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"sculptured" poems
In love they wore themselves in a green embrace. A silken rain fell through the spring upon them. In the park she fed the swans and he whittled nervously with his strange hands. And white was mixed with all their colours as if they drew it from the flowering trees. At night his two finger whistle brought her down the waterfall stairs to his shy smile which like an eddy, turned her round and round lazily and slowly so her will was nowhere—as in dreams things are and aren't. Walking along avenues in the dark street lamps sang like sopranos in their heads with a voilence they never understood and all their movements when they were together had no conclusion. Only leaning into the question had they motion; after they parted were savage and swift as gulls. asking and asking the hostile emptiness they were as sharp as partly sculptured stone and all who watched, forgetting, were amazed to see them form and fade before their eyes.
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19.9k
Adolescence
Her sculptured body Strong thighs Under a canopy of Branches She's comes alive With her Ballerina pose She Reaches out For the night sky While she dances In union with the breeze The beautiful Ballerina tree.
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Mar 15, 2014
Mar 15, 2014 at 7:41 AM UTC
Ballerina
*as winter acquiesces to the blazing sun a soothing breeze softly grazes tips of aspen gently shedding past liaisons a perfect panacea allowing wild freedom for summer’s dawn healing from the ominous night a flower gingerly releases its grasp leaning into golden rays of summertime keenly aware of newfound vulnerability it yawns into the light a rousing essence induces a silhouette of life once thought lost prodding river’s rigid ice blue crystals to melt and flow with buoyant wonder kaleidoscopic-like waves having weathered near annihilation a sculptured consciousness remains painting summer clouds with soft-hued wisdom all awakens from the dream and should the cold return once more the sun will shine again ©2016janetaylor
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Apr 30, 2016
Apr 30, 2016 at 3:23 AM UTC
a perfect panacea
Lo! Death has reared himself a throne In a strange city lying alone Far down within the dim West, Where the good and the bad and the worst and the best Have gone to their eternal rest. There shrines and palaces and towers (Time-eaten towers and tremble not!) Resemble nothing that is ours. Around, by lifting winds forgot, Resignedly beneath the sky The melancholy waters lie. No rays from the holy Heaven come down On the long night-time of that town; But light from out the lurid sea Streams up the turrets silently— Gleams up the pinnacles far and free— Up domes—up spires—up kingly halls— Up fanes—up Babylon-like walls— Up shadowy long-forgotten bowers Of sculptured ivy and stone flowers— Up many and many a marvellous shrine Whose wreathed friezes intertwine The viol, the violet, and the vine. Resignedly beneath the sky The melancholy waters lie. So blend the turrets and shadows there That all seem pendulous in air, While from a proud tower in the town Death looks gigantically down. There open fanes and gaping graves Yawn level with the luminous waves; But not the riches there that lie In each idol’s diamond eye— Not the gaily-jewelled dead Tempt the waters from their bed; For no ripples curl, alas! Along that wilderness of glass— No swellings tell that winds may be Upon some far-off happier sea— No heavings hint that winds have been On seas less hideously serene. But lo, a stir is in the air! The wave—there is a movement there! As if the towers had ****** aside, In slightly sinking, the dull tide— As if their tops had feebly given A void within the filmy Heaven. The waves have now a redder glow— The hours are breathing faint and low— And when, amid no earthly moans, Down, down that town shall settle hence, Hell, rising from a thousand thrones, Shall do it reverence.
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4.9k
The City In The Sea
Lo! Death has reared himself a throne In a strange city lying alone Far down within the dim West, Where the good and the bad and the worst and the best Have gone to their eternal rest. There shrines and palaces and towers (Time-eaten towers and tremble not!) Resemble nothing that is ours. Around, by lifting winds forgot, Resignedly beneath the sky The melancholy waters lie. No rays from the holy Heaven come down On the long night-time of that town; But light from out the lurid sea Streams up the turrets silently— Gleams up the pinnacles far and free— Up domes—up spires—up kingly halls— Up fanes—up Babylon-like walls— Up shadowy long-forgotten bowers Of sculptured ivy and stone flowers— Up many and many a marvellous shrine Whose wreathed friezes intertwine The viol, the violet, and the vine. Resignedly beneath the sky The melancholy waters lie. So blend the turrets and shadows there That all seem pendulous in air, While from a proud tower in the town Death looks gigantically down. There open fanes and gaping graves Yawn level with the luminous waves; But not the riches there that lie In each idol’s diamond eye— Not the gaily-jewelled dead Tempt the waters from their bed; For no ripples curl, alas! Along that wilderness of glass— No swellings tell that winds may be Upon some far-off happier sea— No heavings hint that winds have been On seas less hideously serene. But lo, a stir is in the air! The wave—there is a movement there! As if the towers had ****** aside, In slightly sinking, the dull tide— As if their tops had feebly given A void within the filmy Heaven. The waves have now a redder glow— The hours are breathing faint and low— And when, amid no earthly moans, Down, down that town shall settle hence, Hell, rising from a thousand thrones, Shall do it reverence.
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53
In this fRaGmEnTeD cage,I hear checkpoint moans; anticipating our prone-positioned brothers and sisters held Prone positions against walls Prone positions against fences Prone positions against vehicles Prone positions against buildings Prone positions against prone positions Slam-whacked, bloodied, occupied like our great nation; like our souls I remember a prophet's call, " love your neighbor as yourself " I hear Palestine weeping from Jenin to Hebron, from Jerico to Gaza seized I hear lamentations about blood tales I see only FrAgMeNtS of our land I see FrAgMeNtS of our proud people Lo and behold my Palestine quakes as an earth quake Doves scatter skyward as a prophetic omen Blue skies and Sun momentarily claim victory Then inhumanity's ugly face: America to its Indians, America to its blacks, America to women, America to its gays, America to Mexicans, America to South and Central America, America once to Southeast Asia, America to Islam, America with its war crimes, America and Israel both innocence died So, we pray Koran's verses upon our prayer rugs We gesture all hope The apartheid surrounds us The dead talk to us The smoke surrounds us Perhaps better days we say Entwined with bizarre everydayness we accept sleep with fits Fits without food; Fits without crucial welfare Roads, shelters, mock us sculptured by missiles and bulldozers Bully-bombs exploding in a reign of terror We pray upon our prayer rugs Bully-bombs exploding in a reign terror And oooh how those awful missile FrAgMeNtS fly and Muhammad cries with anguished tears, in this writtened legacy...in written legacy
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Sep 13, 2014
Sep 13, 2014 at 5:21 AM UTC
FrAgMeNtS of a People
In this fRaGmEnTeD cage,I hear checkpoint moans; anticipating our prone-positioned brothers and sisters held Prone positions against walls Prone positions against fences Prone positions against vehicles Prone positions against buildings Prone positions against prone positions Slam-whacked, bloodied, occupied like our great nation; like our souls I remember a prophet's call, " love your neighbor as yourself " I hear Palestine weeping from Jenin to Hebron, from Jerico to Gaza seized I hear lamentations about blood tales I see only FrAgMeNtS of our land I see FrAgMeNtS of our proud people Lo and behold my Palestine quakes as an earth quake Doves scatter skyward as a prophetic omen Blue skies and Sun momentarily claim victory Then inhumanity's ugly face: America to its Indians, America to its blacks, America to women, America to its gays, America to Mexicans, America to South and Central America, America once to Southeast Asia, America to Islam, America with its war crimes, America and Israel both innocence died So, we pray Koran's verses upon our prayer rugs We gesture all hope The apartheid surrounds us The dead talk to us The smoke surrounds us Perhaps better days we say Entwined with bizarre everydayness we accept sleep with fits Fits without food; Fits without crucial welfare Roads, shelters, mock us sculptured by missiles and bulldozers Bully-bombs exploding in a reign of terror We pray upon our prayer rugs Bully-bombs exploding in a reign terror And oooh how those awful missile FrAgMeNtS fly and Muhammad cries with anguished tears, in this writtened legacy...in written legacy
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46
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Aug 27, 2018
Aug 27, 2018 at 1:58 PM UTC
Post-Capitalism
It is no night to drown in: A full moon, river lapsing Black beneath bland mirror-sheen, The blue water-mists dropping Scrim after scrim like fishnets Though fishermen are sleeping, The massive castle turrets Doubling themselves in a glass All stillness. Yet these shapes float Up toward me, troubling the face Of quiet. From the nadir They rise, their limbs ponderous With richness, hair heavier Than sculptured marble. They sing Of a world more full and clear Than can be. Sisters, your song Bears a burden too weighty For the whorled ear's listening Here, in a well-steered country, Under a balanced ruler. Deranging by harmony Beyond the mundane order, Your voices lay siege. You lodge On the pitched reefs of nightmare, Promising sure harborage; By day, descant from borders Of hebetude, from the ledge Also of high windows. Worse Even than your maddening Song, your silence. At the source Of your ice-hearted calling -- Drunkenness of the great depths. O river, I see drifting Deep in your flux of silver Those great goddesses of peace. Stone, stone, ferry me down there.
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3.6k
Lorelei
honoring the glass artistry of Dale Chihuly A rainbow of serrated globes, Friends to the water lilies, Floats in a sculptured pool. A surreal yellow glass Medusa Woven through a white crescent trellis Gleams in the midday sun. Choirs of chrysanthemums Sing with multicolored flora Blown from molten soda, lime and sand. Sheltered in a geodesic tropics Orange herons stand on legs of glass Amid living palms, bamboo and wild orchids. Towering blue spires Lift skyward out of the soil While butterflies dance In the misty veil of a waterfall. Nature and the shimmering world within Happily converge in the florid vision Of an effervescent man with a patched eye - A man called Chihuly. October, 2006
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Aug 22, 2013
Aug 22, 2013 at 4:03 PM UTC
Garden of Glass
With an old secret I sank into her endless eyes Pondering over laws That effected such marvel And leased me to madness Words were melting in my mouth She, refraining her turn of phrase A tear rolled down my cheek Stirring passion's tongue A tear rolled down hers Wielding my soul ablaze I rejoiced in silence Lest I betray my confidence She handled my eyes Spotting my inference I could no longer bear The fruits of my fear I leaned over and touched Her sculptured nails tenderly Freeing my emotion She smiled coyly Sealing my devotion.
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Oct 19, 2019
Oct 19, 2019 at 2:49 AM UTC
Strangers In The Light
Wondering the evening stillness We left the bluebell beds And the sculptured wooden rose To trample the wearing pathway Down to the campus amphitheater. A patch of daylight brought the party To look upwards where transparent rope Made a crossing of wavering sun beams A celebration of Art Installations with an unexpected rhyme. Downwards the plateau, a semicircle of grass Melts into July’s empty classroom of books As wasted writing and hours of hot fluttering In a breeze with discarded wineglasses and cups Await the sound of trumpets and a golden crown. Love Mary ***
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Jun 13, 2019
Jun 13, 2019 at 1:54 PM UTC
The Amphitheater.
When I first sold myself there were black cottons, brass buttons, iron crosses, steel machines All the marks of war All that searing heat With all that pretty malice Spilling Paris in the street ‘Twenty marks’ I called ‘Twenty marks’ That was 1943 And Piaf was doing well Nurse, do you know what it is like: To have a man inside of you that you could never love? There was, once upon a time, a pretty little **** black cottons, brass buttons, iron crosses, steel machines Lying on my floor And Maman was starving, and my sister, too Dignity wasn’t half the tax it seemed before He gave me a baby, and a disease, That was 1944: Piaf was quite successful, then Doctor, can you fathom: Having sores all over you? Yes, down there, and all up and down your thighs, your body burns. Can you feel that? Then, the Germans left, and the Allies came, all black cottons, brass buttons, iron crosses, steel machines All of that decor Fleeing, running out On the French horizon Retreat The Allies were the same ‘Three dollars’ I called ‘Three dollars’ That was 1945: Piaf was languishing Paris had died Jacques, my dear: Those were our times smoky cabarets, sculptured croons, fine wines your rifle on your back could wind my morning with worry and with my scourges, you took me all the same but what I remember is: black cottons, brass buttons, iron crosses, steel machines then: nothing “Monsieur Boursin - she has passed.” He sobs, it sounds like war.
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Mar 5, 2010
Mar 5, 2010 at 11:25 AM UTC
L'Hôpital, 1975
I've been collecting ear wax Since the belly button lint dust fire went bad I lost all my dignity in that fiasco So ear wax is all that I have left Believe you me, it's not easy Coming up with another scheme After burning the whole town down to the ground To get a single soul to look or even listen to me But that fateful day that I dug deep And pulled a replica of the Eiffel Tower out of my ear I knew that fame and fortune lay before me My time had arrived, my time was here Who should I call first over my artful discovery The Post?  The Enquirer?  The Times? No I would call The Museum Of Modern Art in NYC For the Art World would soon be mine I knew I had to ratchet it up a notch One piece of ear wax art might be a fluke So I got out my brush...the Q-tip And removed a portrait of John Wayne AKA The Duke Since I live in a hippie commune in the woods Little furry creatures would always stop by To gaze upon the artful process Squirrels can be the best of critics...no lie! Which gave me the idea with all the left over ear wax I sculptured a mini-amusement park with mini-arcades And charged the woodland creatures nuts and berries Which helped feed the hippies with whom I stay It wasn't long after that I received the letter Stating that art had a need for me I've become known as The Andy Warhol of The Art World With abstract ear wax being my specialty Now I go to all the major "Who Does" Where everybody knows my name As I create masterpieces right before their eyes Just don't hold it to close to the flame Who would have ever thought that ear wax Would be the perfect medium To jet propel this Simpleton To Art World stardom and beyond
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May 10, 2013
May 10, 2013 at 8:25 AM UTC
~Ear Wax Art~ (The continuing saga of 'The Great Belly Button Lint Fire of 93')
I've been collecting ear wax Since the belly button lint dust fire went bad I lost all my dignity in that fiasco So ear wax is all that I have left Believe you me, it's not easy Coming up with another scheme After burning the whole town down to the ground To get a single soul to look or even listen to me But that fateful day that I dug deep And pulled a replica of the Eiffel Tower out of my ear I knew that fame and fortune lay before me My time had arrived, my time was here Who should I call first over my artful discovery The Post?  The Enquirer?  The Times? No I would call The Museum Of Modern Art in NYC For the Art World would soon be mine I knew I had to ratchet it up a notch One piece of ear wax art might be a fluke So I got out my brush...the Q-tip And removed a portrait of John Wayne AKA The Duke Since I live in a hippie commune in the woods Little furry creatures would always stop by To gaze upon the artful process Squirrels can be the best of critics...no lie! Which gave me the idea with all the left over ear wax I sculptured a mini-amusement park with mini-arcades And charged the woodland creatures nuts and berries Which helped feed the hippies with whom I stay It wasn't long after that I received the letter Stating that art had a need for me I've become known as The Andy Warhol of The Art World With abstract ear wax being my specialty Now I go to all the major "Who Does" Where everybody knows my name As I create masterpieces right before their eyes Just don't hold it to close to the flame Who would have ever thought that ear wax Would be the perfect medium To jet propel this Simpleton To Art World stardom and beyond
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XXXVII Pardon, oh, pardon, that my soul should make, Of all that strong divineness which I know For thine and thee, an image only so Formed of the sand, and fit to shift and break. It is that distant years which did not take Thy sovranty, recoiling with a blow, Have forced my swimming brain to undergo Their doubt and dread, and blindly to forsake Thy purity of likeness and distort Thy worthiest love to a worthless counterfeit: As if a shipwrecked Pagan, safe in port, His guardian sea-god to commemorate, Should set a sculptured porpoise, gills a-snort And vibrant tail, within the temple-gate.
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2.7k
Sonnet 37 - Pardon, Oh, Pardon, That My Soul Should Make
LICHEN laden, granite cross, Reminder of a celtic culture’s loss, An icon to placate a harsh deity, A religious symbol, an outward plea. LADEN cross, granite lichen, Not a mere whim, but a deliberate decision, Ley-line power, here to focus, Awaiting another mid-summer solstice. GRANITE cross, lichen laden, Sculptured for a dark-haired maiden, Elaborate and ultimate statement of love, A prayer for a union to be blessed from above. CROSS, lichen laden, granite Manufactured on a far off planet, Crafted and left to become immortal, Marker of a time traveller’s portal.
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Jul 27, 2017
Jul 27, 2017 at 2:16 PM UTC
Lichen Laden Granite Cross
she is a dream that wakes you up desperate to return to sleep so as to feel her again, so as to be lured in irrevocably deep she is as a dragon is when unconscious on the ground harmless in speculation, not moving, just a heaping mound stay wary lest she strike with her closed jaws that ache to bite you will bleed then thank her lavishly with the foundations of your might for even sparing you the smallest slice of pain from her sculptured lips for even giving you the privilege of her attention in small strips she is my dream, she is my glory, it is my spirit she has caught and i will always be naught but her ever fleeting thought
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Feb 19, 2015
Feb 19, 2015 at 1:12 AM UTC
for the girl with the forest green eyes and the chamomile tea lips
They found her sprawled back there in the alley. Dead.  Asleep in the Lily of the Valley. She was obscene and cold, flat on her back, All for a **** hit of five dollar crack. Beneath the grime and the blood and the gore, The innocence, before she was a ***** Could not be seen for she met her maker, A one hundred percent street-wise faker. Dead blue eyes, peroxide hair, a wild vine, Earrings in her nose, tongue; defiant sign To the world that she is a wild child, Who many years ago learned not to smile. There was one thing which stood out about her, Where everything thing else was an ****** blur. A gold cross on a chain under her throat. It looked out of place, as a sable coat. A gold cross, from her unknown, murky past? A present from someone she held onto fast? A detective, hardened to scenes such as this, He shuddered, covered her with a low hiss. Blue strobe lights lit up the night near the dump, Police milled around the unmoving lump, Keeping the official face was a test, Sheet covered her body, outlined her breast. Each man, woman, working the dreadful scene, Spoke terse, if at all, about the *** queen. Many times they'd been called out in the night To look at and ponder similar sights. How much can one take before giving in To the horror and suppress it with gin? The one, lying still, sculptured by a fiend, Wicked hand carving out her end, not clean. She came to this end living the life she did, But she was much than a ***** on the skids. God, a detective screamed at the slaughter Please don't let this happen to my daughter. ©August 4, 2003 / Jerry Pat Bolton
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Jan 2, 2012
Jan 2, 2012 at 10:13 AM UTC
A Female Unknown
They found her sprawled back there in the alley. Dead.  Asleep in the Lily of the Valley. She was obscene and cold, flat on her back, All for a **** hit of five dollar crack. Beneath the grime and the blood and the gore, The innocence, before she was a ***** Could not be seen for she met her maker, A one hundred percent street-wise faker. Dead blue eyes, peroxide hair, a wild vine, Earrings in her nose, tongue; defiant sign To the world that she is a wild child, Who many years ago learned not to smile. There was one thing which stood out about her, Where everything thing else was an ****** blur. A gold cross on a chain under her throat. It looked out of place, as a sable coat. A gold cross, from her unknown, murky past? A present from someone she held onto fast? A detective, hardened to scenes such as this, He shuddered, covered her with a low hiss. Blue strobe lights lit up the night near the dump, Police milled around the unmoving lump, Keeping the official face was a test, Sheet covered her body, outlined her breast. Each man, woman, working the dreadful scene, Spoke terse, if at all, about the *** queen. Many times they'd been called out in the night To look at and ponder similar sights. How much can one take before giving in To the horror and suppress it with gin? The one, lying still, sculptured by a fiend, Wicked hand carving out her end, not clean. She came to this end living the life she did, But she was much than a ***** on the skids. God, a detective screamed at the slaughter Please don't let this happen to my daughter. ©August 4, 2003 / Jerry Pat Bolton
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37
empty hallways, forgotten voices pictures hang, dusty and off balanced cobwebs spread from door to mirror a young rat scurries past the broken floor his picture still hangs over the fireplace a spider runs down his well-shaped nose each brush stroke is thick and sculptured the dust collects as sand dunes the whole room seems mysterious books of occult line the paint-chipped walls the windows cracked the night air blows dead trees peer down on slamming shutters the old house creeks and cracks howling doge are echos of past crickets sing songs of last dreams this house, this ledgend infinte captures one's mind as lonley and hideous remembers it's myths fools false illusions under the now dim light of the moon spooks creep silent footsteps his spirit surrounds the acre truth and lies untested question of how he lived alone from living
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Dec 7, 2012
Dec 7, 2012 at 11:17 PM UTC
memories
Your face so handsome near or far Features like a well sculptured land Etched in my memories forever How I'd love to carry you away on a silver lined cloud curled up beside you
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May 29, 2018
May 29, 2018 at 10:35 PM UTC
You
Stung by an angling fad He took a fishing rod And sallied onto the nearby stream That leaped down a rocky shelf Forming small cascades But running down into plain ground With a placid demure face Uttering soft murmurs sweet Aiming at the darting Trout That made the still waters into spiraling whirls He swished the rod in the air With the alacrity of a practiced bowler Looking at the line sinking low He waited for the fish to nibble at the bait Meanwhile, inhaling the salubrious air And watching the limpid movement of the stream As the hook line went taut in his grip Hopefully he pulled it up But alas! With no ***** to boast! Patiently sat he there for hours Like a sculptured God upon a rock Oh! It requires immense patience With adroitness to boot To be an angler, no doubt That sure is a sedate man’s pursuit! Angling rarely fetches any major luck Except now and then a fresh fish upon one’s plate Yet following one’s heart’s pursuit Is worth more than all tangible reward it brings!
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Jun 8, 2016
Jun 8, 2016 at 12:14 PM UTC
Angling
*The terracotta shines in the westerly sun when the man and the woman fly on the temple courtyard on the wings of time.* She touches the sculptured kiss He stares at the ample breast She blushes at the frozen mount He awes at the curve and crest She feels a longing to be his He wishes seizing her for a kiss. *Shadows grow long on the burnt clays, time to go separate ways.*
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Sep 15, 2015
Sep 15, 2015 at 12:45 PM UTC
Strangers on Terracotta
Giraffe in Salford We clung to each other on our raft bed, Over hot breath amidst summer storms, Our bodies held fast. Melded. He gazed nightly into our Love Room, Without judgement. From an unsullied eye he blinked, Deliciously at our coupling, And pondered our fate. We sought him in the quiet times, Where our eyes first sculptured him, нιdden ιn тнe тreeѕ.      Caught in the wind,            Arching backwards,             Giraffe yawned. Chewed on his home-grown high flung leaves, And dreamt of Africa. F.S.Chapman.
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Jun 3, 2016
Jun 3, 2016 at 10:34 AM UTC
Giraffe in Salford.
You kiss like an angel, but don't pretend,                                        ever you are one, (never mind, I've never met one before) your lips taste, manna, exact, (the elixir's taste  my mind had to invent) When  your lips touch mine, I taste thunder in my nerves, (your eyes bid  me to do it, though I didn't know what awaited) I never thought a girl so docile and quiet, could play tricks,with luscious lips and tongue.                                          The marksmanship you display in that, would never be learned from any school of love. You are a wonder, love  has exclusively sculptured, to propagate its creed, aren't you a whirlwind?
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Jan 17, 2013
Jan 17, 2013 at 12:31 AM UTC
You are a wonder, love has created
Scrabble was more fun to play When we both used the same board,   Long distance rules we now use, As it's all we can afford. Playing Scrabble was more fun,     When you used to live near Grand; We could snack during the game,                And we took care of one hand. Playing Scrabble using phones, Is twisting the Scrabble rules; But since we are far away, Telephones are needed tools. When we're playing phone Scrabble, Face up letters need to be;                     Where they're in Scrabble box lids,       To make them easy to see.         Two letter racks we both use, Two by you and two by me; During the game if tempted, They help us play honestly. Mary Anne, my Scrabble friend, With words you're fascinated You've sculptured  many poems, So craftily created. I like the way you keep score,             You keep track of it so well; You make playing Scrabble fun I thought  this you I should tell. Mary Anne,, Do you have time, For some phone Scrabble  with me? When you've time for phone Scrabble, Let me know when it can be.
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Nov 28, 2020
Nov 28, 2020 at 11:06 AM UTC
Phone Scrabble
John and Eric had gone to New Orleans to get drunk, so when they saw the girl hanging over the railing of the balcony pulling her shirt up and down up and down, they hurled beads at her aiming for the top of her head so that they'd circle the drain of her neck in a circling, shimmering starlet down her shoulders. "Come down here," John yelled. The girl pulled down her halter-top one more time, exposing two globes of bouncing flesh. Thinking he had said, "Pull them down." It was so loud and everyone was whistling and there wasn't just a single color of light; the aura from the club was a nebula of parti-colored flashing. later that night she did come down. She bumped in between John and Eric as they navigated her through the crowd trying their hardest to keep her from falling over and puking, while trying to do the same for themselves. She hung to them like they were long singular beams of steel. When she rolled her head around at them she remembered that they looked hard and unknown. And while holding her in the crooks of their arms, they maneuvered the flesh in their jeans with their free hands, trying to subdue the worlds rising out of their pants like volcanoes. They got her back to the hotel. A small room with a tiny old bed, with flower-print comforters and an antique dresser with swirling sculptured wood at its corners. John slipped off his black leather jacket and shook his mop of curly black hair. Eric plopped onto the bed, pulling her with him. She felt him pull, she felt the gravity of him; the warp as she bumped against the bed. "You guys should come back next year." "Maybe," Eric said. She didn't know if she was here or not. If she'd been here the whole night or if she was dreaming. But she felt something physical on her body. Eric sat in the corner-- beside the humming a/c as it vacuumed out the room-- watching with lifeless eyes. It moved across her stomach. Slow and continuous. It moved down to her pelvis, slow and continuous. It reached inside of her slow and continuous, and she felt the vacuum of space. John and Eric tag-teamed her. Eric taking her mouth and working it around his ***** saying "Come on baby, **** John pushing against her his glowing body making a slapping noise as he struggled with his hands under her stomach making hard dimples of flesh on her mid-section as he tried to hold up her limp body. "She's out cold," he said.
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Dec 6, 2011
Dec 6, 2011 at 10:50 AM UTC
In New Orleans.
John and Eric had gone to New Orleans to get drunk, so when they saw the girl hanging over the railing of the balcony pulling her shirt up and down up and down, they hurled beads at her aiming for the top of her head so that they'd circle the drain of her neck in a circling, shimmering starlet down her shoulders. "Come down here," John yelled. The girl pulled down her halter-top one more time, exposing two globes of bouncing flesh. Thinking he had said, "Pull them down." It was so loud and everyone was whistling and there wasn't just a single color of light; the aura from the club was a nebula of parti-colored flashing. later that night she did come down. She bumped in between John and Eric as they navigated her through the crowd trying their hardest to keep her from falling over and puking, while trying to do the same for themselves. She hung to them like they were long singular beams of steel. When she rolled her head around at them she remembered that they looked hard and unknown. And while holding her in the crooks of their arms, they maneuvered the flesh in their jeans with their free hands, trying to subdue the worlds rising out of their pants like volcanoes. They got her back to the hotel. A small room with a tiny old bed, with flower-print comforters and an antique dresser with swirling sculptured wood at its corners. John slipped off his black leather jacket and shook his mop of curly black hair. Eric plopped onto the bed, pulling her with him. She felt him pull, she felt the gravity of him; the warp as she bumped against the bed. "You guys should come back next year." "Maybe," Eric said. She didn't know if she was here or not. If she'd been here the whole night or if she was dreaming. But she felt something physical on her body. Eric sat in the corner-- beside the humming a/c as it vacuumed out the room-- watching with lifeless eyes. It moved across her stomach. Slow and continuous. It moved down to her pelvis, slow and continuous. It reached inside of her slow and continuous, and she felt the vacuum of space. John and Eric tag-teamed her. Eric taking her mouth and working it around his ***** saying "Come on baby, **** John pushing against her his glowing body making a slapping noise as he struggled with his hands under her stomach making hard dimples of flesh on her mid-section as he tried to hold up her limp body. "She's out cold," he said.
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Cool shades and dews are round my way, And silence of the early day; Mid the dark rocks that watch his bed, Glitters the mighty Hudson spread, Unrippled, save by drops that fall From shrubs that fringe his mountain wall; And o'er the clear still water swells The music of the Sabbath bells. All, save this little nook of land Circled with trees, on which I stand; All, save that line of hills which lie Suspended in the mimic sky-- Seems a blue void, above, below, Through which the white clouds come and go, And from the green world's farthest steep I gaze into the airy deep. Loveliest of lovely things are they, On earth, that soonest pass away. The rose that lives its little hour Is prized beyond the sculptured flower. Even love, long tried and cherished long, Becomes more tender and more strong, At thought of that insatiate grave From which its yearnings cannot save. River! in this still hour thou hast Too much of heaven on earth to last; Nor long may thy still waters lie, An image of the glorious sky. Thy fate and mine are not repose, And ere another evening close, Thou to thy tides shalt turn again, And I to seek the crowd of men.
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A Scene On The Banks Of The Hudson