1664

I did not reach Thee
But my feet slip nearer every day
Three Rivers and a Hill to cross
One Desert and a Sea
I shall not count the journey one
When I am telling thee.

Two deserts, but the Year is cold
So that will help the sand
One desert crossed—
The second one
Will feel as cool as land
Sahara is too little price
To pay for thy Right hand.

The Sea comes last—Step merry, feet,
So short we have to go—
To play together we are prone,
But we must labor now,
The last shall be the lightest load
That we have had to draw.

The Sun goes crooked—
That is Night
Before he makes the bend.
We must have passed the Middle Sea—
Almost we wish the End
Were further off—
Too great it seems
So near the Whole to stand.

We step like Plush,
We stand like snow,
The waters murmur new.
Three rivers and the Hill are passed—
Two deserts and the sea!
Now Death usurps my Premium
And gets the look at Thee.

Mashup

Part I (and there is a Part II & III)

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.

My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.

Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.

You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.

This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.

You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...

All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.

Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.

Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.

Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.

Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.

I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp

Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.

And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words

She stupefy truth
with her finely crafted lies
that stand head held high
without even
the slightest sign
of embarrassment.
She waters the seeds
with acid, deliberately
even manage to get kudos
for her 'kind intervention'
Her 'collected venom'
in real, is a counterfeit concoction
more deadly than the real,
that attracts unlimited attention
and the loudest rounds of applause,
for it's new shade of blue
when displayed with special effects
for all to view.
In her presence, fairness loses its meaning
foulness like her, usurps it, makes its own,
becomes the reigning queen!
Whatever she does
has a dark beauty,
even the true angel of evil
would greatly envy her.

All profits disappear: the gain
Of ease, the hoarded, secret sum;
And now grim digits of old pain
Return to litter up our home.

We hunt the cause of ruin, add,
Subtract, and put ourselves in pawn;
For all our scratching on the pad,
We cannot trace the error down.

What we are seeking is a fare
One way, a chance to be secure:
The lack that keeps us what we are,
The penny that usurps the poor.

[Addressed to Charles Lamb, of the India House, London]

In the June of 1797 some long-expected friends paid a visit
to the author’s cottage; and on the morning of their arrival,
he met with an accident, which disabled him from walking
during the whole time of their stay. One evening, when they
had left him for a few hours, he composed the following
lines in the garden-bower.

Well, they are gone, and here must I remain,
This lime-tree bower my prison! I have lost
Beauties and feelings, such as would have been
Most sweet to my remembrance even when age
Had dimm’d mine eyes to blindness! They, meanwhile,
Friends, whom I never more may meet again,
On springy heath, along the hill-top edge,
Wander in gladness, and wind down, perchance,
To that still roaring dell, of which I told;
The roaring dell, o’erwooded, narrow, deep,
And only specked by the mid-day sun;
Where its slim trunk the ash from rock to rock
Flings arching like a bridge;—that branchless ash,
Unsunn’d and damp, whose few poor yellow leaves
Ne’er tremble in the gale, yet tremble still,
Fann’d by the water-fall! and there my friends
Behold the dark green file of long lank weeds,
That all at once (a most fantastic sight!)
Still nod and drip beneath the dripping edge
Of the blue clay-stone.
                                   Now, my friends emerge
Beneath the wide wide Heaven—and view again
The many-steepled tract magnificent
Of hilly fields and meadows, and the sea,
With some fair bark, perhaps, whose sails light up
The slip of smooth clear blue betwixt two Isles
Of purple shadow! Yes! they wander on
In gladness all; but thou, methinks, most glad,
My gentle-hearted Charles! for thou hast pined
And hunger’d after Nature, many a year,
In the great City pent, winning thy way
With sad yet patient soul, through evil and pain
And strange calamity! Ah! Slowly sink
Behind the western ridge, thou glorious Sun!
Shine in the slant beams of the sinking orb,
Ye purple heath-flowers! richlier burn, ye clouds!
Live in the yellow light, ye distant groves!
And kindle, thou blue Ocean! So my friend
Struck with deep joy may stand, as I have stood,
Silent with swimming sense; yea, gazing round
On the wide landscape, gaze till all doth seem
Less gross than ******; and of such hues
As veil the Almighty Spirit, when yet he makes
Spirits perceive his presence.
                                             A delight
Comes sudden on my heart, and I am glad
As I myself were there! Nor in this bower,
This little lime-tree bower, have I not mark’d
Much that has sooth’d me. Pale beneath the blaze
Hung the transparent foliage; and I watch’d
Some broad and sunny leaf, and lov’d to see
The shadow of the leaf and stem above
Dappling its sunshine! And that walnut-tree
Was richly ting’d, and a deep radiance lay
Full on the ancient ivy, which usurps
Those fronting elms, and now, with blackest mass
Makes their dark branches gleam a lighter hue
Through the late twilight: and though now the bat
Wheels silent by, and not a swallow twitters,
Yet still the solitary humble-bee
Sings in the bean-flower! Henceforth I shall know
That Nature ne’er deserts the wise and pure;
No plot so narrow, be but Nature there,
No waste so vacant, but may well employ
Each faculty of sense, and keep the heart
Awake to love and Beauty! and sometimes
’Tis well to be bereft of promis’d good,
That we may lift the soul, and contemplate
With lively joy the joys we cannot share.
My gentle-hearted Charles! when the last rook
Beat its straight path along the dusky air
Homewards, I blest it! deeming its black wing
(Now a dim speck, now vanishing in light)
Had cross’d the mighty Orb’s dilated glory,
While thou stood’st gazing or, when all was still,
Flew creeking o’er thy head, and had a charm
For thee, my gentle-hearted Charles, to whom
No sound is dissonant which tells of Life.

Ah, so stately art t'ou, my prince-
prone as th' night, comely as th' moon.
And wakeful is my sorrow;
for waiting for thee-
is not at all th' same
as greeting him soon.
How all t'ese senses remain so numb!
Love, as 'twas first fierce ye'a living dumb,
now as insignificant as a thumb,
and th' fame t'at surrounded was breath
beforeth turning bald and corny as death.
I figure t'ou art now out of my air;
as nothingness like t'is
tears and usurps my hair.
Pursuit of falsehood, pursuit of greed,
is but a seed t'at makes my heart bleed.
Leaves t'at art fake within my torso,
art now crying-and pleading
Just like a cheeky little girl;
unreal as we were,
as t'ou but still t'en-belonged to 'er.

And just like our former sins,
silent but threatening-
thy goneness hath parted me
from my dear'st everything.
Ah, my limbs, my shins,
my lungs, my spleens,
art but now scanty and unawake!
And since t'ere's no give,
thus no more t'ere's take!
How t'ese shadows t'at our hearts made,
now alone and whimper and fade;
startling all over t'is notorious silky winter-
silly as our dear laughter,
but satirical-and edgeless as fate.

And bland, bland, bland;
o-how severely, and dreamily bland!
Thy ever gallantry and morning wit-
so well as charms t'at hath left my cheeks lit!
And with a smile I found so sweet,
to my long black hair t'ou would flirt!
But wherefore art t'ou, now, o my love?
My Russian gem, and prince alike!
Would t'ose mountains in thy Moscow-
be as dazzling as our tomorrow?
And be th' chamber of our dreams-
whereupon thou shalt rolleth into mine,
singeth and reciteth altoget'er our tales
with a glass of ****** wine-
tasty and delicate as our daring gales,
but complicated as we might dwelleth-
and be lost in one anot'er, in our shell.

And ah-comfort, comfort, comfort!
Our dear passion t'at wasth stopped short,
but hath now replied to me
within th' circles of its own balmy nakedness-
and see, my love-how canst it just not, conceal its bareness!
How on one morning shalt tread our foot,
beneath th' sun t'at shines, undereth daylight t'at shoots-
and across our greyish moors and t'eir roots-
all our charms, woes, and reveries-
canst but unite into one again,
as I hath thus dreameth 'twixt yester's rain,
and alloweth our smot'ered course to remain.
Ah, Vladimir, and of course as plainly but sure-
I still long to turn thee to my treasure;
but love is bold and far too inadequate
to our desolate dreamland;
and might be too cynical-
thus unbearable; to just my dearest, dearest friend.
How sometimes I wish to be free!
And obediently disentwineth my hand;
'fore to thee I gratefully bend.

But desires, desires of t'ese, canst only be despair;
and 'till now our meeting hath just been too late.
Tragic as our souls shalt re-main alone, and not ever pair;
as I hath now one else 'ere to date;
as innocent as we wert-could hath he been unt'ere;
whenst I gazed but into thy shadowy eyes-
ones so full of comical mystery, and manhood t'at lies!
O, Vladimir, but still-tears cannot be our pale answer;
whenst our hearts could but suffer;
and secret love; our sole-ye' joyless matter.

And tough, tough needst we be, just like t'is poem-
just by its battered hands on a piece of paper.
But strong, strong and guiltless my heart may be-
dreams of which it cannot lower-
as t'ou art here not with me, o dear lover!
Ah, Vladimir, th' skies above
art still my beauteous, but neglect'd view;
trifling to my veins, as it never knew.
And thus, Vladimir, as it shalt again glow
my heart shalt be with thee in cold Moscow,
as thou danceth and befriendeth
our triumphant tomorrow.

Returneth t'en should I into my clock,
drencheth myself in my best frock;
and waiteth for on my door his knock.
Ah, and whenst later t'is be over-
shalt I but dreameth of thee again-
a guilty, but flawless-as how
a waking dream should be!
A dream, ah, andeth with it still,
a peaceful dream-
in which I canst feel thee against me-
teasing my soul and rubs my knee,
and weaves thy love, into my veins.
Poison me-o, poison me, my love!
And riseth thou t'ere-as my own knight;
within our dark; but stainless night.

He is my least favorite vegetable.
                                                   
                       No amount or level of preparation makes him taste better:
Boiling-
brings out his bulbous, insipid ego
the texture of his flamboyant ignorance.

when I timorously sip him in soups or broths,
his oozing insidious misogyny
contaminates my blissful dining, contorts any ingredients still pure.

I fry him, striving to remove the  
excess of impertinence which
permeates the oxygen I feebly inhale.
but he evades my maneuvers:
usurps bliss and violates all semblance of tranquility

I cannot prevail
against the throb of his assaulting narcissism

I must instead attempt
to comment
(arduously, fraudulently)
on the delicate iridescence of his silkily mucoused membranes
and admire deftly
his indefatigable ventures to pervade my
every.
serenity.

i. the lost necessity of narration in philosophical books
it might be worth pointing out how the practice of philosophy
crumbled with the old debate rekindled,
i never understood why so much narrative was injected
into what defines philosophy, and why no poet dared
to comment on this, rather choosing to engage with the ideas
like a tennis ball against a brick wall,
by way of showing some sort of respect for the study,
but surely this is a rickety chair approach,
if it isn’t then why would such a prominent 20th century example
cite a universal malady, although not so universal,
in that the citation: we’re still not thinking
by heidegger is a direct result of the philosophical narrative,
the fact that there’s narrative in philosophy automates itself
in the above citation - for how can thought be utilised to claim
autonomy from not thinking if it cannot begin in the realm of
philosophy by loosing the plot... quiet literally although
the joyous connotation of the phrase’s everyday usage is also there,
i.e. not being content with the need for a philosophical narrative?
it is sometimes the scarceness of poetry that prevents narration
thus allowing much thought to enter and fill the void.

ii. sartre v. the cartesian dialectic
on a technical note though, what i noticed most prominently from
sartre’s being and nothingness is this:
to usurp the faculty of doubt within thought into a dialectical translation of being.
what does sartre attempt to usurp this cartesian dialectic with?
denial.
he purposively uses denial (negation) to take doubt out from the cartesian dialectic,
this sort of change of faculty is perfectly translatable in modern times,
there is either complete denial or complete affirmation of life,
although a stumbling block emerges - what of all natural obstructions, like
the negation of ease, in the many diseases that plague people?
surely due to the negation (dis-) of ease there is no affirmation of the one
prominent aspect of ease, the ease of thinking, then doesn’t sartre’s attempt
stumble against this? i am am denied ease i am denied thinking,
therefore the need to usurp doubt from the cartesian dialectic is lost
in such instances as necessary.
in summary the concept does extend into the proposed bad faith,
for denial that usurps doubt in the cartesian dialectic that precipitates
into being enters the realm of non-being, and here too provides
what sartre deemed damnable in descartes, for nothingness is also a substance,
it isn’t a quality-based assumption, because there is no thing
in existence that has qualities of nothingness, ergo nothingness is also
a substance.

iii. systematisation in philosophy
it’s not quiet as nietzsche contended, that systematisation in philosophy
is a sign of being dishonest; to me it’s more about the effective use
of a constrained vocabulary, or rather an effective use of a desirable vocabulary.

iv. a necessary revision*
perhaps the only reason why i’d revise the cartesian dialectic,
and not do it like sartre is by simply stating - solipsism:
a doubt that that the self is all that can be known to exist -
hence the lost need to theorise solipsism, whether in the cartesian
dialectic or an existential dialectic - or to use solipsism as a crutch,
a safe haven for a narrative to cling to.

Sometimes we are made aware of beacons in the rest of the dark.
Like stars littered across the attics we trap ourselves in.
Sometimes we chase rainbows with beggars eyes and wishes like children.

Some people are like soup soaked bread crumbs and wool mittens with the fingers cut out.
The rest of us are chimney soot.
And they are ‘chim chim cheree‘.

They are song filling every corner of the antique shop.
Silver under tarnish and weights and measures
balancing on the hands of the scale
suspended from the spear of a woman in white robes
with blue eyes that match the sky when we stare at it
and it usurps the corners of our eyes
and we are made aware of how small we are
as we get lost in how complete it is when it is with out clouds
with silver linings that never seem to follow through to rain.

And some of us?

Some of us are rain.

And thunder that shakes your soul.
And images of gods in black and white that burn themselves onto our minds
for us to study with our eyes closed.
And some of us are doing the best we can.
And some of us are not us.
But are the others.
And we would be lost without them
to point beyond red sails on sundown ocean horizons,
just before the world turns blue.
And some are the pops and cracks between the notes of Coltrane on Vinyl.

And you.
You smell of confessional walls and a nursery.
You smell of camp fire blankets and bruised roses.
You move like corner of the eye shadows
and windshield wipers with no chance of beating the rain.

You write like stone tablets and feathers.
Blown bubbles and spun webs.
And you feel like chance.
And love.
And strength.

You change like ropes on ship decks and tarot meanings from gypsy to gypsy.

And you are beautiful.
And beautiful.
And beautiful.

And everything.
And everything.
And everything.

Strong like ropes on yard arms of old ships in ancient seas.
And you go and you take us there.
And we go, because we want to see too.
And we want to be full on wild flowers and raspberries.

And we want you to show us the line on our palm
that separates the dark from the light.
And we want bed time stories and lullabies.
And with my eyes.
And with your own too.
And more importantly.

You.

You are the place where there is hardly no day time and hardly night. Things half in shadow and things half in light. On the roof tops of forever. Coo. What a sight…

i do remember the scorn your encountered by the next of kin, for not having memorised the alphabet, to some stupid degree of accuracy, fetish of the french i call it... why not put all the vowels first and all the consonants after? so why care for the diabolical aristocratic monopoly on these symbols, having to cite a, b, c, d, e, f, g... rather than a, e, i, o, u, b, c? idiots! or should i say... ***** *******?*

i see friendship as a two tier system,
a friend allows you
to forget your reflective nature,
spelled out in the affirmative (
not compounded): your self...
but allows you the medium
they know you by, in a sense
the reflexive nature, spelled out
in affirmation: yourself.
the reflective nature of things stands
in unison with all the things
required: photosynthesis for example...
god still remains a complexity of language,
or how far language can complicate
matters so that no horrid activity can
fester... god is a word presiding over
the complication of the expression
of language, everything else is dumb-struck
deity orientation where we can laze
for an eternity: drunk, or gluttonous
or otherwise... but find me a drunkard who
composes on the additive? how many
drunk and therefore violent fathers
have crossed the threshold with drink
but wrote no single poem by medicating
on alcohol as an active sedative?
and how many partied on other drugs?
and dumb things drinking, while
the legislators caste in shadow of neither
vishnu blue, scandinavian bleach
hair and ivory skin or the african with
chocolate and auburn and short tailing-off
of curls turned to scorched frizzle of afro...
where among them the true identity of legislators?
nowhere... the masked identity to involve
a hidden tidal wave of the many,
later disrupted by a collective-consciousness
that democracy is, preceding jung's theory
of the collective-unconscious,
democracy is not carl jung... but it's its chiral
composite pair...
so friendship is the allowance of the self in reflex
akin to knee jerking or heart peeping into
rhythms escaping a finality / banality of
the measure of stone of standing still...
there is no friendship when the self disengages
from its reflexive naturalisation into social
circumstance (spelled yourself),
and engages in the reflective naturalisation
into anti-social circumstance of
body tiniest like among jupiter moon alaska
and all other shares of size (spelled your self)...
so then the inverse numerology:
C, one hundred... there is no T unless it be
the time concerned suffering on a crucifix...
but then there's the XI... eleven...
turn numerology on its head...
peer into something abstract associated
with the twinning of words, words twinned
to a bare minimum... so akin in misguided
uses as to appear so akin as to be readily
misused, upon the matter of twinned-pronunciation
without a necessary dichotomy that's already
there, for the optics dare not like,
but the tongue makes a porridge of the sound
then usurps the twinned sounds to opposing
spelling that the optics finds appealing.

i mean, i love your sanity, but
i need a drink; i learned more sanity from a cat
than i did trying to cure my eyesight;
if you think my parents did wrong
by giving me a proustian lifestyle
then i’m faust; polka dittoed devil usurps all
meanings, even the clever ones typed: chlorophyl.
well i'll be too many coo coo in pikachu for the orange
minding the size of the amazon
(and saying - there's a pain in my chest when laughing...
had i a heart i'd call it keith lemon) allowing
the "fashion statement" and instant grams of followers -
hey, it's called a ******* for a reason - let me
anally absolve you from prayer
and salutation of the crucifix... k k o.k.?

in this crazed business of flighty gods and flitty humans,
this trove of love need,
this two way street for persons blind in one eye
thus they can see you,
the one who loves them
only when they squint real hard,

well it is a far better thing

to be next them,
to be seen and be seeing
than have the
ceiling be your horizon,
a pillow oscar-acting as a long lost love,
cold sheets and space heaters each losing the battle,
for when the moment occurs that

loving usurps loneliness
even for a moment’s moment,

it is a far better thing you do
than you have ever done before

8:41pm

924

Love—is that later Thing than Death—
More previous—than Life—
Confirms it at its entrance—And
Usurps it—of itself—

Tastes Death—the first—to hand the sting
The Second—to its friend—
Disarms the little interval—
Deposits Him with God—

Then hovers—an inferior Guard—
Lest this Beloved Charge
Need—once in an Eternity—
A smaller than the Large—

14
Every song or sonnet
singular in its intricacy,
in time it becomes something
other, hyper-personal and resonant.
14 things may burst into millions.

13
Three times I've felt alone
this minute. I should stop tallying
hours in my schedule, messy
rubric.

12
11-years old and jumping off
mud-mounds, playing King of the
Hill. The strongest rises to the top.
The cleverest usurps.

11
One thing for certain:
we are human. We are
not human.

10
Six times in school I got
detention. It was often due
to my willingness to be a
follower, silly sheep to a
slaughter.

9
Five languages of love we are
sure of, no more so far.

8
10 tally marks looks a lot
like less. Some things, like
people, refuse to show their
face.

7
13 is supposedly an unlucky
number. At this age I uncovered
a part of myself I did not know
before. Discovery. This is luck.

6
A dozen is meant to represent 12
because it is simpler, same syllables
only one less letter, a convenience.

5
If you flip an eight on its side
you can see forever.

4
Seven times I've thought this poem
gimmicky.

3
[redacted for time constraints
and continuity]

2
The artist places her pen to
paper and borrows, not stealing
so much as salvaging, wrapping
old presents in neat new bows,
satin or silk or rough twine.
Nine variations on the same
subject.

1
Four lids harbor two eyes,
a galaxy, universe,
each hiding half a heaven
from view.

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write down any old notion,
A la de da rhyme of late and fate,
To write to garner points and pins of glory,
Is just, well, ****** awful....
And
Mocks us all who ache
To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poets true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.

Accompanied by blushing hews
The darkest skies chase the magnificent sun to it’s watery grave
The ocean waves rage,
patiently awaiting the burning head as it submerges into the depths
The baby blues turn to royal shades
The gentlest pinks fade to sickly yellow
The ocean greens turn to harsh steel
And down dies the sun
Its accompaniment is now red
Red as blood
The moon usurps the sky and reigns over the stars
Its silvery gleam rains on the ocean waves
It rains over the sleeping multitudes of creation
I witnessed this all
I witnessed the colors merge into black
And I exult in the solitude and the splendor and the magnificence of the moon
In the peace of the waves as they crash
And I lift my eyes to heaven and thank the Lord of hosts that he has given such beauty to the start of each day

style
askance oligarchs
text for the win
pull heartfists up through mouthings
anticipating something winged

stardom usurps

star stuff
trimmed

none shall pass but i

it sez

we are a way for the universe to conquer itself

it sez

eyes pierced
with an earring sniffing
4 good taste

one yum style to style them all

Invades the finite,
When IMMORTAL
Usurps the mortal,
When OMNISCIENCE
Hovers over finite sentience,
The mortal man I am senses
TRANSCENDENCE,
Stirs uneasily,
Shudders uncontrollably, or
Rises, silently in bliss,
Unable even with a literate mind
To ask, "What meaning lies in this?"

from the tip of distal phalanx to the in-between phalanx media / distalis, i measured the orb, as the cursor denoting L.*

i wrote this poem, with the fake...
should the sun come closer to
to earth as if the moon and earth entwined...
the distance would be this third orb...
now seen apparent in the sky...
a rarity kinship of omen that expanded
further more than i claimed...
in the foggy smog contrast it expanded
so much more...
what a strange telescope i’m seeing through...
it usurps japanese aesthetics...
it says:
simplicities first, complications later..
not like the french existentialism of:
complications first, simplicities later...
governed by what came from the linear
coupling of existence and essence...
mediating the kantian assertion,
a priori and a posteori are mediated
with: a priori ipse a posteriori -
as kindred of the cherry blossom,
the hawk and the maggoty optics burrowed into.

the scientists called it The Bomb,
capitalizing it like God.
is there anything more
surreal or divine than to
crush the world under your fist?
is there anything more human
than to ascend, abuse, destroy?
do you think they realized
what they'd done?

animal breaks Creation,
adam usurps Creator,
radioactive, reeling, resplendent -
i hope for a nuclear future;
not desolation, no horsemen,
but clean air, man-made Providence.
there's something beautiful about
evolving, becoming more than animal,
living past hope or good sense.
i am become god,
bringer of life;
i want to live to see the atom split,
not for death,
but for light.

Day emerges
      And unburdened urges
The hour vessel sand,
Grain by grain,
To gain by gradual increase,
      That he may enter into
A life that none can ascertain;
And he usurps the authority
                                           Of
Death's powerful hand,
Alight with a spirit courageous
              Yet stained
With Guilt...
For that hand many lives
Has claimed...

Encouraging specific grief and pain!
Devices do definitely die -weather worn and withered; whether worn and wilted -or otherwise.

Once born into his fortress forthright
-The right sustained thru
                  The law of casualties-
Thou gorgeous light steals e'en
The purest night,
      Like a thief unashamed,
(Most naturally and casually.)

But soon Day too will pay this penalty,
And give up the ghost to Night,

      Again one life ends with the sickle of Death,
                   So that a new life might reign
-Afresh in Time's cycle of Eternity forthright.

Tell me what to do.
When the shades of a blue bird match
everything I put myself into.

Tell me where to go.
I know no home or family
I roam alone, left with memories of each other but they're people I don't know.

Tell me how to get there.
When I have lost myself.
I need to be someone else, I need to be true. My wisdom usurps the things I have been through.

Tell me who to cling to.
When the results of clinging to people can be seen everywhere. We have to exist together, love together, help together. But die all on our own.

Tell me why.
Any, why.

You think you can just enter and speak love
Then leave like nothing stays your feet?
I’ll not have it.
I’ll grip you firmly by the arm
And with luck and charm
And little gilded gifts I’ll sway you.
I’ll have you know, no one just gets to
Leave beauty all around these places I keep
Like fallen flower petals.
I’ll have you know no one disrupts my thinking,
Usurps my muses so without quick consequence.
So prepare thee thy heart for this squeeze,
This embrace ten fold that of other lovers.
Sigh for a life lived alone,
Now you share it with me.

are you mine or should I give up that fight
this alienation seeks to press in, it is eager to bite
jilted lovers, if lovers at all
fading like old photographs hung on the wall
whatever the oblique harangue put on,
little frames adorn anyway
lightness into lightness

just before the empty,
I ignite, I paint the stars-
and the feeling that usurps grace is suddenly over me

-c.j.

(Mothers & Fathers Of Italian Americans),

Out of desperation one usurps their stead;
Picking up its broken pieces from the fragments of their head
I'm going to make you an offer you won't refuse
Shackled from philisophy's that scream choose
Still meet my old friend,
Fist full of lead with ****** hand
Give me some time to contemplate & understand
To survive in the streets getting shot hero's bleed
Timely tune leaving soon shadows sleet
Keep your friends close & enemies that much closer
Throw a rope around your head no bend over
No neck Jimmy with his friend Uncle Tony
With words in untimely exposed ravioli
Not to mention cooking the stramboli;
MAFIA
Shades of dark rivers bend



Nine at head now your dead
Big trunk to dunk that flunk
A special olive stirred with straight up Tom Collins
A wandering crowd with a special promise
Two tone Jimmy was the lady's thing got the sell that every lady needs
9 at head by dock at noon then sorrow had bled
Struggled to refrain from the slice on the blade
A clear taste of viable solution
MAFIA
Blank shells buzz to bells living hell
Crown of gold jewels explode truth untold
Now you will do as you are told until the very rights to you are sold
Through a barrage of steps new episodes...
Two kanuck's suited up best fresh out of Jersey;
Brevity
Shattered glass

Yet its all fair to say no one ever gets by on any free pass!

The tongue
     remembers
all the death
     it has tasted.
It teaches us the
     name and memory
of things.
     The aquae of
the  womb’s ocean
     as it dries in the
first gasp of air.
     The vitae  
coughing out  
     so the lungs
can start its
     invisible cycles
of dying
     and renewing.
The taunt
     of the nose  
denying forever  
     the tongue’s
right to taste
     the light of light,
claiming
     the invisible
for itself,
     the visible
for the eyes
     and the mortal
for the body’s
     flapping corpus.
The sal of flesh
     as it tastes the  
lechum of breast.
     The tongue knows
the Unami of vowels
     before the first words
spoken and heard.
     The sweetness of
the first thought
     before it dries in the
sourness of memory.
     That the first honeyed  
almond greeting is refined  
     from bitter goodbyes.
That leaving home
     tastes like oranges.
That love tastes like chocolate
     and the newborn like rice.
The tongue knows
     from its time with the ocean
that the smell of death
      usurps the silence
of a mother’s caress,
     the waves of all her
sobs and tears
     until the sweet salt
is the last everything
     it only always knew.

alternately titled: tick tock runneth amuck
seconds elapse imperceptibly
leaving me dumbstruck,
how quickly fleeting tempus fugit;
ofttimes imagined as time thief.

Hence following vignette: quiet as a mouse lurks the time thief

The invisible hours hoarder stealthily steals precious seconds (like minute hors d'oeuvres) away during the dead of night surreptitiously and unsuspectingly robs and buries me alive by subtracting each and every precious second of my tender life.

As the world spins, the days fly by at nearly the hummingbird wings at the deathly hallow supersonic sound, this little elfin grot sized goniff (groomed by Father Time) monopolizes and usurps a greater role like some unwanted guest who overstays his welcome.

Mortality (visited by quick and painless demise) on the other hand would be an especial balm, relief and tonic to my countless decades long existential slog, which this model ’59 hew man cargo happens to be in sore need and want of that fairy tale genie in a bottle to grant me eternity.

How quickly the hands blindingly **** by instantaneously eclipsing memories from yesterday (when all my troubles seemed so far away) as I just barely shucked off the frock from today.

Meanwhile faint hints of tomorrow (albeit dark shadows creeping imperceptibly closer from the edge of night as all my children frolic in the summer of their blissful innocence totally oblivious to the galloping generational gourmand grandfatherly clocker) hungrily prowling on the outskirts of styx strewn groveling grooved globe.

Nocturnal creatures emerged from respective hideouts regaling in fleeting festivities (apropos to their species/ genus) before the curtain rises on another dawning day.

Although an unseen yet palpable grim harbinger (per prescribed existential allowance) precedes, and allocates finite years sans spontaneous birth of life, the daily hubbub finds this introspective individual self-absorbed in gloom.

Thus, he infrequently finds himself conscious of that eye popping, jaw dropping, mind boggling sheer speed of light flash representative of his passing life. Where in the world did those days, weeks, months, years, and decades go? Try as one might to catch the robber baron of ages, he/she also appears to be at least one second ahead.

These immeasurable micro moments appear to leap ever faster as one inches closer to that average length of longevity. Odd though, that these indiscriminate discrete constituent parts of being consciousness well nigh impossible to isolate, yet recognition prevails at cradle to grave cycle.

I feel utterly dumbstruck at diminishing residence on this planet now while walking along the boulevard of broken dreams. An indistinguishable blur (akin to the brushstroke of an artist across blank palette yet to be covered with an unpredictable product) the only evidence that tempus fugit.

Now as one crotchety curmudgeon contemplating cumulative chapters of mein kampf (from childhood to doddering sexagenarian senescence), nostalgia for yesteryear like a parasite symbiotically festering inside for unrequited liberty and the pursuit of happiness.

The second these minute, gnarled, bent arthritic fingers manage to lay hands on that bleeping son of a blank, hours and days will be like one endless months long week-end without parental supervision.

Throughout mankind's awakened consciousness
elusive abstract notion
identifying past, present, and future
adopted as avuncular personification;
Father Time an apropos sobriquet
impossible concept to grasp
within the mind of one Finnish huckabuck,
whose clodhoppers get mired in muckamuck
analogous to quicksand yours truly stuck
markedly challenged, hence
mission scuttled when attempting to zuck.

Ever since the advent of civilization
contrivances crafted to measure
days, weeks, months...
years, decades, centuries...
analytical “gifted” anonymous minds,
wrought ever more sophisticated inventions
to divide existence into manageable units.

Now twenty first century **** sapiens
technological atomic clock work mechanisms
markedly catapulted by quantum leaps
immense degrees of precision  
extremely accurate types of devices
linkedin with state of the art electronics.

At this fleeting instant
(approximately 8:18 AM
September 13th, 2022)
ever so briefly wedged between
what elapsed and future events to arise)
impossible mission to isolate
that illusory present,

not only cuz the herein now
flits away at light speed
(or greater - you're right quite dubious),
but also everywhere within
cosmic space/time continuum
infinite microscopic and
macroscopic events occur.

As an amateur thinker
I feel baffled when pondering
that crude convenient schema
whereby greater minds than mine
devised devices to measure passage of time.

Yours truly can barely articulate
his farfetched dumbfoundedness,
me merely a simple brute
(shortish but not so nasty),
whose permanently creased
furrowed brow courtesy
his scrutinizing noggin
encasing fifty plus shades of gray matter,

whereby one percent bonafide Neanderthal
deoxyribonucleic acid explains
atavistic predilection issuing primal grunting,
when foraging for small (lame) game,
cuz feeble minded twenty first century
run of the mill garden variety **** sapiens
amuses himself (mentally)
toying with Einsteinian paradigm.

Though barely able to fathom
mind bending and boggling concepts
theoretically linkedin if an object
subjected to travel speed of light
(particularly an objet d'art - ha

think The Persistence of Memory
series of clock paintings by Salvador Dali)
mass becomes infinite
as does energy required to move entity.

Obviously the ability to wrap one's head
(or hands for that matter) around,
humongous (super sized) material essence
filling subsequent seconds, minutes, hours...
defies feasibility to grasp,

neither could ways nor means
allow, enable and provide
any semblance to hold (tangibly) as solid
something so abstract
as a singular moment, yes?

The above (ambiguously stated) thought exercise
equally as challenging where to locate
beginning and/or ending point
upon Möbius strip.

It’s the season
Of greens and reds
Scents of pine
Apple cider
And hot chocolate
Where glitter
Brings light and magic
It’s the season of
Cheer and good feeling
Where love usurps all
Smiles replace frowns
Laughter instead of tears
Just a touch of glitter
Spread by all
Throughout the land
Can lift up the world
With a little kindness
And magic
It’s the season
Of belief
Light up the world
With your special light

Alyosha - defender of humankind
indeed we need you now
the times have grown quite unkind
our worst usurps our best
we’re lost and hope to find
a way when there’s no way
the creative, communal mind.