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IN A CHANG’AA DRINKING SPREE

(ONE ACT PLAY)

BY

ALEXANDER   K   OPICHO










CASTE
Advocate; self-styled advocate, his real job is insurance agent
Sampaza-changaa drunkard
Teacher-brother to Sampaza, also a changaa taker
Monica-changaa seller
Austeen-a lad, son to Monica
Watchman-changaa drunkard
Rono-friend to watchman
Njeri-friend to Monica, single mother
Atieno-friend to Monica, single mother
Driver- changaa taker and a smoker
Barasa-changaa taker and electrician
Ndhiwa- changaa taker, brother to barasa
Yator-changaa taker brother to barasa
Mavachi-changaa taker, with a fallen out wife
Mandila-relative to mavachi
Agnesi-wife to teacher
Music
*chang’aa is homemade alcoholic spirit consumed by the peasants in east and central Africa.




ACT ONE
In a slum area of Eldoret town, very many ramshackle muddy walled houses are seen; the setting takes place in the house of Monica the Changaa seller. There is low tone music humming from the DVD, playing Vincent Ongidi’s ‘mother is better than father.’
Music; Bakeni Nebekhale, bukula indika,
           Bukula indika samwana, Udimake kungeni
          Khusoko busia, bukula indika omusumba,
          Bakhwee nebechile, bukula indika
          Udimake khusoko yaya, bukula indika….
Driver; (dancing with a tumbler of chang’aa in his hand) let me dance! This is my best Sunday, let me dance, I am son of a woman. Sing! Sing! Sing! For us Vincent, you son of Ongidi, (pointing at the DVD).
Advocate; the problem you are only dancing with your class a half empty, moreover, you are not following the rhythm , I thought you dance to this song by shaking your shoulders, but instead you are gyrating your waistline.
Driver; (still dancing) let me dance because when I will go to the grave I will not get another chance to dance.
Advocate; (gulps from his tumbler) will you buy me chang’aa of ten shillings?
Driver; let me finish dancing first, I will see what to do about it.
(Enters Sampaza and teacher, as music goes off)
Sampaza; why are you dudes stopping the music on my entering?
Driver; it is not us who have stopped the music; you go and ask Vincent Ongidi why he did not sing a long song.
Sampaza; (sits at the old couch) where is Monica?
Driver; you burn us a cigarette before you ask for Monica, were you not with Monica upto the mid of last night?
Sampaza; why were you spying on me upto the mid of the night?
Advocate; (to Driver) give Sampaza time to introduce his friend to us
Sampaza; (to teacher) sit on this stool, forget about this drunkards.
Teacher; will this stool not break and sent me down like humpty dumpty? (Shakes the stool and sits on it)
Sampaza; It cannot even Monica herself sits on it and she is more huge than you do
Advocate; (to Sampaza) this is your brother?
Sampaza; now listen all off you
All; Sampaza we are listening to you all of us
Sampaza; had I killed our mother, he could not have born, (pointing to teacher).
Driver; if someone had not told me, there is no way I could know that this man is your brother. You are totally different from one another. Look, he is fat, strong, clean, well shaven and groomed brown and is like he took a bathe in the morning before he came here to chang’aa place, but you Sampaza tell us when you last washed your clothes? Even forget of washing your body.
Sampaza; (to driver) if you want to beg chang’aa from teacher just beg without using your desperate tricks of false praises.
Advocate; but me, I could easily know that teacher is a brother to Sampaza by simply comparing the shape of their heads, they look alike.
Teacher; who is serving chang’aa today?  I want to buy some for you guys.
Driver; it is Austeen, let me call him for you (goes at the door shouting) Austeen! Austeen! Aha! This boy is as earless as a female monitor lizard, (comes back) I have called him for you.
Teacher; thanks, let me believe he won’t take time, I am really thirsty.
Advocate; you can mitigate your thirst with this one of mine (gives teacher a tumbler).
Teacher; (sips) it was not a bad stuff (passes the tumbler to Sampaza)
Sampaza; (takes a full swig) uhm! The stuff is really the tears of the lion.
(Enters Austeen)
Austeen; My God, Sampaza is here again! Sampaza, why did you run away with my money last time? You take the beer and run away, even you made my mother to quarrel me yester night.
Driver; (to Austeen) you boy manage your mouths, don’t you see Sampaza is the age of your mother?
Austeen; wait! Sampaza must give me the money, give me the money you Sampaza!
Teacher; let me pay for him, how much was it?
Austeen; imagine Sampaza took off running into the darkness of the night after taking chang’aa of fifty shillings. Imagine a whole tumbler of fifty shillings.
Teacher; that was bad, Sampaza you did something very bad. You know Monica is a single parent and you run away with her money. This chang’aa is like Monica’s husband, so please let us be honest and pay our bills;
Austeen ;( to teacher) are you paying for Sampaza?
Teacher; yes, but before that; pour a tumbler of chang’aa worthy fifty shillings for each of these elders, including Sampaza. I am going to pay that one myself. But serve me with a tumbler of chang’aa that goes for a hundred shillings. May be it can quench my thirst.
Driver; brother you are a man (shakes teacher’s hand).
Austeen; (to Advocate) stand up for some minutes; I want to remove a grenade from your chair.
Advocate; you mean I was just sitting on the tears of the lion?
Austeen; yes (he fishes out a yellow plastic container, feels each tumbler as required).
Sampaza; you boy! What are you doing? Fill my tumbler to the brim, why are you now conning me off my chang’aa?
Austeen; (politely) Sampaza listen, you know my hands always shake when I am holding something. I didn’t want to spill chang’aa by struggling to fill your tumbler to the brim.
Teacher; (sipping, closing his eyes) Austeen now play for us another music.
Driver; yaah! The music, play for us Marashi ya karafu.
Austeen; my mother has not yet bought the DVD for Marashi ya karafu, let me play for you this one (shows him the DVD), it will thrill you to your bone marrow, (inserts the DVD in to the player).
Music ;( playing) ukiwa wa enda nyubani kwangu heee,
                          Umwambie stella mimi  sitakucha,
                         Umwambie stella mimi nimefungwa jela,
                      Anisalie mtoto mama nitaleaaaa!
Driver; ndio hiyo! (Stands up to gyrate his waist swiftly) that is my best song from Tanzania. How I wish I was still in prison on Christmas day of last year.
Sampaza; (sipping at his tumbler) if you want to be in prison go and make love to your goat and call people to help you.
Driver; look at you, with all this women, why should I go for a goat?
Sampaza; (standing up to dance, shaking his shoulders) because you want to be in
Prison.
Austeen; (giggling and shouting) look! Look! Look at Sampaza, he does not know how to dance, he is waving his hands like wings of a chicken.
Sampaza; you dance and I see (daring Austeen)
Austeen ;( dancing) look! Look! Fire! Fire! Fire! (He goes to sit)
All; (laughing loudly and clapping) Austeen! Austeen!
Advocate; this boy Austeen, became old while in his mother’s womb
                     (Enters Monica, Rono and watchman)
Driver; here comes Monica, (provokes Monica for a dance, they both dance).
Advocate; (joins Monica and driver to dance) Monica! Monica! Daughter of Zinjathropus, Waa!
Monica; I am an early woman, yaani! Womanopithecus africanus (dancing).
Driver ;( pushing away advocate), dance away from here, why are you bringing here this evil smelling sweater of yours?
Advocate; I am sorry.
Driver; that is empty jealousy, you only saw Monica’s pelvis touching mine and you jumped here to disrupt my gusto.
                               (Music stops and they all get sited)
Monica; (to Austeen) give watchman and his friend chang’aa of twenty bob, I will pay myself.
Austeen; yes mama (serves watchman and Rono chang’aa)
Rono; Kongoi, I mean thank you Monica, you are such a generous woman? (Takes a full swig).
Monica; Karibu, don’t mind I am always and I will be always an early woman.
Sampaza; (to watchman) when you came in I thought you were the crow.
Watchman; (sipping) who? Me, I was a policeman ten years ago but I was ******.
Driver; (to Sampaza) this man is not a muriakole, he is not a cop. This is a D.D.O.
Advocate; meaning?
Driver; daily drinking officer, hmmm! The DDO.
All; laughing loudly.
Monica; (to advocate) how is your brother and his witchdoctor of a wife?
Advocate; Monica, just keep quiet, my brother is in problems.
Monica; which problems? I told him to marry me and he refused because I did not have book education.  I am now making more money from chang’aa in a day than even he does from his education. Let that man, that brother of yours, chew the full scale of his misfortune. Now tell me which problem has he?
Advocate; today very early in the morning I heard my brother screaming, of course from his house. Out of anxiety I rushed there to find out what was happening. Jesus! What I so…..
Driver; what was it? Just say.
Monica; a man has nothing to fear just say.
Teacher; where is Austeen?
Austeen; I am here
Teacher; serve each of us chang’aa of fifty shillings, start with him (pointing at the advocate) give Monica, your mother a tumbler, that one of a hundred shillings.
Austeen ;( serving as he sings) how long will they ****,
              Our brothers, while we stand watching them,
                Redemption songs, Bob Marley! Sons of ghetto!
Sampaza; Austeen you are always not measuring my chang’aa to the money given, now look, does this grasshoppers spittle qualify to be chang’aa of fifty shillings?
Austeen; Sampaza, I told you my hands are not steady, they always shake whenever I am holding something.
Sampaza; (to Monica) I will bring a medicine man to give some manyasi to this son of yours, so that he stops shaking his hands like an epileptic.
Monica; Sampaza, you drink your chang’aa and to hell with your medicine-man. Let us listen to what happened to the brother of advocate.
Advocate; now, as I was saying I found my brother’s wife had swollen my brothers ***** to its base, the ***** was full deep in her mouth, my brother was screaming but the was dead silent ******* the *****, her teeth tightly gripping it at the same time.
All; laughing loudly
Teacher; Maybe it was oral ***, but not domestic violence
Monica; oral ***!?
Teacher; yes, it is possible
Advocate; but why was he crying?
Monica; because his wife was ******* his *****
Teacher; that is the case
Advocate; if at all it was pleasurable then why was my brother screaming?
Teacher;  maybe he was on ******* ecstasy, the same way a woman can be when you suckle or even ****** her *****.
Monica; but I can’t allow a man to suckle the eye of my breast.
Driver; even me, I can’t suckle my wife
Teacher; why?
Driver; even also, in my culture, one is not allowed to suckle a woman’s ****
Teacher; is that sexuology or culture?
Watchman ;( to driver) yes, answer that! Answer that question from teacher.
Monica; but it is only a foolish woman who can allow a man to suckle her *****, or if she can then she is not serious with that man.
Teacher; (to Monica) then which man do you like? Sampaza?
Monica; Me do love Sampaza?
Teacher; yes, Sampaza
Monica; this Sampaza, is always as miserable as a corpse in the grave without a coffin.
Advocate; you are as miserable as a corpse in the grave without a coffin.
Sampaza; I am not, I know am great
Teacher; yes, and capable to love the early woman like Monica.
Sampaza; (to Austeen) play for us some better music.
Austeen; which one mama? Which music can I play?
Monica; play for them Pamela Nkutha (sings) Nakula ebusi,
                  Nakula ewunwa, lalalaa! Lalalaa! Laaaa!
Austeen; Mama, that one we don’t have. Let me play for them Brenda *****.
Music; (playing) Songea nikubambe, songea nikubusu,
                          Nakupenda, nakubusu ehee monica eheee!
Austeen; Kula Ngoma; he who does not have chic let him embrace a stone (exits)
All; (dancing violently) Monica! Monica waaaaaaa!
Watchman; (dancing) Sampaza can you suckle the ***** of a woman?
Sampaza; ask driver that question.
Driver; I cannot suckle the ***** of my wife.
Teacher; I depend with nature of a woman you are in the bed with.
Watchman; correct , some women has fallen ******* like chapattis, but if a chic has ***** and pointed breast, I  can ****** and suckle her like nothing else in this world. I can even suckle her *******.
Teacher; by the way, ******* are the fountain of pleasure to a woman, when you suckle her she will just moan; Sampaza! Sampaza! Sampazaaaaa!
All; laugh raucously
Monica; these men are drunk.
Driver; no, they are now happy, pick one of them for yourself.
Monica; the man that I can love now must be having a death certificate.
Teacher; what does it mean? Me I thought you need a dark skinned man like Sampaza, you know the dark the skin of a man the greater the ****** pleasure ehee…
                       (Enters Njeri and Atieno)
Njeri; Monica, are you not aware that were are late for Chama? Look you are still *****, you have not even combed you hair.
Monica; Njeri come in why are rioting at the door, look at Atieno she is as miserable as usual.
Njeri; she was flogged by the husband.
Atieno; (to Njeri) you! Watch your mouths, I don’t have a husband.
All; laugh, (Njeri and Atieno sits).
Sampaza; look at this one (pointing to Njeri) can I give you some money so that you do me a favour.
Njeri; which favour?
Sampaza; of this…(Makes a sign of *** with his fist).
Njeri; I don’t sleep with chang’aa drunkards
Atieno; even me
Sampaza; (staggering, and then falling on Njeri’s laps) I want! Truly I want!
Advocate; Sampaza is drunk, let me take him home (pulls Sampaza).
Sampaza; (resisting, avoiding to be pulled out by advocate) leave me alone! You thief! You are an insurance thief! Who told you that you are an advocate? You are not! You want to steal my money. No, all these people are thieves, Monica is a big thief, and they want to steal my brother’s money!  Teacher! Come out of here! This is a den of pickpockets! They will still your wallet, come we go! Thieves! Thieves!
                        (Advocate pulls Sampaza out, as they both exit)
Driver; Sampaza does not have manners.
Njeri; Imagine he fell on my laps, what if my husband found him?
Monica; He would have now divorced you for eating rats.
Njeri; When I have not eaten any rat, it was only a drunkard supporting himself on my legs.
Atieno; he has spoken a lot of words.
Driver; and all the words were total lies.
Monica; no, whatever is in the inner heart of a sober man is always on the tongue of the drunkard man.
Teacher; to mean what? Anyway, forget about Sampaza.
Watchman; by the way
Rono; I am also off my senses, I am seeing each of you having seven heads, and the heads are a
A PLAY


BY



ALEXANDER   K   OPICHO









THE CASTE
1. Chenje – Old man, father of Namugugu
2. Namugugu – Son of Chenje
3. Nanyuli – daughter of Lusaaka
4. Lusaaka – Old man, father of Nanyuli
5. Kulecho – wife of Lusaaka
6. Kuloba – wife of Chenje
7. Paulina – Old woman, neighbour to Chenje.
8. Child I, II and III – Nanyuli’s children
9. Policeman I, II and III
10. Mourners
11. Wangwe – a widowed village pastor

















ACTING HISTORY
This play was acted two times, on 25th and 26th December 2004 at Bokoli Roman Catholic Church, in Bokoli sub- location of Bungoma County in the western province of Kenya. The persons who acted and their respective roles are as below;

Wenani Kilong –stage director
Alexander k Opicho – Namugugu
Judith Sipapali Mutivoko- Nanyuli
Saul Sampaza Mazika Khayongo- Wangwe
Paul Lenin Maondo- Lusaaka
Peter Wajilontelela-  Chenje
Agnes Injila -  Kulecho
Beverline Kilobi- Paulina
Milka Molola Kitayi- Kuloba
Then mourners, children and police men changed roles often. This play was successfully stage performed and stunned the community audience to the helm.













PLOT
Language use in this play is not based on Standard English grammar, but is flexed to mirror social behaviour and actual life as well as assumptions of the people of Bokoli village in Bungoma district now Bungoma County in Western province of Kenya.

























ACT ONE
Scene One

This scene is set in Bokoli village of Western Kenya. In Chenje’s peasant hut, the mood is sombre. Chenje is busy thrashing lice from his old long trouser Kuloba, sitting on a short stool looking on.

Chenje: (thrashing a louse) these things are stubborn! The lice. You **** all of them today, and then tomorrow they are all-over. I hate them.
Kuloba: (sending out a cloud of smoke through her tobacco laden pipe). Nowadays I am tired. I have left them to do to me whatever they want (coughs) I killed them they were all over in my skirt.
Chenje: (looking straight at Kuloba) Do you know that they are significant?
Kuloba: What do they signify?
Chenje: Death
Kuloba: Now, who will die in this home? I have only one son. Let them stop their menace.
Chenje: I remember in 1968, two months that preceded my father’s death, they were all over. The lice were in every of my piece of clothes. Even the hat, handkerchief. I tell you what not!
Kuloba: (nodding), Yaa! I remember it very well my mzee, I had been married for about two years by then.
Chenje: Was it two years?
Kuloba: (assuringly) yes, (spots a cockroach on the floor goes at it and crushes it with her finger, then coughs with heavy sound) we had stayed together in a marriage for two years. That was when people had began back-biting me that I was barren. We did not have a child. We even also had the jiggers. I can still remember.
Chenje: Exactly (crashes a louse with his finger) we also had jiggers on our feet.
Kuloba: The jiggers are very troublesome. Even more than the lice and weevils.  
Chenje: But, the lice and jiggers, whenever they infest one’s home, they usually signify impending death of a family member.
Kuloba: Let them fail in Christ’s name. Because no one is ripe for death in this home. I have lost my five children. I only have one child. My son Namugugu – death let it fail. My son has to grow and have a family also like children of other people in this village. Let whoever that is practicing evil machinations against my family, my only child fail.
Chenje: (putting on the long-trouser from which he had been crushing lice) let others remain; I will **** them another time.
Kuloba: You will never finish them (giggles)
Chenje: You have reminded me, where is Namugugu today? I have not seen him.
Kuloba: He was here some while ago.
Chenje: (spitting out through an open window) He has become of an age. He is supposed to get married so that he can bear grand children for me. Had I the grand children they could even assist me to **** lice from my clothes. (Enters Namugugu) Come in boy, I want to talk to you.
Kuloba: (jokingly) you better give someone food, or anything to fill the stomach before you engages him in a talk.
Namugugu: (looks, at both Chenje and Kuloba, searchingly then goes for a chair next to him)
Mama! I am very hungry if you talk of feeding me, I really get thrilled (sits at a fold-chair, it breaks sending him down in a sprawl).
Kuloba: (exclaims) wooo! Sorry my son. This chair wants to **** (helps him up)
Namugugu: (waving his bleeding hand as he gets up) it has injured my hand. Too bad!
Chenje: (looking on) Sorry! Dress your finger with a piece of old clothes, to stop that blood oozing out.
Namugugu: (writhing in pain) No it was not a deep cut. It will soon stop bleeding even without a piece of rag.
Kuloba: (to Namugugu) let it be so. (Stands) let me go to my sweet potato field. There are some vivies, I have not harvested, I can get there some roots for our lunch (exits)
Chenje: (to Namugugu) my son even if you have injured your finger, but that will not prevent me from telling you what I am supposed to.
Namugugu: (with attention) yes.
Chenje: (pointing) sit to this other chair, it is safer than that one of yours.
Namugugu: (changing the chair) Thank you.
Chenje: You are now a big person. You are no longer an infant. I want you to come up with your own home. Look for a girl to marry. Don’t wait to grow more than here. The two years you have been in Nairobi, were really wasted. You could have been married, may you would now be having my two grand sons as per today.
Namugugu: Father I don’t refuse. But how can I marry and start up a family in a situation of extreme poverty? Do you want me to start a family with even nothing to eat?
Chenje: My son, you will be safer when you are a married beggar than a wife- less rich-man. No one is more exposed as a man without a wife.
Namugugu: (looking down) father it is true but not realistic.
Chenje: How?
Namugugu: All women tend to flock after a rich man.
Chenje: (laughs) my son, may be you don’t know. Let me tell you. One time you will remember, maybe I will be already dead by then. Look here, all riches flock after married men, all powers of darkness flock after married men and even all poverty flock after married. So, it is just a matter of living your life.
(Curtains)
SCENE TWO

Around Chenje’s hut, Kuloba and Namugugu are inside the hut; Chenje is out under the eaves. He is dropping at them.
Namugugu: Mama! Papa wants to drive wind of sadness permanently into my sail of life. He is always pressurizing me to get married at such a time when I totally have nothing. No food, no house no everything. Mama let me actually ask you; is it possible to get married in such a situation?
Kuloba: (Looking out if there is any one, but did not spot the eaves-dropping Chenje).
Forget. Marriage is not a Whiff of aroma. My son, try marriage in poverty and you will see.
Namugugu: (Emotionally) Now, if Papa knows that I will not have a happy married life, in such a situation, where I don’t have anything to support myself; then why is he singing for my marriage?
Kuloba: (gesticulating) He wants to mess you up the way he messed me up. He married me into his poverty. I have wasted away a whole of my life in his poverty. I regret. You! (Pointing) my son, never make a mistake of neither repeating nor replicating poverty of this home into your future through blind marriage.
Namugugu: (Approvingly) yes Mama, I get you.

Kuloba: (Assertively) moreover, you are the only offspring of my womb             (touching her stomach) I have never eaten anything from you. You have never bought me anything even a headscarf alone. Now, if you start with a wife will I ever benefit anything from you?
Namugugu: (looking agog) indeed Mama.
Kuloba: (commandingly) don’t marry! Women are very many. You can marry at any age, any time or even any place. But it is very good to remember child-price paid by your mother in bringing you up. As a man my son, you have to put it before all other things in your life.
Namugugu: (in an affirmative feat) yes Mama.
Kuloba: It is not easy to bring up a child up to an age when in poverty. As a mother you really suffer. I’ve suffered indeed to bring you up. Your father has never been able to put food on the table. It has been my burden through out. So my son, pleased before you go for women remember that!
Namugugu: Yes Mama, I will.
(Enters Chenje)
Chenje: (to Kuloba) you old wizard headed woman! Why do you want to put    my home to a full stop?
Kuloba: (shy) why? You mean you were not away? (Goes out behaving shyly)

Chenje: (in anger to Namugugu) you must become a man! Why do you give your ears to such toxic conversations? Your mother is wrong. Whatever she has told you today is pure lies. It is her laziness that made her poor. She is very wrong to festoon me in any blame…. I want you to think excellently as a man now. Avoid her tricky influence and get married. I have told you finally and I will never repeat telling you again.

Namugugu: (in a feat of shyness) But Papa, you are just exploding for no good reason, Mama has told me nothing bad……………………
Chenje: (Awfully) shut up! You old ox. Remove your ears from poisonous mouths of old women!
(Enters Nanyuli with an old green paper bag in her hand. Its contents were bulging).
Nanyuli: (knocking) Hodii! Hodii!
Chenje: (calmly) come in my daughter! Come in.
Nanyuli: (entering) thank you.
Chenje: (to Namugugu) give the chair to our visitor.
Namugugu: (shyly, paving Nanyuli to sit) Karibu, have a sit please.
Nanyuli: (swinging girlishly) I will not sit me I am in a hurry.
Chenje: (to Nanyuli) just sit for a little moment my daughter. Kindly sit.
Nanyuli: (sitting, putting a paper-bag on her laps) where is the grandmother who is usually in this house?
Chenje: Who?
Nanyuli: Kuloba, the old grandmother.
Namugugu: She has just briefly gone out.
Chenje: (to Nanyuli) she has gone to the potato field and Cassava field to look for some roots for our lunch.
Nanyuli: Hmm. She will get.
Chenje: Yes, it is also our prayer. Because we’re very hungry.
Nanyuli: I am sure she will get.
Chenje: (to Nanyuli) excuse me my daughter; tell me who your father is?
Nanyuli: (shyly) you mean you don’t know me? And me I know you.
Chenje: Yes I don’t know you. Also my eyes have grown old, unless you remind
me, I may not easily know you.
Nanyuli: I am Lusaaka’s daughter
Chenje: Eh! Which Lusaka? The one with a brown wife? I don’t know… her name is Kulecho?
Nanyuli: Yes
Chenje: That brown old-mother is your mother?
Nanyuli: Yes, she is my mother. I am her first – born.
Chenje: Ooh! This is good (goes forward to greet her) shake my fore-limb my
daughter.

Nanyuli: (shaking Chenje’s hand) Thank you.
Chenje: I don’t know if your father has ever told you. I was circumcised the same year with your grand-gather. In fact we were cut by the same knife. I mean we shared the same circumciser.
Nanyuli: No, he has not yet. You know he is always at school. He never stays at home.
Chenje: That is true. I know him, he teaches at our mission primary school at Bokoli market.
Nanyuli: Yes.
Chenje: What is your name my daughter?
Nanyuli: My name is Loisy Nanyuli Lusaaka.
Chenje: Very good. They are pretty names. Loisy is a Catholic baptismal name, Nanyuli is our Bukusu tribal name meaning wife of an iron-smith and Lusaaka is your father’s name.
Nanyuli: (laughs) But I am not a Catholic. We used to go to Catholic Church upto last year December. But we are now born again, saved children of God. Fellowshipping with the Church of Holy Mountain of Jesus christ. It is at Bokoli market.
Chenje: Good, my daughter, in fact when I will happen to meet with your father, or even your mother the brown lady, I will comment them for having brought you up under the arm of God.
Nanyuli: Thank you; or even you can as well come to our home one day.
Chenje: (laughs) actually, I will come.
Nanyuli: Now, I want to go
Chenje: But you have not stayed for long. Let us talk a little more my daughter.
Nanyuli: No, I will not. I had just brought some tea leaves for Kuloba the old grandmother.
Chenje: Ooh! Who gave you the tea leaves?
Nanyuli: I do hawk tea leaves door to door. I met her last time and she requested me to bring her some. So I want to give them to you (pointing at Namugugu) so that you can give them to her when she comes.
Namugugu: No problem. I will.
Nanyuli: (takes out a tumbler from the paper bag, fills the tumbler twice, pours the tea leaves  into an old piece of  newspaper, folds and gives  it to Namugugu) you will give them to grandmother, Kuloba.
Namugugu: (taking) thank you.
Chenje: My daughter, how much is a tumbler full of tea leaves, I mean when it is full?
Nanyuli: Ten shillings of Kenya
Chenje: My daughter, your price is good. Not like others.
Nanyuli: Thank you.
Namugugu: (To Nanyuli) What about money, she gave you already?
Nanyuli: No, but tell her that any day I may come for it.
Namugugu: Ok, I will not forget to tell her
Nanyuli: I am thankful. Let me go, we shall meet another day.
Chenje: Yes my daughter, pass my regards to your father.
Nanyuli: Yes I will (goes out)
Chenje: (Biting his finger) I wish I was a boy. Such a good woman would never slip through my fingers.
Chenje: But father she is already a tea leaves vendor!
(CURTAINS)


SCENE THREE
Nanyuli and Kulecho in a common room Nanyuli and Kulecho are standing at the table, Nanyuli is often suspecting a blow from Kulecho, counting coins from sale of tea leaves; Lusaaka is sited at couch taking a coffee from a ceramic red kettle.


Kulecho: (to Nanyuli) these monies are not balancing with your stock. It is like you have sold more tea leaves but you have less money. This is only seventy five shillings. When it is supposed to be one hundred and fifty. Because you sold fifteen tumblers you are only left with five tumblers.
Nanyuli: (Fidgeting) this is the whole money I have, everything I collected from sales is here.
Kulecho: (heatedly) be serious, you stupid woman! How can you sell everything and am not seeing any money?
Nanyuli: Mama, this is the whole money I have, I have not taken your money anywhere.
Kulecho: You have not taken the money anywhere! Then where is it? Do you know that I am going to slap you!
Nanyuli: (shaking) forgive me Mama
Kulecho: Then speak the truth before you are forgiven. Where is the money you collected from tea leaves sales?
Nanyuli: (in a feat of shyness) some I bought a short trouser for my child.
Kulecho: (very violent) after whose permission? You old cow, after whose permission (slaps Nanyuli with her whole mighty) Talk out!
Nanyuli: (Sobbingly) forgive me mother, I thought you would understand. That is why I bought a trouser for my son with your money!
Lusaaka: (shouting a cup of coffee in his hand, standing charged) teach her a lesson, slap her again!
Kulecho (slaps, Nanyuli continuously, some times ******* her cheeks, as Nanyuli wails) Give me my money! Give me my money! Give me my money! Give me my money! You lousy, irresponsible Con-woman (clicks)
Lusaaka: Are you tired, kick the *** out of that woman (inveighs a slap towards Nanyuli) I can slap you!
Nanyuli: (kneeling, bowedly, carrying up her hands) forgive me father, I will never repeat that mistake again (sobs)
Lusaaka: An in-corrigible, ****!
Kulecho: (to Nanyuli) You! Useless heap of human flesh. I very much regret to have sired a sell-out of your type. It is very painful for you to be a first offspring of my womb.
I curse my womb because of you. You have ever betrayed me. I took you to school you were never thankful, instead you became pregnant. You were fertilized in the bush by peasant boys.
You have given birth to three childlings, from three different fathers! You do it in my home. What a shame! Your father is a teacher, how have you made him a laughing stock among his colleagues, teachers? I have become sympathetic to you by putting you into business. I have given you tea leaves to sell. A very noble occupation for a wretch like you. You only go out sell tea leaves and put the money in your wolfish stomach. Nanyuli! Why do you always act like this?
Nanyuli: (sobbing) Forgive me mother. Some tea leaves I sold on credit. I will come with the money today?
Kulecho: You sold on credit?
Nanyuli: Yes
Kul
this is a manuscript of a play, please guys help me get any publisher who can do publishing of this play
i  will appreciate. thanks
Wonder were in the days of King David,
He wondered a man with a maiden,
A ship in the fleet,
And the eagle in the sky,
But another wonder persists,
Beyond king David to my time,
This is a man on libido,
With ***** ***** at joint thighs,
What’s wrong with a man?
When his ***** is *****,
Whether an engineer or a duffer,
A genius or a stooge,
When ***** is is at noon
Where are the brains?
Why always the brawn,

When you ***** that short ****,
Walking out of your normal way,
Disappearing into the back street,
To some nondescript corridors,
Your hunger for misfortune gets saluted,
By the street patrons in weird corridors,
A gifted *******, brown in complexion,
Her back glorified with man-made buttocks,
Erasing from your eyes her age,
Your mothers age minus white hair,
Then you slavishly bargain not to win,
Now a dizzied creature of fetish of ***,
Your ***** wildly ***** like pagoda apex
No, herself very calm on melancholy of ***,
Shrewdly she accepts to give you a wonderful ****,
At a minuscule fee to your senses; two hundred shillings

You coffle up to the ****** tether,
In senseless dance to the turbulent tune
A tintinnabulation in your ears
Impeachable tyranny of the *****,
You go into a room with her,
A workshop of ******* and *******,
You can call it a brothel,
But I and Marx we call it bagno,
God prevails and she throws a ****** at you
Pulling away her leopard stripped *******,
Letting you see eagle tattoo of on white thighs,
Confused electricity drips in your head,
Then you become a beggar of the year,
Effusively begging for live *** with
Without ****** use lest you zest not,
Lest you don’t harvest maximally,
With your dinosaur’s testicles,
She cunningly accepts your request,
In her full knowledge of your kamikaze,
Villains commit when dying for no course,
She gives it an OK, but at a small fee
You go on to pay as if possessed,
By the devil of paying for nonsense,
And then you **** her ******* live,
Before gracing your joy with live ****,
She feels nothing in entire of her body,
For her vaginal purse is spacious,
Like the side pockets of your trouser,
You achieve early ****** to *******,
She moans lightly like a teased Carmel,
She pushes you away with a sober vim,
You collapse aside in   a dull thud
Like a dead bird from ruffian roof,
Your ***** now flappy
Not reflecting a shuttle in crypt,
In volcanacity of the past minute,
Then you look at her with bent eyes,
You see her sporadic white hairs,
On forehead and between her thighs,
She is looking stupid but not foolish,
She breaks into fits of wild coughing,
Accidentally dropping *** palliative drugs,
The horrendous ARV’s
You now hang around there agape
Niggardly chewing full size of misfortune,
In your voracious mandibles,
If from the public way you turn your steps
Up the tumultuous brook of Green-head Ghyll,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral mountains front you, face to face.
But, courage! for around that boisterous brook
The mountains have all opened out themselves,
And made a hidden valley of their own.
No habitation can be seen; but they
Who journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude;
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
Appears a straggling heap of unhewn stones!
And to that simple object appertains
A story—unenriched with strange events,
Yet not unfit, I deem, for the fireside,
Or for the summer shade. It was the first
Of those domestic tales that spake to me
Of Shepherds, dwellers in the valleys, men
Whom I already loved;—not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.
And hence this Tale, while I was yet a Boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects, led me on to feel
For passions that were not my own, and think
(At random and imperfectly indeed)
On man, the heart of man, and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts;
And, with yet fonder feeling, for the sake
Of youthful Poets, who among these hills
Will be my second self when I am gone.

     Upon the forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name;
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen,
Intense, and frugal, apt for all affairs,
And in his shepherd’s calling he was prompt
And watchful more than ordinary men.
Hence had he learned the meaning of all winds,
Of blasts of every tone; and oftentimes,
When others heeded not, he heard the South
Make subterraneous music, like the noise
Of bagpipers on distant Highland hills.
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say,
“The winds are now devising work for me!”
And, truly, at all times, the storm, that drives
The traveller to a shelter, summoned him
Up to the mountains: he had been alone
Amid the heart of many thousand mists,
That came to him, and left him, on the heights.
So lived he till his eightieth year was past.
And grossly that man errs, who should suppose
That the green valleys, and the streams and rocks,
Were things indifferent to the Shepherd’s thoughts.
Fields, where with cheerful spirits he had breathed
The common air; hills, which with vigorous step
He had so often climbed; which had impressed
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which, like a book, preserved the memory
Of the dumb animals, whom he had saved,
Had fed or sheltered, linking to such acts
The certainty of honourable gain;
Those fields, those hills—what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself .

     His days had not been passed in singleness.
His Helpmate was a comely matron, old—
Though younger than himself full twenty years.
She was a woman of a stirring life,
Whose heart was in her house: two wheels she had
Of antique form; this large, for spinning wool;
That small, for flax; and, if one wheel had rest,
It was because the other was at work.
The Pair had but one inmate in their house,
An only Child, who had been born to them
When Michael, telling o’er his years, began
To deem that he was old,—in shepherd’s phrase,
With one foot in the grave. This only Son,
With two brave sheep-dogs tried in many a storm,
The one of an inestimable worth,
Made all their household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease; unless when all
Turned to the cleanly supper-board, and there,
Each with a mess of pottage and skimmed milk,
Sat round the basket piled with oaten cakes,
And their plain home-made cheese. Yet when the meal
Was ended, Luke (for so the Son was named)
And his old Father both betook themselves
To such convenient work as might employ
Their hands by the fireside; perhaps to card
Wool for the Housewife’s spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

     Down from the ceiling, by the chimney’s edge,
That in our ancient uncouth country style
With huge and black projection overbrowed
Large space beneath, as duly as the light
Of day grew dim the Housewife hung a lamp,
An aged utensil, which had performed
Service beyond all others of its kind.
Early at evening did it burn—and late,
Surviving comrade of uncounted hours,
Which, going by from year to year, had found,
And left the couple neither gay perhaps
Nor cheerful, yet with objects and with hopes,
Living a life of eager industry.
And now, when Luke had reached his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while far into the night
The Housewife plied her own peculiar work,
Making the cottage through the silent hours
Murmur as with the sound of summer flies.
This light was famous in its neighbourhood,
And was a public symbol of the life
That thrifty Pair had lived. For, as it chanced,
Their cottage on a plot of rising ground
Stood single, with large prospect, north and south,
High into Easedale, up to Dunmail-Raise,
And westward to the village near the lake;
And from this constant light, so regular
And so far seen, the House itself, by all
Who dwelt within the limits of the vale,
Both old and young, was named The Evening Star.

     Thus living on through such a length of years,
The Shepherd, if he loved himself, must needs
Have loved his Helpmate; but to Michael’s heart
This son of his old age was yet more dear—
Less from instinctive tenderness, the same
Fond spirit that blindly works in the blood of all—
Than that a child, more than all other gifts
That earth can offer to declining man,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.
Exceeding was the love he bare to him,
His heart and his heart’s joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For pastime and delight, as is the use
Of fathers, but with patient mind enforced
To acts of tenderness; and he had rocked
His cradle, as with a woman’s gentle hand.

     And, in a later time, ere yet the Boy
Had put on boy’s attire, did Michael love,
Albeit of a stern unbending mind,
To have the Young-one in his sight, when he
Wrought in the field, or on his shepherd’s stool
Sate with a fettered sheep before him stretched
Under the large old oak, that near his door
Stood single, and, from matchless depth of shade,
Chosen for the Shearer’s covert from the sun,
Thence in our rustic dialect was called
The Clipping Tree, a name which yet it bears.
There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestowed
Upon the Child, if he disturbed the sheep
By catching at their legs, or with his shouts
Scared them, while they lay still beneath the shears.

     And when by Heaven’s good grace the boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old;
Then Michael from a winter coppice cut
With his own hand a sapling, which he hooped
With iron, making it throughout in all
Due requisites a perfect shepherd’s staff,
And gave it to the Boy; wherewith equipt
He as a watchman oftentimes was placed
At gate or gap, to stem or turn the flock;
And, to his office prematurely called,
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise;
Though nought was left undone which staff, or voice,
Or looks, or threatening gestures, could perform.

     But soon as Luke, full ten years old, could stand
Against the mountain blasts; and to the heights,
Not fearing toil, nor length of weary ways,
He with his Father daily went, and they
Were as companions, why should I relate
That objects which the Shepherd loved before
Were dearer now? that from the Boy there came
Feelings and emanations—things which were
Light to the sun and music to the wind;
And that the old Man’s heart seemed born again?

     Thus in his Father’s sight the Boy grew up:
And now, when he had reached his eighteenth year,
He was his comfort and his daily hope.

     While in this sort the simple household lived
From day to day, to Michael’s ear there came
Distressful tidings. Long before the time
Of which I speak, the Shepherd had been bound
In surety for his brother’s son, a man
Of an industrious life, and ample means;
But unforeseen misfortunes suddenly
Had prest upon him; and old Michael now
Was summoned to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This unlooked-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.
As soon as he had armed himself with strength
To look his trouble in the face, it seemed
The Shepherd’s sole resource to sell at once
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart failed him. “Isabel,” said he,
Two evenings after he had heard the news,
“I have been toiling more than seventy years,
And in the open sunshine of God’s love
Have we all lived; yet, if these fields of ours
Should pass into a stranger’s hand, I think
That I could not lie quiet in my grave.
Our lot is a hard lot; the sun himself
Has scarcely been more diligent than I;
And I have lived to be a fool at last
To my own family. An evil man
That was, and made an evil choice, if he
Were false to us; and, if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him;—but
’Twere better to be dumb than to talk thus.

     “When I began, my purpose was to speak
Of remedies and of a cheerful hope.
Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free;
He shall possess it, free as is the wind
That passes over it. We have, thou know’st,
Another kinsman—he will be our friend
In this distress. He is a prosperous man,
Thriving in trade and Luke to him shall go,
And with his kinsman’s help and his own thrift
He quickly will repair this loss, and then
He may return to us. If here he stay,
What can be done? Where every one is poor,
What can be gained?”

                                          At this the old Man paused,
And Isabel sat silent, for her mind
Was busy, looking back into past times.
There’s Richard Bateman, thought she to herself,
He was a parish-boy—at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the neighbours bought
A basket, which they filled with pedlar’s wares;
And, with this basket on his arm, the lad
Went up to London, found a master there,
Who, out of many, chose the trusty boy
To go and overlook his merchandise
Beyond the seas; where he grew wondrous rich,
And left estates and monies to the poor,
And, at his birth-place, built a chapel floored
With marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Passed quickly through the mind of Isabel,
And her face brightened. The old Man was glad,
And thus resumed:—”Well, Isabel! this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
—We have enough—I wish indeed that I
Were younger;—but this hope is a good hope.
Make ready Luke’s best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
—If he could go, the boy should go to-night.”

     Here Michael ceased, and to the fields went forth
With a light heart. The Housewife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare.
Things needful for the journey of her Son.
But Isabel was glad when Sunday came
To stop her in her work: for, when she lay
By Michael’s side, she through the last two nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, “Thou must not go:
We have no other Child but thee to lose,
None to remember—do not go away,
For if thou leave thy Father he will die.”
The Youth made answer with a jocund voice;
And Isabel, when she had told her fears,
Recovered heart. That evening her best fare
Did she bring forth, and all together sat
Like happy people round a Christmas fire.

     With daylight Isabel resumed her work;
And all the ensuing week the house appeared
As cheerful as a grove in Spring: at length
The expected letter from their kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy;
To which requests were added, that forthwith
He might be sent to him. Ten times or more
The letter was read over, Isabel
Went forth to show it to the neighbours round;
Nor was there at that time on English land
A prouder heart than Luke’s. When Isabel
Had to her house returned, the old man said,
“He shall depart to-morrow.” To this word
The Housewife answered, talking much of things
Which, if at such short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

     Near the tumultuous brook of Green-head Ghyll,
In that deep valley, Michael had designed
To build a Sheep-fold; and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which by the streamlet’s edge
Lay thrown together, ready for the work.
With Luke that evening thitherward he walked:
And soon as they had reached the place he stopped,
And thus the old Man spake to him:—”My Son,
To-morrow thou wilt leave me: with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; ’twill do thee good
When thou art from me, even if I should touch
On things thou canst not know of.—After thou
First cam’st into the world—as oft befalls
To new-born infants—thou didst sleep away
Two days, and blessings from thy Father’s tongue
Then fell upon thee. Day by day passed on,
And still I loved thee with increasing love.
Never to living ear came sweeter sounds
Than when I heard thee by our own fireside
First uttering, without words, a natural tune;
While thou, a feeding babe, didst in thy joy
Sing at thy Mother’s breast. Month followed month,
And in the open fields my life was passed,
And on the mountains; else I think that thou
Hadst been brought up upon thy Father’s knees.
But we were playmates, Luke: among these hills,
As well thou knowest, in us the old and young
Have played together, nor with me didst thou
Lack any pleasure which a boy can know.”
Luke had a manly heart; but at these words
He sobbed aloud. The old Man grasped his hand,
And said, “Nay, do not take it so—I see
That these are things of which I need not speak.
—Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Received at others’ hands; for, though now old
Beyond the common life of man, I still
Remember them who loved me in my youth.
Both of them sleep together: h
Tommy Johnson Dec 2013
Lectures by the river side
My my, my poor unfocused mind
Lost in the summer sun
Why, why do you run

Falling falling
Dynamic falling but into what and where

Too big to small
It’s locked
Flood the door

Weather the storm
3 seagulls
And ones extinct
Yelping from the ocean floor

Nautical and aviated creatures
Spinning, singing
Joining the jig
Go by the prophecy

Getting drowned
Getting dry
The rodent
Is out of time
The twins

honking paradox
stories missing their plots
lungs give out
as you give in

how do you do
that’s manners
pudding, pudding
who’s got the pudding?

tales of greed and trade
tales of gluttony and shame
fabrications of a hard days work
cabbages and kings

take a walk
we’ll share a talk
follow follow
into the dark

a loaf of bread
to bide his time
while I devour
you are mine
weep for you
oh I could sing
broken promises
of cabbages and kings

oh Mary Ann
she isn’t home
but she would be
but she can't

the gloves are lost
as she grows large
cant believe shes back again

the lizard
slithers down the chimney
shrieks in fear of her size

smoke the monster out
toast the *******
spark the fuse
so misunderstood

back to small
it still comes
the flower bed
over run

roses daises daffodils
an astonishing scheme of bright colors

tulips joining the 4 part harmony
in the golden afternoon
music to my ears
growing dying seconds and years

morning glories and butterflies
taking up my time
but I don’t mind
ill sit and smile

no pedals
no stem
no seeds
I’m a common ****

sit and relax
vowels and syntax
Smokey interrogation
caterpillars transformation

I see what grace meant
Looking back on it again

I’m three inches high
Now goodbye

One bight can only take you so far
The consumption
Of a mushroom
And its spores

Now that’s right
But what is left
No where to go
But some where to get…to

Striped and smiling feline
Seems like he’s hiding something
Knows something
I don’t

Points me in all directions
For no way is bad
But every which way
Is surely mad

364 days that aren’t mine
But I"ll cherish them like they are
But why
Because I can

A loon, a hare and a rat
Teapots and party hats

Blowing the candles out
Making your wish come true
Feed your head it’s the thing to do

I never got to sip my tea
What a pity
Speak in riddles
Tease in rhymes

A few tears here
A realization there
Do I ignore
Or continue to care
The roses are faux
So that she wont know
Oh the color red
Spilled blood of the dead

A place where they hail a crown
A place where heads roll around
A nonsensical monarchy
In a vast world of anarchy

Of with my head
Put me on trial
So ill be dead
In awhile, good

Wake up
Wake up
Nothing but a dream
Yes yes but what could it mean

Day dream of silliness
A place where somethings amiss
I dare not go back again
Gaze through the looking glass
To see the wonderland
martin Dec 2017
When it comes to matters financial
we all need an ounce of sense
They say a fool is very soon stripped
of his pounds shillings and pence

And if we borrow we have to be sure
we can pay back what has been lent
or else we get in a muddle
with our pounds shillings and pence

Diddlers thieves and con men
can cause us immense expense
so don't let them get their ***** hands
on your pounds shillings and pence

We come into the world with nothing
with nothing away we are sent
but in between it's handy to have
some pounds shillings and pence
Martin Narrod Feb 2014
The Checkout Line

I wish to speak with you
ten years from now, you'll be ten years behind.

The words and meanings you carry in your pants, the pick-pocket steals your hopes from time.
and the visions of empty trash receptacles
with their late evening drunken lovers' bouts, at restless end tables. And the bums with their ******* attitudes **** covered clothes, and soiled minds

the clarity of the curbside drunk, picking up shades of filtered cigarettes of twilight scandalous
pickup lovers in their evening best.

And to talk with you ten years from now, you'll be ten years behind.

They're Green Beret head ornaments
detailing the porcelain platforms of Delft
Lining up for one last line to carry them into another faded sunrise at dawn's forgotten memory of yester night
and they walk their gallows holding pride fully their flags of exalted countrymen.

The republic of teacups of literary proficiency.
Wearing the necklaces of paid tolls to an afterlife they find in the miniscule car crashes of engagement with a grinless driving mate in a neighboring car in its pass into the forethought of turned corners.
Where they befell the great disappointment of failure in the frosted eyes of their fathers' expectations.

Who carried the shame of their mother's incessant discontent through short skirts, and high heels.

Who disapproved of the **** whom wore the sneak-out-of-the-house-wear clothing line, and traveled by night over turbulent asphalt by way of sidecar through turn and turnabout hand-over-hand contracts of lover's affection, and slept in tall grasses of wet nightfall with views of San Francisco, and were trapped in the inescapable Alcatraz and Statesville of unconsenting parents and their curfews,

through trials and trails of Skittles leading to after school Doctor visits in the basement of a doting mother, whilst she sits quietly in her exclusive quilting parties with noble equities of partners in knowledge, listening to Edith Piaf and the like,

All the while condemned to time, trapped in the second hand, hand me downs of the 21st century, decades of decadent introverts with their table top unread notebooks, and old forgotten score cards, and the numbers of scholars of years past,

and to talk with you ten years from now will be my greatest pleasure, for you will be....ten year's behind.


They push the sterile elevator buttons, and descend upon the floor of scents flourishing from their crowded family rooms, only aware of distinctive flavors, in their middle eastern shades of desert gumbo,

Who speak ribbit and alfalfa until midnight of the afternoon, sharing fables of slaughtered giraffes and camels that walked from Kiev to Baghdad in a fortnight,

Who are aware the power is out, but continue to scour for candles in a dark room where candles once burned, where candle wax seals the drawers of where candles can be found. Where once sat gluttonous kings and queens in Sunday attire waiting for words of freedom from the North.

of Florence, Sochi,Shanghai
of Dempster, Foster, Lincoln
of Dodge, Ford, Shelby

Of concrete fortune tellers in 2nd story tenement blocks with hairy legs, and head lice, wearing beautiful sachets of India speaking ribbit and alfalfa.

On their unbirthdays they walk the fish tanks wearing their birthday suits to remind them who serves the food on the floors of the family room fish mongers tactics.

The old men wear gargoyles on their shoulders.

Lo! Fear has crept the glass marbles of their wisdom and fortune, blearing rocket ships and kazoos on the sidewalks of their Portuguese forefathers.

Where ancestry burns cigarette holes in the short-haired blue carpet, where Hoover breaks flood waters of insignificance across hard headed Evangelical trinities.

Who share construction techniques one early morning at four, where questions of Hammer and **** build intelligence in secondary faces of nameless twilight lovers, who possess bear blankets, and upheavals, finely wired bushes of ***** maturity. Eating *** and check, tongue and pen.

Where police caress emergency flame retardants over the fire between their legs, wielding the chauvinistic blade of comfort in the backseat of a Yellow faced driving patron.

With their innocent daughters with their nubile thighs, and malleable personalities, which require elite words and jewelry. Wearing wheat buns, Longfellow, and squire.

Holding postmarked cellular structure within their mobile anguish.

Who go curling in their showers, pushing afternoon naps and pretentious frou-frou hats over tainted friendships with their girlfriend's brothers with minimum paychecks'.

Through their narcissus and narcosis, their mirrored perceptions of medicinal scripture of Methamphetamine and elegant five-star meat.

Who amend their words with constitutional forgiveness, in their fascist cloth rampages through groves of learning strategies. And the closets, cupboards, and coins
with rubber hearts, steel *****, and gold *****,

Tall-tales of sock puppet hands with friendly sharing ******* techniques, dry with envy, colorful scabs, and coagulation of eccentric ****** endeavors, With their social lubricants and their tile feet wardrobes with B-quality Adidas and Reeboks gods of the souls of us. Who possess piceous syndromes of Ouiji boards in their parent’s basements.

When will fire burn another Bush? Spread the fire walls of Chicago, and part grocery store fields of food. Wrapping towels under the doors of smoke filled lungs, on the fingernails of a sleepover between business executives with the neoprene finish of their sons and daughters who attend finishing school, with resumes of oak furnishings,

And I long to talk with you ten years from now,
For you'll be talking ten years behind.

Who profligate their padded inventories breaking Mohammed and Hearst,
laying the pillows of cirrus minor
waiting for the rain to paint the eyes of the scriptures which waft through concrete corridors,
and scent the air with their exalted personas,

With the different channels of confusions, watching dimple past freckle, eating the palms of our tropical mental vocations to achieve purity from the indignation of those whom are contemptuous for lack of innocence in America,
this America, of lack of peace,
of America hold me,
Let me be.

Whom read the letters off music, blearing Sinatra and Krall, Manson where is your contempt?

Manson where is your manipulation of place settings?, you deserve fork and knife, the wounded commandments that regretfully fall like timber in an abandoned sanctuary of Yellowstone,
Manson, with your claws of the heart.
Manson, with your sheik vulgarity of **** cloaks exposing your ladies undercarriage,

Those who take their pets to walk the aisles of famished eyes,
allowing the dorsals of their backsides to wonder aimlessly through Vietnam and Chinaman,
holding peace of mind aware of their chemical leashes and fifteen calorie mental meals, holding hands, unaware of repercussion,

With their vivid recollections of sprinkler and slide, through dew and beyond,
Holding citrus drinks to themselves, apart from pleasure, trapped with excite from sunsets, and in-between.

Withholding reservation of tongue to lung.
Flowing ribbit and alfalfa, in the corridors of expected fragrance.

and to speak with you of ten years from now, will be a pleasure all my own, for you will be talking ten years behind.

They walked outside climbing over mountains of shrapnel, popped collars
and endless buffets of emotion,
driving Claremont all the way to art gallery premiers
and forever waited for plane crash landings
and the phone calls that never came

Glowing black and white cameras
giving modelesque perceptions to all-you-can-eat eyes
giving cigarettes endless chasms of light

Colored pavement trenches and divots
cliff note alibis
and surgery that lasted until the seamstress had gone into an
endless rest
and
empty cupboards

Classic stools painted with sleepless white smoke and bleached canvas rolling tobacco with the stained yellow window panes of feral tapestry and overindulgent vernacular

Like a satiated cheeseburger weeping smile simple emotion
on November the 18th celebrations
and Wisconsin out of business sales

Too much comfort, stealing switchboards from the the elderly, constantly putting gibberish into
effortless conversation.

Dormant doormats, with the greetings that never
reached as far as coffee table favelas,
arriving to homes of famished
furniture, awaiting temperate lifestyles and the window sill arguments from pedantic literacy

Silver shillings and corporate discovery clogged the persuasive
push and shove
to and from

Killing enterprise
loquacious attempt at too soon
much too soon
too soon for forever

Wall to wall post-card collages
happy reminders of the places never visited by drinks in the hands of
those received

Registered to the clouded skies of clip board artists
this arthritis of envy
of bathtub old age
wrinkled matted faces
logged with quick-fixes, anemia, and heart-break

disposed of off the streets
of youth, wheeling and wailing
rolling down striped stairs
of shock and arraignment
holding the hand rails of a wheelchair
suitcase
packed away in a life

Down I-37
into the ochre autumn fallen down leaves
and left memories behind
their green Syphilis eyeglasses

weeping tumuli
recalcitrant
mulish, furrow of beast and beyond

yelling, screaming, howling
at the prurient puerile tilling
of sheets

****** the voices of words
and vomiting the mind into the pockets of the turbulent perambulations
expelled from meat-packing
whispering condescension
and coercing adolescent obsessions
with fame, glamour, and *****

Creeping out into the naked
light of the Darger scale janitorial
closets, carrying the notorious gowns
of red wine spells, backpacks, and pins

henchmen, plaintiff, and youth

All the while
ripping at the incantations of the soul
whispering ribbit and alfalfa
in the guard-rail scars
of the dawns decadent forgotten
Sanja Trifunovic Jan 2010
If from the public way you turn your steps
Up the tumultuous brook of Green-head Gill,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral Mountains front you, face to face.
But, courage! for beside that boisterous Brook
The mountains have all open'd out themselves,
And made a hidden valley of their own.

No habitation there is seen; but such
As journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude,
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
There is a straggling heap of unhewn stones!
And to that place a story appertains,
Which, though it be ungarnish'd with events,
Is not unfit, I deem, for the fire-side,
Or for the summer shade. It was the first,
The earliest of those tales that spake to me
Of Shepherds, dwellers in the vallies, men
Whom I already lov'd, not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.

And hence this Tale, while I was yet a boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects led me on to feel
For passions that were not my own, and think
At random and imperfectly indeed
On man; the heart of man and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts,
And with yet fonder feeling, for the sake
Of youthful Poets, who among these Hills
Will be my second self when I am gone.


Upon the Forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name.
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen
Intense and frugal, apt for all affairs,
And in his Shepherd's calling he was prompt
And watchful more than ordinary men.

Hence he had learn'd the meaning of all winds,
Of blasts of every tone, and often-times
When others heeded not, He heard the South
Make subterraneous music, like the noise
Of Bagpipers on distant Highland hills;
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say
The winds are now devising work for me!

And truly at all times the storm, that drives
The Traveller to a shelter, summon'd him
Up to the mountains: he had been alone
Amid the heart of many thousand mists
That came to him and left him on the heights.
So liv'd he till his eightieth year was pass'd.

And grossly that man errs, who should suppose
That the green Valleys, and the Streams and Rocks
Were things indifferent to the Shepherd's thoughts.
Fields, where with chearful spirits he had breath'd
The common air; the hills, which he so oft
Had climb'd with vigorous steps; which had impress'd
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which like a book preserv'd the memory
Of the dumb animals, whom he had sav'd,
Had fed or shelter'd, linking to such acts,
So grateful in themselves, the certainty
Of honorable gains; these fields, these hills
Which were his living Being, even more
Than his own Blood--what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself.

He had not passed his days in singleness.
He had a Wife, a comely Matron, old
Though younger than himself full twenty years.
She was a woman of a stirring life
Whose heart was in her house: two wheels she had
Of antique form, this large for spinning wool,
That small for flax, and if one wheel had rest,
It was because the other was at work.
The Pair had but one Inmate in their house,
An only Child, who had been born to them
When Michael telling o'er his years began
To deem that he was old, in Shepherd's phrase,
With one foot in the grave. This only son,
With two brave sheep dogs tried in many a storm.

The one of an inestimable worth,
Made all their Household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease, unless when all
Turn'd to their cleanly supper-board, and there
Each with a mess of pottage and skimm'd milk,
Sate round their basket pil'd with oaten cakes,
And their plain home-made cheese. Yet when their meal
Was ended, LUKE (for so the Son was nam'd)
And his old Father, both betook themselves
To such convenient work, as might employ
Their hands by the fire-side; perhaps to card
Wool for the House-wife's spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

Down from the cicling by the chimney's edge,
Which in our ancient uncouth country style
Did with a huge projection overbrow
Large space beneath, as duly as the light
Of day grew dim, the House-wife hung a lamp;
An aged utensil, which had perform'd
Service beyond all others of its kind.

Early at evening did it burn and late,
Surviving Comrade of uncounted Hours
Which going by from year to year had found
And left the Couple neither gay perhaps
Nor chearful, yet with objects and with hopes
Living a life of eager industry.

And now, when LUKE was in his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while late into the night
The House-wife plied her own peculiar work,
Making the cottage thro' the silent hours
Murmur as with the sound of summer flies.

Not with a waste of words, but for the sake
Of pleasure, which I know that I shall give
To many living now, I of this Lamp
Speak thus minutely: for there are no few
Whose memories will bear witness to my tale,
The Light was famous in its neighbourhood,
And was a public Symbol of the life,
The thrifty Pair had liv'd. For, as it chanc'd,
Their Cottage on a plot of rising ground
Stood single, with large prospect North and South,
High into Easedale, up to Dunmal-Raise,
And Westward to the village near the Lake.
And from this constant light so regular
And so far seen, the House itself by all
Who dwelt within the limits of the vale,
Both old and young, was nam'd The Evening Star.

Thus living on through such a length of years,
The Shepherd, if he lov'd himself, must needs
Have lov'd his Help-mate; but to Michael's heart
This Son of his old age was yet more dear--
Effect which might perhaps have been produc'd
By that instinctive tenderness, the same
Blind Spirit, which is in the blood of all,
Or that a child, more than all other gifts,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.

From such, and other causes, to the thoughts
Of the old Man his only Son was now
The dearest object that he knew on earth.
Exceeding was the love he bare to him,
His Heart and his Heart's joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For dalliance and delight, as is the use
Of Fathers, but with patient mind enforc'd
To acts of tenderness; and he had rock'd
His cradle with a woman's gentle hand.

And in a later time, ere yet the Boy
Had put on Boy's attire, did Michael love,
Albeit of a stern unbending mind,
To have the young one in his sight, when he
Had work by his own door, or when he sate
With sheep before him on his Shepherd's stool,
Beneath that large old Oak, which near their door
Stood, and from it's enormous breadth of shade
Chosen for the Shearer's covert from the sun,
Thence in our rustic dialect was call'd
The CLIPPING TREE, *[1] a name which yet it bears.

There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestow'd
Upon the child, if he dislurb'd the sheep
By catching at their legs, or with his shouts
Scar'd them, while they lay still beneath the shears.

And when by Heaven's good grace the Boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old,
Then Michael from a winter coppice cut
With his own hand a sapling, which he hoop'd
With iron, making it throughout in all
Due requisites a perfect Shepherd's Staff,
And gave it to the Boy; wherewith equipp'd
He as a Watchman oftentimes was plac'd
At gate or gap, to stem or turn the flock,
And to his office prematurely call'd
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise.

While this good household thus were living on
From day to day, to Michael's ear there came
Distressful tidings. Long before, the time
Of which I speak, the Shepherd had been bound
In surety for his Brother's Son, a man
Of an industrious life, and ample means,
But unforeseen misfortunes suddenly
Had press'd upon him, and old Michael now
Was summon'd to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This un-look'd-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.

As soon as he had gather'd so much strength
That he could look his trouble in the face,
It seem'd that his sole refuge was to sell
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart fail'd him. "Isabel," said he,
Two evenings after he had heard the news,
"I have been toiling more than seventy years,
And in the open sun-shine of God's love
Have we all liv'd, yet if these fields of ours
Should pass into a Stranger's hand, I think
That I could not lie quiet in my grave."

"Our lot is a hard lot; the Sun itself
Has scarcely been more diligent than I,
And I have liv'd to be a fool at last
To my own family. An evil Man
That was, and made an evil choice, if he
Were false to us; and if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him--but
'Twere better to be dumb than to talk thus.
When I began, my purpose was to speak
Of remedies and of a chearful hope."

"Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free,
He shall possess it, free as is the wind
That passes over it. We have, thou knowest,
Another Kinsman, he will be our friend
In this distress. He is a prosperous man,
Thriving in trade, and Luke to him shall go,
And with his Kinsman's help and his own thrift,
He quickly will repair this loss, and then
May come again to us. If here he stay,
What can be done? Where every one is poor
What can be gain'd?" At this, the old man paus'd,
And Isabel sate silent, for her mind
Was busy, looking back into past times.

There's Richard Bateman, thought she to herself,
He was a parish-boy--at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the Neighbours bought
A Basket, which they fill'd with Pedlar's wares,
And with this Basket on his arm, the Lad
Went up to London, found a Master there,
Who out of many chose the trusty Boy
To go and overlook his merchandise
Beyond the seas, where he grew wond'rous rich,
And left estates and monies to the poor,
And at his birth-place built a Chapel, floor'd
With Marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Pass'd quickly thro' the mind of Isabel,
And her face brighten'd. The Old Man was glad.

And thus resum'd. "Well I Isabel, this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
--We have enough--I wish indeed that I
Were younger, but this hope is a good hope.
--Make ready Luke's best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
--If he could go, the Boy should go to-night."
Here Michael ceas'd, and to the fields went forth
With a light heart. The House-wife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare
Things needful for the journey of her Son.

But Isabel was glad when Sunday came
To stop her in her work; for, when she lay
By Michael's side, she for the two last nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, "Thou must not go,
We have no other Child but thee to lose,
None to remember--do not go away,
For if thou leave thy Father he will die."
The Lad made answer with a jocund voice,
And Isabel, when she had told her fears,
Recover'd heart. That evening her best fare
Did she bring forth, and all together sate
Like happy people round a Christmas fire.

Next morning Isabel resum'd her work,
And all the ensuing week the house appear'd
As cheerful as a grove in Spring: at length
The expected letter from their Kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy,
To which requests were added that forthwith
He might be sent to him. Ten times or more
The letter was read over; Isabel
Went forth to shew it to the neighbours round:
Nor was there at that time on English Land
A prouder heart than Luke's. When Isabel
Had to her house return'd, the Old Man said,
"He shall depart to-morrow." To this word
The House--wife answered, talking much of things
Which, if at such, short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

Near the tumultuous brook of Green-head Gill,
In that deep Valley, Michael had design'd
To build a Sheep-fold, and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which close to the brook side
Lay thrown together, ready for the work.
With Luke that evening thitherward he walk'd;
And soon as they had reach'd the place he stopp'd,
And thus the Old Man spake to him. "My Son,
To-morrow thou wilt leave me; with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; 'twill do thee good
When thou art from me, even if I should speak
Of things thou caust not know of.--After thou
First cam'st into the world, as it befalls
To new-born infants, thou didst sleep away
Two days, and blessings from thy Father's tongue
Then fell upon thee. Day by day pass'd on,
And still I lov'd thee with encreasing love."

Never to living ear came sweeter sounds
Than when I heard thee by our own fire-side
First uttering without words a natural tune,
When thou, a feeding babe, didst in thy joy
Sing at thy Mother's breast. Month follow'd month,
And in the open fields my life was pass'd
And in the mountains, else I think that thou
Hadst been brought up upon thy father's knees.
--But we were playmates, Luke; among these hills,
As well thou know'st, in us the old and young
Have play'd together, nor with me didst thou
Lack any pleasure which a boy can know.

Luke had a manly heart; but at these words
He sobb'd aloud; the Old Man grasp'd his hand,
And said, "Nay do not take it so--I see
That these are things of which I need not speak.
--Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Receiv'd at others' hands, for, though now old
Beyond the common life of man, I still
Remember them who lov'd me in my youth."

Both of them sleep together: here they liv'd
As all their Forefathers had done, and when
At length their time was come, they were not loth
To give their bodies to the family mold.
I wish'd that thou should'st live the life they liv'd.
But 'tis a long time to look back, my Son,
And see so little gain from sixty years.
These fields were burthen'd when they came to me;
'Till I was forty years of age, not more
Than half of my inheritance was mine.

"I toil'd and toil'd; God bless'd me in my work,
And 'till these three weeks past the land was free.
--It looks as if it never could endure
Another Master. Heaven forgive me, Luke,
If I judge ill for thee, but it seems good
That thou should'st go." At this the Old Man paus'd,
Then, pointing to the Stones near which they stood,
Thus, after a short silence, he resum'd:
"This was a work for us, and now, my Son,
It is a wo
Steve Page Oct 2017
(With a nod to Michael Rosen's poem, Chocolate Cake)

I love money.
I loved it as a boy
and now I love it even more.

Sometimes we used to have it
all spread out on the table
and I would sort it
and stack it.
And dad would say,
"keep the coppers away from the silver"
and laugh at his private joke.

We'd count it all,
bag it
and weigh it.
And then dad would give me a little for myself:
2 shillings, 8 thrupenny bits.

I'd stack them,
and count them again.
I'd put 3 aside for my tin
and count out 5 for school.

I'd take one thrupenny bit to school each day
and at morning break I'd take my thrupenny bit
and wait in the queue at the tuck shop.

But some days,
when standing in the queue
with my thrupenny bit in my hand,
I'd think again and wrap it up in my handkerchief
and I'd push it to the bottom of my grey trouser pocket
for my secret box in my wardrobe.
-
-
Anyway,
once, when dad was sick
he asked me to do the count
- alone.

To spread it on the table,
sort it,
stack it,
keep the coppers away from the silver,
count it
and weigh it.
And then take my share,
2 shillings,  8 thrupenny bits.

I sat in the kitchen
in the silence,
looking down at the spread before me,
full of fear and pride.

I sorted
and I sorted again.

I stacked
and rearrange the stacks.

I saw with a smile
that I had kept the coppers away from the silver.

I counted
and counted again
And for the sheer pleasure of it,
I counted again.

Satisfied,
I took my share
3 shillings, 12 thrupenny bits.

4 bits for my secret box,
3 bits for my tin
and 5 put aside for the week's tuck money.

I love money.
I loved it as a boy
and now sitting in my kitchen
with my red box here in SW1,
full of fear and pride,
I love it even more.
I needed to write a poem about an object or collection for a local event.  I chose money as the ultimate object of our love.
Before me is my ten Shillings coin
To be true, it is the only coin in my pocket
The only food i see
The only fees i see
The only dowry i see
The only money between me and poverty!

When i try to think,
I ponder over no positive cash,
I dream big money,
I dream good live,
I want a heavy truck,
I want a fast network Internet access
I want recreational facilities

But
I
Only
Have
A ten shilling coin.
I am a kenyan... I talk of a ten shilling coin... 0.1 us dollar
Stanley Mungai Jun 2012
I see a flash
A sight to behold
The work of an immortal sculptor
Walking straight in elegant pride
Worth of a princess of the sun
Firmly transfixed in her twelve
Moving into the emptiness of an invalid society
Her innocence screaming
In an unchallenged clarity

And only twelve moons
The framework of her modeling salivates
Wolves in men
Who’s been exposed to the virus
Emerging from the bush land of their desires
To seek their vengeance in a fanatical hatred
And poor me the princess
With the *** lunacy roaming the streets,
Sanity of abstinence is the greatest challenge.

Swung from poverty to adolescence
A pendulum of fates
Hunger at home for the family
And her homestead a moonscape of desolation
The two hundred shillings does the trick
She trades out her innocence
And virginity too; a girls pride
And alongside the legal tender
Comes the virus
The minute monster
Savoring a society of huge minds.

There is the tuberculosis
In a hospital ward
Full of undug graves and shrines unnamed.
Drawn into the vacuum of her fate
Eyes wide open in dismal finality
The princess
Lie in freeze frame of death
A pyramid of events
Molded out of her last several terrible seconds
Lamentation for the society
A dull eulogy for our girls.
*AIDS! The parasite feeding on the rotten end of our Morality.*
Poets from all over the world are invited to submit their original poems to Mombasa poetry anthology 2016.These anthology is organized by the Kenyan society of poets and literary scholars. It is out of literary and cultural recognition of the historical fact that Mombasa and its environs is home man, it is an indisputable home to all types of people in all their capacities and stations. It is historically evident that, at least a European, an African, Asian, Indian, American, Australian or Chinese have a home in Mombasa. This has been the case from as early as 7 AD. When the Oman Arabs landed at the east African coast in the moon-son wind driven dhows.
This anthology will be published Kenya, as a print version latest by December 2016, under the title, ANTHEM OF HOPE.   The anthology will have a collection of 2000 poems, written in English, or written in any other language but accompanied with a translation to English, each poet is allowed to submit three poems, a poem must not exceed 500 words, all poems must be submitted as one document of MS word attachment, the font types to be used are times Romans, the size is 12. The poem can be in any style without having creativity of the poet being decimated by traditional literary canonicity, but as long as the poem will be addressing and not limited to the following themes in relation to Mombasa;
1) Mombasa city, other towns Around Mombasa like Kisumayu, Lamu, Kibino,Hola, Mpeketon, Bamburi, Malindi, Watamu, Gede, Matsangoni, kilifi, Vipingo, Takaungu, Mtwapa, Shimo la tewa, Bamburi, Likoni,ukunda,wa,msambweni,lunga Lunga,Vanga , Shimoni, Tanga,msofala, Dar salam and Zanzibar, as well as Mariakani and Voi,taita,taveta and Arusha,
2) Mombasa people, The miji-kenda,arabs,European, bajuni, Indians, and any other in relation to Mombasa
3) Mombasa features like the Indian ocean, likon ferry, fort jesus,beaches,vasco da Gama pillar, nyali bridge,Makupa cause way and any other feature,
4) Mombasa populations; Christians, muslim,LGBTI,drug addicts, the deaf, blind, scrotal elephantiasis victims,dwarfs,jinis and any other in realtion to Mombasa,
5) Mombasa fauna and flora, kilifi trees, mango trees, palm wine tree, crow birds, cats, flies, vultures,snakes,pythons Mombasa
6) Mombasa cultures,womenfolk,weddings, music, donkey-games, stick-games and any other in relation to Mombasa,
7) Mombasa city dynamics, hustles,bustles,Al-shabab, job seeking, youths and behaviour and any other theme ,
8 ) Overall themes to be addressed under the Mombasa city context are; Indian ocean and poetry, family, human rights, climate change, security , poverty, pollution, globalization,migration,corruption,cosmopolitanism,culture,langua­ge,war,refuges,natural resources and any other them pertinent to Mombasa
******, racist, prejudicial or any hate perpetrating poems will not be published, For the poets that will have their poems published there will be a ceremony of spoken word and poetry reading from the published poems in early December  2016 ( exact date will be communicated) on the white sands beach at Sarova hotel.
The last day for submission of your poems is July 31st 2016, the notification about your poem being accepted and yet to be published is 31st august 2016.
Submit your poems along with a bio note of not more than 500 words to the email mombasapoetryanthology@yahoo.com, along with a serial number and a scanned copy of the slip for payment of the handling fees of Kenya shillings 500 or 5 US dollars for the three poems. The account to pay in is Standard Chartered Bank (Kenya) account number; 0100310788200 the swift code is; SCBLKENX and bank code is 02
Five winning poets will be prized in the following order; the first poet will win 5000 US dollars, second poet will win 4000 US dollars, the third will win 3000 US dollars, 2000 US dollars, and lastly 1000 US dollars.
Each published poet will get two copies of the anthology free of charge. Further questions for clarification about the Mombasa Poetry anthology can be emailed mombasapoetryanthology@yahoo.com
Every second locks us out from the clock that locks us in and we begin to see the crime of time,
an
accomplice to these thoughts of mine.

The millisecond dilettante can't change the fact that I'm being backed into the corner where the undertaker with his measure waits to stake his one and one time only claim to this my body, time's insane I'd never give my precious day to anyone who'd take away my right to life and the wife of time who I don't know but feel sure that she's no friend of mine sweeps steadily with her busy hands readily taking the minutes away trashing them as if to say,
they're no use get used to it.

Any shilling in my pocket is one more shilling I'd be willing to give to live,
I have fifteen shillings to midnight and the clock still locks me in.
Stanley Mungai Feb 2012
I see a flash
A sight to behold
The work of an immortal sculptor
Walking straight in elegant pride
Worth of a princess of the sun
Firmly transfixed in her twelve
Moving into the emptiness of an Invalid society
Her innocence screaming
In an unchallenged clarity

And only twelve moons
The framework of her modelling salivates
Wolves in men
Who's been exposed to the virus
Emerging from the bushland of their desires
To seek their vengeance in a fanatical hatred
And poor me the Princess
With the *** Lunacy roaming the streets
Sanity of abstinence is the greatest challenge.

Swung from poverty to adolescence
A pendulum of fates
Hunger at home for the family
And her homestead a moonscape of desolation.
The two Hundred shillings does the trick
She trades out her innocence
And virginity too- a girl's pride
And alongside the legal tender comes the virus
The minute Monster
Savoring a society of huge minds.

There is the tuberculosis
In a hospital ward
Full of undug graves and shrines unnamed
Drawn into the vacuum of her fate
Eyes wide open in dismal finality
The princess
Lie in freeze frame of death
A pyramid of events
Molded out of her last several terrible seconds
Lamentation for the society
A dull eulogy
For our girls.
Shancoduff My black hills have never seen the sun rising,

Eternally they look North towards Armagh.

Lot's wife would not be salt if she had been

Incurious as my black hills that are happy

When dawn whitens Glassdrummond chapel.



My hills hoard the bright shillings of March

While the sun searches in every pocket.

They are my Alps and I have climbed the Matterhorn

With a sheaf of hay for three perishing calves

In the field under the Big Forth of Rocksavage.



The sleety winds ****** the the rushy beards of Shancoduff

While the cattle - drovers sheltering in the Featherna Bush

Look up and say: "Who owns them hungry hills

That the water - hen and snip must have forsaken?

A poet? Then by heavens he must be poor."

I hear and is my heart not badly shaken?
Mellow Ds Feb 2011
Just stay quiet and still, keep your hands on the wheel
She's all ******* in the back just to prove that we still feel
A twisted, little punk all strung out on the junk
She lays like a ventriloquist's dummy, splayed out in the trunk

Just keep breathing baby, it'll be okay tonight
Once her body trembles, we'll all scream in delight
When her tears are spilling, we'll throw our ***** shillings
And celebrate gaily as we cry out in triumph daily,

"Clean streets, sobriety and unconditional artistry from a dog
Under my feet, like a genuinely unforgiving stone from a soft God
Water, be ******. Peace and all prosperity can come eat meat
From my hands. My rough palms tingling from the rain on this sheet.

Blotter, blotter. Let me corrupt your daughter. I know.
She was a soccer champion and now nothing but a ****** lost
Under a half-moon, harvest red, shining oh, so brightly in her head.
My men are out to get my money back but you won't notice the tools that they all lack.

Please go, and whitewash the teeth from the smile in the evergreen
Cheshire lies, untie this knot in my neck on my back, rebuff my sheen
Bumming for a smoke, hoping I will choke on it, *****, comets will rain for the death of beauty tragedy
Like the man before me, I'll be nothing but a veteran lost to prostate

Cancer. Answer me, my love. I'm ******. And it goes and goes and goes and goes and goes.

Who knows what grows, who is a bomb and calm as a Hindu cow?
Oxygen gets you high, you accept your fate
It's a good way to die but refrain from the urge to *******
I lie inside my mind ready to try again, depends
On if I come on too strong, it's been so long, so wrong to try and pick up on all these young ones.
It may be over for me but you can live out your life
And become something better than this high-
Way robbery
Of a child. So mild. Urbane."

And as she climbs out and fumbles, her body will crumble
Heels re-slit, we better fix it, get with it, the ball is still inside
Her mouth so she won't cry out so loud, oh why
Must we be doing this? I can't believe we're really going through with it!

My eyes are burning red and I can not help that this is dead
We came this far, don't back out on me now, anyhow the blood's on my hands
I demand answers! Why can't I hold the lantern? The car swerves
So just hold on tight, she'll blend in with the rain and mud tonight.

Don't worry, baby. Just keep driving to safety.
Just take a deep breath and sit still
Just shut up and keep your hands on the wheel
Every day this is how we feel.

And the only difference is I tell you.
(c) Ryan Bowdish 2010-2011
One day I was in the rural areas of Turkana County,
walking up and down perfidiously ,
in a style of  the devil when visiting
Job  the son of Amos in the land of Uz,
It was in fact in the Northern region of the County
near a town known as Small Spain,
it is bushy and full of wild animals,
i was  on assignment by a certain NGO,
to give food,*******,drugs and clothes
to the dwellers  of this desert region,
All over a sudden I pumbed into a riff-raff
of  peasants, wearing scrofulously lugubrious faces,
one of them , a young man was on the ground
reeling in pain from the snake-bite,
he had been biten by a deadly desert snake,
A yellow Mamba in fact, it left its fangs in his muscle,
it was pathetic and sorriest, as there was no clinic nearby,
the nearest hospital was one thousand miles away,
and  you know,there is no road,no vehicle nor bicycle,
no horses nor water boats, only Carmel,,donkey and goats,
were there plus few emaciated native cows,
Luckily enough a white man  who stayed nearby,
surfaced from nowhere, he also owns a small aero-plane,
He spoke Italian,Spanish,Swahili and Greek like a native,
so I don't knew which country of Europe he came from,
he picked the snake bite victim to his home,
he asked me to come along
we boarded his plane to Kitale,
where we have a government hospital,
We flew across the hills of Turkana land ,
thousand and thousands of miles,
it was i, the white man  and snake bitten man,
three strangers on one another in the aeroplane,
Bound strongly by human love beyond identity,
Our patient began getting worse and worse
In fact  he had began getting dull and motionless,
we landed in Kitale, the white man bought a taxi,
we rushed to the hospital, all us panting frenetically,
we got at the hospital found nurses having lunch,
they were slow and relaxed, as if death is their dish,
the African nurse who came was all but un-started,
she began asking  for the age and the  tribe,
The tribe of our snake bitten friend,
She also asked for where he works,
And where he often goes to clinic,
worst of  all, she asked where he goes to church
she again demanded for seven hundred shillings,
the white man gave her the money,I was broke as usual,
He gave her a bank note of  one thousand shillings
she declined , she instead  wanted loose money
she ordered us to look for her the  loose money
before  she could begin treating our friend,
before we got the loose money  our friend died
of heavy poisoning of the blood, snake bite
He roared like a bull in the slaughter house,
on his painfully preventable death,
the white man was very disappointed
the white man wept, he went back to his plane.
In a similar stretch with a case of  a referral hospital
in Eldoret, also another town in Kenya, it is big,
it is called Moi Teaching and Referral Hospital,
it has the largest cancer management unit,
in the whole of east and central Africa
from Congo to Seychelles is the only one,
it was build by tax payers money,
but local politics as influenced it otherwise,
workers and Nurses are substantially locals,
in fact from one clan, now they speak strangely,
patients from alien clan are never treated,
they must bribe to be treated,
if not you  go back sick and eat your tribe,
or if you are introduced by a local politician,
you be lucky to be treated your cervical cancer,
they charge medical fees exorbitantly,
but once you pay no doctor will come,
in fact patients who are admitted for in-patient,
rarely come out  alive, if they are one hundred,
eighty of them will die,twenty will go home,
only to come back after a while and then die,
out of this despair another white man from Germany,
has established a modern hospital , just nearby the referral,
it offers absolutely free cancer treatment services
as Africans keep on facilitating death of their own kin,
Blessed be the womb that gave birth to a European.
Terry Collett Mar 2015
The coach is parked outside the gospel church along Rockingham Street. Brown with a yellow line along the side with the name of the coach company's name: RICKARD'S.

Janice stands next to her grandmother waiting to get on the coach; she's wearing  a flowery dress and a white cardigan and brown sandals. Next to Janice's grandmother is Benedict and his mother and Benedict's younger sister Naomi.  Members of the gospel church who have organized the day out to the seaside are ticking off names from a list.

Weather looks good- the grandmother says, eyeing the sky which is blue as a blackbird's egg.

Benedict's mother looks skyward. - It does, hope it stays that way. Benedict looks at Janice; she smiles shyly. She's wearing the red beret. Her hair looks nice and clean brushed. Sit next to her on the coach.

Wouldn't surprise me if it isn't a little cold by the coast- the grandmother says, looking at Benedict's mother, seeing how tired she looks, the little girl beside her sour faced.

Maybe, hopefully it won't be for their sakes- the mother says, looking at the coach and the tall gospeller with the one eye. - mind you behave, Benny, no mischief.

That goes for you, Janice, no mischief or you'll feel my hand- the grandmother says, her voice menacing, and don't forget to make sure to know where the loo is don't want you wetting yourself.

Janice blushes looks at the pavement-  I always behave, Gran, and yes, I'll find the lavatory once we get there, she says.

One Eye ticks off Janice and Benedict's names; his one eye watching them as they board the coach,and sit by the window, and look out at the grandmother and Benedict's mother and sister. Kids voices; smell of an old coach stink; the window smeary. Janice waves; her grandmother waves back. Benedict waves; his mother waves and smiles, but his sister looks down at the pavement.

One Eye and two other gospellers stand at the front of the coach calling off names and the kids respond in return in a cacophony of voices, then they sit down at the front and the coach starts up. A last minute of hand waving and calling out of goodbyes and the coach  pulls off and away along Rockingham Street.

Well, that's it, just us now- Benedict says, looking out of the window, looking past Janice.

No more bomb sites after this for a few hours- Janice says, no more being made embarrassed by Gran. I know she worries, but I am eight and a half years old, not a baby.

That's the elderly for you- Benedict says, always thinking us babies when we're almost in double figures.

Janice smiles. She looks at Benedict. He's wearing a white shirt and sleeveless jumper with zigzag pattern and blue jeans. He's left his cowboy hat at home; his six-shooter toy gun has been left behind, also. Glad he came; like it when he's near; I feel safe when he's about.

Have you any money?- Benedict asks.

I've  two shillings- she says, Gran said I might need it.

I've got two and six pence- Benedict says, my old man gave me a shilling and my mother gave me one and sixpence.

The coach moves through areas of London Benedict doesn't know. He looks at the passing streets and traffic.

Billie, my canary, has learned new words- Janice says.

What words has he learned? - Benedict asks, looking at Janice's profile; at her well shaped ear, the hair fair and smooth.

Super, pretty and boy- Janice says.

Talking about me, is he?- Benedict says.

No, about himself- Janice says, but who taught him the words neither Gran or I know. Was it you? She asks.

Me? why would I teach him to say those words?- Benedict says. If I was going to teach him words they'd be naughty words.

You haven't have you?- Janice says, or I'll get the blame; Gran thinks I taught Billie those words when I didn't.

Well, I may have said certain words in his presence when I came round the other week- Benedict says.

Was it you who taught him to say Billie without a *****?- Janice says.

Benedict looks down at his hands in his lap. Did he actually say it?- Benedict says.

Janice nods. I got in trouble over that- she says, gran thought I taught him; came close to getting a good smacking, but she thought it over and said she didn't think I would.

So, who does she think taught him?- Benedict asks.

Janice raises her eyebrows. Who do you think?- she says.

So, please don't teach Billie words- Janice says, or I could be for it.

Sorry- he says, looking at her, thought it'd be a laugh.

Gran doesn't share your sense of humour- Janice says. Now she wonders if she ought to let you come around anymore, and I like you coming around. So please don't teach Billie words.

I won't- he says, not a word, not a single word.

She smiles and kisses his cheek. He blushes. What if the other boys on the coach saw that? How would he live it down? Girls and kisses. He's seen it in films at the cinema. Just when a cowboy gets down to the big gun fight some woman comes along and spoils it with that kissing stuff. He's seen Teddy Boys who seem quite tough, spoil that impression when a girl gets all gooey and kisses them.

Janice looks out the window, watches the passing scene. She like it when Benny's there. She doesn't like most boys; they seem rough and tough; seem loud and spotty and smell sweaty, but Benny is different, he's tough in a gentle way, has good manners and that brown quiff of hair and his hazel eyes that seem to look right through her, right into her very heart.

Benedict doesn't think other boys saw the kiss; he sits feeling the slight dampness on his cheek; he doesn't think having a kiss, makes him look weak.
A BOY AND ******* A TRIP TO THE SEASIDE IN 1957.
if these ties of cupid
however with hearsay were stupid
that she'd complicate her nature
where her ensemble was audacious
but round a hearth with her nomad
as beast were her shillings
there was her but again wore attire
so attractive but as frozen
and heartily felt as her gait was thrilling
left her gander with grinder eaten.
Andy loved a girl named Sandy

Bill saw a horse standing on the hill

Cory told his mother a made up story

Dave dug many a grave

Eddy loaned his teddy to Neddy

Frank bought a Sherman tank

Greg had a wooden leg

Hilton was related to Mrs Wilton

Ivan strolled in the park with Jan

Jack scratched his own back

Kyle's hair style also suited Lyle

Lance couldn't obtain a bed valance

Max paid a hefty lot of tax

Neal earned a reputation for his *** appeal

Oscar drank at the Crown and Stag bar

Paul gave ten shillings to Saul

Quentin found a silver tin

Roger was a work dodger

Sam enjoyed a portion of Virginia ham

Timmy sure knew how to shimmy

Umberto listened to the concerto

Vlad priced an inner city pad

Wing put his arm in a sling

Xain often rode on the express train

Yule took a picture of the farmer's mule

Zeal looked forward to his evening meal
Johnny had a golden head
  Like a golden mop in blow,
Right and left his curls would spread
  In a glory and a glow,
And they framed his honest face
Like stray sunbeams out of place.

Long and thick, they half could hide
  How threadbare his patched jacket hung;
They used to be his Mother's pride;
  She praised them with a tender tongue,
And stroked them with a loving finger
That smoothed and stroked and loved to linger.

On a doorstep Johnny sat,
  Up and down the street looked he;
Johnny did not own a hat,
  Hot or cold tho' days might be;
Johnny did not own a boot
To cover up his muddy foot.

Johnny's face was pale and thin,
  Pale with hunger and with crying;
For his Mother lay within,
  Talked and tossed and seemed a-dying,
While Johnny racked his brains to think
How to get her help and drink,

Get her physic, get her tea,
  Get her bread and something nice;
Not a penny piece had he,
  And scarce a shilling might suffice;
No wonder that his soul was sad,
When not one penny piece he had.

As he sat there thinking, moping,
  Because his Mother's wants were many,
Wishing much but scarcely hoping
  To earn a shilling or a penny,
A friendly neighbor passed him by
And questioned him: Why did he cry?

Alas! his trouble soon was told:
  He did not cry for cold or hunger,
Though he was hungry both and cold;
  He only felt more weak and younger,
Because he wished so to be old
And apt at earning pence or gold.

Kindly that neighbor was, but poor,
  Scant coin had he to give or lend;
And well he guessed there needed more
  Than pence or shillings to befriend
The helpless woman in her strait,
So much loved, yet so desolate.

One way he saw, and only one:
  He would--he could not--give the advice,
And yet he must: the widow's son
  Had curls of gold would fetch their price;
Long curls which might be clipped, and sold
For silver, or perhaps for gold.

Our Johnny, when he understood
  Which shop it was that purchased hair,
Ran off as briskly as he could,
  And in a trice stood cropped and bare,
Too short of hair to fill a locket,
But jingling money in his pocket.

Precious money--tea and bread,
  Physic, ease, for Mother dear,
Better than a golden head:
  Yet our hero dropped one tear
When he spied himself close shorn,
Barer much than lamb new born.

His Mother throve upon the money,
  Ate and revived and kissed her son:
But oh! when she perceived her Johnny,
  And understood what he had done
All and only for her sake,
She sobbed as if her heart must break.
Saul Makabim Jun 2012
Master of money motivated murders
plying prostitutes with liquor
You only want them for their bodies
Knee on chest
hand over mouth
look them in the eye
as they die
Slip her in a tea chest
nail shut the crate
ship her off
to Dr. Knox
He never questions how they died
Science requires sacrifice
to satisfy our endless quest
to know what we do not need to know
Cutting up corpses
can't reveal the truth
Flesh is impermanent
Dragging drunks into alleys
Hare helps with the bigger ones
You only want them for their bodies
Swift suffocations secure shillings
for a bottle of whiskey
to help you ignore
your own evils
Killers can't be trusted
Hare gave you up to save himself
they hung you in Edinburgh square
Sold your skin and skeleton
to make little leather book covers
and an anatomy dummy
They only wanted you for your body.
René Mutumé Jan 2014
A very important email, from Fidel Nkrumah
Best regards!
It began with.
I am banker from Ghana.
I need your help
transfer US$7,500,000.00
to you. And
it is that
easy

The intricacy
of the hand
searching
your ****
for beauty

I replied:

Thanks for your earnest
email
illuminating me
of your plight

Mr Nkrumah,

mind if i call you

“Nicky”?

My bank details
are as follows:

Sort code: 76 32 89

Account number: 93761011

Best regards,

N.

Can you make the payment
out in traditional English
shillings
please…

i have a barrow…

have you read:

“I Have No Mouth and I must Scream”?

By Harlan
Ellison?

man that’s a crazy
kick-***
story
one of the best

perhaps
we can
discuss it
and whilst we do
we can fly birds

not aiming them
at the sky

see Nicky,
we were all there
when you were
christened
with glowing
tear
eyes
because there was water being dripped
on a small
skull

it was so moving
it was so
perfect
we went back
and bent down to work
the next
day, nothing
changed, nothing
drew
a tetrahedron
on that head

but there was an organic
chemistry
you see
“N!”
there was not a cross hatch of birth
inside or out
that the organs could not
consume
they could always
see them
there were always
the droplets flying
down

like those birds
we’re gonna
fly

we’ll make it
nicky
don’t worry
but in return
for my bank details
i would like to suggest- that
the rain is only god
spilling his beer
over
you see
like back when we
were being christened
and went out
without shaving
much, and one day
the system was
broken
and the next
it was fine, like a paper
whale
rolling back to the shore
of the desert
he didn’t care much
for christenings,
he kinda thought
hell!
that **** ocean is near!
you think i need some
fat fingers
dribbling
and
playing about
in my head— it can’t

capsize-the-sand

leverage worn out like sandless off colour
murial
but ******* the grains, alloping
and mad
salt sweat
calling out
to it insanely
as the world continues to rest
there’s another inch driven
away by its gut
there’s a permanent bed
of shadow
small
mamal wings
turning over, one after
the other
that no-one else
has to worry
about

the castrations have become
electronic, instead of simple knives
and the gravity of that thing rolling over to the east
back to where its shore lined haven awaits, readily comes
to it
a ready made
meal
dense
and watery
like it knows that you’re pretty much
knackered
but sends shattering dreams across
your back, sends its universe
to you, just another
dive
in the sea
momma
i have no
idea
what time
it is
but luckily
neither
has anyone.
Adele Jul 2015
long lost years
our master, Shakespeare
traveled to London for four days
no shillings or good garments in his bag

he stayed in lodge inns
penny a night
he had to gave up with a sigh

the smell of midden-heaped lanes
from the slum tenements
he had to bare for nights

he held both jobs
holding patron's horses
or prompter's attendant

and as destined to be a playwright,
his plays express aspects of life that transcend time
he wrote to be remarkable
and to put food on the table

illuminating human experience
a genius mind...

a playwright, poet and actor
that we will always admire.
Although no one's sure if he's with an entourage or striking out alone on foot going to London :D His life is shrouded in a mystery or he wasn't that revealing about his personal life, but he was the greatest writer of all time! I really admire him and wish to make some good literary creations too :( haha
‘We haven’t the money for bread, my love,
We haven’t the money for tea,
You’d best get dressed in your Sunday best
And go down to the docks for me.
There’s plenty of sailors round the town
Who have just come in from the sea,
They’ll spare five shillings a head, my love,
You only need two or three.’

So Rosalie went to the old wood chest,
To change, as she always did,
Slipped off her shabby old cotton dress
And shook, as she lifted the lid,
Her muslin dress was a shade of grey
That had come third hand from a sale,
Next to a whale-bone corset that
Laced up, made her face go pale.

They’d only been married the year before
When he’d sworn he would care for her,
But most of his money had gone on drink
And the Dollymops at the fair,
He never had kept enough for the rent
When the landlord came, to pay,
‘It’s time that we used what assets we have…’
He’d grinned, in that crooked way.

‘Make sure that you pull your bodice down,’
He said as he tightened her stays,
‘You need to be showing some cleavage, but
Make sure that the blighter pays!
Just leave your drawers on the bedroom floor
You’ll not be needing them there,
The quicker they’re in and out, my love,
The less that you’ll have to bare.’

They walked together along the street,
He to the Wayside Inn,
While she went on to the alleyways
That were always so dark and grim,
He’d wait for her ‘til she’d done the deed
Then she’d meet him back at the bar,
And hand whatever she’d earned out there
In the clutch of many a tar.

She’d steel herself and would go quite numb
At the thought of those clumsy hands,
The leering faces, the coarse remarks
For the rent, and a *** of jam.
The other women would glower at her
If she pitched too close to their stall,
Was pushed in alcoves and spread on bins
And stood, her back to the wall.

She would have left, but her folks were dead
So there wasn’t a place to go,
And he would have thrown her out in the street
If ever she’d whispered ‘No!’
London was full of the fallen ones
Who were shunned, as she would be,
For only a Madam would let her in
To be used, continually.

Her husband sat at the Wayside bar
‘Til it closed, and bundled him out,
With still no sign of his Rosalie
He was mad, and grim at the mouth.
He headed down to the alleyway
When he saw the bobbies there,
They were standing over a pile of rags
And a tangle of auburn hair.

‘You can’t come on, there’s a ****** done,’
Said the sergeant, raising his hand,
A croak came up from the pile of rags,
‘Oh dear, that’s my old man!’
She stirred and murmured before she died
Sunk deep in a bleak distress,
‘Oh John, I’m sorry, the sailor lied,
And the blood has ruined my dress!’

David Lewis Paget
Damian Murphy Aug 2015
In Ireland we had built a truly independent nation,
standing proud after years of strife and deprivation
But we yearned to join Europe, enticed by her charms,
and she was happy to welcome us, with open arms
Once we used to have pounds, shillings and pence,
when we joined Europe we adopted euros and cents,
We bought in to a single European currency,
and got loads of money, for everything a subsidy

Yes Europe proved to be extraordinarily generous,
the goose that kept laying golden eggs for us
Our government went mental with the money Europe kept sending,
it appeared this generosity was never ending
And our banks joined in with unprecedented lending,
we the people were happy, ah the money we were spending
We threw caution to the wind, it was pure insanity,
we paid ridiculous prices for even the smallest property

Mortgages and loans were given out like sweets,
credit cards with no limit for those occasional treats
Yes the borrowing and spending went on unabated,
sure why wouldn’t it, it was completely unregulated.
There was so much money, loans were so easy to get,
each one of us accumulated a serious amount of debt
Most of us were living way beyond our means,
had we sold our souls for a handful of beans?

Such was our success, other nations did applaud,
we bought new houses and cars and apartments abroad
Credit cards and loans bought so much other stuff,
one could be forgiven for thinking we could never have enough
We changed as a people, became quite materialistic,
we wanted so many things that were beyond realistic
we forgot what was important, which was really quite sad,
judging each other it seemed now by how much each had
A sad chapter in Irish History and a lesson for all nations
Adele Dec 2014
The air is dry
raven's wide awake
watching the dark and cold sky
with it's claws scratching the twig of a skeletal pomegranate tree

Snowflakes starting to fall
and the chill of wind whoosh
through the broken windows
where candle lights are blown
in a village full of torn
the night sing's with nothingness

The sound of trumpet roused everyone
that's coming from the old theater
where dust and cobwebs grown
Murmurs starting to echo
as everyone gathered into their seats
no shillings nor new garments
this time

But then, spotlight flashed
actors started the play
where various acts portrayed
the theater rejoice
Where the poet grant wishes
of giving  happiness this
Christmas Day
We just don't write to express what we feel, but also, to inspire and touch other people's heart. Merry Christmas and a Happy New Year everyone! Enjoy the special day with your loved ones.
TERRY REEVES May 2016
You have a wife and four daughters
and a colleague amongst your supporters
mindset engineered: you answer a question
with a question and indulge in light sensationalism

My wife befriends many people - a natural star
suddenly they're saying the same things that you are
ideas are pinched, put to use, there's no excuse
for queering my pitch - you stupid *****

No offence meant: I hold myself to account
who am I to hold court, judgemental nonsense
don't say anything, go sit yourself on the fence
come back to me when you have pounds, shillings and pence

Some commontators seem less than cool
it's doubtful if they could explain the offside rule
Carmelo Antone Feb 2012
Voluptuous virtues he swore he would share  
Fraternizing with folklore for the sake of a faith based cure
Reading the words of a quill scribble scare,

Touting the tales of those who have already seen where this go’s,
Flirting with prescribed predictions despite doc being six feet below

Unable to hear this
Those of a breathless conviction
Of a possible conscience

Personally pathetic, the absence of your acceptance,
Mortality is not insignificance
So keep this between us if eternal darkness sparks your interest,

I’ve grown intolerable of,
In horror of,
The Extorting,
Marketing,
******* of,
Prophesized certainties

The lives they took the souls they shook,
From shillings to dimes,
For centuries you’ve tried
Labeling me at infancy,
Condemning me as if it took a martyr to open my eyes

You’ve been attempting to defy the possibility that,
Good can be,
Physically derived,

Scared of the potentiality
A human worthy of being primed,
To senate your anxieties.
This is a poem taken from my student portfolio and can also be found on Mantone.net
ipoet Nov 2012
They removed the thermostats,
And made us pay for every cup of water we used,

I was standing in the rain,
With a white friend and a Servant.

We marveled at the homemade architecture,
Hopped the rivulets of grime,
And heaved big sighs.

I asked him why there were,
Water tanks with signs that read,
Twenty shillings a litre.

He said,
They sell water here too.

Scottish men protect,
Single malt whiskey,
Welsh women,
The language they speak,

My Palestinian friend once told me,
Water,
Israelis keep.
Terry Collett Feb 2013
Having completed various jobs
indoors and out
such as running errands

and shopping etc
your mother gave you 2 shillings
and you went through the Square

to a shop on New Kent Road
where you bought
a small penknife

you’d seen in the window
and you showed Jimmy
whose knife collection

was large
including a bayonet
his father brought back

from WW2
but he was unimpressed
showing you in turn

a **** knife his father
took from a dead soldier
from some battle

he’d fought in  
you never showed
your mother

but Helen saw it
on the way to school
next morning

and peered at it
through her thick lens spectacles
does your mother know

you bought that?
she asked
no not yet

you replied
pocketing it out of sight
maybe another day

don’t you tell
your mother everything?
she asked

no not everything
you said
I have a need to know

basis I work with
what about truth?
she asked

you gazed at her
in her dark blue raincoat
buttoned to the throat

her wavy hair
in two plaits
her eyes peering at you

through those thick lens of hers
truth is like bubble gum
you said

sometimes
you have to stretch it a bit
to get a bigger bubble

she shook her head
making her plaits move
each side of her head

I don’t want the future father
of my children to be a liar
she said

maybe he won’t
you said
you are

she replied
you looked at
the record shop window

as you went by
a picture of Elvis Presley
was in the window

smiling
don’t you like the knife?
you asked

looking back at her
as you spoke
only if you tell your mother

she said
ok I’ll show her
and tell her

after school
you said
she smiled

and her big eyes
lit up
and she pushed her arm

under yours
and squeezed you near
and all because

of the small penknife
you’d bought from the shop
through the Square

but you did love
her big bright eyes
and wavy plaited hair.
Life was hard in those early days
in Swindons rail work shops.
Where conditions were basic and harsh
working long hours in the heat and noise.
Furnaces blazed to create the power
forging the steel needed to mold.
Magmificent living steam engines
made with passion and skill its told.
Workers couldn't watch the clock
wages were only counted in shillings.
The Great Western railway the employer.
new Swindon was born out of the works.
Stone iron and steele covered the land
at the bottom of Kingshill.
Industrial progress increased sharply
where the land once laid still.
Rows  of houses were built for the toilers
and a hospital soon rose from the ground.
The church of St Marks so they could pray
a park to unwind in their limited leisure.
In a community of people helping each other
located by the main London to Bristol line.
Enjoying their annual holidays together
when the steam works looked fine.
Nineteen eighty five the gate shut for good
a retail outlet now where the works stood.

The Foureyed Poet.
This is a part of the history from the town where I was born.
The Foureyed Poet.
Sum It May 2014
Dreams cone as one
under the lights of city
of city hustling inside mind
Rustling breezes of letters
seeking stairs on your service
under the night of city
of city bewildered so high
here, dreams cone as one

the beauty gasp under the bridge
praised under suffocation
On sale for shillings
while truth flowing out of town
seek solace beyond moutains
and shines under moonlight
we hold hands with smile
with dream of our own
there, a star falls for each dream
Did you know every house needs a. Mouse ?
One day a fine lady with mousy hair and dressed in white ,
With little pink shoes ,
and pritty pink gloves ,
knocked on my door ,
" Would you care for a mouse for you'r beautiful house " ?
with a grin and a smile and a sniff of the air .
" For all the mice will run away when they see this one in marble and clay "
How sweet thought I " For two shillings " said I to keep every mouse
from field and door won't bother me no more " .
as she left a wild flurry of sleet was cast. ,
who would scamper away to the field and the grass ,
a cold wind blew .
An orange the pritty girls sold not for a penny .
To pest houses for the dying a watchman for many ,
a mother held her child for pestelance did wake .

And every mouse that scampered up drain pipes from rivers and streams ,
from underneath old floor boards and along barns and beams .
For miles and miles like a pied piper they ran ,
to see the mouse above fire place lifted on high .
Riding high and mighty this pale horse rode ,
to no houses with a mouse did he find his abode .
Only one day that mouse of clay did dust bin did lay ,
to every mouses. deep dismay ,
the oranges from pritty girls no one would buy ,
the sweet smell of flowers as death walked by .
The mouse lady knocked on yet another door
" you need a mouse for your beautiful house " ?
MRQUIPTY Dec 2016
rawed flesh flies
to filthy beat of
the leather changer

gag metes justice
jean cotton knaw
crack of debater

mage owed silver
shillings for fake
dab at blood on
dent of his chin

Bob tours patois
scrawls with a finger
awed
by the give in her
broken skin

stud kept for she
his
promise the bearer note
When I woke,broke my fast,showered,dressed and then at last I leave the home minus keys and mobile phone I'm not surprised at all.
Early birds must wait their turn and I am third in line to catch the worm,the bus is full,I pull another cigarette,get the free tabloided press,with ironed words upon my eyes and once again I'm not surprised.
Stabbings,killings,patented pile creams for twenty shillings interspersed among the news,I amuse myself by seeing words that don't exist or if they do they're in the pages that I missed and failed to read.
At seven fifteen,bus stop C, alighting I call in to Joe's cafe for a tea,he's a refugee and doing very well,he tells me that he's getting wed,I tell him that I'm getting fed up with the daily grind and remind him to cut down on the gin,his eyes like **** holes in the sand and hands shake slightly as he hands the tea to me and then it's off to 143 ,ditch the tea,don the suit,look interested as if I give a hoot,which I do not.
I forgot,forget,give all and yet give in,I only win at five o shock when looking at the office clock,I lock the door,take off the suit I wore and turn into the early worm once more.
If Life's a bore then I'm the drill
fill me full of life.
Benjamin Bauda Aug 2017
We daily toil, spoil and sometimes boil
Yet it’s still not enough
We cry, mourn, **** and curse
Cause we couldn’t get enough of it
We frown, hide and tell lies
Because we think we don’t have what others think we have in abundance

Call it dollar, name it naira
Whether pounds or shillings
Yen or euro, money or gold
It’s still not and will never be enough

Everyone wants to be a millionaire
The millionaire wants to be a billionaire
The billionaire wants to be a multi billionaire
From the poorest to the richest
We are all searching
For that piece of paper and metal that is never enough

Like the ground that is never tired of feeding on us
So we daily feed on money
And still yet want more money
For we can’t get enough of this thing we love so dearly


It is never enough
And will never be enough
For it was meant never to be enough
So give what you can
Save all you can
Eat what you can
And thank God for all you have

— The End —