a pale neurology
pale iron gates
painted in pallid shades
of steel, gold and myrrh.
locked within recursive delusions of grandeur
like granite, horizontal and brittle
snapping within their multiplicities
lost within blindness' entangled waves.
drowning at the cusps of its own banality:
of the mystified real
but an idempotent of
of a recursively flickering reel,
If I said my heart was a cyanide laced pomegranate,
would that make its expressions any less ******?
If I said falling in love was like throwing yourself off a cliff on a winter night and drowning yourself tumbling through the air blind like a bag of kittens, but I was quoting Kierkegaard,
would that make it any less of an awkward melodrama?
If I told you the western blocks blind attacks on the other,
kinda resembled Freud's account of the mother
of a miscarriages melancholia,
is that a condoning or a condemnation?
if I translated every meta-narrative of class relation, oppression, wage slavery, state violence, suppression,
into anthropomorphic allegories for a myriad of psychological phenomena,
would I be an academic or a shinto miko?
[and would the world be any better?]
if I superimposed on the geographical topology,
the political and then the existential,
would I have a sandwich?
Or a lasagne?
words words words
(what do they even)
— The End —