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"largeness" poems
gee i like to think of dead it means nearer because deeper firmer since darker than little round water at one end of the well it’s too cool to be crooked and it’s too firm to be hard but it’s sharp and thick and it loves, every old thing falls in rosebugs and jackknives and kittens and pennies they all sit there looking at each other having the fastest time because they’ve never met before dead’s more even than how many ways of sitting on your head your unnatural hair has in the morning dead’s clever too like POF goes the alarm off and the little striker having the best time tickling away everybody’s brain so everybody just puts out their finger and they stuff the poor thing all full of fingers dead has a smile like the nicest man you’ve never met who maybe winks at you in a streetcar and you pretend you don’t but really you do see and you are My how glad he winked and hope he’ll do it again or if it talks about you somewhere behind your back it makes your neck feel pleasant and stoopid and if dead says may i have this one and was never introduced you say Yes because you know you want it to dance with you and it wants to and it can dance and Whocares dead’s fine like hands do you see that water flowerpots in windows but they live higher in their house than you so that’s all you see but you don’t want to dead’s happy like the way underclothes All so differently solemn and inti and sitting on one string dead never says my dear,Time for your musiclesson and you like music and to have somebody play who can but you know you never can and why have to? dead’s nice like a dance where you danced simple hours and you take all your prickly-clothes off and squeeze-into-largeness without one word and you lie still as anything in largeness and this largeness begins to give you,the dance all over again and you,feel all again all over the way men you liked made you feel when they touched you(but that’s not all)because largeness tells you so you can feel what you made,men feel when,you touched, them dead’s sorry like a thistlefluff-thing which goes landing away all by himself on somebody’s roof or something where who-ever-heard-of-growing and nobody expects you to anyway dead says come with me he says(andwhyevernot)into the round well and see the kitten and the penny and the jackknife and the rosebug and you say Sure you say (like that) sure i’ll come with you you say for i like kittens i do and jackknives i do and pennies i do and rosebugs i do
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9.1k
Gee I Like To Think Of Dead It Means Nearer Because Deeper Firmer
gee i like to think of dead it means nearer because deeper firmer since darker than little round water at one end of the well it’s too cool to be crooked and it’s too firm to be hard but it’s sharp and thick and it loves, every old thing falls in rosebugs and jackknives and kittens and pennies they all sit there looking at each other having the fastest time because they’ve never met before dead’s more even than how many ways of sitting on your head your unnatural hair has in the morning dead’s clever too like POF goes the alarm off and the little striker having the best time tickling away everybody’s brain so everybody just puts out their finger and they stuff the poor thing all full of fingers dead has a smile like the nicest man you’ve never met who maybe winks at you in a streetcar and you pretend you don’t but really you do see and you are My how glad he winked and hope he’ll do it again or if it talks about you somewhere behind your back it makes your neck feel pleasant and stoopid and if dead says may i have this one and was never introduced you say Yes because you know you want it to dance with you and it wants to and it can dance and Whocares dead’s fine like hands do you see that water flowerpots in windows but they live higher in their house than you so that’s all you see but you don’t want to dead’s happy like the way underclothes All so differently solemn and inti and sitting on one string dead never says my dear,Time for your musiclesson and you like music and to have somebody play who can but you know you never can and why have to? dead’s nice like a dance where you danced simple hours and you take all your prickly-clothes off and squeeze-into-largeness without one word and you lie still as anything in largeness and this largeness begins to give you,the dance all over again and you,feel all again all over the way men you liked made you feel when they touched you(but that’s not all)because largeness tells you so you can feel what you made,men feel when,you touched, them dead’s sorry like a thistlefluff-thing which goes landing away all by himself on somebody’s roof or something where who-ever-heard-of-growing and nobody expects you to anyway dead says come with me he says(andwhyevernot)into the round well and see the kitten and the penny and the jackknife and the rosebug and you say Sure you say (like that) sure i’ll come with you you say for i like kittens i do and jackknives i do and pennies i do and rosebugs i do
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41
"It comes about that the drifiting of these curtains Is full of long motions: as the poderous Deflations of distance: or as clouds Inseperable from their afternoons; Or the changing of light, the dropping Of the silence, wide sleep and solitude Of night, in which all motion Is beyond us, as the firmament, Up-rising and down-falling, bares The last largeness, bold to see.
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1.6k
The Curtains In The House Of The Metaphysician
I felt this primal urge This trance-like instinct To set things right In case I have to leave Move on, so to speak So I took my jaundiced eye And rolled it from corner to corner Of this, my situation And I felt so very small and hard Lost in largeness For cynicism is a tight thing Which allows little movement A strange kind of chastity And then, you see Changes Honesty demanded that I see more Grow, so to speak And oh, my poor sore eyes See how the children starve All over this bitter world This bitter, sickened world And cynicism did this Through the slack hands of millions Who still refuse to believe That things can be changed By Phil Roberts
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May 20, 2016
May 20, 2016 at 2:31 AM UTC
GROWTH
quiet, stolen brightness oh, it doesn't belong to me but this sky is your black ceiling, I'm just trying to be seen and I see you- I see you- I see you shying away, yes every few days, there's less, every month the same cycle, over and over again and you don't know how much is too much and you don't know when you'll be enough and you're stuck cutting those pieces and you struggle to bring them back back to largeness, back to circular- insecurity, phases of the moon, and the Sun does smirk in the morning blue.
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Nov 8, 2017
Nov 8, 2017 at 10:29 AM UTC
Phases of the moon
reverse engineering: tomorrow i will know still your voice, how your silence splits words into pieces, as you break me with your collared sweaters and polka dot socks: tell me i am floating, question my Gods, forbid me from touching your church elders; your parents’ Lord. today i will know your laughter, a tad frail: the voice of an unsteady deity - your fingers - never stilling a pen, nor sketching a hand - whittling my own: your chin trembling as you chide me for their largeness; i show you their erasures: your lack of wayward lines; your work of an artist. yesterday i tell you to sing, you tell me not to - you arm yourself and lock away in your room, say your poetry terrible, wrong, un-joyful, cross-averted; they cracks in all the wrong places like your flimsy hands, like your hopes massive-disintegrating like the feebleness in your dust-allergic bodies; your lack of lungs: brittled long by heavy-handed words and thin brushes: you with death - the un-wayward stroke: You who are sickly, whose quiet breaths reach where we cannot find and find the places where our gods long to be touchable.
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Feb 11, 2016
Feb 11, 2016 at 11:55 AM UTC
reverse engineering:
I felt this primal urge This trance-like instinct To set things right In case I have to leave Move on, so to speak So I took my jaundiced eye And rolled it from corner to corner Of this, my situation And I felt so very small and hard Lost in largeness For cynicism is a tight thing Which allows little movement A strange kind of chastity And then, you see Changes Honesty demanded that I see more Grow, so to speak And oh, my poor sore eyes See how the children starve All over this bitter world This bitter, sickened world And cynicism did this Through the slack hands of millions Who still refuse to believe That things can be changed                                     By Phil Roberts
0
Mar 27, 2017
Mar 27, 2017 at 10:05 AM UTC
GROWTH
Oleander Melanie S. Moorman, 2/3/15 Such beautiful pain Such largeness and gain Hardened by walls Built up time & time again White scented petals Fill the air - so smooth Fragrantly wafting - Singing to the Moon Lovelorn and tired She's dressed but uninspired Her mood changes But her song is the same Will you come out tonight? He says with a longing Will you put on that dress? A place your body belongs in She smiles seductively He knows what that means His desire shall be curbed By a meandering dream Playfully she calls But he hears - not too well Lost in his fears Where his love for her dwells.
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Feb 3, 2015
Feb 3, 2015 at 4:46 AM UTC
Oleander
1979, A live broadcast, my father bid me come to our new color TV set, the high pitched whine it gave off muted by meaning "remember this moment" he said and we watched, in awed silence as two men, Anwar Sadat and Menachem Begin shook hands and our President presided a cold peace at last In retaliation for... Sadat was later shot through the skull and died on a stage in a pool of warm blood surrounded by his brethren A letter dated 1944 My father's fingers trembled with it in his hands He brought it out to show me "I am the only survivor...all the rest are gone... I am going to Israel" Written hastily with pen and ink, our last surviving relative who we know not of bid farewell to Russia and was on track to a new land from the wellspring of grief and ****** A Jew, my father A half Jew am I and would have been all the same to the **** killing machine I thought one languishing summer day as I ate unripe apples with small wormholes at a farm full of horses Safe in the quiet, if uncaring peace of a world far away from dead Nazis and the abandoned killing centers Rabin Square in Tel Aviv, 2003 We walked through at night, my husband and I A large empty space in a city without largeness or emptiness We walk without recognition as it is now just a place and not only a shrine But I linger to look at one corner At an embedded sculpture of confused cement blocks jagged angles and useless plains, rendered in immobile lasting cement a testament to futility It is pain, frustration and the sickness of human violence-- Itzak Rabin who was shot and bled to death in a crowd in the dust of his also unknown and forgotten ancestors in retaliation for the hope of peace News of more bombs today Fresh death Mangled human potential rendered useless In retaliation for...
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Nov 20, 2012
Nov 20, 2012 at 10:35 PM UTC
In Retaliation For
1979, A live broadcast, my father bid me come to our new color TV set, the high pitched whine it gave off muted by meaning "remember this moment" he said and we watched, in awed silence as two men, Anwar Sadat and Menachem Begin shook hands and our President presided a cold peace at last In retaliation for... Sadat was later shot through the skull and died on a stage in a pool of warm blood surrounded by his brethren A letter dated 1944 My father's fingers trembled with it in his hands He brought it out to show me "I am the only survivor...all the rest are gone... I am going to Israel" Written hastily with pen and ink, our last surviving relative who we know not of bid farewell to Russia and was on track to a new land from the wellspring of grief and ****** A Jew, my father A half Jew am I and would have been all the same to the **** killing machine I thought one languishing summer day as I ate unripe apples with small wormholes at a farm full of horses Safe in the quiet, if uncaring peace of a world far away from dead Nazis and the abandoned killing centers Rabin Square in Tel Aviv, 2003 We walked through at night, my husband and I A large empty space in a city without largeness or emptiness We walk without recognition as it is now just a place and not only a shrine But I linger to look at one corner At an embedded sculpture of confused cement blocks jagged angles and useless plains, rendered in immobile lasting cement a testament to futility It is pain, frustration and the sickness of human violence-- Itzak Rabin who was shot and bled to death in a crowd in the dust of his also unknown and forgotten ancestors in retaliation for the hope of peace News of more bombs today Fresh death Mangled human potential rendered useless In retaliation for...
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45
the lean stammer of long balking *** froths diligently on my lady's bones and it plastics a largeness heading southern sea to lake and fire perpendicular unraveling senses. a mire of spitted tongues or saliva all a laminating her magic gaggle of crumbling... ***** and notch; twin ecstatic jumbled notes in discorded unity of tentative lips... mymy mym y my my mymym y my yoke, my egg, my scorpion. ***** me quickly venom i'll a sprung!
0
Dec 15, 2010
Dec 15, 2010 at 11:46 AM UTC
the lean stammer of long balking ***
I felt this primal urge This trance-like instinct To set things right In case I have to leave Move on, so to speak So I took my jaundiced eye And rolled it from corner to corner Of this, my situation And I felt so very small and hard Lost in largeness For cynicism is a tight thing Which allows little movement A strange kind of chastity And then, you see Changes Honesty demanded that I see more Grow, so to speak And oh, my poor sore eyes See how the children starve All over this bitter world This bitter, sickened world And cynicism did this Through the slack hands of millions Who still refuse to believe That things can be changed                                     By Phil Roberts
0
Jul 6, 2017
Jul 6, 2017 at 11:16 AM UTC
GROWTH
Mistakes become badges You wear on your sleeve Preaching "humility!" "kindness!" Things you have learned the hard way We stumble, and fall To only sometimes get up And walk away from the rubble That is the monument to the past We must remember that waves Are just parts of the largeness Of the grandness Of the ocean And that all things Are caused by other happenings That are caused by other instances That weren't out to get you We are all the same In that we are all different In that we are all struggling Towards a mountain's peak What I wish I was taught Years and years ago (Or maybe it's just something I wished I listened to in the first place) Is that there is no mountain peak That what really brings all of the everythings of wishes Is recognizing the wind that rustles a leaf On a struggling plant on the bottom of a forest That the insignificance is the importance That the smallness is really overwhelming In meaning and truth When we notice the path we are taking, we find the answer to ourselves: Always mistakenly thinking it lead to a mountain of happiness, But realizing it's really a road of joy we've been on the whole time.
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Jan 11, 2013
Jan 11, 2013 at 7:20 AM UTC
Mountains and Molehills
Largeness It’s a mighty fine word Until today, that is That is, today as in society (nowadays) We are “encouraged” To be small. Small waist Small nose Small arms Tiny brain They can’t handle this muchness This lushness They’re afraid of our size The history of our hills And mountains of skin Lofty mountains A landscape to make an artist sing. But as they shove us into our Small shirts Skinny jeans Tiny shoes They forget that this size, this extra-largeness Cannot be contained. We’re busting out of here. We’re claiming our space with our Large feet Large ******* Huge hips Our love handles and our lard Fear our stature    Our sweetness    Our ****** wiles    Our swagger We are deep people Large women.
0
Jul 9, 2011
Jul 9, 2011 at 12:01 PM UTC
largeness
He Who Presents Visions He personally fills the frame with a largeness broad shoulders wears the western hat perfectly the Quintessential westerner handsome he projects comfort he stands good in tall trees he meets life on his Terms confidence he projects easily with ease he takes his surroundings from their settings transfers Them to canvas with deftness perfect tone and hue he captures his subjects he takes breathing living Creatures and landscapes projects his vision of them in intricate detail he creates their life anew in Flawless demonstrations he prepares this depth of understanding in the studio it is compelling it will Touch draw ignite your emotional will into the viewing of his work you will see strength exhibited as Naturally as if you were observing the original in the sight that he had the same light and shading the Boldness that crosses from ordinary to beautiful his eye never wavers from magnificence and his Fingers delicately follows the mental picture soft to strong the essence of being is being told wonder Lives large in his expressive paints a telling by a master in full power of his talent nature is fused With every ounce of reality that she gives of her proud display structures rise their presence Phenomenal they have an essence that grabs holds your imagination only lets go when it has given all Of the pleasure it contains one represented beast of the field causes a staggering effect that empowers You to make a connection with the heard that is unseen but in your mind you know that it is there the Billowing cloud and blue sky activates sensations that flow out and over you overwhelming feelings Burst over you like a cloud burst on a rainy spring day flowers in profusion carpet the land they start At the edge of the coral at the end of the barn and gently climb up the sloping hill far beyond the snow Capped peaks shout of grandeur untold sweeping you to the end of a world bordered in a frame and told on canvass
0
Oct 25, 2012
Oct 25, 2012 at 6:02 PM UTC
He Who Presents Vision
He Who Presents Visions He personally fills the frame with a largeness broad shoulders wears the western hat perfectly the Quintessential westerner handsome he projects comfort he stands good in tall trees he meets life on his Terms confidence he projects easily with ease he takes his surroundings from their settings transfers Them to canvas with deftness perfect tone and hue he captures his subjects he takes breathing living Creatures and landscapes projects his vision of them in intricate detail he creates their life anew in Flawless demonstrations he prepares this depth of understanding in the studio it is compelling it will Touch draw ignite your emotional will into the viewing of his work you will see strength exhibited as Naturally as if you were observing the original in the sight that he had the same light and shading the Boldness that crosses from ordinary to beautiful his eye never wavers from magnificence and his Fingers delicately follows the mental picture soft to strong the essence of being is being told wonder Lives large in his expressive paints a telling by a master in full power of his talent nature is fused With every ounce of reality that she gives of her proud display structures rise their presence Phenomenal they have an essence that grabs holds your imagination only lets go when it has given all Of the pleasure it contains one represented beast of the field causes a staggering effect that empowers You to make a connection with the heard that is unseen but in your mind you know that it is there the Billowing cloud and blue sky activates sensations that flow out and over you overwhelming feelings Burst over you like a cloud burst on a rainy spring day flowers in profusion carpet the land they start At the edge of the coral at the end of the barn and gently climb up the sloping hill far beyond the snow Capped peaks shout of grandeur untold sweeping you to the end of a world bordered in a frame and told on canvass
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21
awakening in the middle of the night I find myself lying there pondering 12 foot ceilings opening eyelids to the space above my head the tall windows wondering what the point of all of that space is aesthetics, historically accurate to create a sense of largeness, grandness to draw the buyer in to provoke a sense of having a better home, a better life? not very practical costs more to heat and cool difficult to clean or reach for any other reason and certainly not inviting shelves for storage. And at least a gallon more to paint the 12 foot walls. I conclude that this is simply a waste of space, of money, designed to please the eye regardless of cost, efficiency or practicality. just what the people wanted, I guess, if you can afford it.
0
Nov 5, 2015
Nov 5, 2015 at 11:37 AM UTC
by design- Hi ceilings!
forgetting you is an impossibility that presents itself ,,, awareness is the slender shiver your spirit sends trembling through my marrow it crosses my eyes and sometimes they notice. unspoken lover, you heard me when you dissolved you heard me make the painful human discovery : death means i can't touch you even though you are right there remember how at your funeral, your mother and father didn't cry? it either meant strength or suppression. i cried until my couch could not possibly absorb one more tear, always struck with the sensation that i knew you better than anyone and then feeling selfish because that is a ******* lie. bravery is the look on your sallow face the day the chemotherapy made you blind triumphant, knowing and peaceful accepting unafraid. that night i knew before the phone call your last seconds echoed in my blood. echo they shall. you belong to the impossible largeness of love and it's okay that i never said the three words because in my head, you were never really dead.
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Nov 3, 2011
Nov 3, 2011 at 1:43 AM UTC
Thomas
Where I'm from Most kids have never heard the words "We can't afford that." Where I'm from Is marked by men in business suits Who always seem to work a little too late Where I'm from No love for my curves. "Are you really going to eat that?" My largeness makes me a target Where I'm from Closet bulimics Binge drink and purge in the morning Fakeness is the measure of success Why do you think the popular girls all look the same anyway? Where I'm from They act like choosing between a salad and a burger Is actually a ******* decision. Where I'm from ****** problem Know at least three people who lost the light in their eyes Because the monster blew out the candle Where I'm from It might as well be snowing year round The people are so cold and white Where I'm from Nearly every parent is a narcissist Believes their child is the next Ronald Reagan He is their idol, after all Where I'm from There is no "two-party system" Republicans win every local election Where I'm from They value the sanctity of life Until one of those lives is an unarmed person of color Then their tongues become laced with haughtiness and gunpowder Where I'm from Makes excuses for bad cops Welcome to Small Town, America Where we decorate our racism with jewelry That way, no one knows the extent of its ugliness Where I'm from I ask questions, get shot down Like Trayvon's body as it lies like an arrow in the street Why is his life worth less than mine? Where I'm from Thinks abortion is ****** If we care so much about babies Why do we not care that Tamir Rice was twelve When his last breath was forced from his collapsing lungs? A baby. Where I'm from My privilege becomes a loaded gun But I will not fire I try to keep the safety on Safety on Because I know I have the potential To act on the only way of existing That I have been taught Where I'm from At least half my friends' parents were divorced I was told lying to get ahead Is better than speaking up Here is my voice for those who have been silenced by oppression Where I'm from Has shown me you cannot outgrow your bloodline I have betrayal in my background This is who I was meant to be Where I'm from They taught me to pray So I pray daily That these hands with the potential to shoot Will instead pave roads for people Who cannot currently walk down the street Without the fear of taking their last steps.
0
Feb 7, 2016
Feb 7, 2016 at 7:09 PM UTC
Where I'm From
Where I'm from Most kids have never heard the words "We can't afford that." Where I'm from Is marked by men in business suits Who always seem to work a little too late Where I'm from No love for my curves. "Are you really going to eat that?" My largeness makes me a target Where I'm from Closet bulimics Binge drink and purge in the morning Fakeness is the measure of success Why do you think the popular girls all look the same anyway? Where I'm from They act like choosing between a salad and a burger Is actually a ******* decision. Where I'm from ****** problem Know at least three people who lost the light in their eyes Because the monster blew out the candle Where I'm from It might as well be snowing year round The people are so cold and white Where I'm from Nearly every parent is a narcissist Believes their child is the next Ronald Reagan He is their idol, after all Where I'm from There is no "two-party system" Republicans win every local election Where I'm from They value the sanctity of life Until one of those lives is an unarmed person of color Then their tongues become laced with haughtiness and gunpowder Where I'm from Makes excuses for bad cops Welcome to Small Town, America Where we decorate our racism with jewelry That way, no one knows the extent of its ugliness Where I'm from I ask questions, get shot down Like Trayvon's body as it lies like an arrow in the street Why is his life worth less than mine? Where I'm from Thinks abortion is ****** If we care so much about babies Why do we not care that Tamir Rice was twelve When his last breath was forced from his collapsing lungs? A baby. Where I'm from My privilege becomes a loaded gun But I will not fire I try to keep the safety on Safety on Because I know I have the potential To act on the only way of existing That I have been taught Where I'm from At least half my friends' parents were divorced I was told lying to get ahead Is better than speaking up Here is my voice for those who have been silenced by oppression Where I'm from Has shown me you cannot outgrow your bloodline I have betrayal in my background This is who I was meant to be Where I'm from They taught me to pray So I pray daily That these hands with the potential to shoot Will instead pave roads for people Who cannot currently walk down the street Without the fear of taking their last steps.
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75
He Who Presents Visions He personally fills the frame with a largeness broad shoulders wears the western hat perfectly the Quintessential westerner handsome he projects comfort he stands good in tall trees he meets life on his Terms confidence he projects easily with ease he takes his surroundings from their settings transfers Them to canvas with deftness perfect tone and hue he captures his subjects he takes breathing living Creatures and landscapes projects his vision of them in intricate detail he creates their life anew in Flawless demonstrations he prepares this depth of understanding in the studio it is compelling it will Touch draw ignite your emotional will into the viewing of his work you will see strength exhibited as Naturally as if you were observing the original in the sight that he had the same light and shading the Boldness that crosses from ordinary to beautiful his eye never wavers from magnificence and his Fingers delicately follows the mental picture soft to strong the essence of being is being told wonder Lives large in his expressive paints a telling by a master in full power of his talent nature is fused With every ounce of reality that she gives of her proud display structures rise their presence Phenomenal they have an essence that grabs holds your imagination only lets go when it has given all Of the pleasure it contains one represented beast of the field causes a staggering effect that empowers You to make a connection with the heard that is unseen but in your mind you know that it is there the Billowing cloud and blue sky activates sensations that flow out and over you overwhelming feelings Burst over you like a cloud burst on a rainy spring day flowers in profusion carpet the land they start At the edge of the coral at the end of the barn and gently climb up the sloping hill far beyond the snow Capped peaks shout of grandeur untold sweeping you to the end of a world bordered in a frame and told on canvass
0
Nov 17, 2011
Nov 17, 2011 at 5:43 AM UTC
He Who Presents Visions
He Who Presents Visions He personally fills the frame with a largeness broad shoulders wears the western hat perfectly the Quintessential westerner handsome he projects comfort he stands good in tall trees he meets life on his Terms confidence he projects easily with ease he takes his surroundings from their settings transfers Them to canvas with deftness perfect tone and hue he captures his subjects he takes breathing living Creatures and landscapes projects his vision of them in intricate detail he creates their life anew in Flawless demonstrations he prepares this depth of understanding in the studio it is compelling it will Touch draw ignite your emotional will into the viewing of his work you will see strength exhibited as Naturally as if you were observing the original in the sight that he had the same light and shading the Boldness that crosses from ordinary to beautiful his eye never wavers from magnificence and his Fingers delicately follows the mental picture soft to strong the essence of being is being told wonder Lives large in his expressive paints a telling by a master in full power of his talent nature is fused With every ounce of reality that she gives of her proud display structures rise their presence Phenomenal they have an essence that grabs holds your imagination only lets go when it has given all Of the pleasure it contains one represented beast of the field causes a staggering effect that empowers You to make a connection with the heard that is unseen but in your mind you know that it is there the Billowing cloud and blue sky activates sensations that flow out and over you overwhelming feelings Burst over you like a cloud burst on a rainy spring day flowers in profusion carpet the land they start At the edge of the coral at the end of the barn and gently climb up the sloping hill far beyond the snow Capped peaks shout of grandeur untold sweeping you to the end of a world bordered in a frame and told on canvass
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21
The rails scream in the darkness Sparking, lambent bulbs trace starlight behind tinted glass No words, just motionless exhibition of man Child The shrill yapping of a terrified pup Ears plugged from the disastrous din of metal rubbing against itself The train flies through an evacuated tube pressed beneath the innumerable water column And it is deafening. Behind us the gentle shipyards, ahead the recipient city Waiting to drink up our wallets and time with her promiscuous streets As she bends her towering legs to the ironically Chinese Barge Blowing its baritone warning flutes As it tugs itself upon her Bays. I am reading the book, seeing the Brothers through the din, in between the two cities The two unhappinesses and the creatures they identify with It is a giant artifact, the tube It protrudes through The ships She sunk and constructed Market, Mission, Pier, a swamp of concrete Over the dried clump of trees A thousand bits of Theseus And the abandoned bones of thirsting men Running east, towards Pittsburg Richmond Warm Springs The line is soft between these rusting zones And the gold Forgotten for silicone I am reading a book About brothers and the curse of stone Sharing stares with dirogenous hobos And girl's pupils feasting on bodies hidden behind periodicals The rails scream in protest The railcars are turning up and out Towards the end of the darkness And the start of the largeness The city waits to list her failures to me To cry herself to sleep with raindrops of fog And rasping breaths of breeze.
0
Jun 18, 2019
Jun 18, 2019 at 5:17 PM UTC
Dostoyevsky on the Train
The rails scream in the darkness Sparking, lambent bulbs trace starlight behind tinted glass No words, just motionless exhibition of man Child The shrill yapping of a terrified pup Ears plugged from the disastrous din of metal rubbing against itself The train flies through an evacuated tube pressed beneath the innumerable water column And it is deafening. Behind us the gentle shipyards, ahead the recipient city Waiting to drink up our wallets and time with her promiscuous streets As she bends her towering legs to the ironically Chinese Barge Blowing its baritone warning flutes As it tugs itself upon her Bays. I am reading the book, seeing the Brothers through the din, in between the two cities The two unhappinesses and the creatures they identify with It is a giant artifact, the tube It protrudes through The ships She sunk and constructed Market, Mission, Pier, a swamp of concrete Over the dried clump of trees A thousand bits of Theseus And the abandoned bones of thirsting men Running east, towards Pittsburg Richmond Warm Springs The line is soft between these rusting zones And the gold Forgotten for silicone I am reading a book About brothers and the curse of stone Sharing stares with dirogenous hobos And girl's pupils feasting on bodies hidden behind periodicals The rails scream in protest The railcars are turning up and out Towards the end of the darkness And the start of the largeness The city waits to list her failures to me To cry herself to sleep with raindrops of fog And rasping breaths of breeze.
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44
I felt this primal urge This trance-like instinct To set things right In case I have to leave Move on, so to speak So I took my jaundiced eye And rolled it from corner to corner Of this, my situation And I felt so very small and hard Lost in largeness For cynicism is a tight thing Which allows little movement A strange kind of chastity And then, you see Changes Honesty demanded that I see more Grow, so to speak And oh, my poor sore eyes See how the children starve All over this bitter world This bitter, sickened world And cynicism did this Through the slack hands of millions Who still refuse to believe That things can be changed By Phil Roberts
0
Feb 7, 2016
Feb 7, 2016 at 3:51 AM UTC
GROWTH
sangkutsa— sana'y kartada nuwebe stove -- so much inner blue in this gruesomeness, still soft is the orifice, maiming the speech whirling in warm press; hand -- to just blindingly toss out in wording it so that then this is true: we once had each other in the simmer of feelings, leaving our shadows crazy-eyed in elegiac silence. rawness -- boiled to a broth: thawing largeness, tipping away in and of feeling. final stages --- half-done in waiting, half-undone in wanting. darkness condoles with the aperture of clouds twitching to rain tritely against the tiled floor. islands of wet footmarks make the traverse viciously slippery on my way to your side of breathing. all of it -- hand's gentle breeze, salt of lake-eyes, melee of tactical pressures sizing down spots gleamed and honeyed with ires. a hiss on landscaped neck where a peregrinating perfume sits, feverish with desire and nothing else, blood boiling, whistling through the pores are the saltine sweat poised, almost for the mouth's readiness in consummation.
0
Oct 11, 2015
Oct 11, 2015 at 8:14 AM UTC
Sangkutsa (Notes On)
It's not every day I see the wonder. But from time to time it's impossible to ignore. Some are wondered by the sun and stars, While others plumb the great mystery of new birth Or life continuous. I look for interference's in life Both great and small. For it is at those times that my smallness is unique, And my largeness is revealed for all of its arrogance. And as the thunder roars And the grasses sigh, I see Him.
0
Apr 3, 2013
Apr 3, 2013 at 9:46 PM UTC
The Wonder
he reminded me that hands that big were not only meant to hurt and another persons largeness was not meant to make me seem small thank you for swallowing my hand in yours thank you for covering me with love
0
Feb 2, 2017
Feb 2, 2017 at 9:59 PM UTC
big
I felt this primal urge This trance-like instinct To set things right In case I have to leave Move on, so to speak So I took my jaundiced eye And rolled it from corner to corner Of this, my situation And I felt so very small and hard Lost in largeness For cynicism is a tight thing Which allows little movement A strange kind of chastity And then, you see Changes Honesty demanded that I see more Grow, so to speak And oh, my poor sore eyes See how the children starve All over this bitter world This bitter, sickened world And cynicism did this Through the slack hands of millions Who still refuse to believe That things can be changed By Phil Roberts
0
Sep 16, 2016
Sep 16, 2016 at 1:46 AM UTC
GROWTH
I felt this primal urge This trance-like instinct To set things right In case I have to leave Move on, so to speak So I took my jaundiced eye And rolled it from corner to corner Of this, my situation And I felt so very small and hard Lost in largeness For cynicism is a tight thing Which allows little movement A strange kind of chastity And then, you see Changes Honesty demanded that I see more Grow, so to speak And oh, my poor sore eyes See how the children starve All over this bitter world This bitter, sickened world And cynicism did this Through the slack hands of millions Who still refuse to believe That things can be changed                                     By Phil Roberts
0
Sep 13, 2015
Sep 13, 2015 at 7:39 AM UTC
GROWTH
I felt this primal urge This trance-like instinct To set things right In case I have to leave Move on, so to speak So I took my jaundiced eye And rolled it from corner to corner Of this, my situation And I felt so very small and hard Lost in largeness For cynicism is a tight thing Which allows little movement A strange kind of chastity And then, you see Changes Honesty demanded that I see more Grow, so to speak And oh, my poor sore eyes See how the children starve All over this bitter world This bitter, sickened world And cynicism did this Through the slack hands of millions Who still refuse to believe That things can be changed                                     By Phil Roberts
0
Jul 31, 2017
Jul 31, 2017 at 8:33 AM UTC
GROWTH