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"portcullis" poems
*He built me an empire on a gargantuan chateau There, you'll see me write under the Northern lights stars hover in sight as the ghostly glow of green  in the east over the peak of the mountain sky began to dance this one winter night The man of my history is nowhere in sight he could rule the earth but I was left in a tower of one window with a candle lamp on my side The blow of snow coming from my window sends shiver down my spine It's cold and empty there's no more guards standing on the portcullis, the drawbridge wasnt closed for years and the moat is starting to freeze Everything is dead, only my heart is alive waiting for the king to find his way back from a journey that made him lost his home, people and once he called a queen*
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Sep 22, 2015
Sep 22, 2015 at 3:38 PM UTC
The Long Lost King
the meaning of an apology: echoes of a thousand I’m Sorry’s; the silence of deceit, its awful slink; the humbled hope to atone, to pay amends where due, to mend the maimed, and trust renew. forgiveness is a sad word: it bears the scar of a wound; to forgive is to hope with hurt. it is to trust in tide to wash ashore; for in lack of trust and hope, it is noble to sink with the ship. it is bolder yet to hop asea, and let tide be guide. the parable of the builders: the wiser built his house on  rock, the rain came down, the floods came, the winds blew, and beat on that house; and it did not fall, for it was founded on a rock the foolish built his on sand, the rain came down, the floods came, the winds blew, and beat on that house; and it fell — and great was its fall. determination's downfall; for, is a house still not a house despite its foundation? fortune's fortress looms; our sandcastle holdfasts hampered in comparison, but home is neither keep nor battlement, neither moat nor bailey, neither portcullis nor drawbridge; home is where you touch the ground, where you choose to grow... the rain will retain its hiss; but the rain is still the rain, the floods remain the floods, and the wind is just the wind. ~ Inori
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Sep 6, 2021
Sep 6, 2021 at 7:14 PM UTC
An Apologist's Apology (Trusting the Tide)
He glides across the cold asphalt this man of indeterminate age, Hair tinged gray, eyes to match. Singing and grooving to the music Of the celestial spheres heard clear as mountain waters. Collapse into his manhood He is not like the other men, a beer and a historical allegory, He will guide you to a lumberyard, where he'll record our voice, and photograph your mouth. Paint the walls passion red, greed green, purest aqua. When he enters, and the portcullis opens, Ringing of a bell, there will be noise. You will open fifteen portals, and swim with your senses. Outside, an intermittent, pindrop noise and Cold waters, that taste of honey. the release ... of a night sky of solar energy, White, red, yellow, and blue lights blazing. He'll follow the cloth to the seam and memorize each stitch of your skin, Bend your strings until two hundred silk pillows shower down, Two bodies buried beneath breathing only each other.
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Sep 8, 2012
Sep 8, 2012 at 8:24 AM UTC
Two Bodies Buried Beneath...
i. the sun burns the grass and the ferns, they melt under a bright sky, roughening, like the tongue of a cat, the grass with its brown sandpapers. ii. the flowers pray for me and my watering can, on a dirt track the water splashes and the earth drinks deep, the trees shiver at the thought of water, their branches sway, this is to dance - leaves with patterns scattering - leafy shade and pools of bright sun. iii. drawn out of the air a drawbridge of breeze raising its portcullis and suddenly the heat is bearable, shadows and sun like a patchwork quilt. iv. we wait for summer, tender-eyed, smouldering in the heat, the trees like colossal statues of bronze stretching branches beneath the canopy of a green sea in a dream spun from ebony. v. i kiss you, grazed by this orient sun, my heart seeking yours, my legs longing for your legs, my limbs threading with yours while summer sings of her forgotten ghosts.
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Jul 8, 2018
Jul 8, 2018 at 1:35 PM UTC
beneath a hot sun.
Two and sixty days ago — Two months, or so I'm told — I wandered, wistful, without cause, Through a memory of old. A hall of walls I wandered, tall, As tall as tales I could weave, But none as tall as this regale, A story that you won't believe. I walked near endless hours, My only friends the cobblestones, Ringing in my steps the sin That only time atones, When upon that pallid plaster I did spy a shocking sight: Upon that place's rocky face, The wall had turned to light. "Curious," I cooed and questioned, Calm as I could never be, "Perhaps it might be that this light Is rightly mine, I see?" And as I pondered that hall I wandered, A chilling change I never chose arose: That light so rife with delight and fright Began to open, and I froze, For that particular portcullis I pondered Put me in a vice. I nary noticed that walls in focus Had changed into a hall of lights. Transfixed, the light engulfed me so, As slow as my bewildered head Could comprehend the candid land I planned my final stand in dead. I whizzed through spaces, unknown places, In stasis from the faceless force When finally I fell, the frenzied light Still tight from an unseemly source. All at once, those two months Became a fraction of a wink; The frost was lost as I was tossed Among the lights of what I think. And where else would I find myself But in this courtyard we call love? My journey never left my head, Nor bed's unconscious dreamland hub. Two and sixty days ago, I heard these words so true, And in the dark they were my light: You told me "I love you."
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Nov 3, 2010
Nov 3, 2010 at 2:06 PM UTC
The Light
Two and sixty days ago — Two months, or so I'm told — I wandered, wistful, without cause, Through a memory of old. A hall of walls I wandered, tall, As tall as tales I could weave, But none as tall as this regale, A story that you won't believe. I walked near endless hours, My only friends the cobblestones, Ringing in my steps the sin That only time atones, When upon that pallid plaster I did spy a shocking sight: Upon that place's rocky face, The wall had turned to light. "Curious," I cooed and questioned, Calm as I could never be, "Perhaps it might be that this light Is rightly mine, I see?" And as I pondered that hall I wandered, A chilling change I never chose arose: That light so rife with delight and fright Began to open, and I froze, For that particular portcullis I pondered Put me in a vice. I nary noticed that walls in focus Had changed into a hall of lights. Transfixed, the light engulfed me so, As slow as my bewildered head Could comprehend the candid land I planned my final stand in dead. I whizzed through spaces, unknown places, In stasis from the faceless force When finally I fell, the frenzied light Still tight from an unseemly source. All at once, those two months Became a fraction of a wink; The frost was lost as I was tossed Among the lights of what I think. And where else would I find myself But in this courtyard we call love? My journey never left my head, Nor bed's unconscious dreamland hub. Two and sixty days ago, I heard these words so true, And in the dark they were my light: You told me "I love you."
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48
Starlit nights bring a sense of tininess. The vast soot-stained cloak of the sky, pierced with so many tiny scintillating spots of vim opalescent flares, is a heavy intoxicant. It contains a thing most panache. A girlish teetotaler beside me says, "We're like those stars, distantly inflamed, lost in a void of what we cannot know." She is most apt in her contrivance. I wish to be castellated, terraced with Byzantine buttresses and towers-tops. I want a portcullis for my portico that is made mostly out of gold, an inner bailey where the stars can sleep and the wine may flow. I want the wine most metaphysical, the type that flows and churns, perning inside the inner sanctum of the mind.
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Sep 28, 2012
Sep 28, 2012 at 2:04 PM UTC
The beginning of a longer poem
This purpose I seek Continues to elude me All I can hear is the words From foreign mouths Compliments, accomplishments But still satisfaction is far from close Goals tossed aside Like flood damaged novels Except for one Dusty, old, and unachieved One from my childhood Tucked away for safe keeping Inside the hidden nook of my mind One day, I will find a person A person whose mind reacts Perfectly with mine So my journey begins anew, But misleading pursuits led me Far from where I needed to venture Years it’s been, but I found a new path One that I thought would lead me To a delicate spring, peaceful and joyous I still don’t know if this path is the right one However, I continue with my hopes held high 10 miles in, now I see it The path, it’s blocked Preventing any passage lays a gate Constructed fairly recently, but solid Solid as stone and no way around it I could turn back, choose another path But the image of the spring is so near My faith cannot falter And so I wait Sitting on the stairs leading to the gate Listening for the chains to move Lifting this portcullis But what if I wait to long? What if another arrives? No, I must not question I must find my use So I continue to wait Hoping that for once I can continue on my journey And for once I can stay Happy. Right?
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Nov 18, 2015
Nov 18, 2015 at 1:01 AM UTC
Guard at the Gate
She smiled her best hurricane smile with lightening instead of teeth and eyes at once anxious and unkind, whispering first, “you ain’t near good enough.” Then, “I’m probably going to **** you tomorrow.” The gate has an intimidating portcullis secured with a five dollar padlock from Ace Hardware. That’s enough to keep me out. Over the high south wall I can see broken glass treetops, not so much reaching for the sky as probing it for weaknesses. I stand and stare as day turns night. Some far off moon rises; a sickly crescent that reminds me of a smile          like a hurricane                     with thunderheads                                    instead of dimples. Suddenly I am filled with dread for tomorrow.
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Feb 10, 2016
Feb 10, 2016 at 1:16 PM UTC
Meanwhile, Outside The Castle
Cats stuck to window sills as languid as the rolling hills and craggy like the rocky tors sheep sleeping underneath a portcullis of a sky as steel grey clouds disguised as prison bars soothe them gently with the Lakeland lullaby I saw no Viking but I did see hikers by the score up the scree scrambling up the tor being me, I wondered what you doing that for? Boats across the lake too much Kendal mint cake and your jaws ache take the Lilliputian train we're toddlers toddling off again Such fun.
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Aug 6, 2016
Aug 6, 2016 at 5:21 AM UTC
First steps
The very second he leaves A dark void begins to form I finger the musical keys With melancholic music I mourn Because when he was here I could breathe I could smile and talk and sing But now that he took the heart on my sleeve All that is left is remembering I know in my depth my knight will return To the stone cold castle in the sky But I still have gargoyles and urns And things that could easily die I have created a collection Of monstrous items to hold I cannot seem to win the battle Between me and my wretched soul My hair has grown long since I saw him last Longer than the crimson lace of my dress Trying to leave a shadow I can’t even cast Leaving me hungry for blood and flesh The portcullis of my terrain Is wrapped in red and dead roses With each gust they whisper his name As each lifeless petal poses The vine of thoughts strangles my weak neck I promised the world I’d be strong I want him as well to be fit on his trek If not, have we all been living wrong? Death is tempting when you have a moat Surrounding your very home Rope or dagger to the throat? I prefer to be left alone! The Hourglass is my worst enemy He haunts me in my dreams When slumber lets me in for a peak I see My heart with all its fragile seams I tell myself there’s a Queen inside Where is she now? She’s let the people starve and suffer She’s let the people down The people are inside her head The people of the future’s past A drink and smoke can only let The fear come just as it passed Nothing will aid the aching The Queen has gone mad She throws what ends up breaking But it is making no one sad
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Jun 2, 2012
Jun 2, 2012 at 7:26 PM UTC
The Queen
The very second he leaves A dark void begins to form I finger the musical keys With melancholic music I mourn Because when he was here I could breathe I could smile and talk and sing But now that he took the heart on my sleeve All that is left is remembering I know in my depth my knight will return To the stone cold castle in the sky But I still have gargoyles and urns And things that could easily die I have created a collection Of monstrous items to hold I cannot seem to win the battle Between me and my wretched soul My hair has grown long since I saw him last Longer than the crimson lace of my dress Trying to leave a shadow I can’t even cast Leaving me hungry for blood and flesh The portcullis of my terrain Is wrapped in red and dead roses With each gust they whisper his name As each lifeless petal poses The vine of thoughts strangles my weak neck I promised the world I’d be strong I want him as well to be fit on his trek If not, have we all been living wrong? Death is tempting when you have a moat Surrounding your very home Rope or dagger to the throat? I prefer to be left alone! The Hourglass is my worst enemy He haunts me in my dreams When slumber lets me in for a peak I see My heart with all its fragile seams I tell myself there’s a Queen inside Where is she now? She’s let the people starve and suffer She’s let the people down The people are inside her head The people of the future’s past A drink and smoke can only let The fear come just as it passed Nothing will aid the aching The Queen has gone mad She throws what ends up breaking But it is making no one sad
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48
why do we love open the door to be robbed raise the portcullis for invasion leave our frail hearts open to the skewers and the pain open our arms for an embrace at knifepoint put our neck in the guillotine feed each other our torn-up hearts? for a smile or a kind word in fair exchange? the story of love is loosened ties and running mascara
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Dec 14, 2013
Dec 14, 2013 at 6:40 PM UTC
Fair Exchange
He stood in the doorway watching her sleep His hands pressed to his chest whispering promises he could not keep He stood right next to her his hand trembling, mid air took one step back, then another so he was no longer there She lay upon sheets of silk her back a work of Art her scissored legs and arms flung wide, as though she was torn apart She waited with breath held tight her eyes closed and lungs burning She wanted as though time was right Her world was centred with her yearning He hesitated to touch such fragile beauty his encroachment in her space seemed an impregnable fortress so he stood back just to stare at her face But she had raised the portcullis and lowered the drawbridge He just needed to storm the castle and dwell forever where she lives
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Jan 31, 2015
Jan 31, 2015 at 4:37 AM UTC
Therein Lies his Demise
Surprise surprise even the veins write lines inside my eyes. When I sleep which I do, I shoot up the ink that makes me blink more lines. I need no pat on the shoulder no cat for me because I'm older Methuselah lives next door and he has the ***** of Babylon that keeps him young and big and strong. Not for me, I love the pain I like being the bain of my own life and words more words there's always more come knocking on the bedroom door prying into eyes and spying out the land some other hand writes the lines that line the artery but I can see it, just as I got over Casanova Judy punches me, I felt it the belt, it hit me like she meant it. it's la di da as far as it can be or all tickety boo to you. The meds are wearing off right now the portcullis lowers down the castle guards are keeping watch in this great Northern.. ..did I say they all wear gowns of heavy pink brocade? they'll feed me lemonade laced with cyanide must keep my eyes opened wide to write lines with veins where all are class five choo choo trains it's only being insane that keeps sane
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Jul 25, 2016
Jul 25, 2016 at 6:19 AM UTC
Monday and more maddity
Skeletal sycamore branches stick out atop crowning heaps of golden saw dust, protruding portcullis on walls obscuring a paradise lost in a tilted hourglass. Trophies of green sea stone spring tall, out the arid desert dirt, shimmering in the spotlight and scattering rays off a polished exterior. Cages of bone and eyeless skulls are covered in feathery craftsman, sculpting leathery carrion meat into monuments with chisel beaks. Apollo's wavy bangs dangle down from hurricanes of dusty satin sheets infusing the air with a rippling haze, a curtain shrouding the main play. Evanescent art adorns the dunes erupting in bursts of swirling spirals at the lightest twirl of the wind's dancing digits on the gritty canvas. And lost in mirage, icy springs attract flourishing palm trees bearing sickly sweet treasures; a moist fruit in a desert garden.
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Feb 21, 2017
Feb 21, 2017 at 12:14 PM UTC
Desert Garden
carrying fairy tales in your pockets I could see your yearning for a castle the towers reaching into the sky Moated with drawbridge and portcullis safe from the wickedness of stories handed down through generations the ones kept in your pockets and to be re- read while residing safe in your castle
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Nov 4, 2014
Nov 4, 2014 at 9:32 AM UTC
fairy tales in your pockets
Once upon a time in a tiny kingdom called Beautiful Water there lived a silly faux monarch and his fair maiden in their castle aka duplex No mote, no portcullis but one groovy fence about a humble abode littered with rooms ill-appointed and dingy but with affectionate wainscoting in spades Nonetheless, they would often rue the lack of spoil within those walls 'twas an age of shoddy floor-space like a page with no margins hence, the royal bedchamber was more a sleep shed Trips out of town, no doubt called for something fancy a room with a view a bed fit for a king to stretch out without bother But a funny thing happened on the way to forming a quorum they both pined for the cramped quarters left behind The little bumps and rubs in the night came to be a comfort a way of saying "Hello, I know you're there and I like it that way"
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Jan 16, 2020
Jan 16, 2020 at 7:35 PM UTC
Vassal King in a Queen Bed
*I whisper to you I love you honey. I say four small words Simple and sweet. As a child may say them when it falls asleep. Yet when softly spoken to you in the moonlight. The dragon that guards The portcullis to the fortress. that is your hearts defense’s. Lays peaceful and silent. I walk past him without fear or harm. The rusted iron gates creak open As you welcome me once again inside your heart.*
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Dec 20, 2015
Dec 20, 2015 at 3:36 PM UTC
Passwords
the portcullis grinds to a halt the red, leering cyst Solipsism tints the looking glass :blustery, warm afternoon breeze smoothes out the crinkling of the wrinkly overcast soul as a hurried little sheikh, an aged caucasian woman blisters past me on two be-tighted legs tensely betwixt solemnity and nervousness; i wonder why i hurry everywhere a man with one full human leg on crutches in an astronauts effigy tripods a very deliberate but rickety path slowly leaps his spider arms his cyborg motorcyclists helmet obstructing none but the least aware from peering at his character "*doting on windmills every day is a partition the great event; theatre epic, "Life!" presenting everything ever, filtered and engraved by humanitis there's you and who you were, where you've been, how you're going to be and in no personal regard --Psyche is a selection of the universe, propped up by consciousness. it exists in no True sense, but it is as it does due processes aside.*" --to paraphrase his silent proclaimation look into the annals and you may deduce humanity has made a rather good run of things we no longer stick each others heads on pikes or burn women who float at a stake blot out the eternal sunshine the well-wishing hypocrite of everymind, who robs us of choice hovering the carrot of dreams in place learn to live through the brimstone rain and choking dust because volcanoes give birth to islands
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Dec 27, 2016
Dec 27, 2016 at 2:13 PM UTC
schlpp
Passwords to the heart Jude Kyrie *I love you honey I say four small words Simple and sweet. As a child may say them when it falls asleep. Yet when softly spoken to you in the moonlight. The dragon that guards The portcullis to the fortress. that is your hearts defense’s. Lays peaceful and silent. I walk past him without harm. The rusted iron gates creak open As you welcome me once again inside your heart.*
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Aug 26, 2015
Aug 26, 2015 at 3:06 PM UTC
Password To The Heart
It was deep in her she knew she did wrong opened the gates and let the rats come in From war to war we have beaten them all at Hastings, we found out they rode into Camelot Oh how beauty can be so evil how deceived you can be by a Morgana that evil witch With my faithful, we ride west to the temple of peace we give our blessings and blood we will not relinquish our swords One knight a dear friend of mine strikes his sword into some granite his sword could not be retrieved I gave him my spare and told him to leave the other in there As we rode to Camelot I told my friend you know that sword was one of mine and now you have one of my other ones It is raining hard when we get to our Camelot the portcullis is still open we ride in with swords in hand and there does Morgana stand We alight our steads some of us still do bleed I tell her we will **** her she laughs and say's she knows Ten of my knights fall from her first spell we that are left rush her just like we did last time but she moves to another timeline I tell my brothers and sisters I will follow her through time and where she did stand I stand and disappear with a magic rhyme By Christos Andreas Kourtis aka NeonSolaris
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Dec 22, 2020
Dec 22, 2020 at 11:07 PM UTC
They Rode Into Camelot