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It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

Here is a toast for valentine
Valentine in all seasons perennial
Where angst of money for love  
Cradled utopian capitalism,
It is once again in the city of Omurate
In the south most parts of Ethiopia
On the borders of Kenya and Ethiopia
Where actually the river Ormo enters Lake Turkana,
There lived a pair of lovers
With overt compassion for one another
The male lover was an origin of Nyangtom,
A cattle rustling Nilotic kingdom
While the female lover was a descendant of King Solomon
The Jewish children which King Solomon aborted
Because their mother was an Ethiopian African
They now form substantial part of the Ethiopian population
Their clan is known as Amharic, they speak subverted Yiddish,
These lovers were good to one another
Sharing secrets and all other stuffs that go with love.

Both the lovers were fatherless
They had lost their fathers through early death
They only had the mothers, who were again sickly
Their mothers coughed a whole night with whoops
And when in the wee of the night, when temperatures go low
The mothers breathe with wheezing sound
Like peasant music from African violin,
They didn’t eat with good appetite
They always left irritating chunks on the plates,
But they all puked mucus from their mouths
And of course with a very sickening regularity.

The menace of sick mothers intervened with love freedom
Among the inter-compassionate lovers
They did not have time for real active love
I will not mention recurrent missing of ceremonies
Fetes that are bound to go with valentine day
The lovers were bored to their teeth
They don’t knew when gods will come to unyoke them.

Especially the male lover, was most perturbed
His mother looked sorriest
With a scrofulous look on her old aged African face
She looked like a forlorn erstwhile cattle rustler
She ever whined in pain like a trapped hyena
Her son the male lover even began apologizing
To the female lover for such environmental upsets
Hence an African proverb that;
No love is possible with impaired judgment.

One day in the wee of the night
With no electricity nor any source of light
Darkness engulfing each and every aspect of the city
Confirming the hinterland of Africa
The female lover woke up from the sleep
And she never heard the usual wheezing breathes
That her mother often made in such hours,
Feat of suspicion gripped her
She jumped out of her bed to where her mother was
On feeling her, she found her dead, cold like a black member
She was already past the rigor mortis stage of death process
African chilliness had frozen her like a poikilothermic creature.

She wept but not in the uproarious groan
In that instinctive Jewish shrewdness
She did not announce nor inform her lover of her mother’s death
She only washed and groomed the cadaver of her mother
She made a headscarf around the head of dead mother
She even placed reading glasses on her face
On her mother’s dead torso she wrapped a dress
The most expensive of all bought from Egypt,
In the same wee of the night
She carried cadaver of her mother on her shoulders
The way a poor Nigerian farmer would carry a stem of banana
And walked slowly by slowly for a distance of a hundred kilometers
Down ***** into Kenya towards the city of Todanyang in Turkana County
Todanyang was a busy city, but silent and minus people in the night
The king of this city was called Lapur the son of Turkanai
And the law that Lapur passed in this city was archaic
It was; an eye for an eye, a tooth for a tooth, a Jew for a Jew
A pokot for a pokot, a samburu for a samburu
It was simply the law with nothing else
Other than clauses of measure for measure
And clauses of *** for tat instantaneously administered,
On reaching the market she placed her mother standing
Being supported on a sign post at the bus stage
In pose similar to that of an early morning traveler,
She sat a side like a prowling spider awaiting foolish fly
They way an African ***** exposes its red ****
And when the hen comes to peck
It traps and closes the head of the hen
Deeper into its ****,
At that bus stage there was a hotel
Owned by a Rwandese refugee
From the foolish clan of the Hutu
He had ran away from the genocide
In his country, he was also the perpetrator
And thus he was a runaway from the law *** hotelier
His name was Chapuchapu, meaning the quick one,
When Chapuchapu opened the hotel for the early customers
The female lover walked into the hotel
With innocence on her face like all the Jews
She placed an order for two mugs of coffee
And two pieces of bread
When Chapuchapu had placed food on the table
The female lover shrewdly instructed Chapuchapu
To go and hold the hand of the woman standing at the sign post
To bring her into the hotel for morning tea,
Chapuchapu in his unsuspecting charisma
With a mad drive to make money that morning
He dashed out as instructed with his foolish notion
That the customer is the queen, which is not
He grapped the standing cadaver with force
On pulling her to come along
The cadaver tumbled down like a marionette
Everything falling away; headscarf and glasses
Chapuchapu was overtaken by awe
The female lover was watching
Like the big brother in the Orwellian satire, 1984.
When the cadaver of her mother fell
She came out of the hotel
Screaming like a hundred vehicles
Of St John Ambulance
And two hundred Kenyan vehicles of fire brigade
And three hundred Kenyan cash transfer vehicles,
She was accusing Chapuchapu for being careless
Careless in his work that he had killed her mother,
Swam of armed humanity in Turkana loinclothes
Began pouring in like waters of Nile into Mediterranean
Female lover improved the scale of her screaming
Chapuchapu like a heavyweight idiot was dumbfounded
Armed people came in their infinite
Finally king Lapur arrived on his royal donkey
That his foot soldiers had only rustled
From Samburu land a fortnight ago,
The presence of the king quelled the hullabaloo
The king asked to find out what had happened
Amid sops the female lover narrated how
Chapuchapu the hotelier had killed her mother
Through his careless helter skelter behaviour
The king sighed and shouted the judgment
To the mad crowd; an eye for a……….!?
The crowd responded back to the King
In a feat of amok value;
For an eye you mighty Lapur son  ofTurkanai,
The stones, kicks, jabs began rainning
In volleys on an innocent Chapuchapu
Amid shouts that **** him, he came here to **** people
The way he killed a thousand fold in Rwanda.

The sopping female lover requested the king
That his people wait a bit before they continue
Then the king waved to the people to stop
Chapuchapu was on the ground writhing in pain
When the King asked the female lover what was the concern
She requested for pay from Chapuchapu not people to **** him
Chapuchapu accepted to pay whatever the price that will be put
Female lover asked for everything in hundreds;
Carmel, money, Birr, sheep, goats, donkeys, cows
Name them all they were in hundreds
Chapuchapu and his family were saying yes to every demand
And they rushed to bring whatever was said
The payments exhausted Chapuchapu back to square zero
The female lover carried everything away
The cadaver of her mother on her shoulder
She disappeared into the forest
and buried her mother there.

When she arrived home she found the male lover
He looked at her overnight change in fortune in stupefaction
He didn’t believe his eyes, it was a dream
Sweetheart, where have you gotten all these?
Questioned the male lover
Sweetie darling there is market for dead women
At Todanyang in the Turkana County of Kenya
I killed my sickly mother and carried her cadaver
As a trade ware to Todanyang
Whatever I have that you are looking at is the proceed,
Can my mother fetch the same? Asked the male lover
Of course yes, even more
Given the Africanness of your mother
African cadavers fetch more than the Jewish ones
At Todanyang market,
The male lover was now overtaken
By strong urge for quick riches
Was not seeing it getting evening
That day for him was as long as a whole century
He was anxious and restless more tired of a sickly mother
When evening fell he was already ready with the butcherer’s tools
He didn’t have nerves to wait till the wee of the night
As early as eleven in the evening he axed his mother’s head
Into two chunks of human skull spilling the brains in stark horror
Blood streaming like a rivulet all over the house
The male lover was nonchalant to all these
He was in the full feat of determination
To **** and sell his mother to  get the proceeds
With which he could foot the bills of valentine day.

He stuffed the headless blood soaked torso
Of his mothers cadaver in the sisal bag
He threw it to his bag
And began going to Todanyang
The market for human dead bodies
He went half running and half walking
With regular whistling of his favourite poem;
Ode to my Jewish lover
He reached Todanyang in the wee of the night
No human being was in sight
All people had gone as it was late in the night
He then slept in the open with dead body of his mother
Stuffed in the sisal bag beside him
Wandering night dogs regularly disturbed him
As they came to bite at smelling curdled blood
But he always scared them away.
As per the male lover he overslept till five in the morning
But when he woke up he unhesitatingly began to shout
Advertising his ware of trade in foolish version;
Am selling, the body of my mother, I have killed,
I killed her myself, it is still fresh, come and buy,
I will give you’re a bargain price,

When the morning came
People began crowding around him
As he kept on shouting his advertisement
Also Lapur the king came
He was surprised with the situation,
He asked the male lover to confirm
Whatever he was shouting
The male lover vehemently confirmed,
Then the law of an eye for an eye
Effortlessly took its course
Lapur  ordered his people, in a glorious royal decree
To stone the male lover to death
And bury him away without ceremony
Along with his mother in the sisal bag
In the wasted cemetery of villains
The same way Pablo Neruda
Had to bury his dead dog behind the house,

On hearing the tidings
About what had befallen her lover
The female lover had to send out a long giggle
Coming deep from her heart with maximum joy
She took over the estate of the male lover
Combined with hers,
All the animals and everything she took,
She made her son the manager
The son whom she immaculately conceived
Without any nuptial experience in the usual Jewish style
And their wealth multiplied to vastness
And hence toxic valentine gave birth to capitalism
In praise of Eliza, Queen of the Shepherds


See where she sits upon the grassie greene,
        (O seemely sight!)
Yclad in Scarlot, like a mayden Queene,
        And ermines white:
Upon her head a Cremosin coronet
With Damaske roses and Daffadillies set:
        Bay leaves betweene,
        And primroses greene,
Embellish the sweete Violet.

Tell me, have ye seene her angelick face
        Like Phoebe fayre?
Her heavenly haveour, her princely grace,
        Can you well compare?
The Redde rose medled with the White yfere,
In either cheeke depeincten lively chere:
        Her modest eye,
        Her Majestie,
Where have you seene the like but there?

I see Calliope speede her to the place,
        Where my Goddesse shines;
And after her the other Muses trace
        With their Violines.
Bene they not Bay braunches which they do beare,
All for Elisa in her hand to weare?
        So sweetely they play,
        And sing all the way,
That it a heaven is to heare.

Lo, how finely the Graces can it foote
        To the Instrument:
They dauncen deffly, and singen soote,
        In their meriment.
Wants not a fourth Grace to make the daunce even?
Let that rowme to my Lady be yeven.
        She shal be a Grace,
        To fyll the fourth place,
And reigne with the rest in heaven.

Bring hether the Pincke and purple Cullambine,
        With Gelliflowres;
Bring Coronations, and Sops-in-wine
        Worne of Paramoures:
Strowe me the ground with Daffadowndillies,
And Cowslips, and Kingcups, and lovèd Lillies:
        The pretie Pawnce,
        And the Chevisaunce,
Shall match with the fayre flowre Delice.

Now ryse up, Elisa, deckèd as thou art
        In royall aray;
And now ye daintie Damsells may depart
        Eche one her way.
I feare I have troubled your troupes to longe:
Let dame Elisa thanke you for her song:
        And if you come hether
        When Damsines I gether,
I will part them all you among.
Claire Waters Dec 2013
2013 was made of bus stops and ABC gum
while you garnered a habit
of chewing your lips in the corner of every room you entered
sinking into the cushions as easily as if you were the stitching
running your hands over the stitching in the cushions so many times
over the course of a single conversation, that you could easily
have become the stitching.
2013 was made of boys who left holes all over you
when they pulled out each careful seam
you restitching it every time and spitting
oh well, your loss

new years resolution:
stop allowing yourself to be turned into an object
because you're afraid to be a person

2013 was made of barely fun nights
of screaming sweaty 'cool' people packed into much more interesting rooms
and you, happy to be with friends
wondering who all these other angry people are
and why you never end up surrounded by a crowd
of happy people, who don't find any space taken
that isn't consumed by them, to be offensive

you say cool like it's an insult today
you say cool with a bitterness that can only come
from a markedly uncool person
someone who doesn't laugh at damaging jokes
who makes space for others in conversations
doesn't linger on the bottle of whiskey that is not theirs
their unwillingness to share reminding you of
greedy grubby fingered five year olds
clinging to snack packaged oreos
their eyes darting around as if someone might just
notice their selfishness
you see them, your tongue pinched between your teeth

new years resolution:
share more, even with greedy people
what is taken with bad intention can never be fully enjoyed
you know that well
bacchus could drink every ounce of wine in greece
but without a reason to count his blessings, he is just drowning.

2013 made you into someone different than you used to be
someone who thinks too much and is too harsh
too much instead of too little, always too much
who has learned how to stand but not yet how to bend to get
the best result out of holding their ground
who can be cool like their peers for maybe half an hour
before feeling the pull of a tidy bud of green
and a pen and paper, an archive of sounds and thoughts
that don't talk back. you feel weak. and yet
you feel so ******* strong

because 2013 has made you someone
who runs to help the drunk ***
tripping over the curb outside of your house at 4 am
even though your mother is reprieving you in your head
as you take his weathered hand, sleeve soaked with beer spilling onto the curb
and pull him carefully to his feet, asking if he is hurt
and despite your concern he regards your sunken female figure with discomfort
as if regretting that he couldn't have fallen in front of
a more ****, beautiful girl that is full of vitality and life
and nurses poor sad men back to health

and as he is having a moment of realization, you have it too
he is realizing that a man in shambles
can only ever hope for a woman in shambles to understand
no ****** mary will ever grace his worn soul
only a faded chain smoking insomniac waif
the world is not that magical
this reminds you once more that not only are you not cool
for caring about others, but you are not welcome
because you yourself are a social *****
and that's not the love they were looking for
when they asked for it
but you will give it anyways

new years resolution:
even when they burn you and cut you
even when they hurt you and steal you
even when they bag you up in pieces
and sell your respect in jokes
you still have it and just like the bitterness
it will never stop bleeding and beating
and you can handle it
even if they can't

you are strong in a messy way
a way that stinks and sops past memories
out of every pore when you are courageous
and if that is considered an uncool way to be
then that's the coolest thing you've
ever done
so don't give out on me now
dominic rocky Apr 2012
the bartender
sops up the *****
tears and ash
left on the bar
after the usual wednesday
night
as he flips up the stools
he can feel the indentations
left by the *****
and empty wallets
of the broke souls
who spent their dollars
trying to forget
that tonight existed
and the **** tomorrow
was bound to throw
in their faces

he felt a deep sadness
for those ghosts
he knew all too well why
they spent their nights
in his bar
yet he thought of himself
as some sort of a hero
for it were not for his bar
their sanctuary
the pieces of skull and brains
their loved ones would
have to clean up
would be too much for
even this society to bear
but he wondered
if he really was
a hero
was he not an accomplice
in their slow deaths
allowing them to drown
in their whiskey and sorrows

no this cannot be right
if they aren’t already dead
then they are dying
just like he is
just like we all are


he knew tomorrow night would
be the same
as tonight
the same tears
the same *****
the same ash
i guess as long
as we are alive to forget
the bartender will be
a hero
and his sanctuary
will remain
open
Ken Pepiton Dec 2018
Bang the drum slowly

There was a rhythm, an echo
Everything, after to day has been leavend
by Iain McGilchrist I heard him speak on Youtube.
----
We can learn forever, I think he agrees. We live to learn.
I've lived a bit longer.

When the teacher is ready the student appears
in arrears
twisted from duty by dereliction

do you understand, stand under, any

one thing word god idea and that's it truth?
I do.
What idea do you stand under?
Seek and ye, meaning me, shall find.
seek a place where you believe that is known
make that place your home,
make that place
make that
effectual, fervent axing fells the forest for the trees

if you please, brief turing-inspired tests of ideas
re-presenting old good ideas
rusted through disuse

for possible recyclings through a level of minecraft.
the wargames are
less
rewarding, post-war on terror.
After age 27, winning alone is not enough,
even the gang, the fam, the team
all the weese we ever was

We aint. I am

needing meaning like air

oh my god, a worship song I heard that
You are the air I breathe

do we, the we of you and me believe air is good?

we do, I knew. Good, 'ts'at mean? Air is meaning?

all one after the morph into alone
I am the way or there is no way

that could be the story but for you,

I-Thou Philosophy, I bow to thee,

en passant on pointe

Ministry of truth Prognosticator Hagee he say
Hell? Yes, he say Hell yest'here is a hell for all

who fail to escape it. I say
One way or another,

you escape one hell,
paying nothing more than proper attention
to detail (did we define duty),

you know how, do it as needed,
friends help but
eventually, something like a father must judge me

good. That is the whole duty. Or else nothing,
eventually right,
live a life that brings honor,
he who troubles his own house

inherits the wind,
you heard he said I came to divide?

Split the flow with a contrail of ice
cutting through the clouds
a jet plane don’t know if
any thing of the sort was ever seen

before my generation.
slice the current into paisleys bubbles reaching away
from the point whence most heat meats least resistance
boiling begins
bubbles emerge and pop.

as old as sin
then
yada, the chorus sings, all the little milk sops sing

yada yada yada and mock the need

to know, you know? More,

after all's been said and done why goes on,

she waves, Cliché crashes to my frontal lobe from lizard brain
Dive in
follow wisdom flowing past
our di er rama drama direct ******* of re ality ify ing

ding.
Did that work? That's maybe
as good as praying, effective

Judge you, I judge me. Can I live with your
following the flow I followed

ob right ob vious not en vious

if the clouds and rain were what water wishes to be,
first some tears must add specialsalt to the sea,
earth salt, from mudmen,
then salt ***** water from
the mud after the flood
when the mammoth
died, (Thank him, for his bones)

then grandpa tells another lie and we laugh
and he weeps

it only hurts, when I laught, he winks,

She pushes and the story takes 'is father's breath,
his first alone, all one, all the air in the world
flowing in to fill the need pressing listing
need need need to breathe
lusting listing and
there,
a new whirl in the world
with all the wind an heir may need
someday, from one bubble to another

in one breath.
One beat of the walking drum,
Meaning, the search for reason and rhythm, skipping it seems, the old man declares is a necessary mode at some point in every upright walker's life.
Francie Lynch Jun 2015
Since we were toddlers
We've had the move;
Something like a siddle,
The sway of balance
On the right/left shift.
But a siddle's for a snake,
A wiggle's for a worm,
And my dog waggles
When I return.

We stop, we wait,
Frozen, and confused;
We're a bit ticked-off
We can't pull this off
In a dance of decisive moves.

We've seen our share
Of waddling sops
Leave sidedoors
On Sunday mornings.
That's not what we do.

I've stopped a tot
From toddling,
Yet now I can't help you.

It's not a reel, a jig or clog,
It's like a line-dance of two frogs.
Then I hear Yeats' fiddler,
And I commence to be a widdler.
When you meet your doppel-widdler,
Don't look,
Don't ask,
Don't take long,
Just widdle past
To the fiddler's song.
Widdle: Coined word to describe that annoying situation when you confront someone and neither you nor the other knows which way to pass on the street. Right, left, straight...
Yeats: The Fiddler of Dooney
Kewayne Wadley Apr 2018
And like that she became wet.
******* before she bathed in the storm.
Umbrella left home, by the door.
She wanted to be cleansed.
Clothes thrown to the side.
Where's the fun in being dry.
To rush every moment that craves to be moist.
Splashing in puddle after puddle.
The Infatuation of being free.
The depth of being caught in a portrait just before it drys.
Covered in layer after layer of heavy blue.
A foam of white.
A kiss that quenches every thirst.
Our lips the brush that sops the wetness.
Forever more.
To purposely be caught without an umbrella
Dominating democracy
The current debonair
Popular rule world over
Parties playfully bannered
Need to be well mannered
  
Dreamed deemed democracy
Of the people, for the people
Cozy easy essence of electoral pulpit
An elusive mirage of political outfit  

Exciting polls parlour
Power crazy parties
Seat savvy leaders
Alluring elections
Festoon of manifesto
Tuned and tutored motto
Voters’ votes wide divide
Soapy sops sweep success
Massive mandate despise
Despite passive poll
Empower modern emperor
His rising raging entourage
  
Poles apart; ex-party departs
Next party takes part  
Polls uphold democracy
Parties unfold idiosyncrasy
Polls are tools of power pools
matt nobrains Jul 2015
in it i have the twist and ****
that falls upon beer caps
and ragged desert fur
that sops up dicotomies,
bathe or dont, fleas or lice,
leaves on battered tarmac
corn that drags its venomous
fangs bare
clogged shitshown *** heathen
explosions decimating wakes
flown over with brutal
stoves; unreckoned
i havent cleaned out my ears in weeks
and its beginning to affect my
hearing.
fast through curves meeting
the brush
glad at the sink
twin teeth buried beneath
long
argo Sep 2015
where: wood-carved shelves arch over the kitchen window and marbled countertop sops up daylight,
half a sofa sleeps across mementos hung solemnly on a wall
where: rain descends on the balcony, drumming angrily on the spanish tiled floor while a radio plays pop!
where: water stains are scenery and the bed, a witness -
where: the smell of pancakes and the sound of mom and dad waking you up in the morning, the blankets are soft and your skin is talcum,
where: the clouds
are still
your friends -

now the clock tells time and you ask where they go

when all the furniture is gone a house will still feel full
because everyone leaves
something
of them
behind

and you are always so
full
of everyone

where: the dust settle and ghost occupy the attic
and every nook

they always forget
where you remember
wip
Ken Pepiton Sep 2019
Old notes, from before

what they did was imagine a future
the future using a memory (meme) locken in their DNA to cognize

sameness

Defragmenting your mind
disassociate certain ideas from mis conceptions

cost of living, reap what you sow

Lost and know it, is there a way

What if the show (the trial) is a series of phone calls--
listener hears both sides

--- but never speaks--
When is the reward for not doing ever as great as
the reward for done?

A riddle for the robber jailed for doing?
A query for the poet who never wrote?
The singer who never sang, an audition in silence?

Eaking, painful words that say see, soundlessly

and fifteen years passed by
I must say
I know the answer there
I must say
I see farther now than then

Suffer it to be so now. See the music
sing
Sufficient unto the day (no more)

Sop with me, come and dine.

-- Ask the guest to say grace

gracefully, the guest rises to full height,

tears the heel from the loaf,
slowly sops it in the cup of Mogen David,
provisioned by the host,
slowly lifts the soppy bread to lips open
for a bite,

taken, then chewed gently, and swallowed,

Amen. The guest sits and tucks
and gracefully scoops his portion of
a side of beef and three old hens who ceased to lay.

Grace for grace, he mutters, in his own gluttonous way.
as all the tucker's tucked into him.

Smallest child asks, who invited that?

Oh, that.
That's a metaphor. A parable. You see as if that hapt,

you remember it oh so well,
then the story ended and you woke here with memories of never beens.

Not every efforting word makes ineffable sense, some must be heard
to be spoken, other wise they lie

idle, idling like dragons spewing ashes in micro bits of death,
in their slumber atop the horded
answer to all things,

money. the real thing. the idea from which it formed.

A time trading scheme.
Back in the day, we were paid for our attention to reality, then

something changed at the DNA level, down in the core of where we come from,
effortlessly, until

air, whoosh squeeze that back outa me
breathe, old man,

old notes, like we should
honest-account the smell of Dehli
diesel idling in clogs of mopeds and vespas and honda fifties
like Saigon outside Than Son Nhut when the Americans were there

such idle words as these, left lying asif believed
now as when they flowed from a steel nib pen in some era of errors past
parsing sensibly

like old photos in a family album, with no recognizable faces or places

longer lasting than our carbon foot print,
longer than the thread to Silicon Beach sewing stiches before the skein
ripped with the receding tide of couldabeens,

before there was a fast lane, a 56 K modem was a rocket ship, too slow

here come ol' Flattop, Junior, **** Tracey's cutting edge hacker,
Flatop Jones, Junior,
cruisin' Route 66, in 1956, while the Hungarian Freedom Fighter was
grasping at
a dream,

The Yanks are coming, but
they didn't.
Seeya.
I found my personal task spiral binder from the expansion of the silicon bubble into the internet through to the MyTechPeople rollout after the IPO that never hapt. A historical note.
Mateuš Conrad Mar 2017
i have no idea why i'm entrenched in this community
of sops...
                    ooh me me me...
                           how the **** did this come about?
where were my testosterone levels?
          what happened to this natural aphrodisiac...
i could literally curse my fore-fathers by selling
their daughters: all because they had their ethnic
counter-part on the throne of the vatican...
                              deceit! liars! usurpers! deserters!
and back home he's some sort of a deity...
let me tell you: you can't have a saint and a demigod
in one person... it doesn't work!
the whole concept crumbles into ****!
              oh look: i'm about to pull out a pseudo-kippah,
white, of the pope: from my ***!
       it's a hellhole that men don't realise:
oh you're supposed to be a plumber, not a "poet"...
i could have been: had not a woman decided to
drop a baby into my lap while i wasn't aware of
her scheming ways: because she was abused as
a child... then i have a bunch of psychiatrists
applying regression tactics and doing communist-like
****: in western europe! of all places!
                then yeah... what's with this thing... snowflakes?
i'm a snowflake?
                             i think we're sadists... or becoming so:
what with the care home scandals...
              the middle generation have high hopes...
and basically 1mm depths of puddles for our concerns...
"but it wasn't easy"... do i look like a ******* clown
that said it was?
                          i really can't stop laughing at
the robin williams broadway show...
                                  he basically had just a few jokes
up his sleeve...
                       but unlike a magician with a few
tricks up his sleeve... the jokes could be studied via
virology... he tells the same jokes on a chat show
years later (parkinson's)... and then i watch the show
and i'm still laughing...
                 people always say: rather blind or deaf?
does that even attract moral relativism?
                       i'm no einstein... but there's the case
of subjectivity that's crucial here...
                             what with everyone doing the crazy
the bangles': walk like an egyptian...
  and there's robin williams telling the same jokes:
because he knows the drill... and he knows fame...
  and he needs to same the **** over and over again to
as many people...
                  but that's the objective... it really becomes
a but fuzzy as to what is better or what isn't...
   how about subjective-objective akin to einstein's
   drool over the earth dipped into some parabola of time-space?
           is this ******* still being discussed?
i thought the two concepts were inseparable?
   are they? really?!    so what's the point of the time-space
concept?
                                  ah... free speech and the many
surprises... you'll figure it out at the end that
Kierkegaard protected the freedom of thought and
paved the way for totalitarian-liberalism by protecting
the freedom of thought, rather than speech.
               it's still staggering that people these days
allowed a schizophrenia to creep-up on them...
in that they have really allowed two arguments,
  and can't conceive a compound of subject-object...
akin to time-space...
                                       because obviously you get
muddle somewhere in the middle... and experience something
unexpected... like violence...
                     well: at least we can vow to pretend
we're not dinosaurs and no meteor is coming to get
us.
         it's still fuzzy... why am i in this community
when everyone around here is so ******* sensitive?
     so this half-asian girl says she loves dave chappelle...
(again, chopin? or is that CHOP CHOP v. SHOP SHOP?) -
what a mystery!
                      i'll grant eddie murphy... but i just
don't understand black comedians...
                 lee evans or robbie? any day any time
in whatever position: lying down or standing or sitting
i can laugh... it's the tragic element in them
                          that's the aphrodisiac for me to exhale ha ha; ha.
quasi-slapstick isn't that stupid, given "witty" comedy
requires canned laughter to spur you on.
THE BEST TELEVISION PROGRAM
THAT I'VE EVER SEEN
JUST HAPPENS TO BE
SHOWING ON MY SCREEN

I HEREBY TENDER AN OVERVIEW
OF WHAT THE PARTICIPANTS DO
THEY RENOVATE HOUSES THAT
HAVE BEEN LEFT TO ROT IN MILDEW

RENEWING OLD FLOORS WITH
LOVELY HARD WOOD
AND THEY GIVE IT A COAT
OF SHINNY LACQUER TO LOOK GOOD

BATHROOMS ARE REFITTED OUT
IN TILES AND GRANITE TOPS
THESE KINDS OF IMPROVEMENTS
CAN ENLIVEN THE SAD SOPS

YARDS GET CLEARED OF ANY
WEEDS AND OVERHANGING BRANCHES
WHICH CERTAINLY LIFTS THE DEMEANOR
ON THE OUTSIDE OF THE RANCHES

I ALWAYS MAKE SURE THAT THE TELLY
IS ON BY 8:30 PM SHARP
TO WATCH THE MAKEOVERS
REDEEMING HARP
Sweet jingles
Sphere of hope and dreams
Queen July
I remember
The drench of your serene clime
Treat of your crispy days
Warm as life
Making our days longer
Our sweet dreams of tomorrow
Only awhile
The transcend of yesterdays
Missing the shadows of ourselves
Sweet July
How frolic and free
Like a phlegm fountain of youth
The pleasant smell of rosebuds
The dawn of the tender seeds
The blooms and blossom of flowers in blush
With it healing frangrance
Crown  July
I welcome your winkling rays
Declining softly of my shy greeneries
Sops of your dews which my trees, forest delight
And whirling my ears in bliss
The roar of your stomach
Lashing brisk lights of your hazy face
And drops of your crystal tears
That drones on my weary roof.
This i know the days of abundance
And productivity
Glad tidings
Yenson Sep 2020
porcelain goddesses have farted
in supreme orifices
and wafted their odious reign
all over their realms

its time to extract at the sign of the black horse
airey farty an all
non linguistic programming is the new black
time to cosh the buck and we do not mean cash

mind the yobs who hit and run
needs no training
**** Bobby of the militant brigade is free
to impregregnant under-age girls

all the work shy dross at the pubs
needs no training or punishments
the drunks and those absent fathers who do the deed
and then take a hike are fine examples of masculinity

but do hold on, there are more in this hollowed cage
the players who skims from one to the other are just dandy
the ones always round their mates and never home is not clingy
the neglectful wusses who are forever gaming are tops
the useless sops dense as dishwater are the stuff of dreams
the abusive drunks who roll in at closing time to batter the wives
are such wonderful fellows
the cheaters and liars who have our goddesses tearing their silky
hairs out, are perfect gentlemen who deserve gold medals

which leaves our porcelain goddesses all the time in the world
to practise the subtleties of NLP, inflict punishment and training
on the stable, decent, solid, reliable, attentive and confident man
who says it as it is and refuses to be intimidated by narcissists

So our dear porcelain goddesses have farted
from their  supreme orifices and wafting pollution all over
they have a buck to break in and punishment to administer
who wants the decent men when they have their pick of the indecent drosses who populate the worlds of porcelain goddesses
satire written while my mates were watching Trading Places .....
Yenson Oct 2020
when you see ghosts
do not fear
their inane screeching
and boo-hoo warblings
are done to wind you up
look them in their pale faces
and laugh
they are deadbeats who thrive on fear
senseless and pointless they crave
recognition and validation
dumb and irrelevant they want
your minds to doubt and fear
ee the empty vapid miscreants
they are
do not dignify them with responses
how can a collective of hot air
change personality or impact
when the sops don't even have any
personalities themselves
caught in a loop of repetitive ghostly idleness
they're mere carcasses full of nothing
all they can do
is hide and scream boo-hoo boo-hoo

— The End —