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"usurps" poems
1664 I did not reach Thee But my feet slip nearer every day Three Rivers and a Hill to cross One Desert and a Sea I shall not count the journey one When I am telling thee. Two deserts, but the Year is cold So that will help the sand One desert crossed— The second one Will feel as cool as land Sahara is too little price To pay for thy Right hand. The Sea comes last—Step merry, feet, So short we have to go— To play together we are prone, But we must labor now, The last shall be the lightest load That we have had to draw. The Sun goes crooked— That is Night Before he makes the bend. We must have passed the Middle Sea— Almost we wish the End Were further off— Too great it seems So near the Whole to stand. We step like Plush, We stand like snow, The waters murmur new. Three rivers and the Hill are passed— Two deserts and the sea! Now Death usurps my Premium And gets the look at Thee.
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I did not reach Thee
She stupefy truth with her finely crafted lies that stand head held high without even the slightest sign of embarrassment. She waters the seeds with acid, deliberately even manage to get kudos for her 'kind intervention' Her 'collected venom' in real, is a counterfeit concoction more deadly than the real, that attracts unlimited attention and the loudest rounds of applause, for it's new shade of blue when displayed with special effects for all to view. In her presence, fairness loses its meaning foulness like her, usurps it, makes its own, becomes the reigning queen! Whatever she does has a dark beauty, even the true angel of evil would greatly envy her.
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Jul 12, 2014
Jul 12, 2014 at 2:24 AM UTC
A dark deranged magnificience
All profits disappear: the gain Of ease, the hoarded, secret sum; And now grim digits of old pain Return to litter up our home. We hunt the cause of ruin, add, Subtract, and put ourselves in pawn; For all our scratching on the pad, We cannot trace the error down. What we are seeking is a fare One way, a chance to be secure: The lack that keeps us what we are, The penny that usurps the poor.
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The Reckoning
He is my least favorite vegetable.                                                     No amount or level of preparation makes him taste better: Boiling- brings out his bulbous, insipid ego the texture of his flamboyant ignorance. when I timorously sip him in soups or broths, his oozing insidious misogyny contaminates my blissful dining, contorts any ingredients still pure. I fry him, striving to remove the   excess of impertinence which permeates the oxygen I feebly inhale. but he evades my maneuvers: usurps bliss and violates all semblance of tranquility I cannot prevail against the throb of his assaulting narcissism I must instead attempt to comment (arduously, fraudulently) on the delicate iridescence of his silkily mucoused membranes and admire deftly his indefatigable ventures to pervade my every. serenity.
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Nov 5, 2013
Nov 5, 2013 at 3:18 AM UTC
The Arch Nemesis
Sometimes we are made aware of beacons in the rest of the dark. Like stars littered across the attics we trap ourselves in. Sometimes we chase rainbows with beggars eyes and wishes like children. Some people are like soup soaked bread crumbs and wool mittens with the fingers cut out. The rest of us are chimney soot. And they are ‘chim chim cheree‘. They are song filling every corner of the antique shop. Silver under tarnish and weights and measures balancing on the hands of the scale suspended from the spear of a woman in white robes with blue eyes that match the sky when we stare at it and it usurps the corners of our eyes and we are made aware of how small we are as we get lost in how complete it is when it is with out clouds with silver linings that never seem to follow through to rain. And some of us? Some of us are rain. And thunder that shakes your soul. And images of gods in black and white that burn themselves onto our minds for us to study with our eyes closed. And some of us are doing the best we can. And some of us are not us. But are the others. And we would be lost without them to point beyond red sails on sundown ocean horizons, just before the world turns blue. And some are the pops and cracks between the notes of Coltrane on Vinyl. And you. You smell of confessional walls and a nursery. You smell of camp fire blankets and bruised roses. You move like corner of the eye shadows and windshield wipers with no chance of beating the rain. You write like stone tablets and feathers. Blown bubbles and spun webs. And you feel like chance. And love. And strength. You change like ropes on ship decks and tarot meanings from gypsy to gypsy. And you are beautiful. And beautiful. And beautiful. And everything. And everything. And everything. Strong like ropes on yard arms of old ships in ancient seas. And you go and you take us there. And we go, because we want to see too. And we want to be full on wild flowers and raspberries. And we want you to show us the line on our palm that separates the dark from the light. And we want bed time stories and lullabies. And with my eyes. And with your own too. And more importantly. You. You are the place where there is hardly no day time and hardly night. Things half in shadow and things half in light. On the roof tops of forever. Coo. What a sight…
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Feb 23, 2014
Feb 23, 2014 at 1:48 AM UTC
Chimney Sweep: Redux
Sometimes we are made aware of beacons in the rest of the dark. Like stars littered across the attics we trap ourselves in. Sometimes we chase rainbows with beggars eyes and wishes like children. Some people are like soup soaked bread crumbs and wool mittens with the fingers cut out. The rest of us are chimney soot. And they are ‘chim chim cheree‘. They are song filling every corner of the antique shop. Silver under tarnish and weights and measures balancing on the hands of the scale suspended from the spear of a woman in white robes with blue eyes that match the sky when we stare at it and it usurps the corners of our eyes and we are made aware of how small we are as we get lost in how complete it is when it is with out clouds with silver linings that never seem to follow through to rain. And some of us? Some of us are rain. And thunder that shakes your soul. And images of gods in black and white that burn themselves onto our minds for us to study with our eyes closed. And some of us are doing the best we can. And some of us are not us. But are the others. And we would be lost without them to point beyond red sails on sundown ocean horizons, just before the world turns blue. And some are the pops and cracks between the notes of Coltrane on Vinyl. And you. You smell of confessional walls and a nursery. You smell of camp fire blankets and bruised roses. You move like corner of the eye shadows and windshield wipers with no chance of beating the rain. You write like stone tablets and feathers. Blown bubbles and spun webs. And you feel like chance. And love. And strength. You change like ropes on ship decks and tarot meanings from gypsy to gypsy. And you are beautiful. And beautiful. And beautiful. And everything. And everything. And everything. Strong like ropes on yard arms of old ships in ancient seas. And you go and you take us there. And we go, because we want to see too. And we want to be full on wild flowers and raspberries. And we want you to show us the line on our palm that separates the dark from the light. And we want bed time stories and lullabies. And with my eyes. And with your own too. And more importantly. You. You are the place where there is hardly no day time and hardly night. Things half in shadow and things half in light. On the roof tops of forever. Coo. What a sight…
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i mean, i love your sanity, but i need a drink; i learned more sanity from a cat than i did trying to cure my eyesight; if you think my parents did wrong by giving me a proustian lifestyle then i’m faust; polka dittoed devil usurps all meanings, even the clever ones typed: chlorophyl. well i'll be too many coo coo in pikachu for the orange minding the size of the amazon (and saying - there's a pain in my chest when laughing... had i a heart i'd call it keith lemon) allowing the "fashion statement" and instant grams of followers - hey, it's called a middle finger for a reason - let me anally absolve you from prayer and salutation of the crucifix... k k o.k.?
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Oct 10, 2015
Oct 10, 2015 at 11:35 AM UTC
i just love monosyllable stuttering / my cat’s a loser thinking he’s a centurion
in this crazed business of flighty gods and flitty humans, this trove of love need, this two way street for persons blind in one eye thus they can see you, the one who loves them only when they squint real hard, well it is a far better thing to be next them, to be seen and be seeing than have the ceiling be your horizon, a pillow oscar-acting as a long lost love, cold sheets and space heaters each losing the battle, for when the moment occurs that loving usurps loneliness even for a moment’s moment, it is a far better thing you do than you have ever done before 8:41pm
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Mar 19, 2018
Mar 19, 2018 at 8:51 PM UTC
it is a far better thing (M W K)
924 Love—is that later Thing than Death— More previous—than Life— Confirms it at its entrance—And Usurps it—of itself— Tastes Death—the first—to hand the sting The Second—to its friend— Disarms the little interval— Deposits Him with God— Then hovers—an inferior Guard— Lest this Beloved Charge Need—once in an Eternity— A smaller than the Large—
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Love—is that later Thing than Death
14 Every song or sonnet singular in its intricacy, in time it becomes something other, hyper-personal and resonant. 14 things may burst into millions. 13 Three times I've felt alone this minute. I should stop tallying hours in my schedule, messy rubric. 12 11-years old and jumping off mud-mounds, playing King of the Hill. The strongest rises to the top. The cleverest usurps. 11 One thing for certain: we are human. We are not human. 10 Six times in school I got detention. It was often due to my willingness to be a follower, silly sheep to a slaughter. 9 Five languages of love we are sure of, no more so far. 8 10 tally marks looks a lot like less. Some things, like people, refuse to show their face. 7 13 is supposedly an unlucky number. At this age I uncovered a part of myself I did not know before. Discovery. This is luck. 6 A dozen is meant to represent 12 because it is simpler, same syllables only one less letter, a convenience. 5 If you flip an eight on its side you can see forever. 4 Seven times I've thought this poem gimmicky. 3 [redacted for time constraints and continuity] 2 The artist places her pen to paper and borrows, not stealing so much as salvaging, wrapping old presents in neat new bows, satin or silk or rough twine. Nine variations on the same subject. 1 Four lids harbor two eyes, a galaxy, universe, each hiding half a heaven from view.
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Jun 20, 2016
Jun 20, 2016 at 3:23 PM UTC
14 things
The poem is the afterbirth, A conflicts resolution, an outcome, Battlefield debris, the residue of An exacting vision, a sentiment surging, And your army of words, inadequate to the task, Fighting to capture that insight flashed, Each word a soldier, disheveled, Crying, let me live, let me be saved, Let me make a poem, Let it be inscribed upon my victorious flag. The poem is the sweat left upon the brow, Having exercised the five senses, The salt of struggle and debate, It's completion, each word, Both a victory and a defeat. To write down any old notion, A la de da rhyme of late and fate, To write to garner points and pins of glory, Is just, well, ****** awful.... And Mocks us all who ache To write but a single line, That uplifts the heart, Eases pain, gives delight to strangers, And makes you laugh out loud With shivery pleasure, That usurps a whole day and night, That is a poets true measure. Mastery of the poetic, Measured not in quantity, But in tears of satisfaction When others love the taste Of newly born stanzas Upon their lips, couplets born and transcribed In the wee hours of the morn.
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May 23, 2013
May 23, 2013 at 10:44 PM UTC
The Poem is the Afterbirth
I woke up on a bed of moss Spongey and warm beneath my back Somewhere in my there is a sense of loss A filling feeling sense of purpose, though, I do not lack The air is heavy and weighs into my skin The sky is low and sets my body ablaze My blood is tight and filled with endorphin It's a happy sickness, some sort of daze Indigo firs crowd around me like I'm some sort of spectacle Under tones of sepia and filters of light Radiation of something pure, something spectral The brown grass whispers to me in a form of delight Warm fog rolls a billowing into my clearing An aura of invitation, clean and mystic It hinders my sight and usurps my hearing And I know what lies beyond is likely cryptic Walking through it, I am instantly transported This mountain forest edges an empty sandy expanse But something's not right and the distance is distorted Floating geometric megaliths in a freakish kind of trance Spirits of wander wisp past me in heavenly sound Under an eclipsed sun, halway dark and halfway bright A white wolf trots behind me, it's toes twinkling on the ground Feathery wind tunnels vent me to move forward this night In this place, though I am alone It feels like I am indisputably at home Even though not even a day has gone It feels like I've been here for an eon I could spend an eternity in this place Purpose and meaning and time and space
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Apr 5, 2015
Apr 5, 2015 at 12:33 PM UTC
oceans away
Accompanied by blushing hews The darkest skies chase the magnificent sun to it’s watery grave The ocean waves rage, patiently awaiting the burning head as it submerges into the depths The baby blues turn to royal shades The gentlest pinks fade to sickly yellow The ocean greens turn to harsh steel And down dies the sun Its accompaniment is now red Red as blood The moon usurps the sky and reigns over the stars Its silvery gleam rains on the ocean waves It rains over the sleeping multitudes of creation I witnessed this all I witnessed the colors merge into black And I exult in the solitude and the splendor and the magnificence of the moon In the peace of the waves as they crash And I lift my eyes to heaven and thank the Lord of hosts that he has given such beauty to the start of each day
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Jan 19, 2021
Jan 19, 2021 at 9:34 PM UTC
Sunset Poem 1/19/21
the scientists called it The Bomb, capitalizing it like God. is there anything more surreal or divine than to crush the world under your fist? is there anything more human than to ascend, abuse, destroy? do you think they realized what they'd done? animal breaks Creation, adam usurps Creator, radioactive, reeling, resplendent - i hope for a nuclear future; not desolation, no horsemen, but clean air, man-made Providence. there's something beautiful about evolving, becoming more than animal, living past hope or good sense. i am become god, bringer of life; i want to live to see the atom split, not for death, but for light.
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Aug 2, 2021
Aug 2, 2021 at 12:26 AM UTC
why did they cry when the very first atom bomb fell?
style askance oligarchs text for the win pull heartfists up through mouthings anticipating something winged stardom usurps star stuff trimmed none shall pass but i it sez we are a way for the universe to conquer itself it sez eyes pierced with an earring sniffing 4 good taste one yum style to style them all
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Jun 2, 2015
Jun 2, 2015 at 2:01 PM UTC
text style for style
Invades the finite, When IMMORTAL Usurps the mortal, When OMNISCIENCE Hovers over finite sentience, The mortal man I am senses TRANSCENDENCE, Stirs uneasily, Shudders uncontrollably, or Rises, silently in bliss, Unable even with a literate mind To ask, "What meaning lies in this?"
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Aug 14, 2017
Aug 14, 2017 at 5:34 PM UTC
When the INFINITE
from the tip of distal phalanx to the in-between phalanx media / distalis, i measured the orb, as the cursor denoting L. i wrote this poem, with the fake... should the sun come closer to to earth as if the moon and earth entwined... the distance would be this third orb... now seen apparent in the sky... a rarity kinship of omen that expanded further more than i claimed... in the foggy smog contrast it expanded so much more... what a strange telescope i’m seeing through... it usurps japanese aesthetics... it says: simplicities first, complications later.. not like the french existentialism of: complications first, simplicities later... governed by what came from the linear coupling of existence and essence... mediating the kantian assertion, a priori and a posteori are mediated with: a priori ipse a posteriori - as kindred of the cherry blossom, the hawk and the maggoty optics burrowed into.
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Nov 28, 2015
Nov 28, 2015 at 8:13 PM UTC
phalanx media / distalis tertia sphera
Day emerges       And unburdened urges The hour vessel sand, Grain by grain, To gain by gradual increase,       That he may enter into A life that none can ascertain; And he usurps the authority                                            Of Death's powerful hand, Alight with a spirit courageous               Yet stained With Guilt... For that hand many lives Has claimed... Encouraging specific grief and pain! Devices do definitely die -weather worn and withered; whether worn and wilted -or otherwise. Once born into his fortress forthright -The right sustained thru                   The law of casualties- Thou gorgeous light steals e'en The purest night,       Like a thief unashamed, (Most naturally and casually.) But soon Day too will pay this penalty, And give up the ghost to Night,       Again one life ends with the sickle of Death,                    So that a new life might reign -Afresh in Time's cycle of Eternity forthright.
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Dec 7, 2014
Dec 7, 2014 at 2:23 AM UTC
Viscious Cycle
are you mine or should I give up that fight this alienation seeks to press in, it is eager to bite jilted lovers, if lovers at all fading like old photographs hung on the wall whatever the oblique harangue put on, little frames adorn anyway lightness into lightness just before the empty, I ignite, I paint the stars- and the feeling that usurps grace is suddenly over me -c.j.
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Mar 4, 2017
Mar 4, 2017 at 5:56 PM UTC
jilted
Tell me what to do. When the shades of a blue bird match everything I put myself into. Tell me where to go. I know no home or family I roam alone, left with memories of each other but they're people I don't know. Tell me how to get there. When I have lost myself. I need to be someone else, I need to be true. My wisdom usurps the things I have been through. Tell me who to cling to. When the results of clinging to people can be seen everywhere. We have to exist together, love together, help together. But die all on our own. Tell me why. Any, why.
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Jun 30, 2014
Jun 30, 2014 at 1:14 PM UTC
I always knew W was a powerful letter,
You think you can just enter and speak love Then leave like nothing stays your feet? I’ll not have it. I’ll grip you firmly by the arm And with luck and charm And little gilded gifts I’ll sway you. I’ll have you know, no one just gets to Leave beauty all around these places I keep Like fallen flower petals. I’ll have you know no one disrupts my thinking, Usurps my muses so without quick consequence. So prepare thee thy heart for this squeeze, This embrace ten fold that of other lovers. Sigh for a life lived alone, Now you share it with me.
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Jan 28, 2015
Jan 28, 2015 at 5:04 PM UTC
An Embrace