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"visitor" poems
Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water, You are more than this white head that I hold tightly as a bunch of flowers, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind. The wind. I alone can contend against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here. Oh, you do not run away. You will answer me to the last cry. Curl round me as though you were frightened. Even so, a strange shadow once ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your ******* smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwinds in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. Until I even believe that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.
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315.3k
Every Day You Play....
Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water, You are more than this white head that I hold tightly as a bunch of flowers, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind. The wind. I alone can contend against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here. Oh, you do not run away. You will answer me to the last cry. Curl round me as though you were frightened. Even so, a strange shadow once ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your ******* smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwinds in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. Until I even believe that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.
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34
To **** or not to **** that’s the ******* question: Whether 'tis nobler in the bowels to suffer The twists and turns of outrageous rumblings Or to take action against a bellyful of gas, And by farting pump one out? To strain, to bloat No more; and by a mighty outburst we’ll end The gut’s ache, and the thousand natural stenches That the **** is heir to, 'tis a resolution Right devoutly to be wish'd. To **** to **** But perchance to **** there's the ******* problem; For in that mighty **** of doom what turds may come, When we have let the little beauty out from mortal tail, Must give us pause; there's the danger That makes calamity of the farter’s life; For who would bear the sneers and mocks of men, The neighbour’s shock, the lover’s curling lip, The pangs of horrid stench, the ******* o’erflowing, The leaking **** orifice, and the drips, Impatient strainings that the tragic farter makes, When he himself might sweet easance make With a careful prodding finger? Who would a ******** wear, Grunting and sweating with noisome convulsions, But that the dread of solids after air-release, The undiscover'd oozings, from whose delivery No toilet visitor recovers, puzzles the will, And makes us bear the bellyache we have Than fly to others we know not of? Thus indigestion does make cowards of us all; And then the native heave of constipation Is sicklied o'er with the pale fear of defecation; And enterprises of both ******* and crapping With this regard, their currents turn awry, And lose the name of exciting toilet action.
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Mar 23, 2015
Mar 23, 2015 at 2:25 PM UTC
Hamlet's Toilet Problems
To **** or not to **** that’s the ******* question: Whether 'tis nobler in the bowels to suffer The twists and turns of outrageous rumblings Or to take action against a bellyful of gas, And by farting pump one out? To strain, to bloat No more; and by a mighty outburst we’ll end The gut’s ache, and the thousand natural stenches That the **** is heir to, 'tis a resolution Right devoutly to be wish'd. To **** to **** But perchance to **** there's the ******* problem; For in that mighty **** of doom what turds may come, When we have let the little beauty out from mortal tail, Must give us pause; there's the danger That makes calamity of the farter’s life; For who would bear the sneers and mocks of men, The neighbour’s shock, the lover’s curling lip, The pangs of horrid stench, the ******* o’erflowing, The leaking **** orifice, and the drips, Impatient strainings that the tragic farter makes, When he himself might sweet easance make With a careful prodding finger? Who would a ******** wear, Grunting and sweating with noisome convulsions, But that the dread of solids after air-release, The undiscover'd oozings, from whose delivery No toilet visitor recovers, puzzles the will, And makes us bear the bellyache we have Than fly to others we know not of? Thus indigestion does make cowards of us all; And then the native heave of constipation Is sicklied o'er with the pale fear of defecation; And enterprises of both ******* and crapping With this regard, their currents turn awry, And lose the name of exciting toilet action.
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33
The evening breeze sings the forgotten songs Of ghosts of nymphs 'tween silver birches there. And beams of moonlight fall on grassy lawns: A pearly cloak e'erywhere the eye sees fair. So many gentle dawns took care to kiss Along the flowered, verdant forest floor. In this blessed land so filled with matchless bliss, Upon golden and rose-pink blossoms which it wore. Every visitor that stumbles here Stops to see the flowers near, And stoops to pick some strawberries In the meadows, for their families.
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Jul 20, 2014
Jul 20, 2014 at 1:18 AM UTC
Silver Birch Forest
Beautiful summer day. You know you're gonna die that's why you know no joy unless religion, tv, stories, sports matter. For men like us dying's easy, it's living that's hard. And since dying's much like living, that's hard too. There's some contentment in letting community decide your place in it. A good day to die, the Apaches say. Can't stop the quince from blossoming or my sons from smoking, speeding. The best that can be done or said's a blessing. Less tv, less guessing about the effects of your anger unless you want to be an angry man forever. Becoming knowledgeable is the best defense against your insignificance. OK about being alone. Alive, almost sure of it. Whether I'm a visitor to my life or the actual owner. Mature poets steal, most are masturbators. There are a million poets, I'm poet #500K. Plenty of mysteries, infinite philosophies, prayers, laws and unwritten rules. That's why we go to school, life's complicated. All I do not know: ATP, probabilities, the glorious revolution, meiosis and mitosis and all I'll never see, the bottom of the ocean, the palm at the end of the mind, a wolverine. Forget-me-not, is that all I want? To get lucky, you gotta be careful first. To be great, you gotta be willing to sound BAD. In last night’s movie, a young writer and an older, married with children French woman fall in love. They did not meet during a village massacre and money is no object, Manhattan. But after everything has happened she cannot leave her children, not even for love, because of love, the love that brooks no serendipity. In the subsequent late night movie, a wealthy altruistic doctor arranges for the ****** of his neurotic concubine. His guilt provides us with an opportunity to consider the concepts of faith and forgiveness, that all will be well in the end after a period of meaningless suffering.
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Mar 6, 2017
Mar 6, 2017 at 5:21 AM UTC
Aging as a Spiritual Practice
Beautiful summer day. You know you're gonna die that's why you know no joy unless religion, tv, stories, sports matter. For men like us dying's easy, it's living that's hard. And since dying's much like living, that's hard too. There's some contentment in letting community decide your place in it. A good day to die, the Apaches say. Can't stop the quince from blossoming or my sons from smoking, speeding. The best that can be done or said's a blessing. Less tv, less guessing about the effects of your anger unless you want to be an angry man forever. Becoming knowledgeable is the best defense against your insignificance. OK about being alone. Alive, almost sure of it. Whether I'm a visitor to my life or the actual owner. Mature poets steal, most are masturbators. There are a million poets, I'm poet #500K. Plenty of mysteries, infinite philosophies, prayers, laws and unwritten rules. That's why we go to school, life's complicated. All I do not know: ATP, probabilities, the glorious revolution, meiosis and mitosis and all I'll never see, the bottom of the ocean, the palm at the end of the mind, a wolverine. Forget-me-not, is that all I want? To get lucky, you gotta be careful first. To be great, you gotta be willing to sound BAD. In last night’s movie, a young writer and an older, married with children French woman fall in love. They did not meet during a village massacre and money is no object, Manhattan. But after everything has happened she cannot leave her children, not even for love, because of love, the love that brooks no serendipity. In the subsequent late night movie, a wealthy altruistic doctor arranges for the ****** of his neurotic concubine. His guilt provides us with an opportunity to consider the concepts of faith and forgiveness, that all will be well in the end after a period of meaningless suffering.
Continue reading...
42
Anticipating the anticipation, Anticipating the living-life-on-the-edge days. The ones you hear about Or you think you've heard about. You, you've fallen into monotony, An inescapable feeling of restless contentment. Some call it depression, You call it boredom. They're one in the same, Except boredom has a much less negative connotation; And a much shorter life-span. Mostly, it depends on your age; The children are bored, The adults are depressed. Filling days with self-innovated anxiety, The kind that didn't always exist, Or you don't think it always existed. A drive to be taken by storm Overwhelmed. Engulfed. Something to shake you out of this trance you have been stifled by. Like a visitor from afar, You continue to sit in that hotel room, Anticipating the anticipation of travel. While you glance Between the alarm clock, The room service menu, The T.V. Guide. Bored. Depressed. Anticipating the anticipation of living.
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Nov 5, 2012
Nov 5, 2012 at 6:02 PM UTC
Restless Contentment
I’ve been here all the while. Like an old truck stop… A dwelling full of life..hardly noticed. One day your spirit tank runs dry and you must stop and stay for a while. The once overlooked dwelling helps through filling the tanks of those left empty handed The other spirit leaves, thankful, for not being left out in “no where land” to die stranded. The exchange is of care with no need of personal gain Simply “I’ll come back to visit” and “to bring some friends with me.” To the stop that helped a stranded visitor Return on their way Simply out of care to see to it that they are able to continue,onward, to another well traveled day.
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Mar 20, 2015
Mar 20, 2015 at 12:06 AM UTC
The Truck Stop
**squinting up the leaves of the bountiful tree i espied a mango ripe and soft with goodness as the sun came gently filtering through aloft the wings of a little fellow with a long beak and a brisk song to celebrate dinner found my feathered visitor hovered above the vintage prize and as his thirsty proboscis drilled the succulent mango the warm enticing juice, natural and healthy as ever, drip-settled in the base of my hungry open eye i thought i heard a flourish in the triumphant bird-song such as one at the fall of a big wicket; and in that slow-motion moment, i knew: the mango was his, and it'd now be eat and let eat, till the last delectable mango**
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Feb 5, 2016
Feb 5, 2016 at 10:19 AM UTC
under the mango tree
carcinogen fogs will cancer you thick you will dismiss the salt stain of a visitor you will pretend the Tuesday's are not boring the coffee is not weak the room smells like chlorine remember you are a girl. she smiles for money.
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May 19, 2014
May 19, 2014 at 1:27 PM UTC
LIVE **** GIRLS GIRLS GIRLS
I cut an avocado in half and give one half to the visitor; and I carefully scoop the avocado gently, gently with a teaspoon (the Aztec records show this is, ahem! the fertility fruit) and I savor each scoop and eat like a pig (ah well, like a graceful pig); and at last I have the skin left in the palm of my hand and it’s tough and shaped like a boat; and it has rained and there’s a puddle of water on the lawn and an ant that’s been irritating me wandering about on my naked foot and I put the ant in the avocado boat and I set the boat in the puddle and I give it a gentle push and I say: “Bon voyage, Monsieur!” And then I look at my visitor, and that silly guy is still staring at his half and I ask, ever gently, “Do you need help with your fertility fruit there?” The visitor replies, “No" – and I wonder if I should get him brain food or perhaps set him off on another avocado boat…
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Oct 10, 2010
Oct 10, 2010 at 12:37 AM UTC
avocado boat
From the ripple in a glass of water to the sonic boom of this internal Pompeii, the erosion of her etymology is the only sense of movement in her dilated, cave-pupil eyes, those two ghost towns spanning and encircling all the way back, stretched like an elastic blindfold past the moment the first brick was laid, perhaps her first vivid memory, or anecdote, or first word uttered in a Cuban slum. There are mountains of tumbleweed over the once thriving metropolis that expanded towards America; who threw herself into the architecture of seven pillars, borne from her land and minerals. Gone are the huts that housed her knowledge of basic motor skills. The women who once imagined Mami and Mima as her birth name now scrub off the graffiti of her excrement; they saw a swarm of pink moons the day she told the same story to every visitor that came their way, each day then becoming a missing surveillance tape, a sinkhole dismantling the awareness in her bones and stubborn will, until she became these dust-engulfed plains with a daughter and granddaughter archeological in their efforts to chase down the remains of a girl still breathing in those eyes from time to time. Every other ten-millionth blink of the eye rides the silhouette of a post-infant girl on the high tides of her quick visit, looking in horror as the nation of her life's nightmares, heartaches, broken promises, romances, spiritual breakthroughs, life-changing seconds drowns with morbid unity en cien fuegos, desperately attempting to assemble the remnants of her psyche past her cognitive bloodclots with the awareness of one who speaks no languages. Gone is the moment she first learned to feed her several children before the slip of sunset. One of seven pillars remain intact, the others long dismantled of their stick and straw infrastructures. One pillar remained, housed her own colony for nine months, and now both descendants travel the mind of their greatest influence with perplexed dedication, caustic humor the decoy for swarms of exhaustion and asphyxiation from the truthful atmosphere, reveling in the seconds of humanity lurking in an abandoned etymology.
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Jun 29, 2010
Jun 29, 2010 at 11:19 AM UTC
Erosion
From the ripple in a glass of water to the sonic boom of this internal Pompeii, the erosion of her etymology is the only sense of movement in her dilated, cave-pupil eyes, those two ghost towns spanning and encircling all the way back, stretched like an elastic blindfold past the moment the first brick was laid, perhaps her first vivid memory, or anecdote, or first word uttered in a Cuban slum. There are mountains of tumbleweed over the once thriving metropolis that expanded towards America; who threw herself into the architecture of seven pillars, borne from her land and minerals. Gone are the huts that housed her knowledge of basic motor skills. The women who once imagined Mami and Mima as her birth name now scrub off the graffiti of her excrement; they saw a swarm of pink moons the day she told the same story to every visitor that came their way, each day then becoming a missing surveillance tape, a sinkhole dismantling the awareness in her bones and stubborn will, until she became these dust-engulfed plains with a daughter and granddaughter archeological in their efforts to chase down the remains of a girl still breathing in those eyes from time to time. Every other ten-millionth blink of the eye rides the silhouette of a post-infant girl on the high tides of her quick visit, looking in horror as the nation of her life's nightmares, heartaches, broken promises, romances, spiritual breakthroughs, life-changing seconds drowns with morbid unity en cien fuegos, desperately attempting to assemble the remnants of her psyche past her cognitive bloodclots with the awareness of one who speaks no languages. Gone is the moment she first learned to feed her several children before the slip of sunset. One of seven pillars remain intact, the others long dismantled of their stick and straw infrastructures. One pillar remained, housed her own colony for nine months, and now both descendants travel the mind of their greatest influence with perplexed dedication, caustic humor the decoy for swarms of exhaustion and asphyxiation from the truthful atmosphere, reveling in the seconds of humanity lurking in an abandoned etymology.
Continue reading...
74
I wear the letters NYU sprawled across my chest as my individuality is asphyxiated. Lungs choke under the weight of the added pressure. 
 The thought of college plus my complexion, Equals complexed looks that ponder my intellectually-heightened direction. 

 Will you think a little bit more of me, with my conformity?

 Attempts to better myself meet enough ignorance to even cloud the vision of God. Segregation and alienation cause mental spasms the strength of lightening rods. 


 I guess you're just a product of the environment to which you were exposed. 

 But I'm always trying to fight the stereotype that black people are ultimately foes.

 I am the ant and the kids of rich parents are magnifying glasses. 
 Cremating me with the solar power of son's who were taught that their existence was worth more than mine. 

 I lay motionless, in bottomless quick sand pits, itching to alleviate my stomach stitch, engulfed by set standards that could not be met. 

 I am tired of trying to be what you'd like to see. Astute, respectable, young black man-just so you can approve of me and hopefully think that we are not all "up to no good."

 Say it loud,
I'm black 
 And I'm, Not going to lie, The proud part is kinda hard to say. 
 Because I walk down the street and see my face in the homeless everyday. 

 I fill the prisons and I'm famous when the news reports crime. 
 And when I show up early to interviews, they look confused to see that I, Don’t run on Colored People's Time.

 I don't hate black but I hate the fact that black means that sometimes I have to find alternate routes to success. 

 While other people's roads are already paved, I suffer from all the stress. 


 I try my best but I'm always categorized as less, then a man. 

 And I'm trying to change perceptions but I still feel like a visitor on American land


 And the poor are physically trapped so I relate mentally.
 We both suffer from the oppression and accept the hatred like it was meant to be.


 Society has led you to believe that blacks are not worthy of equality


 But take a long, hard look into my eyes and tell me that you don’t see my humanity.
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May 17, 2013
May 17, 2013 at 1:42 PM UTC
College + Complexion
I wear the letters NYU sprawled across my chest as my individuality is asphyxiated. Lungs choke under the weight of the added pressure. 
 The thought of college plus my complexion, Equals complexed looks that ponder my intellectually-heightened direction. 

 Will you think a little bit more of me, with my conformity?

 Attempts to better myself meet enough ignorance to even cloud the vision of God. Segregation and alienation cause mental spasms the strength of lightening rods. 


 I guess you're just a product of the environment to which you were exposed. 

 But I'm always trying to fight the stereotype that black people are ultimately foes.

 I am the ant and the kids of rich parents are magnifying glasses. 
 Cremating me with the solar power of son's who were taught that their existence was worth more than mine. 

 I lay motionless, in bottomless quick sand pits, itching to alleviate my stomach stitch, engulfed by set standards that could not be met. 

 I am tired of trying to be what you'd like to see. Astute, respectable, young black man-just so you can approve of me and hopefully think that we are not all "up to no good."

 Say it loud,
I'm black 
 And I'm, Not going to lie, The proud part is kinda hard to say. 
 Because I walk down the street and see my face in the homeless everyday. 

 I fill the prisons and I'm famous when the news reports crime. 
 And when I show up early to interviews, they look confused to see that I, Don’t run on Colored People's Time.

 I don't hate black but I hate the fact that black means that sometimes I have to find alternate routes to success. 

 While other people's roads are already paved, I suffer from all the stress. 


 I try my best but I'm always categorized as less, then a man. 

 And I'm trying to change perceptions but I still feel like a visitor on American land


 And the poor are physically trapped so I relate mentally.
 We both suffer from the oppression and accept the hatred like it was meant to be.


 Society has led you to believe that blacks are not worthy of equality


 But take a long, hard look into my eyes and tell me that you don’t see my humanity.
Continue reading...
31
The antique shop, a cauldron where memories from far and near boil and froth, where chronological order didn't matter, time stood still, part real, as much magic, different lives from distant lands and time rolled in to one. Here they met, by chance,a man and a mysterious woman,with an eye for unusual, among what was  on display were things a conman would seek and also favorite stuff fit for  kings, artifacts and articles they must have used or hankered after. Past uses these museum pieces as baits for us, secretly preparing us to surrender before future, unkind and rude in mind; he changed roles as both con and king, there was a constant yes, she was the mate in each he couldn't take  eyes  off her, and she asked what he looks for, "The famous ****** quilt, that was to be mine twice before, I missed making it mine, narrowly every time" He wondered how did he make up that story so quick. "I can take you to the quilt, but it isn't here" she said not a bit  hesitant He was flabbergasted by the turn of events,as if a hidden scripted move shows the way They left by her car, she was eloquent about the effects of the ****** quilt. As they stood near the ****** quilt, in this room he thought was part of an antique shop, the place looked deserted, and her eyes shone when she suggestively said "Want to test the effect? Don't be disappointed" It wasn't. How could one  imagine, that the quilt can be so voluptuous. That secret shook him out of his shell, she had  nothing to do  with antique of any kind, just another visitor like him, and the quilt was an ingenious plot she hatched in keeping with my sudden flourish, the quilt, was a new addition in her bed patch worked in silk, light weight, it wasn't a blanket, but ****** in its very touch it was them, the moment of adventure they found had brought the rapture,who would regret?
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Jul 28, 2013
Jul 28, 2013 at 1:23 PM UTC
An ****** Quilt, Found by Chance
The antique shop, a cauldron where memories from far and near boil and froth, where chronological order didn't matter, time stood still, part real, as much magic, different lives from distant lands and time rolled in to one. Here they met, by chance,a man and a mysterious woman,with an eye for unusual, among what was  on display were things a conman would seek and also favorite stuff fit for  kings, artifacts and articles they must have used or hankered after. Past uses these museum pieces as baits for us, secretly preparing us to surrender before future, unkind and rude in mind; he changed roles as both con and king, there was a constant yes, she was the mate in each he couldn't take  eyes  off her, and she asked what he looks for, "The famous ****** quilt, that was to be mine twice before, I missed making it mine, narrowly every time" He wondered how did he make up that story so quick. "I can take you to the quilt, but it isn't here" she said not a bit  hesitant He was flabbergasted by the turn of events,as if a hidden scripted move shows the way They left by her car, she was eloquent about the effects of the ****** quilt. As they stood near the ****** quilt, in this room he thought was part of an antique shop, the place looked deserted, and her eyes shone when she suggestively said "Want to test the effect? Don't be disappointed" It wasn't. How could one  imagine, that the quilt can be so voluptuous. That secret shook him out of his shell, she had  nothing to do  with antique of any kind, just another visitor like him, and the quilt was an ingenious plot she hatched in keeping with my sudden flourish, the quilt, was a new addition in her bed patch worked in silk, light weight, it wasn't a blanket, but ****** in its very touch it was them, the moment of adventure they found had brought the rapture,who would regret?
Continue reading...
56
Sitting calmly aligning in-between the three sitters Adorn with a silk from milk Thinking about the libido of her crown Like a star lost in the galaxy After seeing a Ghanaian movie A sudden push through her opening as placenta push through during birth, as water break through from underground a cloth of blood, fought through She felt it, she saw it, But what to do? What not to do? and how? Was a question demanding an answer, Like a man lost on the crossroad On his wedding night, On his bed Close to the bride like a ****** bird To be and not to be like Shakespeare She shouted What is this? Blood!!! This is the making of a woman An end to her holiness A new spring of emotion and pain No more daddy and mummy play Remember "Always" always When the visitor is around you are now a woman
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Mar 20, 2017
Mar 20, 2017 at 4:45 AM UTC
HER FIRST ************
In Ohio I order a pizza.  The menu says one of the items I can put on it is Mango.  That's curious. I buy a Hawaiian mango at the new Supercenter Grocery Store, and the check-out girl asks what's this? and I say it's a mango.  She says, no it's not, that's a mango, and points to the green pepper. In Hawaii, I work at a farm, and pick some Lilikoi. A customer asks my co-worker if we have any passionfruit, and she says no. They ask me if lilikoi is like passionfruit and I say its dakine, but she's a visitor and doesn't understand, so I say, it's the same thing. There's a Hawaiian family with a fruit stand; I like to trade the extra lilikoi for their really good mangos they grow, but the Hawaiian word is Manako.  Since they know I always want manako, I ask dakine? They were out, so instead he asked you want some Apples?  I thought he meant those little red pears they call Mountain Apples and looked perplexed when I couldn't see any, so he picked up a clump of miniature bananas.  Oh, yes I love Apple-bananas.
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Jan 17, 2013
Jan 17, 2013 at 12:56 PM UTC
Yes, we have no mangos
As reckless as it seemed, He is becoming the man of my dreams. I see him in the bright areas of the dismal gray. I see his eyes flicker when we lay. And they go off to a special place, We title it unspeakable. And when it's spoken, love will be our token ... Intertwining this rhyme with the blurriest of things in my mind The ones more clear will soon come out dear But from here, please take that I'm sincere And you're a passion sign lighting up when strangers drive slowly and those who drive dangerously. I wave and point to show how important you are. I'm the most consistent visitor.
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Apr 20, 2016
Apr 20, 2016 at 10:27 AM UTC
Unspeakable
Eternity is closed ! - come back another day with flower smears for eyes and sincere passion on your palms          (weathered) I need another Russian Doll - Princess to frequent curtains fashioned from fire & lead equaling out to crimson folds which mysteriously call to the mystical hierarchies of imagination Silent requirements signal beneath the steps which welcome one (a stranger/ an Ibis-Beak cane & dark coat stamped with August rain) They arrive unexpectedly, as if to play the game of cliches, they carry promises fashioned in foreign ports tapping my knee instead of my shoulder having only known or recognized entombment                                (there is no hyperbole which lacks within                                 Nature's haunted heavens) My strange visitor leaves / glass umbrella in hand / to privacy / our brief interaction begins & ends with simple eager undertakings implemented in the afterword   What is in another's contemplation of me? whiling in manifest Theosophy - - Thought form - Primal child-rage / whisp of violet smoke & inksplotches abolished, mutually panting. Our decorated four-legged hunter has arisen and impatiently craves for the Earth to partner at last with the Sun ..The Sun a blazing dime I can smell crispness in the air
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Jul 31, 2018
Jul 31, 2018 at 1:20 AM UTC
Summer Visitations
Albert Ross was at a loss. He couldn't gloss over the dull fact hanging lifeless like the near-homophone about his neck. It's a pretty neck, this long and slender neck, with the impeccable lines of its smooth cylinder broken only by a smallish apple. Eve would've refused it. To sea. To sea. There he'd see with its wide vistas the feathery visage of this polar white visitor riding astride his black cloud. "Rain, would it please you to rain? Are you allowed to open up and drown me?" Is how he’d phrased it in his mind, countless times. The hardest rain would be welcome, but this constant threat, this ponderous yet, this threaded pendant swinging as fast and steady as a winged pendulum might, was not. It tightened, that knot deep in the pit of his stomach. He'd done no harm. Harm wasn't his to do, or undo. The harm came before, at the hands of a father, who gave him such an ill-spoken name, and the Father before him. He, ages before him, deigned to make us this world where a bird’s no more than a bird or any man with the want of a soul.
0
Apr 6, 2011
Apr 6, 2011 at 1:10 PM UTC
This crime more ancient than the mariner's
She's ready. He isn't. She's willing to take the risk. He isn't. "I love you." He whispered to no one While watching her Walk down the aisle With her father And him as a visitor.
0
Nov 21, 2018
Nov 21, 2018 at 7:36 AM UTC
Sorry, I'm late
Draped in boundless pride she strolled along the streets, the town's flamboyant prima ballerina. Still little did the debaucher know her. Defenceless she laid as he spanked and clouted her, Her vehement howling and wailing couldn't stop the yanking of clothes. Motionless, emotionless she laid while he plundered and mutilated her body. Vandalised by an uninvited visitor, Incapable of moving her body the ravishing ballerina reclined. The scars he made was not on her body but deep in her soul. That gloomy night whistled away for the sun to flare its first ray. '18 year old violently molested and deceased'. Hence the prima ballerina became a mere newspaper headline.
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Jan 8, 2019
Jan 8, 2019 at 12:50 AM UTC
Prima ballerina
Thank you, tourists For pausing. For capturing Every moment. Your cameras draped, Quivering below your necks Your necks rosy with sun. Sunscreen scents Swarm the air But the air bursts Diverse Dialects, Dogmas, and Dreams. Thank you From a resident, A student, A visitor, A wanderer. Thank you For immobilizing Glorious minutes For impeding time Just for a moment. For acknowledging- So that those who neglect to notice, Once again realize their riches. Thank you For your quiet grins As you regard The world. Thank you, travelers.
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Apr 16, 2015
Apr 16, 2015 at 6:08 AM UTC
Ode to Tourists
The porch waits behind the glass It empathizes as needed I step on it once again And smoke in its graces A compress over the cliff We aspire at Deveraux once again to hear the ocean's rhythmic advice And I do wince, such a daunting way upon the enraged sky A tormented face looking at impassioned ways And now a visitor appears another tormented face under a gossamer spun brazen reds opulent yellows pale blues push through as it unravels with a photograph Her porch vacant once again Mine thankful of its owner to give a futile roll of discontent And once again we listen and gaze And once again we inhale the salt air And once I saw because I stayed Four dolphins shoulder the sand
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Jan 7, 2012
Jan 7, 2012 at 8:02 PM UTC
Four Dolphins Shoulder the Sand
(for John and Teckla Clark) Ours yet not ours, being set apart As a shrine to friendship, Empty and silent most of the year, This room awaits from you What you alone, as visitor, can bring, A weekend of personal life. In a house backed by orderly woods, Facing a tractored sugar-beet country, Your working hosts engaged to their stint, You are unlike to encounter Dragons or romance: were drama a craving, You would not have come. Books we do have for almost any Literate mood, and notepaper, envelopes, For a writing one (to "borrow" stamps Is the mark of ill-breeding): Between lunch and tea, perhaps a drive; After dinner, music or gossip. Should you have troubles (pets will die Lovers are always behaving badly) And confession helps, we will hear it, Examine and give our counsel: If to mention them hurts too much, We shall not be nosey. Easy at first, the language of friendship Is, as we soon discover, Very difficult to speak well, a tongue With no cognates, no resemblance To the galimatias of nursery and bedroom, Court rhyme or shepherd's prose, And, unless spoken often, soon goes rusty. Distance and duties divide us, But absence will not seem an evil If it make our re-meeting A real occasion. Come when you can: Your room will be ready. In Tum-Tum's reign a tin of biscuits On the bedside table provided For nocturnal munching. Now weapons have changed, And the fashion of appetites: There, for sunbathers who count their calories, A bottle of mineral water. Felicissima notte! May you fall at once Into a cordial dream, assured That whoever slept in this bed before Was also someone we like, That within the circle of our affection Also you have no double.
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For Friends Only
(for John and Teckla Clark) Ours yet not ours, being set apart As a shrine to friendship, Empty and silent most of the year, This room awaits from you What you alone, as visitor, can bring, A weekend of personal life. In a house backed by orderly woods, Facing a tractored sugar-beet country, Your working hosts engaged to their stint, You are unlike to encounter Dragons or romance: were drama a craving, You would not have come. Books we do have for almost any Literate mood, and notepaper, envelopes, For a writing one (to "borrow" stamps Is the mark of ill-breeding): Between lunch and tea, perhaps a drive; After dinner, music or gossip. Should you have troubles (pets will die Lovers are always behaving badly) And confession helps, we will hear it, Examine and give our counsel: If to mention them hurts too much, We shall not be nosey. Easy at first, the language of friendship Is, as we soon discover, Very difficult to speak well, a tongue With no cognates, no resemblance To the galimatias of nursery and bedroom, Court rhyme or shepherd's prose, And, unless spoken often, soon goes rusty. Distance and duties divide us, But absence will not seem an evil If it make our re-meeting A real occasion. Come when you can: Your room will be ready. In Tum-Tum's reign a tin of biscuits On the bedside table provided For nocturnal munching. Now weapons have changed, And the fashion of appetites: There, for sunbathers who count their calories, A bottle of mineral water. Felicissima notte! May you fall at once Into a cordial dream, assured That whoever slept in this bed before Was also someone we like, That within the circle of our affection Also you have no double.
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49
Impermanence *—the shadow of everything that once was the visitor who only sipped a little tea dead leaves in autumn someone who got away despite begging him to stay chipped paint in old walls butterflies in their cocoon trends that fill voids of the moment but leave after they are forgone suspended words in whispered talks a child's wonder faces with remarked lines empty laughters turned into glistening tears flesh to ashes, ashes to flesh wines in glass bottles* **—a beginning of everything that are to be, cradle of brighter, better stories to come as the pieces of long agos are laid to rest**
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May 25, 2015
May 25, 2015 at 11:45 AM UTC
Impermanence
Child, the current of your breath is six days long. You lie, a small knuckle on my white bed; lie, ****** like a snail, so small and strong at my breast. Your lips are animals; you are fed with love. At first hunger is not wrong. The nurses nod their caps; you are shepherded down starch halls with the other unnested throng in wheeling baskets. You tip like a cup; your head moving to my touch. You sense the way we belong. But this is an institution bed. You will not know me very long. The doctors are enamel. They want to know the facts. They guess about the man who left me, some pendulum soul, going the way men go and leave you full of child. But our case history stays blank. All I did was let you grow. Now we are here for all the ward to see. They thought I was strange, although I never spoke a word. I burst empty of you, letting you see how the air is so. The doctors chart the riddle they ask of me and I turn my head away. I do not know. Yours is the only face I recognize. Bone at my bone, you drink my answers in. Six times a day I prize your need, the animals of your lips, your skin growing warm and plump. I see your eyes lifting their tents. They are blue stones, they begin to outgrow their moss. You blink in surprise and I wonder what you can see, my funny kin, as you trouble my silence. I am a shelter of lies. Should I learn to speak again, or hopeless in such sanity will I touch some face I recognize? Down the hall the baskets start back. My arms fit you like a sleeve, they hold catkins of your willows, the wild bee farms of your nerves, each muscle and fold of your first days. Your old man's face disarms the nurses. But the doctors return to scold me. I speak. It is you my silence harms. I should have known; I should have told them something to write down. My voice alarms my throat. "Name of father-none." I hold you and name you ******* in my arms. And now that's that. There is nothing more that I can say or lose. Others have traded life before and could not speak. I tighten to refuse your owling eyes, my fragile visitor. I touch your cheeks, like flowers. You bruise against me. We unlearn. I am a shore rocking off you. You break from me. I choose your only way, my small inheritor and hand you off, trembling the selves we lose. Go child, who is my sin and nothing more.
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Unknown Girl In A Maternity Ward
Child, the current of your breath is six days long. You lie, a small knuckle on my white bed; lie, ****** like a snail, so small and strong at my breast. Your lips are animals; you are fed with love. At first hunger is not wrong. The nurses nod their caps; you are shepherded down starch halls with the other unnested throng in wheeling baskets. You tip like a cup; your head moving to my touch. You sense the way we belong. But this is an institution bed. You will not know me very long. The doctors are enamel. They want to know the facts. They guess about the man who left me, some pendulum soul, going the way men go and leave you full of child. But our case history stays blank. All I did was let you grow. Now we are here for all the ward to see. They thought I was strange, although I never spoke a word. I burst empty of you, letting you see how the air is so. The doctors chart the riddle they ask of me and I turn my head away. I do not know. Yours is the only face I recognize. Bone at my bone, you drink my answers in. Six times a day I prize your need, the animals of your lips, your skin growing warm and plump. I see your eyes lifting their tents. They are blue stones, they begin to outgrow their moss. You blink in surprise and I wonder what you can see, my funny kin, as you trouble my silence. I am a shelter of lies. Should I learn to speak again, or hopeless in such sanity will I touch some face I recognize? Down the hall the baskets start back. My arms fit you like a sleeve, they hold catkins of your willows, the wild bee farms of your nerves, each muscle and fold of your first days. Your old man's face disarms the nurses. But the doctors return to scold me. I speak. It is you my silence harms. I should have known; I should have told them something to write down. My voice alarms my throat. "Name of father-none." I hold you and name you ******* in my arms. And now that's that. There is nothing more that I can say or lose. Others have traded life before and could not speak. I tighten to refuse your owling eyes, my fragile visitor. I touch your cheeks, like flowers. You bruise against me. We unlearn. I am a shore rocking off you. You break from me. I choose your only way, my small inheritor and hand you off, trembling the selves we lose. Go child, who is my sin and nothing more.
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55
I used to hold onto your words that love wasn’t always on time That maybe love was more like a stubborn flower, that needed many seasons to bloom But somewhere along the lines I realized that our hourglass was titled That our relationship was built on a temporary foundation; lined with excuses and oh so many    betrals. And for the longest time I began to put question marks behind all your hellos and goodbyes? Thinking back, I wish I listened to all the good advice and intuition I stuffed at the back of my closest waiting for a later date….. When I would realize that you would only ever see me as a visitor And since you left, I was forced to build in your absence- a place where I learned to properly treat the new resident                  I now call my home.
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Jul 22, 2018
Jul 22, 2018 at 6:34 PM UTC
To a Closed Door,