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Mitchell Nov 2013
It was 98'.
No, it was 99'.
That was the year.
Yeah, that was the year.

I had just landed abroad and knew no one.
Well, I was there with my girlfriend, Page.

I knew her.

We had to get out of the states.
There was nothing for us there.
We were drowning in that nothingness - that lacking future.

Cookie cutters everywhere.

Everything I saw was like an outline of something that had already happened.
I couldn't sleep.
I couldn't ****.
I could barely call my parents to let them know what I was doing.

Nothing really.

Floating downward like a leaf broken from its stem.
I was scared.
I'll admit it.
I was terrified of the next four years.
Twenty-five seemed so far away and so close, all at the same time.

We had a found an apartment to live in while in the U.S.
We were lucky because people we met later on said it was hell trying to find a place after arriving.
I was never too good at that stuff anyway.
I always felt like people were trying to cheat me or something.

It was small.
You would have said you loved it, but secretly hated it.
One could barely stand in the shower.
Want to spread your arms wide?

Forget about it.

There was a balcony though and you could watch the street traffic from above.
People look so small when your high up.
Down the street, there was a large theatre where they filmed movies.
I rarely saw them shooting, but I could tell it was a good place to.
It was beautiful at night when the lampposts would flicker on, orange spilling on the street.
Everything was damp in the Fall when we first arrived.

"What do you want to do today?" I asked her. She was laying face down on the bed.
Whenever she was hungover, she would do that.
All the covers and pillows over her face, blocking out the world and its light.
I did the same thing, so I couldn't really say much.
We were hungover a lot those first couple months.
Then came the jobs and everything changed...mostly.

She moaned something that I couldn't understand.
I was standing by the window, staring at the pigeons and crows perched on the roof across from us.
They had made a little nest under one of the shingles.
Clever little ******'s.

"Look at those things," I said.
The coffee I was drinking was bitter and made from crystals.
It gave me a headache, but it was cheap and we were broke.
I stepped back to get a better look at their nest and knocked an empty beer bottle around.

She moaned again and rose up from bed, kind of like a stretching kitten or a cat.
Her back was arched like a crescent moon and she stunk of ***** and Sprite.
The blankets were twisted and crumpled and she was tangled in them like a fly in a spiders web.
I went into the kitchen and poured out my coffee, thinking of what to do with the day.

"Breakfast?" she asked me from bed.
My back was to her, but I knew she wanted me to make it.
I put the electric stove on and opened the refrigerator.

"No eggs," I said back to her, "I'll be right back."

She moaned and slithered back into bed.
I threw my jacket and slippers on and made my way downstairs.

"Dobry den," I said to the cashier.
He was a tiny vietnamese man with a extremely high pitched voice.
I struggled to stifle a laugh every time I came in.

"Dobry den," he said back, sounding like air escaping from a balloon.

"Dear God," I thought, "How does his voice box do it?"

I went straight to the eggs, pretending to cough.
All around me were packaged sweets and rotten vegetables and fruit.
There were half loaves of brown, stale bread wrapped lazily in thin plastic.
Canned beans, noodle packets, and cardboard infused orange juice lined the shelves.
Where were the ******* eggs?
We needed milk too.
Trying to drink that crystalized coffee without it was torture.
I don't even know how I did it earlier.
"I must be getting used to the taste..." I thought.

I opened the single refrigerator they had in the place.
It was stocked with loosely packaged cheese, milk, beer, and soda.
There they were, those ******* eggs, right next to the yogurt.
I looked at the expiration date of a small carton of chocolate milk and winced.
"Someone could die here if they weren't careful," I whispered to myself.

"Everyding O.K.?" I heard the cashier squeak behind me.
I turned and nodded and showed him the eggs.
He was suspicious I was stealing something.
It was ironic.
I put the eggs on the counter and handed over what the cash register told me.

"There you go," I said and handed him the 58 crown in exact change.

"Děkuji," he peeped.

His voice sounded like a stuffed animal.
I nodded, smiled, and quickly got the hell out of there.

"You know the guy that works at the shop across the street?" I asked the body still in bed.
Well, she was up now, back up against the wall with her laptop on her lap.
"You mean the guy that has the voice of a little girl?"
"Exactly. I was just in there - getting these eggs - and I nearly laughed in his face."
"That's mean," she frowned, staring at her laptop.
Many of our conversations were with some kind of electronic device in between us.
We needed to work on that.
"I didn't laugh at him directly."
She smiled and nodded and moved down the bed a little more.
Only her head was resting on the pillow.
I cracked two eggs and let them sizzle there in the butter and the salt.

"So, what do you want to do today?" I asked Page, "It's not too cold out. We could go on a walk."
"Where?"
"I don't know. Over the bridge and maybe down by the water."
"It's going to be so cold," she shivered.
"I was just out there in slippers and a t-shirt and I was fine."
"That's because you're so big. I'm tiny. I don't get as much blood flow."

I flipped the two eggs and looked down at them.
Golden and burnt slightly around the edges.
******* perfect.
Now, just gotta wait a little on the other side and make sure to not let the yolk harden.
I hated that more than anything in the world.
Well, that and hearing **** poor excuses like it being too cold.
It was nice out.
She'd be fine.

"Come on," I sighed. I did that a lot. "It'll be fun."
She looked up at me from her computer with a dead look in her eye.
"What?" I asked her.
"You're such a...nerd," she said.
"No I'm not."
"You're so weird. Some of the things you say sometimes..."
"Like what?"
"Let's go on a walk."
She exaggerated the word walk.
I laughed and knew I was being a little too excited about a walk.
"Yeah. So? What are you doing? You're just laying there doing nothing."
"It's my day off," she scoffed, jokingly.

We were unemployed.
Everyday was a day off.
This was not something to bring up.
It was touchy subject.
One had to go about it...delicately.

"We need to find jobs," I stated, "And we can probably ask around or look for signs in windows."

"Oh JESUS," she gagged, coughing and diving back under the covers.

"I'm just thinking ahead so we can stay here. There's got to be something out there we can do."

"Like what?" she asked, her voice muffled by blankets.

"I don't know...something," I mumbled, trailing off as I flipped one of the eggs, "Perfect."

After breakfast, Page finally got out of bed and took a shower.
I tried to sneak in there with her, but, like I said before, one could barely fit themselves in there.
We compromised to have *** on the bed, though I did miss doing it in the shower.
As Page got dressed, I watched her slip those thin black stockings on, half reading a magazine.
I had gotten a subscription to The Review because I was trying to become a writer.
I thought, maybe if I read the stuff getting published - even the bad **** - it'll help.
Later, I realized, this was a terrible idea, but I enjoyed the magazine all the same.
Page finished getting dressed.
I jumped into whatever clothes were on the floor and didn't stink.
Then, we were out the door on Anna Letenske street, looking at the tram, downhill.


"I can see my breath," Page said, "It's cold..."

"Alright," I said as both of us ran across the street, "It's a little cold."

"But it's ok because I'm glad were out of the house."

"If we would have festered there any longer, we would have stayed in there all day."

"And missed this beautiful day," she said mocking me, putting both of her arms in the air.

The sky was gray and overcast and a single black crow flew over us, roof to roof.
No one was out, really.
It was Sunday and no one ever really came out on Sundays.
From the few czech friends I had, they explained to me this was the day to get drunk and cook.

"Far different then what people think in the States to do," I remember telling him.
"What do you do, my friend?" he had asked. He always called me my friend.
It was a nice thing to do since we had only known each other a couple weeks.
"Well," I explained to him, "Some people go to church to pray to God."
He laughed when I said this and said, "HA! God? How many people believe in God there?"
I had heard through the news and some Wikipedia research Prague was mostly atheist.
"A good amount, I'm pretty sure."
"That's silly," he scoffed, "Silly is word, right?"
"Yep. A word as any other."
"I like that word. What else do they do on Sunday?"
"A lot of people watch football. Not like soccer but with..."
"I know what you talk about," he said, cutting me off, "With the ball shaped like egg?"
I nodded, "Yes, the one with the egg shaped ball. It's popular in the Fall on Sundays."
"And what is Fall?" he asked.
You can see our relationship was really based on questions and answers.
He was a good guy, though I could never pronounce his name right.
There was a specific z in there somewhere where one had to dig their tongue under their teeth.
Lots of breath and vibration that Americans were never asked or trained to do.
Every czech I met said our language was a high contradiction.
Extremely complex in grammar and spelling, but spoken with such sloth.
I don't know if they used the word sloth.
I just like the word.

As we waited for the tram, I noticed the burnt orange and red blood leaves on the ground.
"Where had they come from?" I wondered. There were no trees on the street.
Must be from the park down the block, the one with the big church and the square.
There were lines of trees there used as leaning posts for the bums and junkies as they waited.
What they were waiting for, I never knew.
They just looked to be waiting for something.
I kicked a leaf into the street from the small island platform for the tram.
It swept up into the air a couple inches, and then instantly, was swept away by a passing car.
I watched as it wavered in the air, settling down the block in the middle of the road.

"Where's this trammm," Page complained.
Whenever it was cold out, her complaining level multiplied by a million.
"Should be coming soon. Check the schedule."
"Too cold," she said, "Need to keep my hands in my pockets."
I shook my head and looked at the schedule. It said it would be there at 11:35.
"11:35," I told her, still looking at the schedule. There was a strange cross over the day of Sunday.
"You mad?"
"No," I said turning to her, "I just want to have a nice day and its hard when you're upset."
"I'm not upset," she said, her teeth chattering behind her lips.
"Complaining I mean. We can go back home if it's really too cold. It's right there."
"No," she looked down, "Let's go out for a bit. I just don't know how long I'll last."
"Ok," I shrugged.
I looked up the street and saw our tram coming; number 11.
"There it is," I said.
"Thank God," Page exhaled, "I feel like I'm about to die."

Even the tram was sparse with people.
An empty handle of cheap liquor rattled in the back somewhere.
I heard it rock back and forth against the legs of a metal seat.
"Someone had a night last night," I thought, "Hope that's not mine."
We had gone to some dark bar with a lot of stairs going down - all I really recall.
Beer was so **** cheap there and there was always so much of it, one got very drunk easily.
I couldn't even really remember who we met or why we went there.
When everything's a blur in the morning you have two choices:
Feel guilty about how much you drank, lie around, and do nothing or,
Leave it be, try not to think about it, and try and find your passport and cell phone.

We made our transfer at the 22 and rode downhill.
Page looked like she was going to be sick.
Her sunglasses were solid black and I couldn't see her eyes, but her face was flushed and green.
"You alright?" I asked her.
"I'm fine," she said, "Just need to get off of this tram. Feel like I'm going to be sick."
"You look it."
"Really?" she asked.
"Yeah, a little bit."
"Let's get off at the park with the fountain. I don't want to puke here."
"Ok," I said, smiling, "We'll get off after this stop."

We sat down on one of the benches that circled around the fountain.
It was empty and Page was confused why.
"Maybe to save money?" I suggested.
"What? It's just water."
"Well, you gotta' pump the water up there and then filter it back out. Costs money."
"Costs crown," she corrected me.
"Same thing," I said, putting my arm around her, "There's no one here today."
"I know why," she stated, flatly.
"Why?"
"Because it's collllllllld and it's Sunday and only foreigner's would go out on a day like this."
I scanned the park and noticed that most of the faces there were probably not Czech.
"****," I muttered, "You may be right."
"I know I am," she said, wiggling her chin down into her jacket, "We're...crzzzy."
"We're what?" I asked. I couldn't hear her through her jacket.
She just shook her head back and forth and looked forward, not wanting to move from the warmth.
Dogs were scattered around the brown green grass with their owners.
Some were playing catch with sticks or *****, but others were just following behind their owner's.
I watched as one took a crap in the center of the walkway near the street.
Its owner was typing something on their phone, ignoring what was happening in front of him.
After the dog finished, the owner looked down at the crap, looked around, then slunk off.

"Did you see that?" I asked Page, pointing to where the owner had left the mess.
"Yeah," she nodded, "So gross. That would never fly in the states."
"You'd get shoulder tackled by some park security guard and thrown in jail."
"And be given a fat ticket," she said, coughing a little, "Let's get out of here."
"Yeah," I agreed, "And watch for any **** on the way out of here."

We made our way out of the park and down the street where the 22 continues on to the center.
"Let's not go into the center. Let's walk along the water's edge and maybe up to the bridge."
"Ok," I said, "That's a good idea." I didn't want to get stuck in that mass of tourists.
I could tell Page didn't either. I think she was afraid she might puke on a huddle of them.
We turned down a side street before the large grocery store and avoided a herd of people.
The cobble stones were wet and slick, glistening from a small sliver of sunlight through the clouds.
Page walked ahead.
Sometimes, when we walked downtown in the older parts of Prague, we would walk alone.
Not because we were fighting or anything like that; it was all very natural.
I would walk ahead because I saw something and she would either come with or not.
She would do the same and we both knew that we wouldn't go too far without the other.
I think we both knew that we would be back after seeing what we had wanted to see.
One could call it trust - one could call it a lot of things - but this was not really spoken about.
We knew we would be back after some time and had seen what we had wanted to.
Thinking about this, I watched her look up at the peeling paint of the old buildings.
Her thick black hair waved back and forth behind her plum colored pea coat.
Page would usually bring a camera and take pictures of these things, but she had forgotten it.
I wished she hadn't.
It was turning out to be such a beautiful day.

We made it to the Vlatva river and leaned over the railing, looking down at the water.
Floating there were empty beer bottles and plastic soda jugs.
The water was brown, murky, and looked like someone had dumped a large bag of dirt in there.
There was nothing very romantic about it, which one would think if you saw it in a picture.
"The water looks disgusting," Page said.
"That it does, but look at the bridge. It looks pretty good right
Mitchell Feb 2013
Goodbye Prague, to a city I never thought I'd know.
Goodbye Prague, to a heaven that is lined with shattered beer bottles and stamped out cigarettes the junkies and the hobo's here still manage to get a  few puffs out of.
Goodbye Prague, to a hell that was once hovering with the feelings of control, manipulation, and more control, but now is twirling top speed to a land unknown.
Goodbye Prague, you seductive ***** with your cheap liquor, beer, and cigarettes, smelling of aged mahogany mixed finely with an acidic burst of fresh *****.
Goodbye Prague, I do not know when I will see you again, but I hope that I do and that I never grow so old that I forget you.
Goodbye to your abstract animals smeared black, screaming in the exploding summer sun. Goodbye to freshly cut pigs heads and cow flesh, hanging in your storefront window, tempting every passerby like the *****'s of Amsterdam.
Goodbye to every cobblestone that shines after a fresh rain or snow, slippery to the newcomer, an annoyance to the amateur, thoughtless to the old timer.
Goodbye to the potraviny's stocked with two crown marked up ***** and space vegetables shaped and colored in a one and only kind of vernacular; without you, I would have half-drunkenly stumbled home towards dreams of menial headaches and shadowy beer or perhaps to The Oak to drink alone.
I scream so long through faint puffs of carbon nicotine clouds made illuminated by the icy orange street lamps 800 years old glow!
I scream so long to late metro's and early trams!
I scream so long to the roaring rocks who reflect the faces of aging clocks!
So long to passed out bums and unforgiving metro officers. So long to dollar fifty beers and the fear of getting deported. So long with counting silver crown to make even, seeing my math prowess has lessened. So long embedded needles and bottle caps deep within the snowy cobble. So long listless wanders all their money thrown away until the month of May comes to knock on their door. So long alleyway romance 100 crown notes and old men in their rickety fishermen boats. So long sad masked faces who in their forward march sit stunned seeing fortune picks only some. So long through the grey mist stabbed with neon signs that attract the youth and the mad. So long to the feeling everything I had to say was the wrong thing. So long to feelings of foreign familiarity whose ball and chain were slowly starting to rust away. So long in song to the player's of Riegrovy hill whose voices I just couldn't stand. So long I've come to understand everyone's got a choice to live or wish they did. So long to the wide swept hills of Petrin, where angel's of lore go to rest atop dusted fresh snow, among the dotted new born vine. So long to the sound of wet metal against metal, a scream of order carried on the blue man's shoulder. So long to a city whose architecture reminds me of old men's faces and whose color reminds me of elderly women's dresses. So long to smoking in front of children without a second thought for their health. So long to racism that is wicked, but grunted genially - the executioner smiles at the accused - the gravedigger's weep for the dead - the ant makes a break for a hill not his. So long forlorn love whose only remedy for a cure is the beer sitting in front of you. So long to wondering what's going on in the world, when all I want and got is what's right in front of me.
Farewell Prague, you shadowed street walker, a cloak of stars around you, finding all that owe you  your due.
Farewell Prague, you in the morning eyes half mast, snow crunching underneath stony white.
Farewell Prague, miss-handler of crooked time pieces stating the obvious, ignoring to blame bluntly on youthful alcohol abuse.
Farewell Prague, you took me up the hill and through the woods where ravens, black as gutter ice, crackled down at me like showers of New Year's fireworks.
Farewell Prague, you gave me peace where I once thought I was unable to have.
Farewell Prague, you befriended me, then ordered me a shot that made me cough, then ordered me a beer so we could sit and truly feel what it is to sit and wallow in our time here.
Farewell Prague, you entranced me with view after view to a city to stubborn to die.
Farewell Prague, I leave you like you would leave me.
Farewell Prague, to your fat snow flakes that drop into wide eyed children mouths, tasting of iron whiskey rye, though they do not flinch at the taste.
Farewell Prague, I leave you with a hush of a whimper, bitter as the cold, and indifferent as the server's over at Cafe Lourve.
Farewell Prague, with a thousand miles of graveyards, where ghosts barely have the strength to weep.
Farewell Prague, I admit I never knew how to love until I came to visit you.
Farewell Prague, as I stare out your cracked and smoky tram windows, my thoughts not my own, shop windows and naked, screaming men, their cigarettes bouncing in between their lips like a jack of spades on smack, where at last we see that life is only a worth a **** if lived.
Farewell Prague, I see the cards there on the table and you're winking at me while I stand at the backdoor, and what's more, there's a secret you've got to give that I refuse believe.
Farewell Prague, to your open sore catastrophe of society, KFC on every block, and Starbuck's on every other, and on the other other are the lined' wino's shaking open handed and spread for a case of cardboard vino.
Farewell Prague, to the nasty smoker's in trams that just stopped caring.
Farewell Prague, to a city rhythm generated by an ignorant originality and uniqueness, where the same has no name and the the plain jabber on about their jobs in their pretty blue jeans.
Farewell Prague, because to say goodbye would mean we don't have that friendly tone.
Farewell Prague, I see to sacrifice oneself for the comfort of the elder or the opposite fills me with agitated obligation stationed in a vessel older than I've ever lived - yet I know it, for it is me.
Farewell Prague, you are a lost lullaby caught in the wind of an elastic multi-colored pin-wheel, shining riches of the rainbow into the eyes of children, who all whistle when they snore.
Farewell Prague, a button upon the Earth, like every man.
Farewell Prague, a love song sung in the depths of a damp grey hall, rivers all around, so the sounds too much to drink were outlandish in high emotion, juvenile commotion.
Farewell Prague, we were young - not caring about the future, but of course, with worry in our hearts for worry is a sign of human being human; yet, still, we asked nothing of one another and you gave and I gave and you took and I took and we walked underneath one another's blanket's until we were no longer cold and the winter showed to be just an annoying individual at the party.
Farewell Prague, to your lack of complications, making simplicities acceptable again.
Farewell Prague, to the snow that never stops falling, all while slumbering within dream until the seam is ripped so the old can die.
Farewell Prague, I've shined every marble staircase and washed every tram window; you owe me nothing because I like you.
Farewell Prague, to the long nights bleeding away at the table alone, the lady fast asleep, lit by the dim orange glow of the twisted streetlights below.
Farewell Prague, to the long nights forgetting pains of existence and accepting every solution to ward of resistance.
Farewell Prague, our long talks and hovering walks, always forcing me to balk.
Farewell Prague, at last you got the praise you have always deserved.
Farewell Prague, to hot humid nights filled with *** and butter in the summer and cold bitten cold of ***** and juice a la winter.
Farewell Prague, to bad service but good drink and food.
Farewell Prague, you curious tale the bravest man would waver to say.
Farewell Prague, to bridges galore and more dead leaves then wrinkles on my crooked face.
Farewell Prague, at night the sheen of liquor wears off only if you let it be so.
Farewell Prague, to all the those lonely mornings bent head into book on the way to work.
Farewell Prague, how long till you grow to be young again?
Farewell Prague, how long till I admit my defeat to you?
Farewell Prague, how long until I accept I'm the last fool in this world?
Goodbye Prague, the last soldier is standing, but the war is not yet won.
Goodbye Prague, to your hazy stars glimmering and shining for an indebted audience.
Goodbye Prague, the sun breaking through ink spilled colored clouds, the birds chirping, the dogs barking, and us wondering where we started.
Goodbye Prague, your churches are empty so the sins of man run rampant and at last the prayers of men go unanswered; we now abandoned to fend for ourselves.
Goodbye Prague, the puncturing purity of your ways make me giggle in delight as I listen to the cool piano man play; his eyes on the horizon shattering like toppled china.
Goodbye Prague, at last there is a time where we both get what we want.
Goodbye Prague, the verandas are chilled with the dew of winter and the snow glitters like bitter diamonds as the fool tips his hat to shy away the sunlight.
Goodbye Prague, every rain drop that fell upon me was a gift you can never take away.
Goodbye Prague, the fool adheres to agnostic rules but the cruel here see no reason to sue.
Goodbye Prague, I think therefore the dust of escape reflects the waves of the river Vlatva.
Goodbye Prague, to your lack of vowels.
Goodbye Prague, when the night wavers hear the Beherovka weep into its own glass, love leaving her forever making no note to Kissy.
Goodbye Prague, tram driver's unforgiving in their merciless need for schedule.
Goodbye Prague, the last homage to the war standing like a shining diamond neath chipped and shattered rubble.
Goodbye Prague, a listless memory mentioned only in drifting dream.
Goodbye Prague, every loving glance smelling of freshly poured beer over newly fallen snow.
Goodbye Prague, to your hardness, your beauty, and your madness.
Goodbye Prague, your days wet with rain, stricken by sunlight, reflecting white emerald into the window panes of passing trains.
Goodbye Prague, at last you got what you deserved.
Goodbye Prague, now I can weep and say I have trampled upon your cheek and slunk through your veins and trudged through your blood and skipped through your hair and saw every line - both sought after and nought - you have acquired through time.
Goodbye Prague, there is no reason to get excited, you are free.
Goodbye Prague, I see the silhouette of the trees that line your hills and I am forsaken to see the leaves turning from jovial yellow greens to disregarded and disparaged furnaces of dim fire reds and browns.
Goodbye Prague, the people within you deserved all of the credit.
Good Prague, the people outside of you deserve what ever they believe they do.
Goodbye Prague, you family to families with common sense and love rampaging through your barley stained veins.
Goodbye Prague, perhaps there is nothing under your rubble, maybe already all is lost for everyone, everywhere, but maybe, you living the simpler life, can show all that life can be so.
Goodbye Prague, you gave me letters, words, lines, commas, apostrophes, and dashes, paragraphs, pages, and eventually, a story; I leave you marked.
Goodbye Prague, an old friend whose hand I shook but knew would one day turn my back on.
Goodbye Prague, the bite of your cold generosity and your bustling love leaves man with nothing but to bike back with no chance of triumph.
Goodbye Prague, street cleaners clean up your wear and tear from the mothers and fathers that bore you, some 800 years ago; ageless, you loom longer than they would like.
Goodbye Prague, battling sleep as the ***** raps for more and more, none that the man has.
Goodbye Prague, the night is curling in as the wave crashes to the short and I am the lost sun looking for a place to rise, trying to get to the sky.
Mateuš Conrad Jul 2018
.    like cardinal Leto remarked, having received news from Versailles... why is it always the ******* French?

perhaps in a less crude manner,
drinking wine,
while eating raw fruits -

  always a bad combination...
no *****, no meat?
   bad idea... wine, and raw fruit
akin to strawberries?
    irritable bowel movements...

- and that's because Einstein
didn't discover the concept of
gravity, in the format of: sideways?
in the form of orbits?
   expansive waves...
   that allowed for the elliptical interpretation?
like the old
              argument:
      (heliocentric) oval...
             contra the (geocentric) circular
"concern" for...
   whatever is up / down
            sideways in
      the Copernican terminology...
because there was ever a "shape"
concerning the universe,
  and not a medium,
            an extraction for the metaphor
for water,
   gas, liquid, solid...
              and the fourth aspect
of ancient elements:
   its existence in a vacuous "space"?

- but i can't fathom the French at this point...
once upon a time...
one Frenchman equated the motivation
for a "summa summarum"
    to be bound with a thinking,
and a curiosity...

            the current fashion of Latin
abbreviations...
   this... cogito ergo sum?
   it's nonsense...
    speak it long enough...
   and you'll find yourself inclined
to suppose that cogitans per se:
is a motivation, an impetus to exist...
yet... so much of thought it "wasted"
or, rather, to craft an impetus to
"doubt", within the confines of fiction...
but the motivation has lost its
origin within the confines of doubt,
and has been replaced by
the Freudian unconscious,
   a serialized phobia fest... notably
including a, clown...

originally, thought (per se) was
a secondary motivational outlet
that precipitated into being...
    first came... doubt...
   but... these days?
               doubt is a conspiracy theory,
no longer an emotional thrill
to prop-up thinking...
   and we have the French existentialists
to thank for this...
for they subverted their own
idea...

             negation has replaced doubt
as the origin, and motivation
for thinking...
        yet... this sort of "thinking",
has made, its materialization, so, so...
obscene...
    i can hardly find it surprising while
i took to propping two worthwhile
economic outlets...
   prostitution (since they will spend
the money i give them...
on things... i wouldn't even care
for propping up)...

    and... alcohol (scotch whiskey,
russian standard *****...
    shveedish cider...
                     german beer)...

but how can you even claim an existence,
if...
       there is no thrill...
of what is the secular expression of faith:
i.e. doubt?
  how can you replace doubt -
a motivation for thinking, materialized
into being... with negation?
  jean-paul Sartre attempted this inversion -

doubt has been replaced with negation
in his system...
             it's like that cliche of an English
1960s ***-joke / ***-like...
       this... frivolity over a blatant lie...
a lie so... bogus...
    so ineffectual in translating a hidden truth
that... you allow it...
   to care for the cheap comic aspect
of the execution...

but how can the French suddenly
feign to disbelieve their secularism -
   resorting to the antithesis,
namely:

  original

  doubt motivates thinking,
  which subsequently motivates
   being within the confines of reason,
or rather, reasonableness...

20th century existentialists

negation "motifs" thinking,
   which subsequently motifs
"being" within the freedom of non-reason,
or rather, unreasonableness...

   and by negation,
   i don't mean the atomic conceived softening
blow...
   akin to: dis-ease...
    i.e. (as i explained it to one old man
in a park, walking his dog):
  a negation, or ease... a denial of...

how can the Cartesian model work,
when the 20th century French existentialists
began with the presupposition:

   i deny, i think, therefore i exist?
where is the original thrill of
the secular aspect of faith, within the boundaries
of doubt?
              gone... vanished!
****! a **** on the London tube,
during the rush hour,
  during the heatwave
                of the past month!

                   perhaps this only comes
as a method of assimilating an increased population,
within the confines of the Taoist maxim:
the best way to aid the world,
is to forget the world, and let the world
forget about you...

             perhaps... the Andy Warhol 15 minutes
analogy...
      that in order to encompass the individual,
the world, and the individual within it...
   the approach had to change
from the original, exciting, exploration
genesis of thought, bound to the genesis
of doubt...
             having to be replaced by
a genesis of denial...
      the second tier of a secular society...
    the zeitgeist of Herr Censor...
to filter through what we see so often,
faces, bodies...
  but would be much more comfortable
having been bound to Plato's cave,
         of complete shadow theater...

perhaps... but the original tier of
secular societies' alternative to church prescribed
articles of faith...
                     to have replaced
the thrill of doubt...
      with this... Byzantine pillar of denial
as motivational groundwork for
thinking impetus
   that becomes an article of being?
am i the only one to see the frustration,
how, people abhor their being,
being founded upon an act of denial,
rather than an act of doubt?

     the once thrilling maybe (gnostic):
   has become the stale, "i don't know"
    (agnostic) - as if... people can't tell you
whether zebras have stripes!
   where there was once an article
of secular faith (doubt) -
   now?
                        there's not even that!

p.s.
  there has to be a much needed new mantra,
all publicity: is bad publicity -
unless of course you're riding that
fame juggernaut and are paying
for your all-inclusive status akin
   to madonna: since fame dies off
and you, none-the-less invest in the momentum...

one day where i drink a bottle of wine,
half a liter of whiskey,
   and i'm apparently not "screaming" in
my sleep from the heat,
the whole, "apparently", as i retorted:
at 5:15am? i was alseep! i was asleep!
how can i stop screaming in my sleep
like a banshee:
the sleeper and the blind man both see
eye to eye regarding the future to come...

one day without engaging in internet
content: of my own accord,
next day? this... this... lethargy builds
up in me... i end up thinking:
i can't do this any more,
this insomnia culture globalism of
24h news reels is tirying me,
i pick up the sunday newspaper
which i found to be respecteable...
the sunday times,
  i peer into the magazines...
toxic masculinity,
    desire: what three women want...
i'm bored...
well more tired than bored,
bored-tired...
                 what women want:
what an exhausting question...
**** fantasy, beta-male provideer...
yada-yada-yada...
                    
    the only relaxing aspect of the day
(apart from the shade) is watching
england beat india in the cricket...
i always loved cricket sport terminology:
50 overs... innings...
wickets... 6 throws of the ball in an over...
the rest? i'm no atlas...
i don't like the world crashing in on
me with all its problems...
not because i don't have the right
advice to give,
but i remember the most modern secular
motto about giving advice borrowed
from Athos of the creation of alexandre dumas:

the best advice? to not give advice...
you cannot be held accountable
for giving bad advice: and people complaining,
or good advice and leaving
people in your sphere of influence...
asking for more - non verbatim... of course...

second categorical imperative?
tao...
              the best way you can help
the world: is to forget the world,
and let the world forget you...

                        you only need two absolute
maxim vectors to orientate yourself
in this world,
a third is nice, but: it can be kept loose...
at least two on a tight leash...

but one night spent drinking,
not writing anything:
and i am... spent!

                            the boogieman of england's
persistent complaints...
the muslims are not integrating,
the english: we should give them more
ground...
           o.k., o.k.... joe peshi in the role
leo getz in lethal weapon II...
            i too had to integrate!
i said: like **** if you think i'll give up
my native tongue when spoken in private...
you're not getting it...
i'll spreschen ihre zunge, no problem,
i'll even write you pwetty free verses to boot!
but, guess what?
  i will not force you to eat my
sauerkraut, my schnitzels,
                           my smoked sausages,
my raw herrings etc.,
                      integration does not work
within the confines of: pampering to a people
expected to meet you half-way...
what happened when the polonaise attempted
to meet the english half-way?
brexit...
oh come on guv'... is there a ******* tram
echoing its way out of my eye
when you peer into it while i attach
an index finger to the bottom lid to give
you a clearer picture?
           25 years in england: no englush girlfriend:
i guess all the english girls just love, just love love
being ***** by 9 pakistanis
daubed in gasoline...
                   hey: they **** thrill...

i'm tired of the weakness of the english,
the humpty-dumpty nature they are imposing,
self-cencorship,
    appeasing, like neville chamberlain...
bringing back the munich agreement...
not on a piece of paper,
instead... waving a scrap of a toilet roll...
so the english could wipe their own *****
on the promises of the germans...
if this really hurts the northern monkies...
guess how much it hurts the sourthern fairies...
(well... fairy, is a designated region surrounding
devon, bristol, hardly a ******* fairy in essex)...

   why am i foreigner and i share
the same nausea of the natives,
                     exhausted by the narratives?
i guess the english didn't like the polonaise:
but the polonaise are to blame...
came here with a list of benefits they could claim:
without having even lived 5 years among
the natives... housing benefits, child benefits...
believe me: the polonaise are the only
people in the world that hate each other...
to the extent of citing bitter criticisms...
whenever i pass through warsaw to see my grandparents
i am gripped with a sickness:
this homogeneity is too much for me...
shove me back into the east end of London...
too much of the same genetic material...
and that's when the language i am keeping
(seemingly for vanity reasons) fizzles out
into your basic encounter and that basic reminder
that circa 40 million speak it too,
better or worse, but they speak it...

of all the festivals? download...
                                   i wish...
    glastonbury?       not my thing...
kylie? i'll concede: slow? live, with instruments,
rather than the studio original...
wasn't that a cover of
   bowie's fashion?
                  sure as hell sounded similar...
but i heard the cure were playing...
so while writing my father's invoice
i made myself a paperclip bracelet...
   i figured... "let's just pretend to be there"...
and no, the 1980s weren't that bad when
it comes to music,
not now, by comparison...
the cure's kiss me, kiss me, kiss me (1987)
release?
one of those rare albums you can
listen to akin to reading a book...

                       but there's still that persisting
exhaustion... i came from under communism,
from under the iron curtain,
but at least there was the economic aspect
of communism involved...

   only today i watched the story
of the terrible inversion of english jursprudence,
i.e.: guilty until proven innocent...
the 1975 case of the silesian vampire...
an innocent man was hanged...
the original vampire?
    smashed his wive's head in,
then his childrens', then he set himself
on fire...
              then again: the tragedy of those
rare cases of being presumed guilty
rather than innocent...
then the reverse: presumed innocent rather
than guilty and getting away with it,
through the parody of death
and the non existent god...

   there could not be anything more exhausting
than communism without a communist
economic model...
this current state of affairs in the west:
cultural marxism and the yet to be discovered
antithesis of cultural darwinism...

i'll use the cartesian chirality for a moment:
sum ergo cogito...
i don't like using political terms...
but... liberal (classical) - i don't even know
what sort of thinking goes into the label -
in the east? the liberals are exhausted
by a resurgent nationalism within
   the newly acquired capitalist system...
in the west? the liberals are exhausted
by an insurgent communism within
an ageing capitalist system...

         on a side: seriously, why even bother
engaging in any sort of "public intellectual"
debates when the public are only
discussing two books: 1984 and brave new world...
**** it, might as well talk to a camel jockey
who only own and rides the waves of
time in this world only using one...
muhammad...
   whom Khadija **** Khuwaylid
would probably whip into his young
respectable shape...

                  and this is how Ezra Pound comes
into rememberance:
usura... at least the muslims do not
play into the game of usury:
of interest... borrow a quid,
pay back £2.33...
            that's the only way you can
gain respect of the muslims:
if they truly were the money lenders
of this world: which they aren't...
unless a newly blessed...

   among the philistines and the proselytes...
england is such a tiresome project,
even on the outskirts of London...
i'm being dragged down by this intervention
of marxism: on a whim,
on a whimsical projection...
of "adding" values...
            
           communism would have worked...
in exceptional circumstances...
poland... circa 1945 - 1990...
syria: the current year...
  to whatever year is demanded...
exceptional as in: war torn...
where was the marshall plan
   for poland, when there was one
for sweden (neutral) and switzerland
(also neutral)?!
        black youths bothered about
the summer holidays,
having to live in council flats,
  concrete goliaths...
           want to know what it feels like
when entire cities are like council
estates,
with only pockets of remaining
   free-standing houses among
overshadowing council flats?
                                    nee bother...
sure... in a country where:
the house is the castle and there's a labyrinth
of castles constituting outer suburbia...
balconies... that's what the soviet
models had... balconies...
where women could grow flowers...
concrete staccato gardens in the sky...
the blocks of flats in england
didn't have balconies (sky gardens,
          esp. the early ones, massive fault)...
i spent one summer reading
bertnard russell's history of western philosophy...
lying in my grandparent's balcony,
in the shade...
watching passerbys among
          the barking dogs of the neighbours...

one day, one ******* day!
   and i'm already exhausted from the castrato
english narrative...
pandering to the people you expected
to integrate...
  no! you're not changing your standards...
your standards are perfectly reasonable!
i'm tired of the english pandering
to the sort of people who, will, not,
integrate!
               i integrated in a way
of respecting both the english culture,
as well as hiding / preserving my own...
why don't i just do the following:
   pisać po polsku?
                      like some czesław miłosz?

ah... good point... at what point
is the standard of integration appreciated?
when nothing is preserved?
surely integration is supposed to
accommodate some variation
of preservation?
     i might add: that's a fine line...
preserve all? no integration...
preserve some? integration...
                    preserve none? no integration...
food is a cheap target to example
with...
                   it's a low hanging fruit...
given that even i find indian cuisine
   the most superior in the world...
food is a cheap target concerning integration...
but the niqab?
  when the local english authorities
are employing face-recognition
technology and when testing it...
are forcing people to uncover their faces,
subsequently arresting them out of protest...
but not the women wearing the niqab...
out of? out of what?
   a secular society shouldn't be allowed
to discriminate against any religion...
it should discriminate against: all religions!

                isn't that what the secular ideology
is all about? the... softcore version
of soviet atheism?
        secularism of the west (miltary-industrial
complex)...
"vs." soviet atheism of the east
  (scientific-industrial complex)...
           i'm still so ******* tired
               of this bogus trap of "necessary"
                       commentary.
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Mateuš Conrad Dec 2015
poet, or philosopher, it doesn't really matter which is which, or whether the two are indistinguishable, notable in the former scenario, when someone has an eclectic bounty of interest is simply not love-scorned or love-nostalgic, love-idealistic, does it really matter? i was once called a philosopher: a teenage girl said in third person (as if she was a puppet and some-thing was moving her tongue): 'talk to this philosopher'... not in that sarcastic way that philosopher is an misnomer or an abused term of: self-gratifying grandeour, it was quiet genuine, but: imagine my shock... i had an ambition in life, it was to perform a service to thinking: without doing as much as hammering a nail into a plank of wood, that's the ambition of any thinking man: to borderline on telekinesis or telepathy... that was Hegel's modus operandi, his categorical imperative... after all: ego is a metaphysical tool, while thought is its metaphysical canvas... the mere suggestion that a copernican inversion can happen in physics "contra" metaphysics... it's already apparent, any word can behave like a hand touching the sacred object / subject of transfiguration and become something else, even a misnomer can find itself given solace to the user... for now i've forged a belief in the ultimate: away from the absolute in relation to omni in unum - one first has to learn to think, before having to learn to feel... mind you, i don't like the current nietzschean inversion of the cartesian equation: (ego) sum ergo (ego) cogito... esp. among the youtube political commentators, too many examples to give: i'm a classical liberal, i'm a progressive, i'm a liberterian... i don't really like seeing: i am, precede i think... i don't even like the origin-argument of this inversion: i exist for the sole purpose of thinking... after all: i think prior to being, since i can also daydream and not be what my thinking suspects as a possible truth-outcome... that's the nature of the freedom of thought: i don't have to be what i think, i can find thinking to be a pleasure, when the senses do not offer me any pleasure derivative, e.g. eating can sometimes be boring, chewing, chewing, *******... i eat because i need to live: i don't live to eat... i really have under-appreciated Hegel, i should really visit my grandparents for two months and read the phenomenology of the spirit: i'm trying to replicate the saying attributed to him (verbatim), but i doubt that i will, i don't have the patience to sift through all the quotes, but it goes along the lines of: beware oh wordly man, to not be a pawn in a thinking man's game... hence my suggestion of philosophy entering into the realms of telekinesis and telepathy: you get to see things play out and people express the origin story, of your own memetic generation of the original idea... how are poets finally alligned to philosophers? good thing that i studied chemistry at edinburgh university: we return to atoms, words are no longer enough, sure, they are, contrary to the statement...  (why did i under-appreciate Hegel? ah... had my head stuck up heidegger's and kant's *****...

  integration? great!
but i'll meet you halfway...
    i'll eat your fish & chips,
your englush breakfast,
  i won't sing your anthem: god save the queen,
****** anthem, too short,
but i will whistle through:
the british grenadiers' fife & drum...
like i might through la marseillaise...
i'll meet you halfway...
i'm not a former colony member,
commonwealth,
   i'm not some ****- paying bribes
to the british powers
to join in on a world cup of cricket...
this is what happens when immigration
turns sour...
they either lesrn the host tongue,
or they don't learn it...
or they can't distinguish the two:
speak polonaise at home,
speak the hosts' sprechen outside of it...

   if the ******* aren't suspect:
by not being bilingual...
the arab beatles... jihadi john...
          ringo star h'ahmed...
  george ali...
                paul mecca rashid...
oh i'll settle for integration...
but don't you ******* think i'll give
up my mother tongue
for "c.c.t.v." close-ups back home,
home being my private lodge...
like ******* will...
  i'll speak your tongue in public...
but i'm not ******* former commonwealth
****- riddled with a need to play
cricket, "forget" my tongue in order
to compensate for olives
              and sun-burnt bananas!

a former colony ****-**** is about
to dictate the rules for fellow
europeans, on the tram-ride from
Birmingham to Nottingham?
seriously?
        but of course the englishman
will favor the former colony pet bush-monkey
from sri lanka...
since the brit can't really dictate
to a fellow european his superiority
complex... which he can...
with a petted copper skinned
toy-ting...
who brought 'im a korma curry!
nice one, ol' laddy...
        right on the plonker...
                 i'm not finished!
                        i'm just getting started!

gehirnablassen:

perfectly respected immigration,
given that so many english girls just love
the attention their **** minders,
sexually abused,
not really making it as nurses
or... ahem... karaoke superstars
worth the while of britain's got talent
or voice of britain,
or...whatever the ****** show was
that gave birth to one direction...

so a.... brain-drain? good immigration?
the best!

i can sit awhile by myself and count...
1. the sparrows,
2. the swallow,
3. the starlings,
   4. the crows,
5. the magpies,
6. the pigeons,
7. the woodland pigeons
(fatter, with dog collars),
8. kestrels
  (one is enough to begin
the count)...
9. the blackbirds....
10. seagulls... seagulls?! 25 miles from
romford to southend! seagulls?!
this far in-land?! fair enough...
11. a robin...
                   12. goldfinch...
i just sit and watch these birds
in my garden, i sometimes spot
a darting frog in the garden,
i'm more english than the english...
i actually enjoy owning a garden...
the "english" surrounding me
exemplify a bbq. as a luxury parade...
what's so luxury about marinating
some meat, and then grilling it?!
please! enlightend me!

    gehirnablassen...
                   brain-drain immigration,
the type asiatic tiger-mums brag about
at child olympics...
   for the required rubric stature...
******* mothers, basically...

1. χaron χaos - cha-cha-cha       khaos
2. theaetetus - so / ma   letters / syllables:
     graphemes: sz phi theta
      compound syllables (caron s) - Na (sodium)
3. music choice...
       brain damage perturbator ft. noir deco
    virga iesse floruit, gradual of eleanor of
britanny...
4. pride / stubborness (not equal to) honour,
tolerating islam is not the same
as respceting islam...
   german 19th century fascination
with islam...
     θought and φilosophy...
   greek in warsaw, giving him directions,
talks: sounds so much like spanish...
5. england a nation of singletons,
idiosyncracy... social pressures in poland
and even in h'america missing in england
to marry...

1.

chamaleon tongue,                    shape shifter,
bez akcentu w piśmie - więciej akcentu poza pismem
(trainspotting scottish), welsh, cockney,
east london altogether, pakistani english, etc.
e.g. rather, or raver, i.e. not rayver
(someone who parties at night on ecstasy pill)
but ra'ver, like verging on a new discovery,
it's not even the = ~v but is actually v...
english is a chamaleon tongue, you say 'nostic
when you write gnostic, i say diagnostic,
therefore say gnostic, you say 'nome, i say gnome,
as cf. with diagnostic;
then there's the case of the per se:
you say chamaleon - no kappa there apperent, eh?
but there's chappie, chap, chuckles,
no kappa in a millionth chance
to also say nough'ledge for knowledge,
a bit like that gnome of yours...
as i said before: a language without
a written insertion of stressors / distinctions
will produce a massive array of diacritical
stressors / distinctions outside the written format,
but it will also become as complex as to
allow adults with learning difficulties e.g. dyslexia,
and that horrid internet slang of shortcuts:
i ate my 8 when i was late for my disco date
with the cha cha cha melon.

p.s. if there's a hay patch at the beginning, the nasal flute
will ask larry 'the lynx' saxophone to hark it out with rasp
gritting of phlegm... but if it's somewhere else down
the piccadilly line... it will act like a nudist spy and resonate
less than expected; probably mingling with f, i think.
Terry O'Leary Jul 2015
As dawn unfolds today beyond my fractured windowpane,
a breeze beguiles the ashen drapes. Like snakes they slip aside,
revealing wanton worlds that race and run aground, insane,
immersed in scenes obscene that savants strive to mask and hide.

Outside, the twisted streets retreat. Last night they seemed so cruel.
While lamps illumed lithe demons dancing neath the gallows tree,
their lurking shadows shuddered as they breached the vestibule.
Within the gloom strange things abound, I sense and sometimes see.

Perdu in darkened doorways (those which soothe the ones who weep)
men hide their shame in crevices in search of cloaked relief.
The ladies of the evening leave, it’s soon their time to sleep!
The alleyways are silent now but taste of untold grief.

Distraught nomadic drifters (dregs who stray from street to street)
abandon bedtime benches, squat on curbs they call a home,
appeal to passing strangers for a coin or bite to eat.
Rebuffed, they gaze with icy eyes that chill the morning gloam.

Observe with me once more, beyond my fractured windowpane,
the broken boy with crooked smile, the one who's seen the beast.
With tears, he kneels and clasps the cross to exorcise the stain.
The abbey door along the lane enshrouds a pious priest.

At nearby mall, Mike needs a cig, and stealth'ly steals a pack.
The Man, observing, thinks ‘Hey Boy, this caper calls for blood’,
takes aim, then shoots the fated stripling six times in the back.
Come, mourn for Mike and brother Justice, facedown in the mud.

The shanty town has hunkered down engaged in mortal sports
while shattered bodies' broken bones at last repose supine,
and mama (now bereft of child) in anguished pain contorts,
her eyes drip drops of bitter wrath which wither on a vine.

Fatigued and bored, some kids harass the crowded alley now.
To pass the time, Joe smokes a joint and Lizzy snorts a line.
The NRA (which deals with doom) can sometimes help somehow,
though Eric died with Dylan in ‘The Curse of Columbine’.

Marauders scam the marketplace (with billions guaranteed)  
while babes with bloated bellies beg with barren sunken eyes,
and (cut to naught) the down-and-out (like trodden beet roots) bleed.
Life's carousel confronts us all, though few can ring the prize.

Yes, Mr Madoff, private bankster (cruising down the road,
with other Ponzi pushers, waving magic mushroom wands),
adores addiction to the bailout (coffers overflowed),
and jests with all the junkies, while they’re bilking us with bonds.

A timeworn washerwoman totters, stumbling from a tram -
she shuffles to her hovel on a dismal distant hill,
despondent, shuts the shutters, prays then downs her final dram -
a raven quickly picks at crumbs forsaken on her sill.

Jihadist and Crusader warders faithfully guard the gates,
behead impious infidels, else burn them at the stake
(yes, God adores the faithful side, the heathen sides He hates),
with saintly satisfaction reaped begetting pagan ache.

All day the watchers skulk around our fractured windowpanes
inspecting all our secret thoughts, our realms of privacy,
controlling every point of view opinion entertains,
forbidding thoughts one mustn't think, with which they don’t agree.

Our rulers (kings and other things) have often made demands
of populations breathing air on near or distant shores
and when they didn’t yield and kneel, we conquered all their lands
with sticks and stones, then bullets, bombs and battleships in wars.

Come, cast just once a furtive glance… there's something in the far…
from towns to dunes in deserts dry, the welkin belches death
by dint of soulless drones that stalk beneath a straying star
erasing life in random ways with freedom’s dying breath.

But closer lies an island, where the keepers grill their wards.
Impartial trials? A travesty, indeed quite Kafkaesque.
The guiltless gush confessions, born and bred on waterboards.
No sense, no charges nor defense. A verdict? Yes, grotesque!

Now dusk is drawing near outside my fractured windowpane
while mankind wanes like burnt-out suns in fading lurid light;
and scarlet clots of grim deceit and ebon beads of bane
flow, deified, within a corpse, the fruit of human blight.
Mateuš Conrad Aug 2018
kate beckinsale & anne hathaway
can speak
the name... matthew all
day long...
                 and right into the night...
i'll try to fall asleep...
must be an Oedipus complex
sort of thing,
   in primary school my school
friends thought that my
mother had the visage for
   sandra bullock...
   ha ha! good luck to the men fathering
daughters!
          you ever find it easier
to pet casts, and cage tigers?!
              **** me...
my shatten is soliloquy central...
           i drink to excess and
listen to excess erotica latex ****
music...
      and then? do nothing about it...
i like cinema...
                         **** me...
a fetish for leather that extends
past a ******...
    i would have asked her sincere self:
can we drop the ******
so that i might attire myself
in gimp?
      she evidently replied
a no with her 19 years of existence...
oh... under-baked apple pie
my dear...
            ha ha!
           no, i have more cherries
to pick, i''m beyond stalking some famous grimace...
you are here           .



and i?



                                           .              am here...

who needs the excess of
quasi-journalistic coverage anyway?
    
           that transitioning harem
of rock stars...
     like Kafka said:
i'll be waiting for something
i never had,
and missing it,
            by never having touched
a peek behind the curtain...

   i'll wait... for what i could never have...
and within the confines
of what i could never have,
          i'll settle for what i can already, have.

kate beckinsale & anne hathaway
can speak the name matthew
all day long, and i won't mind...
        
      would i be the one following them?
train-spotting....
         taxi counts...
                 ******* crows that
croak mid-flight count...
           the number of canadian geese
in b-54 formation
migrating come mid-autumn...

          geek without the cartoons...
push me...
   keep pushing...
     i want the shove
and the ****** wording of auto-suggestive
courting of -
                           courtesy...

              thank you...
i'd rather stalk my own shadow...
looking out for the plot-line of
an eased out **** doing the olympic
gold medal dive into
the crapper pool,
via analyzing the shadow of plop
pop gold...

        zero splash...

                a ******* harmonium
on the neck of a Polish teenager,
traveling on a Warsaw tram
      to reach a girl who...
              was counting petals,
and the worth(s) of considering
the concise surmount of love...

             yeah... next time?
i'll be the one used to invigorating
the stance on stalking
one's own shadow...
             why?
because i fidget...
i get all jerky...
                  the hype instigator
movement...
   ******* a woman
like a piston of a car's momentum...

               does it really matter?
i thought the Madonna-***** complex
wasn't a man-"thing"?
   if man owns the Freudian Oedipus
complex...
  does man also have to lend in his
strap-on dictum for the
Madonna-***** complex?
   so...
              that's not a wholly woman "thing"?
she's doesn't own that
complex?
   it's man's fault?!

             i know the Rastafarian Putin
isn't rasp -
but you know that Israeli ******
are better than the Russian ones...
so the story goes...

               which kinda explains...
impotent with women trapped
within the Madonna-***** complex...
with Bulgarian prostitutes?
a limp **** only, and only when
i forgot to trim my ***** hair,
my Eden...

  i have the Oedipus complex...
am i also responsible for
the Madonna-***** complex?!
really?
                        you sure that women
are not supposed to attend to question
this trans-schizophrenic,
   squint / split /
           dichotomy?

                   prior mothers,
that prerequisite motherhood
with the basis of ******* themselves...

   the Madonna-***** complex
is outside the realm of the male constraint /
castration of rules...

   i already mentioned it...
i couldn't be circumcised...
   protruding veins, that met at the zenith
of the *******...
if they circumcised me...
        i would have bled to death...
the, "crime" of ******* is
a lot easier to handle...
   if you haven't been circumcised...

because?
   circumcision is a motivational tactic...
you are... technically... not allowed
to ******* once you've been
circumcised...
  
               you're free, to *******...
if you haven't been circumcised...
as a male...
            no problem...
problem of ******* comes...
when you persist in the act...
but you don't actually possess the excess
skin, that might allow you
the prime, solipsistic act...

    ergo?
******* is worth a justified critique...
ONLY, and only IF...
you've been circumcised...
sorry if you have...
           notably because?
your priest isn't a rabbi...
and there's no fiddler on the roof
matchmaker song
to boot.

oh no, there's no problem with the act
of *******...
  but there is... if you have been
circumcised...
  why?
    during ******* i used to pull my *******
back...
  and **** with an unsheathed
****...

      but in private?
the ******* was rolled back on,
to counter the imitation of experiencing ****
***... with a clenched fist.
irinia Sep 2014
my town
where wild flowers grow
between tram tracks.
there was a time when
it was hardly morning,
no bridge into daylight.

walls had ears,
neighbors had eyes
whispering behind the curtains
there was an emptiness in the guts
of the city
and poetry locked in the drawers,
Borges was read under the blankets
while Dostoievski was  a comforter:
demons were embedded.

yeah, people were clapping and smiling
watching the nub of history, numb
they had a life to live,
what can you say?

one day the radio
burst on in the streets
some were shivering in the attic
"we are free", they said
"we are free",
came the echo in trance

"shhhhh"! said others,
let us wipe the blood
don't disturb the sacrificed
so we can sleep
without dreams

it's Thursday in my town
streets are weary
and our souls are
slowly expanding
Thank you, Eliot, for this choice! I am glad that this poem was chosen for the Daily Poem because for me it is a reminder that people died for freedom and struggled against oppression in times when "Cruelty knits a snare,/And spreads his baits with care", as the poet says. (William Blake, The Human Abstract)
Mitchell Feb 2012
Inside the morning
Which breaks like
The crippled North
Heat waves of wavering
Truth rings like damp crystal shots
Reverberating with a college education
Low down and empty
Eyes full of soot from the mine
And when I was I
Young and free and unknowing of myself
Without pressure to live while
I lived day in and day out
Like myself
Now the search for the holy man
In holy robes
Makes millions ponder and worry and fear
The clouds and the sky and
The drop of the bomb that will never come
Time rests quiet on my window sill
Alone and shaking and knowing
That we don't need it anymore
Evolved through death
Saw past the silk window shades
That once tried to convince to stay
But now that were gone
Out of the way of technology that
Roars with a voice not like our own
I perish with the church walls
Wild and naked with the stones rumbling
As I'm fumbling
For a place to drop these words
And I know that I'm right
But when the night falls over me
Alone and out of sight
I wince as the moon the silver moon
Slivers underneath my cool bed sheets
The hastiness of my own hand
Worries me at times of control
It shakes and it wiggles and grips with the need
Of a thousand dead men
Whose names I never knew but feel
They are still inside of like in tomb
I wish to walk away from life
To enter something else anew
Without my name without my troubles and
Without my sins
I wish to say hello to a face
That is familiar and without doubt
Friends familarize themselves with the newest wears
I tell the pear tree that their bark is fair
And ask them if they believe in dares
A sigh and a grin as above the clouds passed
And at last uprooted their thoughts
And moved to the other side
Where all was happy and warm
Canned goods rattle within her mind
Money whispers to her, "My way is the only way to be free."
Names backwards spell mom and dad
A misplaced youth who walked everywhere quite sad
I tell no tale I do not know
Yes' the grass is wet as the betting angels
Run in circles giggling, "All we be sold."
And as the tables are being built
And the chairs cut down in the near forests
The nymphs play their white flutes
As the water in the streams
Carry all that is the truth
Child you bear a fruit
That few men can see
It is a place of entranced innocence
That all are born with but
Know to keep and use
The streets grab hold like a vine on the garland
And the waiter drops his favorite feather
On the metro tram made of leather
Dirt covered road foaming at the mouth
A rabid dog whose tongue is yellow and pink
From the high blazing sun
Crystal water wash me clean
Make me new again
As overhead flies the crane
The voices inside the mind
Rattle and pray for rain
Instead of the rain there is only
The gain of sight that when looked straight on
Is not right but a kite
On a distant horizon where young Paul
Allowed his wife to be hung by the pigtails
And killed
The high naked dawn
Pink yellow and blue
Oh' Sue you were the only one
That seemed to know the way
With the whistles down below
Tram cars filled with little children that will grow
I know not their names
But the fame they'll endure to watch
Will of course soon make their hearts stop
And the rhythm of the rubble
Like the stubble on Grandfather Mr. Bubble
But the trouble with the hour
Is that it is never long enough
It longs for hands to caress every corner of itself
Glad that at least there are at least 24 of them
Not noticing that without itself
All the rest would be in disorder
Fast and decoded
Looking for an answer within a book
That has no name or any shelf
Where I knew no one but went anyway
Deep into the cavernous depths of fear
And uncertainty where only love
Would be the way to get in and out
Slipping around the hot ice the melts
For no one
When it is time the ice will choose
Mother nature has no boundaries
Except for the one's she supposes
Caught in the turn stiles constructed not by my hand
Head forward with the wind on my weathered back
The mice run for cover as the tram cars
Rush by smelling of oil and hot metal
I mention nothing to the one's that around me
I recall nothing that I wish not to
For the unconscious is meant to stay so
Give me a couch, a drink, and a man with pen and paper
And maybe I can give you something
With the pink hued clouds that play
Old episodes of Bugs Bunny and Elmer Fun
Their sounds bouncing off the Oreo mountain range
The matches the color of my favorite
White and black sneakers
The detail in a film when you are in love
Is the only one that really matters
Same goes for literature
And the same goes for when one
Is in heartbreak
Dear heartbreak -
Without you love would not be worth chasing
Living and
Dying for
Forever yours until you leave me -
Reindeer Al' with the barman's red nose
The sick sync. of the pen to mind
That rattles of only the noise you wish to express
And not here all together
Back and forth whistling with tunes
Of former lovers that broke hearts
And plates
And electric bills all clad in their
Red bucket sombrero hat after
One too many tequilas and a
Wish for world peace while the man outside -
*** in fact -
Was beaten to a peach pulp for the
Slang in his whistle as he cat called
Across the way to a A-MER-I-CAN lady
Hot lady too, hot like the beach sands and
Spiteful like Medusa's stone gaze
Head amongst the clouds who spits
Out only puzzles and riddles on the fiddles
And piddles when fear enters the *****
The groins smelling of ***** dust and aggressive lust
I dreamed I heard the waves of ocean
Soft and wet like the purr of blissful elation
I cried I wept yet I felt no fear
For I knew my end was coming near
I dreamed I met an old old friend
Who once asked me always, "When is when?"
He bounced to a song I did not know
And where lived I could not go
Oh how I miss that friend of mine
I see his sad mournful face
Every hour Oh' all the time
Fuzziness of the business of the chugging gas kind of way
A rare disease that danced when asked
They would basque in their liquor and wonder
When they dream would finally flicker
But don't mention the end of others dreams
Because most of the time they already know its coming
The humming drumming realization
That not all is alright though we continue as if
There is still a little light
An uproar of song all in out of tune
Where ribbons colored red
Can't believe what the people at the party said
With all their drinks you'd think they'd think
To keep their secrets to themselves
Rather to the others like
Grandmas old wars scattered on the shelf
The yap-yap dog colored brown and black
With an old uncle that can't pick up his slack
While the shower is leaking and its cold outside
As the car is running outside but it ain't my ride
As I lie down on my bed I saw you pushing the half-closed door and entering
You wore a red saree
You are as gorgeous as ever
Sacred like a temple in the dawn
Like a woman who has bathed in night dew
Someone who knows everything about me and yet come to know me from the very beginning
The old door swings in the air
I can see your face as calm as neat as clean
Like the moon outside shining
Let it be cliche, but today it is truly a full moon night
I cannot say what I wanted to say you
Everything has been dusted in time
How do you find the old address of an expatriate?
The yellow envelopes and the red-inked words must have turned blue now
Once I sent within them the clouds
Which kissed you as rain
You in red saree stare at me
Ah! Is it really you?
Or it is all a surreal magic of hallucination
But at that moment you sat beside me on the bed and kissed me deeply
And whisper in my ear
Like a fairy tale told thousand nights ago,
"You still smell the same? And me?"
The last tram of the night goes through
On the empty tracks now lay, love.
I must report the passing of a dear old friend today
I'm not sure when it happened, but I felt I had to say
That the Vegas that's in movies, books, and on TV
Is not the one that you will find, it's not the one you'll see
I know your expectations are of glitter and of lights
Of singers in the lounges that play into the night
The lounges now are empty of the singers and the bands
Instead they're full of djs, and bad magicians badly tanned,
The song that was Las Vegas is not one thats in your head
The one you know with Elvis, is now gone, you see it's dead
The old hotels are gone now, It's not like it was before
The new buzzword in Vegas is now just, MORE, MORE, MORE
It's now a culture aimed at being bigger than the rest
For now it seems that bigger, means you're now known as the best
There's hotels full of bedbugs and the service is the *****
But, the casino doesn't care if there are people in the pits
The strip is nearly two miles long, and almost half is blank
It's like the desert opened up and ten casinos sank
At one end is the Stratosphere, it's got a real cool view
But, because of it's location it's not easy to get to
The Sahara was next closest, but now the Lady's gone
And to walk from this tram stop at night, well I cannot say it's fun
It's dingy and it's ***** and it's not a place to be
I wouldn't recommend this part, it's not a place to see
Freemont Street, The Old Vegas is off the beaten path
It's an hour ride upon the bus, and a taxi...do the math
It's just a place to go to once, there's no reason to return
And if you ever visit here, I think that's what you'll learn
The middle part of the strip is glitzy and spread out
It's kind of close to what Las Vegas is about
It's not all geared to people who have childeren all in tow
These ultra cool casinos is where you might just want to go
The other end is busy, but it's full of gloom and doom
And on every single corner, you can get girls to your room
There's people handing out small cards with women with a price
Who'll come up to your room and well....let's say they don't play dice
On every bridge across the strip, there's beggars and there's hawkers
They're selling everything from cds to bottled dollar water
It's tourist town, a fast food mess, it's Disneyland on crack
There's lots of things to do down here, but you must always watch your back
Did The Mirage **** it?, when Steve Wynn said let's go really huge
Hotels like this were ten times larger than the Moulin Rouge
It wasn't when Hughes came to town and bought the Desert Inn
You know the land that's now the new home of the casino known as Wynn?
It didn't die when Elvis left, it sill was full of life
But at someime since the town has died, it has fallen on the knife
The strip itself is two miles long, but you know that that's not all
In the years since Elvis left, it's become a big strip mall
There's stores here selling plastic , and the people shop in streams
I'm not sure, but to me NIKE is not the Vegas in my dreams
Rolling in their graves, I bet the stars who made this town
Are sitting in heaven or hell, saying when did it go down
There's more shows now of tribute acts and hypnotists galore
And you can find a Circus from Quebec through nearly every hotel door
At some point rigor mortis set into this old girl
I wish they could revive her, at least give it a whirl
There's buffets selling fried foods, obesity....my lord
And if you don't go out to Denny's, the restaurants you can't afford
My mind has got an image of Vegas that is cool
It involves going out late and spending daytime at the pool
You dress to go to dinner, maybe dancing and a show
And the concierge at the hotel is someone you should know
But now, you go out shopping to the outlet in the day
The casinos are all empty, since there's no one left to play
Getting dressed to go to dinner, means you switch from shorts to jeans
And the ways some people act now, well it's borders on obscene.
So, today I'd like to ask you all, for you may know more than I
But, can anybody tell me, just when did Vegas die?
Harsh Doshi Mar 2015
Faces unknown, side by side;
Cooperating and mingling;
Looking for a better spot, and yet,
heading the same way.

Everyone becomes equal,
Everyone pays the same fare,
Everyone has a life,
Each as complex as the rest.

Every face is new,
Every mood different.
holding some mystery,
Each different,
None less or more.

A game of patience;
Waiting to reach the end of one path,
And the beginning of another.
A hurry to get up, and get down.

A bus, a metro, a train,
An auto and an aeroplane,
The modest pace of a tram,
The coziness of a shuttle van.

The stories in a public transport,
Are things I wouldn't wanna miss.

I shall never, for the life of me,
Stop traveling in public transport.
Without it, I wouldn't be me.
For me, public transport itself represents life.

P.S. : this is the only poem I have written while not in a public transport.
Madeline Mar 2014
our tram rides are loud
words spilling out like loose rice
scattered round our feet
bright blue, silver, darkest black
jackets soft and warm
eye contact that lasts too long—-
immediately
overanalysed, I know.
my wishful thinking,
it often gets out of hand.
walking in the dark,
my hands are cold and lonely
our eyes glance sideways
too much, and yet too little.
Ariel Baptista Oct 2015
Diaspora
From the Greek

When I heard the word I felt it
And I looked it up
In my old red dictionary

I could have used the Internet,
I suppose

But I like to run my forefinger down pages
Of words

I read the definition
And I felt it
Oh

Oh
We are diaspora.

Am I using it correctly?

We are a diaspora.

Diaspora
From the Greek

From the green valley of Ottawa
From Scotland
From Ireland on wooden boats

From the French village thirteen children
From the mines in the North
From Poland and from Germany

From the churches and
From the Blueberry patches
From the Island Manitoulin

From the dark lake Kagawong
From Kinburn and Arnprior
From Markstay and from Sudbury

From Waterloo
From Kitchener, Michener
From the Suburbs

Oh

From the Suburbs
From the red bricks, red currants
And geraniums
From green island cabins

From the desert

Oh

From the desert
From the potholes and pipes
From the salty wind
Cracked Caspian Sea
From the middle of the east of nowhere.

From the mountains

Oh

From the mountains
From the crystal water fountains
From the tram bells
On the cobblestone streets
From the torrents of the Rhein

From the white cross

Oh

From the white cross
On the green hill
From the river Laurence
From the French and from the English
Plains of Abraham

We are diaspora
We are a diaspora

Diaspora
From the Greek

How did it end up here on my tongue?

It is diaspora.
It is a diaspora
Diaspora is a diaspora

And I wonder if it misses its other pieces
The way that I miss mine

Ours

There is no
Roping us back together now

There is no
Home to go back to

There is no
Point of meeting
Of reunion

No
White steeple in our old town

No
Yellow slide in our backyard

No
Old folks on an old farm

No
Walled house on a hill

No
Luzernerring 93

No
Familiar riverwater

There is no
Ancient Greek anymore
Diaspora

Only fragments of fragments
Of roots of stems of words
In different dialects

There is no
Place for you to belong,
Diaspora

You’ve been sliced to pieces
And scattered
Into the wind

But
When people ask you
Where you are from

You say simply
From the Greek

Oh

From the Greek

And
When people ask me
Where I am from

I say simply
From the diaspora.
Mateuš Conrad Aug 2018
.Roger Moore!
  what? Roger Moore!
the definite Mishter Bond...
yeah yeah...
Sean Connery -
the, "original"....
  but Roger Moore had
Duran Duran to back him up!


First Name: Matthew
Surname: Elert
Address 1: 294 Havering Road
Address 2 (Rise Park) /  left blank
Town / City: Romford
Postcode: RM1 4TH
Tel: (+44) 01708 766 994
Email: m.k.elert@gmail.com
Date of Birth: 15      05       1985
Gender: Male.

Is this the first time you have bought Henry Westons Vintage cider?
No.

Where did you buy this bottle of Henry Westons Vintage cider?
Other.

Where do you do your main shop?
CO-OP on days when Russian Standard is on offer, given that CO-OP has your cider on a constant 3 for £5 all the time, otherwise Tesco, 15 minute walk, but still CO-OP for your cider.

In a few words, what made you buy Henry Westons Vintage?
I feigned a desire to drink more Magners, or for what matter the Swedish ciders (Kopparberg, Rekorderlig, etc.) - it's actually genius how your cider, standing at a whopping 8.2% alcohol volume... can't be branded an alcoholic's wet-dream like Carlsberg's Export most assuredly could. What a pristine balance of combating the sugars, that, other ciders, don't allow... I mean, at surfacing just shy of 5% in the Swedish examples? Near suffocating over-sweetness, taking a dog for a walk that was adamant on pulling the leash and hanging itself in the horizontal canvas would be more enjoyable than, walking with a bottle of those ciders... not enough alcohol to equilobrate the sweetness of a cider, per se... simply perfecto! I've already made the same point  on https://tinyurl.com/y7eaweeg... so, suma summarum: nothing, exactly made me buy the cider, originally, perhaps the logo, or some plain boredom from the Magners' and Swedish standards... but on 2nd purchase? The ****** quality, that simply transcends this question, in terms of advertisement "concerns"; p.s. you don't need to expand into pear cider. Any chance of hearing some Sonny Clark or Herbie Hancock at the festival? What about Joshua Redman?

you never know...
i might have a chance of visiting America...
if i win the Westons' Cider lucky draw...
and head over to the New Orleans' Jazz festival...
i like jazz...
   more than classical music...
well... within the reasonable constraints
of ******* on Handel's conductor's wand...

    smoochy smoochy...
   a helium balloon...
   dipped in either honey
or vanilla extract...
        chasing it...
     while a baby in a tram,
by accident,
                       releases it.
Anais Vionet Apr 2023
My roommates Leong, Sophie, (Charles) and I were coming from a Yale sporting event. The sky looked like a ***** Swiffer-mop and the wind seemed to be ignoring the posted 20mph speed limit. It was a typical spring day in New Haven, overcast, 65°, with intermittent, drizzling rain. I was thinking it was a good day to be a duck.

We were looking for something to gnaw on and a beverage - of the alcoholic variety. We picked up some Mike’s hard cider (featured in our refrigerator now), which proves college students really do plan for the future.

It was about 4pm and the streets were puddled, slick-looking and empty. The lone passing car sounded like it was riding on a sponge. I was wearing a navy blue, short sleeve Polo dress, a matching Polo bucket hat (for the rain) and a slub knit hoodie that I ‘borrowed’ from Sunny forEVER (seriously, I ordered her a replacement from Amazon) and Roxy boat shoes.

On a side street, a “party-bike” sat parked, sad and abandoned in the rain. A party-bike is a tram fitted up as a bar that slowly drives noisy drunks around. The drunks sit around a “U” shaped bar, on small, backless stools welded onto the tram. Yes, an open-air bar on wheels. I can’t help thinking that a lawyer came up with the idea, because what could go wrong?

The first time I saw a “sightseeing” party-bike was on Beale Street, in Memphis Tennessee. Memphis is the Disneyland of barbeque and the blues. Every storefront for blocks is an open air blues bar, a barbeque place or souvenir shop (or all three at once). Party-bikes make sense there, because intoxication is like oxygen in Memphis. It's a party-bikes native environment. In New Haven, they seem cheap, excessive and opportunistic.

As we were walking, in the distance, we heard the wail of a saxophone and a beat so clear, that the sound seemed to linger and shimmer in the air, like a cartoon neon ‘Jazz’ sign. We instantly turned that way and discovered it was coming from a place called “Three Sheets” which was having open-mic tryouts for the house band.  

It’s a bar that serves food and there’s a ‘beer goddess’ painted on one wall. In Georgia, we’d call it a ‘fern bar.' We found a table in the darker back, out of the way, and settled in. A waitress quickly took our orders and brought us several IPA beers.

Near a platform stage, there were 6 or 8 musicians sitting around (with their instruments) waiting to take a turn forming a trio with the house drummer and bass who were laying down a constant beat. One would step in with a guitar and play for a hot minute, then a guy with the sax, another with a trumpet and yet another with a clarinet, it went on and on. They each had a solo, at some point, and it made me wonder why I don’t listen to more jazz.

Our afternoon of music was something Sophie had wished for. Earlier that morning, as we were leaving the residence, she’d said, “I wish there was a concert or something going on tonight - something musical,” and boom, we get this. Still, I don’t subscribe to the idea of holy intervention.

I hate it when I hear people say, “God never gives us more than we can handle.” I bristle, my head snaps in the direction of the speaker, I want to see who that dumb-*** is. My parents and sister are doctors, and believe me, people are dying every day in situations that are more than they can handle. Heart attacks, staph infections, gunshot wounds, covid, cancer - Uggg, sorry, I got off track and boiled-over there.

Anyway, we had some jazzy music and incredible Vietnamese pulled-pork sandwiches with fries and a smoky ketchup that I could have just drunk.
.
.
**I put (Charles) in brackets because, as our driver and escort, he’s usually there in the background when we’re not in the residence. But his presence is circumscribed, because he’s not there socially. Is it rude not to include him in every narrative? I don’t know - it's a habit.
BLT Marriam Webster word of the day challenge: Circumscribed: something limited by choice.
Enticing us in, sugar coated doors

for sticky fingers,

Doors of mystery, keep out, staff only

nettled in barbed wire.

Half open doors full of promise,

chocolate soft centred

Exciting doors, silk covered

in lace suspenders

Inspiring doors, Leonardo bold italic,

uppercase only

Lonely doors all shuttered in silence,

cobweb covered

Sad doors, tear stained

and umbrella wet

Happy doors,

candy striped in laughter

Forbidden doors, Pandora boxed,

best kept locked

Revolving doors covered

with the same sticky mistakes

Trap doors crocodile sprung

to catch you out

Doors that slide on tram like runners,

buffered into walls with imprint of face

Secret doors of camouflaged chameleon

Troubled doors

thunder clapped in turmoil

Doors enticing us.
st64 Sep 2013
where are women really safe?
how is it that society-collect FAILS
as humanity stumbles yet again.. and again?
our lady-folk are not safe..


Amaya-
bai* finds little comfort but in sibilant-twin
as no eye of sun nor ginoo laid eye on this binukot

Olga is the silent-saint; believes in charity at home
yet chaos ensues too easily - she is wronged and just gets.. lost in the system

Zandile fetches precious amanzi in her sun-soaked calabash
her vigilant-sister falls.. roving guerrilla-men from the river's edge

Michelle, la petite belle, survives the daily-grind via low-coin
tubes to Champs-Élysées as assistante-de-pharmacie

Aadita,  from the outset at 15, dons a veil hiding ****** acid-burns
she has some relative-luck to escape sati later on

Amy with downtrod-heart, grabs the tram to downtown family
wearing dark glasses and gloves on rainy-day blues

Emiko graced (yet cursed) with beauty struggles with ancient-practice
despite the ban, silent-suffering lotus-gait in the tiny village

Aisha may be alive but not well from ethnic-marking tragedy
as irugu are outcast from all-too prevalent gishiri-cruelty




might as well take a trip to Vladivostok
or be dumped in a sarcophagus
beneath the Pyramids
safer there








S T - 27 sept 2013 - *freitag
and the list goes on.. femicide / dowry killing / ****** slavery / breast ironing / bride burning / violence / **** (marital, date, genocidal, corrective, etc)

oh.. the practices, the wicked practices of the wayward-thinking on females of the world :(



Prime minister of Ethiopia Meles Zenawi said, "If a whole community is involved in this practice, you cannot jail an entire community. You have to change the mindset, and that takes time."

how long, still? how much more of suffering and death..?
can a figure cover it?




sub: fly to the sun

1.
fly to the sun
bird's eye view
of
rivers a-shimmer and mountains a-hulk

2.
no pandering to weird-wishes
of anyone

inhale tranquil-life
just the trees in the forest

3.
beauty
in
leaves

fly to the sun
CK Baker Mar 2019
Pilsner cap switch blade
tie dye and piccolo
greasers and freaks
with platform feet
muscling in
on the bow legged hoofer
tapping
Bursey Hill Tram

Diamond tuft console
mullets n' ****
angels and saints
(unrestrained)
appropriately trimmed
as 3 mile wreaks havoc
on the nickers and
fighters of penn

Bangers and home boys
hookahs and sheiks
hostile geeks
breaking knuckles and jaws
on the caners and skinners
who are locked
and grinding the root

Desert boot foothills
boardwalk jeans
rainbows and sea fairs
and psychedelic dreams
(the platinum queens
jamming it hard
on the jade room floor)

8 tracks
and fender packs
the hottest summer days
psychedelic haze
center hall, graffiti scrawl
(sinister yet refined!)
covering the subtle
yet striking third ****

Brunswick cues
and red man chew
350 blocks
(on a solid Chevy - stock)
monkeys and beatles
and laugh in scenes
pastel dreams
from the long and coveted
velvet scroll
murari sinha Sep 2010

observing the ardent eagerness of the wind
it is clearly understood
that nascent pollens are overflowing
the niche of her heart  

in response to the signals of the river
she keeps on ringing
all long the month of earth-quakes

the bench of the rail-station
wants to hug her

the medicine-counter of the ***-end of the day
beckons her with the hand to come nearer

in the assembly-hall for musical demonstration
adorned with ash-trays
going on the rehearsal of her dancing and singing

she also distributes some life
to the meticulous dressing
of the magnolia

2.
let the swimming pool be fully absorbed  
with its dark-room

when the feather of your fore-finger
becomes green

the merchant of venice
will leave his business of photo-coping machine
to start walking directly
in search of new earnings

evening sets in
on the boiler of the delta

putting on yellow-dress comes
the water-vessel of the paper-balloon

there is no singing bird
shivering with cold
in the fold of the dear bed-sheet  

it is possible that the boldness of the metro-railway
may give some wood of tamarisk
on the expanded palms  

yet oh the western page of night
do tell today
why so much tamed polythene
are here in our cohabitation

3.
after so many days
published in the wind
painted in wings
the recent heart’s desire
of the doors and windows

they have rolled up their fairy-tales
from the ignorant drawing-room that wanted
to set her mind to the hill slanting downward

they did not want to know
how much rheumatism is there
in the hands and legs of the bark
to whom is delegated
the control of the mason-made bus-journey

sleep hugs the eye-lids of the rivers

though there is no postage-stamp
within the reaching-point

then what magic is there
in the hill slanting downward

why the wall does not learn
how to swim like a fish

truly it is he from whom
those negligible moments of man-ism
itch for blue candle-stand

4.
the ***-appeal of the telephone
and the bugle of the carnies-breaking ****-crows
are all harmonised seamlessly

the noon in the blood
is flowing along the river

all the dialogues are covered
with misspelling of men and women

the tailors want to increase life
cutting rightly the walking of clothes

after the vanishing of collyrium
from the eyes
there is not a single being
in the relief-camps

as far as the eyes can travel
i can notice in the ear-lob of the village-boats
the water-colour of fire-flies
twinkles

then let an agreement be signed
with the defence ministry
on the right
to enter into private bathroom

5.
in the air
on which flowers are engraved
the union of the betel leaves are making their outposts
anew

before the calling of the next pine-woods
you all the butterflies do take on board the tram
to go to the south-pole

is it well to incline so much
towards the tv-screen

who can say
the waves of the terracotta
would never make revolution

i’ve sent some full-moons of winter
and some water-bodies
into the holes of the handkerchief

the lacking of the colours
may kindly be excused

the birds that are blind from their birth
has been singing till now
the songs of the cave-civilisation

there is no question any where
this eclipsed-valley is adorned
with the answers only

6.
i am to be blown off on the first bombardment
then it is to be flown
in the crowd of  fire-flies
on the bushes of the scented-lemons

and it is to see the memory race of the grown-up girls

it is to see more
that after the opening of the sluice gates
one by one  
how the gathering in the hindu hotels
increases
by leaps and bounds

the pores of the skin of the body
whose hoods are open
and who are running up
along the spiral route
that leads to the top of the mountain

their child
due to late-marriage
now only knows
how to move on all fours

7.
under the table-glass
i  unfold the life-chronicle of one lakh year

and in the olive-cabinet
all the applications for living

from the monsoon-noon to the winter-afternoon
the lines you draw on the parchment

none of them is so condensed
as to touch the palms of a sailor  

from the numerable timber-joists
come down the swarms of personal white ants

no spring seems to become corporeal
without the spell of misunderstandings  

so of late
besides the dry statistics
with the cough
comes out grey thermometer

prickly-heats spread over the whole body  

the sticks of young antenna
shake off their wings

behind the bath-scene
lies the succulent hailstorm

8.
there is no lovely add
yet the market-value of your headache
is going up day by day

all the noon send her mad
the intellectual kisses
the coos

or is it the running about of the tennis-ball

so much pop-corns are flying out
from the draw-well

or that sound of foot-steps
in the north-east

may be
that is of some brown horses
or some horse-drawn perambulators

when the moon spreads out the platinum
does it judge the recipients

thus the bin-leaves can ring
from head to foot

it unfurls an incorrigible right-angle
in the early-evening

the troop with armours
open a shop of ******
beside the vainglory of the lake
Thomas Thurman Aug 2010
If anything should happen to The Hague,
if someday they abandon Amsterdam,
philosophers will take these strange and vague
descriptions, and derive each tree and tram
by mathematical necessity:
should nations shake their fists across the seas
with words of war, it follows there must be
a middle ground, a people loving peace.
And is this scrap alone a netherland?
Not so: we spend our nights beneath the sky,
and every country's low for us, who stand
a thousand miles below the lights on high;
if only I could learn to live as such,
and count myself as kindly as the Dutch.
Written, with thanks, for the organisers of GUADEC 2010.
SG Holter Feb 2015
She looks up at me from the
Stroller, eyes wide open as
If she's never seen a shaved
Head before.
I'm guessing it's the head.

The tram is packed full of people,
And my country boy soul cringes
At the touch and smell of a
Hundred strangers.
So I focus on the little angel princess
Strapped gently to her

Throne on wheels, and in the
Vast space that our eyes meeting
Creates, I breathe pure, fresh air.
The tram is a hall we have to
Ourselves, and I'd trek to
The end of the universe

To find the last piece of candy
In existence, just to return,
Travel worn and outer space
Accustomed, just to place it
In her tiny hands
In gratitude.
Zywa Sep 2023
Coming off the tram,

we stand still to watch, the wind --


blows flyers to us.
"Ivoren wachters" ("Ivory guardians", 1951, Simon Vestdijk), chapter XXI

Collection "Inmost [2]"
René Mutumé Oct 2014
The Thames rides high in the city's red wheel!
the indigenous birds of one country are moored no longer
the night is worth its ride, and castrates each reason
to not sell: the freshest cut mind: its only state: its only guest  

Babes milked by dunes, growing giants from their anima palm
low nebulae of sea anklets, by the cooling of patience
by the stored morning of vittalic kin, usherette grasps
shatter spite, at the risk of all peaceful vibrations in humour
where the roads connect to all amor fati, amor fati, Amor fati!
la chimère d’amour; where rhythms are shared by all animals,
unflexed in the skull by denizen skull: the populace melts

So passed the point of brinking-worlds, there are only elements
so no rapier can slice through dream like the scent of day,
and we scream in melodious waves of diving accident;
which brings notions back of extending fire sighs so opaquely,
happiness cherishes the chaotic mirror of booming children
the figureless dance of the last disgrace, which has no pity
and is the travelling word for success against liberty

We are no longer life, or its blushing ripped condescension
only my shadow and yours are the freeing muscle
where man has shattered space into the thousandless voice
of solitudinal stars in the androgyny of light-
hemisphere of binary pleasure; jealous boys and girls drink smoke
we the haphazard twin of darkness and light forget, wilfully
as if destiny is a circular pleasure, of both stomach and sky

By the watering mortars of the watchmen from Soho dancing again
and to this city the agile mouth of a field is awake
where the sad winds entwine with the yeasts of the hare
the smallness of light balancing on your cheek, gargantuan
to everything through the hymns of a car choking, to spirit
two moments transmit all there is, by the third, death emigrates
or it does when we dress each other by the charm of time

I have no idea where this music begins, and perhaps our DNA laughs
as do my fathers, your mothers, in the emergence of reversing gods
the birthing of make-up, the evening day mobbed by innocence
where purity is less magnetic than a sliver of fish, dead in a dog's heart
even that now, même que maintenant, even this now
même ce maintenant, is a better howling blood of choice
where a little fatter and choicer- rage is the sonata of calmness

And much dusk where the glimmer is, the ****** drool of half
heartedness is your soft wolf walking in, the silk of your bating voice
my only vice, and the point of all tantric scent
the murals of our past are now the sculptures of changing grip
like early and significant horses enduring the guilt of eating
all tribes in all ice and fire, the fastest cars cannot beat the tram
the tram and old bust marriages of constant grace

Fundament, infallible, mercurial, wholesome in lie
there being no flea with enough backs to carry us all
no poem in hell can survive without being saliva
too much **** and not enough road makes a dull car of us all
but, there is only one liver waiting on the ground
what is the perfect song to let it breathe? Tonight
you are my attire, and I am yours

We soak the ribbons with massacred blood, we say
to the absolute: no, I choose my partners carefully
I am yours, you are mine, our habitual skin
blowing leviathans training the wind
and chokes as we stroll releasing our hands upon its neck
but let ours fly together and apart, nothing holding the world
in the divinity of wood, your translucent perfume, our body

The dogs have blown into darkness
The moors create hybrids from themselves
Wild garlic ferments in fields of skin
Texas leans into Vertigo’s kiss
An ape is born smelling of you
My sweat is your blue June
Armed only by light.
A L Davies Jan 2013
last night i almost
gave up thinking of bronzy brazilian girls
perspiring pure coconut oil, eau de margherita ;
supermodelas eating my dreams like concord grapes, lionesses
lounging on new york balconies, lithe, reading céline.
(esti ginzburg, on the phone, considers another pomeranian) .
almost stopped.
almost derailed strange vogue-like fantasme of irina shayk, standing legs planted
left knee out-****** and foot
in ebony heel, cocked against the earth.
set being imitation of gloomy coal mine, east of prague. thin arms firmly controlling the
arc of her pickaxe, clothed in leather, high heels;
sheen of sweat holding her feline body in sweet embrace.
imagining that when shift's end buzzer echoes thru the tunnels she smokes a cigarette
on a bench in the women's locker, apple planted on old planking, elbows on her knees.
cover-alls peeled
down to her waist and her hair,
free at last.
(click)
on the tram back into the city all the smoked glass
cartier storefronts pass by like polaroids held in the hand. the same speed.
giggling, 'rina thinks of the six she could place
along her arm; gilt gold, brushed silver, diamant...

there are 11 smoked belmonts by the back steps; i did
little with the night. (tall shadow of a woman in a black dress and my mouth
a cotton ball)
that is to say:
i did almost give up thinking about bronzy braz ilia     g rls ,
-
but i didn't/and so there's nothing else.
'some girls' (insp.) / kanye west taught me a lot about supermodels.
Hank Helman Dec 2015
It was her father’s fault of course,
He had cared for her too much.

He’d tendered love as a comfort
A cure,
His affection an antidote,
And she believed him and came to  
Depend on its sway.

He, her father, was a generous man with no money.
Well-educated and unwilling,
He refused to convert
And enlist as a worshiper of things.

How can you spend your life alone in a car, he asked.
Days, weeks, months trapped in solitary confinement,
Commute used to mean benefiting from a lesser sentence, he told her,

A judge would give you credit for picking up litter,
Or apologizing to your primary school teachers
For all the terrible things you'd done,
Then a month off your jail time, he explained,
His palms up, his shoulders in a shrug.

Now look at our roads, he said,
Everyone round shouldered and condemned,
In a cage, stones for eyes, barely breathing.

On the tram I meet people, I love the public square,
We are meant to mingle he said,
We need each other to make a life.

And so when her mother died,
Unexpected and sudden, what death isn’t really,
He took on simple work close to home.
He wanted her to know he was near, that’s all.

He understood the comfort young children find in
The literal sense of things and so,
He sat with her through every lunch hour and,
They ate soup and sandwiches together each day.

This saved her mind.
She knew that  now.

He, her father, was a chronic enabler of love.
In the fall they would laze on a park bench,
Yellow birch leaves like fashion stickers all over her rain boots,
And chat quietly as they tossed unfrozen frozen peas on to the pigeons.

On these afternoons he retold her stories about her mother,
His childhood, her grandparents and
The hard times,
When even a nickel could ignite the most outlandish of dreams.
Can you imagine, he would say,
Only five cents and we all thought our luck had finally changed.

He was an explainer and a tolerant,
He told her the sun rose up each day
Only to search for one new idea and that
She had a magnificent brain and
One day it would be her idea the sun would shine bright on.

He told her the purpose of her life,
Everyone’s life,
Was to think pure thoughts,
Small decisions that would help save the world, he said,
Contributions often so small no one might notice,
But each one would make a difference.

He said science called this the butterfly effect,
She loved the name.

He was thoughtful and fair
And so everything he stood for was impossible to duplicate.

He never forgot her birthday,

The dolls came in battered boxes
With crumpled corners and broken plastic windows.
Weathered cardboard coffins,
With magic marker scribbled on the back,
Gruff autographs like ‘return to vendor’ or ‘write-off,’
Words she paid no attention to,
Even when she began to understand what words can mean.

Her birthday cake- always a single slice never a round,
She had never seen her name in icing,
But why would that matter,
When she could wake up early in late November
And see all three of her names in elaborate calligraphy,
Etched into the frost of the front room windows
For every passerby to see

His all saint’s grin,
He told her every day of her life
That he saved the first smile of each day for her,
A smile he hid in his pocket, or under her pillow, behind her ear.

Her kingdom for a year was two card board castles in the living room,
Where, with official pageantry, (her father had a scroll),
She was crowned the Grand Duchess of Washer and Dryer,
Her word was law for the day.

He surrounded her palace,
With brightly coloured bowls and
Casserole dishes filled with water,
A protective moat into which he placed plastic animals,
Whereby he proclaimed in a court room voice,
All would become flying horses and loyal dragons
If danger ever dared to mock and threaten.

So when he died she was ready.
She wasn’t,
But as an adult she told everyone she was.

After the funeral she dressed the same,
She ate, she worked,
She offered her ****** Mary smile generously to small children,
She said please and thank-you in a clear voice,
And gave a dollar to every street person she could find.

She was near him when he passed.
She understood the comfort old men find
In the literal sense of things,
And for weeks she slept shotgun
In the chair by his bed.
She wanted to be near, that's all, and
She fed him soup, no sandwich, every day.

We all die he told her only moments before his turn.
Our only calm is our end, he said in a whisper as weak as
Mormon tea.
Do not regret, he cautioned her,
My life was mad and complete, he promised,
You were my good idea and the sun rewarded me,
He said in a voice so soft
She wanted to lay her head on it and drift away.
Then he smiled his first smile of the day,
Pressed a plastic dragon into her hand,
And withdrew.
THE BIG CRASH AT PARK VILLE

BETWEEN A BEER TRUCK AND A TRAM YEAH AND

SLIM DUSTY’S GHOST CALLS OUT


I CAN’T HAVE A BEER WITH DUNCAN

I CAN’T HAVE A BEER WITH KEVIN

I CAN’T HAVE A BEER WITH PATRICK

I CAN’T HAVE A BEER WITH TONY

NO THE TRUCK IS IN A CRASH

THE BEER KEGS ALL FELL OVER EVERYWHERE

LEAVES US WAITING TO HAVE BEER WITH OUR MATES

HOW CAN WE DRINK IN MODERATION

THE BEER KEGS ARE SCATTERED ALL OVER THE GROUND

WE CAN’T HAVE BERR WITH OUR MATES

CAUSE THE TRUCK HASN’T COME UP YET


I CAN’T HAVE A BEER WITH RODNEY

I CAN’T HAVE A BEER WITH DAN

CAUSE I MIGHT HAVE MENTIONED THE PARKVILLE CRASH

OH MY GOD, IT SPOILS THE PLAN FOR THE TOWNSMEN

YOU SEE HOW CAN WE DRINK IN MODERATION

WHERE THE BEER IS LOW, OH YEAH

IU CAN’T HAVE A BEER IN PARKSVILLE

CAUSE WE CRASHED INTO A TRAM

I WANT TO HAVE A BEER WITH WILLIAM

I WANT TO HAVE A BEER WITH BILL

WE DRINK IT UNDER THE TABLE

BUT THIS CRASH BRINGS A SHORTAGE YEAH

COME ON RESCUERS, PLEASE, SAVE OUR ****** BEER

I WANT TO HAVE A BEER WITH DUNCAN

CAUSE, HE DESERVES IT, OH YEAH

THEN SLIM DUSTY FLIES AWAY, DON’T FORGET ME PARKSVILLE

I  MET YOU AT THE STATION

WITH ALL THE BEER HERE RATHER THAN THE PUB MY KIND SIR

WE CAN’T HAVE OUR CELEBRATION

WE DRINK THE BEER ANYWAY, IT’S HOT BUT WHO CARES, IT’S BREW

YEAH LET’S GET ****** OLD KODGERS, AND YOUND DUDES

YEAH, GET BLIND OH YEAH
Me Oct 2014
Let your hands not
Cling to the frozen beds
Of purple flowers

Let them crash the icy surface and relief
Your skin

So that our future has
No chance to pass
Unnoticed
#wtfisahashtaganyways
Roar of the rushing train fearfully rocking,
Impatient people jammed in line for food,
The rasping noise of cars together knocking,
And worried waiters, some in ugly mood,
Crowding into the choking pantry hole
To call out dishes for each angry glutton
Exasperated grown beyond control,
From waiting for his soup or fish or mutton.
At last the station's reached, the engine stops;
For bags and wraps the red-caps circle round;
From off the step the passenger lightly hops,
And seeks his cab or tram-car homeward bound;
The waiters pass out weary, listless, glum,
To spend their tips on harlots, cards and ***.
Carry me out
Into the wind and the sunshine,
Into the beautiful world.

O, the wonder, the spell of the streets!
The stature and strength of the horses,
The rustle and echo of footfalls,
The flat roar and rattle of wheels!
A swift tram floats huge on us . . .
It's a dream?
The smell of the mud in my nostrils
Blows brave--like a breath of the sea!

As of old,
Ambulant, undulant drapery,
Vaguery and strangely provocative,
Fluttersd and beckons.  O, yonder--
Is it?--the gleam of a stocking!
Sudden, a spire
Wedged in the mist!  O, the houses,
The long lines of lofty, grey houses,
Cross-hatched with shadow and light!
These are the streets . . .
Each is an avenue leading
Whither I will!

Free . . . !
Dizzy, hysterical, faint,
I sit, and the carriage rolls on with me
Into the wonderful world.

— The End —