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"prat" poems
Pugnacious pundits having parties, on the left and on the right. Lowering sanity and lifting madness. I hear countless words that all seem trite. Too many fall into their trap. In happy splendid ignorance, Clowns perform, and we're all prat. Such perfectly played incompetence.
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Jan 18, 2016
Jan 18, 2016 at 3:26 PM UTC
Politics Acrostic
You, you asked for my number. I gave it to you. You text me. You say, honey do you fancy a drink? I think and retort. By text in return. I wish you'd go to hell and burn. "Don't you fancy me"? said he. Retorted that, I wanted not a soul. I need my privacy. He said "why don't you fancy me"? Insistently. Do you maybe think I'm thick. Maybe somewhat sick. I said, "I think perhaps you should be dead". Keeping on at me. Trying to tear me to strands and threads. Told him, that I wanted no-one. Henceforth, ensues a psychological assessment. Why don't you like me? Said he. "Grow up" said I. Don't feed me your insecurity. Currently I'm flying free. Had a gentleman, not long ago. Left me feeling pretty sad. I loved him so. But he's not bad. Poor fellow, he just couldn't do it. The guy who did text, he pi**ed me right off. That imbecile calls me out of the blue. Suggests, may be a night-time of crazy *** Reminded me some more of you. What a prat. I need it not. Go get lost and be forgot. The strange being who talks only by text. Pretends he likes me, but wanting *** I think him rather creepy. He's out of luck. I don't give a f**k. Left happy. Self-respect and dignity intact. (c) Livvi
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Apr 18, 2014
Apr 18, 2014 at 3:19 AM UTC
Texting!
There’s a man that works next door We all find him such a bore He’s ignorant beyond compare For business he thinks he’s got flair His ego’s always self-inflated He has no idea how much he’s hated He’s a diver, he’s a ducker He’s a full time big star-fucker To see his name in print Would please him beyond measure But I think he’s a prat So I won’t give him the pleasure
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Jun 13, 2012
Jun 13, 2012 at 11:02 AM UTC
Anonymous Irritation
The reason I don't like you, let me put it into words. You're a prat, a drain and a hypocrite, a ****** characterless **** You talk,  you talk, you ******* talk But you never say a thing. You think that you give speeches Like Dr. Martin Luther King. But you don't because your boring, You bore us all to tears. Ruining every social event, by banging on for years. Bla bla ******* bla bla bla, your monotone drones on. You're in love with the sound of your own voice, while we just want you gone. So pack your **** up in your soapbox, And turn your answer machine on. Then **** off back to snoresville, or wherever the **** you're from.
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Sep 10, 2019
Sep 10, 2019 at 12:15 AM UTC
The Speech Giver
What's a Mongol? Della asks Froggie, her cousin. He sits beside her on her bed, flicking through her CDs. What people used to call people with Downs, he says, taking out a Talking Heads album, gazing at the cover. Why? Who said it? Della stares at him, tongue resting on her lower lip, her eyes bright, drinking him all in. Man on the bus said to me. The ******* Froggie says. ******* Della looks at Froggie's tattooed hands. Not nice person, he says. She lays her head on his tattooed arm. He flicks some more CDs. Man said sit elsewhere to me. If I'd been there, I'd have floored him. Floored him? Della twirls a finger in a lock of hair. Flattened the *** She closes her bright eyes, imagines the man flattened. Did you? What? Sit elsewhere. She nods. I'd have thrown him off the fecking bus, Froggie says, taking out an Oasis album and turning it over. She opens her eyes, rubs her head on the tattooed arm. Man said I shouldn't be out in public. Why? Said they used to lock my type up. Who was this prat? Don't know. Stranger on the bus. Froggie puts down CDs and rubs her head. She looks at him, feels his hand rubbing her head. Never should have been locked up years ago, Froggie says. Were they? Yes, Uncle said they were, he worked in a mental hospital years back. Why? Froggie kisses her head. People were ignorant or ashamed; locked them out of sight. Why? She hugs Froggie's tattooed arm. Don't know, Del. She closes her eyes. Tears seep. Run her cheek. Froggie wipes them off with his finger and licks it. Not worry crying over. She kisses his arm, hairy, tattooed, blue and red, yellow. Put on the Stone Roses. Della takes the CD and puts it on her lap top and sits next to Froggie. They kiss lips and rub noses.
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Dec 20, 2013
Dec 20, 2013 at 12:22 PM UTC
RUBBING NOSES.
What's a Mongol? Della asks Froggie, her cousin. He sits beside her on her bed, flicking through her CDs. What people used to call people with Downs, he says, taking out a Talking Heads album, gazing at the cover. Why? Who said it? Della stares at him, tongue resting on her lower lip, her eyes bright, drinking him all in. Man on the bus said to me. The ******* Froggie says. ******* Della looks at Froggie's tattooed hands. Not nice person, he says. She lays her head on his tattooed arm. He flicks some more CDs. Man said sit elsewhere to me. If I'd been there, I'd have floored him. Floored him? Della twirls a finger in a lock of hair. Flattened the *** She closes her bright eyes, imagines the man flattened. Did you? What? Sit elsewhere. She nods. I'd have thrown him off the fecking bus, Froggie says, taking out an Oasis album and turning it over. She opens her eyes, rubs her head on the tattooed arm. Man said I shouldn't be out in public. Why? Said they used to lock my type up. Who was this prat? Don't know. Stranger on the bus. Froggie puts down CDs and rubs her head. She looks at him, feels his hand rubbing her head. Never should have been locked up years ago, Froggie says. Were they? Yes, Uncle said they were, he worked in a mental hospital years back. Why? Froggie kisses her head. People were ignorant or ashamed; locked them out of sight. Why? She hugs Froggie's tattooed arm. Don't know, Del. She closes her eyes. Tears seep. Run her cheek. Froggie wipes them off with his finger and licks it. Not worry crying over. She kisses his arm, hairy, tattooed, blue and red, yellow. Put on the Stone Roses. Della takes the CD and puts it on her lap top and sits next to Froggie. They kiss lips and rub noses.
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Who are my characters? John Prat or Marvin Prat. John Ector or Marvin Ector. Then there is Mrs. Valdez and Autumn. Who are they in relation to John and Marvin? What do you want your characters to show? Who are they? Are they funny? Comical? Tragic? What? What do they want? I want them showing me. I want them as extensions of me. I want to take everything I have learned and put them into my characters. They are facets of my imagination combined into one giant ball, clusterfuck and **** of people that is my life. I want them to display my hatred. My disheveled hair. My looks. I want them to be oddly reminiscent of my family and my personal life. I want them to ignore their own feelings and not be happy. I want them to be happy. I want them to love and cry and weep and feel pain. I want the world to hate them and I want them to hate themselves, I want the world to love them and I want them to love themselves. I want them to fall from grace. I want them to fall down so many times and be on the verge of not picking themselves up. To say **** this I'm done with it all. I want them rejected and rejected and rejected and keep losing. I want them to win. I want them to destroy themselves. I want them to create themselves. I want them to create their own world filled with imagination. I want to **** them. I want them bleeding and bruised. I want them to end up homeless on the street with nowhere to go with needles sticking out of their veins. I want them to find god. I want them crawling through a river of **** and coming out clean on the other side. I want them to enjoy the little things and hate the little things. I want them to come to life. But ultimately I want them to make me cry. I want them to touch something inside of me that laid dormant for years. I want them to understand and feel my pain and empathize with me like no one has. I want myself in these pages. These sticky pages that combine to make a story.
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Apr 22, 2013
Apr 22, 2013 at 12:40 PM UTC
Sticky Pages
Who are my characters? John Prat or Marvin Prat. John Ector or Marvin Ector. Then there is Mrs. Valdez and Autumn. Who are they in relation to John and Marvin? What do you want your characters to show? Who are they? Are they funny? Comical? Tragic? What? What do they want? I want them showing me. I want them as extensions of me. I want to take everything I have learned and put them into my characters. They are facets of my imagination combined into one giant ball, clusterfuck and **** of people that is my life. I want them to display my hatred. My disheveled hair. My looks. I want them to be oddly reminiscent of my family and my personal life. I want them to ignore their own feelings and not be happy. I want them to be happy. I want them to love and cry and weep and feel pain. I want the world to hate them and I want them to hate themselves, I want the world to love them and I want them to love themselves. I want them to fall from grace. I want them to fall down so many times and be on the verge of not picking themselves up. To say **** this I'm done with it all. I want them rejected and rejected and rejected and keep losing. I want them to win. I want them to destroy themselves. I want them to create themselves. I want them to create their own world filled with imagination. I want to **** them. I want them bleeding and bruised. I want them to end up homeless on the street with nowhere to go with needles sticking out of their veins. I want them to find god. I want them crawling through a river of **** and coming out clean on the other side. I want them to enjoy the little things and hate the little things. I want them to come to life. But ultimately I want them to make me cry. I want them to touch something inside of me that laid dormant for years. I want them to understand and feel my pain and empathize with me like no one has. I want myself in these pages. These sticky pages that combine to make a story.
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1
Where would I be Without the Internet and Tellee? Yes it’s telly I know, With its glitzy glow. They’ll be watching down there in Walthamstow. X Factor, Big Brother and many a quiz, They are the equivalent of ol’ Show Biz. They say we are ruled by all this media, That all those videos are a bad idea. Without them though it would feel quite queer. Newspapers now have become old hat, There’s not a lot we can do about that. I seem to live in Facebook Land, But many say it ought to be banned. They bury their heads in that golden sand. The Google answers my every question: Lots of info for my digestion. Facebook’s full of gossip and chat, There’s every scope for acting the prat, So if you don’t like it, just Take That. I’m on the net most every morning. Sad to say, it never gets boring. (Though it still might carry a Government Health Warning)! Near Noon I have to drag myself away, But not too many kids are out to play, It’s video games for them all day. Any kids about, they’re on their mobile phones. They’re starting to look like devoted clones. They hardly look where they are walking, Busy reading and occasionally talking. The traffic they are always baulking. To real life they pay no attention. They all deserve to be in detention. I have to wonder how brainwashed we are, Let’s go on a show and become a pop star. It’ll soon be empty in the bar. Social Networking is what they call it, So very easy to install it. Instagramming is now the thing, It’s all about the imaging. There’s nothing like that internet ping. So there you are, The Media Rules, Thanks to all these technical tools. Soon there’ll be no need for schools, But will we make geniuses, or a flock of fools? Paul Butters © PB 5\9\2015.
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Sep 5, 2015
Sep 5, 2015 at 10:40 AM UTC
Media
Where would I be Without the Internet and Tellee? Yes it’s telly I know, With its glitzy glow. They’ll be watching down there in Walthamstow. X Factor, Big Brother and many a quiz, They are the equivalent of ol’ Show Biz. They say we are ruled by all this media, That all those videos are a bad idea. Without them though it would feel quite queer. Newspapers now have become old hat, There’s not a lot we can do about that. I seem to live in Facebook Land, But many say it ought to be banned. They bury their heads in that golden sand. The Google answers my every question: Lots of info for my digestion. Facebook’s full of gossip and chat, There’s every scope for acting the prat, So if you don’t like it, just Take That. I’m on the net most every morning. Sad to say, it never gets boring. (Though it still might carry a Government Health Warning)! Near Noon I have to drag myself away, But not too many kids are out to play, It’s video games for them all day. Any kids about, they’re on their mobile phones. They’re starting to look like devoted clones. They hardly look where they are walking, Busy reading and occasionally talking. The traffic they are always baulking. To real life they pay no attention. They all deserve to be in detention. I have to wonder how brainwashed we are, Let’s go on a show and become a pop star. It’ll soon be empty in the bar. Social Networking is what they call it, So very easy to install it. Instagramming is now the thing, It’s all about the imaging. There’s nothing like that internet ping. So there you are, The Media Rules, Thanks to all these technical tools. Soon there’ll be no need for schools, But will we make geniuses, or a flock of fools? Paul Butters © PB 5\9\2015.
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Reynard and I held back after biology while the other kids had gone and we walked up the corridor I could have scored that goal lunchtime if Goldfinch hadn't got in my way he's always where you don't want him to be Reynard said I saw Jeanette walking ahead of us with her blonde friend Angela Jeanette had class I thought her friend was a short mouthy girl but Jeanette was quite reserved and looked at you as if you had stepped in her sunshine but I liked her and that quick kiss I snatched the other day still felt stuck on my lips Angela had short tight blonde curls Jeanette had long dark hair reaching her shoulders I gazed at her thin figure her arms by her side the satchel over her shoulder Reynard was still talking about the football lunchtime I was looking at Jeanette’s sway of hips almost unseen yet visible to the trained eye the way her legs came down to her well heeled shoes the white ankle socks think we ought to try get Frazer on our side he'd be great in goal better than Dunton the prat he couldn't save a goal if the ball was as big as he was Reynard said yes we must get Frazer I said wondering how I’d get that kiss that Jeanette promised the lips tempting and her cheek just visible the place my lips touched the other day and the kiss just stayed there and wouldn't go away.
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Apr 24, 2014
Apr 24, 2014 at 2:00 AM UTC
AFTER BIOLOGY IN 1962.
He’s standing in front of me Wearing a ten-gallon hat And I think, take it off You’re in the city, you look like a prat But it’s only when you get a talking That you really begin to understand He may be an old cowpoke But he’s really worked the land Sweating in the midday sun With a little cowgirl on the side A smile flashes across his face A knowing that he can’t hide Yes I’ve drank in smoky barrooms I’ve taken a few hotties on the lash I’ve seen clear mountain mornings I’ve even railed with Johnny Cash So don’t judge me by the tatty hat Or by my faded wrangler jeans Because looks can be deceptive When everything’s not as it seems I’ve seen the world, I’ve been to town I’ve know the love on a woman’s breath I don’t mean to bone, but leave me alone Now while I collect my redundancy cheque.
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May 31, 2012
May 31, 2012 at 6:03 AM UTC
Wish I Didn’t Know Now (What I Didn’t Know Then)
there's many ways to skin a cat or so they say to talk out prat perhaps in ways the sayings true in relationship to clothes and you   your breath offends your ******* pretend   don't start me on IQ so go to hell don't say you fell from heaven or ill puke dont get me wrong I don't blame you society's done this you think its hot to drink and trot your slutty nastiness
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Dec 20, 2010
Dec 20, 2010 at 10:22 PM UTC
To random drunk chick
The day after Janice’s gran had taken you to see the film The Ten Commandments you had gone with Janice to Jail Park to ride the swings and she talked of the film and the parting of the Red Sea and the drowning of the Pharaoh’s men and the horses and the writing on the two tablets of stone shame the horses had to drown too she said they hadn’t done anything wrong it’s a matter of being in the wrong place at the wrong time you said but those poor horses they didn’t ask to be the Pharaoh’s horses you swung high on the swing your feet reaching up towards the sky Janice was beside you she wasn’t swinging so high and those poor slaves she added pushing her swing higher by moving her legs and arms why were there slaves? why can’t people be nice to each other? I can imagine Cogan in my class being a bit of a pharaoh given the chance the fat *** you said maybe he’s not treated right at home she said maybe that’s why he’s like that no he’s just a prat you said who likes to bully other kids does he bully you? she asked he promises to smash my face in but when I waited for him the other day after school he didn’t show you said my gran said to be kind to people and try to see their better side Janice said I do try you said but his ugly dial gets in the way and she laughed and said we mustn’t laugh it’s a shame when people have to bully others I’m sure he’s got a good side your feet were now almost touching the sky’s rim well if he has he must keep it in his pants you said she smiled and shook her head her brown sandals and white socks seemed to scrape the sky’s skin but gran said Janice almost sang that none of us is free of sin and her voice drifted off into the blue just the two swings on that Monday morning and Janice and you.
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Jun 17, 2013
Jun 17, 2013 at 2:29 AM UTC
AFTER THE TEN COMMANDMENTS.
The day after Janice’s gran had taken you to see the film The Ten Commandments you had gone with Janice to Jail Park to ride the swings and she talked of the film and the parting of the Red Sea and the drowning of the Pharaoh’s men and the horses and the writing on the two tablets of stone shame the horses had to drown too she said they hadn’t done anything wrong it’s a matter of being in the wrong place at the wrong time you said but those poor horses they didn’t ask to be the Pharaoh’s horses you swung high on the swing your feet reaching up towards the sky Janice was beside you she wasn’t swinging so high and those poor slaves she added pushing her swing higher by moving her legs and arms why were there slaves? why can’t people be nice to each other? I can imagine Cogan in my class being a bit of a pharaoh given the chance the fat *** you said maybe he’s not treated right at home she said maybe that’s why he’s like that no he’s just a prat you said who likes to bully other kids does he bully you? she asked he promises to smash my face in but when I waited for him the other day after school he didn’t show you said my gran said to be kind to people and try to see their better side Janice said I do try you said but his ugly dial gets in the way and she laughed and said we mustn’t laugh it’s a shame when people have to bully others I’m sure he’s got a good side your feet were now almost touching the sky’s rim well if he has he must keep it in his pants you said she smiled and shook her head her brown sandals and white socks seemed to scrape the sky’s skin but gran said Janice almost sang that none of us is free of sin and her voice drifted off into the blue just the two swings on that Monday morning and Janice and you.
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106
Now! the damson crush of swallow wing to foal the brays of uwound April, in chattered sleeks of broom gleam hail that agitate these pagan grains. Where bud-nip rusts of Bullfinch creak the gates of prickled secrecy, the platted creed of wren-song yolks the whiting peeks of May. Where an absinthe canter quills a yarn of nether-world calligraphy with missives of anemone to prose the woke terrain, so a gattling shack of magpies prat along the miscreants of bine that heckle servile atrophy in lung sweet roots of anchored sage
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Apr 13, 2017
Apr 13, 2017 at 12:06 PM UTC
These Pagan Grains
Hey Skinny Kid one legged Anne said have you ever seen a ******** no you said thinking it some kind of fish she nibbled at her scrambled egg on toast at the table in the children's nursing home you mouthed Cornflakes and milk Anne was next to you eyeing the nursing nun nearby would you like to see a ******** Anne asked in whispered voice thinking it some rare find you said yes ok where will I see it? the beach? she almost choked on her scrambled egg are you all right Anne? the nun asked coming over her black and white habit swishing as she walked yes Anne said egg went down the wrong way well be careful the nun said and walked off again yes the beach if you like Anne whispered trying to keep a straight face but you're sure you've not seen one? you nodded your head not that I know of you said have you asked Sister Bridget? you added giving the nun a look o yes she's seen one Anne said straining the muscles in her face did she say so? you said o I know she has Anne said you mouthed more Cornflakes and milk little Miss Sad sat nibbling at her toast her tiny fingers holding hard the other kids eating their breakfasts the morning sunshine shining through the windows after we've finished I'll show you Anne said show him what? Malcolm asked who was sitting on Anne's other side never you mind prat face Anne said only special people can this see what I'm showing Skinny Kid then I'll tell Sister Bridget Malcolm said kiss my backside and drop dead Anne replied Sister Bridget Anne swore at me Malcolm said the nun shook her head and said Anne it's a sin to swear God is listening you know and so you sat and wondered if you'd ever see what it was one legged Anne was going to show.
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Aug 10, 2013
Aug 10, 2013 at 3:52 AM UTC
WHATEVER IT WAS.
Hey Skinny Kid one legged Anne said have you ever seen a ******** no you said thinking it some kind of fish she nibbled at her scrambled egg on toast at the table in the children's nursing home you mouthed Cornflakes and milk Anne was next to you eyeing the nursing nun nearby would you like to see a ******** Anne asked in whispered voice thinking it some rare find you said yes ok where will I see it? the beach? she almost choked on her scrambled egg are you all right Anne? the nun asked coming over her black and white habit swishing as she walked yes Anne said egg went down the wrong way well be careful the nun said and walked off again yes the beach if you like Anne whispered trying to keep a straight face but you're sure you've not seen one? you nodded your head not that I know of you said have you asked Sister Bridget? you added giving the nun a look o yes she's seen one Anne said straining the muscles in her face did she say so? you said o I know she has Anne said you mouthed more Cornflakes and milk little Miss Sad sat nibbling at her toast her tiny fingers holding hard the other kids eating their breakfasts the morning sunshine shining through the windows after we've finished I'll show you Anne said show him what? Malcolm asked who was sitting on Anne's other side never you mind prat face Anne said only special people can this see what I'm showing Skinny Kid then I'll tell Sister Bridget Malcolm said kiss my backside and drop dead Anne replied Sister Bridget Anne swore at me Malcolm said the nun shook her head and said Anne it's a sin to swear God is listening you know and so you sat and wondered if you'd ever see what it was one legged Anne was going to show.
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Dalya met Baruch in Oslo, a small cafe in a back street; he was eating a cream cake and coffee. She was fuming over the Yank ***** that she shared a tent with back at base camp. It’s like sharing with a scented skunk, she said. Baruch listened, the fiery girl sat opposite him, stirred her latte, spat out words. Baruch was halfway through the Gulag book, the Solzhenitsyn eye opener on the labour camps of Russia. Dalya’s gripe seemed pretty shallow; her language left little to the imagination, rough words, hard chipped, chiselled out of rock sort of thing, he thought, watching her mouth move the words. Always about the men she’s had, Dalya said, as if I cared a monkey’s. Baruch forked in more cake, fingered off cream from his upper lip and licked. They’d picked up the American in Hamburg, squeezed her into the overland truck with the others. And oh, yes, where she's been, Dalya said, she’s been under the Pope’s armpit, no doubt.  She sipped the latte, stared at Baruch, her eyes dark blue, her lips thin, her hair dark and curled. Maybe she has, Baruch said, but what’s it to you? I have to hear her jabbering on in the tent night after night, Dalya said, and me trying to get to sleep. You can always swap with me, he said, she can share with the Aussie prat, who’s in with me. She didn’t reply, but looked at her latte, stirred with the plastic spoon. And what would my brother say? He’d tell the parents when we got home. Baruch knew her brother wouldn’t have minded, he was often drinking and drunk till blinded. Baruch had only suggested it in jest, nothing really meant, but she was preferable to the Aussie in his tent.
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Jul 2, 2013
Jul 2, 2013 at 8:37 AM UTC
PREFERABLE CHANGES.
Dalya met Baruch in Oslo, a small cafe in a back street; he was eating a cream cake and coffee. She was fuming over the Yank ***** that she shared a tent with back at base camp. It’s like sharing with a scented skunk, she said. Baruch listened, the fiery girl sat opposite him, stirred her latte, spat out words. Baruch was halfway through the Gulag book, the Solzhenitsyn eye opener on the labour camps of Russia. Dalya’s gripe seemed pretty shallow; her language left little to the imagination, rough words, hard chipped, chiselled out of rock sort of thing, he thought, watching her mouth move the words. Always about the men she’s had, Dalya said, as if I cared a monkey’s. Baruch forked in more cake, fingered off cream from his upper lip and licked. They’d picked up the American in Hamburg, squeezed her into the overland truck with the others. And oh, yes, where she's been, Dalya said, she’s been under the Pope’s armpit, no doubt.  She sipped the latte, stared at Baruch, her eyes dark blue, her lips thin, her hair dark and curled. Maybe she has, Baruch said, but what’s it to you? I have to hear her jabbering on in the tent night after night, Dalya said, and me trying to get to sleep. You can always swap with me, he said, she can share with the Aussie prat, who’s in with me. She didn’t reply, but looked at her latte, stirred with the plastic spoon. And what would my brother say? He’d tell the parents when we got home. Baruch knew her brother wouldn’t have minded, he was often drinking and drunk till blinded. Baruch had only suggested it in jest, nothing really meant, but she was preferable to the Aussie in his tent.
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Betty sips her drink and crosses her legs and wonders if Chowbrew will ever come as he said he would and as she has been waiting for over an hour she thinks he’s not coming, thinks he’s gone off with another. She sighs. All that time getting ready, putting on the new dress, making sure she’d put on fresh underwear, showered, washed her hair, filed her nails and still he hasn’t come. Betty, her mother used to say, men are like buses, if one doesn’t turn up another’ll soon show, but it didn’t follow in her experience; if one didn’t show, she’d be left waiting until the bright moon shone and the shining stars flickered in the dark night sky, and then she’d go home to bed, tuck herself under the duvet, pull it over head, and cry or swear or maybe both. She looks at her wristwatch. He isn’t going to come; she mutters to the air, he’s left me out to dry, all that time I wasted; now I’m going to cry. Betty, her mother often said, men have only one thing in mind, oh, yes, they’ll bring you flowers, chocolates, buy you a meal, get you drunk, but at the end of it all, it’s getting you into bed that they are after, and she remembers, in the background her father’s soft laughter. She empties her glass and is just about to leave, when a breathless Chowbrew stumbles into sight, face flushed, clothes in disarray, Sorry I’m late, got the wrong cinema, she hears him say. What an **** she muses, what a prat, doesn’t know where he’s going or what he’s at, but at least he’s here, she smiles and says, Good to see you, Chowbrew dear.
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Jun 2, 2012
Jun 2, 2012 at 3:09 PM UTC
BETTY'S DATE.
Betty sips her drink and crosses her legs and wonders if Chowbrew will ever come as he said he would and as she has been waiting for over an hour she thinks he’s not coming, thinks he’s gone off with another. She sighs. All that time getting ready, putting on the new dress, making sure she’d put on fresh underwear, showered, washed her hair, filed her nails and still he hasn’t come. Betty, her mother used to say, men are like buses, if one doesn’t turn up another’ll soon show, but it didn’t follow in her experience; if one didn’t show, she’d be left waiting until the bright moon shone and the shining stars flickered in the dark night sky, and then she’d go home to bed, tuck herself under the duvet, pull it over head, and cry or swear or maybe both. She looks at her wristwatch. He isn’t going to come; she mutters to the air, he’s left me out to dry, all that time I wasted; now I’m going to cry. Betty, her mother often said, men have only one thing in mind, oh, yes, they’ll bring you flowers, chocolates, buy you a meal, get you drunk, but at the end of it all, it’s getting you into bed that they are after, and she remembers, in the background her father’s soft laughter. She empties her glass and is just about to leave, when a breathless Chowbrew stumbles into sight, face flushed, clothes in disarray, Sorry I’m late, got the wrong cinema, she hears him say. What an **** she muses, what a prat, doesn’t know where he’s going or what he’s at, but at least he’s here, she smiles and says, Good to see you, Chowbrew dear.
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Rosary ********* Martha sits in the church eyeing up the young priest who's just come tall and thin and dark haired in the front pew praying she watches no longer ********* the dark beads getting up from her pew she walks down to the priest kneeling there taps his black cloth shoulder excuse me Father Bede (she'd heard his name mentioned in the school) the young priest opens his eyes stares at her (he's nice eyes she muses) what is it my young child? the priest asks sitting back on the seat Martha sits beside him do you know just how tall the Christ was? she asks him the tall priest looks at her looking for a punchline some meaning no idea probably 6 foot so he tells her quite tall then she mutters tall as me no taller he informs her priestly and had beard and moustache? she asks him he studies her two eyes soul's mirrors he's been told probably black and long he tells her why'd you ask? he asks her I'm to be when older one of his many brides Martha says I love Him think of Him all the time Father Bede lends a smile o that's good (wondering to himself if the girl's the full pack) but do I if some prat of a boy asks for *** tell him to go **** off? she utters sincerely Father Bede blushes so puts the word from his ears best he can remain pure for Our Lord as His bride he informs red in face so I will Martha says and walks off swaying hips the thin priest watches her walk away red faced still.
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Jul 25, 2016
Jul 25, 2016 at 1:14 AM UTC
ROSARY ********* 1963.
Isolde looks from the window of her old bedroom, she's not been in there since they took her to the asylum years before. Tristana, her lover, is sitting on a white chair on the lawn talking to Isolde's mother. Her mother has the same pinched features, thin lips as if drawn across in ink, the narrow nose, peering eyes. Isolde smells the mustiness of the room, the curtains the same, the wallpaper fading. Her mother's eyes   have a look of fear in them. Her sister sits beside her mother hawk-like, hands on the arms of the chair, eyes fixed with that steady stare. Isolde recalls the last time in the room: the night they came for her, men in white coats, the ambulance waiting, flashing lights, voices shouting, her sister crying, her father ordering this and that (the prat). Father's dead now, good riddance, she muses, running a finger down the pane of glass, seeing her lover sitting there, gesturing with her hands, head tilted to one side. Not once did her mother visit her in the asylum, not a word sent or love or concern expressed. She sits on the bed, the springs complain, the bedspread pushes out dust. She remembers Tristana that first time in the asylum, that first meeting, the side ward, the nurse dragging her along the passage, cursing, gripping her nightgown.   The fat nurse let her drop by the bed; Tristana sat on the floor wide eyed, opened mouthed. Isolde had struck the nurse with the flower vase, smashed it, flowers spread across the floor. The nurse's head bled. Looked worse than it was. She smiles. They locked her up for weeks for that, saw none, except the nurses who fed and bathed her cruelly. Worth it. She moves on the bed, the springs sing. She gets up and goes to the window again. Tristana is subdued now; the mother is talking, moving her hands in the air as if learning to fly. Her sister sits crossed legged, hands on her knees. Dumb expression. The mother mouths words, moves her head to one side bird-like. Isolde recalls the first kiss on Tristana's lips. In the toilets off the ward, evening time, overhead lights flickering. Lips meeting, soft, wet, eyes closed. They slept in Tristana's bed in dead of night, close for warmth, hands holding, bodies touching. The mother looks up at the window, her eyes empty, hollow dark holes. She gestures to Isolde to come down, her thin hand moving icily. Isolde walks from the window. On the glass, where she had breathed breath to smear, she had finger written, Isolde's mind and soul once died here.
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Oct 18, 2013
Oct 18, 2013 at 7:21 AM UTC
ONCE DIED HERE.
Isolde looks from the window of her old bedroom, she's not been in there since they took her to the asylum years before. Tristana, her lover, is sitting on a white chair on the lawn talking to Isolde's mother. Her mother has the same pinched features, thin lips as if drawn across in ink, the narrow nose, peering eyes. Isolde smells the mustiness of the room, the curtains the same, the wallpaper fading. Her mother's eyes   have a look of fear in them. Her sister sits beside her mother hawk-like, hands on the arms of the chair, eyes fixed with that steady stare. Isolde recalls the last time in the room: the night they came for her, men in white coats, the ambulance waiting, flashing lights, voices shouting, her sister crying, her father ordering this and that (the prat). Father's dead now, good riddance, she muses, running a finger down the pane of glass, seeing her lover sitting there, gesturing with her hands, head tilted to one side. Not once did her mother visit her in the asylum, not a word sent or love or concern expressed. She sits on the bed, the springs complain, the bedspread pushes out dust. She remembers Tristana that first time in the asylum, that first meeting, the side ward, the nurse dragging her along the passage, cursing, gripping her nightgown.   The fat nurse let her drop by the bed; Tristana sat on the floor wide eyed, opened mouthed. Isolde had struck the nurse with the flower vase, smashed it, flowers spread across the floor. The nurse's head bled. Looked worse than it was. She smiles. They locked her up for weeks for that, saw none, except the nurses who fed and bathed her cruelly. Worth it. She moves on the bed, the springs sing. She gets up and goes to the window again. Tristana is subdued now; the mother is talking, moving her hands in the air as if learning to fly. Her sister sits crossed legged, hands on her knees. Dumb expression. The mother mouths words, moves her head to one side bird-like. Isolde recalls the first kiss on Tristana's lips. In the toilets off the ward, evening time, overhead lights flickering. Lips meeting, soft, wet, eyes closed. They slept in Tristana's bed in dead of night, close for warmth, hands holding, bodies touching. The mother looks up at the window, her eyes empty, hollow dark holes. She gestures to Isolde to come down, her thin hand moving icily. Isolde walks from the window. On the glass, where she had breathed breath to smear, she had finger written, Isolde's mind and soul once died here.
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140
Never eat humble pie I will tell you the reason why they never give you commissions you see most just expect it.. boy they take the *** Don't go to the Co's like that stick that in your pocket ,,, your cap don't you go in too smart he will think you are a prat Remember to stand straight and for god's sake don't look at him this could be a promotion or demotion never eat humble pie and don't look at him By Christos Andreas Kourtis aka NeonSolaris
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May 10, 2014
May 10, 2014 at 5:58 AM UTC
Never Eat Humble Pie
I passed Enid's father on the stairs of the flats gave him an icy glare he was ****** so didn't care he went down and I went up he was whistling some song I knew he was a prat but what was wrong? later that day I met Enid in the greengrocer shop in Meadow Row getting potatoes and greens for my mother not to forget carrots which I almost did she came in the shop in her faded red dress her hair in a mess red marks on her arm one eye closing as if half dozing what did you want young girlie? the greengrocer asked her she gave him a list and he sorted it out I carried my bag to the door I saw your old man earlier I said gave him an icy glare she looked at me then at the carrots orange and raw then at the door didn’t say anything did you? she asked no I kept shtum would have done if I didn't think he'd take it out on you I said is this 3 pounds of spuds? the greengrocer asked can't make out the figure writ she gazed at the piece of paper and said yes 3 I think and off he went shoulders stooping head bent what happened this time? I asked what did he do? he said I slept in too late or spoke out of turn Enid replied belted me thumped me then I cried the greengrocer filled the small bag she held in her small hands and took her coins and gave her change deep inside a child wept near to me but out of range.
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Jun 10, 2014
Jun 10, 2014 at 9:13 AM UTC
PASSING ENID'S FATHER.
Benedict Christina called as I got off the school bus I went over to her standing by the wire fence surrounding the girls' playground she took my arm and walked me along the fence out of earshot of others I dreamed of you last night she said did you now I said watching a prefect looking over what was I up to? that would be telling she said that's the point I said some girls were playing skip rope singing a rhyming song she looked at me with her brown eyes you kissed me she said is that all? I said the prefect was walking over towards us his lanky frame moving at a steady pace it was a long kiss she said how long? I asked I didn't time it she said but it was good made me feel all unnecessary as I heard my cousin say when she stayed with us what are you two up to? the prefect asked you he said to me should be making your way to the boys' playground not here chatting up girls Christina looked at him then at me she dreamed of me last night I said she was just telling me I bet no one dreams of you I added looking at the lanky prat do you want to go to the headmaster? he said giving me the stern eye Christina was looking at me her eyes like melted chocolate got to go I said to her see you lunch time at recess on the field I walked off the prefect stared after me Christina stood with her hands in front of her her thumbs playing with each other I turned before I went out of sight and blew her a kiss which she pretended to catch and put in her school skirt pocket the prefect scowled at her as she walked away patting my blown kiss next to her thigh easing out a school girl sigh.
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Apr 3, 2014
Apr 3, 2014 at 8:54 AM UTC
BLOWN KISS.
Benedict Christina called as I got off the school bus I went over to her standing by the wire fence surrounding the girls' playground she took my arm and walked me along the fence out of earshot of others I dreamed of you last night she said did you now I said watching a prefect looking over what was I up to? that would be telling she said that's the point I said some girls were playing skip rope singing a rhyming song she looked at me with her brown eyes you kissed me she said is that all? I said the prefect was walking over towards us his lanky frame moving at a steady pace it was a long kiss she said how long? I asked I didn't time it she said but it was good made me feel all unnecessary as I heard my cousin say when she stayed with us what are you two up to? the prefect asked you he said to me should be making your way to the boys' playground not here chatting up girls Christina looked at him then at me she dreamed of me last night I said she was just telling me I bet no one dreams of you I added looking at the lanky prat do you want to go to the headmaster? he said giving me the stern eye Christina was looking at me her eyes like melted chocolate got to go I said to her see you lunch time at recess on the field I walked off the prefect stared after me Christina stood with her hands in front of her her thumbs playing with each other I turned before I went out of sight and blew her a kiss which she pretended to catch and put in her school skirt pocket the prefect scowled at her as she walked away patting my blown kiss next to her thigh easing out a school girl sigh.
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112
A penny for the thoughts of a prat ne'er -do-well could easily garner a million dollars from the wishing well ! The riffraffs field of dreams , vividly troubled , hurried minds with selective memories of the upmost variety !                                                                                      Collective apparitions rendered due diligence ? Befuddled reasoning with questionable significance ! If a kite high in the sky was their imagination it would lie in the ionosphere invisible to all of us   Incredible tales of brave armored horsemen , fighting dragons , extraterrestrial warships !                                                                    Lunchtime by the mountains of Mars and Venus , catching twenty winks in the Little Dipper ?                                                                    Riding on a comet to the Horse Nebula , hopping from rock to rock in the Asteroid Belt ? Beware of the creative mind with their allegations , tales that could usurp the kingdoms Court Jester ! I've zero tolerance today for fools , little green men , martians and the man on the moon ? For I've a prior commitment this late afternoon , a spot of tea with an old chum on the plains of Neptune !
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Nov 13, 2015
Nov 13, 2015 at 2:27 PM UTC
Beware Creativity
Boys, now you see that I'm neither pretty nor smart nor witty but a prat. So I dare you to love me even more.
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Jun 10, 2015
Jun 10, 2015 at 12:30 PM UTC
A Dare
It was I who said that it couldn’t be done But you with a chuckle replied That “maybe it couldn’t,” but we would be ones Who wouldn’t say so till we’d tried. So I buckled right in with the trace of a grin On my face. Yes I worried, you saw it. We started to sing as I tackled the thing That couldn’t be done, and I did it! The rest of the world scoffed: “Oh, you’ll never do that; At least no one ever has done it;” But I shook off my doubt and glared at that prat And the first thing they knew I’d begun it. With bit of self pride and my dad by my side Without any doubting or quiddit, We started to sing as I tackled the thing That couldn’t be done, and I did it. There are thousands that tell me it cannot be done, There are thousands to judge by my cover, There are thousands remind me one by one, The failures I am soon to discover. But I’ll smile right at them with a word of sarcasm; I’ll shake off their words and go to it; You’ll just start to sing as I tackle the thing That “cannot be done,” and I’ll do it. There’s a man that taught me this method to life There’s a man that loves like no other There’s a man that stands by me through all of my strife Whether seas stay calm or get rougher Now here’s the debut that father is you You’ve shown me what a person should be So I thank you for this and all that I’ve missed And for loving a person like me
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Aug 12, 2015
Aug 12, 2015 at 9:33 PM UTC
It Couldn’t Be Done: Revised
Bland Like a plate of frozen peas for dinner Work Everyday until you die just trying to be above that person next to you Holidays Every year to that same villa in Spain Car Volvo Good brakes Safety No.1 I sigh in boredom of it all The sight in which we see life is a contrast between us all And that channel of tuning just isn't for me Say the odd stupid thing and regret it for days or years Date that person who scares you blind and brings you to tears Make the decision that is stupid and plainly wrong But that's how I roll man, to a different song I've been a prat at the best of times but that's what makes it fun Soaking up the rays with no cream in the summer sun Always a risk taker living life on the edge   Hey, that's the way I live, a self committed pledge People look at me and wonder why, I look back and tell them well at least I tried As this is a life to live so spread your wings and not sit in the tree Sometimes we have to make mistakes to prove whats right, hence The world will always need, An Idiot Like Me JJB
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Dec 4, 2018
Dec 4, 2018 at 9:02 AM UTC
An Idiot Like Me