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"pebbly" poems
The sea awoke at midnight from its sleep, And round the pebbly beaches far and wide I heard the first wave of the rising tide Rush onward with uninterrupted sweep; A voice out of the silence of the deep, A sound mysteriously multiplied As of a cataract from the mountain’s side, Or roar of winds upon a wooded steep. So comes to us at times, from the unknown And inaccessible solitudes of being, The rushing of the sea-tides of the soul; And inspirations, that we deem our own, Are some divine foreshadowing and foreseeing Of things beyond our reason or control.
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3.7k
The Sound Of The Sea
I walked into a sunset that did not belong to me, Its vivid colours burning across the Mediterranean Sea. In a fragile, elusive moment of composure I gazed at the choppy sea moving closer To the rugged, pebbly, rocky shore Where I stood alone against the Rock. The Rock of Gibraltar watched with a smile As the turbulent Med pulsating with life Scattered its waves against the strand, And the sapphire waters kissed the ancient land. The stormy sea embraced the coast With fierceness intangible as a ghost. The air vibrated with a taste of freedom, With barely audible words of wisdom That travelled across the centuries To fill the tangy air with memories. The voices from the past enveloped the Rock In an alluringly mythical, protective cloak. I gathered the strength I drew from the Rock; Fears discarded, the resolve growing strong, I walked the Med Steps to the very top Against a dazzlingly splendid backdrop Of the breathtaking views of the bay, Basking in the aura of fears thrown away. Intoxicated by the beauty, hungry for more, I was feeling elated to the very core. The fear of heights temporarily conquered, The contentment felt almost awkward. Suddenly, the world seemed a different place: Offering the nature's graceful embrace. As the starry night slowly descended, In my solitude, I felt protected By the mighty Rock standing tall and grand Guarding the ancient, immemorial land. Copyright: Nara Hodge 2018
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Jul 23, 2018
Jul 23, 2018 at 1:31 PM UTC
Dream of Gibraltar
YOU waves, though you dance by my feet like children at play, Though you glow and you glance, though you purr and you dart; In the Junes that were warmer than these are, the waves were more gay, When I was a boy with never a crack in my heart. The herring are not in the tides as they were of old; My sorrow! for many a creak gave the creel in the-cart That carried the take to Sligo town to be sold, When I was a boy with never a crack in my heart. And ah, you proud maiden, you are not so fair when his oar Is heard on the water, as they were, the proud and apart, Who paced in the eve by the nets on the pebbly shore, When I was a boy with never a crack in my heart.
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The Meditation Of The Old Fisherman
Gone is the long, long winter night; Look, my beloved one! How glorious, through his depths of light, Rolls the majestic sun! The willows, waked from winter's death, Give out a fragrance like thy breath-- The summer is begun! Ay, 'tis the long bright summer day: Hark, to that mighty crash! The loosened ice-ridge breaks away-- The smitten waters flash. Seaward the glittering mountain rides, While, down its green translucent sides, The foamy torrents dash. See, love, my boat is moored for thee, By ocean's weedy floor-- The petrel does not skim the sea More swiftly than my oar. We'll go, where, on the rocky isles, Her eggs the screaming sea-fowl piles Beside the pebbly shore. Or, bide thou where the poppy blows, With wind-flowers frail and fair, While I, upon his isle of snows, Seek and defy the bear. Fierce though he be, and huge of frame, This arm his savage strength shall tame, And drag him from his lair. When crimson sky and flamy cloud Bespeak the summer o'er, And the dead valleys wear a shroud Of snows that melt no more, I'll build of ice thy winter home, With glistening walls and glassy dome, And spread with skins the floor. The white fox by thy couch shall play; And, from the frozen skies, The meteors of a mimic day Shall flash upon thine eyes. And I--for such thy vow--meanwhile Shall hear thy voice and see thy smile, Till that long midnight flies.
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2.6k
The Arctic Lover
I am grounded by my own ignorance, he thought, and here, by the sheer complexity of things. This pebble at my feet seems the very centre of a radius  - of marks and pathways. Possibilities. It is a thing that connects itself with me. It is very early, before the sun has touched the horizon’s sky. I recall a poem telling of the perfection of pebbles, their being equal to themselves, mindful of their limits, filled exactly with a pebbly meaning, with a scent which does not remind one of anything, does not frighten anything away, does not arouse desire, its ardour and coldness full of dignity. I now remember another poem, portraying a pebble placed in a child’s hand, picked up on a pebble ridge. A pebble to place in the pocket where we finger it until it becomes warm. Its shape and certainty is firm and sure. It consoles us. And, as we change and decay, it remains lodged with us: a thing that contains nothing save the mystery of life. And there is a long prose poem devoted to the pebble. It starts at the beginning of time itself with a condensed cosmogony, describing the formation of the first rock as an allegory of The Fall. It ventures through the expulsion of life, to cooling, to those large tectonic plates, and all the way down to the pebble itself, or, as the poet says, the "kind of stone that I can pick it up and turn it over in my hand". Time is everywhere in this poem: Stone as Time, where the great wheel of stone rolls ever on as plant life, animals, gases and liquids revolve quite rapidly in their cycles of dying. Take this as the poet’s view of humanity: to consider all things as unknown, and to begin again right from the beginning. We need to take the side of things, he thought. Here, this pebble is time, and where this pebble lies, with its radii of marks, seems at the very centre of things. It was brought anonymously by the tide one stormy night to lie at our feet, and looks at us with a calm and very clear eye.
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Jul 7, 2013
Jul 7, 2013 at 1:49 AM UTC
Tide Marks #4
I am grounded by my own ignorance, he thought, and here, by the sheer complexity of things. This pebble at my feet seems the very centre of a radius  - of marks and pathways. Possibilities. It is a thing that connects itself with me. It is very early, before the sun has touched the horizon’s sky. I recall a poem telling of the perfection of pebbles, their being equal to themselves, mindful of their limits, filled exactly with a pebbly meaning, with a scent which does not remind one of anything, does not frighten anything away, does not arouse desire, its ardour and coldness full of dignity. I now remember another poem, portraying a pebble placed in a child’s hand, picked up on a pebble ridge. A pebble to place in the pocket where we finger it until it becomes warm. Its shape and certainty is firm and sure. It consoles us. And, as we change and decay, it remains lodged with us: a thing that contains nothing save the mystery of life. And there is a long prose poem devoted to the pebble. It starts at the beginning of time itself with a condensed cosmogony, describing the formation of the first rock as an allegory of The Fall. It ventures through the expulsion of life, to cooling, to those large tectonic plates, and all the way down to the pebble itself, or, as the poet says, the "kind of stone that I can pick it up and turn it over in my hand". Time is everywhere in this poem: Stone as Time, where the great wheel of stone rolls ever on as plant life, animals, gases and liquids revolve quite rapidly in their cycles of dying. Take this as the poet’s view of humanity: to consider all things as unknown, and to begin again right from the beginning. We need to take the side of things, he thought. Here, this pebble is time, and where this pebble lies, with its radii of marks, seems at the very centre of things. It was brought anonymously by the tide one stormy night to lie at our feet, and looks at us with a calm and very clear eye.
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COME round me, little childer; There, don't fling stones at me Because I mutter as I go; But pity Moll Magee. My man was a poor fisher With shore lines in the say; My work was saltin' herrings The whole of the long day. And sometimes from the Saltin' shed I scarce could drag my feet, Under the blessed moonlight, Along thc pebbly street. I'd always been but weakly, And my baby was just born; A neighbour minded her by day, I minded her till morn. I lay upon my baby; Ye little childer dear, I looked on my cold baby When the morn grew frosty and clear. A weary woman sleeps so hard! My man grew red and pale, And gave me money, and bade me go To my own place, Kinsale. He drove me out and shut the door. And gave his curse to me; I went away in silence, No neighbour could I see. The windows and the doors were shut, One star shone faint and green, The little straws were turnin round Across the bare boreen. I went away in silence: Beyond old Martin's byre I saw a kindly neighbour Blowin' her mornin' fire. She drew from me my story -- My money's all used up, And still, with pityin', scornin' eye, She gives me bite and sup. She says my man will surely come And fetch me home agin; But always, as I'm movin' round, Without doors or within, Pilin' the wood or pilin' the turf, Or goin' to the well, I'm thinkin' of my baby And keenin' to mysel'. And Sometimes I am sure she knows When, openin' wide His door, God lights the stats, His candles, And looks upon the poor. So now, ye little childer, Ye won't fling stones at me; But gather with your shinin' looks And pity Moll Magee.
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The Ballad Of Moll Magee
COME round me, little childer; There, don't fling stones at me Because I mutter as I go; But pity Moll Magee. My man was a poor fisher With shore lines in the say; My work was saltin' herrings The whole of the long day. And sometimes from the Saltin' shed I scarce could drag my feet, Under the blessed moonlight, Along thc pebbly street. I'd always been but weakly, And my baby was just born; A neighbour minded her by day, I minded her till morn. I lay upon my baby; Ye little childer dear, I looked on my cold baby When the morn grew frosty and clear. A weary woman sleeps so hard! My man grew red and pale, And gave me money, and bade me go To my own place, Kinsale. He drove me out and shut the door. And gave his curse to me; I went away in silence, No neighbour could I see. The windows and the doors were shut, One star shone faint and green, The little straws were turnin round Across the bare boreen. I went away in silence: Beyond old Martin's byre I saw a kindly neighbour Blowin' her mornin' fire. She drew from me my story -- My money's all used up, And still, with pityin', scornin' eye, She gives me bite and sup. She says my man will surely come And fetch me home agin; But always, as I'm movin' round, Without doors or within, Pilin' the wood or pilin' the turf, Or goin' to the well, I'm thinkin' of my baby And keenin' to mysel'. And Sometimes I am sure she knows When, openin' wide His door, God lights the stats, His candles, And looks upon the poor. So now, ye little childer, Ye won't fling stones at me; But gather with your shinin' looks And pity Moll Magee.
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56
Teetles tuppled storpidly, along the clurby path Her toes gribbed at the plirky sand When she lumbled swanuously round the ragthall pebbly wrath Her stlilting head tipped back as she breathed the roopled frand She trippered toinulously pausing at the gurgil streef To drink slaverously from a Burbore skinned flask Sea shells stolen plumberlingly from the Briley Heef Dripped from her pockets as she svointered on the shubbled crask And in her furling hand she snatched a Stoodle, Feathered little spine smuffled from the wind so grabbily, Its beak produced a little snawdoodle And she laughed so jorbid and trabbily “Little one, a seashell for you” She exclaimed and stooped to pluck a sleemish one And in the Stoodle horpled with a gentle twoo And she set it in the blurkish sea, spinning loorfilly in the sun With a sudden shloop both shell and Stoodle were ****** under so she stood waiting peering into the gloop as the Stoodle sunk into the murky punder Then up the Stoodle popped with sloopish swriss But Stoodle it was no more, instead a brilly Havergrath With grey silk back and wuverbul muscles twriss A smarmy smile upon its jarby grath And she smiled back at him A korky, vubblious thing And he flipped through the air with krim As one only a Havergrath can bring --Lily
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Dec 23, 2012
Dec 23, 2012 at 10:07 AM UTC
The Stoodle
Adobe skinned mimicry of light, Piece of pebbly lunar surface fallen To misty ******* reverse panoply, Spiny spar of stellar tapestry Nimbly navigating mortared limbs In sultry sea-cellar ballet, Rocky roofed conspirator of clams, Swarthy pirate, silent smithy of shells.
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Aug 13, 2010
Aug 13, 2010 at 10:12 AM UTC
Sea Star
Stranger, if thou hast learned a truth which needs No school of long experience, that the world Is full of guilt and misery, and hast seen Enough of all its sorrows, crimes, and cares, To tire thee of it, enter this wild wood And view the haunts of Nature. The calm shade Shall bring a kindred calm, and the sweet breeze That makes the green leaves dance, shall waft a balm To thy sick heart. Thou wilt find nothing here Of all that pained thee in the haunts of men And made thee loathe thy life. The primal curse Fell, it is true, upon the unsinning earth, But not in vengeance. God hath yoked to guilt Her pale tormentor, misery. Hence, these shades Are still the abodes of gladness; the thick roof Of green and stirring branches is alive And musical with birds, that sing and sport In wantonness of spirit; while below The squirrel, with raised paws and form ***** Chirps merrily. Throngs of insects in the shade Try their thin wings and dance in the warm beam That waked them into life. Even the green trees Partake the deep contentment; as they bend To the soft winds, the sun from the blue sky Looks in and sheds a blessing on the scene. Scarce less the cleft-born wild-flower seems to enjoy Existence, than the winged plunderer That ***** its sweets. The massy rocks themselves, And the old and ponderous trunks of prostrate trees That lead from knoll to knoll a causey rude Or bridge the sunken brook, and their dark roots, With all their earth upon them, twisting high, Breathe fixed tranquillity. The rivulet Sends forth glad sounds, and tripping o'er its bed Of pebbly sands, or leaping down the rocks, Seems, with continuous laughter, to rejoice In its own being. Softly tread the marge, Lest from her midway perch thou scare the wren That dips her bill in water. The cool wind, That stirs the stream in play, shall come to thee, Like one that loves thee nor will let thee pass Ungreeted, and shall give its light embrace.
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Inscription For The Entrance To A Wood
Stranger, if thou hast learned a truth which needs No school of long experience, that the world Is full of guilt and misery, and hast seen Enough of all its sorrows, crimes, and cares, To tire thee of it, enter this wild wood And view the haunts of Nature. The calm shade Shall bring a kindred calm, and the sweet breeze That makes the green leaves dance, shall waft a balm To thy sick heart. Thou wilt find nothing here Of all that pained thee in the haunts of men And made thee loathe thy life. The primal curse Fell, it is true, upon the unsinning earth, But not in vengeance. God hath yoked to guilt Her pale tormentor, misery. Hence, these shades Are still the abodes of gladness; the thick roof Of green and stirring branches is alive And musical with birds, that sing and sport In wantonness of spirit; while below The squirrel, with raised paws and form ***** Chirps merrily. Throngs of insects in the shade Try their thin wings and dance in the warm beam That waked them into life. Even the green trees Partake the deep contentment; as they bend To the soft winds, the sun from the blue sky Looks in and sheds a blessing on the scene. Scarce less the cleft-born wild-flower seems to enjoy Existence, than the winged plunderer That ***** its sweets. The massy rocks themselves, And the old and ponderous trunks of prostrate trees That lead from knoll to knoll a causey rude Or bridge the sunken brook, and their dark roots, With all their earth upon them, twisting high, Breathe fixed tranquillity. The rivulet Sends forth glad sounds, and tripping o'er its bed Of pebbly sands, or leaping down the rocks, Seems, with continuous laughter, to rejoice In its own being. Softly tread the marge, Lest from her midway perch thou scare the wren That dips her bill in water. The cool wind, That stirs the stream in play, shall come to thee, Like one that loves thee nor will let thee pass Ungreeted, and shall give its light embrace.
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42
A mist blanketed the forest, so low and dense we could barely see through it, but we kept on digging the hole. We had no other choice, and there was nowhere else to go. The onyx lake pebbly beach intimate boat cheap beer and jokes loud motor running The smell of earth and petrichor dispersed her rancid miasma. I felt ruefully relieved, but the hole was almost complete. Tiny eyes peered at us through the dark, through the leaves, from the trees, but not a chirp or tweet was aired. They remained silent as we did our deed. The wet street we came in on truck cabin nail gun hidden in the cooler her stupidly wonderful laugh awful moonlight It was finished. We climbed out, and I grasped her ankles. We swung her and let go. The wind passed through with a low groan. Burble gracious grin looking up at the stars snap yelp the start of a cry another snap of air escaping swollen tongue widened eyes The putrid miasma disappeared, buried along with everything else. And then we left. The sun crept out from behind the mountains as we walked away. The birds began their daily dance.
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Nov 17, 2018
Nov 17, 2018 at 11:08 PM UTC
Our Deed
Draw a narrow road with a man standing in the distance, The sun is setting and his shadow moves for an instance; What is this symbolizing? What does this mean? In the background, sea, salted waters, filled with chlorine. Don't get too caught up in this life-like dream, Almost real, but all too extreme. Painted man walks up to you and speaks, "I am None, I represent the Freaks." Sun stops setting, just stands right there, Gleaming rays, upon it a face appears. Chlorine waters turn into rough seas, Winter's come and the painted man freeze. The winds so strong seem to play you a song; Not such a nice tune, and ever so long. The faced sun runs away from the cold, Winter ruled all, all it controlled. Pebbly beaches, umbrellas at shore, Painted man alive and the sun rise once more. The cold got heatstroke, the seas all calmed down, The painted man, from the sun he turned brown. Leaves falling down, that season has come, Trees so bare, no more growing plumb. Final season, makes you so sad; Drawing leaves you from your sketchpad.
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Aug 30, 2012
Aug 30, 2012 at 8:50 AM UTC
Seasons Extreme
I want to be captured just as I am right now My worries and trials show in my face where before there was only the sweet depth of young hope The path I have to walk, with its forks marked Mother and Therapist and Citizen of the World loom before me, their pebbly grounds flat If you look carefully, you see their convergence in the two furrows above my eyebrows Where is the sepia portrait of me? Everyone has one That is how I know my mother’s unfamiliarity with married life It was written in the way she stood next to my father in their honeymoon photo, a bride not yet used to her own body That is how I know my great-uncle enjoyed bedding his shrill wife The lines of their bodies compliant in the picnic photo. Whoever took those photos knew what they were capturing; the intent was there to solidify that moment, in bitterness, in wondernment, as evidence It was proof they knew the subjects, the characters whose stories bubbled beneath veneers. Who’s going to take my picture?
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Jan 25, 2013
Jan 25, 2013 at 9:35 PM UTC
Take My Picture
I'd like to see some other measurements- The ones where humans don't slope away Toward the floor; where teeth and skull plates Aren't widened and flattened into floorboards, And where the secret grottoes of abbeys Aren't made silent, by kneeling on cushioned flesh Where we stretched our eardrums out To become acoustic ceilings We left in the smooth, pebbly gossip As points of interest To direct the secular gaze upward Leaving our agoraphobic thoughts Stranded out there, Trying to cross that vast expanse Of white nothingness The problem of forever Is that it always ends Just one octave Past a plaintive heartbeat I put on the clothing of monotonous atmospheres Because there wasn't anything else to wear And because I like the nice familiarity Of warm sun, and cooling moon- All the twilight seasons of sensation, Of when you could fall eternally, Knowing that a temperamental universe Still owned every atom of your being And Time's scarred fingers endlessly screeching On the blackboard Of all your faded significance
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Aug 13, 2010
Aug 13, 2010 at 1:44 PM UTC
A Naked Smile Falls Into the Prehistoric Insignificance of the Flesh
By S E T Those Shelter Island nights, When the air hung sweet and salty and the shell-laced, pebbly sand still felt jagged against your toughened feet, Inviting and profound You walked with your best guy friend, Tawny, and burnished from the summer side jobs, gap tooth and lightly nasal desperately wanting not to hear his yearning paens to your best, most glamorous friend lamenting her leaving Who'd been up for half the month, She of the glittering auburn hair and TV roles, and heartthrob drummer brother, and even then, deep, throaty laugh, Wondering if she'd go for hick, Long Island him, Instead, to feel his teen-age muscled lips bear down on yours, even if you fidgeted with desire and uncertainty, half-longing to bolt Never letting on that second fiddle was not your instrument of choice Crossing the warm road to (pinch yourself) board Chuck's yacht The only one you knew who had a yacht, not a grand affair, with modest galley and monk-like sleeper but a yacht no less, And drink the bootlegged verboten beer delicious, slightly acrid, Stealing away, out the kitchen door after the small stones clattered against your sleeping window, Your signal to renounce the troubled house for a midnight ride down paradise cove.
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Aug 28, 2016
Aug 28, 2016 at 5:15 PM UTC
Those Shelter Island Nights,
I finally got to walk alone in nature once again, And experienced that longed for peace and stillness, And space between my ears, Other than tinnitus’ static, And tinged with sadness and grief of course, And short lived till my brain kicked back in. But for awhile it was bliss. I heard the birds sing, The waves reverberate against the pebbly beach, I felt the wind gently caressing my cheek, and The warmth of the sun just before it dipped below the cliff, And saw the rise of the near full moon shining out like a beacon To lost travellers the world over. Not even the sound of voices in the distance disturbed my stillness In that moment.
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Dec 26, 2023
Dec 26, 2023 at 11:11 AM UTC
Peace
let’s just swim out into the lake and never return to the pebbly shore.
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May 19, 2014
May 19, 2014 at 2:38 AM UTC
begin
You woo me deep into the ecstasy of your pristine chasteness... where dry leaves of Aspen and Beech and Birch sussurate to the music of a lazy breeze, where Hummingbirds **** in frenzy nectar from the orange glees of the flame-of-the-forest trees, where Hawthorns lure the breeze to weave its vibrance in their domes of green glory, where shrunken streams bask in their white pebbly flourish. Like an enchantress, you lure me to the depth of your rapturous bliss! To say farewell, my heart pains. I leave a beat of my heart to ramble with the roving breeze perennially in your alluring meadows!
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Sep 18, 2018
Sep 18, 2018 at 5:58 AM UTC
A beat of my heart I leave behind
The best 4 lines that I ever read: The stone is a perfect creature, equal to itself, mindful of it's limits and filled exactly with a pebbly meaning. (Zbigniew Herbert).
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Aug 11, 2010
Aug 11, 2010 at 7:31 AM UTC
The best 4 lines that I ever read:
You think, but you don't think when you walk step by step, heel over heel, toe to toe, forward in the forest. You think, cause you can't think about much else 'cept your next step, its the step that comes next. Provided there's a path, trek steadily **** the hills, engrain your heels in the plush, pebbly mud, positioned sneakily under the leaves. Presence, breath, refresh, relieve, unwind, unconscious, maybe even semi-aware of the subconscious, slow down, speed up, listen. Hear! Understand, demand [passively] your peace, your piece of the land. And you're a piece of the land.
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Mar 8, 2014
Mar 8, 2014 at 7:16 PM UTC
Piece full
His tired jump boots filled up with pebbly sand.                                Foot followed foot at a weary leaden pace                                as he trudged on the sunset wind swept strand.                                  Fatigue drew lines upon his sunburned face.                               A sad girl sat twirling a blazing brand.                               She dreamed the furthest birth of nascent stars.                               Heavy wood crutches rested at her side.                               Her withered white legs were trapped by steel bars                                He silently approached her as she softly cried.                               Pain was offered for pain as lonely eye caught eye.                            He wept mute as she sat mourning in a grief unspoiled.                     Their tender psychic boundaries touched and then recoiled.                               A wave washed gently over his broken tongues                               as a hungry purple sea consumed the sun.
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Jan 19, 2015
Jan 19, 2015 at 9:02 PM UTC
Beach
The serpentine and ageless liquid mercurial possessed snake eternally swallowed since the beginning of time one unquenchable thirst to gorge and slake slurping up an icy cold mountainous pebbly shake yet fresh as an irish spring using thy tongue o gaelic spake then tumbling down into the cavernous abyss subsequently carving a deep criss cross patchwork across the rock hard rugged topography like the handiwork of some invincible force commandeering a humungous rake affixing legendary signature quasi-indelible grooves only for the near indomitable chiseled masterpiece to be erased, twisted then wrenched by that natural landscape altering phenomena identified as an earth quake creating a fresh tabula rasa to begin anew inviting waters from on high to carve from the ebbing and flowing millennial currents which eventually find a more direct course beginning as trickling creek swells from winter rains and thence in summer while the sun doth bake when flora blooms and fauna prance the firmament then abandons bent elbow oxbow lake as a former bend in the river.
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May 26, 2017
May 26, 2017 at 11:56 PM UTC
A bend in the river
with enormous expectations like those of being a noted artist from the suburban sidewalks of the ***** streets of Michigan ended up in the Air Force the hair cut was the worst had my hair down to my *** exited with it barely over my ears I wanted to get educated find Something, I didn't know what, in society and attended college one semester I would dedicate myself fully the next party too hard, so it took me eight years to get a Bachelor's degree by then had two kids a wife and an extended family of her mom grandma, sister aunts papas all of us in a house together when I got a paying job finally she didn't want to leave all the unhired help the unpaid diaper changers and she stayed there I moved on and it tore my ***** into small pebbly stones all shrunken up all alone in a big house bent my nights up with a tab at the bar and loose women and giggly ****** sometimes  thinking most times not I gave up then found a new she and when I did the ex came crawling back and I admit I used her revenge *** is some of the best I got ****** bereft of feelings for a long time had a callous heart I found a few years laters again on the side of a small town called Clayhatchee. where the streets are repaved and the dogs run free along side me old all keeping pace with my strides of going nowhere ever again dreamily
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Jul 16, 2017
Jul 16, 2017 at 10:12 PM UTC
i left
the gray horizon looms ahead pebbly shorelines with yellowy sand a gloomy gull walks alone for sadness he has long since known a dot of white against the beach his empty home is hard to reach a thorny nest of string and branch since gull’s abode has to withstand the hungry breeze and angered seas the rain, the birds, and tipsy trees yet through it all he makes it home saturnine smile and lunch in tow - c.c.d.
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Jul 22, 2018
Jul 22, 2018 at 2:12 AM UTC
wotd; saturnine
*Tonight the sea is still a moon hammocks on a tide in its peak on the coast reflected shadowy in balmy breeze a sentinel rain forest lays watch on tranquil bay Tonight come to your window savour sea spray in the air feast on the sounds of night and waves lapping upon the shore while pebbly tapping keeps time no sadness prevails in this symphony as the moon reconciles land and sea* ●○ °
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Nov 24, 2015
Nov 24, 2015 at 5:43 AM UTC
tonight we're free