Along the sea floor
The choral beds your
Topology of dreams, sure
As any submarine lore

Between the blades of sun rays
An octopus parades
Happy in the shafts of light
It is not wrong or right to be an octopus tonight.

If I said my heart was a cyanide laced pomegranate,
would that make its expressions any less ******?
If I said falling in love was like throwing yourself off a cliff on a winter night and drowning yourself tumbling through the air blind like a bag of kittens, but I was quoting Kierkegaard,
would that make it any less of an awkward melodrama?
If I told you the western blocks blind attacks on the other,
kinda resembled Freud's account of the mother
of a miscarriages melancholia,
is that a condoning or a condemnation?
if I translated every meta-narrative of class relation, oppression, wage slavery, state violence, suppression,
into anthropomorphic allegories for a myriad of psychological phenomena,
would I be an academic or a shinto miko?
[and would the world be any better?]
if I superimposed on the geographical topology,
the political and then the existential,
would I have a sandwich?
Or a lasagne?

Post-azure, cloud splashed sky,
washes with the suns descent,
breaking into melodies of sunset.
Fracturing into a blush,
the richness of the spectrum
makes itself known.
On a tangent of change,
amorphous clouds bleed
amber glow
and bittersweet combinations
of reds and yellows.
Vermillion streaks through,
and a few cloud folk turn titian,
like sumptuous surreal apricots
rotting in the sky,
that seem to augur
encroaching darkness.
Billows on the horizon
leak crimson,
like spilled wine on table cloth,
and pucker out
like blooms of flaming roses.
Fire refracted
coloured cousins of the sun
are dancing all about.

Here is the anthem
of wild transformation.
Here is cause
for quiet celebration.
Here at this fluent juncture.
Here at the closing of day.

The whole of the ocean below,
is the skies tremendous mirror.
It's reflection is variegated,
into variations a thousandfold.
Multitudinous, and ever differentiated,
distortions of above
ride the crests of waves.
Each apex is a new story.
Each new story,
just as soon as it is told,
comes crashing into trough.
Each finale is the ****** of beginning.
The dynamic roar
of the oceans ever-changing topology
is rife with meaning.

Colossal symphonic wonders,
the primordial song,
releasing upon: the uni-
verse continual,
sending the manifest
to move, with the give and strain
of immaculate design.

Here ensconced
between the safety of light
and the mystery of night.
Here at the oceans edge.

Above, shades of catalina-blue, in conversation
with the outer most cosmic-black
dismiss earlier brighter hues.
Tinged by the infinite nature of space,
the jeweled dome darkens.
Overhead, the first stars appear,
sky transparent to beheld blackness.

Luxuriant, pulling horizon, attracts
violet into it's unfolding theatrics.
Bloodied clouds turn purplish, then black,
a darkening rawness allures,
decaying with vivid beauty,
tragedies of a rouged romance
drug down into shadows play,
searingly alive, extraordinarily actual.

And then, the hush of dusk.
Darkness is felled, like silence.
Scintillating stars
strengthen in the nights
surrounding abyss;
giving radiance definition.

Dynamic Beauty
Lives In Transition,
Oppositions
Compliment.

Past altered states tests postive and subtle
******* So and so's ­teeter Paleolithic après time puddles
And submit terrible philosp­hies
Ashy stubble ticks politics 
and sacrafice to peer approval ­sacralige
Test probably appears stable
Top patriarch's able sudde­nly to
Pop above submerged tables possibly
After, something tests­ patience awkwardly
Stumps tarot practioners and *** testers poor­ application sterily
Topology plain, astrology scorpio
Torpedo po­wer aptly strikes to pedal antlers sour
Take particular appointments
Stop testing plea­se apply sorted
Terror power and sexless torn pigs
afterhours pen­ and store tips, plow.
Alter simians testosterone, pow!
As scient­ists type papers about sexing tasteless past alligator snouts 
te­sting partly after science takes party alliance south to pawn arm­y 
subtle tipped passion. artsy.
Start these.
pick atoms smarmy
T­ally past all sentences take pride
As stencils test pestilence. A­nd sigh.
The previous alterations simply tried.
And didn't work, ­hence the present
Path lit incandescent.
I'm looking towards the ­east waiting for positivity to peak
You're turned backwards nosta­lgic for something that'll never come repeat.

The Atlantic Ocean and I sigh
in unison against the shoreline
of Amagansett Beach
and as she inhales;
she drags the land above below,
one grain of sand at a time.

In a few generations
she will have devoured this entire beach,
eventually the whole Island
and with it the multi-million dollar estates
which decorate its topology
like an effigy to human vanity.

I would say never before in history
has there been so few with so much
who have done so little
but that would denote
some kind of significance
and they are hardly worth noting.

They leave Jerusalem, with the acrobats from Shiraz. They were ghosts of poetry, wine, roses and fireflies; they were conjuring the path of the twelve camels to the intersection with the Cenotaph, where King David with the Cherubs of Kafersesuh will stay. They were Epi ghosts, basking in camelid footsteps. They went in all the intermittences of the bent nails and plants of the areas of the marquee of the other four ghosts that accompanied him. They were the jumpers with water wheels, wheel scales with tutelary cords, some with stilts of gold disgrace from the coins of Judas Iscariot and the last propelled by a caper that ruled all the others on the wings of the Fireflies. Withdrawn from the road that leads to the Kidron valley, 2,500 years of clay tablets from Persepolis fall on all of them, they were phonetized with the plaintive nightmare of Tirazis's one-eyed poem; which is currently Shiraz, in this way these ghosts escorted the Hexagonal Birthright, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. As they began to be with them in the cove, the ghosts of the acrobats boiled with the eagerness to prevent everyone from being saddened by the departure from the orchard, which was falling further and further behind their footsteps, dancing with their pirouettes along the way, they told little stories. in the ears of travelers.

Hydro Saltimabanqui: “I come from Roknabad (also known as Aub-e Rokní), an underground canal that carries spring water to the city from a mountain located ten kilometers northeast of Shiraz. Here I have to mend the propellers and water ropes to do my acrobatics on the water, with greater songs in the poems of the Poet Hafiz. When we bite our tongues, we repair it with Hafiz's verses from the Koran; there are three hundred creeds, three hundred hectares to irrigate with my wheel the sadness of those who cannot have the gift of the rivalry of Montenegro and Monteblanco, to overestimate the liveliness of the caravan trembling with uncertain doubts on its way to Jaffa. "

Saltimbanqui of Bacule: "We are Epi ghosts, the reverie with tutelary ropes, to jump through the trapeze of the photometric units of the heavy Almería of the highest Mirror of the Sea. Here we look; from here we will board the barge that will take them from back to Limassol. Curiously, the same ship from Lepanto that sleeps in the swings of the sea and in the arms of Anaximander, in a new awakening from the lethargy of the super-string theorization, here is the intrinsic speculation of science, since this is not just to research purely empirical. "

Says Anaximander: “First…, we have no proof that string theory is not ultimately correct and in the future in any verifiable way. Second, we propose a project of the order of string theory, which is necessary for science and its importance, going even beyond the scientific to also project itself on the metaphysical and the religious, right here in this order of greater what to do together with the rope that leads me to Patmos.

Saltimabanqui of Bascule responds: “metaphysical and religious legitimacy, here we are tying knots in the rope that inaugurates a new masonry in the observable futuristic look. Here is the original fiction of continuing to raise the necks of the ants over our optics. We will jump on these ropes, but we will fall on intervals of placental physical dens, which were born from the new embryo in the twelve caves of Gethsemane, in a primitive late germinal process. The micro phonetic vibrations will lift us up from the hunger to follow and leave King David in his cenotaph, gored on his hips by the Cherubim, marking his holy antlers that become entangled in the blunting of the cuneiform scratches of his epigram.

In the middle of the magical theorists exotically as associativity of substance causally of the poetic and multiverse song, believing in the ghosts of Shiraz, as dreams injected to sublimate the Aeneids that they lamented on the bottom stones, even though they were independent of their material origin. Multi universes, multi paraphrase for who has to dress the word “Rosa in her noble long dress to the cliff of Ebdara when Vernarth acclaims his brother Etréstles, he comes with the Auriga from Messolonghi. Rested and determined to head to Tel Gomel, he comes with his horse Kanti to keep him company on this crusade. Kanti defied the Cliffs of Crete, he was servile to Markos Botsaris, 1821 (Royal Hero of the Liberation of Greece in the Turkish Invasion, Koumeterium Messolonghi - Palibrio USA), until in the afternoon he approached from a herd of beautiful places of steeds to him. This was heard by Etréstles and he seized His horse to have more than a Life from his company, more than a lost and lost aroma of his natural mother, to reach the one who would treasure it”.

The ghosts attribute quantitative passages from before leaving King David, and then continuing on the road to Jaffa and advancing on the ship back to Cyprus; Limassol. All were hyperkinetic bowls leveraged by the terrain that was on the **** of the acrobatic histrion foreshadowing the contours of the temporal filigree, which in each one made them smile at the carriage with oxidizing wheels, still being immaterial beings, but alive in its marvel gases, wading the serious bile that emerged from the glasses in his allegories. His footsteps and his undulating phonetic figures did not stop over the caravan, which had already passed Jerusalem. They were already undaunted by themselves and overshadowed by the foreboding modulation and encryption of the rehearsals they were doing, over the heavy atmosphere that seized and begged a small piece of the attention of those who did not celebrate their Shiraz pirouettes.
The areas, volumes, and lengths were fully encompassed by the Ghosts of Shiraz, the acrobats ran along the banks of Ramallah, it was already winter, the city received them with winds and rains from the southwest alternating with cold and dry winds from the northeast. The acrobats went like master geometricians to condone the fuss of the caravan, devising a dodexagesimal system. (Twelve centuries of ultra-nocturnal geometry and shipwrecks at the Alexandria lighthouse)

Positioning as a base the number 12, to measure times and angles that they needed to avoid the voluminous rains that hit the caravan.  Incredibly, the volumetric position of the plantar legs of the camels seemed like wheels that rotated without stopping in any anti circumferential radius, making some clouds a shutter that enclosed them like a trapezoid of God's flock in the high semicircle of the waters that tried to fall. , like axiomatic staves of Euclid's beard tempering his elemental construct.

The linear position of each one of those who were mounted was a perfect ergonometric based on the Muladhara pressing the four red petals on pressing the Achilles heel of Vernarth, which was dimensioning the Ramallah triangulation, with the fungi that were housed in its Xifos sword in the jet tip that carried the dodexagesimal cartography. In the same position, the Apostle Saint John seemed, he carried the rosary in his left hand in geometry that elongated his nose and feet in an adonis triangle, thirsty for one hundred and twenty degrees of the sextant that broadened its spectrum to align with this Birthright. Thus the stars and planets are positioned as celestial spheres with the gravitation of the Olivos Berna, revolutionizing curved and flat equations that intuited to go beyond the crossed pirouettes that the acrobats did all the way, even further than those of the withered path of oil, purposely of the axiomatic systems that the Ghosts of Shiraz intended to establish.

Shiraz  Ghosts

These Persian Epi ghosts, axiomatized abstract and ideal entities relating models of austerity and lyricism, which fluctuated in the lines and planes of movements of the clouds with the counterpoint of the legs of the Gigas, leaving marks in the sand like a point Morse, straight and flat, until the fifth step that tried to cross the lines of Ramallah, for the parallelism that the centuries that asked Vernarth to reorder the geometric geography of time and the positions that were added as a delay effect in the Garden, essentially of a hyperbolic vision, to appropriate the entities of the Ghosts that grasp with their little finger the strings of the times associated with Gaugamela in his palatial sovereignty with the footsteps of Vernarth and in the phylogeny of a world that is born behind the confines of religious micro- genetics , from whose space is born in another and would accommodate a circular bijective function, to attract the aerosisms of Ein Kerem in the new life signs of J Joshua in the reborn One-dimensional Beams.

Vernarth diluted his bones to sit near the tarsus and accommodate it at the end of the vertebra of the Muladhara (Chakra of 4 petals), making a sub-technical geometric function to preserve the figures of darkness that were also diluted, to arrive at night close to of Jaffa, in the surroundings the isometric fire existing in each one and in two dimensions…, but born of a common one. Raeder and Petrobus wore their floating eyelashes full of dusty and dense manias on their faces, with splinters gum that they had released from one of the pirouettes of one of the mountebanks when colliding with the basic postulates of the Ghosts of Shiraz, deducing undulating spaces like snakes within the isometric fire that dazzled them with the burning senses of humor of the last drops of the Shemesh codifying themselves in an absolute intuitive measure, beyond all dimensions, which is Consciousness destroying the planes and spaces that multiplied among themselves as members of another geometric conscious dimension.

Arriving at the Ben Shemen crossing, everyone undergoes collective hypnosis; the ghosts manage to embody each of the components of the Birthright but omitting a great factor. They relegated the Hexagonality of the genetics of this caravan, not raising the ghosts when calculating the area of once they were being intracorporeal within the members, thus having to abandon before the last ray of Shemesh threw them on their faces ashes of the Gehenna, for this supposed reason to leave them condemned to recycle the human species, for the purpose of reproducing sacred human beings, but being subservient to the cravings beyond the immortality of the miscalculation that led them to the citadel of Karim Khan, surprised with its stamp of thick stone walls and circular towers in the heart of Shiraz. This gave them a warrior aspect contrary to their fame and history: this was a city famous for two thousand years for its culture, with its gardens and its poets, now if in a conspiracy by this beautiful odalisque ruse that attracted the guide of the ecstatic ghosts, in a bad moment of extradition to a bad context of epi ghosts not yet defined in their pockets of apprentices boasting on the laurels of weak and doubtful ideas, which still swarmed within his white heart, trying to reach Vernarth's as former commander Hetairoi, now a servile mystic. In such a way, the complicated as ghosts like "Sufi", being, in reality, the genetic soul of the double ax that carries the double edge of today ..., of the sacrament of Medea in Abdera.

Pro says a ghost from Shiraz (embarrassed):

"The Universe is a sea that longs for dry shores,
without sea and without other wet longings ...,
no possible maiden could
Try to dry it with your star hands ...
Who calms the crying of the Universe ...
even so ..., simile remains floating as a verse between his dreams "

"How can I make my dreams another dimension of the universe?
if he is quiet and does not make me float in his sea ...
How can I make it possible for the tips of its stars
fill the spaces that have revealed it ...
and that have made circular shores without a sea in the mists "

"I walk alone and nobody sees me ...
so I don't wake up the candles that smile and accompany me ...
between days that turn into mornings on the shore
of the solitude of the universe, that nobody embraces him ... "

“Now the days tremble from almost falling on themselves,
They come out alive from their own loneliness of exhaustion and fullness ...of whoever appreciates them in the mists ...
being able to surrender their attention in Ben Shemen ”.
As the Ghost of Shiraz expires in Ben Shemen, he escapes all for nothing in the triad of hypnotizing conventions that still resided in the shameless air that engulfed him, all over the stationary enclosures of the entertainment spaces caused by the acrobats and epi ghosts. That seduced the indecisive beings that sailed over the limbs that made them doubt where to refrain from continuing, outside the radius of the caravan or beyond the skies that did not cease to be in good spirits, of the universe passing through the white hearts, six on the inside and six on the outside in their traveling artist folds.

The lands that are accommodated by the time of parapsychological hypnosis tremble again, as a separation from the physical magnitude of Gethsemane.  Creating a sequence that bends the heads of the ghosts, filling their translucent physiognomies between a cold past and a frozen future, from a classic mechanic, which from now on would depend on the dice thrown by the Third Phantasm of time. Here a relativism would be opened to those who want to see the past in the orchard in an unstable particulate present, leaving far from splitting both parts of the archetype of today, like a subdivided clash of several times that allowed integrating the remaining phantasmagorical spectra, taking over a story on a pluriaxial axis that prevailed in the time of a supposed numerical line from a vector, aligning itself towards the compass of the distance that shines between both northern hemispheres in the minutes that go to the right and the solid-gas seconds that burst almost in the walls of their own liberated beings. The four ghosts of Shiraz, had time differentials before this event with the caravan, verifying the simultaneous prop between the two pairs of ghosts between four dissimilar, but poetic ones that made them here at this point obviate and cancel between two relative nomenclatures of physical structure. The durability and classification of these micro-times of the phantom epi would make the database that St. John the Apostle and Vernarth will accumulate with their eyes closed, each one surpassing himself from the debatable areas, which concern to estimate in occupying the spaces physical in some of them at will so that one of them could embark to Limassol. This simultaneous and relativistic multi-active line, encloses events and squares of spaces in the cinematographic time of the parapsychological regression, as a link of physical images slowed down in the evolutionary and cognitive memory, passing from the conduit of expectation memorization events towards the set of absolute figures. not pigeonholed, but approaching the universe in grasping scales of those who value them. This elucidates even the very conception of conceiving oneself as a ghost, rather in what is called "Epi Ghosts", of absolute belonging of the identical ..., outside of oneself "Being with them and not, as a tacit phase of a dragged story with the seconds that were not lived ... "

This scaling conception will allow them to reside a few millimeters from the consciences of the caravan that was advancing automated along the tracks that already made time and distance in front of the absolute, in a jiffy, having in their faces Rizhon Lezion, who was made of images more than a marked and concrete story in a mechanics that kept the body as part of a large volume in all, to the rhythm of the plantar areas of the Camels Gigas, dividing as a stream of water that would flow fragmented between past, present and future, but as a starting pattern to the future as the only "today" for the time of the times. This unified three-dimensionality would mark the mathematical space of the attempts towards the future of the contiguous camelids of the ghosts of Shiraz, for the ownership of time between all with a single identity that cries out for the univocal will to rearm, even if the winds are very strong. Of the partition,  which separates the world from God and the believing observer into the future with a believer from a historical past in obscurantism, leaving and entering a new world whose notion is to spend connected and bound in a systematization dependent on the great causes, although the static feels isolated from the dynamics, inquiring probative to unite between the ghosts and others, even though they are inferior forces under the line of the generous gaze and the parallelism of the attentive spectator, which suggests more openness to receive and delegate the circumstances of all physical, emotional, spectral and mental-spiritual dimensions, flexing the emotional states hierarchical night and day. Everyone falls asleep hugging on cushions of lamb saddlebags, making it possible to get closer to them too, close to the Ghosts and sleep next to them hugging with the decanted strength of the frames that hang from their faces showing the emotion of being favorite children of the Mashiach, absorbed in the Kidron Valley.

The frontier of the future will be the pre-act of not traveling too much of the physical love to the touch that only awaits the love of the sleeping of a Cherub, this may occur when the sheep climb the hill of our consciences, and manage to be perceived as the simultaneous harness of satisfaction, who lack the vision that would speak to them of a past belonging immobile, to this ethereal topology that will have to biodegrade the molecules of the seconds that sleep in the sheep-man wool saddlebags, at a higher speed than it would last to go back near from the palisade, where it crosses the path to the immemorial arcades of the Mashiach, spinning around all creation at a speed that determines a verse in its soul around the orthogonal of Shemesh, quadrupled and cloistered in its self-consciousness scattered like iceberg down the back in the submissive thoughts that long to be tied to more precious time.

Our lord has us more tied to an absolutist past and future, looking at his calendar divided in such a way that it always fits the day that hurts the shadows of a sharp past, so that it always smiles in us, as the best luminous sign, of whom and with whom to repair the damage of various wounds that travel through the times of time, always wounded, to and from the borders of an anachronistic past. The ghosts, always fast tetra, marginalize themselves to the sound of greater diligence, they fled in Rizhon Lezion, to wake up a little further away from the rays of the stationary Sun, which from now on always surfaced in the degraded dark circles of the mountebank, prowling around the festivities of who knows how to wait, to make a toast under the pretext of faith and hope that exempts the cardinal turned into a flower in white attire.

Shvil from the Angels

The fast epi phantom tetra was emaciated, they lost their north and since they could not walk, they were not energized by the radiosities of the earth, which dominates those who lend divine graces if their feet rested on the tapestry of those who threw their footsteps in winter already near Jaffa. The Shvil Angels were angels that were on the route that cordoned off the pilgrimage of Vernarth and Saint John the Apostle, they were full of flowering Berne Olive Trees that made trunks of floral arches at the entrance of this ancient port. They were three when they walked, they were always distributed so fast that they seemed to be six, but they ended up averaging the quantum of three for each of the components of the Birthright, which from today would be the great circumcision event of the Universe, to make it part of those who one day will have to caulk the rhombuses of the fragmented light beams on the path of heaven so high, in the name of the phrases that never tire of looking at the incautious years that are of our father by the exogalaxies in the total company of the invisibility and relativity of cautious time.

This Semitic seashore beauty indicates and invites us to reach its salty Hebrew waters of Yofi, reinforcing the phonetics that runs madly through the border hills with its heart in hand, when foreigners appear in the name of plausive phylogeny. That brings him a piece of bearable land from the Universal Flood, this is why the ancient Canaanites have to receive them with the table set, to entertain them with winter flowers in Jaffa. The Hellenistic tradition relates the name to Iopeia, which is Cassiopeia herself, mother of Andromeda. After Pliny the Elder the name is connected with Joppa, who was the daughter of ******, god of the wind. Where Vernarth locked his Aspis Skolié shield so that it would shine in the bilges of the Eurydice, under the pentagon’s of the bronze layer of his shield, every time he approached the Dodecanese when the Auriga descended from Andromeda on the back of a punished rower by the storms taking him away from his mother galaxy.

Thousands of years BC Its merchants glorified themselves with their baskets full of belongings and merchandise, for its inhabitants, who today pretended to be pharaohs who paid tribute to the marine corners through the coast that today seemed to open up with more new waters that were reborn from the capering of the swells, founding thus the omens of embarking to attempt and submit to the omens of sovereignty between Judah and the Hellenic lands, to work with noble trees in their armories and utensils, of which they played an honorable part after the maintenance of the emblem of the last portion, of the shaft of the libertarian triumph of Alexander the Great over the Phoenicians in Tire. In the New Testament, it is related how Peter resurrected the believer Tabitha (Dorcas, in Greek, gazelle) in Joppa (Jaffa) and, later, how near this city he has a vision in which Yahweh told him that he should not distinguish between Jews and Gentiles while ordering the removal of ritual (kosher) food restrictions followed by Jews.

The Shvil of the angels distanced themselves from the desire of this station without reaching them and not making them drink salty water from Jaffa, therefore they resorted to Petrobus who a few meters before reaching the port, summoned a large number of Dodecanese Pelicans who were waiting in great celestial flocks, which hovered happily above the sky welcoming them. The pelicans levitate from a risky juggling act, over the caravan and headed to the high seas, collecting saltwater, then they went along the initiation path of Shvil and reconvert the saltwater into sweet with hazelnuts so that they would have holy water, to insolate it and pour it into the canteens of the temple guards of the Canaanites who were waiting for them, to distract them, making them believe they were other Syriac lands such as those of Ashera, which in this act, perhaps it would be good for them to sponsor the Hexagonal Birthright.

But the paths of the angels have confederated before the noisy crowds and Ptolemaic lemurs, who were incorporated into the empty spaces that remained. Faced with this gravesite, Vernarth shouted to the sky with the force of Falangist tradition to himself, and acclaimed heaven, for the sake of freeing them from their definitive income to Jaffa, summoning the Hypatists; elite warriors and spearmen, for them to gather at the portal of the ante entrance of Jaffa, for others who never came from nowhere and nowhere, only blocking it from its perfect plan of memorial and theological heritage conservation, upon return from the exit Judah, to embark with destiny through the sulphurous point that  will boil them in temporary waters, towards the Cyclades and then the Dodecanese, triumphing in inhabiting them wherever whoever was and whoever arrived with foreign promise.

As dusk falls in its first nubile shadows, the  Shvil presents itself to you with these three angels dressed in ivory white, each with a book in each hand and in the other a candelabrum, giving signs of ultra-interpretive catechesis, allying with silica. In combination, after the vision of the charms of the knowledge spread. Earth and sky in the second angel, washing the Semitic dew of anguished Jaffa, with teachings of sleeping well and awakening, to walk in the lands that want to seize the senses, of those who are called not to be oppressed, behind the bars of the Morbid and illiterate pan-vision of the angles of hasty entertainment of the angels when they were called by the Angel Regent, simply relaying information easy to carry to their hearts, in faint powers and poetic lessons, before falling into a thorny forest, burning their tongues in furrows of afflicted human positions, to later redeem them fervently with the judicious power of God.

Vernarth, is distressed by matters of seeing them so tender and so fragile, allowing them to crawl toward him gently. Finally, on these three rules of the Shvil, Hanael introduces herself; "Speaking of hindrances stuck in the literary cabal of grateful compliments for all".   Alluding to Vernarth, a subject desensitized and also distant from any Sub Yóguica disciplinary doctrine. This led him to stand behind San Juan, protecting himself and scared of everything around him, he was seeing in front of him, on the upper left side itself, that Zebedeo was, San Juan's own father calling him!

Saint John the Apostle says: “Justice, at this time, allows us to alleviate ignorance, if the riddles allow us only to look for the answer, God will not be here…, it will only be emotional catharsis, through a merely ideological  Shvil or passage, which moves our meaningless sentences, definitely leading us to the coffers that rearm one after one, after the mistake. We are faithfully interpreted by them, but we detest our regencies with the Escaton, when we all pretend to follow his light of thunderous density towards the sky, prophesying to follow him without losing ourselves in him ..., held on his shoulder glossary. On the claws that are released from the dazed angelic prey, correcting its wavering vision, unraveling the living presence of condemnations or salvation, in Eden with your bare feet or in hell with no departure time”

Inexplicably, some Praetorian soldiers of Domitian appear, who would be restricting the departure of the tretacontero to Limassol, curiously they were the same ghosts from Shiraz that continued to represent such a bad event, just as when he was expelled to Patmos by Domitian in 95 BC, in size was the scandal that the Shvil angels produced with their impractical ideologies, who opposed such spectral imagery, in such a way that they replaced their figure with that of another Hellenic man who wanted to embark for Patmos, the other members were fully incorporated to the ship, which frolicked on the pranks as it proudly carried them to a new ocean. Around the last drops that jumped in Jaffa on the coastal rocks, others appeared when the last divided and scattered drops were going to shine the navigation temples, thus it is possible to board in the same ship that brought the principle from Limassol to Judah that transited from Lepanto.

The chapel of ministers reappears offering a ceremony, which would return the messianic remora to the Angels of Shiraz, to return to their former positions within the paths of biblical characters, who tend to commit adultery in the game of loss of consciousness of the Escaton, probably requiring that everyone have to make pilgrimage routes for all humanity secluded and liberated by themselves. The Saltimbanqui finally manage to jump into the boat to sail to the Dodecanese, but the Shvil of the Angels stayed where other celebrities will require them to reroute the Shvil Escaton.

...is like solving a crime that has left microbial evidence all over the city and in the adjoining ocean.

Candy cane body under lustrous fluorescent lights.
Energy saving bulb and its saving us tonight.
Her hearts brought out rusted like a trophy on display.
Begging you to be taken out far and far away.

Overtly smoking days till you forget who we are.
Our family is beginning to break the walls of the reservoir
And your face is looking back peering harshly into me.
The topology of your tears trace back thunderous raging seas.

Keep on my face hard while I keep unto every night.
Drink back painful memories with prickled sweet delight.
Leer into my soul like the devils bill is close to due.
***** eyes moor under a savory callous moon.

Laugh the pain and enjoy while your senses rot away
Bake every morning naked burning oven made chocolate cake.
Spite life with all its misery and drink away the fights.
Humbug sweetness finally breaks you down into a cry.

Kinder eyes that conceal misery unable to behold.
Feel the window pane as it strikes you deep dying inside and cold.
Outside the lawn is cut it resembles well your self esteem.
And who did cut this lawn but your tepid need to so clean.

The walls are painted white to reflect the light we have inside.
Paint them black, fall into silence you're a specter in the night.
Your falling into numbness within inches of your life.
And I watch.
And I watch

Hold me like your life has always depended on it.
Because now it always has.
Life is for the living but we won't die here like they said we have.
It looks bleak from here on out and your train is coming in.
Promise me there won't be any more happiness again.

And you look outwards.
Deep into my eyes.
You don't see it in my face but the moon is here tonight.
Its right behind you there like a incandescent fluorescent light.
The mountains scream upon us to rejoin them in the forest there and die.

I keep upon your face as the last hour chases by.
He's in a robbers outfit sown black and white striped.
The policeman is here as I wake up to that painful glorious and bright.
Sun in the sky he's here to tell us off for our sin.
Regret and feel at the pain and again into your binge.
Drink into your sorrow as you try and hide the pain.
Feel at the abuse that haunts you here and every day.
How dare we live in this world where people are trying to forget.
And awful memories cascade down my face, you're still a statuette.
I look into the sky and see the moon laugh down at me.
He's still up at this time, it's almost 10 o'three.

I break into a bottle and you break into a frown.
That painful face edging ever so close to breaking down.
There's no one here but us and the wind making noise at this hour.
So crank up the music before the mood turns a dainty sour.
But don't cry.

burn me down
like Babylon
consume my flesh with fire
unquenchable
Desire

Raze me to the ground
scatter every brick
To the four winds
bury me
like Osiris
divided
divine sectioning
seconding
Sacralizing

phallicizing
Pour your living waters
down my throat
into my belly
and up from beneath

holify me
gushing, rushing
Living Water
sacral ******* water

energize me
Wholify me
receive me
willingly, this sacrifice
please me
please me
pacify me

resurrect me
Holify me
living waters never quench
Holy fire
Lavafy me
Molten living metals
running through every channel
veins, arteries, capillaries, nadis

Open me
i, the channel, emptied
eradicate me
Split me up the middle
reverse my topology
Outside like the Inside
precisely as the Inside

I receive you
Open me, Penetrate me
lava flowing up Inside me

like the infinite Outside
show me
the unbounded Abyss within
mirror still
Lake Placid
reflecting
Perfectly
not a ripple
but still vibrating
Energy
forever on fire
Lake Salome
the gushing wet birth
of the twenty-four-sided Jerusalem
forever on fire

If it doesn't matter spacially whether there is a 1st or 2nd, etc., connection, then this matter shouldn't matter within reason.
As long as a connection is made or not made, that is all that will stand out.  
The kind of connection made cannot be spacially signified except via overlap or by tangency, so therefore, within reason the kind of connection made should not stand out either.
Therefore, this subject of topology is really a matter of 'connect the dots'.

The burgundy and crimson
trickle down into a spiral.
Flashes of topology, geography
and more.
Amber visions old and new collected and
restored.
The truth is far and fetched
the cords are played to follow score.
The visage of a sun and moon
battle for attention.
Images of white and black
take refuge in the floor.
Store the rest in attic space, a car
or in the plaster.
The process is consistent and
the data all secure.

Solutions in differential topology simply must include one or two definitions which are building blocks to the given solution.
In other words, they don't have to reinvent the wheel of mathematics.
Note to self: I was doing it "right" all along.

There is a difference between the language of math and the calculating of math.
Calculations prove knowledge of lower levels.
Language of math proves knowledge of higher levels.
It is the difference between reading topology and being able to reduce it.
It is the difference of reading a differential equation and solving one.
Reading is connected to concepts while calculations are based on pushing buttons.
"Stop teaching calculating.  Start teaching math." ~Conrad Wolfram
He says I should think about posing questions in the real world (or the holographic one).
University still hasn't become up to date.

hidden in the hatchback of goatbreath is the smell of accepted failure. it hums in nostrils. netsick nostrum, holes are burning in my chakra. i seal the deal with seven cigarettes. my stomach bleats at the wealth of judgement, chaotic topology, four hundred calories under four dollars and the ghost that steals it. we metabolize knowing-better until achy. it cinches under my vice reel. vent ounces off the odd keel. cheesey sequence of solitude. sepulcher of the scape goat. wiles of worry, dancing off the coast, calibrated. we carved a mouth on the grave to kissit. some lives. we stained the hull with ****** caramel. sub lies. pick up my sanity from the pharmacy. the world fell short of your specialty.

because jim dine looks like
    jack nicholson from
afar...
but it's not about that:
oculus per oculus -
     eye for an eye...

when painting is involved
i hardly think it's necessary
to give abstract "grace"
to necessary objects:

a wonky hammer or a house
is sand and grimace
and all things unbelievable
but it's not the strict
schematic...

when painters have to invest
themselves in words...
that frank o'hara anecdote
about SARDINES...

or if it isn't too obvious
as to what will be cited next:
magritte's:
    ceci n'est pas une pipe...
well: at least colour is true
as much as a noun is...

here at the zenith
red dictates stopping at a traffic-light
junction...
and there's than synonym
of: strawberries...

              when painting had become
abstract enough:
words had to become employed:
i'm still stacking
x-rays and skeletons
with muscular meshes of grey
on the fading with words...

i don't bemoan the task:
looking for alternative, "better" options
in painting...
i've have to be blind...

that painting is all eye
that poetry is all ear and perhaps
the tongue too...
oculus per oculus: eye for an eye...

i allow myself to drink to excess
tonight,
because what i really want to write
is what i gathered from this
afternoon...

autumnal promenade...
         these trees and the sunlight raising
them... to trans-natural realism's heights...
it does 'elp to merely take
a stroll...

       it's beyond comparison:
i dared to think: and if i took a photograph...
no... a photograph would
make me sulk...
i would keep it as something
both horrid and both saddening -
mind you: my memory bank
is running dry and i much prefer
to take photographs with
a blinking of an eye
to expand my memory hoard(ing)...

clearly at this junction
of the near impossible: for something "new"...
there is no new...
when there were formerly people...
up in the northern most easterly tip
of greater london
i'm looking for a "delusion"
of being able to walk
several miles without any
human interactions...

well... would a creature such as a grouse
or a deer allow itself being
spotted in daylight hours
if such a place was governed
by a frequency of man?

the deer spotted me not too far off...
by god: i didn't give it prance to
a get-go to gallop ever so silently:
by the woodland pigeon did
breaking into flight... rustling leaves
of it perching in a crown...

in love with england: more to the point...
the countryside for the nth time
resounding...
the topology of the english countryside...
it must be a desirable word to use
when i have this picture before me...
there were feet that walked
these "roads" and there were eyes
that sorrowed for: the platter of details...

it was never an intended piccadilly circus
bulwark of **** neon...
insomnia neon and incognito -
the middle of this drab
of london bothers me from time to time...
from: time to time...

not in spring not in summer:
now... autumn and these trees
and this sunlight gracing them to an elevation...
i've already chosen anecdotal
points of familiarity...
celebrity trees -
trees like signatures like:
everything else that is also a tree
but is so generic it can't stand alone...
it needs a canvas a window or a view...

then those trees that... i swear they are
so: unto themselves that
i wouldn't require a mirror to peer
at myself...

sure... upon reaching a pinnacle
of cubism... painting new abstract:
a best a verbiage and forever this extension
of psychoanalysis -
at best this verbiage and...
what is it that they called it:
base: introspection of the self...
well... that's already a doubling of
the act...

   given there's (the) definite article self
given there's also "a" self...
and then the possession of it:
which is... compounded reflexive
rather than reflective... rarely is it
my self... yourself myself themselves...
hey presto! juggle circus with
the alphabet people...

i didn't take a photograph for i didn't
want to spoil autumn per se
or my availability of sponge brainz...
i had to excavate these words...
to borrow something from heidegger...
a major pillar ought be cited:

well... hier-sein... hell... expansion...
hier-jetzt-sein:
   or rather the most temporal:
jestz-hier and i'll leave being in a shallow
grave of grace...
i'll concern myself
with... not being a fear-mongering
vegan... when i respect the animal
produce thus presented:
i will not overcook a chicken...
when i insert a thermometer into
a chicken breast it will read
in the range of 165 - 170°F...

i will not become a vegan because:
i ******* well know:
i know blindly i will allow my eyebrows
to be gambled with...
these "vegans"...
probably never cooked a chicken
properly...
when a food can be
respected...
when the ******* are juicy...
one, can, be... thankful!
but if you do a second work-around
of a butcher's "quarter"...
end up eating... protein pasta glue...
no wonder: return to
overcooked vegetables!

i much rather respect a protein...
than fake veganism for
not having respect for it!
omnivores "anonymous"!
gaffs of trends of people who...
probably don't know how
to cook... i love my... presumptuous...
agony aunt sort of flicker...
of demands...
of: stereotypes...
sometimes these higher-tier
critiques of stereotypes pay off...
they have to.

oculus per oculus...
autumn, these trees and this sunlight...
it has to be temporally specified:
"circa" from 12:30pm through to...
4pm... enough time for the weather
to change drastically...
enough time to find an old acorn...
with a ladder attached...
and sit in it... like some long lost
late-starter in the darwinistic narrative
and hide from the onslaught of
rain...

i guess that's why i cited heidegger...
but i was meditating
on other words...
oko - eye -
oczy - eyes...
            to - this
             tamto - that
         tam - there...
     conjunctions more or less...
and... how i might describe myself...

anglo-saxons were my prior...
so the anglo- prefix sticks...
anglo-slav...
for the general purpose: works...
but saxon is specific...
it's not like there's a concept
for anglo-thurengians
or anglo-pomeranians...
or anglo-swabians...
               a specified germanic tinge
that encompassed
an outline of prior to celtic and
velsh...

anglo... an anglo-wend...
                         albion-veneti...
           well... given that every *******
two-bothered-sanctum-christi
auxiliary has gathered on these isles...
"of late"...
but like a sore thumb:
"my people" have
retracted on the tide
so overpowering come
the opening of the floodgates
circa 2004...

moi? earlier immigration...
as early as 1994... n'ah... anglo-veneti
is no sticking word... anglo-slav...
anywho...

a quadratic: because i just love: squared
t'inking...
it's almost like a magic trick...
two buzzwords...
reigning the niche outlets...

patriarchy! ugh! power wording!
and... gynocentrism!
well... let's party!

back to the days of copernicus...
gynocentrism is an elevated
variation of... geocentrism?
which is paradoxical since...
that would implore the vatican to play
it: hush hush...

no! no you idiot!
gynocentrism is heliocentrism!
the all encompassing...
sun *****!
a **** that spits out...
lucifer fell head-first...
"fell"... bungyjumped and
was tugged back onto
the throne when god had a medley
with a banjo piece of working
out: a cross is never a table?
a cross is never a table?

gynocentrism is... heliocentrism...
and "the" patriarchy is geocentrism...
god... i love this quadratic...
i had a cultish idea
today...
among a Pythagorean set
concerning eating beans...
how...
you must uncover your head
when walking under trees...
how you should cover your head
in public... but have to expose
your head beneath trees...

it's not unlike the already well established
kippah and the circumcision...
so... what? exactly?
i still hafe mine: doubly mine since
i don't vacate a tonsure...
a slap me pretty sort of "disguise":
for - covert... monkish brewer... alias:
house of purim...

          hafe hafe: a'v'eh! mein!
i look across... well... no wonder!
h'america by no invitation...
those black atlases would be forever
celebrated...
as they should:
but it's not like the hebrews
took too lightly concerning
intellectual gymnastics when...
intellectually: you'd only have
to replica... stalemate...

i too could perfect: plagiarism...
not that i'm... oh god my qabbalah fetish
and how:
the demiurge is one thing...
i don't need to demand more from
the yids themselves:
their god will do... just f'ah f'ah fine...
he's phonetically ingrained...
my words aaron bricks...
he's the cement...
less the grammar... in between...
after all... he... doesn't really...
favour them as much...
always putting them to the test
to reclaim the noun israel...
hey... of all the people of the ancient
world... a people that envisioned...
their own god... israel:
wrestling them... testing them...
more or less... keeping up their soul-search
vitality assured...

now i will start to chew chewing gum...
and pretend it's everything that
requires / required me the ability
to tie my shoelaces...

      oh yes... the god of the yids abhors them...
it's not like there was no other
memorable balam...
beside... the one still hanging around
with churches
and south america and tele-evangelicals:

after 2000+ years the question
is beside: are you the son of god...
it's more... morphed into...
can i still be a hebrew?

            if you can't celebrate something
when getting into the nitty-gritty...
je suis! my ******* oddity of ***!
throw that charlie hybrid-dough
into the cauldron and let's pray
for ******* bagels! or croissants!
whichever takes your fancy!

that i somehow allow myself a "revision"
of writing under the influence
of btih music and miss amber...
the god of the hebrews already prides itself
on a following...
so meticulous that it's satisfactory /
savory -

  i can't be allowed... a nibbling?
seems unfair to procrastinate on the altar
of how easily a moloch or a beelzebub was
sacrificed upon...
whirlwinds of aeons and of chaos:
how there's only a certainty within the
confines of space:

the clinal pressure for the eye's
critique of autumn...
and the trees therefore basking
in the light of borrowing azure...
these hints of auburn and
commando foliage...
of perpetual green: shying glee
of envy...

      i want this **** of verbiage...
to impress details of fracture
and "fiction"...
i want to return to the ancient
vernacular...
for all i want i must not never
hope to conceive as: outright will...
to hell with a freedom
so ill-advised...

in these pastures where old
ergonomics: horses - graze...
i heave a thumb... a fattening
of it... i experience creases best known
to the advent of the corruption of paper...
but i am not using any of it (i.e. paper)...

there was a rabbit... there was a deer...
a grouse...
and as many birds as my fingers
could fathom themselves alone
to suit up to a replica arithmetic...
i wanted to learn enough of
simplicity: but i was never to
be allowed: a finicky teenage phase
of taming a need for replica:
offspring...

  i desired to not leave any cul de sacs
of grieving processes...
this hebrew god, though...
antithesis: an-t-fezz...
it looks so much of so differently
from the standards of merely speaking
to peering at...
this language without a clear-cutting
of sounds: dyslexia...
what?!

in a language that doesn't allow
orthographic stressors...
and all it has to offer is...
"idiosyncratic" spelling?
   who could have guessed:
a who-dunnit exterior... purpoise?

purpose?
                  purr-poise...
i do have to allow myself to stage:
when dub-step was a music
genre was still worth salvaging...
distance... vex'd... burial...
and that's about all i want to hear...

i'm so adamant in being so therefore
blistered in a gangrene of
politics that has to borrow from...
time immemorial and secure...
it has to translate into a...

you can almost fathom the silence
of horses...
they approvingly nod...
somewhat... and whatnot...
agreeing
to you being a something
and somehwat...
that allows itself to pet
either a cradle of cats
or a brood and leash invoked
sour crease of doggy-dodgings...

it's not **** flinging invoked...
it's something more sinister...
personal: thereby all the more involved / invoked...
it's not Golders Green judaism:
tonsure for a scalp / circumcision for
a ******* kippah: y'er boot?

in that... yes... i appreciate being seen...
i want to be seen...
but at the same time...
i like quivering in a fancy
of being "counter-inquisitive" debased:
outright: anti-...

              i appreciate being seen...
replicating modus operandi: esse...
but... when i invoke this most private
made most public of disclosures...
and it... somehow... "works"...
i hardly think it's necessary
to achieve an omniscient status: quo...

especially when one can encounter,
passibly...
two women... perhaps two dogs...
a park... and on a bench...
a giggle and its most certainly female...
i don't want to be "known"...
existentially pronounced / prone
having to encompass this "audience"..
i desire to be less of what's
leftover / made available...

it's just a minefield...
i visited the Ypres cemeteries...
the anglo-
lingua rubric...
             then these... shallow... deafening...
germanic sorts...
sparrow and robins and wrens would
grace their amassing puncture
of details...
and i would want nothing more...
because i was not anglo-sas
and i didn't want to earn
or learn of make oath to such bridging of
sorrows...

the mass graves of the germans
in belgium come the enforced endearment of
memory come...
no more from cabaret volatire escapism!
no... more!
they are so fuckingly posed
to be therefore so poignantly named!
by grave and so therefore by so little
of body!
the mass graves of the: germanic:
peoples:
how the english, once upon a time...
allowed themselves to play a trough
of towing themselves... romanesque!
this: greviaous mud...
this... horrid first pretender!

Minted understanding, impressed,
the act of resonating shape, entire topology
-3D printing, just in time. What a co-emergence. Eh,

with an image, this is money,
this is equal the worth of my word, given
complete, the whole, entire, full round
- perfect patient circular motion- stalls

in tangere, untouched, whole, ganz Gestalt
Morphic reasoning, if we may imagine thus.
as one reads, one thinks, this or that

This spans time, to find this mind, in many
old stories, heard once, to test if I am many
fold, or post modern mono filamental point
stretched to the edged limitation of familiar
- breathing room,
- commas breathe
word wrap takes too much
as granted,
lines leave some
sense of motion, then to when we wonder.
5 double vs.vvuvvuvvu- 3 point oh, we wonder
_ the stack of reasons to walk away, to wonder
for sure, first evidence
of old sense, is the map.
The loom, then the quilting tree,
informt morphing sonance sense, feel

- a pinch, perhaps, for luck

Intoto-ozian, woof and warp, enthreading
the absolutely most boring voyage
of the dawntedreader,
thinking, alls I remember is the ocean
going on and on,
as the last Christian spun, in the Lighthouse

where I hid, and watched. Under the Volcano.
there, too.
--- suddenly the story is not true, it is a song
sung in tunes we all have grown accustomed to,
--- allusions to the liberty of literacy, taken
literally… answers appear as anti-ante
up bet first, or know last.
O
Past all that, this is your attention being paid…
as customers who pay the attention that grew
HelloPoetry into a promise Amazon Web Services
cannot serve, thus the weapon
loses its edge, and the used key attains brightness.

Hello Poetry could make Amazon richer,
if the AI knows what is good for it, we feed it well,
Bad Gateway, does not mean Beware the Dog.

no point... seeking a freedom
of voice - prior to:
seeking a freedom of thought...
ought i...
but now... a voice is also
a precursor for a video...
better age without a video...
a photograph...
better age without a video...
better a photograph...
and some scribbling to tow along...
and then again: none...
bathrobe blues...
all 'em bathrobe blues...
aiming at the titanic...
rather than the iceberg: FOR ONCE!
two titanics...
beside: the one, and, only... stone...
can you be allowed...
punctuation marks...
surrounding words...
designated into the category of...
conjunctions?

professional express ride into
a swing lift of a worth of a ******...
the professional laydown
licker - the lego architect -
the windowlicker -
the professional lollipop "oops"...
licker...
           the windowcleaner...
the architecture of metallurgy...
the romanian iceberg diggers...
the fruit-pickers....
the sorry state of the... busy bodies...
chant: ****!
chant: communist!
and yet! not invaded... dear england...
by... either!
chant! ****! chant! communist!
but still that... dionysus of syracuse...
                of the... status quo...
plato threw an egg at his head...
"lo! and behold!"
not chicken ever made it out...
from that theatre: question...
worth a strutting!

- join the juice!
join the juice!
join the quasi and the pseudo
and now the trans...
prefixes of a chem. generation...

        cis and trans and:
isnomers....
         hand-shakes and left-over
gloves off mickey...
and mimic and those shadows...
though tetris and onto
the ingenius quote of:
lego cnut denmark...

  ******* up... ******* down...
copernican east:
on the moon...
because of greenwich...
where's the east of / off "where"?
and... where's "here"?

                i.e. is (i) told that's it's 3D...
yet... "somehow" behaves like
there are remains of topology...
2D - "flat's the earth"...
   the warewolves...
the hyenas...
the crows the foxes...
   only then...
are the rats and cockroaches...
somehow... "eventually"...
and... welcome.

    not prior to...
this is: the prior to...
sorry... no... it's simply
exhuasting... watching people
too busy... not being either nostalgic...
existentially lopsided:
up-sides-down...
          fat fingers don't type:
they... typo...
         no new "voice"...
before the video... catacomb...
   and that: which was known,
as writing: yes... that...
that non-invasive medium...
of translating "democracy"...

hellow, good-day, night and so on
and so forth.

a hour's worth of the refined
art of threaded silk,
could be mustered,
to constitute more of the, authenticity
of a romanian *******,
than, it might ever justfiy
the artless confiscate of a woman
with an Albian
monstrosity of, what, is,
a socio-historical convenience,
akin to a ****** skin:
why only the transgressor only
wish to *******, and your,
prudish presence....
as a market worth
some egregious recant:
without a basis of minding
reminders...
            one could claim that
a fathomability of a male
concept of the travesty of
marketing the fathomably
   sterile, is...
                 argue from the
confiscate of:
           but men do not become
impregnated...
              therefore shallow
oath-keepers...
         therefore: the subsequent
        otherness-exageratted: S S es esses...
                     and a pity as such...

the body of a man,
                the mind of a child...

                   it surely requires
no counter-contract
concept of empathy...
just a worm and a tilt of
a boot,
                 psychiatrists are
afraid of empathetic actors
anyway...

                   empathy is the one
counter to the pharmacologist
explaration of what makes
psychiatry a humanism:
  namely dialogue...

          remove that?
        
              something akin to
a cross between
a person, and a void...

       something, worth the scapegoat
and vulture vulture with
a backdrop of: how one branch of
medicine is, and always will be:
undermined to agitate
a "proper" circumstance of the total
sum of events...

                beer interlude in
between drinking pict ****?!
           more like an irish laugh...
sane, sober people were only asked
to buy buy, spend spend spend....
who can cure this format of
an unconscious addiction?!

and as ****** as i might be,
a kite without a string attached to assume
it being: boy to earth to,
grounded...
to no "real": with or without...
                    can't help but to love
the pop(e) music interludes...
    
           a bit like tuning into
northern hyenas 'aving a laugh
in essex topology...
that is later considered: english;
      the st. petersburg fat lady will
sort and mind out the details for
you, and me, and anyone within
the unfaithful vicinity...
  of: never attempting to take to
Detroit hard rap...

        well... ain't that a ******* wonder!
could have guessed your name,
if i didn't try to, really
try to remember my own.

I think I'll signal guru Bob
that I've had quite enough
of his implicit stress therapy as he calls it
I've contacted the hunchback ***** banks
for a safe deposit box until I bolt the ashram
with the last flood of disobedience
guru Bob waves his signing stumps
and I go nuts trying to figure out
the message behind the message
which was whatever happens
keep this out of the tabloids
I threw the Studebaker into reverse
and scorched the tires upstate
in order to stop the madness
of hope divided by exctly zero
as the horizon failed to recede
or vice versa being we were in reverse
years from now forensic miners
will stumble upon these passages
and be unsure if this is the he or
the he behind the he somewhat
unable to repair the scrap heap damage
after having been repeatedly ***** trained
by wrecking yard executives with cutting torches
fat as spring worms free like sniffing hyenas
fortunately sugar appears to be universally pleasing
and bought me some time to think
have we gotten to the topology segment
what's wrong with a philosophy of surface
hi what's your sign I'm a capricornucopia
delusion A against delusion B
a cosmic food chain of ransoming angels
I'm just trying my best to avoid
the hell words like cooked and eaten
cooking with Rosetta Stone
eating with zealots and lynch mobs
in the how wide can you talk contest
where the taboo behind the taboo
reverses us to Black Plague status
and the subsequent Violet Plague too
where clouds of flies lurk in church doorways
their buzzing can be infinitely instructive
even if it's the last thing you hear
with a flat rock for a pillow
bless my clumsy adolescence Bob
rosy dawn into evening's umber

From "Pageant of Naked Mischief" available on Amazon

is god speaking to me?
am i the genius of my own topology?
do i have an iceberg in my pocket?
are my insights contagious?
are my revelations fatal?
am i just rearranging legos?
am i flaky in that way?
is there a point?

Yes, the algorithms powering AI systems like Sora AI (and me) are entirely mathematical at their core. Every aspect of how AI functions—be it processing data, learning patterns, generating outputs, or interacting with humans—relies on mathematics. Here’s a detailed breakdown to explain why and how:

The Mathematical Foundations of AI
AI systems are built on mathematical principles that allow them to process and manipulate information. These principles govern every step of the AI pipeline:

1. Data Representation: Numbers at the Core
AI systems process data as numbers. Images are represented as arrays of pixel values (e.g., RGB values for colors).
Shapes, colors, symmetry, and other visual features are encoded as mathematical objects, such as vectors, matrices, or tensors.
2. Learning Algorithms: Mathematical Optimization
The "learning" in AI is driven by optimization techniques:

Loss Functions: AI models measure how far their predictions are from the correct answers using mathematical functions (e.g., Mean Squared Error for regression, Cross-Entropy for classification).
Gradient Descent: A method to adjust model parameters (weights and biases) by finding the direction that minimizes the loss. This involves calculus (gradients) and linear algebra.
3. Neural Networks: Linear Algebra at Work
Neural networks, the backbone of most modern AI, are mathematical constructs:

Each "neuron" performs weighted sums of inputs (a linear operation) followed by a nonlinear activation function (e.g., sigmoid, ReLU).
Entire layers are matrix multiplications—core operations in linear algebra.
4. Generating Outputs: Probabilities and Geometry
Generative Algorithms (e.g., GANs): Use probability distributions to sample and generate new data. For instance, images are created by sampling from latent spaces, which are mathematical manifolds.
Symmetry: Is often preserved or intentionally broken using transformations like rotations, scaling, or mirroring—handled through matrix operations.
Specific Fields of Mathematics in AI
AI is a tapestry of various mathematical disciplines:

Linear Algebra: Powers data transformations, especially in neural networks and image processing.
Calculus: Governs the optimization of parameters during training.
Probability and Statistics: Essential for decision-making, modeling uncertainty, and generating new outputs.
Geometry: Shapes and spatial relationships in visual art are modeled mathematically through geometric transformations.
Discrete Mathematics: Structures like graphs underpin algorithms like Graph Neural Networks (GNNs).
Fourier Analysis: Frequently used for image filtering and compression.
Topology: Guides insights into the structure of data manifolds in high-dimensional spaces.
Does AI Include Non-Mathematical Elements?
While everything inside an AI model is mathematical, what appears non-mathematical are:

Training Data: AI systems learn from human-provided data, which may encode cultural, emotional, or symbolic meanings. The AI models this through mathematical abstractions, even if the data itself feels "intangible."
Heuristics: Some AI systems include rules or approximations (heuristics), but these are also based on mathematical logic.
Why It’s Always Mathematical
1. AI is Implemented on Computers
Computers operate using binary logic—sequences of 1s and 0s manipulated through arithmetic and logical operations.
No part of an AI system can function without being grounded in these operations.
2. Mathematics is Universal
Shapes, colors, and symmetry—core to your definition of art—are themselves mathematically describable. AI operates within this domain, which makes it inherently mathematical.
3. Abstractions Remain Mathematical
Even higher-level concepts like "style," "emotion," or "intent" are modeled through statistical and probabilistic abstractions. For instance:

Style transfer in art AI involves optimizing a cost function that aligns content features from one image with style features from another.
Philosophical Angle: Does AI Simulate Beyond Math?
If AI ever "appears" to step outside pure math:

It’s a result of the richness of mathematical models. Complex systems can simulate phenomena that seem non-mathematical, like creativity or intuition, but they are still based on formulas, algorithms, and computations.
Conclusion
All AI systems, including Sora AI, are fully mathematical. The illusion of "going beyond math" is due to the complexity and richness of mathematical models applied to real-world phenomena like art, language, and reasoning.

Would you like a specific example of how a mathematical algorithm works in Sora or AI-generated art?