Simone, Simone
I'm all alone.
Simone, Simone
I'm all alone.
Simone, Simone
please come to me
and bear your breast
for me to rest
my weary head
and shattered heart
upon a part
so soft and warm.
Simone, Simone
I'm all alone.
Simone, Simone

Tod Howard Hawks

Simone, Simone
I'm all alone.
Simone, Simone
I'm all alone.
Simone, Simone
please come to me
and bear your breast
for me to rest
my weary head
and shattered heart
upon a part
so soft and warm.
Simone, Simone
I'm all alone.
Simone, Simone

Tod Howard Hawks

Simone, Simone
I'm all alone.
Simone, Simone
I'm all alone.
Simone, Simone
please come to me
and bear your breast
for me to rest
my weary head
and shattered heart
upon a part
so soft and warm.
Simone, Simone
I'm all alone.
Simone, Simone.

Copyright 2020 Tod Howard Hawks

the idylie of two beloved
who are not discriminated
neither by each other
not by others
because of their gender
isnt it utopy?
Ask by some gay paars,
whether they ever forget
how they anounnced about their love
to their  orthodox parents...
what a hidden pain..
which always will remain
ask by the woman in suburb
how many *******
devastated her heart
before she met this handsome practical guy
who she may not really love
but cherish just the appereance of love
in form of elementar peace at home
without daily scandal
How oft we play satisfied when
in reality cats in the soul scratch
sometime there is no sight
how to difference lovely clotherness
from the chain of compomise
which people care
with clothed eyes.
happy love relation is rare
but luckely they are, they do exist.
but what about this phenomen like friendship?
Almost everybody would say
she/he have good friends
the paradox consist only in a fact
that modern life in the west
never  put this
kinship on exam
since people are financelly independent
other else too, when they clients of the dole
and live from welfare
they are secured
there is no situation happens
that friend must to sell their car, or
put a ring from a finger
to salvate their friend from some calamity..
those friendship mostly base on
pleasant time spent together
out of any mutual bonds...
but friendship to its limit
is yet more dangerous
than a love to its limit.
Therefore such claim hardly exist
„friends“ mostly knows very well
where the limit of their mutual aid
this awareness is tragic,
especially utopic is true friendship
between male and female
to certain point it works
but when someone of both
step on thin ice
for example of unanswered love
to somebody else
here patience of friend ends
who want support dream of
friend
who is desperated lover
when reality shows here is dead end
but true friend would help by any „utopical“ situation
she/he will find any remedy and make magic thing happen.
And friendship between artists
isnt it where should be especial tight bond?
„I love you when you show“
it is what observation say of such very bonds..
today artists think they were gods themself
they curate the life of mortal in their work
and give no **** when their good deed
will not being mirrored in the art
the time of unique like Simone Weil expired
and when such altrusit with a keen sense for human justice
somewhere still live
they will die young like she did
or will be driven insane.
And we will never know about their dream
their fight, their resistance
because they were not writer or philosopher
like Simone Weil ocasionally was.
you will say this piece is written by
sheer frustrated one.
You exactly didnt guess.
Yes of cause I am frustrated one
but i find satisfaction balance
not to dream about true friendship
because such adjectiv is too relative
anyway what is true friendship to my graspe
Is possible meet only in myths
but though to thousandth time dare in:

imagine friendship
imagine mutual creation
imagine peace

(Inspired by and dedicated to John Edward Smallshaw, and his "Spice")


I am a summer-man,
Because I'm blessed to sit by the sea.
Let it and the other two Musketeers,
boon companions to me,
Sun and Wind,
erase my discomposure as I
reside in the Poet's Nookery.
Let them have almost
all that troubles,
but not all.

I am a summer-man.

On the bay, on the beach,
I see birth, I see death,
osprey nests, carcasses of
mussels and horseshoe *****.
This, somehow reassuring,
the cycles,
this circularity,
the tides and inevitability.

I am a summer-man.

Student of languages seasonal,
Peaches, plums, cherries, poetry
and loving Woman.^
This, the  summer alphabet-soup
of my multiple tongues.

I am a summer-man.

Sancerre and Pinot Gris, super cold,
Paul Simon, Nina Simone,
with proper aging,
getting  hotter,
Salsa and Afrikaner hints,
super louder,
Even "Still Crazy After All These Years,"
that-who-wud-be-me,
chills outer.^^

I am a summer-man.

When ever this lad's writes appear,
it proves once again,
there is no truth that his  
name was once Dr. Seuss
In a prior life, even if
each is signed by
Ogdiddy Nash

I am a summer-man.

Disrespectful of the calendar,
if I can, try to make
summer season stretch-marks from
May to October.

I would add April,
but the IRS is already
****** at me.^^^

Though the cherry blossoms of May
now gone away,
the lilies of June
arrive, but but for a week or two,
soon, like my mom, withered away.

Acorns in August^^^^ have arrived too swiftly.

This summer, beloved,
and love of summer,
deep-rooted.

Season of my Peter Pan Poetry Galore Festival.

A love,  incapable, impossible, of ever
growing old, ever growing cold,
it cannot wither.
It is summer heat reminders exposed,
how it misses its man,
that hide in the flames of
the teasing, popping, reminding
Winter fireplace's crackling popping

The fireside retreats
into the wall
as another TV Christmas special repeats,
with its sound echoing in the hall.

Tangerine,
Satsuma,
Clementine-Orange
peel litters the tabletop;
orange runway for the action figures,
plastic arms, moulded hairs.

Nina Simone plays loud,
'Nobody Knows When You're Down And Out',
Christmas is over,
and now there's nowt to do.

Simone was among the smallest of the small, a flutist of the smallest size,
Who carried herself well, and seemed to be taller than she was, at least in her mind,
Making her among the tallest, among those who could strut their stuff across the marching field.
She was proud, even on these practice days, when the dew of morning would
Make the practice areas so wet, and make her roll her pants up to just below her knees,
And her shoes would be soaked before it was over, and her heart would melt
Inside the flute, so big it seemed, compared to her hundred pounds.

Simone left little to chance, her eyes were forward, yet they moved quickly
From side to side, always checking her position on the field, and her
Position among those with her, and her position in what she perceived to be
The best among them.

One, two, three, four, five, six.  Repeat. One, two, three, four, five, six.  Six to five
They marched, long strident steps for the five foot of her, almost as if she was
Carrying the length of the world upon her shoulders. Her back was straight, her head
High up, toward the southern sky that held not a cloud, and the footsteps of those
Around her, the Flutist, till the turn, then the French horns crossing her path,
And she listened for the cue among them, and realized they carried their instrument
But there was nothing to be heard, as their mouths looked as though they played
Yet only the mouth pieces knew, it was but a scam of time.

She was wrapped in the image, that being here, on this field of one hundred twenty,
There was a leader, if you thought of it, too lead them in their playing,
But the real leader was her, briskly marching; head up, down the field, and hearing
The slides of the trombones, bam bammer, bam bam, up and down, as they never looked,
But kept time, her flute so bright and cheery, and so lost in the mornings lift.
One, two, three, four, five, six.  Six steps to five, six steps to five, six steps to five.  
Other bands, no all bands, marched eight to five, which would seems so much more
Comfortable to march, smaller steps, smaller people, across the field so major in its size
But her band, marched six steps to five, making for cleaner, tighter lines.

Ta da, daaa da, tee dee daa dumple deed ah daa, the trumpets and cornets rang out, loud
And seemingly obnoxious, in their tee dahs and tee daaaas, making for a crashing sound
Of thuno didity thump thump as the drummers passed, all music ringing loose from her head,
And the crashing sound of the drum, and the Thump, Thump, Thump, Thump of the bass,
Keeping time, keeping rhythm, of the John Phillips Sousa march across the field.
Her feet kept time, her flute braced up to her lips, her breath pouring forth,
Blending in perfect time, to make the most pleasant noise, her breath taken in, and her breath out
She flowed with the drums, the trombones, the trumpets, and heard the bass attempts
To play of the baritones, God’s most beautiful instrument, and the caterwauling
Of the clarinets, tooting and playing and attempting to play, some brand of music,
Some portion of a song that must have been heard long ago, that seemed to have
Nothing at all in common with the song at hand, but each looking down to trace
Their finger patterns, to hear the music as it played.

Simone’s flute, for all it was worth in her small tiny hands, in her small tiny arms,
Across this major large field, with these bodies next to hers, with the blats and sickles,
The very intent of each one to make its noise across at one another, seemed
To be a cacophony of sound, a completeness of nothing, and mess of a wreck of instruments.

Then there was the noise.   A complete and un-fractured belt of wonderful musical sound
As it marched toward her, as it seemed to assault, but to pay compliments to her,
As it seemed to worship the very wet, damp ground, upon which she walked, she felt something
In her body, a stirring, a feeling, her stomach turning in a good way, as her eyes lifted
She saw him, marching, One, Two, Three, Four, Five, Six times across the field,
One step was starting on the yard line, the last touching the yard line, five yards later.

The sousaphone.  This mass of brass, wrapped three times at the valves, turned
Around his neck, ending in a massive, shiny, bell of a horn, bigger around than her body
Bigger than a freight train coming down the track at her, she saw him.  Felt him.
Could feel the cool timber of his breath and voice and song, played so well upon
That instrument.  He was over six feet tall, no six feet six, and that horn, dear god,
Was two feet and several inches across the bell, putting him eight feet tall,
Compared to her five feet, and her fragile weight, and the mass before her.  That sounded,
So beautiful.  So real, such a part of it all, its tone, its timber, its reality was there and Anthony,
Playing it with intensity, playing it so strong, its notes almost removing her light little
Shoes from the field.  She thought she could float, she thought for a moment, that she
Had died and was no longer walking, but floating across the field.

Boom. Boom. Boom. Down. The. Scale. Up. The. Scale. Boom. Boom. Boom. Anthony played the music,
And marched, keeping time, and handling the music well……and he heard her soft little notes
This miniature toy before him, this small flutist playing her trills, her melody, her principle
Piece so well, so that it sneaked in and captured his heart in a moment, his breath short,
His feeling of being the only person in the band, suddenly expanded to two, took him hard.

And they played their music, their parts, and the rest of the band tried to keep up.

At times when I'm alone
I think about Simone.
I think about her poetry
and how much her locks have grown,
I wonder if she is still healing
and I pray for her to any messiah.
Simone is just a girl mistreated by a cruel world.
I hope Simone is praying and I hope that it is heard,

I hope that God is female because
praying to a man would reignite her pain.

There’s a film by John Schlesinger called the Go-Between in which the main character, a boy on the cusp of adolescence staying with a school friend on his family’s Norfolk estate, discovers how passion and *** become intertwined with love and desire. As an elderly man he revisits the location of this discovery and the woman, who we learn changed his emotional world forever. At the start of the film we see him on a day of grey cloud and wild wind walking towards the estate cottage where this woman now lives. He glimpses her face at a window – and the film flashes back fifty years to a summer before the First War.
 
It’s a little like that for me. Only, I’m sitting at a desk early on a spring morning about to step back nearly forty years.*
 
It was a two-hour trip from Boston to Booth Bay. We’d flown from New York on the shuttle and met Larry’s dad at St Vincent’s. We waited in his office as he put away the week with his secretary. He’d been in theatre all afternoon. He kept up a two-sided conversation.
 
‘You boys have a good week? Did you get to hear Barenboim at the Tully? I heard him as 14-year old play in Paris. He played the Tempest -  Mary, let’s fit Mrs K in for Tuesday at 5.0 - I was learning that very Beethoven sonata right then. I couldn’t believe it - that one so young could sound –there’s that myocardial infarction to review early Wednesday. I want Jim and Susan there please -  and look so  . . . old, not just mature, but old. And now – Gloria and I went to his last Carnegie – he just looks so **** young.’
 
Down in the basement garage Larry took his dad’s keys and we roared out on to Storow drive heading for the Massachusetts Turnpike. I slept. Too many early mornings copying my teacher’s latest – a concerto for two pianos – all those notes to be placed under the fingers. There was even a third piano in the orchestra. Larry and his Dad talked incessantly. I woke as Dr Benson said ‘The sea at last’. And there we were, the sea a glazed blue shimmering in the July distance. It might be lobster on the beach tonight, Gloria’s clam chowder, the coldest apple juice I’d ever tasted (never tasted apple juice until I came to Maine), settling down to a pile of art books in my bedroom, listening to the bell buoy rocking too and fro in the bay, the beach just below the house, a house over 150 years old, very old they said, in the family all that time.
 
It was a house full that weekend,  4th of July weekend and there would be fireworks over Booth Bay and lots of what Gloria called necessary visiting. I was in love with Gloria from the moment she shook my hand after that first concert when my little cummings setting got a mention in the NYT. It was called forever is now and God knows where it is – scored for tenor and small ensemble (there was certainly a vibraphone and a double bass – I was in love from afar with a bassist at J.). Oh, this being in love at seventeen. It was so difficult not to be. No English reserve here. People talked to you, were interested in you and what you thought, had heard, had read. You only had to say you’d been looking at a book of Andrew Wyeth’s paintings and you’d be whisked off to some uptown gallery to see his early watercolours. And on the way you’d hear a life story or some intimate details of friend’s affair, or a great slice of family history. Lots of eye contact. Just keep the talk going. But Gloria, well, we would meet in the hallway and she’d grasp my hand and say – ‘You know, Larry says that you work too hard. I want you to do nothing this weekend except get some sun and swim. We can go to Johnson’s for tennis you know. I haven’t forgotten you beat me last time we played!’ I suppose she was mid-thirties, a shirt, shorts and sandals woman, not Larry’s mother but Dr Benson’s third. This was all very new to me.
 
Tim was Larry’s elder brother, an intern at Felix-Med in NYC. He had a new girl with him that weekend. Anne-Marie was tall, bespectacled, and supposed to be ferociously clever. Gloria said ‘She models herself on Susan Sontag’. I remember asking who Sontag was and was told she was a feminist writer into politics. I wondered if Anne-Marie was a feminist into politics. She certainly did not dress like anyone else I’d seen as part of the Benson circle. It was July yet she wore a long-sleeved shift buttoned up to the collar and a long linen skirt down to her ankles. She was pretty but shapeless, a long straight person with long straight hair, a clip on one side she fiddled with endlessly, purposefully sometimes. She ignored me but for an introductory ‘Good evening’, when everyone else said ‘Hi’.
 
The next day it was hot. I was about the house very early. The apple juice in the refrigerator came into its own at 6.0 am. The bay was in mist. It was so still the bell buoy stirred only occasionally. I sat on the step with this icy glass of fragrant apple watching the pearls of condensation form and dissolve. I walked the shore, discovering years later that Rachel Carson had walked these paths, combed these beaches. I remember being shocked then at the concern about the environment surfacing in the late sixties. This was a huge country: so much space. The Maine woods – when I first drove up to Quebec – seemed to go on forever.
 
It was later in the day, after tennis, after trying to lie on the beach, I sought my room and took out my latest score, or what little of it there currently was. It was a piano piece, a still piece, the kind of piece I haven’t written in years, but possibly should. Now it’s all movement and complication. Then, I used to write exactly what I heard, and I’d heard Feldman’s ‘still pieces’ in his Greenwich loft with the white Rauschenbergs on the wall. I had admired his writing desk and thought one day I’ll have a desk like that in an apartment like this with very large empty paintings on the wall. But, I went elsewhere . . .
 
I lay on the bed and listened to the buoy out in the bay. I thought of a book of my childhood, We Didn’t Mean to Go to Sea by Arthur Ransome. There’s a drawing of a Beach End Buoy in that book, and as the buoy I was listening to was too far out to see (sea?) I imagined it as the one Ransome drew from Lowestoft harbour. I dozed I suppose, to be woken suddenly by voices in the room next door. It was Tim and Anne-Marie. I had thought the house empty but for me. They were in Tim’s room next door. There was movement, whispering, almost speech, more movement.
 
I was curious suddenly. Anne-Marie was an enigma. Tim was a nice guy. Quiet, dedicated (Larry had said), worked hard, read a lot, came to Larry’s concerts, played the cello when he could, Bach was always on his record player. He and Anne-Marie seemed so close, just a wooden wall away. I stood by this wall to listen.
 
‘Why are we whispering’, said Anne-Marie firmly, ‘For goodness sake no one’s here. Look, you’re a doctor, you know what to do surely.’
 
‘Not yet.’
 
‘But people call you Doctor, I’ve heard them.’
 
‘Oh sure. But I’m not, I’m just a lousy intern.’
 
‘A lousy intern who doesn’t want to make love to me.’
 
Then, there was rustling, some heavy movement and Tim saying ‘Oh Anne, you mustn’t. You don’t need to do this.’
 
‘Yes I do. You’re hard and I’m wet between my legs. I want you all over me and inside me.  I wanted you last night so badly I lay on my bed quite naked and masturbated hoping you come to me. But you didn’t. I looked in on you and you were just fast asleep.’
 
‘You forget I did a 22-hour call on Thursday’.
 
“And the rest. Don’t you want me? Maybe your brother or that nice English boy next door?’
 
‘Is he next door? ‘
 
‘If he is, I don’t care. He looks at me you know. He can’t work me out. I’ve been ignoring him. But maybe I shouldn’t. He’s got beautiful eyes and lovely hands’.
 
There was almost silence for what seemed a long time. I could hear my own breathing and became very aware of my own body. I was shaking and suddenly cold. I could hear more breathing next door. There was a shaft of intense white sunlight burning across my bed. I imagined Anne-Marie sitting cross-legged on the floor next door, her hand cupping her right breast fingers touching the ******, waiting. There was a rustle of movement. And the door next door slammed.
 
Thirty seconds later Tim was striding across the garden and on to the beach and into the sea . . .
 
There was probably a naked young woman sitting on the floor next door I thought. Reading perhaps. I stayed quite still imagining she would get up, open her door and peek into my room. So I moved away from the wall and sat on the bed trying hard to look like a composer working on a score. And she did . . . but she had clothes on, though not her glasses or her hair clip, and she wore a bright smile – lovely teeth I recall.
 
‘Good afternoon’, she said. ‘You heard all that I suppose.’
 
I smiled my nicest English smile and said nothing.
 
‘Tell me about your girlfriend in England.’
 
She sat on the bed, cross-legged. I was suddenly overcome by her scent, something complex and earthy.
 
‘My girlfriend in England is called Anne’.
 
‘Really! Is she pretty? ‘
 
I didn’t answer, but looked at my hands, and her feet, her uncovered calves and knees. I could see the shape of her slight ******* beneath her shirt, now partly unbuttoned. I felt very uncomfortable.
 
‘Tell me. Have you been with this Anne in England?’
 
‘No.’ I said, ‘I ‘d like to, but she’s very shy.’
 
‘OK. I’m an Anne who’s not shy.’
 
‘I’ve yet to meet a shy American.’
 
‘They exist. I could find you a nice shy girl you could get to know.’
 
‘I’d quite like to know you, but you’re a good bit older than me.’
 
‘Oh that doesn’t matter. You’re quite a mature guy I think. I’d go out with you.’
 
‘Oh I doubt that.’
 
‘Would you go out with me?’
 
‘You’re interesting.  Gloria says you’re a bit like Susan Sontag. Yes, I would.’
 
‘Wow! did she really? Ok then, that’s a deal. You better read some Simone de Beauvoir pretty quick,’  and she bounced off the bed.
 
After supper  - lobster on the beach - Gloria cornered me and said. ‘I gather you heard all this afternoon.’
 
I remembered mumbling a ‘yes’.
 
‘It’s OK,’ she said, ‘Anne-Marie told me all. Girls do this you know – talk about what goes on in other people’s bedrooms. What could you do? I would have done the same. Tim’s not ready for an Anne-Marie just yet, and I’m not sure you are either. Not my business of course, but gentle advice from one who’s been there. ‘
 
‘Been where?’
 
‘Been with someone older and supposedly wiser. And remembering that wondering-what-to-do-about-those-feelings-around-*** and all that. There’s a right time and you’ll know it when it comes. ‘
 
She kissed me very lightly on my right ear, then got up and walked across the beach back to the house.

Nina Simone, occupying ears singing about bed and dressers.
Sparsely populated
young couple
Interrupted by saying amusements.
Only two stops
I know where to get off

I knew to mind the gap
I'm a responsible citizen
Voter with a valid railcard
Only two stops
Purchased a ticket
Only two stops
I can not throw up in that time

I can not clear my system of over-priced beer
A niche in the market
Exploited in the name of money Making let's just raise them
let's charge extortionate rates for an autoimmune disease

Paying to support a normal drinking culture embedded into the narrative
Growing by in the western world Listening to Nina Simone
Only one stop now you'd never know what life would be like

Without loud pop charts entertaining a few leaving the others yearning the return of ABBA when times were simpler and people cared about Eurovision and illegal music was your own

“Tickets please”
He seems awfully jolly for a late night ****-shift on Arriva Trains Wales
Who's making him work and why's he So ******* happy about it
Real extra effort! Soul sapping in my opinion
Last stop gotta get off.

At the mailbox, again:
“Who loves me, baby?”
Well, let’s see: there’s a flyer from Mercury Insurance,
Reminding me that most middle-income customers
Save an average of $4 million smackaroons when they switch too.
The Penny Saver USA.com is here,
Thank God, almighty!
So now I know that Thomas Roofing & Paving
Is having a special on 20-year leak-free flat roofs;
"All work guaranteed & insured.
No job too big or small.
Free estimates/Emergency services/License # I8U-69."
And thank you, Jesus,
For another $4.99 Farmer Boys 3-Egg Breakfast
Combo with Coffee coupon, and that
Little Caesars Hot-N-Ready, $5.00 cheese or pepperoni,
Mae-West-“why-don’t-you-come up and see me sometime?”—mailer. And, of course, another technology Siren’s song:
Verizon FiOS delivers entertainment this big,
Dish me up some dish NETWORK, $19.99 a month . . .
Are you ******* me?
For 12 ******* months?
AT&T;: whack me off on 120 channels.
DIRECTV.com - DIRECTV® Official Site‎
Worry-free 99.9%  . . . cue Joe E. Brown,
"Some Like It Hot“ Osgood:
"Well, nobody’s perfect!"
Time Warner/Sprint/T-Mobile;
And ******* Leather, Polk Street, San Francisco.
******* leather?
Must be for my neighbor: that ***** ****!
And here’s the weekly 8-page color fold-out from Stater Bros:
Lowering prices every day, large cantaloupes
(Jessica Lange, are you back?)
10 for $10.00, 32 oz. Gatorade
Or 24 oz Propel in 30 assorted varieties @ 79 cents
+ CRV: California Redemption Value?
Nice euphemistic cover-up for a TAX.
Nice, nice, very nice, CA elected state officials;
Nicely done, Sacramento.
Everywhere else in the country you get real money—
A fixed number of pennies, nickels, or dimes—
For your plastic bottles and aluminum cans.
But in California, the licensed recyclers
Get to pull the market price out of their *** each morning.
California Redemption Value?
What ******* genius government kleptocrat thought that one up? Conspiracy Alert: who gets all that CRV money?
And what are they doing with it?
Feeling plain, Jane?
Marinello Schools of Beauty, want you,
Offer you hands-on training in cosmetology,
Skin care esthetics, manicuring and vaginal deodorizing—
Just kidding, Babaloo.
Food tip for the Third World:
Never try to write poetry on an empty stomach.
Sizzler 6 oz juicy & succulent.
RENEGADE DEAL:
El Pollo Loco guacamole chicken sandwich,
Coupon free, small drink and small chips,
When you purchase a guacamole or jalapeno sandwich,
includes pepper jack cheese and a southwest sauce.
Gardenas sandia con semilla, 7 lbs 99 cents.
GARDENAS: “en precios, servicio y calidad, nadie nos iguaia.”
Bud Gordon’s Quality NISSAN:
One at this price after a $1500 factory rebate.
TERMINIX: get them before they get you!
The Kingdom Animalia, Phylum Arthropoda, Class Insecta
Bug up my *** again.
And a form letter from the VA
Asking me to please update my whereabouts.
And a form letter from the VA asking me
To please update my whereabouts.
And miles to go before I sleep.
Bite me, Mr. Frost!

An outing, at last.
I am going for a walk around the inside of my gates.
I live in one of those gated over-55 lunatic asylums.
There are gates. It is gated. Get it?
GATED! We feel safe here.
Probably a good thing at our age:
Self-imposed institutionalization,
Putting oneself in an asylum to ferment and die.
The fact that so many of us
Need it so bad at only 55
Says something itself about the current state of
Baby Boomer metal-fatigue.
I am now standing at the far end of the golf course.
I wait at the far end of the 18th Hole.
A ball bounces past my head and
Rolls off past the green into the far rough.
The 18th Hole is perched atop a small plateau,
Out of sight, far above the horizon for anyone teeing off.
I am Puck, invisible and impish.
I pluck the ball up.
I scamper to the green.
I pop the ball into the hole.
Which is better than popping a hole in the ball,
Surely, kind of a drag,
As we were once fond of saying.
Deflated Ball.
Deflator Maus.
OPERA can be ****.
Bodice-ripping corsets, whorehouses and naked ******!
Hardly what you might expect from
A night with the Welsh National Opera,
But they found their way into this production of "Die Fledermaus."
Ripe language, contemporary jokes and
Toilet humor thrown in, adding immensely
To the pleasures of Strauss’s operetta.
"Die Fledermaus," or The Bat’s Revenge,
Is all about drunkenness and adultery.
Despite being written in the 1870s,
It remains equally pertinent to today’s pub culture of excess.
Daring; Colorful; ****: PGA golf.
I steal a golf ball on the far end of the 18th Hole.
I pick up the Titleist and stick it in the hole
(Steady Jessica, not yours.
I hide behind your bush.
(Cue up PSA, First Lady Bird Johnson’s 1960s
Nationwide Beautification Campaign:
“I want everyone in America to plant a tree,
A sherrrr-rub, or a booosh.”)
The golfer now searching frantically:
Why is the cup always the last place they look?
Then, wham, bam, he looks:
A legend is born.
A hole in one,
His name forever immortalized
On a plaque over the bar, the proverbial 19th Hole.

As you know, I speak for all mediocrities,
Safe in my 55+ gated-community.
I go next to the Club House,
"The Lodge" as it’s called.
Each afternoon, the usual suspects
Claiming first come/first serve tiered mini-theater seats
Where Netflix matinee gems are screened.
It is two minutes to DVD show time.
I walk to the front of the room.
I stare at my audience.
I count the house slowly,
Making meaningful eye contact with each wrinkled face.
I cup my hands behind my back and speak:
“I assume you are all here for my lecture on Kierkegaard.”
No one reacts.
I turn to leave but do a double-take and smile.
One old woman in the top right corner of the amphitheater laughs, Perhaps the one other human being within the gates
Who has also smoked a joint today.
For an instant, I am overwhelmed with paranoia,
Perhaps I’ve gone too far over the line:
No longer “oh-he’s-a-character;”
I am now “that creep is ******* nuts.”
Is it time for someone to approach my family,
My next of kin, my “who-to-contact-in-event-of-emergency” number? Who will make the call on behalf of the HOA—
The Homeowner’s Association—
The Tsars, the Duma, the Supreme Soviet in these parts?
They are the power inside the gates;
Those who determine the state’s enemies,
Who govern its community norms.
Power within the gates.
Law within the asylum.
Little Hitlers one and all.
Hopefully they reach my sister first.
She’s been briefed.
KEY POINT IN THE NARRATIVE:
The new narrative is non-linear.
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We grow more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen;
We become more intimate with a legion . . .
Did someone say a legion? SPQR:
Am I having some sort of genetic-linguistic seizure here?
Am I channeling Benito Mussolini again?
Il Duce speaks to me from the grave,
Still blowing smoke up my Hopi-Jew-*** ***,
Filling in my insecurities,
Plugging the holes in my character
With delusions of classical Roman grandeur, glory and empire. Hmmmm? Quite an appetizing pitch for the average *****,
A message so completely, so ethnocentrically slick,
Olive oily, and so seductive.
A non-Italian would have thought
American Legion or Legionnaire’s disease,
Or The Foreign Legion, The French Foreign Legion.
The French: a virulent, promiscuous people.
Do you want fries with that, Simone?
No, I don’t get out much.
Only an occasional brisk walk around the asylum,
In and around the golf course, around but inside the gates. (LINKS) Bill Gates. Daryl Gates. Billy Bathgate’s Gates? Ghiberti’s Gates? The Hot Gates? Thermopylae? 300 Spartans/700 Thespians:
“The noun causing idiots to think of
Two girls sloppily eating each other’s mighty vaginas,
When they hear mention of someone being an actor.” http://www.urbandictionary.com
Not even close.
No, I rarely venture out.
This is Hemetucky.
There are methamphetamine-stoked
Teenage zombies at the gate.
Note to costume control:
Perhaps camouflage clothing is the safe choice?
No loud red Hawaiian.
No garish Indonesian batik.
Fleet of feet are these Hemet tweakers,
These cranked up Riverside County teenage barbarians,
These Huns & Visigoths,
These amped up, ravenous jackals.
And why stop there?
These Vandals & Vandellas.
A Motown flashback:
“Nowhere to run, baby, nowhere to hide.”
With or without Martha—
They remain dangerously lethal.
Yes, let it be camo clothes for me.
Those **** heads may be young.
They may be fast.
They may be able to run me down
On a dry grass dog-legged fairway savannah,
Tearing the meat from my carcass.
But the sons-a-******* have to see me first.
Besides, we know who are real friends are.
Hooray for our media peeps!
We become more intimate with a legion
Of television personalities on 125 different channels.
Most of these we know by name and context.
We know their families, their friends,
Their histories, their tragedies,
Their favored hyperbole and manner of speech.
Sometimes we establish intimacy with celebrities
Strictly on the basis of universal body language.
At times–in the absence of any other
Empathetic facility of identification–
We connect on instinct alone.
Instinct: perhaps animal at its core,
An animal kingdom affinity group,
Connecting on a bio-linguistic level,
Particularly when the Korean, or Spanish,
Mandarin, or Arabic,
Japanese, or even Hebrew language version is broadcast.
All languages cryptically alien,
A dense boundary, a barrio border wall,
Undecipherable, impenetrable concrete.
But we’ve never spoken to our neighbors,
Nor do we know their names.
Celebrities are the neighbors we know best;
Although the intimacy is an illusion,
Permission to invade their privacy presumed,
Tacit in the relationship between celebrities and their fans.
I am an independent contractor now,
An outside consultant to the NSA.
Try as I might I cannot crack the enigma,
Kim Kardashian remains far beyond my code-breaking prowess.
I repeat myself:
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We are more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen; we become more intimate with a legion . . .
Back to you, David Ulin:
“Sometime late last year—I don’t remember when, exactly—I noticed I was having trouble sitting down to read. That’s a problem if you do what I do, but it’s an even bigger problem if you’re the kind of person I am. Since I discovered reading, I have always been surrounded by stacks of books. I read my way through camp, school, nights, and weekends; when my girlfriend and I backpacked through Europe after college graduation, I had to buy a suitcase to accommodate the books I picked up along the way.”
Thank you, David L. Ulin.
I cannot help myself.
I grow more eccentric each day.
My eyeballs glued to that flat screen!

Cosmo Kramer: "The bus is outta control.
So I grab him by the collar, I take him out of the seat,
I get behind the wheel, and now I’m driving the bus."
Jerry: "Wow!"
George Costanza: "You’re Batman."
Cosmo Kramer: "Yeah, yeah, I am Batman.
Then the mugger, he comes to and he starts choking me.
So I’m fighting him off with one hand,
And I kept driving the bus with the other, ya know.
Then I managed to open up the door,
And I kicked him out the door, ya know,
With my foot, ya know, at the next stop."
Jerry: "You kept making all the stops?"
Cosmo Kramer: "Well, people kept ringing the bell!"
(Share this moment with a stranger.)

I speak for all mediocrities.
I am their champion, their patron saint.
Boom Chaka Laka. Boom Chaka Laka.
Boom Chaka Laka. BOOM!
Isn’t it time Salieri tempted Constanze–
Frau Mozart–with a plateful of Capezzoli di Venere:
“******* of Venus.”
You had me at hello, Kidman.
I know you too well, Nicole.
I knew you from before,
Way before Tom’s Oprah couch freak show.
Listen to me, Nicole:
We are face to face
With the most profound question in American literature:
"What is the grass?
The flag of my surrender?
The flag of my disposition?"
I resort to Socratic maxims: Know yourself;
The un-****** life is not worth living.
Is it stress? Is it lack of conviction?
Everything Jeff Lebowski neither wants nor needs in his life?
I watched you *** in "Eyes Wide Shut," Nicole.
Now I know you with my eyes and your legs wide open.
Thank you, Sidney Pollack.
Sidney knew.
Sidney dealt us cards
From his Hollywood Tarot deck.
We are intimate, Nicole.
I watched you squat.

Tory Lanez
Drake
The Weeknd
PartyNextDoor
Post Malone
ILoveMakonnen
RDGLDGRN
Kyle
G-Eazy
Rae Sremmurd
Future
Travis Scott
Lana Del Rey
Bryson Tiller
Jhene Aiko
Cal Scruby
Twenty-one pilots
The Neighbourhood
Zayn Malik
Jimi Hendrix
Nina Simone
Damian Marley ft Nas
Stephen Marley ft Wyclef Jean ft Nina Simone (Song:keeper of the flame)
No-Maddz (Song: Shotta)
Jesse Royal

Fashion designers love foraging through the antique markets of Clignancourt in Paris and Portobello Road and Alfie’s Antiques markets in London snuffling out vintage pieces for inspiration. The flurry of romantic Victoriana on the catwalks for autumn can clearly be blamed on this obsession.

There has been an undercurrent of reserved, covered-up fashion ever since Pierpaolo Piccioli and his former co-designer Maria Grazia Chiuri introduced a more demure aesthetic to Valentino five years ago. Longer skirts, prim higher necklines and covered arms have become the slow trend of recent seasons creating a hyper-feminine look.

Riccardo Tisci at Givenchy and Sarah Burton at Alexander McQueen have long been beguiled by the Gothic romanticism of Victorian fashion with their use of corsetry and dark dramatic lace and velvet for eveningwear.

In fact, London-based vintage fashion dealer Virginia Bates admits she doesn’t remember there ever being a time when Gothic Victoriana didn’t feature in at least one designer’s collection. “The fascination with the romantics, poets, artists and even horror [classics and films] give designers a great source of inspiration,” she says. “It’s an irresistible era.”

Certainly a lot of it has appeared on the catwalks this season at McQueen, Marc Jacobs, Burberry (shown only a month ago in the see-now, buy-now collection), Simone Rocha, Preen, Bora Aksu and Temperley London, as well as at smaller brands such as Alessandra Rich, Three Floor created by Yvonne Hoang and A.W.A.K.E.

There were dark distressed Linton tweeds, unravelling knits and black tulle in Simone Rocha’s autumn collection. Rocha was pregnant when she started designing it and was inspired by Victorian dress and motherhood, in particular the nightgowns and matrons.

“All the wrapping and swaddling of babies,” she says, before elaborating on how “the Victorian ideals of properness were made perverse with the conservative and covered-up pieces contrasted by the sheer and embroidered fabrics.”These gauzy vaporous fabrics succeeded in making her eerily romantic silhouette look rather contemporary and daring.

Subversion is key to making such a prim and proper period in fashion history modern and relevant for women today. Marc Jacobs, for instance mixed long Victorian coats, ballooning crinolines and crochet doily collars with sweatshirt tops and laser-cut leather for skirts and jackets together with some scary Goth horror make-up. Nothing is, or should be literal.

As Justin Thornton of Preen says “we love the Victorians, the laces and the white shirts, but it is the vintage pieces rather than the era that inspire us”. His partner Thea Bregazzi has collected aristocratic laces and ruffly vintage shirts from Portobello Road market for as long as he has known her and these frequently find their way into their collections, “but linings would be ripped, garments will have holes in them – it is a deconstructed look”.Virginia Bates once owned a famous vintage fashion emporium in Holland Park with a client list including the biggest names in fashion from John Galliano to Donna Karan and Naomi Campbell. Now she only works with private clients and designers and they, especially, she says were looking for genuine Victorian pieces when planning their autumn collections.

“A black fitted jacket with inserts of handmade lace [that is] embellished with crystal and jet beads, ***** and silk lined ... How exciting and inspiring is that? Silk and fine lawn shirts, soft and flowing with ruffles. Don’t we all want to wear one and live the dream?”

Thankfully a few designers do right now, and there were lots of heavenly creatures in fragile asymmetric lace dresses toughened up with leather corsetry at Alexander McQueen, and richly coloured swishy dresses at Bora Aksu. While Christopher Bailey cherry-picked the centuries in his Burberry collection, lighting upon frilled white cotton shirts, nipped in jackets and military capes from the Victorian era. Given that Victoria reigned for more than 60 years there is a lot of history for designers to plunder, so this will not be the last we will see it.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

eph you see kay etouffee if you see Kay tell her a catawampus catahoula hound hog dog crossed bayou levee last night all right what did you say if you see Kay tell her a catawampus catahoula hog dog crossed the levee last night all right i heard what you said the first time why you got to repeat eph you see kay you ******* ****** **** what? what did you say you ******* ****** **** heard you the first time you **** a **** a ***** a ***** hello stop end begin believe conceive create no thank you i already ate what? what did you say begin believe conceive create no thank you i already ate quit ******* repeating yourself  you ******* ******* hello stop end begin believe conceive create eph you see kay etouffee if you see Kay tell her a catawampus catahoula hog dog crossed the levee last night all right

the renown physicist dressed in brown wool suit brown leather laced shoes white shirt burgundy knitted tie wild curly graying hair climbed the stairs walked across the stage stood at the lectern adjusted narrow support pole height reached down into brown leather briefcase retrieved his thesis concerning the relative theory of everything tapped microphone composed his posture made a guttural sound clearing his throat looked out at packed full auditorium it became evident to the distinguished audience the renown physicist’s fly was open and his ***** hanging out it was unanimously dismissed as a case of professorial absent-mindedness

all the creatures of the earth (excluding humans) convened for an emergency session the bigger creatures talked first grizzly bears stood upright explaining demand for gallbladders bile paws make us more valuable dead than alive sharks testified Asian fisherman cut off our fins for soup then throw us back into the sea to die elephants thumping heavy feet stepped forward yeah poachers **** us for our tusks rhinos concurred yes they **** us for our horns wild Mustang horses neighed about violent round-ups then slaughtered processed for cat food whales complained of going deaf from submarine sonar tests then sold for meat many dolphins sea turtles tuna swordfish sea bass smaller fish swam forward pleading about getting caught in long line nets barbed baited hooks over-fished colonies chimpanzees described nightmares of being stolen from their mom’s when they are very young then used in research labs for horrible tests song birds chirped about loss of their habitats land tortoises spoke in gentle voices about being wiped out for housing developments saguaro cactuses dropped their arms in discouragement masses of penguins solemnly marched in suicidal unison to edge of melting icebergs polar bears and seals wept honey bees buzzed colony collapse disorder bats flapped about white nose syndrome coyotes and wolves howled lonesome prairie laments the session grew gloomy with heart-wrenching unbearable sadness sobbing crying then a black mutt dog spoke up my greyhound brothers and sisters and all my family of creatures i sympathize with your hurt but it is important to realize there are people who care love us want to protect us not all humans are ravenous carnivores or heartless profiteers a calico cat crept alongside black dog and rubbed her head against his chest an old gray mare admitted her love for a race horse jockey who died years ago a bluebird sang a song suddenly lots more creatures advanced with stories of human kindness Captain Paul Watson Madeleine Pickens Jane Goodall a redwood tree named Luna testified about Julia Butterfly Hill the winds clouds sky discussed concerns by Al Gore lots and lots of other names were mentioned and the whole tone of the meeting changed every one agreed they needed to wait and see what the next generation of people would do whether humans would acknowledge the cruelties threats of extinction and learn grow figure out ways to sustain mother earth father sky then the meeting let out just as the sun was rising on a new day

there is a cemetery in Paris named Père Lachaise buried there are the remains of Jim Morrison Oscar Wilde Richard Wright Karl Appel Guillaume Apollinaire Honoré de Balzac Sarah Bernhardt the empty urn of Maria Callas Frédéric Chopin Colette Jean-Baptiste-Camille Corot Nancy Clara Cunard Honoré Daumier Jacques-Louis David Eugène Delacroix Isadora Duncan Paul Éluard Max Ernst Suzanne Flon Loie Fuller Théodore Géricault Yvette Guilbert Jean Ingres Clarence Laughlin Pierre Levegh Jean-François Lyotard Marcel Marceau Amedeo Modigliani Molière Yves Montand Pascale Ogier Christine Pascal Édith Piaf Marcel Proust Georges Seurat Simone Signoret Gertrude Stein Louis Visconti Maria Countess Walewska and many other extraordinary souls it is rumored at late dusk their ghosts climb from graves gather drink fine brandy from costly crystal glasses smoke fragrant cigars and once a year on November 2 party hard all night culminating in deliriously promiscuous ****** **** it’s difficult to know what the truth is since the dead don’t talk or do they

I've given poetry readings where less than a handful of people were present. It's a humbling experience. It’s also a deeply familiar experience.

"Poetry is useless," poet Geoffrey ****** said in a 2013 interview, "but it is useless the way the soul is useless—it is unnecessary, but we would not be what we are without it."

I was raised a Roman Catholic, and though I don’t go to Mass regularly anymore, I still remember early mornings during Advent when I went to liturgies at my parochial school. It was part of my offering—the sacrifice I made to honor the impending birth of the Savior—along with giving up candy at Lent. So few people attended at that hour that the priest turned on only a few lights near the altar. Approaching the front of the church, my plastic book bag rustling against my winter coat, I felt as if I were nearing the seashore at sunrise: the silhouettes of old widows on their kneelers at low tide, waiting for the priest to come in, starting the ritual in plain, unsung vernacular. No organist to blast us into reverence. No procession.

Every day, all over the world, these sparsely attended ceremonies still happen. Masses are said. Poetry is read. Poems are written on screens and scraps of paper. When I retire for the day, I move into a meditative, solitary, poetic space. These are the central filaments burning through my life, and the longer I live, the more they seem to be fused together.

Poetry is marginal, thankless, untethered from fame and fortune; it's also gut level, urgent, private yet yearning for connection. In all these ways, it's like prayer for me. I’m a not-quite-lapsed Catholic with Zen leanings, but I’ll always pray—and I’ll always write poems. Writing hasn’t brought me the Poetry Jackpot I once pursued, but it draws on the same inner wiring that flickers when I pray.        

• • •

In the 2012 collection A God in the House: Poets Talk About Faith, nineteen contemporary American poets, from Buddhist to Wiccan to Christian, discuss how their artistic and spiritual lives inform one another. Kazim Ali, who was raised a Shia Muslim, observes in his essay “Doubt and Seeking”:

[Prayer is] speaking to someone you know is not going to be able to speak back, so you're allowed to be the most honest that you can be. In prayer you're allowed to be as purely selfish as you like. You can ask for something completely irrational. I have written that prayer is a form of panic, because in prayer you don't really think you're going to be answered. You'll either get what you want or you won't.

You could replace the word "prayer" with "poetry" with little or no loss of meaning. I'd even go so far as to say that submitting my work to a journal often feels like this, too. Sometimes, when I get an answer in the form of an acceptance, I'm stunned.

"I never think of a possible God reading my poems, although the gods used to love the arts,” writes ***** Howe in her essay "Footsteps over Ground." She adds:

Poetry could be spoken into a well, of course, and drop like a penny into the black water. Sometimes I think that there is a heaven for poems and novels and music and dance and paintings, but they might only be hard-worked sparks off a great mill, which may add up to a whole-cloth in the infinite.

And here, you could easily replace the word "poetry" with "prayer." The penny falling to the bottom of a well is more often what we experience. But both poetry and prayer are things humans have learned to do in order to go on. Doubt is a given, but we do get to choose what it is we doubt.

A God in the House Book Cover
Quite a few authors in A God in the House (Howe, Gerald Stern, Jane Hirschfield, Christian Wiman) invoke the spiritual writing of Simone Weil, including her assertion that "absolutely unmixed attention is prayer." This sounds like the Zen concept of mindfulness. And it broadens the possibility for poetry as prayer, regardless of content, since writing poetry is an act of acute mindfulness. We mostly use words in the practical world to persuade or communicate, but prayers in various religious traditions can be lamentations of great sorrow. Help me, save me, take this pain away—I am in agony. In a church or a temple or a mosque, such prayerful lamentation is viewed as a form of expression for its own good, even when it doesn't lead immediately to a change of emotional state.

Perhaps the unmixed attention Weil wrote of is a unity of intention and utterance that’s far too rare in our own lives. We seldom match what we think or feel with what we actually say. When it happens spontaneously in poetry or prayer—Allen Ginsberg's "First thought, best thought" ideal —it feels like a miracle, as do all the moments when I manage to get out of my own way as a poet.

Many people who pray don’t envision a clear image of whom or what they’re praying to. But poets often have some sense of their potential readers. There are authorities whose approval I've tried to win or simply people I've tried to please: teachers, fellow writers, editors, contest judges—even my uncle, who actually reads my poems when they appear in the Pittsburgh Post-Gazette, where he used to work.

And yet, my most immersed writing is not done with those real faces in mind. I write to the same general entity to which I pray. It's as if the dome of my skull extends to the ceiling of the room I'm in, then to the dome of the sky and outward. It’s like the musings I had as a child lying awake at night, when my imagination took me to the farthest reaches of the galaxy. But then I emerge from this wide-open state and begin thinking about possible readers—and the faces appear.

This might also be where the magic ends.

• • •

I write poetry because it’s what I do, just as frogs croak and mathematicians ponder numbers. Poetry draws on something in me that has persisted over time, even as I’ve distracted myself with other goals, demands, and purposes; even as I’ve been forced by circumstance to strip writing poetry of certain expectations.

"Life on a Lily Pad" © Michelle Tribe
"Life on a Lily Pad"
© Michelle Tribe
At 21, I was sure I’d publish my first book before I was 25. I’m past my forties now and have yet to find a publisher for a book-length collection, though I've published more than a hundred individual poems and two chapbooks. So, if a “real” book is the equivalent of receiving indisputable evidence that your prayers are being answered, I’m still waiting.

It hasn’t been easy to shed the bitter urgency I’ve felt on learning that one of my manuscripts was a finalist in this or that contest, but was not the winner. Writing in order to attain external success can be as tainted and brittle as saying a prayer that, in truth, is more like a command: (Please), God, let me get through this difficulty (or else)—

Or else what? It’s a false threat, if there’s little else left to do but pray. When my partner is in the ICU, his lungs full of fluid backed up from a defective aortic valve; when my nephew is deployed to Afghanistan; when an ex is drowning in his addiction; when I hit a dead end in my job and don’t think I can do it one more day—every effort to imagine that these things might be gotten through is a kind of prayer that helps me weather a life over which I have little control.

Repeated disappointment in my quest to hit the Poetry Jackpot has taught me to recast the jackpot in the lowercase—locating it not in the outcome but in the act of writing itself, sorting out the healthy from the unhealthy intentions for doing it. Of course, this shift in perspective was not as neat as the preceding sentence makes it seem. There were years of thrashing about, of turning over stones and even throwing them, then moments of exhaustion when I just barely heard the message from within:

This is too fragile and fraught to be something that guides your whole life.

I didn't hear those words, exactly—and this is important. For decades, I’ve made my living as a writer. But I can't manipulate or edit total gut realizations. I can throw words at them, but it would be like shaking a water bottle at a forest fire; at best, I can chase the feeling with metaphors: It's like this—no, like this—or like this.

So, odd as this sounds for a poet, I now seek wordlessness. When I meditate, I intercept hundreds of times the impulse to shape a perception into words. Reduced to basics, the challenge facing any writer is knowing what to say—and what not to.

• • •

To read or listen to poetry requires unmixed attention just as writing it does. And when a poem is read aloud, there's a communal, at times ritualistic, element that can make a reading feel like collective prayer, even if there are only a few listeners in the audience or I’m listening by myself.

"Allen Ginsberg" © MDCArchives
Allen Ginsberg
© MDCArchives
When I want to feel moved and enlarged, all I have to do is play Patti Smith's rendition of Ginsberg's "Footnote to Howl." His long list poem from 1955 gathers people, places, objects, and abstractions onto a single exuberant altar. It’s certainly a prayer, one that opens this way:

Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!

The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and **** and hand and ******* holy!

Everything is holy! everybody’s holy! everywhere is holy! everyday is in eternity! Everyman’s an angel!

Some parts of Ginsberg's list ("forgiveness! charity! faith! bodies! suffering! magnanimity!") belong in any conventional catalogue of what a prayer celebrates as sacred. Other profane elements ("the ***** of the grandfathers of Kansas!") gain admission because they are swept up into his ritualistic roll call.

I can easily parody Ginsberg's litany: Holy the Dairy Queen, holy the barns of the Amish where cheese is releasing its ambitious stench, holy the Pittsburgh Pirates and the Internet. But reading the poem aloud feels to me the way putting on ritual garments must to a shaman or rabbi or priest. Watching Patti Smith perform the poem (various versions are available on YouTube), I get shivers seeing how it transforms her, and it's clear why she titled her treatment of the poem "Spell."

A parody can't do that. It can't manifest as the palpable unity of intention and utterance. It can't do what Emily Dickinson famously said that poetry did to her:

If I read a book [and] it makes my whole body so cold no fire ever can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only [ways] I know it. Is there any other way.

Like the process of prayer—to God, to a better and bigger self, to the atmosphere—writing can be a step toward unifying heart, mind, body, universe. Ginsberg's frenzied catalogue ends on "brilliant intelligent kindness of the soul"; Eliot's The Waste Land on "shantih," or "the peace that surpasseth understanding." Neither bang nor whimper, endings like these are at once humble and tenacious. They say "Amen" and step aside so that a greater wordlessness can work its magic.

The inadequate bookshelf that sat near the door
that my sister used to call her own was
mostly made up of adolescent reads,
books better suited for preteen girls rather than
intellectually budding young ladies—
juvenile vocabularies and simple, non-complex
plot lines do little to craft and create
worldly, knowledgeable women.

I thought I must spring clean the
naiveté away and replace it with
the works of great authors like
Sylvia Plath
                        Simone de Beauvoir
                                                              Virginia Woolf
                        Margaret Atwood
Betty Friedan;
ingenious femme fatales that cut down
to the brittled bones of the misogynists
and burned their marrow along with the
ashes of bras and aprons and 350 degree oven heat.  

Growing up, to me, seemed like a wonderful epiphany
chock-full of ideas and opinions and
clever, ironic remarks that chased satirical witticisms
like felines to rodents and wolves to deer—
being an adult would guarantee me a say,
a vote
           prior 1920’s America
                                                  play dress up as a suffragette
           women’s rights
femininity personified by dolls in plastic houses.

To be eighteen-years-old,
the goal, the legality, the bright light at the end of the tunnel;
the official womanhood it would bestow upon me
seemed like something almost tangible
with the way that it loomed over my head.

Get good marks
graduate high school
travel back in time sixty years
meet a nice boy
become a “good wife”
have dinner ready by five
bear two beautiful heirs
clean up the messes left in the kitchen
fast-forward to the twenty-first century
go to a good college
find a stable career
settle down if the fancy strikes you
live non-docile and full of passion—
the parallelism of times are severely
di
    lap
          i
            dat
                 ­ ed.

1950’s America would never be a home for me
because I am much too wild to be contained.

It's a sweltering night, a sweltering morning really, and my body is tattooed with spider bite kisses and bruises.  I smell of park grass and chlorine and someone else's sweat, my lips are chapped, swollen, my eyes encircled in crimson undertones.  The people on the street stare- I am blonde, a dead give away, slighter and taller than the locals.  Men are confused, women are scornful, police are helpless.  My legs cramp with the dawn as I walk back to the apartment in my hospital-gown green tunic, sobbing openly, hair tangled with twigs and dirt.  It's still dark enough for that, but too quiet.  A milkman stops his work to look up at me and whisper ciao in the most kind and gentle voice I have ever heard, especially here, and I want to throw myself into his arms and sleep and scar his white uniform with the black stains of my tears, though I restrain myself and nod, shuffling forward, shoulders slumped, no eye contact, his gaze a hand stroking my back like the father I never had but always wished for, and I cannot help but cry harder, though I try harder to restrict each sob until I sound as though I'm gasping for air, but I would rather seem asthmatic than week, rather be strange than pitiful.  It is always better to be unknowable, much more simple than openly vulnerable in my experience, though my experiences are drunken from the bottom dredges of a half empty glass, so truly I do not know if this is true, and and every day I understand Hamlet's letter to Ophelia just a bit more, because every day I doubt truth to be a liar just a bit more.

Still, there are some things I know, enough to be called intelligente by a man named Simone, whose eyes shone with solare during the day, but at night became dark and hungry.  I know now why my friend chose to fly off a building in Spain without his wings.  There is a disconnection abroad, no sense of security or protection, demons are awakened and restless, dreams colder, and more cruel; the heat drains one's essence, melting the glue that keeps us who are broken together.  I know that expectations are sad reflections of desires, shadows of my own inadequacies.  I know that I am afraid, that heaven and hell are not places but permanent conditions, that my head is the prison guard of my heart.  Blame and guilt come easily.  There are no distractions, just meaningless directions, and I seem to have forgotten those I brought from home. Here, I am concerned with physical threats, trauma that can be shaken off with a block's worth of strides, yet I cannot seem to lose my naked shadow between the buildings.  I thought I hid it well behind frozen gazes, but the mirrors say, no, no, they know you are all wrong, you foolish girl, you poor little lie, they see through you, they sense your fear and feast upon it, you ignorant child, you are as small as the motes of dust drifting through the beam of a forgotten projector, the film torn and tangled, the screen stuck on one frame

I should have stopped when the milkman spoke. He knows that it is not mirrors who lie, it is us.

Pourrais-je un jour; réparer l'injustice
faite à mon père ?


Il fut à vingt ans caché par les bergers du village de Muna parmi de pauvres bergers qui vivaient aussi sainement que sobrement dans leur village parfumé de figuiers et sans route autre qu'un chemin à peine muletier quand l'ordre ****-fascistes tenait l'île sous sa coupe.  Puis mon père  fut mobilisé avec la jeunesse Corse apprit l'anglais sur le tas dans les forces françaises d'aviation formées alors aux Etats-Unis,
La guerre il fit l'école normale de «la Bouzareah» à  Alger puis nommé instituteur en Kabylie ou il rencontra et fut tout de suite Simone, amoureux de notre mère aussi institutrice mais native des Pyrénées,  nommée elle-aussi dans la vallée de la Soummam  ou débuta l'insurrection de la Toussaint 1954 (alors que j'avais sept mois et étais gardé par une nourrice Kabyle nommée Bahia). Mon père dont ses amis enseignants étaient pour la plupart  Corses ou Kabyles prit de sérieux risques en qualité de syndicaliste du SNI; «Libéral politique»   dans un temps porteur pour les  extrémismes et les surenchères   et donc à la fois cible potentielle des ultras des deux bords il n'hésita pas à  faire grève et m'amena manifester à Bougie/Bejaia, ou sur la route je vis une tête coupée qui me hante encore, lorsque sept inspecteurs d'Académie furent exécutés par l'O.A.S.

Nommé de l’hiver au grand froid de 1963, professeur de collège d'Anglais  dans le Comminges cher à son épouse, à Valentine, il n'avait pas encore le permis et sa fameuse  2 CV bleue qui devint légendaire et venait régulièrement nous voir Régis et moi,  qu'il pleuve et/ou  qu'il vente, sur une mobylette jaune.

Il perfectionna régulièrement son anglais tous les soirs en écoutant les programmes radios de la BBC et passa même à ses élèves  sur un magnétophone à banque qu’il avait acquis le succès des Beatles; "Yellow Submarine". Mais il ne comprit rien aux événements de 1968 qui heurtèrent sa vision structurée du Monde  et bouleversèrent tant ma propre vie. Qu'aurait-il pu comprendre, lui l'admirateur de l'homme du 18 juin à  cette  contestation anarchique et multiforme de l'institution scolaire  dans laquelle, il avait donné beaucoup de lui-même ?

Plus ****, ayant pris cette retraite, rare espace de Liberté personnelle, ce grand marcheur se mit enfin à parcourir de nouveau Maquis et Montagnes et ce n'est sur rentré **** le soir dans son humble demeure après avoir déjeuné d'une «bastelle» et d'un bout de fromage de "Giovan Andria «qu’il améliorait sa dans sa chambrette ayant sous les yeux le "dictionnaire de la Piève d'Evisa", pour redonner à la langue Corse sa beauté et sa dignité et restituer par ses propres mots choisis ce vrai temple de la nature et de la Beauté sauvage que forme cette île Méditerranéissime.

Paul Arrighi

russia
the mother of the love was cindy. she lives as wari and has no longer power. her beauty is renowned and she should rule.

argentina was the land of dd but mexico was goal and it was dana's land. dana is alive but needs to take control.

germany was grand and elsa was their king. elizabeth will rule. william was leam and harry was star. charles was ruu.

venice

the leader of the wall must take the city down dunstable will rule but row must take command (paul p) just lift the iron up and drink the holy well. paul (row my) must lead the way and let the city fall like jerico to row.

sibelius was chief his love could control hell. his land was mexico. he will return in 100 years. for now his son razor must reign. razor reigns already he was always strong with his power.

anthony (anthony p) is still rome. druididous stole from anthony. italy will love his power. his father still lives. he was known as tora. he will always save his people every time. (anthony and cleopatra).

simon (simon d) was the bell of the dance. his land was the guard of the law, his saviour was the christ.

palastine was oscar's (livin christ) land. he loved the people first and then the chosen leader. china stole his heart but his mother's magic eye was always the greener for the dome of the bar which was his mother's land.

syria was kim's the turks obeyed her law and her partner simon rice was the lord of undeceived. (kim's favourite sword - immaculate) kim would only ever give land to someone who beat her in a sword fight.

pakistan was morrow. morrow still lives. i will give him pakistan tomorrow.

laura (y) was time of space. her land was always persia. she always controlled the south and gail (r) did not deceive.

gail was the haunted skull. her wind would launch the sail. her seas were ever brave and her love was always true. persia (north)
was her heart. never steal her heart.

spain was not my son he was never in my life but portugal was spain and gavin (p) was their king.

the catharsis will run and run. i will never be deceived the gate is always closed for love is in our hearts.

england

gina (p) was our queen her lands would always flow. china stole her heart but england was her throne. ( i would like gina to come back to china to bend for the corn) gina's mother was druella in the ancient times.

david (b) was the king, he was the lionheart. he was our favourite king and no man could deceive.

scotland

gavin (p) was the james and diamond was his jewel. diamond is his wife and he must now command for nothing could corrupt.

stuart scotten was a scotish noble.

michael never ruled but no man thought he should his love was always wine and wine should not be loved. (as usual we will give him the principality of lowe as a gift so he does not destroy everyone).

serbia was the good, the love that jesus saw. give my son his thone. the love will be believed. in ancient histories serbia was known as dela. (see note lower serbia is now held by lassa and tal as guardians of the land below mount denar.) serbia and palastine must live in peace now the jew is gone who wanted to hurt palastine so much her people were forced south.

ok important note. we believe serbia was originally dunne but he always wanted land so he was not allowed back to earth. his lands were south of mount denar. oscar/ the christ/ the livin held after dunne left the earth but it was eventually agreed serbia below mount denar would be loved by tal and lassa as guardians of the land.

iatilahhomanne is the blue sky is yugoslavia. his wife is doran. she was his love. his old name was swee. yugoslavia is west of tee and north of do or die generally it is where teem is now. (old dree) their language was hebrew their god was jesus. the jews wanted christ to be their god not their christ. it is easy to find yugoslavia of the old world it is next to dree (ethiopia) and west of door. we believe they were also palastinian descent in the old world.  

pakistan was blue, she gave it to her heart and lassa always rules. lassa is alive give him his power back. no man then will grieve for joshua is back.

australia is madam it must return her power she knows the paths of peace and lives as mary rose.

newzealand is (d) (not good) madam must take control or ruby (a place) will aspire.

america is (d) she seethes to take the land. her hatred scalds and scalds it was berire's land. berire was the chief his land was mule and strike the karaoke's scream i will protect his thone.

orinoco should control his mind is always lead he knows no dark of heart and all his love is treve.

treve is always beth but she was ian's soul. please leave me ian's heart and yours should be atol.

atol would not be right. orinoco always marries beth (yet again). gail will not marry jet.

jason (rye) was no fool his lands were israel's heart. he loved the soul of rule but simon (d) could command.

kirby was the goo, india his throne. he was the amicable man his love was always christ the taj mahal he built and that was his home.

ian

i only want to love one girl, her name is beth. her love is like a bird that listens to the sky and then listens to all my love for her.

denmark

denmark was lasa at the dawn of time demeter is the rule and she's the queen of time. demeter now is young she is the queen of time her land is do or die and masa must command.

esotonia

was the house built by the sea it was eric's house and he was the son of the man he was the love of the life and he lives these days as stan.

france was warren hall but i must now be true. please give my catherine (m) land for aragon must rule. she was also in the ancient history joan of arc.

venice
paul (p) row my (principality palace in tlau.) dunstable took paul's money.

laura y (south china) it was the bys that took laura's money.

mowh has saved the word in china but as usual she tried to take power and had to be destroyed..

in venice beth was cocyo (the giver of bliss)  ( row cocco)

stav in south china is oscar's principality. stav is where oscar (the livin) is always happy. tao (ian and my son) loves to live in lowe.

the emperor of berling (north west south china) should have been. martin j. his brother originally drim dra dro was originally the prince of lowe but when i gave martin his territory in berling nick j became the prince of toi with the principality of toi. this was true in ancient times. martin was known as jo.  

orinoco was the emperor of china. the world was the waiting because the love would always be good.  

skybird drew was ray son. drew were the rightful thone of japan. the drew meant the solace of the earth.

gina in venice was tray.

ian's mother was fred.

eusebius was the poet of the heart.

eri (y) sometimes marries the man of the water.

michael is the guardian of the keep. i will always love my true.

helen (v) was the lover of the vine. she was chinese but had no throne.

claire was jezibel.

david was dow and fun

dunstable was char the feather of the water. he stole row fun.

in venice
eri was elea
laura was dezibel
gavin was cla

i have accepted as a gift a principality province in tithale.

kim of indonisia was the man the people loved. kim of the creator. we used to call kim the good man of our lives and the gentle spirit. everything of his goodness is returned.

our love was the strength of the world.

solace was drew. drew was the noblest family of all.

laura (y) was the mwang the rulers of the town and they were always princes.

in 1288 beth said goodness is more powerful than evil.

watling, turner and maccarthy were forced.

i am the family of fwoah.

lauren fwoah meant lauren the beautiful.

it was the evil family foo who made everybody born (or moved) to england. i demand all their money returned.

trump was the man of the star. he wanted the world to be quiet but loved. his name was choo. his current wife is belle and she was always his queen. his throne is peru.

boris was the baron of the star. your wife is livia and your land was mexico and your name was boro. your son was stevio the prayer of the mind and bringer of peace.

blair was catcho, the man who spent the fun. his original land was japan and he was noble but not the throne. the throne is now skybird drew.

it was the swinster family who hurt diana.

the current emperor of china is loco. he will give the territories to beth. his wife was the queen of the north.

*** (orinoco) was the conqueror of time. his destiny was power. he always loved beth and his province was the south.

japan is dalta at the moment it should have been drew. he stole for power as the armies wouldn't work. he wanted peru but i will not give peru for his destiny is fire!

peru should be malta but malta should be fire the love was the love of the love was always peru and peru should be ruled by scotland.

india was palm of par he was death of silence he was a resiliant man and today he lives as par.

atlantis was my sky i'll always love her heart. her chimney burnt to flame when carthage stole my love. phonecia was the blue and blue as of the wave (m) does wish but it is oscar's soul.

ian wynn was wales his love was orinoco. his daughter still lives as simone.

anthony (rome) was cabra in italy and dree in china which meant love me love. he was also lieu which meant the loved. (anthony and cleopatra)

lean built pisa tower. he was best at food.

row meant delight the sky.

the agha khan was dal which meant the love. he believes his true throne tunisia. i believe this is correct. also iran and iraq.

tin is throne of india.

del was the true throne of sweden. he is in charge.

norway was lion's land. it belongs to strong. who lives as guy.

the shah of iran was simon rice's father. he was the true throne. he was known as tal, which meant the good leader. iraq was also his which was the flower of land, denmark was also tal's land because yassa pretended lassa, this meant the throne was wrong but tal is lawful throne and lassa agrees.

godolphin was the arabian throne.

gina's money was taken by tong and fau who was the imposter winner of gold. they are both dead.

beth's love was the strength of the world.

drua took beth's seal in the china parliament. he stole my money. i was the word of china. i will return and take my rightful seat. my friend the shah of iran has already bought me the principality of siam and principality stav for my livin/oscar/christ ( oscar was born 25/12/97 this is the truth) as a wedding present. my mother gail has bought blue principality province. lowe i have agreed purchase when fun returned for my tao and my michaels.

gina was croan in china.

laura (y) married fleep.

dree took beth's money by pretending royal blood.

dominic (b) was poland of the ancient worlds his charm was nina and she was the curl. nina was so beautiful no man could ever resist, deceit could not destroy them there would always be a whirl!

.simone biles (the gymnast)...
                 miles davis (the trumpet guy)...
     must be black privilege;
wasn't there a movie...
starring
woody harrelson
and wesley snipes?
you sure?
i thought it was
called: white men can't jump...
sure as **** ****** can
sing church gospel!
how's that for
privilege?
    if you're going to
culturally box, and repeatedly
punch below the belt...
you're quiet likely going
to get a reaction...
i have an acne wart growing
on my *** the size
of a cauliflower,
it's itchy my brain,
it's differentiating between
agitate and: lying back...
i guess the excess of...
look... you may have
the excess melanin...
    i have lactose tolerance...
we're even?!
   no?
  so how come some smurf,
some European hobbit
shackle your N.B.A.
Goliath(s)?!
explain that one to me...
if these people were so
****-unsure...
how they **** did they
tame the Zulu Apache Goliath
bodybuilders?!
  what the ****?!
i already said, and it was proven...
IQ...
i don't like it...
     but i'm pretty sure that
the whites **** more people
in terrorist attacks than...
camel-jockeys...
         it took 3 or over three...
to perform the Bataclan Massacre...
three... the third of the IQ
that required a Breivik...
   130 in France...
dissociated among 3 attackers
that gorged on testicles after the spree...
fun, fun fun fun...
like: you're trying to say that without
irony...
    and how many in Norway?
    77...
i only look at the IQ of killers...
so... what's the ratio?
    77 / 1
   130 / 3 = 43...
         like i said... low IQ...
              you really want your little
racial insurrection?
you'll have it, don't worry..
i'll just the narrative...
  must be black privy...
if you can mash up a jazz compos.,
right?
                crackers read from
a prepared script...
you ******* just, "improvise"...
          rapping contra talking...
****... come to think of it...
******* boys took it too far from
your Oreos...
           like... too much drums...
not enough wind, or strings...
too much drumming...
pulverizing the ears
with drum & bass and what not...
if i wasn't deaf prior,
i'm deaf by now;
******* boy to Oreo woo-oo-oops
boy;
same ****, different cover.

scuttling across the valley,
the trench was deep and steep

scorching heat of the dry sun,
dried blemishes on the weathered skin.

Settling along the rocky facades,
hackneyed by the haunting past.

Sleepless nights of the perching predators,
Hibernating in aloof worlds .

Stymied by the wind in the barren land ,
Harnessed by the futile fears.

Simone Melchoir of the sinking ship ,
would not you go down with the fault.

Shunning away from natures affection ,
for every rose does share its thorn .

Sunny ends are reached ,
when the raging ravines fade away.

Slithering away the swirling serpent ,
The sun lurks in the brewing storm .

Sanctity of the witheld winds ,
sapping away the deathly darkness.

Serene air of the seraphic angel,
brought the plighting dreams to the refugees repose

Smelting ores and melting poles,
brimming with brightness the cradled cirque .

Summons of the exalted virtue ,
To burn the lizard and fly away like the phoenix

Succumbing to the wilderness,
to soaring heights and rising spirits .

Swanking in the soothing winds,
the phoenix looked down on the plundering valley.

Scorning at the downtrodden spirits,
The fraternity of the Desert lizard

Daisy Lowe‘s body positivity and refusal to bow to fashion industry pressures have cemented her place as one of Britain’s hottest exports.

From international catwalks to Pirelli calendars, the 27-year-old’s career in front of the camera has gone from strength to strength - all because she’s unapologetically herself.

To celebrate her latest endeavour - a partnership with lingerie brand Triumph UK - the model sat down with The Huffington Post UK to let us in on her secrets.

What does having a positive body image mean to you?

Being comfortable in your own skin, embracing all your flaws and accepting that you are who you are.

Being individual is a beautiful thing.

Where does your confidence come from?

It’s definitely something any person living in today’s society has to learn and grow up to achieve. I’m still working on it on a daily basis.

Everything that I put into my body makes a difference. How much I work out makes a difference. Surrounding myself with people I can laugh a lot with and around whom I can be 100% myself.

What advice would you give to those struggling with self-image?

Love the parts of you that you don’t enjoy so much and be kind to yourself - that’s something that I have to constantly remind myself to do. Go and do something that inspires you or makes you happy.

How do you banish self doubt on bad days?

Meditation and mindfulness helps. Having a check-in with yourself and trying really hard to be present.

We can look outside ourselves and think about what other people are doing, -especially with social media - but if you can try your best in the exact moment that’s all that matters, because that’s all that really exists.

What would you like to see change in the fashion industry?

There’s a lot more room for variation as far as models go - we should be promoting that all shapes, sizes and ethnicities are beautiful.

It would be lovely for plus size models not to be called ‘plus size’ - they’re being used for the same jobs. We’re all just models - wearing beautiful clothes that make people feel good about themselves and helping designers to sell their creations. I’d love to see more ‘in-between’ size models too.

How do you decide what to wear in the morning?

The darker and greyer the world is outside, the more I wear bright colours - as long as you’re sunny in yourself! I’m such a creature of comfort – I’m a huge fan of pulling on a pair of stretchy comfy jeans (Lowe swears by high-waisted styles by Paige, Frame and J Brand) and I love a bit of cashmere.

Jewellery wise, I always wear Crystal necklaces or chains by Loquet. I’m also a fan of a cute tea dress and ballet shoes. I love that Brigitte Bardot/Jane Birkin 60s/70s vibe mixed up with a bit of 90s grunge.

What are your favourite shopping spots?

Lark Vintage in Somerset is amazing, and in London I love Mairead Lewin Vintage. Those are top secret - I never usually tell anyone those.

Brand wise, I love James Perse, Cocoa Cashmere, Erdem, Simone Rocha and Ganni - I have a leather jacket from there I haven’t taken off for a year. I also have a troubling Saint Laurent addiction.

Talk me through your daily skincare routine.

I love the P50 W Lotion by Biologique Recherche, it’s done absolute wonders for my skin and makes it much more clear.

I also swear by the Crème de la Mer Genaissance de la Mer serum, moisturising soft cream and eye concentrate.

For my body, I use Aesop A Rose By Any Other Name cleanser and Balance Me for their luxurious moisturisers and body oils made with natural ingredients.

What are your makeup bag staples?

Tom Ford is a go-to. I use the Traceless Perfecting Foundation, which has SPF, and the concealing pen around my nose and eyes.

I like to keep my makeup really simple, so I’ll use the Laura Mercier Paint Wash liquid lip colour in petal pink on both my lips and cheeks.

For eyes, I swear by Tom Ford Waterproof Extreme Mascara and Kevin Aucoin eyelash curlers.

What’s the best tip you’ve picked up from a makeup artist?

My makeup artist would **** me if I ever slept in my makeup. Another great tip is to make sure you conceal around your nose. If your nose is red it makes your whole complexion look uneven.

Also, always apply lipstick all the way into the corners of your mouth to continue the line.

What’s the weirdest thing you’ve done in the name of beauty?

When I was younger I used to make these weird DIY face masks with my friends. We made one with mashed banana, avocado, honey and peanut butter. Peanut butter on active teenage skin was not the best idea.

Any other beauty secrets you can let us in on?

My facialist Arezoo Kaviani is amazing. She’s a real healer at heart. She does a deep cleansing ****** with extraction and LED light therapy.

I also tried a collagen wave ****** recently, which was great.Read more at:http://www.marieaustralia.com | www.marieaustralia.com/formal-dresses

You read the books that are made for men
And call yourself a feminist

As you recite paragraphs
Making gestures with your right hand

Sprays of self-righteous spit
Accompanied with your confident loud words.

Your knowing worm eyebrows
As the cherry on top.

I wonder if you would be ashamed
To know that Hemingway was an anti-Semite.

Or that Sartre thought there were two kinds of women.
Poor Simone was just like you
She went along for the ride.

my breakfast of thesaurus
and chorus.

as to not miss
that quick bliss,
moment
of genius.

forcing wit;  i’m done with it.

i lay in bed and moan:
"mouth was a blue sash of rain
raining convocations of flesh."
like Sonia Sanchez said in her poem
to Nina Simone.

“owls coo, only see blue,
and through storm windows,
they yawn like nothing’s new."
what did my words just do to you?

i hate all the rhyming
all the timing.
the
whining.

all this meditating
and levitating.

but if you don’t swat the fly,
you become the fly.

Inspire me. ****** me. Serenade me.
Send to me ******* rhythms and let
the ****** hymns play... And then the songs play as we lay.
Frank Sinatra has us on the road, Irma
Thomas telling us to be ourselves...
Love me like Aretha has never loved a
man, move me like Nina Simone, just
you and I alone. Dinah Washington says I should teach you, Etta James
warning me not to tear your clothes.
Let's play some Sarah Vaughn and
Fontella Bass. Ease me with some Diana
Krall and Dianne Reeves, swing motion
with Chris Boti. Tell me you love me Inside Out as does Shara Nelson. Let's
fall in love to Cassandra Wilson. Let us go the jungle and listen to the
bears sing, the legends of love lore...
Sing and groan; Some Isaac Hayes,
Barry White, Teddy Pendergrass,
Marvin Gaye, James Ingram, Gary
Taylor... Let them play, let them sing. And some love bees; some Betty
Wright, Angela Winbush, Regina Belle,
Sade, Marsha Ambrosius... Tone it
down on a spunky blue with some
Meshell Ndegeocello, Janet Jackson,
Laurnea, a bit of Floetry, some Incognito and Karyn White. Max it up with some Maxwell, Rahsaan,
Ralph Tresvant, Glenn Jones and Tevin
Campelle. Let's jazz it up with some Fourplay,
Brian Culbertson, Quincy Jones, Euge
Groove and Marion Meadows... Lounge
and spice it up with some Prince Alec,
Hed Kandi and Kalliope. Funk it up with some Rick James, Ten
City, Brothers Johnson and Billie
Ocean... Let us ****** and swim in the
love ocean. Making love in a Time Machine,
fading through timeless scenes
listening to stimulating music
searching for a combine that is our
fusion
Biting on some dust and swallowing colour
lush are the strips that are dripping
from the trees of chemistry
dancing to music lively, singing to
blues puzzling
beating to jazz dubbing, responding to ethereal loungy sound
music and our souls will be one
in a time machine, learning
combinations orchestrated through the
ages
We will evolve and be sages Until time linear is more sincere and
eternity for us is here. Let the music play, my bed will be a
time machine, shut never your ears
listen to the music that does play and
wipe them tears
all the drama you've been through all
these years in a second we'll be naked and
climbing stairs
we'll be invited to the kingdom of
Romance and Serindipity
You can be the Queen, I'll be King
Poetry painting neverending pictures surreal
in a world ethereal and the real will dull
feel
and forever you and I will be, if we
journey in the musical time machine.

Curling tendrils of tobacco haze
engulf the tiny space, hang like
ringlets over shots of whiskey
and mugs of warm beer. A solitary
dancer moves, bracelets janglin’
and eyes heavy with kohl, captures
old men in mid drink as her hips
sway to Nina Simone. Her bronze skin
glistens with the hot stares of the
audience; she soaks it in, twirls on
bare feet in perfect time as the
high priestess of soul bewitches
us with heavy grooves. I close
my eyes, tap fingers against glass,
whisper Nina’s words into the smoke
and breathe them back in again.
This is jazz, I think out loud,
this is pure unadulterated heat.

You can’t say that the sky is clear today,
its colour isn’t the one of the Wisteria either
and the golden light (which is intelligence)
comes from it as the background of one of the
Madonna with Child paintings by Duccio or Simone Martini.  
I can’t definitely say with certainty
that the sun melts  in the sea to the West,
(West/****) if you have never seen the sea.
The trembling singing of a bird fades
with the noisy traffic jam on the road.

*

POESIA 4:

Il cielo oggi non può dirsi limpido
e nemmeno che ha il colore del glicine
e che la luce d’oro (che è intelligenza)
scenda da esso come il fondo di una Madonna col Bambino
di Duccio o di Simone Martini.
Non posso certo affermare con sicurezza
che il sole si scioglie nel mare a occidente
(occidente/uccidente) se non hai mai visto il mare.
Il tremulo canto di un uccello si confonde
con il rumore del traffico sulla strada.

blind and black andromeda drops her skirt
and
around her waist she drapes the coldest dirt
when the pink pearl parade is nearing
don't ask, for long forgotten what was told her
monarch and viceroy we age (but don't get any older)
2 dark lovers sleeping in a midnight clearing

overland their dreams they glide of a lower shaded tint
darkness over top of light white chocolate eggs and mint
linen kitten sheets under branches lined of frost
the surface tower rises by a shower sky of cream
silhouetted hours joined discreetly at the seam
riding overnight trains so as not to wake the lost

the cauldron of a moment seen after a lifetime's purge
parallel hips that light a smile never to converge
"she smells like nina simone with a humid voice like ether
pastel lips, renaissance legs and august sunset *******..."
a second to align our love before the blackened water crests
nobody, nobody, nobody knows the depths that lie beneath her

this fairground love ends in blessed rapture flame
the terminal separation that God has given name
of a strawberry village girl isolated and honey tressed
whose severed fingers have guided paths anew
when she could have left she decided not to
but bound her deserter's hands behind love's holy breast

now the violet sands cover our tracks then shift
returning to a landscape's nightly spiral drift
that was the night everything changed
the hunted left the hunting grounds
the silence longed to find a sound
the equinox flowers lay rearranged

How has it been four years already
I cant believe so much time has past since I have seen you
We use to be best of friends
You were the first girl I ever fell in love with
Although we never kissed
You were crafted by the gods inside and out
We use to talk everyday and you would vent your problems to me
Which I never minded because I just wanted to hear your voice
I will never forget our late night adventures
When it was just you and I time seemed to fly
I would pick you up at two in the morning
We wouldn't get home until we could see the sky turning light
I will never forget our late night runs to the grocery store
Or our late night talks that seemed to last minutes when they were hours long
Whenever it was just you and I
We would never stop laughing
We were perfect for one another
Ya we didn't have a lot in common
But when we hanged out it didn't matter

Nowadays you always find a way to text me when I am feeling really low and or when I am feeling really good about myself
Its like you have a sixth sense
It kind of freaks me out but gives me a sense of comfort
Knowing you will be a friend of mine for life
No matter the time or distance between us
Whenever we text it seems like we talked yesterday when its actually been months
I love you and always will

And now we see the singularity
of the artist, wrists spread bare on
mimed canvas, finally we see
his consistency.
Lazarus is dead on the first day.
Gold background, rocky outcrop,
sense of cluttered space.
Do you see the decay?
Can you sympathize, or do you notice?

I cannot sympathize with Duccio,
I am too vain to admit his Maestá
survives while my brain rots from
alcohol. But I remember Duccio is
at least fifty years old when his Maestá
preeminently destroys my career
as a visual artist. I do not mind.

Lazarus is dead on the second day.
Duccio had many pupils, among them
Simone Martini, whose Annunciation
is a cropped rehash of Byzantine/Gothic
flopped with Duccio's handy flair,
a pious reverence and virtue.
It sweeps and moves. Or attempts.
Lazarus is no longer sleeping.

I have never been to the city of Florence,
not now nor the 1300s, so I need not
explain my lack of comprehension.
Lazarus has risen now,
but it is different than I remember.
Lazarus is all alone, and
Lazarus is alive,
doomed to walk in mortal Hellfire
a second time over.