Submit your work, meet writers and drop the ads. Become a member
TOD HOWARD HAWKS Feb 2021
Simone, Simone
I'm all alone.
Simone, Simone
I'm all alone.
Simone, Simone
please come to me
and bear your breast
for me to rest
my weary head
and shattered heart
upon a part
so soft and warm.
Simone, Simone
I'm all alone.
Simone, Simone

Tod Howard Hawks
TOD HOWARD HAWKS May 2022
LOVE AND LOVERS

by

TOD HOWARD HAWKS


Chapter 7


“Read me some more of your poems,” said Bian.

“OK,” said Jon and went to get the box that contained his poems in the  closet. He looked through the stack and selected several of them, then sat down next to Bian on the living room sofa.

“The first one I’d like to share with you is titled SOUTHWESTERN KANSAS.


SOUTHWESTERN KANSAS

When you fly to southwestern Kansas,
you see a different kind of Kansas.
The land is flat,
the sky is big and blue,
and the folk, the common folk, well, they get along,
the common folk get along in southwestern Kansas.

On a ranch down near Liberal,
the black night roars
and the wind is wet.
All are happy tonight, for there is rain
and tomorrow the pastures will grow greener.

In the morning when the sun first shines,
the hired hands
with leathered countenances
and gnarled fingers
awake in old ranch houses
made of adobe brick
and slip on their muddy cowboy boots
and faded blue jeans
to begin another day of hard labor.

On the open prairie made green by rain,
tan and white cattle huddle together,
munching on green grass and purple sage.
A new-born calf bawls.
Her mother, the Hereford cow,
is there to care
and the baby calf ***** her belly full
of mother’s milk.

About 60 miles to the north
and a little to the west,
The sun stands high in a blue sky
dotted with little puffs of white.
At noon in Ulysses,
folk eat at the Coffee Cafe:
Swiss steak, short ribs, or sweetbreads
on Tuesdays
with chocolate cake for dessert.

The folk, the common folk, well, they get along,
the common folk get along in Ulysses.
They got a new high school and a Rexall drug store,
a water tower and a drive-in movie theater.
They got loads of Purina Chow,
plenty of John Deere combines,
and co-op signs stuck on almost everything.
And they got a main street several blocks long
with a lot of pick-up trucks parked on either side
driven by wheat farmers
with silver-white crew cuts
and narrow string ties.

Things are spread out in southwestern Kansas.
A blanket woven of green, brown, and yellow
patches of earth,
sown together by miles of barbed-wire fences,
spreads interminably into the horizon.
Occasional, faceless, little country towns,
distinguished only by imposing grain elevators
spiraling into the sky
like concrete cathedrals,
are joined tenuously together by
endless asphalt streaks
and dusty country roads,
pencil-line thin
and ruler straight,
flanked on either side
by telephone poles and wind-blown wires
strung one
after another,
after another
in monotonous succession.

But things, things aren’t too bad in southwestern Kansas.
Alfalfa’s growing green
and irrigation’s coming in.
Rain’s been real good
and the cattle market’s really strong.
The folk, they got the 1st National on weekdays
and the 1st Methodist in between.
The kids, they got 4-H clubs and scholarships to K-State.
And Ulysses, it’s got all that the big towns got–
gas, lights, and water.
So the folk, the common folk, well, they get along.
the common folk get along in southwestern Kansas.


“The next poem is SIMONE, SIMONE," said Jon.


SIMONE, SIMONE

Simone, Simone
I’m all alone.
Simone, Simone
I’m all alone.
Simone, Simone
please come to me
and bear your breast
for me to rest
my weary head
and shattered heart
upon a part
so soft and warm.
Simone, Simone
I’m all alone.
Simone, Simone.


“The final poem, Bian, is TREE LIMBS,” said Jon.


TREE LIMBS

A long time ago,
I used to lie on my bed
and look out my window
and watch the big elm tree
as it died slowly.

And I used to watch the cars
as they traveled by,
some fast, some slow,
from right to left, and left to right,
and wonder where they were going to
and coming from.

Once from my window
I hit a bus with my BB gun.
I was scared
because I knew I wasn’t
supposed to shoot buses,
even though it was kind of fun.

And sometimes I used
to hide behind my curtains
and watch the pretty
girls walk by my house
in their swimming suits
coming back from
the pool in the park.

But mostly I just used to lie
on my bed and think,
and watch the big elm tree
as it died slowly.


“I love not only your poetry, Jon, but also how you read each one,” said Bian.

Jon gave her a kiss.

They drove to the tip of Cape Cod to watch the sunset, then drove back to the Twenty-Eight Atlantic to have dinner. Bian ordered oysters, lobster “Carbonara,” kale salad, and scallops. Jon had salmon tartare, chowder, baby green salad, and grilled octopus.

“Well, I’m excited!” Jon said. “We have a tremendous amount of planning to do, but we will have the experience of our lifetimes, and my greatest pleasure will be sharing it with you.”

“D’accord!” said Bian.
TOD HOWARD HAWKS Jun 2019
Simone, Simone
I'm all alone.
Simone, Simone
I'm all alone.
Simone, Simone
please come to me
and bear your breast
for me to rest
my weary head
and shattered heart
upon a part
so soft and warm.
Simone, Simone
I'm all alone.
Simone, Simone

Tod Howard Hawks
A graduate of Andover and Columbia College, Columbia University, Tod Howard Hawks has been a poet and a human-rights advocate his entire adult life.
TOD HOWARD HAWKS Jun 2020
Simone, Simone
I'm all alone.
Simone, Simone
I'm all alone.
Simone, Simone
please come to me
and bear your breast
for me to rest
my weary head
and shattered heart
upon a part
so soft and warm.
Simone, Simone
I'm all alone.
Simone, Simone.

Copyright 2020 Tod Howard Hawks
A graduate of Andover and Columbia College, Columbia University, Tod Howard Hawks has been a poet and human-rights advocate his entire adult life.
LOVE AND LOVERS

by

TOD HOWARD HAWKS


Chapter 1

Jon walked down Broadway Thursday toward Tom’s to eat breakfast. He had taken this stroll hundreds of times after being at Columbia for five years during which he had eaten breakfast at all possible alternatives and found Tom’s to be categorically the best in Morningside Heights. It was a beautiful Fall morning. Monday he would begin the second and last school year at Columbia and in the Spring he would receive his MFA from the School of the Arts.

When Jon entered Tom’s, he was stunned. Sitting three down in aisle 3 on the right side in a booth by herself was the most beautiful woman he had ever seen. After standing still for a few moments, Jon slowly walked toward this woman and stopped, then spoke.

“Hi, I’m Jon Witherston. May I join you?”

The young woman responded, “Sure.” Jon sat down.

“I’m Bian Ly. It’s nice to meet you,” she said.

“I’m assuming you’re a student at Columbia,” said Jon.

“Yes, I’m a senior at the College. Are you also a student?” asked Bian.

“Yes, I am. In fact, I graduated from Columbia College a year ago. Next Spring, I’ll be receiving my MFA from the School of the Arts. I’m a poet,” said Jon.

“A poet! How wonderful!,” exclaimed Bian.

“Thank you, Bian. What’s your major?” asked Jon.

“I'm majoring in Human Rights,” replied Bian.

“The world needs to major in Human Rights!” said Jon.

Bian smiled.

At that point, the waitress came over and took their orders. Both wanted breakfast.

“That is a beautiful ring you are wearing on your little finger,” said Bian.

“That a Nacoms ring,” said Jon. “Nacoms is a senior society at the College. I was selected to be a member,” said Jon. “I was Head of NSOP. Where are you from, Bian?

“I’m from Hanoi,” said Bian.

“Hanoi is a long way from Topeka, Kansas where I grew up, but I did come East to attend Andover,” said Jon.

“I also attended boarding school, but in Hanoi, not Massachusetts. I graduated from Hanoi International School,” said Bian.

“It seems we have a lot in common,” said Jon.

The waitress brought their breakfasts, which they started eating.

After finishing their meals, the two chatted for about twenty minutes, then Jon said, “Bian, before I bid you a good rest of your day, I’d like to ask you if you might like to join me to visit the Guggenheim Museum to see a showing of Vasily Kandinsky’s paintings this Saturday afternoon then be my guest for dinner at your favorite Italian restaurant in Morningside Heights.”

“I’d love to,” replied Bian.

“I’ll pick you up about 2 p.m. Where do you live?” asked Jon.

“I live in Harley Hall,” said Bian.

“Hartley Hall–that’s where I lived all four years during my undergraduate days,” remarked Jon. “ You’ve got a couple of days to pick out your favorite Italian restaurant,” added Jon. “I’ll wait in the lobby for you.”

Bian smiled again and got out of the booth.

“See you this Saturday at 2,” Jon said as he waited for Bian to leave first. Then he just sat in the booth for a while and smiled, too.


Chapter 2

Jon arrived at Hartley Hall a bit early Saturday afternoon. He sat in the lobby on a soft leather sofa. Hartley Hall. Columbia. Four years. It had been an amazing time. Chad Willington, a fellow Andover graduate from Richmond, Virginia, was his roommate all four years. A tremendous swimmer, Chad had been elected captain of the team both his junior and senior years. He was now working at Goldman Sachs on Wall Street. Jon’s most cherished honor while he was at the College was being elected by his 1,400 classmates to be one of 15 Class Marshals to lead the Commencement Procession.

Bian came into the lounge. She looked beautiful.

“How are you, Bian? Are you ready to go see Kandinsky?” asked Jon.

“Indeed, I am,” said Bian.

“Let’s go, then,” said Jon.

The two walked across campus on College Walk to Broadway where Jon hailed a cab.

“Please take us to the Guggenheim Museum,” Jon told the cabbie. The cab cut through Central Park to upper 5th Avenue.

“We’re here,” said Jon and paid and tipped the cabbie.

The Guggenheim itself was a spectacular piece of architecture designed by Frank Lloyd Wright that spiraled into the blue sky. Jon paid for the admission tickets, then both entered the museum and took the elevator to the top of the building. Then began the slow descent to the bottom on the long, spiraling walkway, pausing when they wanted to the see a Kandinsky painting closely and talking with each other about it.

Vasily Kandinsky was a Russian painter and theorist, becoming prominent in the early decades of the 20th Century. Having moved first from Russia to Germany, he then went to France. Kandinsky was a pioneer of abstraction in Western art. He was keenly interested in spiritual expression:  “inner necessity” is what he called it.

It took quite a while to make their way down the spiraling ramp, stopping at almost every painting to share their views. Finally, Bian and Jon reached the bottom.

“Well, that was most interesting,” said Bian.

“I agree,” said Jon. “Have you decided which is your favorite Italian restaurant in Morningside Heights, Bian?” asked Jon.

“Pisticci,” said Bian.

“Let's go!,” said Jon.

They took a cab to Pisticci. The waiter brought them menus, which they began to peruse.

“You first,” Jon said to Bian.

“I would like the Insalata Pisticci (bed of baby spinach tossed with potatoes and pancetta with balsamic reduction). Then Suppe Minestrone (with a clear tomato base and al dente vegetables). Finally, I would like the Fettuccine Al Fungi (handmade fettuccine tossed with a trio of warm, earthy mushrooms and truffle oil),” concluded Bian.

Jon followed. “I would also like the Insalata Pisticci, then the Suppe Minestrone, followed by the Pappardelle Bolognesse, then the Burrata Caprese. Thank you.”

Bian and Jon ate their meals in candlelight.

“Tell me about growing up in Hanoi,” Jon asked Bian.

“I am an only child, Jon. My father is Minh Ly and my mother is Lieu. My father was the youngest General in the war;  nevertheless, he rose to second in command. He has been a businessman now for a long time.

“My childhood was like those of most children. As I grew older, I loved playing volleyball. I read a lot. I began learning English at an early age. I had lots of friends. I love my father and mother very much.”

“Why did you come to Columbia,” asked Jon.

“Columbia, as you know, is one of the greatest universities in the world, and it’s in New York City,” said Bian.

“Why did you choose to major in Human Rights, Bian,” asked Jon.

“The world, and the people and all other living creations on it, need kindness and love to heal. All have been sick for millennia. I would like to help heal Earth,” said Bian.

Jon was struck by Bian’s words. He felt the same as Bian.

The two continued to share more with each other. Finally, it was time to go.

They took a cab back to campus and Jon escorted Bian back to Hartley Hall.

“I’d like to exchange phone numbers with you. Is that OK with you?” Jon asked.

“Of course,” said Bian.

“Thank you for a wonderful day, Bian,” said Jon.

“And you the same, Jon,” said Bian.

Chapter 3


Jon picked up his receiver and gave Bian a call from his apartment.

“Bian?”, asked Jon.

“Yes,” replied Bian.

“This is Jon calling. Do you have a minute or two to talk?”

“Yes, I do,” said Bian.

“Well, first let me ask how you’re doing,” said Jon.

“I’m doing well, Jon,” said Bian.

“And school, how’s that going?” asked Jon.

“Well, I'm off to a busy start, but that’s not surprising,” said Bian.

“I’m calling to ask if you would like to go with me this Sunday afternoon and hear Mario Abdo Benitez, president of Paraguay, speak at the World Leaders Forum in Low Library, then afterwards have an early picnic meal in Riverside Park with me.”

“Oh, that sounds wonderful!” said Bian.

“Great. I’ll meet you again in the Hartley Hall lobby around quarter of 2. Will that work for you?” asked Jon.

“Yes, Jon, that will work fine. Thanks for the double invitation,” said Bian.

“Oh, and by the way, I’ll have our picnic meal ready for us. We’ll have to pick it up at my apartment after the talk. I live on Riverside Drive between 114th and 115th Streets,” said Jon.

“I look forward to both,” said Bian.

“Have a good rest of the week,” said Jon. “See you Sunday.”


Jon got to the Hartley Hall lobby a bit early Sunday afternoon and sat down on a sofa to wait for Bian. On Saturday, Jon had composed his most recent poem and he had brought it and two others to read to Bian during their picnic. After a short wait, Bian entered the lobby.

“Bian, it's so nice to see you again,” said Jon.

“It’s so nice to see you, too,” said Bian.

“Well, are we ready to head out?” said Jon.

“I am,” said Bian.

“OK, let’s go,” said Jon.

The two headed toward Low Library, now no longer a library, but the main administrative center of the University. Further, the Rotunda was glorious. That’s where President Benitez would be speaking.  

The President began his speech with a concise history of Paraguay followed by his attempts to deal with the societal ills in his country, and then spoke at length about his belief, his wish, for all nations in both Central and South America to be united into one nation. Finally, he took a number of questions from members of the audience. The program lasted about an hour.

“I found President Benitez’s comments about the potential unification of all countries in Central and South America united provocative,” said Jon.

“The world is one. Why not start with all nations in Central and South America?” added Bian as she and Jon walked down the steps in front of Low Library.


“Another beautiful Fall day,” said Jon. “A beautiful day for a picnic.”

They headed down College walk, crossed Broadway, then turned left on Riverside Drive and walked toward Jon’s apartment building that was just beyond 115th Street.

“Come on up while I gather all the picnic items,” said Jon, so they took the elevator to the 5th floor, got out, and walked down the hallway to Apt. 515.

“Here’s where I live,” said Jon. Bian entered first.

“You have a beautiful view of the park and the Hudson River, Jon,” said Bian.

Jon put all picnic items from the refrigerator into a large bag and grabbed the large, folded blanket lying on the sofa in the living room, then said, “Now let’s go find a great spot to have a picnic,” said Jon.

The two crossed Riverside Drive and entered Riverside Park. After spending several minutes looking around, Bian said, “Over there. That looks like a nice spot.”

When they got to the spot, Jon put everything he had been carrying on the ground and unfolded the blanket and spread it out.

"This will be an old-fashioned Kansas picnic, Bian. I hope you like it,” said Jon.

Bian sat down on the blanket. Jon began emptying the bag.

“We have before us pieces of fried chicken, coleslaw, baked beans, cleaned strips of carrots and celery, and black olives. Here are the paper plates, utensils, napkins, and cups, along with a container of cool water. I brought water because I don’t drink alcohol.” said Jon. “Plus, I have a surprise dessert.”

Jon then sat down and gave Bian a plate, utensils, and a napkin. “Help yourself, Bian, and enjoy.” And so they did.

After both had eaten everything on their plates, Jon said, “And now for the surprise,”

He reached into the bottom of the bag for the plastic container and pulled it out.

“I have here two pieces of chocolate cake from the Hungarian Pastry Shop,” he said.

“Oh, the cake looks delicious!” said Bian.

Jon carefully put the pieces of cake on plates, then handed one to Bian.

“We had no Hungarian Pastry Shop in Kansas,” said Jon.

After eating their pieces of chocolate cake, Bian and Jon chatted for quite a while, mostly about their respective childhoods, which were, surprisingly enough, quite similar. Being loved by one’s parents, especially, was the most important experience that both shared.

“I’d like to share with you, Bian, several poems I’ve recently written,” said Jon.

“I’d like that very much,” said Bian.

“The first one I’ll recite is titled I WRITE WHEN THE RIVER’S DOWN.

I WRITE WHEN THE RIVER’S DOWN

I write when the river’s down,
when the ground’s as hard as
a banker’s disposition and as
cracked as an old woman’s face.
I write when the air is still
and the tired leaves of the
dying elm tree are a mosaic
against the bird-blue sky.
I write when the old bird dog,
Sam, is too tired to chase
rabbits, which is his habit
on temperate days. I write when
horses lie on burnt grass,
when the sun is always
high noon, when hope melts like
yellow butter near the kitchen
window. I write when there
are no cherry pies in the
oven, when heartache comes
like a dust storm in early
morning. I write when the
river’s down, and sadness
grows like cockle burs in
my heart.


The next poem is titled THERE WILL COME A TIME.

THERE WILL COME A TIME

There will come a time
when time doesn’t matter,
when all minutes and
millennia are but moments
when I look into your eyes.
There will come a time
when clinging things
will fall like desiccated
leaves, leaving us with
but one another. There
will come a time when
the external becomes eternal,
when holding you is to
embrace the universe.
There will come a time
when to be will no longer
be infinitive, but infinity,
and you and I are one.


The last poem I’ll share with you today is THERE IS A TENDER WAY TO TOUCH YOU.


THERE IS A TENDER WAY TO TOUCH YOU

There is a tender way to touch you,
not more than a brush across your cheek.
I seek a gentle kiss so not to miss your soft
and red-rose lips that meet mine, the glory
of your darkened hair that falls across my face
as I unlace your flowered blouse to place
my fingertips upon your silk-like skin to begin
to love the rest of you. I lay you down on soft,
blue sheets, your head upon pillows made of
wild willow leaves softer than robin’s feathers.
I bare your beauty slowly that glows like a candle’s
flame in a room that is at once dark and bright.
The light comes from your luminous eyes that smile
at me as I reveal the rest of you from waist to knees
to heels and toes. No one knows the tender touch
I bestow upon your gentle being that I alone am seeing.


“Thank you, Jon, for sharing these poems with me. They moved me. I hope you’ll share others with me,” said Bian.

It was time to call it an afternoon. Jon walked with Bian all the way back to Hartley Hall.

“Have a good week, Bian,” said Jon, then leaned forward and
kissed her lips lightly.



Chapter 4


Bian and Jon began studying together in Butler Library. They read, they wrote, they laughed together. They got to know each other increasingly well. Their relationship, seemingly effortlessly, became romantic. They began to spend more time in Jon’s apartment. They became lovers.

Bian brought Jon a sense of happiness into his life that he had never experienced before. Not surprisingly, the same was true for Bian in a similar way, who previously, but not consciously, had always felt somewhat on the periphery of life in America. They complemented and enjoyed each other, so much so that full-blown love blossomed.

This is how the rest of the semester flowed. When Christmas break came, they decided to fly to Paris and spend the holidays there. Of course, they visited the Louvre, the Eiffel Tower, and Notre Dame. They strolled down Champs-Elysees and through Montmartre, ate mostly at bistros, and took a trip to see Versailles.

Among other excursions, they traveled to Amiens to see the famous cathedral there. Overlooking the Somme River, the Amiens Cathedral was built between 1220 and 1270. It was the largest cathedral in France, twice the size of Notre Dame. Jon said the skyscrapers in New York City paled in comparison to Amiens Cathedral.

Back to Columbia, New York City, and Spring semester. When the weather warmed, they spent many week-end afternoons in Central Park, visited many other sites, ate all kinds of ethnic foods, and, of course, had breakfast at Tom’s often. Furthermore, Bian’s parents were flying from Hanoi to New York City to attend Commencement.

But the highlight not only of the moment, but also, and most importantly, of the rest of her life, was Jon proposing marriage to her the week before they were to graduate, which, in a state of both shock and pure joy, she accepted. He gave her a diamond engagement ring he had bought at Tiffany’s.

“It is such an honor and a pleasure to meet both of you, Mr. and Mrs. Ly,” said Jon. Mr. Ly translated for his wife who knew no English.


Commencement at Columbia was always a transcendental exercise. That evening, the four of them celebrated by having dinner at Eleven Madison




























































Park­, courtesy of Mr. Minh. Three days later, Bian and Jon were married in

St. Paul’s Chapel on the Columbia campus.







Bian and John rented a cottage on Cape Cod for the summer. A summer of love it was. Sailing, relaxing, chatting, making love–all that two human beings could wish for.


Columbia, to thank him for coming to the wedding.

“Jon, I just have to ask you this one question,” said Chad. “Is Bian’s father, by any chance, Minh Ly?”

“Yes,” said Jon.

“Jesus, Jon! Did you know that Minh Ly is one of the richest men on the planet?”

Silence.

Finally, Jon said, “No, I didn’t know that.”

“Not only is Minh Ly one of the richest men on Earth, but he is one of the most connected in the entire world. But most people, even the richest, don’t know how internationally influential he is. He keeps an extremely low profile.

More silence.

“I didn’t know any of this, Chad. Bian never mentioned to me even an iota of what you have just told me,” said Jon.

“Well, Jon, I had to ask,” said Chad. “I hope you’re not disconcerted.”

“No, no, Chad. I guess I’m just flabbergasted,” said Jon.

“I found out about Minh Ly when I was invited to join members of the top brass at a Goldman Sachs luncheon and Minh Ly’s name popped into the conversation for a minute or two. That’s all,” said Chad.

“Fine, Chad. Thanks for telling me this,” said Jon, then hung up.


Chapter 5


Jon sat in the stuffed chair by the fireplace for a long time. Bian had driven into Hyannis to do some shopping.

When Bian had mentioned during one of their chats she had wanted to “heal the Earth” during her life, that phrase–that particular phrase–had pierced his being, bringing fully into his consciousness the same overpowering sentiment.  Once she had uttered those three words, Jon’s life had been profoundly and permanently affected. He had even written what he considered to be a “commentary,” a brief, concise pathway that humankind could follow to save the world, to create Peace on Earth forever. He had had no intention of ever sharing it with Bian, until now. Jon rose from his chair and went into the bedroom and opened the closet door and pulled out the big cardboard box in which he kept all of his poems. Near the top, he saw his commentary. He lifted it out and sat down on the bed and began to read it again.

PEACE ON EARTH THROUGH LOVE

Turning the World Rightside-In

By

Jon Witherston


PREAMBLE:  All we have is our little planet, Earth. For the vast majority of my life, I have thought, “What would it be like to have Peace on Earth?” But for only two, maybe three, weeks every year, usually around Christmas, I would see the phrase “Peace on Earth," usually on Christmas cards. But after Christmas, I would not hear or see that sanguine notion for 11 more months. The longer I lived, the more this annual ritual bothered me. At Andover, I had studied European history. At Columbia, I had majored in American history. Over time, I increasingly came to the realization that in both prep school and college, I had essentially been studying about wars on top of wars and their aftermaths:  millions and millions and millions of human beings being killed. Then, when I got curious, I used my computer to find out that, according to many scholars, only a little over 200, out of roughly 3,400 years of recorded history, were deemed “peaceful.” Humanity, I concluded, had a horrible track record when it came to effectuating “Peace on Earth.” And during my lifetime things have not gotten any better.  
      
SPIRITUAL ECOLOGY:  There is one land, one sky, one sea, one people. The boundaries that divide us are not on maps, but in our minds and hearts. John Donne was prescient. Earth is as impoverished as its poorest Citizen, as healthy as her sickest, as educated as her most ignorant. If we pollute the upper waters of the Mississippi, then ineluctably we shall pollute the Indian Ocean. If we continue to pollute our air, the current 8,000,000,000 Citizens on Earth will die. All species will be accorded the same concern and care as Citizens of Earth. The imminent threats of nuclear holocaust and catastrophic climate change we need urgently to prevent. This is the truth of Spiritual Ecology.  

CAMPAIGN FOR EARTH:  If we can wage war, why should we not wage peace? Nations are anachronistic;  therefore, there will be
none. There will only be Earth and Citizens of Earth. Each Citizen will devote a sizable number of years of her/his life to the betterment of humankind and Earth. All military weapons--from handguns to hydrogen bombs--will be destroyed, and any future weapons will be prohibited. All jails and prisons will be closed, replaced by Love Centers (see below). Automation and other technological advances will enhance the opportunity for all Citizens to realize exponentially their potential, personally and spiritually. There will be no money. All precious resources and assets of Earth will be distributed equally among all Citizens. The only things Citizens will own are the right to be treated well and the responsibility to treat Earth and all its Citizens well. All Citizens will be free to travel anywhere, at any time, on Earth. All Citizens will be free to choose their own personal and professional goals, but will do no harm to Earth or other Citizens. All Citizens will be afforded the same resources to live a full, safe, and satisfying life, including the best education, health care, housing, food, and other necessities throughout Earth.

LOVE:  The only way to change anything for the good, for good, is through love. Love is what every living creation on Earth needs. Love Centers are for those Citizens who were not loved enough, or at all, especially at their earliest of ages. Concomitantly, they act out their pain hurtfully, sometimes lethally, often against other Citizens. Citizens who are emotionally ill will be separated from those who are not. Jails and prisons only abet this deleterious situation. Some Citizens in pain may need to be constrained in Love Centers humanely while they recover, through being loved, so they do not hurt themselves or others. In some extreme cases, Citizens may be in so much pain that they remain violent for a long time.  Thus, they may need to be constrained for the rest of their lives, but always loved, never punished. In time, Citizens, when loved enough, will only have love to give, and the need for Love Centers will commensurately decline.

EARTH:  In 1948, Eleanor Roosevelt chaired the commission that wrote the Universal Declaration of Human Rights. UDHR, with some updates and revisions, will serve as the moral and legal guidepost for Earth.

GENERAL ASSEMBLY:  To remember the former nations on Earth, one member will be elected by Citizens from each of these former nations to serve a one five-year term as a member of the General Assembly. In succeeding elections, Citizens currently residing at that time in areas that were formerly nations, will again, in perpetuity, vote for one Citizen also residing in that area, for a one five-year term as a member of the General Assembly.

FIRST VOTE:  The first vote of all Citizens will be to establish CAMPAIGN FOR EARTH. Majority rules. All Citizens will have access to Internet voting, as well as access to cell phones and other types of computers. Citizens will have her/his own secured ID codes. Citizens will have to be 18 or older to vote. Citizens will be encouraged to bring before the General Assembly all ideas and recommendations, as well as any concerns or complaints, which will be considered and responded to promptly. Citizens’ ideas and recommendations will be formed into proposals drafted by members of the General Assembly. Citizens will vote on these proposals of each month during the first two weeks of the following month. Citizens of Earth will be Earth’s government. Members of the General Assembly will be facilitators who will work with millions of volunteers. There will be no president of Earth.

ALLCOTT MOVEMENT:  If the multinational corporations that now rule Earth do not abide by the outcome of a majority vote in favor of CAMPAIGN FOR EARTH, Citizens of Earth will instigate the Allcott Movement, a one-at-a-time mancott, womancott, girlcott, boycott--hence, Allcott--against each multinational corporation unwilling to relinquish control of its global business and give it, and all its assets, to Citizens of Earth. Citizens will continue the Allcott Movement until all multinational corporations have done the same. All personal and smaller-business wealth will be converted into resources to be distributed equally to all Citizens. All proceeds in excess of what’s needed reasonably by each Citizen will be saved for future generations. No violence of any kind will occur during the transfer of these resources. Citizens will take these steps because they are the moral, the right, steps to take to save all living creations on Earth, and Earth itself.

CELEBRATE AND SHARE: If you were to take a photograph of humanity and gaze at it, you would see a beautiful mosaic of mankind of different, beautiful colors. If you could step into the photograph, you would hear a melody of languages and dialects. You could have a worldwide picnic with all your sisters and brothers and experience different customs and taste different, delicious foods. And in moments of silence, all of you could pray in your different religions, separate but together at the same time. You would also share the same human laughter and joys and feel the same sorrows and cry the same tears, all in Peace on Earth eternal. All of you would come to delight in these differences, not dread them. You would look forward to celebrating and sharing with your family, not killing them. The spiritual whole would be larger than the sum of its sacred parts.

A QUANTUM LEAP:  The world, over millennia, keeps evolving. Over 3,400 years of recorded history, powers, nations, keep shifting, sometimes seismically. Now is the time for not only the grandest seismic shift ever, but also the one that will save Earth and all living creations upon it. It is time for Earth to become one Earth--not a scattering of over 200 nations with artificial borders. Technology, with its innumerable advances, has made us into a world when all can become one. We are free to be our real selves, to spend our variegated lives not aggrandizing, but sharing and giving. Rather than dreading our superficial differences--our different skin colors, our different cultures, our different religions, our different languages--we can explore and enjoy them. Let us finally be what we truly have been forever, one big, worldwide family of humanity. No more wars, no more weapons, no more killing. No more hunger, no more homelessness, no more hopelessness. No more ignorance, no more illnesses, no more social classes. This is the quantum leap of which I speak.

PEACE ON EARTH:  Wealth is not worth. The mansuetude of loving and being love is. When love is your currency, all else is counterfeit. Citizens will be able to go about creating their own happiness that is built on love-based personal relationships and professional activities. No longer will human beings be able to profit from another’s pain. With love at the center of being and living, there will be no more wars, no more dictators, no more corruption. Finally, there will only be Peace on Earth forever.

Copyright 2026 Jon Witherston.


Jon heard the front door open and shut.

“Bian, I’m in the bedroom,” said Jon. “I’ve got something I want you to read.”

Bian came into the bedroom. “What is it?” she asked.

“It’s something you inspired,” replied Jon.

Bian kissed Jon on the cheek then sat on the bed.

“Read it, then we’ll chat,” said Jon. He handed the commentary to Bian who began reading it.

“Jon, when did you write this?” asked Bian.

“I wrote it after you shared with me your desire to spend your life trying to heal Earth,” said Jon. “At Tom’s. Do you remember?”

“I’ve always dreamed of this ever since my father told me about the war,” she said. “What I remember about Tom’s is when I told you I was majoring in Human Rights, you said the whole world should be majoring in Human Rights.”

“Of course, I remember that, too,” said Jon.


What Bian came to realize about her father as she grew up was he had become anti-war. He had come to hate it.

Two things she had never known about him, though. First, her father was one of the wealthiest men on Earth. Yes, she knew he was well-to-do:  she had grown up, after all, in a large, comfortable home, and her father had had the money to pay for her expensive educations,  Second, he had belonged, for almost two decades now, to a secret, worldwide group of extremely wealthy and influential men and women who wished for, and were working toward, a world that would never know war. This group was called SOCIETY FOR PEACE.

Jon did not dare tell Bian about what Chad had shared with him over the phone, about her father’s mega-wealth. Bian had never known about;  indeed, her father obviously had never mentioned, let alone flaunted, it, though he frequently traveled to many destinations around the world. Bian had always thought those trips had to do with his businesses, about which he never talked explicitly.

“I’d like to elaborate a bit on what you’ve read in my commentary, Bian, if you care to,” said Jon.

“Of course,” said Bian.

“I’m thinking about the poor,” Jon said. “The poor, and the extremely poor, on Earth, as the World Bank and the International Monetary Fund has put it,” Jon said, with more than a tinge of contempt. “Out of 8 billion human beings on Earth, roughly 2 ½ billion fall into these two ‘statistical’ categories. That’s more than 1 out of 4 human lives on Earth desperately trying to survive day-to-day.

“Here’s my idea, Bian,” said Jon.

“There are more than 7,000 languages and dialects spoken on Earth. Most of the poor speak those dialects. How to communicate with them is the biggest challenge. In broad strokes and succinctly, this is what I have in mind. I want to share this with you and hope you’ll be my partner.

“I want to travel Earth with you. I want to meet first the poor of Earth with you, speak with them, eat with them, live with them, answer all their questions about creating one land, one sky, one sea, one people. I want to talk with them about all Citizens of Earth cooperating with, not competing against, one another, creating Peace on Earth through love forever. If ever we can create a vote on CAMPAIGN FOR EARTH, I’m sure the vast majority of them would vote for it.

“We would start in Mexico, then visit the nations of Central America, then those of South America. Then we would go to Africa where there are so many poor and do the same thing. Then the rest of the world.

“Does all of this sound audacious, Bian? Well, it should, because it is,” said Jon. “Logistics will be beyond enormous, but in my heart, I believe there will be eventually millions and millions and millions of volunteers around the world who will wish to join in.”

Bian had sat on the bed taking all of this in, paused, then said to her husband whom she loved and admired so much, “Jon, you are a genius, but all of this does sound audacious. My first idea is to share all of this with my father and get his reaction to your commentary and what you’ve just shared with me. He knows the world probably as well, if not better, than anyother person on Earth.”

“A great idea!” said Jon.

“I’ll call him at 10 p.m. tonight. It will be 9 a.m. in Hanoi,” said Bian excitedly.



Chapter 6


Bian spoke with her father that evening. Bian thought she had detected a good measure of surprise, if not excitement, in his voice. He would be in Toronto on business in mid-September. He could meet his daughter and Jon at 10 a.m. at the Ritz-Carlton on Monday, the 11th. He said he would leave a note at the front desk telling them which room he was staying in. He told Bian he always used aliases when he traveled, a fact she had not previously known. Understandably, Bian was thrilled.

Bian and Jon had enjoyed immensely the rest of the summer, as only on Cape Cod one can. They flew from Logan Airport to Toronto the morning of Sunday, 10 September. They arrived at the Ritz-Carlton around 9:45 Monday morning.

“I believe you have a note waiting for Bian and Jon,” said Bian.

“Just a minute, please,” said the clerk.

“Here,” said the clerk and handed it to Bian.

“Thank you,” said Bian. “Father’s in room #715.”

The two took the elevator to the 7th floor, found the room, and knocked on the door. In a moment or two, Minh Ly opened it.

“My dear daughter, Bian! How are you?” said Mr. Ly as he gave his daughter a big hug. “And you, Jon, how are you?”

Jon shook Mr. Ly’s hand as he entered the room.

“So good to see you, sir,” said Jon.

“Come in. Make yourselves comfortable,” said Mr. Ly.

“Mr. Ly, the first thing I would like to share with you is my commentary. It is an overview of what I would like to pursue with Bian,” said Jon.

“Let me read it,” said Mr. Ly.

It took a couple of minutes for My Ly to finish reading. He paused for several moments, then exclaimed “Jon, this is extraordinary!”

“Bian inspired me,” said Jon. “You know, Mr. Ly, I’m a poet, not a financier. It would take untold amounts of money and the best technology on Earth--unbelievable amounts of it--to realize this dream.”

“Don’t worry. I have friends,” said Mr. Ly.

"I envision Bian and I traveling around the world visiting the poorest sections of most of the biggest cities on Earth, using a translator when necessary to explain how we collectively can bring lasting peace to Earth. Furthermore, I expect not only the worldwide, but also the local, media to be informed of these gatherings," Jon said.

"You need to know I must always remain anonymous. Bian, you, and I shall need to meet periodically. I and my friends have developed ways always to be in touch, but will never be able to be detected. I wish not to elaborate. Jon, you inspire me the way Bian inspired you,” said Mr. Ly.


Chapter 7

“Read me some more of your poems,” said Bian.

“OK,” said Jon and went to get the box that contained his poems in the  closet. He looked through the stack and selected several of them, then sat down next to Bian on the living room sofa.

“The first one I’d like to share with you is titled SOUTHWESTERN KANSAS.


SOUTHWESTERN KANSAS

When you fly to southwestern Kansas,
you see a different kind of Kansas.
The land is flat,
the sky is big and blue,
and the folk, the common folk, well, they get along,
the common folk get along in southwestern Kansas.

On a ranch down near Liberal,
the black night roars
and the wind is wet.
All are happy tonight, for there is rain
and tomorrow the pastures will grow greener.

In the morning when the sun first shines,
the hired hands
with leathered countenances
and gnarled fingers
awake in old ranch houses
made of adobe brick
and slip on their muddy cowboy boots
and faded blue jeans
to begin another day of hard labor.

On the open prairie made green by rain,
tan and white cattle huddle together,
munching on green grass and purple sage.
A new-born calf bawls.
Her mother, the Hereford cow,
is there to care
and the baby calf ***** her belly full
of mother’s milk.

About 60 miles to the north
and a little to the west,
The sun stands high in a blue sky
dotted with little puffs of white.
At noon in Ulysses,
folk eat at the Coffee Cafe:
Swiss steak, short ribs, or sweetbreads
on Tuesdays
with chocolate cake for dessert.

The folk, the common folk, well, they get along,
the common folk get along in Ulysses.
They got a new high school and a Rexall drug store,
a water tower and a drive-in movie theater.
They got loads of Purina Chow,
plenty of John Deere combines,
and co-op signs stuck on almost everything.
And they got a main street several blocks long
with a lot of pick-up trucks parked on either side
driven by wheat farmers
with silver-white crew cuts
and narrow string ties.

Things are spread out in southwestern Kansas.
A blanket woven of green, brown, and yellow
patches of earth,
sown together by miles of barbed-wire fences,
spreads interminably into the horizon.
Occasional, faceless, little country towns,
distinguished only by imposing grain elevators
spiraling into the sky
like concrete cathedrals,
are joined tenuously together by
endless asphalt streaks
and dusty country roads,
pencil-line thin
and ruler straight,
flanked on either side
by telephone poles and wind-blown wires
strung one
after another,
after another
in monotonous succession.

But things, things aren’t too bad in southwestern Kansas.
Alfalfa’s growing green
and irrigation’s coming in.
Rain’s been real good
and the cattle market’s really strong.
The folk, they got the 1st National on weekdays
and the 1st Methodist in between.
The kids, they got 4-H clubs and scholarships to K-State.
And Ulysses, it’s got all that the big towns got–
gas, lights, and water.
So the folk, the common folk, well, they get along.
the common folk get along in southwestern Kansas.


“The next poem is SIMONE, SIMONE," said Jon.


SIMONE, SIMONE

Simone, Simone
I’m all alone.
Simone, Simone
I’m all alone.
Simone, Simone
please come to me
and bear your breast
for me to rest
my weary head
and shattered heart
upon a part
so soft and warm.
Simone, Simone
I’m all alone.
Simone, Simone.


“The final poem, Bian, is TREE LIMBS,” said Jon.


TREE LIMBS

A long time ago,
I used to lie on my bed
and look out my window
and watch the big elm tree
as it died slowly.

And I used to watch the cars
as they traveled by,
some fast, some slow,
from right to left, and left to right,
and wonder where they were going to
and coming from.

Once from my window
I hit a bus with my BB gun.
I was scared
because I knew I wasn’t
supposed to shoot buses,
even though it was kind of fun.

And sometimes I used
to hide behind my curtains
and watch the pretty
girls walk by my house
in their swimming suits
coming back from
the pool in the park.

But mostly I just used to lie
on my bed and think,
and watch the big elm tree
as it died slowly.


“I love not only your poetry, Jon, but also how you read each one,” said Bian.

Jon gave her a kiss.

They drove to the tip of Cape Cod to watch the sunset, then drove back to the Twenty-Eight Atlantic to have dinner. Bian ordered oysters, lobster “Carbonara,” kale salad, and scallops. Jon had salmon tartare, chowder, baby green salad, and grilled octopus.

“Well, I’m excited!” Jon said. “We have a tremendous amount of planning to do, but we will have the experience of our lifetimes, and my greatest pleasure will be sharing it with you.”

“D’accord!” said Bian.



Chapter 8


Bian and Jon began preparations with gusto.

Mr. Ly and his friends would  pay all expenses;  they would handle all details, such as reservations for air travel and hotels and rental cars;  they would contact the best interpreters in each country and pay them; they would contact leading newspapers and other news organizations in the world, including, but not limited to, the New York Times, the Washington Post, Le Monde, Times of India, China Daily, Russian Today, BBC, CNN, and MSNBC;  and they would contact the leading media–newspapers and TV and radio stations–in the largest city of each country prior to Bian and Jon’s visit there.  

Somewhat tired, but extremely gratified, they sat on the sofa in early evening to listen to Jon’s favorite Beethoven Symphony, #7. The Symphony’s second movement “was a jewel,” Jon said. Of course, he leaned back and closed his eyes as he listened.

When the recording was over, and after a silent pause, Jon slowly stood up, and without ever saying a word, reached down and picked up Bian, and holding her in his arms, carried her carefully into the bedroom where he stood her up beside the bed, then, slowly and softly, undressed her, and after he had pulled back the bed sheets, picked Bian up again and lay her on the bed. Then he undressed and got into bed beside her.

The room was dark and full of silence. Then Jon turned toward the woman who had brought limitless joy into his life and said to her, “Bian, who in the Heavens made you?” And then he kept leaning until he gently lay upon his wife, and these two lovers made love deep into the dark of night.


Chapter 9

Jon was thinking about Minh Ly. Jon knew he was beyond genius, but more importantly, Ly made Jon think of what Jorge Luis Borges had once written, that every person’s most important task was to complete successfully the transmuting of her/his pain into compassion. Ly had been the youngest General ever appointed by ** Chi Minh, and, in short, General Ly had had to order North Vietnamese soldiers into battle. 1,100,000 of them had died during the long, ugly, brutal Vietnam War. Minh had spent many days in tears. That he had had the fortitude to persevere and ultimately transmute his unbearable pain into compassion is what Jon most respected about Minh Ly. Because he was so brilliant, Ly initially threw himself into the throes of worldwide business at war’s end, amassing, over a number of years, massive wealth:  billions and billions and billions of dollars. Concurrently, however, Ly, overtime, experienced a life-changing metamorphosis. He came to realize that wealth was not worth, as Jon had written in his commentary PEACE ON EARTH THROUGH LOVE, that compassion was humanity’s most important goal, that only love could save Earth. And that was why he ultimately decided to use wealth not to buy as much of Earth as he could, but to use it to save Earth, to eradicate all the vicious inequities that had ineluctably killed billions of human beings over many millennia. Moreover, he secretly went around the world and met with his mega-wealthy friends, asking them to join him in this lifelong endeavor that he titled SOCIETY FOR PEACE, and many of them did join him. Now Ly and his friends were warring against war, fighting every injustice that caused horrid hell into which all the poor, all who suffered from myriad forms of racism through torture and death, fell. Ly was hell-bent on saving Earth and all living creations upon it. Then he met Jon.  

Bian, thought Jon, was as incredibly intelligent as her father. Of course, she was soft-spoken, but that belied her brilliance. After all, Bian has just completed the most rigorous, as well as the best, undergraduate liberal arts education to be found on Earth, graduating Summa *** Laude, an incredible academic achievement. Jon knew how much she loved her father, and he believed as well that his wife yearned, probably unconsciously, to emulate him. That notion alone was enough to cause Jon to fall in love with Bian, then propose to and marry her. Now she was co-parthers with Jon and her father to realize her wish:  to heal Earth.

“I wrote a new poem yesterday, Bian. Would you like to her it?” said Jon.

“Of course,” said Bian.

“OK,” said Jon who then reached into his satchel and pulled out the new poem and began reading it.


SOLITUDE AND GRACE

I will wander
into wilderness
to find myself.
I will leave behind
my accoutrements,
memories of medals,
of past applause
and accolades,
accomplishments that
warranted degrees
and diplomas
portending future
successes. I like
who I am, who
I have become. No,
I love myself, and that
is my greatest achievement,
the acme most men
are blind to as they
mistake wealth for worth.
Most would say
I will be lonely,
but they are wrong,
because I will always be
with my best friend ever,
my real self. And I will
share my joy with
squirrels and rabbits
and deer, with bushes
and broken branches
and brush, with rills
and rivulets and rivers,
with rising and setting
suns and countless
stars coruscating in
night's sky. I will say
prayers to piles of pine
and sycamore limbs
that once were live,
but now make monuments
I worship. I am at one
with all I prize.  My eyes,
even when they are closed,
see their beauty. I know
I will be blessed forever.
I lie on my bed, Earth,
and wait to join all
in solitude and grace.


“That was beautiful, Jon,” said Bian as she sped toward Logan.

“Thank you, my dear,” replied Jon.



Chapter 9

Jon was thinking about Minh Ly. Jon knew he was beyond genius, but more importantly, Ly made Jon think of what Jorge Luis Borges had once written, that every person’s most important task was to complete successfully the transmuting of her/his pain into compassion. Ly had been the youngest General ever appointed by ** Chi Minh, and, in short, General Ly had had to order North Vietnamese soldiers into battle. 1,100,000 of them had died during the long, ugly, brutal Vietnam War. Minh had spent many days in tears. That he had had the fortitude to persevere and ultimately transmute his unbearable pain into compassion is what Jon most respected about Minh Ly. Because he was so brilliant, Ly initially threw himself into the throes of worldwide business at war’s end, amassing, over a number of years, massive wealth:  billions and billions and billions of dollars. Concurrently, however, Ly, overtime, experienced a life-changing metamorphosis. He came to realize that wealth was not worth, as Jon had written in his commentary PEACE ON EARTH THROUGH LOVE, that compassion was humanity’s most important goal, that only love could save Earth. And that was why he ultimately decided to use wealth not to buy as much of Earth as he could, but to use it to save Earth, to eradicate all the vicious inequities that had ineluctably killed billions of human beings over many millennia. Moreover, he secretly went around the world and met with his mega-wealthy friends, asking them to join him in this lifelong endeavor that he titled SOCIETY FOR PEACE, and many of them did join him. Now Ly and his friends were warring against war, fighting every injustice that caused horrid hell into which all the poor, all who suffered from myriad forms of racism through torture and death, fell. Ly was hell-bent on saving Earth and all living creations upon it. Then he met Jon.  

Bian, thought Jon, was as incredibly intelligent as her father. Of course, she was soft-spoken, but that belied her brilliance. After all, Bian has just completed the most rigorous, as well as the best, undergraduate liberal arts education to be found on Earth, graduating Summa *** Laude, an incredible academic achievement. Jon knew how much she loved her father, and he believed as well that his wife yearned, probably unconsciously, to emulate him. That notion alone was enough to cause Jon to fall in love with Bian, then propose to and marry her. Now she was co-parthers with Jon and her father to realize her wish:  to heal Earth.

“I wrote a new poem yesterday, Bian. Would you like to her it?” said Jon.

“Of course,” said Bian.

“OK,” said Jon who then reached into his satchel and pulled out the new poem and began reading it.


SOLITUDE AND GRACE

I will wander
into wilderness
to find myself.
I will leave behind
my accoutrements,
memories of medals,
of past applause
and accolades,
accomplishments that
warranted degrees
and diplomas
portending future
successes. I like
who I am, who
I have become. No,
I love myself, and that
is my greatest achievement,
the acme most men
are blind to as they
mistake wealth for worth.
Most would say
I will be lonely,
but they are wrong,
because I will always be
with my best friend ever,
my real self. And I will
share my joy with
squirrels and rabbits
and deer, with bushes
and broken branches
and brush, with rills
and rivulets and rivers,
with rising and setting
suns and countless
stars coruscating in
night's sky. I will say
prayers to piles of pine
and sycamore limbs
that once were live,
but now make monuments
I worship. I am at one
with all I prize.  My eyes,
even when they are closed,
see their beauty. I know
I will be blessed forever.
I lie on my bed, Earth,
and wait to join all
in solitude and grace.


“That was beautiful, Jon,” said Bian as she sped toward Logan.

“Thank you, my dear,” replied Jon.


Chapter 10

“Do come in! How wonderful to see you both again! Your visits are becoming the highlight for me every month,” exclaimed Mr. Ly.

Bian, before she said a word, rushed forward into her father’s open arms to be hugged by him. For almost a minute, Bian stayed silent in her father’s arms. She did not want him to stop hugging her;  it felt so good. Finally, Bian stepped back and, almost in a yell, said, “I love you!”

“My dear Bian, I love you too, with all my heart,” said Mr. Ly. “And you, Jon, it is always special to meet a person like you. You are my only son and I am blessed to have you now as part of my family. Please, both of you, have a seat.”

“Thank you, Mr Ly. I am honored now to be a member of the Ly family,” said Jon, then joined Bian on the sofa.

Jon spoke again.

“Mr. Ly, I have for you the information you will need to prepare the press releases you will send to all media and people you wish to inform about our imminent sojourn ? January 202. Here it is,” said Jon, and handed the pages to him.

Mr. Ly continued.

“Bian and Jon, I need to share with both of you the following. My friends and I will create our own Starlink-like internet company so no “Citizen of Earth”--as you, Jon, call all 8 billion human beings on Earth–can be blocked when each votes on CAMPAIGN FOR EARTH. Furthermore, we will provide cell phones to all CITIZENS OF EARTH.  And Bian and Jon, you will be able... to visit safely in all the more than the 50 totalitarian nations. How is this possible, you ask? It is possible because I and my friends have our ways. In addition, we shall translate your commentary PEACE ON EARTH THROUGH LOVE into all 7,000 languages and dialects and, beginning ? January 202, will send it monthly to all media according to which each uses. This will continue until the vote on CAMPAIGN ON EARTH takes place during the first two weeks of 202?. And, as you have told me, Jon, only love can save Earth.”

“Mr. Ly, you are, with the exception of your daughter, the most intelligent, the most compassionate, the most self-effacing human being I have had the honor ever meeting. You know, I’m sure, the difference between personhood and behavior. Everyone’s personhood is sacred, inviolable, intrinsic, whereas so many peoples' behavior is often uncaring or hurtful, or even much worse. It is not unusual to react to one’s untoward behavior with at least displeasure, if not outright hate, even on rare occasions with violence. But this latter response is unknowing. When one encounters bad behavior to any degree and wishes it were not so, do not exacerbate what is already deleterious by making it even worse through punishment. Instead, constrain this negativity, but love this forsaken person. Love is the cure for all those who suffer pain. It may take a lot of love to heal a hurting soul, even a lifetime, perhaps even longer. But love is the antidote for all emotional maladies. But for one to be able to love others, one must first be loved, preferably by one’s parents. This dilemma is what our world suffers from the most. Wealth, fame, power–all are illusory and therefore feckless. They are but unconscious efforts to compensate for lack of love, and that is why our world has been turned inside-out for millennia. Only being loved, and then being able to love, will we be able to turn our world right-side in. Then and only then will we have Peace on Earth forever, and for the first time.

“I lavish praise upon you, because you are a beyond-magnificent human being, Mr. Ly,” concluded Jon.

Mr. Ly sat in silence, stunned. Finally, he said, “Thank you, thank you, Jon.”
rolanda Jan 2014
the idylie of two beloved
who are not discriminated
neither by each other
not by others
because of their gender
isnt it utopy?
Ask by some gay paars,
whether they ever forget
how they anounnced about their love
to their  orthodox parents...
what a hidden pain..
which always will remain
ask by the woman in suburb
how many *******
devastated her heart
before she met this handsome practical guy
who she may not really love
but cherish just the appereance of love
in form of elementar peace at home
without daily scandal
How oft we play satisfied when
in reality cats in the soul scratch
sometime there is no sight
how to difference lovely clotherness
from the chain of compomise
which people care
with clothed eyes.
happy love relation is rare
but luckely they are, they do exist.
but what about this phenomen like friendship?
Almost everybody would say
she/he have good friends
the paradox consist only in a fact
that modern life in the west
never  put this
kinship on exam
since people are financelly independent
other else too, when they clients of the dole
and live from welfare
they are secured
there is no situation happens
that friend must to sell their car, or
put a ring from a finger
to salvate their friend from some calamity..
those friendship mostly base on
pleasant time spent together
out of any mutual bonds...
but friendship to its limit
is yet more dangerous
than a love to its limit.
Therefore such claim hardly exist
„friends“ mostly knows very well
where the limit of their mutual aid
this awareness is tragic,
especially utopic is true friendship
between male and female
to certain point it works
but when someone of both
step on thin ice
for example of unanswered love
to somebody else
here patience of friend ends
who want support dream of
friend
who is desperated lover
when reality shows here is dead end
but true friend would help by any „utopical“ situation
she/he will find any remedy and make magic thing happen.
And friendship between artists
isnt it where should be especial tight bond?
„I love you when you show“
it is what observation say of such very bonds..
today artists think they were gods themself
they curate the life of mortal in their work
and give no **** when their good deed
will not being mirrored in the art
the time of unique like Simone Weil expired
and when such altrusit with a keen sense for human justice
somewhere still live
they will die young like she did
or will be driven insane.
And we will never know about their dream
their fight, their resistance
because they were not writer or philosopher
like Simone Weil ocasionally was.
you will say this piece is written by
sheer frustrated one.
You exactly didnt guess.
Yes of cause I am frustrated one
but i find satisfaction balance
not to dream about true friendship
because such adjectiv is too relative
anyway what is true friendship to my graspe
Is possible meet only in myths
but though to thousandth time dare in:

imagine friendship
imagine mutual creation
imagine peace
Nat Lipstadt Aug 2013
(Inspired by and dedicated to John Edward Smallshaw, and his "Spice")


I am a summer-man,
Because I'm blessed to sit by the sea.
Let it and the other two Musketeers,
boon companions to me,
Sun and Wind,
erase my discomposure as I
reside in the Poet's Nookery.
Let them have almost
all that troubles,
but not all.

I am a summer-man.

On the bay, on the beach,
I see birth, I see death,
osprey nests, carcasses of
mussels and horseshoe *****.
This, somehow reassuring,
the cycles,
this circularity,
the tides and inevitability.

I am a summer-man.

Student of languages seasonal,
Peaches, plums, cherries, poetry
and loving Woman.^
This, the  summer alphabet-soup
of my multiple tongues.

I am a summer-man.

Sancerre and Pinot Gris, super cold,
Paul Simon, Nina Simone,
with proper aging,
getting  hotter,
Salsa and Afrikaner hints,
super louder,
Even "Still Crazy After All These Years,"
that-who-wud-be-me,
chills outer.^^

I am a summer-man.

When ever this lad's writes appear,
it proves once again,
there is no truth that his  
name was once Dr. Seuss
In a prior life, even if
each is signed by
Ogdiddy Nash


I am a summer-man.

Disrespectful of the calendar,
if I can, try to make
summer season stretch-marks from
May to October.

I would add April,
but the IRS is already
****** at me.^^^

Though the cherry blossoms of May
now gone away,
the lilies of June
arrive, but but for a week or two,
soon, like my mom, withered away.

Acorns in August^^^^ have arrived too swiftly.


This summer, beloved,
and love of summer,
deep-rooted.

Season of my Peter Pan Poetry Galore Festival.

A love,  incapable, impossible, of ever
growing old, ever growing cold,
it cannot wither.
It is summer heat reminders exposed,
how it misses its man,
that hide in the flames of
the teasing, popping, reminding
Winter fireplace's crackling popping
^ See "The Summer Alphabet of Woman (I Speak Woman)"
August 23 2013

lipstadt-man

^^ See "Made the bed backwards"
August 24 2013

^^^  See "Caesar Has No Authority Over The Grammarians"
August 22 2013

^^^^ See "* Acorns in August (Sonata for Summer Cello and Fall Piano, No. 3)" August 19 2013

——————

* Paul Simon and Art Garfunkel

April come she will
When streams are ripe and swelled with rain;
May, she will stay,
Resting in my arms again

June, she´ll change her tune,
In restless walks she´ll prowl the night;
July, she will fly
And give no warning to her flight.

August, die she must,
The autumn winds blow chilly and cold;
September I´ll remember.
A love once new has now grown old

————
Tonya Maria

Tonya Maria  I am a summer-woman,
Because I'm blessed to sit by the sea.
I too display the summer season stretch marks.....
The sea, my lover, owns every inch of me......
Tim Knight Jan 2013
The fireside retreats
into the wall
as another TV Christmas special repeats,
with its sound echoing in the hall.

Tangerine,
Satsuma,
Clementine-Orange
peel litters the tabletop;
orange runway for the action figures,
plastic arms, moulded hairs.

Nina Simone plays loud,
'Nobody Knows When You're Down And Out',
Christmas is over,
and now there's nowt to do.
from coffeeshoppoems.com
Ralph E Peck Dec 2013
Simone was among the smallest of the small, a flutist of the smallest size,
Who carried herself well, and seemed to be taller than she was, at least in her mind,
Making her among the tallest, among those who could strut their stuff across the marching field.
She was proud, even on these practice days, when the dew of morning would
Make the practice areas so wet, and make her roll her pants up to just below her knees,
And her shoes would be soaked before it was over, and her heart would melt
Inside the flute, so big it seemed, compared to her hundred pounds.

Simone left little to chance, her eyes were forward, yet they moved quickly
From side to side, always checking her position on the field, and her
Position among those with her, and her position in what she perceived to be
The best among them.

One, two, three, four, five, six.  Repeat. One, two, three, four, five, six.  Six to five
They marched, long strident steps for the five foot of her, almost as if she was
Carrying the length of the world upon her shoulders. Her back was straight, her head
High up, toward the southern sky that held not a cloud, and the footsteps of those
Around her, the Flutist, till the turn, then the French horns crossing her path,
And she listened for the cue among them, and realized they carried their instrument
But there was nothing to be heard, as their mouths looked as though they played
Yet only the mouth pieces knew, it was but a scam of time.

She was wrapped in the image, that being here, on this field of one hundred twenty,
There was a leader, if you thought of it, too lead them in their playing,
But the real leader was her, briskly marching; head up, down the field, and hearing
The slides of the trombones, bam bammer, bam bam, up and down, as they never looked,
But kept time, her flute so bright and cheery, and so lost in the mornings lift.
One, two, three, four, five, six.  Six steps to five, six steps to five, six steps to five.  
Other bands, no all bands, marched eight to five, which would seems so much more
Comfortable to march, smaller steps, smaller people, across the field so major in its size
But her band, marched six steps to five, making for cleaner, tighter lines.

Ta da, daaa da, tee dee daa dumple deed ah daa, the trumpets and cornets rang out, loud
And seemingly obnoxious, in their tee dahs and tee daaaas, making for a crashing sound
Of thuno didity thump thump as the drummers passed, all music ringing loose from her head,
And the crashing sound of the drum, and the Thump, Thump, Thump, Thump of the bass,
Keeping time, keeping rhythm, of the John Phillips Sousa march across the field.
Her feet kept time, her flute braced up to her lips, her breath pouring forth,
Blending in perfect time, to make the most pleasant noise, her breath taken in, and her breath out
She flowed with the drums, the trombones, the trumpets, and heard the bass attempts
To play of the baritones, God’s most beautiful instrument, and the caterwauling
Of the clarinets, tooting and playing and attempting to play, some brand of music,
Some portion of a song that must have been heard long ago, that seemed to have
Nothing at all in common with the song at hand, but each looking down to trace
Their finger patterns, to hear the music as it played.

Simone’s flute, for all it was worth in her small tiny hands, in her small tiny arms,
Across this major large field, with these bodies next to hers, with the blats and sickles,
The very intent of each one to make its noise across at one another, seemed
To be a cacophony of sound, a completeness of nothing, and mess of a wreck of instruments.

Then there was the noise.   A complete and un-fractured belt of wonderful musical sound
As it marched toward her, as it seemed to assault, but to pay compliments to her,
As it seemed to worship the very wet, damp ground, upon which she walked, she felt something
In her body, a stirring, a feeling, her stomach turning in a good way, as her eyes lifted
She saw him, marching, One, Two, Three, Four, Five, Six times across the field,
One step was starting on the yard line, the last touching the yard line, five yards later.

The sousaphone.  This mass of brass, wrapped three times at the valves, turned
Around his neck, ending in a massive, shiny, bell of a horn, bigger around than her body
Bigger than a freight train coming down the track at her, she saw him.  Felt him.
Could feel the cool timber of his breath and voice and song, played so well upon
That instrument.  He was over six feet tall, no six feet six, and that horn, dear god,
Was two feet and several inches across the bell, putting him eight feet tall,
Compared to her five feet, and her fragile weight, and the mass before her.  That sounded,
So beautiful.  So real, such a part of it all, its tone, its timber, its reality was there and Anthony,
Playing it with intensity, playing it so strong, its notes almost removing her light little
Shoes from the field.  She thought she could float, she thought for a moment, that she
Had died and was no longer walking, but floating across the field.

Boom. Boom. Boom. Down. The. Scale. Up. The. Scale. Boom. Boom. Boom. Anthony played the music,
And marched, keeping time, and handling the music well……and he heard her soft little notes
This miniature toy before him, this small flutist playing her trills, her melody, her principle
Piece so well, so that it sneaked in and captured his heart in a moment, his breath short,
His feeling of being the only person in the band, suddenly expanded to two, took him hard.

And they played their music, their parts, and the rest of the band tried to keep up.
Manfred Kriger Sep 2020
At times when I'm alone
I think about Simone.
I think about her poetry
and how much her locks have grown,
I wonder if she is still healing
and I pray for her to any messiah.
Simone is just a girl mistreated by a cruel world.
I hope Simone is praying and I hope that it is heard,

I hope that God is female because
praying to a man would reignite her pain.
Nigel Morgan Nov 2012
There’s a film by John Schlesinger called the Go-Between in which the main character, a boy on the cusp of adolescence staying with a school friend on his family’s Norfolk estate, discovers how passion and *** become intertwined with love and desire. As an elderly man he revisits the location of this discovery and the woman, who we learn changed his emotional world forever. At the start of the film we see him on a day of grey cloud and wild wind walking towards the estate cottage where this woman now lives. He glimpses her face at a window – and the film flashes back fifty years to a summer before the First War.
 
It’s a little like that for me. Only, I’m sitting at a desk early on a spring morning about to step back nearly forty years.*
 
It was a two-hour trip from Boston to Booth Bay. We’d flown from New York on the shuttle and met Larry’s dad at St Vincent’s. We waited in his office as he put away the week with his secretary. He’d been in theatre all afternoon. He kept up a two-sided conversation.
 
‘You boys have a good week? Did you get to hear Barenboim at the Tully? I heard him as 14-year old play in Paris. He played the Tempest -  Mary, let’s fit Mrs K in for Tuesday at 5.0 - I was learning that very Beethoven sonata right then. I couldn’t believe it - that one so young could sound –there’s that myocardial infarction to review early Wednesday. I want Jim and Susan there please -  and look so  . . . old, not just mature, but old. And now – Gloria and I went to his last Carnegie – he just looks so **** young.’
 
Down in the basement garage Larry took his dad’s keys and we roared out on to Storow drive heading for the Massachusetts Turnpike. I slept. Too many early mornings copying my teacher’s latest – a concerto for two pianos – all those notes to be placed under the fingers. There was even a third piano in the orchestra. Larry and his Dad talked incessantly. I woke as Dr Benson said ‘The sea at last’. And there we were, the sea a glazed blue shimmering in the July distance. It might be lobster on the beach tonight, Gloria’s clam chowder, the coldest apple juice I’d ever tasted (never tasted apple juice until I came to Maine), settling down to a pile of art books in my bedroom, listening to the bell buoy rocking too and fro in the bay, the beach just below the house, a house over 150 years old, very old they said, in the family all that time.
 
It was a house full that weekend,  4th of July weekend and there would be fireworks over Booth Bay and lots of what Gloria called necessary visiting. I was in love with Gloria from the moment she shook my hand after that first concert when my little cummings setting got a mention in the NYT. It was called forever is now and God knows where it is – scored for tenor and small ensemble (there was certainly a vibraphone and a double bass – I was in love from afar with a bassist at J.). Oh, this being in love at seventeen. It was so difficult not to be. No English reserve here. People talked to you, were interested in you and what you thought, had heard, had read. You only had to say you’d been looking at a book of Andrew Wyeth’s paintings and you’d be whisked off to some uptown gallery to see his early watercolours. And on the way you’d hear a life story or some intimate details of friend’s affair, or a great slice of family history. Lots of eye contact. Just keep the talk going. But Gloria, well, we would meet in the hallway and she’d grasp my hand and say – ‘You know, Larry says that you work too hard. I want you to do nothing this weekend except get some sun and swim. We can go to Johnson’s for tennis you know. I haven’t forgotten you beat me last time we played!’ I suppose she was mid-thirties, a shirt, shorts and sandals woman, not Larry’s mother but Dr Benson’s third. This was all very new to me.
 
Tim was Larry’s elder brother, an intern at Felix-Med in NYC. He had a new girl with him that weekend. Anne-Marie was tall, bespectacled, and supposed to be ferociously clever. Gloria said ‘She models herself on Susan Sontag’. I remember asking who Sontag was and was told she was a feminist writer into politics. I wondered if Anne-Marie was a feminist into politics. She certainly did not dress like anyone else I’d seen as part of the Benson circle. It was July yet she wore a long-sleeved shift buttoned up to the collar and a long linen skirt down to her ankles. She was pretty but shapeless, a long straight person with long straight hair, a clip on one side she fiddled with endlessly, purposefully sometimes. She ignored me but for an introductory ‘Good evening’, when everyone else said ‘Hi’.
 
The next day it was hot. I was about the house very early. The apple juice in the refrigerator came into its own at 6.0 am. The bay was in mist. It was so still the bell buoy stirred only occasionally. I sat on the step with this icy glass of fragrant apple watching the pearls of condensation form and dissolve. I walked the shore, discovering years later that Rachel Carson had walked these paths, combed these beaches. I remember being shocked then at the concern about the environment surfacing in the late sixties. This was a huge country: so much space. The Maine woods – when I first drove up to Quebec – seemed to go on forever.
 
It was later in the day, after tennis, after trying to lie on the beach, I sought my room and took out my latest score, or what little of it there currently was. It was a piano piece, a still piece, the kind of piece I haven’t written in years, but possibly should. Now it’s all movement and complication. Then, I used to write exactly what I heard, and I’d heard Feldman’s ‘still pieces’ in his Greenwich loft with the white Rauschenbergs on the wall. I had admired his writing desk and thought one day I’ll have a desk like that in an apartment like this with very large empty paintings on the wall. But, I went elsewhere . . .
 
I lay on the bed and listened to the buoy out in the bay. I thought of a book of my childhood, We Didn’t Mean to Go to Sea by Arthur Ransome. There’s a drawing of a Beach End Buoy in that book, and as the buoy I was listening to was too far out to see (sea?) I imagined it as the one Ransome drew from Lowestoft harbour. I dozed I suppose, to be woken suddenly by voices in the room next door. It was Tim and Anne-Marie. I had thought the house empty but for me. They were in Tim’s room next door. There was movement, whispering, almost speech, more movement.
 
I was curious suddenly. Anne-Marie was an enigma. Tim was a nice guy. Quiet, dedicated (Larry had said), worked hard, read a lot, came to Larry’s concerts, played the cello when he could, Bach was always on his record player. He and Anne-Marie seemed so close, just a wooden wall away. I stood by this wall to listen.
 
‘Why are we whispering’, said Anne-Marie firmly, ‘For goodness sake no one’s here. Look, you’re a doctor, you know what to do surely.’
 
‘Not yet.’
 
‘But people call you Doctor, I’ve heard them.’
 
‘Oh sure. But I’m not, I’m just a lousy intern.’
 
‘A lousy intern who doesn’t want to make love to me.’
 
Then, there was rustling, some heavy movement and Tim saying ‘Oh Anne, you mustn’t. You don’t need to do this.’
 
‘Yes I do. You’re hard and I’m wet between my legs. I want you all over me and inside me.  I wanted you last night so badly I lay on my bed quite naked and masturbated hoping you come to me. But you didn’t. I looked in on you and you were just fast asleep.’
 
‘You forget I did a 22-hour call on Thursday’.
 
“And the rest. Don’t you want me? Maybe your brother or that nice English boy next door?’
 
‘Is he next door? ‘
 
‘If he is, I don’t care. He looks at me you know. He can’t work me out. I’ve been ignoring him. But maybe I shouldn’t. He’s got beautiful eyes and lovely hands’.
 
There was almost silence for what seemed a long time. I could hear my own breathing and became very aware of my own body. I was shaking and suddenly cold. I could hear more breathing next door. There was a shaft of intense white sunlight burning across my bed. I imagined Anne-Marie sitting cross-legged on the floor next door, her hand cupping her right breast fingers touching the ******, waiting. There was a rustle of movement. And the door next door slammed.
 
Thirty seconds later Tim was striding across the garden and on to the beach and into the sea . . .
 
There was probably a naked young woman sitting on the floor next door I thought. Reading perhaps. I stayed quite still imagining she would get up, open her door and peek into my room. So I moved away from the wall and sat on the bed trying hard to look like a composer working on a score. And she did . . . but she had clothes on, though not her glasses or her hair clip, and she wore a bright smile – lovely teeth I recall.
 
‘Good afternoon’, she said. ‘You heard all that I suppose.’
 
I smiled my nicest English smile and said nothing.
 
‘Tell me about your girlfriend in England.’
 
She sat on the bed, cross-legged. I was suddenly overcome by her scent, something complex and earthy.
 
‘My girlfriend in England is called Anne’.
 
‘Really! Is she pretty? ‘
 
I didn’t answer, but looked at my hands, and her feet, her uncovered calves and knees. I could see the shape of her slight ******* beneath her shirt, now partly unbuttoned. I felt very uncomfortable.
 
‘Tell me. Have you been with this Anne in England?’
 
‘No.’ I said, ‘I ‘d like to, but she’s very shy.’
 
‘OK. I’m an Anne who’s not shy.’
 
‘I’ve yet to meet a shy American.’
 
‘They exist. I could find you a nice shy girl you could get to know.’
 
‘I’d quite like to know you, but you’re a good bit older than me.’
 
‘Oh that doesn’t matter. You’re quite a mature guy I think. I’d go out with you.’
 
‘Oh I doubt that.’
 
‘Would you go out with me?’
 
‘You’re interesting.  Gloria says you’re a bit like Susan Sontag. Yes, I would.’
 
‘Wow! did she really? Ok then, that’s a deal. You better read some Simone de Beauvoir pretty quick,’  and she bounced off the bed.
 
After supper  - lobster on the beach - Gloria cornered me and said. ‘I gather you heard all this afternoon.’
 
I remembered mumbling a ‘yes’.
 
‘It’s OK,’ she said, ‘Anne-Marie told me all. Girls do this you know – talk about what goes on in other people’s bedrooms. What could you do? I would have done the same. Tim’s not ready for an Anne-Marie just yet, and I’m not sure you are either. Not my business of course, but gentle advice from one who’s been there. ‘
 
‘Been where?’
 
‘Been with someone older and supposedly wiser. And remembering that wondering-what-to-do-about-those-feelings-around-*** and all that. There’s a right time and you’ll know it when it comes. ‘
 
She kissed me very lightly on my right ear, then got up and walked across the beach back to the house.
RJP Aug 2018
Nina Simone, occupying ears singing about bed and dressers.
Sparsely populated
young couple
Interrupted by saying amusements.
Only two stops
I know where to get off

I knew to mind the gap
I'm a responsible citizen
Voter with a valid railcard
Only two stops
Purchased a ticket
Only two stops
I can not throw up in that time

I can not clear my system of over-priced beer
A niche in the market
Exploited in the name of money Making let's just raise them
let's charge extortionate rates for an autoimmune disease

Paying to support a normal drinking culture embedded into the narrative
Growing by in the western world Listening to Nina Simone
Only one stop now you'd never know what life would be like

Without loud pop charts entertaining a few leaving the others yearning the return of ABBA when times were simpler and people cared about Eurovision and illegal music was your own

“Tickets please”
He seems awfully jolly for a late night ****-shift on Arriva Trains Wales
Who's making him work and why's he So ******* happy about it
Real extra effort! Soul sapping in my opinion
Last stop gotta get off.
This is one's for any of the Welsh here.
At the mailbox, again:
“Who loves me, baby?”
Well, let’s see: there’s a flyer from Mercury Insurance,
Reminding me that most middle-income customers
Save an average of $4 million smackaroons when they switch too.
The Penny Saver USA.com is here,
Thank God, almighty!
So now I know that Thomas Roofing & Paving
Is having a special on 20-year leak-free flat roofs;
"All work guaranteed & insured.
No job too big or small.
Free estimates/Emergency services/License # I8U-69."
And thank you, Jesus,
For another $4.99 Farmer Boys 3-Egg Breakfast
Combo with Coffee coupon, and that
Little Caesars Hot-N-Ready, $5.00 cheese or pepperoni,
Mae-West-“why-don’t-you-come up and see me sometime?”—mailer. And, of course, another technology Siren’s song:
Verizon FiOS delivers entertainment this big,
Dish me up some dish NETWORK, $19.99 a month . . .
Are you ******* me?
For 12 ******* months?
AT&T;: whack me off on 120 channels.
DIRECTV.com - DIRECTV® Official Site‎
Worry-free 99.9%  . . . cue Joe E. Brown,
"Some Like It Hot“ Osgood:
"Well, nobody’s perfect!"
Time Warner/Sprint/T-Mobile;
And ******* Leather, Polk Street, San Francisco.
******* leather?
Must be for my neighbor: that ***** ****!
And here’s the weekly 8-page color fold-out from Stater Bros:
Lowering prices every day, large cantaloupes
(Jessica Lange, are you back?)
10 for $10.00, 32 oz. Gatorade
Or 24 oz Propel in 30 assorted varieties @ 79 cents
+ CRV: California Redemption Value?
Nice euphemistic cover-up for a TAX.
Nice, nice, very nice, CA elected state officials;
Nicely done, Sacramento.
Everywhere else in the country you get real money—
A fixed number of pennies, nickels, or dimes—
For your plastic bottles and aluminum cans.
But in California, the licensed recyclers
Get to pull the market price out of their *** each morning.
California Redemption Value?
What ******* genius government kleptocrat thought that one up? Conspiracy Alert: who gets all that CRV money?
And what are they doing with it?
Feeling plain, Jane?
Marinello Schools of Beauty, want you,
Offer you hands-on training in cosmetology,
Skin care esthetics, manicuring and vaginal deodorizing—
Just kidding, Babaloo.
Food tip for the Third World:
Never try to write poetry on an empty stomach.
Sizzler 6 oz juicy & succulent.
RENEGADE DEAL:
El Pollo Loco guacamole chicken sandwich,
Coupon free, small drink and small chips,
When you purchase a guacamole or jalapeno sandwich,
includes pepper jack cheese and a southwest sauce.
Gardenas sandia con semilla, 7 lbs 99 cents.
GARDENAS: “en precios, servicio y calidad, nadie nos iguaia.”
Bud Gordon’s Quality NISSAN:
One at this price after a $1500 factory rebate.
TERMINIX: get them before they get you!
The Kingdom Animalia, Phylum Arthropoda, Class Insecta
Bug up my *** again.
And a form letter from the VA
Asking me to please update my whereabouts.
And a form letter from the VA asking me
To please update my whereabouts.
And miles to go before I sleep.
Bite me, Mr. Frost!

An outing, at last.
I am going for a walk around the inside of my gates.
I live in one of those gated over-55 lunatic asylums.
There are gates. It is gated. Get it?
GATED! We feel safe here.
Probably a good thing at our age:
Self-imposed institutionalization,
Putting oneself in an asylum to ferment and die.
The fact that so many of us
Need it so bad at only 55
Says something itself about the current state of
Baby Boomer metal-fatigue.
I am now standing at the far end of the golf course.
I wait at the far end of the 18th Hole.
A ball bounces past my head and
Rolls off past the green into the far rough.
The 18th Hole is perched atop a small plateau,
Out of sight, far above the horizon for anyone teeing off.
I am Puck, invisible and impish.
I pluck the ball up.
I scamper to the green.
I pop the ball into the hole.
Which is better than popping a hole in the ball,
Surely, kind of a drag,
As we were once fond of saying.
Deflated Ball.
Deflator Maus.
OPERA can be ****.
Bodice-ripping corsets, whorehouses and naked ******!
Hardly what you might expect from
A night with the Welsh National Opera,
But they found their way into this production of "Die Fledermaus."
Ripe language, contemporary jokes and
Toilet humor thrown in, adding immensely
To the pleasures of Strauss’s operetta.
"Die Fledermaus," or The Bat’s Revenge,
Is all about drunkenness and adultery.
Despite being written in the 1870s,
It remains equally pertinent to today’s pub culture of excess.
Daring; Colorful; ****: PGA golf.
I steal a golf ball on the far end of the 18th Hole.
I pick up the Titleist and stick it in the hole
(Steady Jessica, not yours.
I hide behind your bush.
(Cue up PSA, First Lady Bird Johnson’s 1960s
Nationwide Beautification Campaign:
“I want everyone in America to plant a tree,
A sherrrr-rub, or a booosh.”)
The golfer now searching frantically:
Why is the cup always the last place they look?
Then, wham, bam, he looks:
A legend is born.
A hole in one,
His name forever immortalized
On a plaque over the bar, the proverbial 19th Hole.

As you know, I speak for all mediocrities,
Safe in my 55+ gated-community.
I go next to the Club House,
"The Lodge" as it’s called.
Each afternoon, the usual suspects
Claiming first come/first serve tiered mini-theater seats
Where Netflix matinee gems are screened.
It is two minutes to DVD show time.
I walk to the front of the room.
I stare at my audience.
I count the house slowly,
Making meaningful eye contact with each wrinkled face.
I cup my hands behind my back and speak:
“I assume you are all here for my lecture on Kierkegaard.”
No one reacts.
I turn to leave but do a double-take and smile.
One old woman in the top right corner of the amphitheater laughs, Perhaps the one other human being within the gates
Who has also smoked a joint today.
For an instant, I am overwhelmed with paranoia,
Perhaps I’ve gone too far over the line:
No longer “oh-he’s-a-character;”
I am now “that creep is ******* nuts.”
Is it time for someone to approach my family,
My next of kin, my “who-to-contact-in-event-of-emergency” number? Who will make the call on behalf of the HOA—
The Homeowner’s Association—
The Tsars, the Duma, the Supreme Soviet in these parts?
They are the power inside the gates;
Those who determine the state’s enemies,
Who govern its community norms.
Power within the gates.
Law within the asylum.
Little Hitlers one and all.
Hopefully they reach my sister first.
She’s been briefed.
KEY POINT IN THE NARRATIVE:
The new narrative is non-linear.
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We grow more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen;
We become more intimate with a legion . . .
Did someone say a legion? SPQR:
Am I having some sort of genetic-linguistic seizure here?
Am I channeling Benito Mussolini again?
Il Duce speaks to me from the grave,
Still blowing smoke up my Hopi-Jew-*** ***,
Filling in my insecurities,
Plugging the holes in my character
With delusions of classical Roman grandeur, glory and empire. Hmmmm? Quite an appetizing pitch for the average *****,
A message so completely, so ethnocentrically slick,
Olive oily, and so seductive.
A non-Italian would have thought
American Legion or Legionnaire’s disease,
Or The Foreign Legion, The French Foreign Legion.
The French: a virulent, promiscuous people.
Do you want fries with that, Simone?
No, I don’t get out much.
Only an occasional brisk walk around the asylum,
In and around the golf course, around but inside the gates. (LINKS) Bill Gates. Daryl Gates. Billy Bathgate’s Gates? Ghiberti’s Gates? The Hot Gates? Thermopylae? 300 Spartans/700 Thespians:
“The noun causing idiots to think of
Two girls sloppily eating each other’s mighty vaginas,
When they hear mention of someone being an actor.” http://www.urbandictionary.com
Not even close.
No, I rarely venture out.
This is Hemetucky.
There are methamphetamine-stoked
Teenage zombies at the gate.
Note to costume control:
Perhaps camouflage clothing is the safe choice?
No loud red Hawaiian.
No garish Indonesian batik.
Fleet of feet are these Hemet tweakers,
These cranked up Riverside County teenage barbarians,
These Huns & Visigoths,
These amped up, ravenous jackals.
And why stop there?
These Vandals & Vandellas.
A Motown flashback:
“Nowhere to run, baby, nowhere to hide.”
With or without Martha—
They remain dangerously lethal.
Yes, let it be camo clothes for me.
Those **** heads may be young.
They may be fast.
They may be able to run me down
On a dry grass dog-legged fairway savannah,
Tearing the meat from my carcass.
But the sons-a-******* have to see me first.
Besides, we know who are real friends are.
Hooray for our media peeps!
We become more intimate with a legion
Of television personalities on 125 different channels.
Most of these we know by name and context.
We know their families, their friends,
Their histories, their tragedies,
Their favored hyperbole and manner of speech.
Sometimes we establish intimacy with celebrities
Strictly on the basis of universal body language.
At times–in the absence of any other
Empathetic facility of identification–
We connect on instinct alone.
Instinct: perhaps animal at its core,
An animal kingdom affinity group,
Connecting on a bio-linguistic level,
Particularly when the Korean, or Spanish,
Mandarin, or Arabic,
Japanese, or even Hebrew language version is broadcast.
All languages cryptically alien,
A dense boundary, a barrio border wall,
Undecipherable, impenetrable concrete.
But we’ve never spoken to our neighbors,
Nor do we know their names.
Celebrities are the neighbors we know best;
Although the intimacy is an illusion,
Permission to invade their privacy presumed,
Tacit in the relationship between celebrities and their fans.
I am an independent contractor now,
An outside consultant to the NSA.
Try as I might I cannot crack the enigma,
Kim Kardashian remains far beyond my code-breaking prowess.
I repeat myself:
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We are more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen; we become more intimate with a legion . . .
Back to you, David Ulin:
“Sometime late last year—I don’t remember when, exactly—I noticed I was having trouble sitting down to read. That’s a problem if you do what I do, but it’s an even bigger problem if you’re the kind of person I am. Since I discovered reading, I have always been surrounded by stacks of books. I read my way through camp, school, nights, and weekends; when my girlfriend and I backpacked through Europe after college graduation, I had to buy a suitcase to accommodate the books I picked up along the way.”
Thank you, David L. Ulin.
I cannot help myself.
I grow more eccentric each day.
My eyeballs glued to that flat screen!

Cosmo Kramer: "The bus is outta control.
So I grab him by the collar, I take him out of the seat,
I get behind the wheel, and now I’m driving the bus."
Jerry: "Wow!"
George Costanza: "You’re Batman."
Cosmo Kramer: "Yeah, yeah, I am Batman.
Then the mugger, he comes to and he starts choking me.
So I’m fighting him off with one hand,
And I kept driving the bus with the other, ya know.
Then I managed to open up the door,
And I kicked him out the door, ya know,
With my foot, ya know, at the next stop."
Jerry: "You kept making all the stops?"
Cosmo Kramer: "Well, people kept ringing the bell!"
(Share this moment with a stranger.)

I speak for all mediocrities.
I am their champion, their patron saint.
Boom Chaka Laka. Boom Chaka Laka.
Boom Chaka Laka. BOOM!
Isn’t it time Salieri tempted Constanze–
Frau Mozart–with a plateful of Capezzoli di Venere:
“******* of Venus.”
You had me at hello, Kidman.
I know you too well, Nicole.
I knew you from before,
Way before Tom’s Oprah couch freak show.
Listen to me, Nicole:
We are face to face
With the most profound question in American literature:
"What is the grass?
The flag of my surrender?
The flag of my disposition?"
I resort to Socratic maxims: Know yourself;
The un-****** life is not worth living.
Is it stress? Is it lack of conviction?
Everything Jeff Lebowski neither wants nor needs in his life?
I watched you *** in "Eyes Wide Shut," Nicole.
Now I know you with my eyes and your legs wide open.
Thank you, Sidney Pollack.
Sidney knew.
Sidney dealt us cards
From his Hollywood Tarot deck.
We are intimate, Nicole.
I watched you squat.
Bunhead17 Dec 2015
Tory Lanez
Drake
The Weeknd
PartyNextDoor
Post Malone
ILoveMakonnen
RDGLDGRN
Kyle
G-Eazy
Rae Sremmurd
Future
Travis Scott
Lana Del Rey
Bryson Tiller
Jhene Aiko
Cal Scruby
Twenty-one pilots
The Neighbourhood
Zayn Malik
Jimi Hendrix
Nina Simone
Damian Marley ft Nas
Stephen Marley ft Wyclef Jean ft Nina Simone (Song:keeper of the flame)
No-Maddz (Song: Shotta)
Jesse Royal
In my opinion.
judy smith Nov 2016
Fashion designers love foraging through the antique markets of Clignancourt in Paris and Portobello Road and Alfie’s Antiques markets in London snuffling out vintage pieces for inspiration. The flurry of romantic Victoriana on the catwalks for autumn can clearly be blamed on this obsession.

There has been an undercurrent of reserved, covered-up fashion ever since Pierpaolo Piccioli and his former co-designer Maria Grazia Chiuri introduced a more demure aesthetic to Valentino five years ago. Longer skirts, prim higher necklines and covered arms have become the slow trend of recent seasons creating a hyper-feminine look.

Riccardo Tisci at Givenchy and Sarah Burton at Alexander McQueen have long been beguiled by the Gothic romanticism of Victorian fashion with their use of corsetry and dark dramatic lace and velvet for eveningwear.

In fact, London-based vintage fashion dealer Virginia Bates admits she doesn’t remember there ever being a time when Gothic Victoriana didn’t feature in at least one designer’s collection. “The fascination with the romantics, poets, artists and even horror [classics and films] give designers a great source of inspiration,” she says. “It’s an irresistible era.”

Certainly a lot of it has appeared on the catwalks this season at McQueen, Marc Jacobs, Burberry (shown only a month ago in the see-now, buy-now collection), Simone Rocha, Preen, Bora Aksu and Temperley London, as well as at smaller brands such as Alessandra Rich, Three Floor created by Yvonne Hoang and A.W.A.K.E.

There were dark distressed Linton tweeds, unravelling knits and black tulle in Simone Rocha’s autumn collection. Rocha was pregnant when she started designing it and was inspired by Victorian dress and motherhood, in particular the nightgowns and matrons.

“All the wrapping and swaddling of babies,” she says, before elaborating on how “the Victorian ideals of properness were made perverse with the conservative and covered-up pieces contrasted by the sheer and embroidered fabrics.”These gauzy vaporous fabrics succeeded in making her eerily romantic silhouette look rather contemporary and daring.

Subversion is key to making such a prim and proper period in fashion history modern and relevant for women today. Marc Jacobs, for instance mixed long Victorian coats, ballooning crinolines and crochet doily collars with sweatshirt tops and laser-cut leather for skirts and jackets together with some scary Goth horror make-up. Nothing is, or should be literal.

As Justin Thornton of Preen says “we love the Victorians, the laces and the white shirts, but it is the vintage pieces rather than the era that inspire us”. His partner Thea Bregazzi has collected aristocratic laces and ruffly vintage shirts from Portobello Road market for as long as he has known her and these frequently find their way into their collections, “but linings would be ripped, garments will have holes in them – it is a deconstructed look”.Virginia Bates once owned a famous vintage fashion emporium in Holland Park with a client list including the biggest names in fashion from John Galliano to Donna Karan and Naomi Campbell. Now she only works with private clients and designers and they, especially, she says were looking for genuine Victorian pieces when planning their autumn collections.

“A black fitted jacket with inserts of handmade lace [that is] embellished with crystal and jet beads, ***** and silk lined ... How exciting and inspiring is that? Silk and fine lawn shirts, soft and flowing with ruffles. Don’t we all want to wear one and live the dream?”

Thankfully a few designers do right now, and there were lots of heavenly creatures in fragile asymmetric lace dresses toughened up with leather corsetry at Alexander McQueen, and richly coloured swishy dresses at Bora Aksu. While Christopher Bailey cherry-picked the centuries in his Burberry collection, lighting upon frilled white cotton shirts, nipped in jackets and military capes from the Victorian era. Given that Victoria reigned for more than 60 years there is a lot of history for designers to plunder, so this will not be the last we will see it.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
RILEY Mar 2014
Here’s to the poets;
Here’s to the lives
That started and ended
In short sentences,
Hiding behind the words and the commas,
In between the lines
There is a space;
There is a space for poets
To dream and dissect dreams,to
Examine the heights of their rationale
And the depth of their emotions,
Like teleporting from the tops of Adonis
To the bottom of dark alleys in Hamra.
Here’s to the artists,
Here’s to the works of art
Forgotten on sharp corners
Between the margins in a copybook
And light emerging from their classroom windows;
Here’s to the scribbles
That created life, when living
Seemed impossible.
Here’s to the outcasts,
Here’s to the girls
Who read comics
About super heroes
Hiding behind
Kashmir scarfs and ripped jeans,
Reading 6 words at a time
Because the area of a flashlight
Covers just enough to get her wondering,
To get her to forget how
Her tight jeans left scars on her untouched thighs,
And how her feet were painted red
Before and after
She had to wear twin towers to walk in.
Here’s to the jokers,
Here’s to the unappreciated laughter
To whatever happens after
Here’s to the grand stages you formed
Out of two desks put together
And a pencil/eraser microphone;
Here’s to us,
To our shattered talents and lost souls
Here’s to our oppressed minds
And distorted comprehension of ourselves
Here’s to us
And who ever falls in love with us.
https://www.youtube.com/watch?v=PecHjYQPt5o
eph you see kay etouffee if you see Kay tell her a catawampus catahoula hound hog dog crossed bayou levee last night all right what did you say if you see Kay tell her a catawampus catahoula hog dog crossed the levee last night all right i heard what you said the first time why you got to repeat eph you see kay you ******* ****** **** what? what did you say you ******* ****** **** heard you the first time you **** a **** a ***** a ***** hello stop end begin believe conceive create no thank you i already ate what? what did you say begin believe conceive create no thank you i already ate quit ******* repeating yourself  you ******* ******* hello stop end begin believe conceive create eph you see kay etouffee if you see Kay tell her a catawampus catahoula hog dog crossed the levee last night all right

the renown physicist dressed in brown wool suit brown leather laced shoes white shirt burgundy knitted tie wild curly graying hair climbed the stairs walked across the stage stood at the lectern adjusted narrow support pole height reached down into brown leather briefcase retrieved his thesis concerning the relative theory of everything tapped microphone composed his posture made a guttural sound clearing his throat looked out at packed full auditorium it became evident to the distinguished audience the renown physicist’s fly was open and his ***** hanging out it was unanimously dismissed as a case of professorial absent-mindedness

all the creatures of the earth (excluding humans) convened for an emergency session the bigger creatures talked first grizzly bears stood upright explaining demand for gallbladders bile paws make us more valuable dead than alive sharks testified Asian fisherman cut off our fins for soup then throw us back into the sea to die elephants thumping heavy feet stepped forward yeah poachers **** us for our tusks rhinos concurred yes they **** us for our horns wild Mustang horses neighed about violent round-ups then slaughtered processed for cat food whales complained of going deaf from submarine sonar tests then sold for meat many dolphins sea turtles tuna swordfish sea bass smaller fish swam forward pleading about getting caught in long line nets barbed baited hooks over-fished colonies chimpanzees described nightmares of being stolen from their mom’s when they are very young then used in research labs for horrible tests song birds chirped about loss of their habitats land tortoises spoke in gentle voices about being wiped out for housing developments saguaro cactuses dropped their arms in discouragement masses of penguins solemnly marched in suicidal unison to edge of melting icebergs polar bears and seals wept honey bees buzzed colony collapse disorder bats flapped about white nose syndrome coyotes and wolves howled lonesome prairie laments the session grew gloomy with heart-wrenching unbearable sadness sobbing crying then a black mutt dog spoke up my greyhound brothers and sisters and all my family of creatures i sympathize with your hurt but it is important to realize there are people who care love us want to protect us not all humans are ravenous carnivores or heartless profiteers a calico cat crept alongside black dog and rubbed her head against his chest an old gray mare admitted her love for a race horse jockey who died years ago a bluebird sang a song suddenly lots more creatures advanced with stories of human kindness Captain Paul Watson Madeleine Pickens Jane Goodall a redwood tree named Luna testified about Julia Butterfly Hill the winds clouds sky discussed concerns by Al Gore lots and lots of other names were mentioned and the whole tone of the meeting changed every one agreed they needed to wait and see what the next generation of people would do whether humans would acknowledge the cruelties threats of extinction and learn grow figure out ways to sustain mother earth father sky then the meeting let out just as the sun was rising on a new day

there is a cemetery in Paris named Père Lachaise buried there are the remains of Jim Morrison Oscar Wilde Richard Wright Karl Appel Guillaume Apollinaire Honoré de Balzac Sarah Bernhardt the empty urn of Maria Callas Frédéric Chopin Colette Jean-Baptiste-Camille Corot Nancy Clara Cunard Honoré Daumier Jacques-Louis David Eugène Delacroix Isadora Duncan Paul Éluard Max Ernst Suzanne Flon Loie Fuller Théodore Géricault Yvette Guilbert Jean Ingres Clarence Laughlin Pierre Levegh Jean-François Lyotard Marcel Marceau Amedeo Modigliani Molière Yves Montand Pascale Ogier Christine Pascal Édith Piaf Marcel Proust Georges Seurat Simone Signoret Gertrude Stein Louis Visconti Maria Countess Walewska and many other extraordinary souls it is rumored at late dusk their ghosts climb from graves gather drink fine brandy from costly crystal glasses smoke fragrant cigars and once a year on November 2 party hard all night culminating in deliriously promiscuous ****** **** it’s difficult to know what the truth is since the dead don’t talk or do they
LJW Feb 2014
I've given poetry readings where less than a handful of people were present. It's a humbling experience. It’s also a deeply familiar experience.

"Poetry is useless," poet Geoffrey ****** said in a 2013 interview, "but it is useless the way the soul is useless—it is unnecessary, but we would not be what we are without it."

I was raised a Roman Catholic, and though I don’t go to Mass regularly anymore, I still remember early mornings during Advent when I went to liturgies at my parochial school. It was part of my offering—the sacrifice I made to honor the impending birth of the Savior—along with giving up candy at Lent. So few people attended at that hour that the priest turned on only a few lights near the altar. Approaching the front of the church, my plastic book bag rustling against my winter coat, I felt as if I were nearing the seashore at sunrise: the silhouettes of old widows on their kneelers at low tide, waiting for the priest to come in, starting the ritual in plain, unsung vernacular. No organist to blast us into reverence. No procession.

Every day, all over the world, these sparsely attended ceremonies still happen. Masses are said. Poetry is read. Poems are written on screens and scraps of paper. When I retire for the day, I move into a meditative, solitary, poetic space. These are the central filaments burning through my life, and the longer I live, the more they seem to be fused together.

Poetry is marginal, thankless, untethered from fame and fortune; it's also gut level, urgent, private yet yearning for connection. In all these ways, it's like prayer for me. I’m a not-quite-lapsed Catholic with Zen leanings, but I’ll always pray—and I’ll always write poems. Writing hasn’t brought me the Poetry Jackpot I once pursued, but it draws on the same inner wiring that flickers when I pray.        

• • •

In the 2012 collection A God in the House: Poets Talk About Faith, nineteen contemporary American poets, from Buddhist to Wiccan to Christian, discuss how their artistic and spiritual lives inform one another. Kazim Ali, who was raised a Shia Muslim, observes in his essay “Doubt and Seeking”:

[Prayer is] speaking to someone you know is not going to be able to speak back, so you're allowed to be the most honest that you can be. In prayer you're allowed to be as purely selfish as you like. You can ask for something completely irrational. I have written that prayer is a form of panic, because in prayer you don't really think you're going to be answered. You'll either get what you want or you won't.

You could replace the word "prayer" with "poetry" with little or no loss of meaning. I'd even go so far as to say that submitting my work to a journal often feels like this, too. Sometimes, when I get an answer in the form of an acceptance, I'm stunned.

"I never think of a possible God reading my poems, although the gods used to love the arts,” writes ***** Howe in her essay "Footsteps over Ground." She adds:

Poetry could be spoken into a well, of course, and drop like a penny into the black water. Sometimes I think that there is a heaven for poems and novels and music and dance and paintings, but they might only be hard-worked sparks off a great mill, which may add up to a whole-cloth in the infinite.

And here, you could easily replace the word "poetry" with "prayer." The penny falling to the bottom of a well is more often what we experience. But both poetry and prayer are things humans have learned to do in order to go on. Doubt is a given, but we do get to choose what it is we doubt.

A God in the House Book Cover
Quite a few authors in A God in the House (Howe, Gerald Stern, Jane Hirschfield, Christian Wiman) invoke the spiritual writing of Simone Weil, including her assertion that "absolutely unmixed attention is prayer." This sounds like the Zen concept of mindfulness. And it broadens the possibility for poetry as prayer, regardless of content, since writing poetry is an act of acute mindfulness. We mostly use words in the practical world to persuade or communicate, but prayers in various religious traditions can be lamentations of great sorrow. Help me, save me, take this pain away—I am in agony. In a church or a temple or a mosque, such prayerful lamentation is viewed as a form of expression for its own good, even when it doesn't lead immediately to a change of emotional state.

Perhaps the unmixed attention Weil wrote of is a unity of intention and utterance that’s far too rare in our own lives. We seldom match what we think or feel with what we actually say. When it happens spontaneously in poetry or prayer—Allen Ginsberg's "First thought, best thought" ideal —it feels like a miracle, as do all the moments when I manage to get out of my own way as a poet.

Many people who pray don’t envision a clear image of whom or what they’re praying to. But poets often have some sense of their potential readers. There are authorities whose approval I've tried to win or simply people I've tried to please: teachers, fellow writers, editors, contest judges—even my uncle, who actually reads my poems when they appear in the Pittsburgh Post-Gazette, where he used to work.

And yet, my most immersed writing is not done with those real faces in mind. I write to the same general entity to which I pray. It's as if the dome of my skull extends to the ceiling of the room I'm in, then to the dome of the sky and outward. It’s like the musings I had as a child lying awake at night, when my imagination took me to the farthest reaches of the galaxy. But then I emerge from this wide-open state and begin thinking about possible readers—and the faces appear.

This might also be where the magic ends.

• • •

I write poetry because it’s what I do, just as frogs croak and mathematicians ponder numbers. Poetry draws on something in me that has persisted over time, even as I’ve distracted myself with other goals, demands, and purposes; even as I’ve been forced by circumstance to strip writing poetry of certain expectations.

"Life on a Lily Pad" © Michelle Tribe
"Life on a Lily Pad"
© Michelle Tribe
At 21, I was sure I’d publish my first book before I was 25. I’m past my forties now and have yet to find a publisher for a book-length collection, though I've published more than a hundred individual poems and two chapbooks. So, if a “real” book is the equivalent of receiving indisputable evidence that your prayers are being answered, I’m still waiting.

It hasn’t been easy to shed the bitter urgency I’ve felt on learning that one of my manuscripts was a finalist in this or that contest, but was not the winner. Writing in order to attain external success can be as tainted and brittle as saying a prayer that, in truth, is more like a command: (Please), God, let me get through this difficulty (or else)—

Or else what? It’s a false threat, if there’s little else left to do but pray. When my partner is in the ICU, his lungs full of fluid backed up from a defective aortic valve; when my nephew is deployed to Afghanistan; when an ex is drowning in his addiction; when I hit a dead end in my job and don’t think I can do it one more day—every effort to imagine that these things might be gotten through is a kind of prayer that helps me weather a life over which I have little control.

Repeated disappointment in my quest to hit the Poetry Jackpot has taught me to recast the jackpot in the lowercase—locating it not in the outcome but in the act of writing itself, sorting out the healthy from the unhealthy intentions for doing it. Of course, this shift in perspective was not as neat as the preceding sentence makes it seem. There were years of thrashing about, of turning over stones and even throwing them, then moments of exhaustion when I just barely heard the message from within:

This is too fragile and fraught to be something that guides your whole life.

I didn't hear those words, exactly—and this is important. For decades, I’ve made my living as a writer. But I can't manipulate or edit total gut realizations. I can throw words at them, but it would be like shaking a water bottle at a forest fire; at best, I can chase the feeling with metaphors: It's like this—no, like this—or like this.

So, odd as this sounds for a poet, I now seek wordlessness. When I meditate, I intercept hundreds of times the impulse to shape a perception into words. Reduced to basics, the challenge facing any writer is knowing what to say—and what not to.

• • •

To read or listen to poetry requires unmixed attention just as writing it does. And when a poem is read aloud, there's a communal, at times ritualistic, element that can make a reading feel like collective prayer, even if there are only a few listeners in the audience or I’m listening by myself.

"Allen Ginsberg" © MDCArchives
Allen Ginsberg
© MDCArchives
When I want to feel moved and enlarged, all I have to do is play Patti Smith's rendition of Ginsberg's "Footnote to Howl." His long list poem from 1955 gathers people, places, objects, and abstractions onto a single exuberant altar. It’s certainly a prayer, one that opens this way:

Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!

The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and **** and hand and ******* holy!

Everything is holy! everybody’s holy! everywhere is holy! everyday is in eternity! Everyman’s an angel!

Some parts of Ginsberg's list ("forgiveness! charity! faith! bodies! suffering! magnanimity!") belong in any conventional catalogue of what a prayer celebrates as sacred. Other profane elements ("the ***** of the grandfathers of Kansas!") gain admission because they are swept up into his ritualistic roll call.

I can easily parody Ginsberg's litany: Holy the Dairy Queen, holy the barns of the Amish where cheese is releasing its ambitious stench, holy the Pittsburgh Pirates and the Internet. But reading the poem aloud feels to me the way putting on ritual garments must to a shaman or rabbi or priest. Watching Patti Smith perform the poem (various versions are available on YouTube), I get shivers seeing how it transforms her, and it's clear why she titled her treatment of the poem "Spell."

A parody can't do that. It can't manifest as the palpable unity of intention and utterance. It can't do what Emily Dickinson famously said that poetry did to her:

If I read a book [and] it makes my whole body so cold no fire ever can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only [ways] I know it. Is there any other way.

Like the process of prayer—to God, to a better and bigger self, to the atmosphere—writing can be a step toward unifying heart, mind, body, universe. Ginsberg's frenzied catalogue ends on "brilliant intelligent kindness of the soul"; Eliot's The Waste Land on "shantih," or "the peace that surpasseth understanding." Neither bang nor whimper, endings like these are at once humble and tenacious. They say "Amen" and step aside so that a greater wordlessness can work its magic.
From the website http://talkingwriting.com/poetry-prayer
Taylor St Onge Oct 2013
The inadequate bookshelf that sat near the door
that my sister used to call her own was
mostly made up of adolescent reads,
books better suited for preteen girls rather than
intellectually budding young ladies—
juvenile vocabularies and simple, non-complex
plot lines do little to craft and create
worldly, knowledgeable women.

I thought I must spring clean the
naiveté away and replace it with
the works of great authors like
Sylvia Plath
                        Simone de Beauvoir
                                                              Virginia Woolf
                        Margaret Atwood
Betty Friedan;
ingenious femme fatales that cut down
to the brittled bones of the misogynists
and burned their marrow along with the
ashes of bras and aprons and 350 degree oven heat.  

Growing up, to me, seemed like a wonderful epiphany
chock-full of ideas and opinions and
clever, ironic remarks that chased satirical witticisms
like felines to rodents and wolves to deer—
being an adult would guarantee me a say,
a vote
           prior 1920’s America
                                                  play dress up as a suffragette
           women’s rights
femininity personified by dolls in plastic houses.

To be eighteen-years-old,
the goal, the legality, the bright light at the end of the tunnel;
the official womanhood it would bestow upon me
seemed like something almost tangible
with the way that it loomed over my head.

Get good marks
graduate high school
travel back in time sixty years
meet a nice boy
become a “good wife”
have dinner ready by five
bear two beautiful heirs
clean up the messes left in the kitchen
fast-forward to the twenty-first century
go to a good college
find a stable career
settle down if the fancy strikes you
live non-docile and full of passion—
the parallelism of times are severely
di
    lap
          i
            dat
                 ­ ed.

1950’s America would never be a home for me
because I am much too wild to be contained.
wow I got really feministic there. sorry, man.
Darbi Alise Howe Jun 2013
It's a sweltering night, a sweltering morning really, and my body is tattooed with spider bite kisses and bruises.  I smell of park grass and chlorine and someone else's sweat, my lips are chapped, swollen, my eyes encircled in crimson undertones.  The people on the street stare- I am blonde, a dead give away, slighter and taller than the locals.  Men are confused, women are scornful, police are helpless.  My legs cramp with the dawn as I walk back to the apartment in my hospital-gown green tunic, sobbing openly, hair tangled with twigs and dirt.  It's still dark enough for that, but too quiet.  A milkman stops his work to look up at me and whisper ciao in the most kind and gentle voice I have ever heard, especially here, and I want to throw myself into his arms and sleep and scar his white uniform with the black stains of my tears, though I restrain myself and nod, shuffling forward, shoulders slumped, no eye contact, his gaze a hand stroking my back like the father I never had but always wished for, and I cannot help but cry harder, though I try harder to restrict each sob until I sound as though I'm gasping for air, but I would rather seem asthmatic than week, rather be strange than pitiful.  It is always better to be unknowable, much more simple than openly vulnerable in my experience, though my experiences are drunken from the bottom dredges of a half empty glass, so truly I do not know if this is true, and and every day I understand Hamlet's letter to Ophelia just a bit more, because every day I doubt truth to be a liar just a bit more.

Still, there are some things I know, enough to be called intelligente by a man named Simone, whose eyes shone with solare during the day, but at night became dark and hungry.  I know now why my friend chose to fly off a building in Spain without his wings.  There is a disconnection abroad, no sense of security or protection, demons are awakened and restless, dreams colder, and more cruel; the heat drains one's essence, melting the glue that keeps us who are broken together.  I know that expectations are sad reflections of desires, shadows of my own inadequacies.  I know that I am afraid, that heaven and hell are not places but permanent conditions, that my head is the prison guard of my heart.  Blame and guilt come easily.  There are no distractions, just meaningless directions, and I seem to have forgotten those I brought from home. Here, I am concerned with physical threats, trauma that can be shaken off with a block's worth of strides, yet I cannot seem to lose my naked shadow between the buildings.  I thought I hid it well behind frozen gazes, but the mirrors say, no, no, they know you are all wrong, you foolish girl, you poor little lie, they see through you, they sense your fear and feast upon it, you ignorant child, you are as small as the motes of dust drifting through the beam of a forgotten projector, the film torn and tangled, the screen stuck on one frame

I should have stopped when the milkman spoke. He knows that it is not mirrors who lie, it is us.
short story I wrote about something that happened when I was living in Florence.
Paul d'Aubin Feb 2015
Pourrais-je un jour; réparer l'injustice
faite à mon père ?


Il fut à vingt ans caché par les bergers du village de Muna parmi de pauvres bergers qui vivaient aussi sainement que sobrement dans leur village parfumé de figuiers et sans route autre qu'un chemin à peine muletier quand l'ordre ****-fascistes tenait l'île sous sa coupe.  Puis mon père  fut mobilisé avec la jeunesse Corse apprit l'anglais sur le tas dans les forces françaises d'aviation formées alors aux Etats-Unis,
La guerre il fit l'école normale de «la Bouzareah» à  Alger puis nommé instituteur en Kabylie ou il rencontra et fut tout de suite Simone, amoureux de notre mère aussi institutrice mais native des Pyrénées,  nommée elle-aussi dans la vallée de la Soummam  ou débuta l'insurrection de la Toussaint 1954 (alors que j'avais sept mois et étais gardé par une nourrice Kabyle nommée Bahia). Mon père dont ses amis enseignants étaient pour la plupart  Corses ou Kabyles prit de sérieux risques en qualité de syndicaliste du SNI; «Libéral politique»   dans un temps porteur pour les  extrémismes et les surenchères   et donc à la fois cible potentielle des ultras des deux bords il n'hésita pas à  faire grève et m'amena manifester à Bougie/Bejaia, ou sur la route je vis une tête coupée qui me hante encore, lorsque sept inspecteurs d'Académie furent exécutés par l'O.A.S.

Nommé de l’hiver au grand froid de 1963, professeur de collège d'Anglais  dans le Comminges cher à son épouse, à Valentine, il n'avait pas encore le permis et sa fameuse  2 CV bleue qui devint légendaire et venait régulièrement nous voir Régis et moi,  qu'il pleuve et/ou  qu'il vente, sur une mobylette jaune.

Il perfectionna régulièrement son anglais tous les soirs en écoutant les programmes radios de la BBC et passa même à ses élèves  sur un magnétophone à banque qu’il avait acquis le succès des Beatles; "Yellow Submarine". Mais il ne comprit rien aux événements de 1968 qui heurtèrent sa vision structurée du Monde  et bouleversèrent tant ma propre vie. Qu'aurait-il pu comprendre, lui l'admirateur de l'homme du 18 juin à  cette  contestation anarchique et multiforme de l'institution scolaire  dans laquelle, il avait donné beaucoup de lui-même ?

Plus ****, ayant pris cette retraite, rare espace de Liberté personnelle, ce grand marcheur se mit enfin à parcourir de nouveau Maquis et Montagnes et ce n'est sur rentré **** le soir dans son humble demeure après avoir déjeuné d'une «bastelle» et d'un bout de fromage de "Giovan Andria «qu’il améliorait sa dans sa chambrette ayant sous les yeux le "dictionnaire de la Piève d'Evisa", pour redonner à la langue Corse sa beauté et sa dignité et restituer par ses propres mots choisis ce vrai temple de la nature et de la Beauté sauvage que forme cette île Méditerranéissime.

Paul Arrighi
Il s'agit d'un bref rappel entre prose , histoire et souvenirs poétiques d'enfance de mon pére André Arrighi ( Professeur d'Anflais) tel que je le perçois maintenant qu'il n'est plus .
beth fwoah dream Mar 2020
russia
the mother of the love was cindy. she lives as wari and has no longer power. her beauty is renowned and she should rule.

argentina was the land of dd but mexico was goal and it was dana's land. dana is alive but needs to take control.

germany was grand and elsa was their king. elizabeth will rule. william was leam and harry was star. charles was ruu.

venice

the leader of the wall must take the city down dunstable will rule but row must take command (paul p) just lift the iron up and drink the holy well. paul (row my) must lead the way and let the city fall like jerico to row.

sibelius was chief his love could control hell. his land was mexico. he will return in 100 years. for now his son razor must reign. razor reigns already he was always strong with his power.

anthony (anthony p) is still rome. druididous stole from anthony. italy will love his power. his father still lives. he was known as tora. he will always save his people every time. (anthony and cleopatra).

simon (simon d) was the bell of the dance. his land was the guard of the law, his saviour was the christ.

palastine was oscar's (livin christ) land. he loved the people first and then the chosen leader. china stole his heart but his mother's magic eye was always the greener for the dome of the bar which was his mother's land.

syria was kim's the turks obeyed her law and her partner simon rice was the lord of undeceived. (kim's favourite sword - immaculate) kim would only ever give land to someone who beat her in a sword fight.

pakistan was morrow. morrow still lives. i will give him pakistan tomorrow.

laura (y) was time of space. her land was always persia. she always controlled the south and gail (r) did not deceive.

gail was the haunted skull. her wind would launch the sail. her seas were ever brave and her love was always true. persia (north)
was her heart. never steal her heart.

spain was not my son he was never in my life but portugal was spain and gavin (p) was their king.

the catharsis will run and run. i will never be deceived the gate is always closed for love is in our hearts.

england

gina (p) was our queen her lands would always flow. china stole her heart but england was her throne. ( i would like gina to come back to china to bend for the corn) gina's mother was druella in the ancient times.

david (b) was the king, he was the lionheart. he was our favourite king and no man could deceive.

scotland

gavin (p) was the james and diamond was his jewel. diamond is his wife and he must now command for nothing could corrupt.

stuart scotten was a scotish noble.

michael never ruled but no man thought he should his love was always wine and wine should not be loved. (as usual we will give him the principality of lowe as a gift so he does not destroy everyone).

serbia was the good, the love that jesus saw. give my son his thone. the love will be believed. in ancient histories serbia was known as dela. (see note lower serbia is now held by lassa and tal as guardians of the land below mount denar.) serbia and palastine must live in peace now the jew is gone who wanted to hurt palastine so much her people were forced south.

ok important note. we believe serbia was originally dunne but he always wanted land so he was not allowed back to earth. his lands were south of mount denar. oscar/ the christ/ the livin held after dunne left the earth but it was eventually agreed serbia below mount denar would be loved by tal and lassa as guardians of the land.

iatilahhomanne is the blue sky is yugoslavia. his wife is doran. she was his love. his old name was swee. yugoslavia is west of tee and north of do or die generally it is where teem is now. (old dree) their language was hebrew their god was jesus. the jews wanted christ to be their god not their christ. it is easy to find yugoslavia of the old world it is next to dree (ethiopia) and west of door. we believe they were also palastinian descent in the old world.  

pakistan was blue, she gave it to her heart and lassa always rules. lassa is alive give him his power back. no man then will grieve for joshua is back.

australia is madam it must return her power she knows the paths of peace and lives as mary rose.

newzealand is (d) (not good) madam must take control or ruby (a place) will aspire.

america is (d) she seethes to take the land. her hatred scalds and scalds it was berire's land. berire was the chief his land was mule and strike the karaoke's scream i will protect his thone.

orinoco should control his mind is always lead he knows no dark of heart and all his love is treve.

treve is always beth but she was ian's soul. please leave me ian's heart and yours should be atol.

atol would not be right. orinoco always marries beth (yet again). gail will not marry jet.

jason (rye) was no fool his lands were israel's heart. he loved the soul of rule but simon (d) could command.

kirby was the goo, india his throne. he was the amicable man his love was always christ the taj mahal he built and that was his home.

ian

i only want to love one girl, her name is beth. her love is like a bird that listens to the sky and then listens to all my love for her.

denmark

denmark was lasa at the dawn of time demeter is the rule and she's the queen of time. demeter now is young she is the queen of time her land is do or die and masa must command.

esotonia

was the house built by the sea it was eric's house and he was the son of the man he was the love of the life and he lives these days as stan.

france was warren hall but i must now be true. please give my catherine (m) land for aragon must rule. she was also in the ancient history joan of arc.

venice
paul (p) row my (principality palace in tlau.) dunstable took paul's money.

laura y (south china) it was the bys that took laura's money.

mowh has saved the word in china but as usual she tried to take power and had to be destroyed..

in venice beth was cocyo (the giver of bliss)  ( row cocco)

stav in south china is oscar's principality. stav is where oscar (the livin) is always happy. tao (ian and my son) loves to live in lowe.

the emperor of berling (north west south china) should have been. martin j. his brother originally drim dra dro was originally the prince of lowe but when i gave martin his territory in berling nick j became the prince of toi with the principality of toi. this was true in ancient times. martin was known as jo.  

orinoco was the emperor of china. the world was the waiting because the love would always be good.  

skybird drew was ray son. drew were the rightful thone of japan. the drew meant the solace of the earth.

gina in venice was tray.

ian's mother was fred.

eusebius was the poet of the heart.

eri (y) sometimes marries the man of the water.

michael is the guardian of the keep. i will always love my true.

helen (v) was the lover of the vine. she was chinese but had no throne.

claire was jezibel.

david was dow and fun

dunstable was char the feather of the water. he stole row fun.

in venice
eri was elea
laura was dezibel
gavin was cla

i have accepted as a gift a principality province in tithale.

kim of indonisia was the man the people loved. kim of the creator. we used to call kim the good man of our lives and the gentle spirit. everything of his goodness is returned.

our love was the strength of the world.

solace was drew. drew was the noblest family of all.

laura (y) was the mwang the rulers of the town and they were always princes.

in 1288 beth said goodness is more powerful than evil.

watling, turner and maccarthy were forced.

i am the family of fwoah.

lauren fwoah meant lauren the beautiful.

it was the evil family foo who made everybody born (or moved) to england. i demand all their money returned.

trump was the man of the star. he wanted the world to be quiet but loved. his name was choo. his current wife is belle and she was always his queen. his throne is peru.

boris was the baron of the star. your wife is livia and your land was mexico and your name was boro. your son was stevio the prayer of the mind and bringer of peace.

blair was catcho, the man who spent the fun. his original land was japan and he was noble but not the throne. the throne is now skybird drew.

it was the swinster family who hurt diana.

the current emperor of china is loco. he will give the territories to beth. his wife was the queen of the north.

*** (orinoco) was the conqueror of time. his destiny was power. he always loved beth and his province was the south.

japan is dalta at the moment it should have been drew. he stole for power as the armies wouldn't work. he wanted peru but i will not give peru for his destiny is fire!

peru should be malta but malta should be fire the love was the love of the love was always peru and peru should be ruled by scotland.

india was palm of par he was death of silence he was a resiliant man and today he lives as par.

atlantis was my sky i'll always love her heart. her chimney burnt to flame when carthage stole my love. phonecia was the blue and blue as of the wave (m) does wish but it is oscar's soul.

ian wynn was wales his love was orinoco. his daughter still lives as simone.

anthony (rome) was cabra in italy and dree in china which meant love me love. he was also lieu which meant the loved. (anthony and cleopatra)

lean built pisa tower. he was best at food.

row meant delight the sky.

the agha khan was dal which meant the love. he believes his true throne tunisia. i believe this is correct. also iran and iraq.

tin is throne of india.

del was the true throne of sweden. he is in charge.

norway was lion's land. it belongs to strong. who lives as guy.

the shah of iran was simon rice's father. he was the true throne. he was known as tal, which meant the good leader. iraq was also his which was the flower of land, denmark was also tal's land because yassa pretended lassa, this meant the throne was wrong but tal is lawful throne and lassa agrees.

godolphin was the arabian throne.

gina's money was taken by tong and fau who was the imposter winner of gold. they are both dead.

beth's love was the strength of the world.

drua took beth's seal in the china parliament. he stole my money. i was the word of china. i will return and take my rightful seat. my friend the shah of iran has already bought me the principality of siam and principality stav for my livin/oscar/christ ( oscar was born 25/12/97 this is the truth) as a wedding present. my mother gail has bought blue principality province. lowe i have agreed purchase when fun returned for my tao and my michaels.

gina was croan in china.

laura (y) married fleep.

dree took beth's money by pretending royal blood.

dominic (b) was poland of the ancient worlds his charm was nina and she was the curl. nina was so beautiful no man could ever resist, deceit could not destroy them there would always be a whirl!
Mateuš Conrad Nov 2018
.simone biles (the gymnast)...
                 miles davis (the trumpet guy)...
     must be black privilege;
wasn't there a movie...
starring
woody harrelson
and wesley snipes?
you sure?
i thought it was
called: white men can't jump...
sure as **** ****** can
sing church gospel!
how's that for
privilege?
    if you're going to
culturally box, and repeatedly
punch below the belt...
you're quiet likely going
to get a reaction...
i have an acne wart growing
on my *** the size
of a cauliflower,
it's itchy my brain,
it's differentiating between
agitate and: lying back...
i guess the excess of...
look... you may have
the excess melanin...
    i have lactose tolerance...
we're even?!
   no?
  so how come some smurf,
some European hobbit
shackle your N.B.A.
Goliath(s)?!
explain that one to me...
if these people were so
****-unsure...
how they **** did they
tame the Zulu Apache Goliath
bodybuilders?!
  what the ****?!
i already said, and it was proven...
IQ...
i don't like it...
     but i'm pretty sure that
the whites **** more people
in terrorist attacks than...
camel-jockeys...
         it took 3 or over three...
to perform the Bataclan Massacre...
three... the third of the IQ
that required a Breivik...
   130 in France...
dissociated among 3 attackers
that gorged on testicles after the spree...
fun, fun fun fun...
like: you're trying to say that without
irony...
    and how many in Norway?
    77...
i only look at the IQ of killers...
so... what's the ratio?
    77 / 1
   130 / 3 = 43...
         like i said... low IQ...
              you really want your little
racial insurrection?
you'll have it, don't worry..
i'll just the narrative...
  must be black privy...
if you can mash up a jazz compos.,
right?
                crackers read from
a prepared script...
you ******* just, "improvise"...
          rapping contra talking...
****... come to think of it...
******* boys took it too far from
your Oreos...
           like... too much drums...
not enough wind, or strings...
too much drumming...
pulverizing the ears
with drum & bass and what not...
if i wasn't deaf prior,
i'm deaf by now;
******* boy to Oreo woo-oo-oops
boy;
same ****, different cover.
allan harold rex May 2012
scuttling across the valley,
the trench was deep and steep

scorching heat of the dry sun,
dried blemishes on the weathered skin.

Settling along the rocky facades,
hackneyed by the haunting past.

Sleepless nights of the perching predators,
Hibernating in aloof worlds .

Stymied by the wind in the barren land ,
Harnessed by the futile fears.

Simone Melchoir of the sinking ship ,
would not you go down with the fault.

Shunning away from natures affection ,
for every rose does share its thorn .

Sunny ends are reached ,
when the raging ravines fade away.

Slithering away the swirling serpent ,
The sun lurks in the brewing storm .

Sanctity of the witheld winds ,
sapping away the deathly darkness.

Serene air of the seraphic angel,
brought the plighting dreams to the refugees repose

Smelting ores and melting poles,
brimming with brightness the cradled cirque .

Summons of the exalted virtue ,
To burn the lizard and fly away like the phoenix

Succumbing to the wilderness,
to soaring heights and rising spirits .

Swanking in the soothing winds,
the phoenix looked down on the plundering valley.

Scorning at the downtrodden spirits,
The fraternity of the Desert lizard
judy smith Mar 2016
Daisy Lowe‘s body positivity and refusal to bow to fashion industry pressures have cemented her place as one of Britain’s hottest exports.

From international catwalks to Pirelli calendars, the 27-year-old’s career in front of the camera has gone from strength to strength - all because she’s unapologetically herself.

To celebrate her latest endeavour - a partnership with lingerie brand Triumph UK - the model sat down with The Huffington Post UK to let us in on her secrets.

What does having a positive body image mean to you?

Being comfortable in your own skin, embracing all your flaws and accepting that you are who you are.

Being individual is a beautiful thing.

Where does your confidence come from?

It’s definitely something any person living in today’s society has to learn and grow up to achieve. I’m still working on it on a daily basis.

Everything that I put into my body makes a difference. How much I work out makes a difference. Surrounding myself with people I can laugh a lot with and around whom I can be 100% myself.

What advice would you give to those struggling with self-image?

Love the parts of you that you don’t enjoy so much and be kind to yourself - that’s something that I have to constantly remind myself to do. Go and do something that inspires you or makes you happy.

How do you banish self doubt on bad days?

Meditation and mindfulness helps. Having a check-in with yourself and trying really hard to be present.

We can look outside ourselves and think about what other people are doing, -especially with social media - but if you can try your best in the exact moment that’s all that matters, because that’s all that really exists.

What would you like to see change in the fashion industry?

There’s a lot more room for variation as far as models go - we should be promoting that all shapes, sizes and ethnicities are beautiful.

It would be lovely for plus size models not to be called ‘plus size’ - they’re being used for the same jobs. We’re all just models - wearing beautiful clothes that make people feel good about themselves and helping designers to sell their creations. I’d love to see more ‘in-between’ size models too.

How do you decide what to wear in the morning?

The darker and greyer the world is outside, the more I wear bright colours - as long as you’re sunny in yourself! I’m such a creature of comfort – I’m a huge fan of pulling on a pair of stretchy comfy jeans (Lowe swears by high-waisted styles by Paige, Frame and J Brand) and I love a bit of cashmere.

Jewellery wise, I always wear Crystal necklaces or chains by Loquet. I’m also a fan of a cute tea dress and ballet shoes. I love that Brigitte Bardot/Jane Birkin 60s/70s vibe mixed up with a bit of 90s grunge.

What are your favourite shopping spots?

Lark Vintage in Somerset is amazing, and in London I love Mairead Lewin Vintage. Those are top secret - I never usually tell anyone those.

Brand wise, I love James Perse, Cocoa Cashmere, Erdem, Simone Rocha and Ganni - I have a leather jacket from there I haven’t taken off for a year. I also have a troubling Saint Laurent addiction.

Talk me through your daily skincare routine.

I love the P50 W Lotion by Biologique Recherche, it’s done absolute wonders for my skin and makes it much more clear.

I also swear by the Crème de la Mer Genaissance de la Mer serum, moisturising soft cream and eye concentrate.

For my body, I use Aesop A Rose By Any Other Name cleanser and Balance Me for their luxurious moisturisers and body oils made with natural ingredients.

What are your makeup bag staples?

Tom Ford is a go-to. I use the Traceless Perfecting Foundation, which has SPF, and the concealing pen around my nose and eyes.

I like to keep my makeup really simple, so I’ll use the Laura Mercier Paint Wash liquid lip colour in petal pink on both my lips and cheeks.

For eyes, I swear by Tom Ford Waterproof Extreme Mascara and Kevin Aucoin eyelash curlers.

What’s the best tip you’ve picked up from a makeup artist?

My makeup artist would **** me if I ever slept in my makeup. Another great tip is to make sure you conceal around your nose. If your nose is red it makes your whole complexion look uneven.

Also, always apply lipstick all the way into the corners of your mouth to continue the line.

What’s the weirdest thing you’ve done in the name of beauty?

When I was younger I used to make these weird DIY face masks with my friends. We made one with mashed banana, avocado, honey and peanut butter. Peanut butter on active teenage skin was not the best idea.

Any other beauty secrets you can let us in on?

My facialist Arezoo Kaviani is amazing. She’s a real healer at heart. She does a deep cleansing ****** with extraction and LED light therapy.

I also tried a collagen wave ****** recently, which was great.Read more at:http://www.marieaustralia.com | www.marieaustralia.com/formal-dresses
Ahbengo Nov 2013
You read the books that are made for men
And call yourself a feminist

As you recite paragraphs
Making gestures with your right hand

Sprays of self-righteous spit
Accompanied with your confident loud words.

Your knowing worm eyebrows
As the cherry on top.

I wonder if you would be ashamed
To know that Hemingway was an anti-Semite.

Or that Sartre thought there were two kinds of women.
Poor Simone was just like you
She went along for the ride.
Johnny Hunt Dec 2015
my breakfast of thesaurus
and chorus.

as to not miss
that quick bliss,
moment
of genius.

forcing wit;  i’m done with it.

i lay in bed and moan:
"mouth was a blue sash of rain
raining convocations of flesh."
like Sonia Sanchez said in her poem
to Nina Simone.

“owls coo, only see blue,
and through storm windows,
they yawn like nothing’s new."
what did my words just do to you?

i hate all the rhyming
all the timing.
the
whining.

all this meditating
and levitating.

but if you don’t swat the fly,
you become the fly.
Inspire me. ****** me. Serenade me.
Send to me ******* rhythms and let
the ****** hymns play... And then the songs play as we lay.
Frank Sinatra has us on the road, Irma
Thomas telling us to be ourselves...
Love me like Aretha has never loved a
man, move me like Nina Simone, just
you and I alone. Dinah Washington says I should teach you, Etta James
warning me not to tear your clothes.
Let's play some Sarah Vaughn and
Fontella Bass. Ease me with some Diana
Krall and Dianne Reeves, swing motion
with Chris Boti. Tell me you love me Inside Out as does Shara Nelson. Let's
fall in love to Cassandra Wilson. Let us go the jungle and listen to the
bears sing, the legends of love lore...
Sing and groan; Some Isaac Hayes,
Barry White, Teddy Pendergrass,
Marvin Gaye, James Ingram, Gary
Taylor... Let them play, let them sing. And some love bees; some Betty
Wright, Angela Winbush, Regina Belle,
Sade, Marsha Ambrosius... Tone it
down on a spunky blue with some
Meshell Ndegeocello, Janet Jackson,
Laurnea, a bit of Floetry, some Incognito and Karyn White. Max it up with some Maxwell, Rahsaan,
Ralph Tresvant, Glenn Jones and Tevin
Campelle. Let's jazz it up with some Fourplay,
Brian Culbertson, Quincy Jones, Euge
Groove and Marion Meadows... Lounge
and spice it up with some Prince Alec,
Hed Kandi and Kalliope. Funk it up with some Rick James, Ten
City, Brothers Johnson and Billie
Ocean... Let us ****** and swim in the
love ocean. Making love in a Time Machine,
fading through timeless scenes
listening to stimulating music
searching for a combine that is our
fusion
Biting on some dust and swallowing colour
lush are the strips that are dripping
from the trees of chemistry
dancing to music lively, singing to
blues puzzling
beating to jazz dubbing, responding to ethereal loungy sound
music and our souls will be one
in a time machine, learning
combinations orchestrated through the
ages
We will evolve and be sages Until time linear is more sincere and
eternity for us is here. Let the music play, my bed will be a
time machine, shut never your ears
listen to the music that does play and
wipe them tears
all the drama you've been through all
these years in a second we'll be naked and
climbing stairs
we'll be invited to the kingdom of
Romance and Serindipity
You can be the Queen, I'll be King
Poetry painting neverending pictures surreal
in a world ethereal and the real will dull
feel
and forever you and I will be, if we
journey in the musical time machine.
Chris Chaffin Jan 2021
Curling tendrils of tobacco haze
engulf the tiny space, hang like
ringlets over shots of whiskey
and mugs of warm beer. A solitary
dancer moves, bracelets janglin’
and eyes heavy with kohl, captures
old men in mid drink as her hips
sway to Nina Simone. Her bronze skin
glistens with the hot stares of the
audience; she soaks it in, twirls on
bare feet in perfect time as the
high priestess of soul bewitches
us with heavy grooves. I close
my eyes, tap fingers against glass,
whisper Nina’s words into the smoke
and breathe them back in again.
This is jazz, I think out loud,
this is pure unadulterated heat.
Leonardo Tonini Sep 2018
You can’t say that the sky is clear today,
its colour isn’t the one of the Wisteria either
and the golden light (which is intelligence)
comes from it as the background of one of the
Madonna with Child paintings by Duccio or Simone Martini.  
I can’t definitely say with certainty
that the sun melts  in the sea to the West,
(West/****) if you have never seen the sea.
The trembling singing of a bird fades
with the noisy traffic jam on the road.

*

POESIA 4:

Il cielo oggi non può dirsi limpido
e nemmeno che ha il colore del glicine
e che la luce d’oro (che è intelligenza)
scenda da esso come il fondo di una Madonna col Bambino
di Duccio o di Simone Martini.
Non posso certo affermare con sicurezza
che il sole si scioglie nel mare a occidente
(occidente/uccidente) se non hai mai visto il mare.
Il tremulo canto di un uccello si confonde
con il rumore del traffico sulla strada.
The last poem for the Luton Festival. If you have any suggestions on the translation, let me know.
Brian O'blivion Sep 2013
blind and black andromeda drops her skirt
and
around her waist she drapes the coldest dirt
when the pink pearl parade is nearing
don't ask, for long forgotten what was told her
monarch and viceroy we age (but don't get any older)
2 dark lovers sleeping in a midnight clearing

overland their dreams they glide of a lower shaded tint
darkness over top of light white chocolate eggs and mint
linen kitten sheets under branches lined of frost
the surface tower rises by a shower sky of cream
silhouetted hours joined discreetly at the seam
riding overnight trains so as not to wake the lost

the cauldron of a moment seen after a lifetime's purge
parallel hips that light a smile never to converge
"she smells like nina simone with a humid voice like ether
pastel lips, renaissance legs and august sunset *******..."
a second to align our love before the blackened water crests
nobody, nobody, nobody knows the depths that lie beneath her

this fairground love ends in blessed rapture flame
the terminal separation that God has given name
of a strawberry village girl isolated and honey tressed
whose severed fingers have guided paths anew
when she could have left she decided not to
but bound her deserter's hands behind love's holy breast

now the violet sands cover our tracks then shift
returning to a landscape's nightly spiral drift
that was the night everything changed
the hunted left the hunting grounds
the silence longed to find a sound
the equinox flowers lay rearranged
David Barr Dec 2013
Transnational capitalism is a gluttonous preoccupation of the aristocrat. Although Simone De Beauvoir nailed her colors to the metaphorical mast of equality, it is reasonable to acknowledge that our perimeter lies beyond intra-personal vistas of gender identity and ****** preference.
The Lord of the Manor will grant entry to your greasy soul, if you embrace the common denominator of anthropological affiliation.
So, weary pilgrim, on this treacherous journey of presumed arrival: I urge you to identify that spiritual lobotomy of the majority where ontological convenience jeopardises the rich tapestry of our planet’s pulse.
Collectivism has a cosmological duality which will never be reconciled as long as parliamentary ridicule insults the intelligence of equilibrium.
Whatever happened to democracy? And, why do you simply conform to dictatorial messages which sink their teeth into the very flesh of community existence? We may not be able to alter the direction of the wind, but we can truly adjust our sails.

— The End —