing that will still be my better half!
I have to admit that I was only able to write the conclusion having a clue from my better half. Only the woman knows the depth of the enduring feminine mystery that they possess. That has a lot to do with nature and a primitive reason for the man's attraction towards the woman.
smallhands Aug 2014
The first one, all night-black and chalky, tumbles down the road as I have fretfully done since August and January and all the months in between
I travel alone
Muddled telepathy seventeen by sixteen years- we've designed this process, and how we despise every step.
Mateuš Conrad Oct 2016
they never tell you about the seagulls and the pigeons, do they?
sure sure, they have the bees and the birds covered,
your #mama and your #papa - you overheard them doing the
piston orchestra and said: the sort of onomatopoeia that
sounds just like you, that silences the sort of: just like you.
but why not listen with covert  benignant anticipation -
i did think English was a rotten
tongue, but i think French is worse...
                                                        ­  endear you? sure:
                 they put these additions
to the encoding, but never, ever explain how it works...
if dialectical is gone then diacritical
remains...
                                          ­                               and it's there,
a pink ostrich doing the go-g'ah dance
imbecile pigeon: neck a strut and half
by half nearly hanging off a desecrated body that's in limbo
on the scaffold where Charles I met his first cousin ******
thanks to Ollie Cromwell.... none of the Versailles
i have you know....
                            there should be a Greek
                   Kn                  symbol....
             not K as in potassium... something more.
and i'd never hear ****** jesus' i'm
the mountain                            on the radio,
thank you advertisement.
               but that thing about Jihadist French?
well... it's here,
                               i thought the English
were bad with not using diacritical marks,
second in command? diacritics,
first in command? dialectics?
abandon the first, the second is hyenas' razor
sharp: bite and smile at the same time.
           no, i'm not joking...
i'm choking you.
                             this is what the Jihadist in France
saw...
                            main example? how diacritical marks
**** around the syllable laws...
             bypass them straight... past them...
             main example? they never teach this...
i was never taught this, i was taught this in
an anti-alphabet ruling - it's not atomic
(but it really is), hence it's compounded -
but it's really atomic,
               where are the ancient atomic scientists now?
nowhere.
                         all of this came from
a footnote from maldoror, by isidore ducasse -
i too thought about putting Uruguay on the map -
                    in the notes, the use of "accent",
yes, a revelation from on high -
                      look at the French, how they speak it:
aplatissement
                             apply diacritic revision
and cut off the excess: aplatissemą -
                             (humiliation) -
          if only the French, then only the French know
how to create dyslexia... excess spelling
where distinct phonetic units should exist -
they never teach you how diacritical marks change
the syllable cutting up, the butcher's or forensic's inquiry -
                 they never teach you the use of diacritical
marks like they might teach you punctuation markings -
                  they never do the science of liberated pause -
liberated i.e. understood -
                                    you're just given the fudge
and told... CHEW! CHEW! CHEW!
                                    they never tell you how to
cut-up words as they should be cut up..
                                   never did they say
colon = umlaut over u and means prolonged
   i.e. uu          or omega
                                        because never was the
current aesthetic questioned...
                             Dictator Blue, adherent of
the dictionary bible said: already said, rex, rex, ego rex.
                    but there's this thing going on
from above - on high -
                           and all they want is to understand...
                  even i would hate to be left out...
still from the notes from the book maldoror -
                s'arrêter à             (to dwell on /
                                     stress) -
ê (circumflex) is like the grave approach -
                 the circumflex is binding -
            i.e. the -er is optional, but a necessary
aesthetic for the form to be written, but not said -
meaning the sound units disappear -
                  hands on the joints, a book is closed -
ê represents this: s'arrêt
                                                         ­  (-er) -
                   saret -
                                            ugly, isn't it?
well, if you wrote             saret
                rather than      s'arrêter               you wouldn't
be looking at the Louvre -                again, even without
diacritical marks you don't say     Louvré -
                                          but Loùvre -
               so the ê
                                     binds the r and t
   and makes                  the   -er obsolete -
which is why French is worse than English:
it utilises diacritical marks
                                       for odd syllable intakes
and other surgeon oddities -
    to learn the proper use of diacritics (using French
as a canvas) is to learn syllables again, and again...
all over again... one might say:
at least the English do not use diacritical markings
and subconsciously are so thoroughly
accommodating to alien cultures...
                       and that's justifiable, they are the fathers
of globalisation... they use phonetic encoding
without diacritical markings to enshrine
a Bangladeshi English, as much as a German English...
   they are the propagators of accents -
even the Scots are speaking proudly about the
matter of fact...
                            so indeed, diacritical marks
are not only concerns for aesthetic reasons,
but is pronunciation markings within words,
                          not between words:
intra                     v.                inter                  (wording);
they never teach you how to extend a sentence
with a semi-colon (;), because they only managed
to tell you that means wink: ;) -
                          in the same way that they didn't tell
you that a colon is (a) making a list, but also
       (b) an emphasis - the alternative to italics.
they didn't! i know they didn't because they didn't
teach me this!             i had to learn it myself!
              which is why i find diacritics so fascinating
that dialectics and its abandonment can rot in hell...
at least i don't have to deal with nuanced opinions
or the discussion or the non-discussion of
                 opinions...
                                       i can look at something
and see the blatant pronunciation dynamics at work...
            not between words, but inside words...
French is the best to investigate...
                        maybe that's why the Jihadists are
attacking France, from sheer frustration at not being
given access to the cordiality of speech when
settling into their envisioned Caliphate misnomer -
                    but diacritical marks are precisely that:
and when amateurs teach they never bother explaining
the atoms, they just say: turkey! gobble up that frying pan!
and you do! you are never given the most basic units,
you're never told what the time-span between a
full dot (.) and a semi-colon (;) is...
                                        ****: you can run a mile or
100 metres in under 10 seconds, but when it comes
to an aesthetic pause you're told to start
the hyperventilation sequence or blame it on asthma
rather than
                                 what's actually the archaeology of
rhetoric - these are rhetorical symbols...
                                   and that's the foremost question
that needs a debate: how to make rhetorical puncture
symbols into aesthetic symbols -
                   how to steal from rhetoric and do a Robin
Hood for aesthetic? primarily because there are
punctuation signs above letters, or below letters -
                   < (more than)
                                 > (less than)
      and the circumflex and caron -
                                         tilde
  or approx. 5                              i.e. ~5...
            and the millionth additive to make decimals
shake...
                                you never get told this...
if i was told the basics of diacritical markings enabling
a smoother syllable dissection i'd probably speak German
fluently...
                       when i should have been given crumb-like
understanding of a language, i was given a whole
loaf of bread, for ***** sake; that ain't cool -
          teach me language from the basics,
on the promise of teaching me a language like i might
be taught penguin talk: on the promise of
an onomatopoeia deciphering: it sounds like this...
                   : + u = oo             onomatopoeia e.g.:
                       pool                    /                  pull -
yes, the quiet literal representation -
  but English can be ***** by this appropriation -
not utilising diacritical marks makes certain words
sound alike but be spelled differently,
            via the same methodology extending into
certain letters being pronounced as entire words;
e.g.                   why                                  &             y.
reason? missing diacritical marks.
             oh, and the most blatant form of Judaism
  given              y               h                    w               h
                   without Abraham, without Moses,
without circumcision         without Jesus...
                                                               choice is yours.
aman raj Aug 2014
life is like maths
where joy is to add
love is to multiply and
sorrow is to subtract
feelings to be divide
when we have a joyful ride
fraction is the attraction
and to love animals is the decimals
the extra are the alzebra
at last life is only in maths
Mateuš Conrad Apr 2016
well, mind you the curvature of the spine,
furry all round,
now glacier smooth with forehead
as naked as a baboon *** -
i'll keep you minding that image -
now, enlighten me,
why are we sending super-expensive
equipment to the celestial sahara
that's mars?
                       why are we gravitating
our inquiry there?
once philosophy was born from awe per se,
now it's born from mindlessness -
and i know it's harsh -
but given the scales, and timing,
i succumb to the physics' time-scale
rather than biology's -
before earth was to be inhabited,
before it was habitable -
the earth was smaller and hotter,
hence the volcanic volatility -
indeed there was life on Mars,
but that life migrated -
it had a different ecosystem -
less obstructive and more inclusive -
when the sun was a higher tier cauldron -
when earth was inhabitable -
when the sun was warmer -
              an earth inhabitable,
life thrived on Mars, once -
but then life on Mars begot migration;
i esteem earth as Australia with all
the convicts dumped on the forgotten
bridges of tectonic continents -
i've been here before, but not in a gorilla suit
readied for a party -
standing outside all of space & time
includes a necessary evil of abstracting either -
and by abstracting creating a different
non-collective narrative -
and so it was:
when the lifespan of the sun at the genesis
point was at its richest,
it soon passed to be excluding,
hence the nadir, the exodus of the sun's lifespan,
when earth became habitable - and was -
prior to the asteroid belt of the celestial
umbilical chord of safety -
still earth resembles the colony that australia
became administering the empire's convicts
among the Aboriginals -
but why probe a dead planet when you
have a dying star to mind?
of course the third planet in question is
Mercury, since Venus is as gaseous
as Jupiter and Saturn -
the world where the red dwarf will become
a spectacular insomnia of the girth,
the equator - but why probe a dead planet?
it's inhabitants never had the same
ecosystem akin to ours - why probe it?
all this work for a ******* ice cube?!
you have to be ******* me!
time-scales, remember, i'm as absurd mentioning
this as society is measuring the Olympic
100 metre sprint akin to formula 1 decimals of
care... i don't care... one finished 1st, the
other 2nd... all it takes is the dipping of
the *** in the sand to begin measuring
the long jump rather than the extended feet mark...
of course there was life on Mars, there was life
on Mars... but the dynamic of the sun changed,
it cooled down... so the next profitable planet
could express itself in evolution
from volcanic eczema... there was once life on Mars,
but there's no longer a case to argue for proof....
globalisation gave us unity among once
warring ethnicities... but that will hardly
accumulate in a trans-global orientation...
i've spotted a u.f.o. once, by god i did...
it was fluorescent like a bug phosphorescent
in the dark with a disco ball *** to shine...
listen... this time-scale is long enough to craft
a future history according to what the Martians
did - and this is my idea of god...
happy? no. sad? no. anything at all? mm...
now we're talking - earth was once
non-habitable, too hot, hence the cold  blooded
lizards akin to birch trees, the scouts of forestry -
then the mammals all confused turning
against each other when the predatory aesthetics
were forgotten at kin and Gemini to lions -
life was once apparent on Mars, but Mars is
a dead planet, i wish it was an antique shop
that the n.a.s.a. hopeful geniuses wish it was...
but it's not... just imagine that train of thought
surrounding the sun like you do with the march
of progress... but with the sun imagine
a rotation of progress...
              hey! i wouldn't be looking for
liquid nitrogen bacteria mummified on Mars...
i'd be wondering how the circle
evolved from O, to 0, to ∞ (8)
given the squish - the opposite of two black holes
colliding; honestly, you can find more meaning
in things while you take the big to be small;
i know i'm not famous among nouns -
i can hardly equal the fame of casual noun usage,
no one can, and i know that the fame i sought
is actually an anonymity in verbs (actions),
i forever the shadow - mind yourself to be content
with such a fate as i have found myself content in
progressing to expressing such a chequered flag -
chequered flag, the irony, the invitation of the many
participants for a game that takes two -
the irony of the chequered flag as the death of chess -
anyway - Mars was once a home to those who
came prior, prior to when earth was not habitable -
bypass Venus and you enter the history of Mercury,
the last rock to be minded -
and no one will prove me wrong, to have lived that
long... it is, i must add, rather dangerous
to posit yourself outside all space and all time -
it's dangerous, there's no saturday night awaiting you,
there's no casual talk over a coffee for mortal
problems taking fold and shape...
once you breach the barriers of sane conclusions
that the river explains you will become a cursor
in the only dimension waiting for you -
a vibrating stasis, imagining geographies for
clearer conclusions of movement -
and since man's technological advances have provided
the entire mapping of the earth,
you will be cleanly placed to usurp any other
imaginings other than those prescribed to
the reduction of yourself as x
moving between             point A                and
                                       point B -
                    now try that without geography
and with knowledge, as the greeks famously answered,
             a coordinating cursor x between
point α                    and                                     ω.
A Mareship Sep 2013
Brushed-wet tarmac Tomcat

Coat,

Socks pulled up to the knee.

The sand went on for miles

Like pebble dash,

Ground to it’s golden *****

Decimals and

Packed tight between the

Bowed white legs of the cliffs,

Which stood with their feet

In the sea.

My Queen of Bracing Holidays,

Gemstone brooches, wet cafes.

Your face

Cut into coat of armour

Quarter colours,

Pink and white

And red and gold

Like a royal crest of sunburned summers.
Devyn Batchelder Dec 2013
Miracles lay behind decimals
In this domain of imminent decay
They tread drearily
Coming and going
But hardly making a difference at all
Dwindling happenstances
Going unperceived by untrained eyes
Ephemeral, glowing thoughts
That transcend into dull, mere materiality
But they don't really matter at all.
Mitchell Jun 2011
One of the ways you lied was quite hard to describe
A riddle of ridicule laced with flaring shoe laces
***** nudist desires smelt of pure hash bury mayo
Feeling as if the end of the dawn would just be the beginning

To pleasure the thought of you was something I once liked to do
Now no longer
For the song bird can only sing for so long
Before their feathers molt to hear a call to move on

Move on blonde lady long legs
We are always meeting and moving on
Towards a sky which crashes silently
Quenching the thirst of many

So on a black rimmed earth a universe folds and folds and folds
Where men travel far not knowing where they go
Explore the neck of your lover to see that she has another
Each bell in the row rings as if it were the first time

Crack yourself up to hear the laughter that you hide away in your room
At first you may be surprised but the twang will not die unless
You
Will it

Night whistles through me
For I am not here
I am soon to be gone
But not to no grave

Each note guides itself upon a road that man must draw to understand
They take pride in cracking magic that laughs at our attempts
And our
Experiments

The word seemed to mean something once
People used to mean something also
Nowadays
All I see
Are comma break decimals
And funeral homes
PJ Poesy Apr 2016
Frail demeanor of library index cards
packed with Dewey’s decimals
stared upon so many times

some of you stigmatized with graffiti
“Read This” and “Don’t Read This”
as if the vandal knows

I wish to ****** each one of you
good precise direction you give
care in punctilious hand print
of maimed athenaeum tenders
all with long stretched noses
bridging reading spectacles
eyeing out naughty gigglers

stigmatized themselves by
rolled up quaffs
with pushed in pencils
or retractable ballpoint pens

writing implements held so delicately
while you were ascribed

O index cards of my shielded youth
how you protected me, informed me

Guided me on treasure hunts
where my imaginings still take me
away, in isles of knowledge

information coded in numbers and letters

Yours is the power
Where have all the index cards gone?
Escaping reality is like
     Finding a spark          &
               Igniting a piece of yourself
        Illuminating
All the surrounding fog     &      trees       &        bike lanes
    To grasp a failure                           Is only a fraction
Of the hydrogen bomb         Created to give birth to all the mantis shrimp & orchids & deflated balloons
     "Our brains contain only a fraction of our being" she said
"&         we only use but a fraction of our brains"
                                       Fractions
               Decimals                   Numbers in the irrational thought            are like
           The exclusion of colors from world war 1
The absence of life at the bottom of the ocean
           So
                      We all assume
                                 presume
That our memories serve us correct
          That what we see is
                       In fact
                                     What we get
    When in the plane of our existence
                     We accept lies as truth
                   & truth as a harsh reality
Red numbers
Scribbled on an essay
Cannot measure
Your intelligence

White digits
Etched upon a scale
Cannot define
Your beauty

Black decimals
Printed on a paycheck
Cannot calculate
Your value

These numbers
Are not branded on skin
We are not
A statistic
She was
fascinated by the way the beard floated across his face and disappeared without a trace into his ears and thought it was a camera trick.

The camera doesn't lie is a lie, though we still believe what we can see,no longer polaroid the humanoid is now devoid of all reality,
the photoshopper shops and crops,lops the tops and bottoms of his pics,sticks in bits that don't belong,digitised, giving verbal to the lies in view and finding few who disagree with the elements,reformed and shaped, the new caped crusader,tints,tone raider,
I saw Douglas Bader with two legs but peg a negative and hold your tongue,I like to watch the colours run on the drip dry line,processing time.
I don't like the fact that numbers attacked this art in forms of decimals it makes us vegetables
relying on the cut and crop of photoshop must stop.

I told her that it was no trick,he had the beard but the camera was sick,she listened to me in disbelief and from her briefcase took out a camera and snapped a picture of his face,
and now I'm fascinated in a way as to whether we can photoshop a rainy day and turn it into something good
I wonder if we could or not,must
take a look at
photoshop.
Alexandria Loeb Apr 2018
What a tricky topic to write of
How does one encompass all that this is?

I could use numbers to speak of my love for you
With numbers that extend above the sky
and past our imagination
Intricate and never-ending digits and decimals
To show the amount of which
I love you
But even then
Infinity would never match
To the quantity in which I adore you
Because there is no quantity

Maybe I could use actions to show I love you?
Sing to you and hold your hand
Kiss your lips and hug you dearly
But then…
There are mute people
Whose love shows no bound
And the paralyzed
Who still love like there's no tomorrow
So then, actions can't express my love for you
Because actions are too simple
No matter how big they are

Perhaps I could compose letters and sonnets
Speak and have my words flow like wax
Type thousands upon thousands of words
Each meaning one thing
I love you
But I can't put how I feel about you
Into words that do them justice
No number of pixels on a screen or words on a paper
Even compares to the feelings
The complex and conditional emotion
I have for you

So, I say my dear,
My love for you is
More than a number any man could conceive
My love for you is
Greater than any action anyone could or couldn't do
My love for you means more
Than the books on the subject that have been written or will be
Because my love for you is
Bountiful
Unmeasurable
And so vast in its own way

I end this with three words
And I hope you think of them fondly
Yes, my one and only
I love you
C A Oct 2013
Acrobats diving into a sea of exotica
Landing amongst the heroes and the renegades
They were equipped with the power of silence,
Subtle yet unafraid
And all disbelievers drown in decimals of a twisted maze
Were they casting  spells on the curious?
Or we're they the definition of what it is to be brave?
I wasn't ignorant
I was here to learn from it
It was force that lead me into the darkness just to find the light of faith and hope at the end of the tunnel
At the end of a race
After an avalanche of discouragement
I finally saw the weekly forecast of what it could be.
Partly sunny
Mainly rain
A light chill
Or a thunderstorm
I wanted more
I wanted everything
I wanted more
I had everything
I was dreamer drunk on dandelions only to find what couldn't be true
But I wanted to;
I wanted you
I was hopeless romantic with a bad attitude
With a delirious mind casting spells on you
I was entitled
You weren't having it
I wanted everything
But you wanted less from me
I was incapable, but you were everything
You had nothing
But you were my everything
King Bacon Oct 2014
(Litos)
Hey yo start the beat
I'm Coño mixed with “pardon me”
and part of me thought to see
the kid behind the harmony,
where’s the scholarly artistry?
you burn my chest so viciously,
Caught heart disease,
these bars, emcee
are so clogged into your arteries.

(Yeshua)
I know its hard to be
as raw as me
and still rap consciously

(Litos)
But your consciously
conflicted between honesty and modesty.

(Yeshua)
Well honestly
I'm probably a prodigy
just trying to make a profit
of this prophecy
so I can feed the body
of the God in me.

(Litos)
We stay calm
with made bombs
and grey palms
Im saying what I say, calm!
But know this is my song.

Your the kid by the bricks with his homies to smoke ****.

(Yeshua)
No! I’m the kid in the back of the class getting no sleep.

(Litos)
Same story different penmanship
but this sentence in irreverent
Your browner than the cypher.

(Yeshua)
I'm In tune with my sentiments.
sonically logical
grammatically accurate.

(Litos)
Quick the masking
get off that fashion
you know you have to be disastrous.

(Yeshua)
You know my life
we hold the mic
my flow is to bring the soul to life
I met faith face to face
and that's the reason I roll the dice
I’m prolific with the written
and that’s the way you know its me
perfect with the poetry
and we don’t need to know to read.

(Litos)
Hey yo Yeshua do me a favor and elevate those decimals
and watch those foot soldiers dismember your generals

(Yeshua)
You promise me you'll forget it
but the feeling is unforgettable
but now I’m trying to get it
cause you said I wasn't ghettoble.

(Litos)
But I don’t need a step up stool
to ****** you off your pedestal.

(Yeshua)
Shut up!
My mother use to make me eat knowledge
instead of vegetables,
but now I grab a fork and knife
what ever metaphor is right,
Don’t swarm me like locust
You know I really don’t like to fight
i’ll beat a dead pig to life
don’t catch my photons
you’ll burn with light
cause I have skills like your favorite Emcee

(Litos)
Before the Hype?
now the locust is scattering like roaches
guess they saw the light
make them look so bad
you think they would want to fight?

(Yeshua)
Cause' when they see me speak
they start to laugh at me a first
then they get shattered
and they beg for me to do a verse

(Litos)
Dude? Your brain is disproportion
You have three endorphin?

(Yeshua)
They work when I
write words
perform words
or record them
and do it with no sleep
and beat breeze

Don’t ask me what that **** means
its a riddle with a sick scheme,

(Litos)
So put me on your playlist
don't put me on your **** list!
If you are just in this for business
then skip this.

(Yeshua)
But soon all you fools
in this
just witness
that this kid is gifted
like rich kids on Christmas.

(Litos)
The sickness with which I'm afflicted
is lethal
Yeshua be careful what you shoot up
through that needle.

(Yeshua)
SHUT THE **** UP!

I don't give a ****
You won't win this fight
cause' I won this fight
get off my mic...
Battle between Me, Myself, and I
In her room, she looked out the window
Seeing the evergreen tree swinging in the wind
The raindrops pelting the window
A few birds, swooping for cover
A little girl standing out in all the gray
Brown hair pulled into pigtails
Wearing bright yellow and red
With a blue polka-dot umbrella
Jumping in puddles
Not even using the umbrella
Unless she was trying to collect rain

Driving to a new state
A new home
Leaving friends
She watched as they drove through a puddle
The water collecting on her window
She imagined that little girl
Her pigtails drooping
Her umbrella dragging
As she walked through the muddy puddles

At school, daydreaming blankly
Looking out the window
As the teacher droned on
About fractions, and decimals
Equations and graphs
She imagined seeing herself
Jumping out the window
Into the puddle on the ground
Splashing water onto the grass and plants
She saw herself
Wearing her favorite yellow raincoat
With her shiny red boots
Her blue polka-dot umbrella
Filled with holes
That the water just ran through
Her hair up in pigtails
With her favorite pink bows

She saw herself as she used to be
Before school was hard
Before she moved
Before she got older
She wished she really could jump out that window
And relive those moments
Before she could dream any further
The teacher called her name
Yanking her out of her red rainboots
Leaving her pink bows laying in the mud
Sadness pulling at her eyes
As she was taken from her happy memories
PK Wakefield Oct 2010
the copious girls of summer are fair skinned laminate
withs blonds all ******* about their heads the air
or syllables of autumn in distinctly American voices
a swaggering insomniac who is springs ugly sister
but myfingers find her soft decimals and make her make verbs
of quiet *****; a distinct growl of decadent hair marching
from between her hips and about who is circling the
vultures of my hands. resting on her thronging paint
the goldenarch of luscious flesh and she tastes like
apples
              and cinnamon
                                        and dead

     my little fAll
Shofi Ahmed Jul 2021
Imagine the bird of time
the sun is on the fly
shining the quantum of time.

From the bottom
the Planck length in the east
flying round the clock to the west.

Half way through
it could be at the twilight
but it sings a swan song.
Nothing is a perfectly round stock
not even the sun’s clock.

Around the two fine points
in the circumference of a circle  
no length is a set fixed
minimal Planck length.
Always be an irrational gap
breeding anew pi decimals
never the same nor ever ends.
Always new, a little more,
an uncharted ****** mole!
Sam Moore Jun 2013
this is how you’re gonna
go far, 1.5.
this is how you’re gonna
prove them wrong.

first, drop the number.
though they tell you otherwise,
it is as much a part of you
as the gum you stick under
your desk.
this world wasn’t made
for decimals or the 4.0’s
who couldn’t scrape the
digits off their skin if you
handed them a chainsaw.
you’re not going
where they’re going.

forget everything about
balancing chemical equations
and own the way you drink
your coffee black —
one day it’ll impress the
gold-skinned barista girl
and craft a story that
the periodic table could
only dream of.
purge the formulas from
your system and replace
them with bus routes
and train schedules and how
to become properly lost.
there is no theorem for the
fire escapes you’ll sneak onto
or the celestial alleyways
you’ll stumble across.
know your strengths, because
they’re practically shining
out of your pores.
literary analysis is worthless
compared to the way you
talk to strangers, and the
genius you’ll find shooting up
underneath the overpass
won’t care about how much
russian literature you’ve read.
what he’ll care about
is how you paint him every
sunset he’s ever missed
with the words you send
echoing off the concrete.

let every answer you’ve ever
bubbled in vaporize with your
mid-december sidewalk breath
and don’t wait to see whose
haggard face they blow into
next. you’re not going
where they’re going.

you are not a number.
you are who this world
was made for.
L T Winter Sep 2015
This copper-light
I wield scoffs steadily
At the gate we watch.

Though lapless lions
Bare nonchalant goose-bumps
Cheating windy copses

From sandy-lane slumbers,
It's bleeding peaches and gums
Because agony is only
Two decimals less than
Those without.
Rose Jan 2016
Greater than signs
really do grow into alligators
and feast on their prey.
Telling my Algebra II teacher this
won’t get me out of doing my assignment.
I swear,
they change every time she turns away.
I attempt to keep my eyes down
as I’m avoiding scaly beasts and impossible math problems
and instead fix my eyes on the clock.
It is even more complex than complex conjugates.
Every second is assigned to each minute
and I’m assigned to do problem number one on the board.
The seconds travel down the spiral staircase
taking two, maybe three steps at a time.
Take a step back and countdown from ten
But that doesn’t stop each second from dwindling down.
Sometimes years even jump the entire staircase.
Irrational numbers, decimals and pauses
in the beeps of the machine,
Long division, long sigh.
Then the scatter-plot line graph exponentially decreases
And goes flat.  
Feet tapping to unknown time signatures in the waiting room,
One tear making its way down my cheek.
Plus another.
seventy thoughts  per second
but you were going eighty
when your face subtracted the dotted line
from the interstate.
Now I bury the remainders.
I tried to count everything but was disappointed
to know that I can’t count even a fraction of anything.
Blame it on my dead calculator,
erase my incorrect, hard work
and start over.
“Will someone help her with problem number one?”
They sigh,
their annoyance multiplies.
This is why I got a C in Algebra II.
Vernarth says: “Nocturnal mutism, nocturnal stuttering, goes from the fragile phrasing, peripheral phrase, hovering last word, where my loudspeaker hits, dissonant Sagittarius, I must prepare my denarius, not but, beforehand, cheers of hope to Zion, who among the bush of the millionaire wind that travels from Pluto to Mercury, each day that we map ourselves, trying to be more earth than in its own flowering. Paradiso Omega, nap of the oldest dream, adobe path. My  to fly Anne genuflects her heart towards Mariah from Heaven, in the title of hundreds of throats and gargles of the pyogenic sediment rambling. Oh so long night!, so clear firmament born of the fallen ether of the great Heaven so clear and enlightening Compass 37 on the quilt of God, three by three towards one, linking above the easy pit and dreams, dying Paradiso, Agonizing Horcondising, a fragile mass disoriented, discouraged, with numeral letters and quadruple letters, stone after stone of forage falling on the cinnabar sky "

Joshua de Piedra from the high pinnacle exclaimed…: “Stone after stone in its correction is born of a new silence eternal bond. It eats it during the day, it eats at night, just like the galaxies licking the frivolous awakening from a starless night, but being the substance of stars liquefied with a whip. Pilgrimage or Path of the Cross, on the stony ground of Uncle Hugh's house, in the other similar, my Anne's house, further on in the hidden and clayey chaos, the last Indigenous in Western clothing, working and stuffing the wells with green size, distributing alms for his apprentices, I keep looking from the high hill earlier. Kaitelka the whale and a Dwarf Leviathan; steward of the unnameable, perhaps of an unknown Cyprian squirrel censoring Noah in his animals empowered to tell him about a magnificent episode.  Each species balancing its essence to make the most grandiloquent dossier in the world, to join them and value them towards the unknown peasant world. The big apple to go, with its tailcoat worms, well dressed and united by the march of the rock sentinel Evangelus. Kaitelca alpha and omega cetacean, fluffy with bast for all the most lost seas of the watery world. She so down cetacean, she throws herself into the sea in fears in this gloomy space, exhausted warehouse, lifesaver between lives of lives, like wishes without delay, to beat the divergent period, falling on the flat ceiling. Enter to sail through the mud of Iodine, of this great Parnassus of all iodine, the Messiah was squeezing his robe of love all over the upper margin of the face, Jesus light, loving great pilgrims who helped me to urbanize the skeleton of this great demolition, of a great geyser on its oceanic back, distributing gifts through the tangled brow of the Horcón and Cantillana massif.  Freshwater meringue, fluffy flowers, incense, fuchsias, and Calypso smoke migrating from house to house in Sudpichi.  Adelimpia, holding the cord of the axis of the fatigued planet, Queen Anne restored the acute respiratory meridians, which moved her heart from the sinister side encompassed, cursed globe moving to another galaxy towards its 9600 years of expansion. The stumbling of the sun's rays, crowded on the back of the Jacinta, which multiplied on her bank of meek ideas, to reside above all the assemblages of millions of benefits, since the world is an improper world. The world has no end, God is a beautiful mute world, where we make mistakes every day believing that we are ..., being less true. Rather, we are the waste of the almost noise that tried to leave us as a legacy of the first noise of creation that was felt wandering, perhaps it was its breathing, of its lipped wise crater, in the most irresistible protoforms, devoutly preparing turgid liquids for driving through every dinner, without stars tasting their multi-polygonal sandwiches. Memory is a raging waste, every time we try to get to lick his honey-like him, we run out of a famished minute of life not lived”

Says the spirit Leiak:

“Without a doubt, without drooling, without Buddha… the tendrils of the universe flamed, like rolling pickets within his hearing sea ear.  Striped with wounded marks in zigzag, by the middle row between the unarmed infidels.  Filled with the greatest amazement, massacred with laughter riddled with the non-shining meteor. From temple to temple, without Buddha close to him, he continues lost on the path of valleys among several, by the waves of chimneys like the snout of a mastiff with typhus, infected badly that detonates a thousand times, circular or macrocosmic chemistry in submissive grounds, to drink, where no one is wrong. Pendency of the lymphatic jellyfish, among the meek otolith of Kaitelka, almost deaf, of so many prayers of impious savages to hunt her ..., she continues begging for mercy as a species, she shakes and shakes as if eliminating the supposed flea jellyfish in whirlwinds of babies in her ears of children's stories. Anne came out of her basket as if she had been picked up from the Nile, but in reality, she was close to Chocalan, Popeta, or Polulo, lit up like coal from a steppe oven. I continued walking shirtless on an insomniac night, waiting in the decimals of the full moon, some indebted Solaris of the evangelist, in a space that slowly locked the crooked tongue of sleep, locked by the treacherous luck of doubt. Plague and doubt, plague and nail, which opens the vast sea, unsanitary radio, from the messianic ****** of the muses to Botticelli blaspheming. Anne, a diva of the division of past lives, does not die in misapplication against all odds like a thousand sperms of an ensign, making her stipends simple, to buy sensitive chaste little flowers in suitcases of her super-saucy folds ..., there is no probing look similar to the ocean Cousteau's journey, through which the lost retina drains, lies the selective gaze, covered by the Guardian, who looks before the denigrated sap unfolds, which wears away scarlet fever, the gaze of substance, in front of thousands of sayings, plagiarizing Tramontane rumors "

Queen Anne rolls up her sleeves, collects ashes from the ill-fated victims sifted, by the tobacco, a very good service from the fumes of venerable lost in disbelief, this painting becomes vague and with a sordid diametric image and silent cataclysm. The confine of evil godson in a duo and verse of the Universe, of the concrete displaced with pieces of the tobacco, has been spoiled. Joshua de Piedra with filings in his stomach was with hundreds of particles tickling the metaverse on the beards of extraterrestrial comets. Heaven and Hell, interrupted sleep, fatal nap, draconian wind, Ultrasensitive Glory of austere forces, as long as you are alive, you are prey to it. Ignorance continues to spend the night in the empty vapors of the valley of chaos, duels of masses of sleeping consciences underlying the erosive *****, Queen Anne, is gathered at a gallop by Joshua de Piedra, blindfolds him so that he does not numb more body incense and set on a spring flower. By the knees, they are incinerated, but sometimes they are half-burned, burning like incense with Joshua in reversible adulation, of the rawest exquisiteness of essence of escapes of blossoming in chains, with the drama of carcinoma petals in anti-carcinoma times and of eternal life external. At the Post Office, the postman envelopes the new vignettes, new gardens of relevant highlights. The friend Joshua links the trough of flames escaping from his domain, at a faster pace for other readings, varying in shreds of first-time, delineating, and walking breaths that are lost in the misty vividness.

Says Leiak: “After making a round, Adelimpia with Hugh and Bernardolipo, restart their adventure, almost at the top of the Horcondising massif, collecting riches from between stranded galleys, and vaults dragged by the cataclysm towards this consistent mountainous ..., The amounts of coins from different origins were countless, from all those wealthy who stole from all their belongings, the tainted and intrepid wisdom, getting rid of everything before confronting the thunderous flashes of the Guardian, to subtract intelligent action from the oppressive limit in maintaining the Gnostic parallel. Adelimpia saw how the thousands of nausea cleaned themselves, before liquids and gastric ills, of which they are the bad residences, deciding to die acidly or spiritually towards an alkaline light.  Karmic oppression, anhydrous bubbles, carbonating every breathing capsule of compassionate life. Every day there is more foul-smelling hunger in men of acid rust, for the good spirits of the dipsomaniac in the diet of the most lost undefeated blind, a universal record of walking impoverished at the end of his objectivity. Adelimpia…., And Carmina; maiden of the extravagant silence is linked to the ox Xenon, master of his pumpkin ox, collects bubbling fragments from their stomachs of acid and fragmented, with unfortunate applicants to obtain him, all of them exalted before his prayers, as well as that fleece that the other possessed ox; Cricket that was grazing in the radiant spaces of the grasslands, ruminating lost ties for the good of all and being able to observe in the distance going beyond all sensitive imagination, being me Leiak, the spirit of Vernarth who looks over where he does not it does, sometimes incomprehensibly because of its purging. "

Joshua de Piedra says: “Horcondising, land of Spa, of beautification to correct your beautiful osteological inhabitant, your beautiful pro-lieutenant inhabitant, I believed that wealth would flow from my hands to finance my own poverty. Horcondising, is my nurse Luz, tracing with her blood the route of the Talami reign, everything continues without direction, the lustrín lost his paste of ruby cream and powders, of the conductor who governs their destinies in my hands ..., and it is required. Horcondising, badly and fearfully I say genuflected, here are my riches, but I swear by the most sacred, that I never thought I was so poor at the same time, in the presence of the almighty. Karmic planet, you come like bread and honey from a dazzled bee, you come to fill us with light through the horns of the cat, mounted on the back of the rooster, mounted on the roan bovine. Horcondising ... What a memory! When I was running fast through good waters and Sudpichi, I saw in line some swindlers in uncertain Faith, loudly dismantling the stunning consciousness of possessing without letting those who do not have know, and what it is to lack, what is the love of the slightest doubled second, until it brings honey and milk to the mouth of the beggar and with new clothes, around the circular saffron, the light of isolation and God's judgment on Hommo Sapiens. Baba, Vrja Ananda, I know that to ascend you have to put clean, white clothes on the wind, lavender with druid purple and stuffed on the petioles that fell on the stumpy back of the little elephant. I never got tired, I always laughed and the manly wind stretched my cheeks of purple roses, to laugh at the feminine world like a new man being born from the darkness of loneliness, in a new man, with a new life, in a deranged valley of Solitude, gaseous, ulcerative and asphaltic soil, of Horcondising, in the blaze of a fierce virtuous lantern ..., lying with its lost light on the rich and poor, entangled in resin from a hopper and a villain with feet tired from walking. As immeasurable to act I continue, although there is too much, among which nothing was ever forbidden from an ominous advance. But more awaits me, whoever wants numb oppressive anti-libertarian oppression, I will continue to ruin myself after this world, in the jaws of the rogue armchair of emptiness, with strong and pious prayer, strong and pious karmic augury to ruin the ruffian, that he holds and looks at you like a kitchen log in his dispensary. Karma comes to without and are, with are without are, with dream sounds, hallucinated sounds to realize the truth of accuracy. I have no vocabulary when I am hungry or thirsty for Faith or equanimity, but rather, more than all the power of the high massif to fall on the despotic ripper and cutthroat, accursed beings of the night darkness! I decree worse evil than all the bad curses to which it provokes by a glance, and stuns you like an ant in the fragrant countryside. Karma, baba nam kevalam, anti-karmic, to anyone who doubles your life, to **** you more than three times, without falling into the arms of Forgione or a Buddhist Monk tired of getting tired, self-love and improper Karma from now on everyone and all who with their deeds and gaze invade them with disloyal flatteries and evils, the true triumph of Truth and Equality so that it is equal to all resigned, looking less like the worldly offering of goodness, but rather bad at last of counts. Francesco, are you coming right...? Here I wait for you, low-cut I will also get in line to be supplanted. My story will be vital and oppressive, full of capital, anti-charitable because I have never been able to understand it. I know that powerful affiliations will come, and I will be in your lap, and all those who process your consummation and death will fall, a bad omen of their whim like any piece. Force the spirit that outside is evil, always yours, Master...! I am going, I am going, each one who looks at me as his prey will have to govern and feed him, for better or for worse, and otherwise, I will be eternally burned along with all his progeny in the Horcondising. "


So Joshua spoke when making a wooden whistle. He cut his index finger with transparent grease, and saw a viscous bleeding liquid fall into the constant complaint, from each head of frustrated saboteurs, and mercilessly squandered by those who aim at you every day to finish you and beg your entire eternal psychic substance, without Numbers or paternal letters, Vernarth and the Hexagonal Birthright, attended with great enthusiasm this regression, knowing that he was in their nation and domains where their mythological beings accompanied them beyond all vision. They all remain normal; doing everyday things, but Vernarth's voice accompanied them from an altar in a vivid voice and with great clarity in the voice that expressed their pilgrimage.

Vernath says with an infernal tone: “The Horcondising rack runs out of people benches, to attend to their requests the sky has become convex and unattended, to walk down the fragile plateau crouching down, weightless trees rub their bruised roots on the scrubbed Living spirits over each parlor, each present master along with his present consort seemed like perfect strangers, each separated by name in their new and uncertain divided destiny. All by putting the hand where the ulcer makes intermittent unhealthy purulence, on whether we are and correspond what we are or those who manage to have in this twisted life without a surplus, and what would it be if we had surplus ...? Rows of speakers and auditors are compressed, trying to want to be understood, but the words are keys and conclaves of high architecture sifted, of the wild despair in which we are beasts escaping from an eternal safari of thunder and cannon, vaping fumaroles of ancestry and drinking Bourbon to the thunder of the steely ***** on the orphanage of looming. Here Fray Andresito unfolds his body, you know it here is…! Right here he aimed at the weakest, the strongest, perhaps being a slave. What a difficult word to define... This cell without adjoining limits, called Atman, or female soul engendering another female soul, in the arms of the sorcerer, whose packaging and the serial knot would be made by a novice, who did not know if it was tightly closed, so as not to know if it would be fine in the future and reopen it with light in Gandhi's eyes, or by a child in care appointments without his arms to approach his mother cradle, perhaps being ivy or algae that sway his breaths vain…, from the flickering of the dotted throbbing of the Sun in flight through the lost night of the altarpiece, putting silicone because it comes out of the picture. Today a being was born in the arms of the almighty, a being anointed in the placenta of golden liquid and augrum, filling everyone and everyone leaving them speechless… ”.

Its ancestry of eternal way comes from mutual funds, equivalent prices in promoting values, on falls and rises, in franc growth, and various financial statements to beat dividends. The lines of people obediently migrated to the Horcondising, they never thought that they would be a great family, all in chains of multicolored and endless shapes, all in the high mountain at more than three thousand meters, and no higher, because in this Age again life, I cannot count more than thousands, in which the hundreds stay up late every day on this streetcar called the alliance. Branches of salty puree and ammonite soups with coriander, in the transversal valleys, to the southeast, with verve envelopes and their large moral excess on their backs and their hope of leaving all their treasures on the sidelines, before entering the muddy showers. when swarming with turbulent regrets and losing all ego money, highlighting a new epidermis, with an unprotected but opulent soul. Each being devoid of the word and thought, was trans walking through the heavenly ranks, with buzzing in their hearing aids attenuated and a smelly shanghai screeching, nothing would be left to pour into the channels near the almighty, the one who picked them up from the ground satin in some small sulfur coins and bleeding hollow, nothing will charge to their accounts or in their excess pride, only white skin in dark skin, and dark turning to dawn gray dermis, for exclusiveness, only lost in the jungle of ignorance shipwrecked tundra. Grandmother Adelimpia cleaned with sweepers and pine feather dusters, wormwood trunk and molle, and with the ceiling. My Anne, swept the flat floor with her wedding dress, years ago seasoned ..., Hugh and Bernardolipo laced some wines pigeonholed in the devil's segment, so as not to lose track of the high hill, which could be seen falling on the witnesses of the fallen Calvary Before the world ends for many, but not for the Huasos. The auction continued; Anne still had an end-of-the-world fever, with so many degrees…. Don't worry Anne, a Mapu aboriginal boy; the one with the sinister ..., brings a good herb to improve you, it is said that he comes from less to more, with his face like a beautiful farm landscape, stream water that quiets fevers and ills of charm. Have faith, says the elder Sylph Angelita Huenuman, reborn to Anne…: “The bark of that oak will be demolished and crumbled to cover you from evil and worse evil charm. Tomorrow on the high snow-covered peak, sweet cakes will fall steamed with berries and flavored almonds in your Word, which always deserves to smile to the limit, you are the omega star stele that will know how to smile, you will see it just like your Joshua de Piedra; which is an eternal incense of ruse, you will be dressed as a coco channel between aromas of eternity like spring light and first communion, between your snowy new garland of sap and in which you are always like a web-footed dreamy bird, moving away from the Aculeo lagoon, away from the giant hermit emerging from a nucleus of water and its pool, sobbing on each step of lake light of ascending sketch and of a lagoon avoiding new despised damage "
Alpha Day, Alpha Night, Omega Day Omega Night
irinia Dec 2022
When I am with you
I wanna lose my center
he would say to you gently
without words

he would translate you into his own language
of groove, longing, shouting, fluid desires
for the sake of  finding his own tracks
his eager mutable depths

he is looking for harbours
for his solitude turned into offerings
for devotion
for the secret wisdom that fills the cracks of night
he doesn't deny the intensity
of the sweet conversations between the hearing
and the touch
he hides his violence in sealed wells,
in clear visions, in the decimals of knowledge

he was a lonely boy
full of wonder

— The End —