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Antony Padilla Sep 2012
his muscles tense.
he hears unsteady steps,
the clapping
of bare feet
against concrete,
the unnatural moaning.
he clenches his fist
the leather of his glove
whines at his movement.
"Don't worry Benvolio, you will sup deeply soon enough."
he looks at his left hand
and realizes that his fingers
are dancing with one another.
"And you as well Mercutio."
the macabre applause of feet and concrete
is getting steadily louder.
the boy is barely a man
and yet his face is steady and sure
as one many times his age.
he stretches his back
and cracks his neck.
he takes a couple quick breaths
and one last deep one.
"Hunger no more my sweet destoyers!"
he exclaims as he leaps from the momentary safety of his dark corner
and is met face to face
with a fell creature of nightmare.
the first thing to hit him is the smell.
its' putrid stench,
strong enough
to make him lose some of his momentum.
he toddles back on the heels of his feet
and stops
looking at this thing of evil in disgust.
its blank eyes leak some manner of dark liquid.
its lips are cracked
and caked black with the old blood
of past victims.
these lips split to reveal
a tongueless maw
with six rotting teeth
three on top
and three on the bottom.
it let's out a bone chilling gasp
that sounds like a breeze
blowing through the grass
of a graveyard.

a zombie.

for longer than he should have
he simply stood there
his eyes locked on
the nauseating visage
of the monster.
and then his hands began to twitch.
with a start he was brought back to reality.
he looked down at his hands
made perfect by the smooth black leather of his gloves.
he looked back up only to realize that he had
allowed himself
to be surrounded by these slow
ponderous
beasts.
he smiled
"It's time to eat."
the zombie closest to him
groaned as if in agreement.
he flexed his shoulders
and cracked his neck
and went to work,
furiously flashing
his two companions
back forth at an unnatural speed
three hits send it's head flying
as if blown off by a shotgun.
he feels the cold tight grasp of something
on his shoulder
one quick breath
and then one swift and perfect motion
he spins
to faces his adversary.
one quick breath
and he releases Benvolio.
he feels the power rise
from the bottom of his foot
up through his twisted hips
and into his massive back and shoulders
to pool inside the knuckles of his fist
for less then a second
and explode
into the side of the head of the soulless corpse,
his vicious right hook leaving
an eruption of ichor
where the creature's head once was.
his eyes light up
with the joy of a madman
as he charges through the scattered crowd
of undead
dozens of grasping, gripping hands
try to stop his momentum.
he just keeps plowing
and keeps laughing,
cutting through the swath
like a scythe to barley,
leaving headless corpses in his path.
he finally breaks free of them
and runs harder than before,
still laughing to himself.
he rushes down the mountain of asphalt
with the speed of an olympiad.
it isn't until he finds another
dark hiding spot
that he realizes how hard he is breathing.
gasping,
wheezing,
fighting for air.
his chest heaves
as he looks down
at the blood drenched leather of his once
pristine black gloves.
the noisy rattling of his heavy breathing
makes him shake
"No more gasp today. I need to wheeze I need to rest."
his hands quiver in protest
"No more. Not today. I need...sleeeeep."
and he collapses in exhaustion.
the noise is loud and clamorous
and the white eyes
of reanimated bodies
look up in the direction of the disturbance.
but he doesn't know,
he's sleeping deeply.
Nat Lipstadt Jul 2023
<>

walking the feeble line
——————————

there is a name for what is witnessed nearly nightly,
common ****** and/or scientific, when I awake circa
3 AM,  and the entire sky is overhung with a stolid,
calmly, ponderous inverted ******~single, sky-filling cloud,
with  faint, ragged line of far distant of didactic, urban and natural light, an imagery what s presumably the end of the world insofar as far as the human mind can interpolate the faraway mystique, for our
modern eyes see but cannot necessarily comprehend  the enormity and the simultaneous limiting granularity of the night horizon,
when it is
just outside through the clear glass, this enormous fog that is indescribable, an overwhelming, inconceivable conception that our ancestors took for granted as a natural demarcation of everything physical,
of our world’s entirety.

3:47 AM when the semi-roused mind bids the entirety of me
to awaken, ascertain the mystery of the sky and the sounds of rushing water within the confines of the cottage, both
which have no earthly reason to be simple, self-explanatory.

the parallel of external state to body internal,
comes first to mind when I creakily stand,
to better understand
the grandeur vision seeing, and the noises
so localized hearing, that a time/body disorientation disorder
is the sole explanation for my disrupted feeble state of mind,
physical and mental, occupational hazarding
  of my confused existence.

are you still here?
are u coming along with me on this journey?

amazing, if yes is your cognitive reply!

is this a poem, an essay, a plaintive wail for a general infirmity
that is irreconcilable with facts and the imagery of a mobile
man, who yet dodders and toddles, when stumbling stiffly through the fodders, them open spaces of his mind, and his physicality,
both stumbling erratically like that sort of
out there, sort of not,
feeble line in the sky,
and the feeble line inside him of a shuffling old man he knows or recognizes not, hence the title of the poem, created in a millisecond of cellular cognition, whose explanation, exploration
and expiation of his existence needing some kind of sensible
interpretation.

edging past 4AM, WITH NO answer for anything clouding through the rivulets of the mind, he summons up the time
in memoriam summary of all men, for all essential existence,

it is what it is,

that neither satisfies at all but just sufficiently,
that he could put down the imagined pen, pull the cover beneath the chin line, letting sleepy reign over him once more,
and perish the thought,
he will do it all over again,
tomorrow some twenty four hours hence, thankful the murk
of clouds prevents him from seeing
a battlefield of stars, which

too, comprehensively incomprehensible to the feeble
line he hopefully, is yet then still a straddle.

good night you boon companion,
meet you on the other side
of the line, which is what lines are for, a demarcation between
you and me that we welcome, to cross wordlessly and word fully,
and shall do, as is our due, again,
soon enough.

g’night!
4:26 AM
Lewis Bosworth Sep 2016
Just past dawn
She toddles out in
A flour-sack apron,
A hatchet in her
Pocket.

Beside the upright
Log, its bark aging,
Leans a potato sack
With one white
Cackling hen inside.

The woman is all
Business, this job
Nothing new,
Dinner comes soon.

The log is capped
With two rusty nails
About 2 inches apart.

The hen continues
Her song, ignorant
Of her fate.

The woman grabs
The hen in her left
Hand, the hachet
In her pocket.

With deft attention,
The woman places
The hen’s neck between
The nails.

The cackling becomes
A maniacal squawk,
But no one is there
To grieve.

One quick stroke
Is all it takes, and
The hen’s head is
On the ground.

The stump is full
Of blood, and the
Proverbial body
Is running around,
Minus the squawk.

The woman grabs
The hen and shoves
Her back into the
Potato sack, minus
Its head.

The task is done,
Five minutes max.

Time to take her
To the kitchen for
The plucking of
Feathers and the
Saving of edible
Internal organs.

The woman and her
Hen are ready for
The family’s Sunday
Dinner, only hours
Away.

The hen’s head
Rests outside, its
Comb, beak and
Wattle the worse
For wear.

The woman sings,
Rehearsing:
Komm, Herr Jesu,
Sei unser Gast….



© Lewis Bosworth, 2016
JP Goss Mar 2015
Expectation stands in Middlecreek’s waters, it toddles
In curious little hands, in Marylanders only up for the day,
And the snow geese hang like freed shapes of the sky;

This lake comes alive with fluttering wings,
The people around me keep their eyes close to the ground
While a new and weightless thing who walks in fickle grace
Stands in awe from every eye transfixed and terrified
Even the infant child, reborn like of us
Under what little sun 100,000 geese would allow
Through flight, into a world of charcoal.

Something happened in every eye. I don’t know what gods
Revealed themselves to us, or if we walked joy from scorn
But none of us felt human or pain only the swirl of the birds
Dancing inside one another like fire, like passion,
And all the words anyone tried to say were wrong.

Could I say my name anymore and still be right?
Could I call myself so separate when every heart there
Stuck to a single note, and every mouth struck dumb?
Could I speak beauty any longer, or had the geese
Renewed the tongue a fictive beast?
We never were what we thought we were
All but angels afraid of floating there.
Part 2 of "This Exquisite Rotation"
Overwhelmed Mar 2011
I see the apparitions
of a million mourning
people
standing here
amongst hundred year old graves
and hundred year old trees

they walk slowly
tears dropping
without ever hitting
the ground

one by one
flowers of every color
are put on grave
after grave
till this bleak
and dusty
graveyard
turns into a beautiful
arrangement of ornamental
and inorganic reminders

as each grave adds to the garden
of paper flowers each ghostly figure
of some mourner past disappears as
in a puff of smoke until all of them
have evaporated into the air and I am
left alone in a dusty graveyard adorned
only with fake blooms and overgrown
weeds

the sun beats down hot on my head
and I sweat as the sun comes level
with my eyes

a little girl toddles up to me
pointing at the petals adorning
a near-by grave

she asks
“are those paper flowers?”

I say yes
and comment
on the beautiful
day

“yes”
she says
“it’s a good day for paper flowers”

and I sat there
silent
watching the sun
set
on a beautiful
place such as
this
Jake Leader Mar 2013
Boodle bot tammel Tot.
Jim jam filmmel flannel loodle.
Bing bang **** bubble.
Rizzle spluot jaffer dollop, yarla meng toodle vim.

Smile. toddles.
the absurd is often so simple.
Owen Phillips Jan 2011
I cough and take a furtive drag
And walk suspended magnetically
Through an alley full of cobwebs and decaying flesh
Leftovers is what it is
And I rip myself off
A piece of the wallpaper to roll a joint, while
Mechanical spiders traipse their plastic webbing
Replenishing the sticky paste
Cheaper to produce, but far from long-lasting
And
In the mirror my reflection holds a fortune cookie
Cracks it open
Reads aloud
And hundreds all around him hear him and applaud
But mirrors have no speakers
And all I hear’s the mechanical whir
The spiders’ servos stepping, sliding, spinning threads
Of nylon
In service of some sickly, sapient sadist
Who’s been slurping down the fluids in my brain
Nightly
And just like me—
To **** a man and throw the body in someone else’s garbage disposal

The smoke rings rise and float away
‘Til Someone sees them undulating
And I, in secret, *******
Into an old bible which I’ve renovated
Now it’s livable
A real great place to raise your kids up, as they say
I’ve added levels
Torn down all the walls
The living room’s the dining room’s the bedroom
As it were.
And I have to shove it ‘tween the dumpster and a rat
Who’ll never talk because he’s one of me
Though unlike me…
Forced out by higher powers than himself
At least…
Assumed powers.
Though as we know, dominion over Earth’s a fool’s game
That real estate investment you made’ll
Swallow you up before
Somebody else could lay more…
Justifiable claim.
I say this to be a comfort.
Though there may be none left for you.

And Someone follows blindly
Watching smoke rings through black sockets
Clawing his way toward
Clawing at my wallpaper.
My spiders run and hide in fear, their tails between their eight robotic legs
Thirty-two red eyes glow through the shadows
Quake with fear
Someone trips and stumbles through
With nylon clasping at his body
Never taking hold
He snaps the lines before the paste can even get a chance to stick
And I on high
Up fire escape, watch down with
Sudden fear for realization of the present
And Someone toddles away
No lasting damage done
I leave it ‘til tomorrow to recover
And shred my secrets into pieces large enough to read
And scatter them into the night.
Sam Dunlap May 2014
9:43 p.m.
She sits at the kitchen table,
Head in her hands.
Taxes lay splayed out in front of her.
It's so many for one woman.
9:44 p.m.
Her little boy,
Her baby,
Toddles out, curly hair askew,
Sleepy eyes blinking.
"Okay, Mommy?" He wonders, yawning.
"Okay, baby," she says sadly in reply.
9:45 p.m.
"Where the crayons?" He asks.
"Huh?"
"For coloring."
"Oh, baby, I can't color on these."
"Okay. I color then." He waddles back out of the room.
Her head is still in her hands.
9:47 p.m.
Baby returns with a box set of Crayola crayons.
"Ready, Mommy? I color now."
He takes an envelope, crayon poised.
Her head lifts. "Baby, don't color on those!
Here, I'll get you something."
9:48 p.m.
She returns. "Sorry, baby, there's no paper.
I guess you can't- no!"
Indigo blue is spread across two bills,
A cerulean rainstorm where her dues should be.
"Oh, baby!" She yells angrily.
"I needed those!"
He stares at her with wide blue eyes,
Welling up with tears.
"I sorry, Mommy," he cries.
"I wan'd make you happy.
Maybe blue make you happy?"
9:49 p.m.
It's her turn to tear up.
"Baby, baby, I'm sorry I yelled."
She scoops him up, kisses him in the forehead.
"You're right, baby, blue does make me happy."
She looks over at the crayon box.
A collection of pink, green, and orange looks up at her, waiting.
She selects lime green.
It was his favorite color.
The woman and her baby begin to color those **** taxes.
Lake Jun 2015
the lines of the grates in the radiator
imprint onto the backs of my legs
people shuffle through the lobby,
swishing peacoats and snowflakes
dripping from their hoodies. i curl
my fingers around the phone
and press you closer to my ear.  

i've always wanted you closer.
you're tangled in earbuds
on the bus, arm wrapped
through the straps of your bag.
you wear someone else's grey
varsity sweater, red letters marked
across the chest. you lock
your windows before you go
to sleep, white paint chipping
and painting your nails.
your goodnights are eclipses of
the daring day stepping out
without clothes and reminding me
it's time to stop with you.

"i think i'm going to get help"
you rasp, and i am silent as a family
toddles through, children clinging
onto the swollen mittens at their
mothers' sides. i swallow and
lean against the wall, sit against
the radiator, cross my ankles
over the blowing heat.
Jedd Ong Jan 2014
The statue runs
Swathed in white;
Naked.

Leaping from his mama's
Outstretched arms-
Still frozen
As he twists and shouts,

Her face flush with quiet pride
As he toddles on the carpet—

And everyone sleeps.
Days of Dawn Mar 2014
You
You could never take anything less than perfect
That's why I wondered why you took me

You were the best thing that happened to me
and I'll remember our life for you

The way we met, at a coffee shop, how cliche
but you thought it was cute

First date, first sweat, first suit, first smile,
first laugh, first kiss, first love

We hung out more and even more
met your parents, and you mine

The beautiful chapel, huge cake. I admit it,
I don't remember much, just you

Happiness settled in like an old friend,
you gave me a present

But then suddenly you were gone.
one day here, the next not

You just left, got up and left me,
with barely anything

The scars are still red, but I've forgiven you
I know you couldn't wait

I'm kneeling on the ground, putting a rose where others lay
you can't imagine how I feel

A ray of sunshine personified in our
wonderful child toddles over

He looks at the odd gray stone in the ground
that's all that's left of you
Shlomo Jan 2019
My dreams are made of kisses and cuddles

And nightmares of no Mrs and toddles

Reality is altered in a carbonated fizz

But I’m torturously lonely in this vivid whizz



A bizness man is what I dream to be

To be distracted from the love that you have for me

You claim to love me so dearly

But will you leave me one day seemingly seamlessly



I’m 28, but 18 seems so miles away

Thoughts of you got me feeling like (it was) yesterday

Only to live everyday like it was my last (to)day

With fingers crossed for dates on a Saturday



Waking up has me questioning

my existence and hopes of a better ‘morrow

With gold, myrrh, and some kissing in

To never have, and always yearn for more



I always dream for another me

One with love, respect, sense of dignity

Pushing me to a better me

Beyond the ‘mares, dreams, but in reality.
https://shlomotion.co/poems/dreams-nightmares/
Noah Smith Nov 2019
A small child toddles across the sands of an infinite, nocturnal beach.
            His eyes glisten like the moon as he admires the wonders of his world.
Everything so simple—good—pure.
                        His mind, the inner being, reflects his outlook; all is in reach.
            The child’s heart is young, filled to its brim with Gold untarnishable.
For the sickness, innocence is the cure.

He was content, and life was complete for him.
But as he walked on the sand, and spied those who were ahead,
He wanted…
And his heart of gold began to drip.

                        A youth, only just a man, ambles across the beach’s grainy powders.
            His demeanor is confident, his face fresh, yet his eye sparkle lacks.
He keeps on, and the world, his friend, offers him promise limitless.
                        His mind is vibrant, seemingly invincible, he never shirks nor cowers.
            His heart still pumps Gold through his veins.
For the sickness, youth is the resistance.

As he continues his walk, step by step,
His ambition grows.
He feels utterly untouchable by any evils around him.
Becoming the God of his own world.
He yet still wanted.
Shaken, the young man begins to cough up the Gold.
And his heart began to bleed.
For the sickness, youth is the fuel.

Drip.
Drip.
Drip.
His inner man watches as the polished yellow liquid seeps
Into the barren wasteland that is his mind’s.
Deep into the dirt it creeps.
The sickness, once harmless, now binds.

With each compromise, the man’s moral skeleton cracks.
Step by step, his integrity weakens until,
With the nauseating snap of bone,
It breaks. Like a soundless scream,
Reverberating undetected in the recesses of his mind.

He no longer wants as he did before.
Regret slowly takes its place.
Shame, like an old friend, wraps the inner man in an embrace.
He offers a solution.
Vice, he promises, will fix all in time.
The man, desperate and lost, took it,
Failing to notice the chain Shame silently placed around his neck.

                        An old man, wrinkled and bent, stumbles across the beach sand.
            He is cautious, almost fearful—his eyes are dim, and his brow is heavy.
The waves rise, his body to take, he staggers and falls, unable to go further.
                        His inner man also cries ceaselessly, too weak to stand.
            His heart, now empty, aches.
To the sickness, he gives in without a murmur.

His inner man falls silent, the tears, like ghosts of his emotions,
Float silently down his face.
Frantically he sinks to his knees and begins to dig at the dirt,
Searching for a single remaining drop of Gold.
But none is to be found.

Shame stands smiling grimly as
The sickness overpowers,
And the inner man falls into the dust,
Lucid eyes staring searchingly at the empty hole,
His tears form streams as they flow into it.

He stares,
As from the hole,
A seedling flairs,
With leaves of Gold.

A hand, too warm, too soft to be Shame’s,
Falls on his arm.
The tears vanish from his face,
And a majestic warmth fills his body.
Regret gives way to content once again.

                        The old man on the beach rises slowly to his feet.
            He stands straight, as the wrinkles retreat into his skin, and his eyes fill with light.
His countenance becomes regal as youth returns to his step.
                        His mind renewed, he sees with a wonder that he will keep.
            He runs, seeing the end of the beach in his sight.
His heart refills, as the seedling matures, and he remembers, with a solemn thankfulness, of the man he left.

As he finishes the race.
© Dysphoria, 2018
KT Torres Mar 2019
At one, the concept of a bed is not quite there yet, but comfort never leaves
At three, one toddles into the sheets of their parents with no intention of sharing
At five, one begins to dread getting up for school
At seven, friends get one through the morning
At nine, one still complains about waking up so early
At eleven, minds begin to change
At thirteen, one lays in bed during the morning in a cloud of self-consciousness
At fifteen, one tosses and turns with thoughts of homework and that cute girl at lunch
At seventeen, one stares at the popcorn ceiling contemplating the future, threads of some unknowable as heavy as lead intertwining the possibilities
At nineteen, one can bend under the burdensome troubles and be sequestered to their comfort at home
Or lift the hulking sheets, Atlas, and go on. Go on to the complex, enigmatic world and return when one is done.
There is so much life to live, and yet we have many reasons to stay in bed.
Del Maximo Mar 2023
woke up to gray and white
streaky Van Gogh clouds
with patches of cerulean eyes
peeking through
the house is cold
and I am old
but it feels like spring

calendar says we’re past equinox
sunshine seems to be getting longer
flowers bloom
forecasters say Raiden’s not done
but it feels like spring

dreamt last night
that I was outside running
and easily leapt over an obstacle
drove my car
city sights and sounds whelmed me
in pleasant memories of living life
flashing by like a fast motion freeway
it felt like spring

been shuttered with infirmities
and limitations
but strength training and tai chi
have become habit
unassisted walking toddles forward
but feels and looks good
I’m getting there
it feels like spring

Del Maximo
(c)03/27/2023
Mohd Arshad Nov 2017
Epigraph:

We don't respect what we possess
What we don't possess we respect


Salt is very little,
On the shores it toddles,
Braves the sting of the storm,
And happily come to our doors.

Who cares of its size?
Who thinks of its significance
In our lives on a regular basis?

And in winter,
They welcome us, our blankets,
Gracious and humble.

Last night, my mother
Handed over to me of mine.
It was as cool as ice cream
But when the moon came out
It was the hot kettle
That suffers on smouldering embers

The whole night
I slept with much comfort
That it gave me,
With no aggression, no attitude,
No reluctance, only submissiveness.

Shouldn't I love my blanket,
And be all praise for its
Honest service to me
And mankind?

Here we are lacking
In giving thanks to sources
Of our happiness and joys.
We judge the things
as per their bodies
Not as per sacrifice for us.
We value water
But we don't speak of soaps.

My longing to crown blankets
For their faithful friendship with us.
Stephen Turner Dec 2019
The Wrestler

Sleek and slender with
Aerodynamic curves.
The sweat and smells of defeat
And the rapid flutter of whistle
And the occasional strained
Pulled sprained dislocated
Disjointed daunted jaunted
Stunted jammed and jostled
Human thrown across
rubber and foam and plastic.

Hurt by death
Twisted and torn and stretched to pieces
Through giveaways and usurpations
And takeovers and dominion rights
Not knowing where ends the detriment.
Strung together by wires and
Ink pens and signature lines
Mapping out adolescence
In the rearview lies a trail
Of broken promises or promising
Nothingness, a quagmire.

Screens which once shielded
Her modesties now rebuilt as
Hog troughs and kennels roofs
And tables for orangutans to perch,
A crow’s nest from which to
Target passer-bys with hurled
Feces.  Her modesty stolen yet
her Self continuously intact.

Mother

Without her presence
Random mosaic of life
Events and changes and shadows
Lifting the veil lifting the spirit
With guilt and wanton desire for
More time as if it really existed.
Answering the Siren’s song was
Unexplored by those of us
On this end, but by ink and memory
And glossy faded Polaroids.

She is idolized
Eulogized – leaving behind a beacon –
No stone nor seal nor
Piece of parchment could have
Created a more stunning
Masterpiece.  Tis no great
Rembrandt or Michelangelo
But this simple sinful woman
Created something so sublime.
No artisan would dare, no
Craftsman would be enough skilled,
No artist so bold or audacious-
But this naïve heralded an angel.

Victoria

Named for a great waterfall
Or a long standing monarch,
Her heart bled truth and
Her song wailed in agony
But her mouth, genteel and melancholy
Yet the story it told was a whisper
of something greater.  Her tongue
could speak of the sweetness and the
lightning and the immediacy of life.
And I fell into her eyes and she
Echoes in my heart.

I’ve wiped away her tears
And I’ve cradled her inabilities.
She bled on my sincerities and
Collapsed at my feet.  Solemnity
Awaits her every move, but most
Deserving of joy- something that
Evaded her for so long.

A toddler tiptoes back and forth
Moving merely inch by inch as
Balance is learned and gravity
Defied over months and years.
Passion has no such wait, yet
Happiness, the quest for the grail
Toddles toward some never ending
Oasis upon the horizon.
It is with the passing of years
That joy becomes ever more present
Long since suffered, long awaited joy.
Three poems for the price of one
KieraYale Apr 2021
warm salty water crashes against sunned ankles
black shepherd gallops in wisps of water
as child toddles where the sea kisses white sand
Jamison Bell Oct 2018
Three dogs walk into a bar one day.
The oldest one says “I’ll go up and pay.”
“Excuse me sir, may I have three beers?”
The bartender can’t believe her ears.
“******* a talking dog! Let my customers get out their phones.”
“Yeah my name’s Huey I chase cars, **** old socks, and bury bones.”
The bartender gives Huey his three cold suds.
The second dog offers the next round for his buds.
“Hey lady you think can I get three more?”
She waddles over, feet all sore.
“*******, you know the other dog who talks?”
“Yeah my name’s Duey I chase cars, I **** old socks.
Can I get three beers if it’s not much trouble?”
“Of course good boi on the double.”
The third dogs turn he goes up to buy.
She toddles over she’s thinking she’ll try.
“Lemme guess, your name’s Luey, and you chase the mailman away?”
“No, it’s Old Socks and I’ve had a bad ****** day.”
Joseph Zenieh Aug 2018
NO  FEAR,  THEY  ARE  NEAR.
I see a child and meditate for long,
"What sort of days will life bring him along?"
Who knows what he will do and where his feet
will lead, and where his destiny he'll meet.

Will he compete for fame with men so great,
or will he fear to leave his building gate?
Will he become a bold man of great name
or will he be a coward with no aim?

I wonder if wide smiles will clothe his face
or if that face will wear a firm grimace.
Will he have luck that yields more than he needs?
Or he should drudge so hard to feed his kids.

I think for long, while he holds his mum's hand
and enjoys walking between mum and dad.
He toddles caring not for what may come
as long as he walks with his dad and mum.
BY JOSEPH ZENIEH
____________

— The End —