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the bed is not very big

a sufficient pillow shoveling
her small manure-shaped head

one sheet on which distinctly wags

at times the weary twig
of a neckless ******
(very occasionally budding

a flabby algebraic odour

jigs
        et tout en face
always wiggles the perfectly dead
finger of thitherhithering gas.

clothed with a luminous fur

poilu

        a Jesus sags
in frolicsome wooden agony).
*** tiddy um,
    tiddy um,
    tiddy um tum tum.
My knees are loose-like, my feet want to sling their selves.
I feel like tickling you under the chin-honey-and a-asking: Why Does a Chicken Cross the Road?
When the hens are a-laying eggs, and the roosters pluck-pluck-put-akut and you-honey-put new potatoes and gravy on the table, and there ain't too much rain or too little:
        Say, why do I feel so gabby?
        Why do I want to holler all over the place?.    .    .
Do you remember I held empty hands to you
    and I said all is yours
    the handfuls of nothing?.    .    .
I ask you for white blossoms.
I bring a concertina after sunset under the apple trees.
I bring out "The Spanish Cavalier" and "In the Gloaming, O My Darling."

The orchard here is near and home-like.
The oats in the valley run a mile.
Between are the green and marching potato vines.
The lightning bugs go criss-cross carrying a zigzag of fire: the potato bugs are asleep under their stiff and yellow-striped wings: here romance stutters to the western stars, "Excuse ... me...".    .    .
Old foundations of rotten wood.
An old barn done-for and out of the wormholes ten-legged roaches shook up and scared by sunlight.
So a pickax digs a long tooth with a short memory.
Fire can not eat this ******* till it has lain in the sun..    .    .
The story lags.
The story has no connections.
The story is nothing but a lot of banjo plinka planka plunks.

The roan horse is young and will learn: the roan horse buckles into harness and feels the foam on the collar at the end of a haul: the roan horse points four legs to the sky and rolls in the red clover: the roan horse has a rusty jag of hair between the ears hanging to a white star between the eyes..    .    .
In Burlington long ago
And later again in Ashtabula
I said to myself:
  I wonder how far Ophelia went with Hamlet.
What else was there Shakespeare never told?
There must have been something.
If I go bugs I want to do it like Ophelia.
There was class to the way she went out of her head..    .    .
Does a famous poet eat watermelon?
Excuse me, ask me something easy.
I have seen farmhands with their faces in fried catfish on a Monday morning.

And the Japanese, two-legged like us,
The Japanese bring slices of watermelon into pictures.
The black seeds make oval polka dots on the pink meat.

Why do I always think of ******* and buck-and-wing dancing whenever I see watermelon?

Summer mornings on the docks I walk among bushel peach baskets piled ten feet high.
Summer mornings I smell new wood and the river wind along with peaches.
I listen to the steamboat whistle hong-honging, hong-honging across the town.
And once I saw a teameo straddling a street with a hayrack load of melons..    .    .
******* play banjos because they want to.
The explanation is easy.

It is the same as why people pay fifty cents for tickets to a policemen's masquerade ball or a grocers-and-butchers' picnic with a fat man's foot race.
It is the same as why boys buy a nickel's worth of peanuts and eat them and then buy another nickel's worth.
Newsboys shooting craps in a back alley have a fugitive understanding of the scientific principle involved.
The jockey in a yellow satin shirt and scarlet boots, riding a sorrel pony at the county fair, has a grasp of the theory.
It is the same as why boys go running lickety-split
away from a school-room geography lesson
in April when the crawfishes come out
and the young frogs are calling
and the pussywillows and the cat-tails
know something about geography themselves..    .    .
I ask you for white blossoms.
I offer you memories and people.
I offer you a fire zigzag over the green and marching vines.
I bring a concertina after supper under the home-like apple trees.
I make up songs about things to look at:
    potato blossoms in summer night mist filling the garden with white spots;
    a cavalryman's yellow silk handkerchief stuck in a flannel pocket over the left side of the shirt, over the ventricles of blood, over the pumps of the heart.

Bring a concertina after sunset under the apple trees.
Let romance stutter to the western stars, "Excuse ... me..."
(twas where aye met thee missus, but mooch as a natural euphoria experienced, i rarely returned to said venue, especially for many years when thy now na grown lovely lasses merely toddlers).
- - - - - - - - - - - - - - - - - - - - -

Go ahead and AskJeeves (or another available partner yea, that lonely looking gal or guy in mom genes), who can never refuse to kick up heals in this rollicking shenanigan – the rumor holds that said activity the most fun one can have with being clothed to another.
- - - - - - - - - - - - - - - - - - - - -

The caller will usually do a walk thru, which begins with the first two couples closest to the stage crew of lively musicians (frequently filling the makeshift hall with music aligned the genre of irish jigs and reels) beginning to pair off.
- - - - - - - - - - - - - - - - - - - - -

After couples one and two (nearest the band) complete their quartet, this process (sans participants coupling off) continues until the foot of the line.
- - - - - - - - - - - - - - - - - - - - -

Actually each duo of dancers within the foursome nearest or furthest from the podium dons the role of “first and second” couple respectively.
- - - - - - - - - - - - - - - - - - - - -

The walk thru can be helpful, especially for those unfamiliar with this social activity, which encroaches on the ordinary comfort zones because eye contact plus physical hand to hand fusion necessary.
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Many of the routines utilize various combinations of approximately a couple dozen unique moves, where each distinct extemporaneously choreographed fancy footwork utilizes a unique variation of such movements.
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The most frequent array of moves comprises the following terms, which I located at hyperlink - www.theyken.net/don/PDF/Glossary.pdf
- - - - - - - - - - - - - - - - - - - - -

Glossary of Contra Dance Figures:
- - - - - - - - - - - - - - - - - - - - -

Allemande Left - Two dancers join left hands about shoulder height with elbows bent down and walk a circular path.
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Allemande, Mirror - Two couples, facing, starting with one couple going between the other couple. Give the person you are starting to pass your most convenient hand, right for two dancers and left for the other two, and turn as described in the allemande right and left.
- - - - - - - - - - - - - - - - - - - - -

Allemande Right - Two dancers join right hands about shoulder height with elbows bent down and walk a circular path.
- - - - - - - - - - - - - - - - - - - - -

Balance – The simplest balance is a step forward and backs. Another type of balance is a step on your right foot and swing your left foot over your right foot and then step on your left foot and swing your right foot over your left foot.
- - - - - - - - - - - - - - - - - - - - -

Balance and Swing - Face other dancer, take both hands, balance (as above) and swing the other dancer.
- - - - - - - - - - - - - - - - - - - - -

Baskets - More that two dancers, step in so all the dancers are in a very tight circle, place your hands behind the backs of the dancers next to you and join hands. Put your right foot in closer to the center of the circle and start to turn this basket by pushing with your left foot (like in a buzz step swing).
- - - - - - - - - - - - - - - - - - - - -

Box the Gnat - Partners (usually) join right hands, raise joined hands above the woman’s head, she walks under the joined hands, as the man walks around behind her. The dancers not only change positions but they end facing in the opposite direction.
- - - - - - - - - - - - - - - - - - - - -

Cast Down – The dancer faces up and turns away from the center of the set and walks down the outside of the set.
- - - - - - - - - - - - - - - - - - - - -

Cast Off, Assisted - Two dancers, facing the same direction, put an arm around the other dancers waist, one dancer moves forward while the other dancer moves backwards.
- - - - - - - - - - - - - - - - - - - - -

Cast Off, Unassisted - One dancer, usually moving up the center or up the outside of the set, walks around an other dancer until they stand next to that dance facing the same direction.
- - - - - - - - - - - - - - - - - - - - -

Cast Up – The dancer faces down and turns away from the center of the set and walks up the outside of the set.
- - - - - - - - - - - - - - - - - - - - -

Circle Left – More than two dancers join hands and form a circle. Hands are joined at a height somewhere between you waist and shoulders. Dancers walk around in a circle to the left or counter- clockwise.
- - - - - - - - - - - - - - - - - - - - -

Circle Right – More than two dancers join hands and form a circle. Hands are joined at a height somewhere between you waist and shoulders. Dancers walk around in a circle to the right or clockwise.
- - - - - - - - - - - - - - - - - - - - -

Contra Corners - This figure is done in proper sets. The first couple turns each other by the right hand until they can turn their first corner, The person who was standing on the left side of your partner. The first couple then turns their first corners by the left hand, until they see the partners. The first couple again turn each other by the right hand and then turn their second corners, the person who was standing on the right side of your partner, by the left hand.
- - - - - - - - - - - - - - - - - - - - -

Courtesy Turn – Two dancers with right hands joined and left hands joined, about waist height, facing the same direction, woman on the man’s right. The woman walks forward while the man backs-up until they are facing the opposite direction.
Cross-Over or Pass Thru – Two-dancer walk by each other passing right shoulders.
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Cross-Over is usually across the set. While Pass Thru is usually up and down the set.
- - - - - - - - - - - - - - - - - - - - -

Do-Si-Do – Two dancers walk forward pass each other right shoulders, pass behind the other dancer, and backup, passing left shoulders into the place where you started.
- - - - - - - - - - - - - - - - - - - - -

Do-Si-Do, Left Shoulder (also known as a See Saw) - Two dancers walk forward pass each other left shoulders, pass behind the other dancer, and backup, passing right shoulders into the place where you started.
- - - - - - - - - - - - - - - - - - - - -

Do-Si-Do, Mirror - Two couples, facing, starting with one couple going between the other couple. Then dance a do-si-do, the two dancers who pass right shoulders dancing right shoulder do-si-do the other two dancers who pass left shoulders dance a left shoulder do-si-do.
- - - - - - - - - - - - - - - - - - - - -

Down the Center, Turn Alone – Two dancers, usually a couple, walk down the center of the set, turn toward each other and return to the place where they started.
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Down the Center, Turn As a Couple – Two dancers, usually a couple, walk down the center of the set.
- - - - - - - - - - - - - - - - - - - - -

Turn as a couple, the woman walks forward as the man backs up, until the couple is facing back in the direction they came from. Then return to a place across the set from where they started.
Figure of Eight – Two consecutive Half Figures of Eight (see below)
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Forward and Back – Dancers join hands with the dancer next to them and move forward four steps and back four steps.
- - - - - - - - - - - - - - - - - - - - -

Gate and Post - Two dancers facing in the same direction, join most convenient hands, right to left, keep hands about shoulder height, one dancer will walk forward in a circular path as the other dancer walks backward in a circular path.
- - - - - - - - - - - - - - - - - - - - -

Grand Chain - Three or more woman, make a right hand star, and turn the star until you meet the third (or designated) man, join left hands with the man and courtesy turn.
- - - - - - - - - - - - - - - - - - - - -

Grand Right and Left - Two dancers, join right hands, pull by and give left hands to the next dancer, pull by, and continue this until you meet the person you are told to meet or until the caller tells you to stop. Can be used in squares, contras, and circles.
- - - - - - - - - - - - - - - - - - - - -

Gypsy - a couple, walk once around each other, clockwise, and end where they started while looking wistfully into each others ' eyes.
Half Figure of Eight – Two dancers across from each other, in a contra, cross over while moving through the couple below (or above), the woman in the lead, they then cast up (down) to end in their partners original place.
Hey for Four – Two couples, facing, usually starting with the women moving to the center and passing right, then pass the opposite man who is moving forward by the left, the two men pass right in the center while the two women do a small loop to the left to face in, again the women pass right in the center as men do a small loop to the left to face in, women pass the men by the left, men pass right in the center and all return to original place.
- - - - - - - - - - - - - - - - - - - - -

Honor - Bow to your partner.
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Improper – In a contra, when a man is in the women’s line and/or a woman is in the Mens' line. The women’s line is the line on the left when viewed from the caller’s position.
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Ladies Chain – Two couples facing, the women join right hands and pull by each other, then give their left hands to the opposite man, finishing with a courtesy turn to face the other couple.
Lead Through - Two dancers facing in the same direction, join most convenient hands, right to left, and walk between the two dancers they are facing. Often followed by a cast to original place.
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Pass Thru - Two couples facing, both couples walk forward, passing the person you are facing by the right shoulder and ending in their place (do not turn around).
- - - - - - - - - - - - - - - - - - - - -

Promenade – A couple, with the man’s right arm around the woman’s waist and her right hand in his right hand, and left hands joined in front of them, move in a forward direction, sometimes ending with a courtesy turn.
Promenade, Single File - All of the dancers in a single file or circle, facing the same direction, follow the dancer in front of you.
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Proper – In a contra, the men are in the mens' line and the woman are in the women’s line. The mens line is the line on the right when viewed from the caller’s position
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Right and Left – Two couples, take right hands with the person across the set and pull by, on the opposite side of the set courtesy turn the person next to you.
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Roll Away - A couple, both facing in the same direction, woman’s left hand in the man’s right hand, the man assists the woman, who rolls across in front of him, as he moves to his right. They both end facing the same direction as they started but they are in each others' place
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Star, Left Hand – Two couples, take left hands with the person diagonally across, then they all walk forward in a circular path.
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Star, Right Hand – Two couples, take right hands with the person diagonally across, then they all walk forward in a circular path.
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Swing – A couple, in a position similar to ballroom position, except the man and woman are right hip to right hip. The simplest descriptions I have heard is assume the above position and then try to walk behind your partner. The dancers can use a simple walking step or a buzz step.
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Turn - See allemande for right and left hand turn. A two hand turn - two dancers, facing, take the other dancers right hand in your left and their left hand in your right. Pull back slightly and both dancers walk clockwise until you get back to where you started.
A Tale

“Of Brownyis and of Bogilis full is this Buke.”
                              —Gawin Douglas.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An’ folk begin to tak’ the gate;
While we sit bousing at the *****,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o’Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).

O Tam! hadst thou but been sae wise,
As ta’en thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi’ the miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on,
The smith and thee gat roarin fou on;
That at the Lord’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi’ warlocks in the mirk,
By Alloway’s auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!

But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi’ reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo’ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi’ favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.

Care, mad to see a man sae happy,
E’en drowned himself amang the *****;
As bees flee hame wi’ lades o’ treasure,
The minutes winged their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!

But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow’s lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak’s the road in,
As ne’er poor sinner was abroad in.

The wind blew as ‘twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De’il had business on his hand.

Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o’er some auld Scots sonnet;
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.

By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hanged hersel’.
Before him Doon pours all his floods;
The doubling storm roars thro’ the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro’ the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro’ ilka bore the beams were glancing;
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst mak’ us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae reamed in Tammie’s noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He ******* the pipes and gart them skirl,
Till roof and rafters a’ did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a ****,
Wi’ his last gasp his gab did gape;
Five tomahawks, wi’ blude red-rusted;
Five scimitars, wi’ ****** crusted;
A garter, which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o’ life bereft,
The grey hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name *** be unlawfu’.

As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!

Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens;
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush, o’ gude blue hair,
I *** hae gi’en them off my hurdies,
For ae blink o’ the bonie burdies!

But withered beldams, auld and droll,
Rigwoodie hags *** spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.

But Tam kenned what was what fu’ brawlie:
‘There was ae winsome ***** and waulie’,
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots (’twas a’ her riches),
*** ever graced a dance of witches!

But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu’ fain,
And hotched and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a’ thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch screech and hollow.

Ah, Tam! ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the ****,
And left poor Maggie scarce a stump.

Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o’er dear,
Remember Tam o’Shanter’s mare.
To Jenny came a gentle youth
   From inland leazes lone;
His love was fresh as apple-blooth
   By Parrett, Yeo, or Tone.
And duly he entreated her
To be his tender minister,
   And call him aye her own.

Fair Jenny’s life had hardly been
   A life of modesty;
At Casterbridge experience keen
   Of many loves had she
From scarcely sixteen years above:
Among them sundry troopers of
   The King’s-Own Cavalry.

But each with charger, sword, and gun,
   Had bluffed the Biscay wave;
And Jenny prized her gentle one
   For all the love he gave.
She vowed to be, if they were wed,
His honest wife in heart and head
   From bride-ale hour to grave.

Wedded they were. Her husband’s trust
   In Jenny knew no bound,
And Jenny kept her pure and just,
   Till even malice found
No sin or sign of ill to be
In one who walked so decently
   The duteous helpmate’s round.

Two sons were born, and bloomed to men,
   And roamed, and were as not:
Alone was Jenny left again
   As ere her mind had sought
A solace in domestic joys,
And ere the vanished pair of boys
   Were sent to sun her cot.

She numbered near on sixty years,
   And passed as elderly,
When, in the street, with flush of fears,
   On day discovered she,
From shine of swords and thump of drum,
Her early loves from war had come,
   The King’s Own Cavalry.

She turned aside, and bowed her head
   Anigh Saint Peter’s door;
“Alas for chastened thoughts!” she said;
   “I’m faded now, and ****,
And yet those notes—they thrill me through,
And those gay forms move me anew
   As in the years of yore!”…

—’Twas Christmas, and the Phoenix Inn
   Was lit with tapers tall,
For thirty of the trooper men
   Had vowed to give a ball
As “Theirs” had done (fame handed down)
When lying in the self-same town
   Ere Buonaparté’s fall.

That night the throbbing “Soldier’s Joy,”
   The measured tread and sway
Of “Fancy-Lad” and “Maiden Coy,”
   Reached Jenny as she lay
Beside her spouse; till springtide blood
Seemed scouring through her like a flood
   That whisked the years away.

She rose, and rayed, and decked her head
   To hide her ringlets thin;
Upon her cap two bows of red
   She fixed with hasty pin;
Unheard descending to the street,
She trod the flags with tune-led feet,
   And stood before the Inn.

Save for the dancers’, not a sound
   Disturbed the icy air;
No watchman on his midnight round
   Or traveller was there;
But over All-Saints’, high and bright,
Pulsed to the music Sirius white,
   The Wain by Bullstake Square.

She knocked, but found her further stride
   Checked by a sergeant tall:
“Gay Granny, whence come you?” he cried;
   “This is a private ball.”
—”No one has more right here than me!
Ere you were born, man,” answered she,
   “I knew the regiment all!”

“Take not the lady’s visit ill!”
   Upspoke the steward free;
“We lack sufficient partners still,
   So, prithee let her be!”
They seized and whirled her ’mid the maze,
And Jenny felt as in the days
   Of her immodesty.

Hour chased each hour, and night advanced;
   She sped as shod with wings;
Each time and every time she danced—
   Reels, jigs, poussettes, and flings:
They cheered her as she soared and swooped
(She’d learnt ere art in dancing drooped
   From hops to slothful swings).

The favorite Quick-step “Speed the Plough”—
   (Cross hands, cast off, and wheel)—
“The Triumph,” “Sylph,” “The Row-dow dow,”
   Famed “Major Malley’s Reel,”
“The Duke of York’s,” “The Fairy Dance,”
“The Bridge of Lodi” (brought from France),
   She beat out, toe and heel.

The “Fall of Paris” clanged its close,
   And Peter’s chime told four,
When Jenny, *****-beating, rose
   To seek her silent door.
They tiptoed in escorting her,
Lest stroke of heel or ***** of spur
   Should break her goodman’s snore.

The fire that late had burnt fell slack
   When lone at last stood she;
Her nine-and-fifty years came back;
   She sank upon her knee
Beside the durn, and like a dart
A something arrowed through her heart
   In shoots of agony.

Their footsteps died as she leant there,
   Lit by the morning star
Hanging above the moorland, where
   The aged elm-rows are;
And, as o’ernight, from Pummery Ridge
To Maembury Ring and Standfast Bridge
   No life stirred, near or far.

Though inner mischief worked amain,
   She reached her husband’s side;
Where, toil-weary, as he had lain
   Beneath the patchwork pied
When yestereve she’d forthward crept,
And as unwitting, still he slept
   Who did in her confide.

A tear sprang as she turned and viewed
   His features free from guile;
She kissed him long, as when, just wooed.
   She chose his domicile.
Death menaced now; yet less for life
She wished than that she were the wife
   That she had been erstwhile.

Time wore to six. Her husband rose
   And struck the steel and stone;
He glanced at Jenny, whose repose
   Seemed deeper than his own.
With dumb dismay, on closer sight,
He gathered sense that in the night,
   Or morn, her soul had flown.

When told that some too mighty strain
   For one so many-yeared
Had burst her *****’s master-vein,
   His doubts remained unstirred.
His Jenny had not left his side
Betwixt the eve and morning-tide:
   —The King’s said not a word.

Well! times are not as times were then,
   Nor fair ones half so free;
And truly they were martial men,
   The King’s-Own Cavalry.
And when they went from Casterbridge
And vanished over Mellstock Ridge,
   ’Twas saddest morn to see.
deanena tierney May 2010
Don't be alarmed!
I have something to say.
Was wanting to inquire,
What you're doing Saturday?

Doesn't have to be this one,
Could be a week or two or so,
But I want to take you with me,
To a place I love to go.

It is a little bit out of the way,
And we may be out a bit late,
But I will drive while you relax,
I'm asking you out on a date.

I know "dork" is what you're thinking,
And I have to say I agree,
I promise you will make it to church,
We will have fun you will see.

It's one of my favorite places,
And I know you will like it too,
If you have sandals... wear em',
Let me know if it's good for you.
There was a Young Lady of Bute,
Who played on a silver-gilt flute;
She played several jigs,
To her uncle's white pigs,
That amusing Young Lady of Bute.
josh nunn Dec 2013
Once I knew a place, a place I never truly found significant.
A vast stretch of abandonment and history - long forgotten and left to be consumed by Time himself.
Once I knew a place, a place I never truly understood.
Decorated by Mother Nature with an asortment of trees and shrubs and an abundance of flowers it's only scar which betrayed it to the present was a solitary man-made structure, tattoed with the bold letters of "FALCON SECURITY" - surely an untold testimony to this place's past life.
Once I knew a place, a place I never truly acknowledged.
Ocassionally it would become the temporary haven of hobbos and hermits alike. Living in mutual homelessness they sort comfort under the trees, in the confines of the hideous building or simply amongst the long, billowing grass of the place. They would build thingie-ma-jigs, what-ja-ma-call-its and thing-a-ma-bobs and sell them to the curt passerbys of their place.
Once I knew a place, a place I never truly appreciated.
Surrounded by infastructure, and industry it stood out like a rose amongst the thorns and brought beauty and clarity back into the otherwise monotonous, morbid environment. It stood defiant and strong against the hungry, salivating greed of humanity - yet someday it was bound to succumb to our over-powering ambition for development.
Once I knew a place, a place that no longer exists.
In the blink of an eye that place was destroyed - uprooted and upheaveled.
Every tree, every shrub, every flower ripped out and now gone. No longer a haven but a grave yard where the dead lay scattered like fallen soldiers across the battlefield. Victims against the War of Industrialisation they fell prey to mans' heinous desires.
"Collateral damage" for a "brighter" future they say.
I say, who needs another vehicle retail outlet.
Once I knew a place, and I will never know that place again.
Judypatooote Mar 2015
Today is a day when we celebrate
GREEN....
whether we're IRISH or not
It just seems like the thing to do...
It is my favorite color.
Where ever you go
You see people who hauled out that
GREEN shirt with a large
leprechaun drinking beer on it.
Once a year they wear that shirt
It will last forever
Some dye their hair GREEN
And drink GREEN Beer
Jigs dinner....now I do love that
I wonder why... Its not GREEN.
But tomorrow I will take my
Shamrock off my front door
And my crazy profile picture
along with the shamrock banner,
down on f/b....
"ITS NOT EASY BEING GREEN"

By judy
I'm just rambling...
There was an Old Person of Ischia,
Whose conduct grew friskier and friskier;
He dance hornpipes and jigs,
And ate thousands of figs,
That lively Old Person of Ischia.
Cyril Blythe Aug 2012
The first few steps into the shade and out of the sun,
sensation of escape from one reality into a more true, somehow more noble throne,
away from the traffic of the so called real world, let it all come undone.

My ears are kissed by song of summer cicadas and crickets happy jigs,
the noise of ripples on the pond and the arresting feeling of the unknown,
the perfect combination of adventure and control, the deeper the depth, here, my soul can dig.

The swirling leaves and blossoming buds hum a symphony,
these noises combined create a song older than time stronger than bone,
without careful silence and respectable awe all of this would be unknown to me.
The Fire Burns Aug 2017
Gravel roads and a pickup truck,
windows down and the radio up.
Cooler full, back in the bed,
sandwich stuff and a loaf of bread.

Special spot behind some gates,
every time we come, tempting fate,
but the fishing here is beyond good,
three owners ago said we could.

Lifelong friends,
casting jigs and worms,
drinking beer,
as evening comes,
staying out of trouble,
as days keep amassing,
just doing, a little trespassing.

A few years later, a special girl,
the one I want, to rule my world.
looking for the perfect spot,
I have got a question to pop.

Icy blue eyes, enough to freeze,
her red hair blowing in the breeze,
cast out her pole, and tell her to wait,
reel it on in, something got your bait.

What's this hung, on your line?
A diamond ring, **** its fine.
Down on one knee, in the country,
waiting for an answer, will she, won't she.

Lifelong love
casting jigs and worms,
making love,
as evening comes,
staying out of trouble,
no days surpassing
Just doing, a little trespassing.

Years of work and some kids,
money in my pocket, a gift to give.
down the road a for sale sign,
I think it's time to make it mine.

So many memories made here
cast and reel, and drinking beer,
special times and making love,
I sure have been, blessed by god above.

Take the family out, with fishing rods,
headed over, to our favorite spot,
it's been raining, hope we don't get stuck
down back roads, in a pickup truck.

Family is out,
casting jigs and worms,
catching some dinner,
as evening comes.
staying out of trouble,
no laws bypassing,
no need for more, trespassing
Meg B Apr 2014
I enjoy the way the pink spring breeze
grazes my rouged cheeks.
Though a little chilly,
a thrift store sweatshirt squeezes
back against my body,
shielding overwhelming brisk.

Jermaine's voice trickles between my eardrums,
but I pause a moment,
words of howdy, hello,
"Oh," I breathe, "yes, I couldn't
remain inside another minute!"
The hey's and hello's,
those are the chords of C, of G,
and, strange though,
how sometimes I prefer a flat or sharp.

Some chords though harsh at first taste,
they stew on the tongue,
relinquish sweet, succulent juice at last;
sweet reward,
satisfying relief.

I feel the grin stretch, slink
across my canvas,
the reverberations of a cackle,
boisterously beating against
my far-from-hollowed chest,
for full it feels,
full it is,
filled with filling full
of warmth, light, fulfilling fulfillment.

There is merely of tiny moments
a collection,
most prized,
as if I had begun many moons ago,
knowing did I do before I knew,
gathering each grain to
make a beach,
each blade of green,
making a lawn of bluegrass,
with a sprinkle of a flower or two;
deep within self,
collecting,
gathering
to now feel stillness,
& admire that treasure.

I gaze intently ahead,
streaks of magenta, a citrusy jaune,
(yellow of course),
juicy orange,
dripping into a soft
periwinkle,
reminding me of play dates,
chocolate chip cookies,
only the special, secret recipe
on special occasions,
today, could you be one,
every day, an occasion
to taste the secret recipe,
soft chocolatey, dangerously delicious,
melting into my tongue?
This sunset,
tranquil spring night,
oh how it tastes,
smells of the endless possibilities,
special occasions.

So wise, rich with knowledge,
how the recent past has left
me
saged with experience,
yet energy & zest,
of youthfulness,
I sigh outwards,
hard;
breathe in the wonder.

Family, friends, lovers,
neighbors, coworkers, classmates,
father, mother,
sister, brother;
the world uncoils, unfolds
like watching from the outside,
yet exploding within,
I burst outward.

My mind, oh does it race,
faster I am sure than
any body could carry.
It bends, twists,
molds, sinks, festers,
bubbles,
boom, pop, trickle,
it goes.

Creating art,
that is all we do.

I hear that sweet voice,
a melody of its own,
whispering secrets of past pain
and future plans;
I hold them all dearly, as
dearly can exist.

Strum my emotions,
pluck my thoughts,
slide down my dreams,
pick my desires,
bellow my fears,
harmonize my anguish,
release the echoing,
play the notes found
in the deepest chorus,
the sounds I can make
from the beating of my own heart,
the rhythm of heavy breathing,
giving birth to a story.

Still I am writing it,
but of course,
black pen smudges against
my tiny fingertips;
Mother always did tease,
for how I hold my utensil for
words, well, "That's just like me,"
she would giggle right now,
if she were to see,
that giggle just like the one
someone loves
coming from me.

A pen to a blank page,
again I go,
in due time the world will know,
and back to me will It boomerang.

Where there was once a sense of
apprehension,
the way this slow, meticulous wind smells,
tastes,
feels as it strokes my face,
all I may now ponder
is a simple, tasty desire;

The journey, how delightful it is.

There are tunes to play, sing;
oh how there are jigs to dance.

Mouths that can open wide & scream loud, but not shrill,
toward the heavens.

Smells to create with fresh baked goods,
peaches to burst open with teeth
hungry for its, their juices.

Flowers yet to bloom,
more in the tender April 'noons ahead.

Steps to stomp on a run in new kicks.
A soft pair of lips to kiss.

Jokes to be told.
Laughs to be shared.

Lines to cross.
Fast pulses to feel.

Claps of thunder to steal the blue sky.
Silent tears to slip down cheeks
worn from years.

Philosophies to analyze.
Friends to meet, greet, make, take; bonds to create.

Games to play.
Long, strung out giggles
from little ones,
innocence so pure & poetic.

Dreams to make realities.
Loves to have, but loves too to lose.

CIties to visit.
Language to speak, share,
stutter, misunderstand,
exchange,
accomplishing dialogues,
communicating in hushed
whispers,
sweet nothings nuzzled,
brushed
against my ear.

I've got some living to do;
living with me, but also
living with you.
Sjr1000 May 2014
I
actually feel sorry for him
my
extension
my
avatar

I
wake him
every morning
no matter how sleepy he is
get him out of bed before sunrise
while I hide
deep inside.

He arises
to reply
respond
put out
and
deny.

A hook through the nose
to
catch the bucks
and
cast him out into that
old main stream
where he does his perfect avatar thing
he dances jigs
he placates
he sings
he says please and thank you
can I get you anything
the fingers
waving
at
him
no longer mean a thing.

A master of the palms up
he
can
always say
"who? Not me."

And
when his day is done
I
reel him in
remove
what ever little bucks
he
caught

Sit him down
in
front of the t.v.
gin and juice
and
dancing images too.

Give him a sleeping pill
so he sleeps so sound
no dreams
to
disturb
his life
and routine
a
brown nosed role
in
the
consumer machine.

I
slip
him
into bed
and
sometimes in the late night
I
hear
him weeping.

In
the morning
I
get him up
to
do
the same **** thing .
Thanks to the singer-song writer Todd Snider for the phrase "fishing in that old main stream"
Kyle Kulseth Aug 2014
With passing days queued up
          for the forecast foreseeable
Tuck into the routines' reserves
          deplete when permissible

Shot through the feet
          with what we can't forget
run on through the limp
          past the end of the sentence
                                             and sit
                         In the glow
                  remain undeveloped
                  stay unreconstructed
                  drop the curtain
                 on scenes interrupted

Dot your i's
          with up-slanted slash marks
sparks fill my eyes when
                            I read through your retorts
Blank page.
                                                        Blank page.
A waltz through a minefield
reeling jigs over headstones
          when digging through
           plain white lines
Peter Cullen Mar 2016
The steam lifts off the concrete floor
and paradise ain't here no more.
It set sail on a cargo ship
On a never ending trip.

It's out there, near the Bay of Pigs
lost between the reels and jigs.
On its way to distant shores.
Paradise ain't here no more.

Somewhere near the Southern Tip,
It's heard it let its secrets slip,
to a drunkard on the floor,
and paradise ain't here no more.

Lost forever to the stars.
Paradise has gone to far.
Through the clouds, an open door.
Now paradise ain't here no more.
Judypatooote Mar 2017
ITS NOT EASY BEING GREEN...

The 17th is a day when we celebrate
GREEN, whether we're IRISH or not...

It just seems like the thing to do
And it is my favorite color...

Where ever you go
You see people who hauled out that
GREEN shirt with a large
leprechaun drinking beer on it.
Once a year they wear that shirt
It will last forever...

Some dye their hair GREEN
And drink GREEN Beer
Jigs dinner....now I do love that
I wonder why Its not GREEN?

But soon I will take my
Shamrock off my front door
And my crazy profile picture
Off facebook
(YOUR WELCOME)
along with the shamrock banner
because,
"ITS NOT EASY BEING GREEN"
(In Celtic myth and legend, The twilight hours are those that belong to the Fairy realms, Where mortals can be taken into the twilight realms of the Sidhes, A place that time stands still, the moment hushes and the soul lingers to the nightly feasts of the eternal. I suppose I take this to apply to our dream world as much as to a factual realm.)



She hovers upon the wings of night
casts her drift of the fairy tunes
that creep like the fine mists of time
Engulfs the land, inhabits the realms
where thoughts so gather, flood and flow
Covering the world into her fine blanket
To drift us all to the world of dreams.

It is here that all possibilities arise
takes flight upon the fancy cries
Hovers lightly upon perpetual forms
and lingers in the thick flowered groves
In this world where the fairies dance
to the old jigs and airs
Swirl the embrace of their twilight realms
Between the mantel of the universe.

It is here upon their midnight embrace
that the ancient Gods arise and cry
their archaic forms stretch forth
Grasping hold of man's internal cries
They summon the strings of the ancient web
whereby all creation stems and flows
Illuminating us to their ways ever afresh
And placing deep within the will, the form.

Oh! How we arise to the Dawns sweet call
relishing to the finial vestige of the night
We wish to return to that realm of no pain
where sorrow and fears all subside
to the pleasure of the sidhe's ways
where life holds its true embrace
and love wings its fluttered call
and draws fast the human soul
into the desired length of passion's night.

Alisdaire O'Caoimph
He peels an azure rind
sure to find click-clack gears clocking
tin-men's timid-toed steps

But these clouds conceal gut-
taut strings rain drops plink, teasing out
hours of palsy-foot jigs
This work is licensed under a Creative Commons Attribution 3.0 License.
Madison Brewer Apr 2013
The bored mold grows old,
rigorously boring mostly into the gorge,
moaning, groaning its barge jigs -
the mole roars at its grim bowl.
anastasiad Nov 2016
Rabbits usually are more popular then ever household pets while in the British. There is a numerous types, covering anything from your Dutch Dwarf with a weight of regarding A person kilograms any time older, to your Flemish Big, which might weigh a lot more than 7 kgs if completely cultivated.

Housing Since the public attention towards the particular rabbit increases, does the phone number which is maintained since residence domestic pets. Nonetheless, nearly everyone is nevertheless stored in your hutch.

By using these a sizable alternative with particular breed of dog size there isn't any suitable hutch design or even dimensions nonetheless generally there ought to sufficient space to the bunnie so that you can then lie from complete grow and fully stand up for it is hindquarters.

A clean dried up mattress involving solid wood shavings, viven, straw or perhaps papers should be offered along with scrutinized daily to prevent a increase of the dust that could promote illness. A safe backyard manage is actually better, that could encourage the bunnie to exercise in addition to graze and might often be a web site pertaining to gadgets for example tunnels or perhaps packing containers.

Rabbits held outside the house needs to be inside a well coated hutch shielded from wind and rain plus protected via too much sunlight.

Diet program Bunnies will be herbivores you are able to complicated gastrointestinal tract requesting each digestible plus indigestible fiber content varieties.

Fresh lawn and also crecen should really make up about three areas of the diet plan along with other vegetables such as carrot or clothes is usually added onto give several variation. Burgess Exceed and also Supa Succeed is usually top-quality commercially ready bunnie diet programs. Bunnies have to have having access to water that is clean always. Give in addition to drinking water servings should be washed daily.

Associated with the bowels Rabbits are subject the disgestive system disorders leading to associated with the bowels. This could be considerable, and perhaps terminal. Probiotics for instance protexin are generally specifically attractive maintaining or fixing the ordinary digestive tract micro-organisms necessary to understand food thoroughly.

Looseness of the bowels frequently ends in matting with the dog's fur close to some sort of bunnies **** that may inside of it possibly be painful for a animal, although is also a frequent reason for 'fly-strike' during the summer months. It is recommended that the precautionary application of 'Rearguard' be applied early in summer time to prevent maggots. 'Advantage' can be a spot-on products used with regard to flea regulate that may also aid management jigs as well as maggots. These products can be obtained through the veterinary surgeon.

Replica Bunnies grow to be sexually develop fully from between 16-24 weeks old.

Baby bunnies or even 'kits' are delivered right after 30-33 times carrying a child and kitten dimension varies from 4-12.

To protect yourself from mis-mothering or perhaps desertion, the particular nest area mustn't be troubled as well as the small packages ought not to be dealt with right up until they're weaned about 7-8 many days of aging.

Nuking Rabbits usually are abundant breeders and attention should be come to stay clear of undesired litters. Neutering not merely helps prevent unnecessary matings, but in addition can make the two really does in addition to cash less territorial along with intense. On top of that, is equipped with an incredibly high-risk connected with developing uterine tumours if not neutered.

Money will be castrated via in relation to 5 many months of age. A general pain relievers is provided along with either ****** are usually removed from an incision made around the *******.


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The trees will leave; when snow arrives
For all the leaves have already left
While we looked right for the Sun.
Once rays danced through town,
Music was unheard; beatless jigs seemed
Devil wrought and the folk screamed,
"What light are you! to have robbed us
Blind we are not! Bare branches hang
Solemn as gallows overhead; what evil
Replaced the green with red?"
Without pause, the rays swung from
Leafless limb to flowerless stem;
Offended and dignified, the rays parted
Leaving the town behind with haste.
Glad were the simple folk; sad, alone.
The gallows flourished in the dark;
Folkless town the leaves found;
Silent -
               They rotted in ground.
Written 1/15/2014
Mateuš Conrad Nov 2016
they say that 2000 years without Israel
will necessarily bleach your skin,
that ancient fable of the Mediterranean
olives, turning into haram pigmentation
that god forbade to eat:
     ask them: why so pale, so like us?
why are you so pale, brother?
                  too few of us have seen ghosts,
unless they be ghosts of our former selves.
everyday, people disappear with their
selfless acts - everyday: puff! gone.
i never write to entertain or distract,
i'm a non-oratory sort of guy,
i imagine myself like a larynx punching
bag that people speak into -
a persona non grata, but otherwise a
persona esse: that necessarily is.
grata... grata... grata... gratis means
free - i really don't have that vindictive
american woman, stay away from me
sort of attitude: one peg, two peg, three;
but i do like that ancient seemingly
under-used word - frajer -
whereas said in anglo: frayer -
or *******.       the whole bejesus
and           yacht debate asking for saintly
interludes in the general grime of ****
said, **** done - and of that inherent vice
in us? the part where the ants took to
the tarantula and impregnated themselves
with the venom: and turned on each other -
as any civilised thing ever could be.
          what's the difference between
blues and punk?
     an extra chord?      see me blink?
           white boy blues: punk -
three chords -            and so the Mongolian
horde hoarding skulls in Baghdad -
and that's me, sitting ever so lightly,
pretty orange like a peach: apathetic tongue
in the ivory bull terrier grip of a handshake -
a girl might have once said: with
the pulverising stare, he could sit on the pavement
and across the street a fox took to
goosebump nibbles, while a girl walked
past the fox and the fox didn't stir from the spot.
wet snare *****: that's what they called him -
but on top of all that: everyday, the world
crashes in: newspapers? i call them avalanches.
they have non-filter: condoms with a slit in
them - and every time she's gagging
for legislation into birth control,
the Chinese dicta has been revised,
     and she's thinking of honey honey feed
me homely snug and cuddle: scented lavender
candles on your way out, including
the autographs.
   i once claimed that the television is akin
to the Platonian anecdote of the cave -
       now i'm starting to realise it's the outdated
variation of a campfire:
               vatra: and soon our hushed
capacity to tell familiar stories -
once it was talk of whole bodies: now
dismemberment and disembodiment -
                         soon enough a *** or a Juan
in Spanish - soon too łen or when -
łej           or way - those are not: chiral twins.
from what i can remember i found it hard
forgetting my northern Swahili -
         ****** hard, i couldn't have that post-colonial
tattoo done on me -
            but it still haunts me,
how one man took apart the Pharisee Israel apart
and where people had coppery visage: dimmed
gold of the skin, and one has to compensate that
taking apart with his own ethnicity in a biographic
similitude - been there, done that,
off the Unesco map for a century or two,
a Napoleonic haven sort of bollocking,
       **** 'ed over 'ere: old MacDoogle e ah e ah oh,
ha ha. Catholic shortening Mc
         Protestant on a wild surf of St. Thomas' Gospel
and all things trans...
as it should be known: transphysics -
god is dead, poetry is dead, metaphysics, is dead:
nou vogue: TRANS! ***** slap that ****
across the knees: say gnostic (surd g), then say
diagnostic... seem: or properly understood.
******* wankers and cowboys and other
ulterior gunslingers; but the prima ballerina aesthetic
found when excavating the ęglish?
                never talk ***** in public:
really, really vocalise that Cockney bulldozer
vs. culture when vocalising more tongue and less
**** when ******* - appearances are everything
after all - talk pretty, talk lily -
talk rose: and when it comes to the knitty gritty:
slosh!        i mean diarrhoea slosh -
            i mean: not unbuttoning a shirt but
ripping it open: fanciful that: equating courtesy
and otherwise doing the Frankenstein to a limp
**** with words of encouragement...
        (oh the sarcasm i enjoy hiding in symbols)
but i never understand why we talk pretty
and play ***** - why not talk ***** and play pretty?
       this revised "aversion" / ~aversion toward
fascism is really taking hold of people:
        the only difference is that there are so many
charismatic sprechen pseudo Deutsche -
                   i'm starting to feel left out;
still though, concerning the first point:
they really are pale -
                 2000 years without Israel:
it will definitely take them 500 years to get that
Mediterranean hue back of palms olives and dates -
        understandably the siding with
balaclava Palestine:        'cos you're white and
you said ku klux sneezing - or from what i heard
of recent history, my fellow colonial thingy-ma-jigs
     are internalising inherent violence of
the past and shoveling it all at the young -
   many o' man's woes as nothing more than
an evasive self: kindred of the lunatic.
me too: i too wish to have been able to stage
a confrontational and subsequently condescending
conversation with my great-great-great-grandfather,
       but i ain't got the **** or the V, and
                                  not much about the Welsh-middle
of the longbowmen and Churchill's cigars;
funny thing... smoking cigarettes, you get this
taste flashbacks... just now i recounted the taste
of my first love's ****** juices mixing in with my
phlegm cough-up... surely memory is not cognitively
abstract, like tattoos aren't really abstract:
to prove a point i coughed up a memory
of wild strawberries yesterday: well... fair enough:
today it's a memory of eating out (as they crudely say):
Poseidon's pearl.
does **** have to be constantly floral or aquatic?
    oh the cascade into faux pas and cliche: endless!
The Fire Burns Sep 2016
Casting lines
dropping jigs
some of them tipped with pig

Chicken liver
on the river
channel, Blues or yellow cats

Texas Rig
rattle Trap
pull out that hot spot map

Spinner baits
attracting blades
casting lures in the shade

Spin cast
snoopy pole
custom rod, medium fast

Crappie and largemouth
catfishing in the south
lakes or rivers, even streams
sometimes of the gulf we dream

Finger mullet on the line
waiting on the drag to whine
sharks or rays, even trout,
man that what it's all about

Whiting or croaker
let's go catch some Redfish
or salmon for the smoker

Northern pike and walleyes
white bass and panfish
fishing under blue skies

Bring a rod and a reel
tackle box and cold beer
at the lake its the deal

Cast and wind
catch and clean
fried blackened or steamed
john oconnell Jul 2010
Writing in memory
and distance
of those rampant
fiddles and flutes;
of those swaying dances
over drunken floors
and sailing seas;

the jigs in heaven,
rock and roll,
ups and downs
between a nod and a wink -

the forever being,
cynically, hopeful
in the flux of things
that knock us flat
or cheer us on.
Bree Apr 2014
She’s the best at jigs
She gives "sour kisses," too
And she’s super fun. x)
bulletcookie Apr 2016
So many ships on those reefs-
taken out on maiden voyage some
others barnacled and water logged
sea warns burrowing into them
after many storm of salted dreams
gone, peasant tunes and dancing jigs
missing fancy rigging, unleashed rags
now just stare at broken ambition
lost harbors, no waiting slip's embrace
She, they, were once strong and main sailed
subdued by years of sailor's hands
with open ocean promises of land
**! thar she is come to port, past

-cec
Brandon Apr 2017
My forging hammer

Lies reclined



My bellows, too

Have lost their wind



My fires extinct

My forge decayed



And in the dust

My vices layed 



My coal is spent

My iron is gone

My anvil is broke
My work is done



My work is done

My work is done

My work is done

*My chisels
Lie dull

My saws, too
Have lost their edge

My trees are felled
My lumber decayed

And in the sawdust
My clamps layed

My angles are bent
My jigs are gone
My tools are rusted
My work is done

My work is done
My work is done
My work is done
Italicized from the song "My Work Is Done" by Steve Von Till (lyricist unknown) the bold is an added in addition in the spirit of woodworking by myself.
Jon Shierling May 2015
Shuffle up and get down low,
the calender says it's a different day
and a different year,
but it only ever feels like it
during the day.

Sitting here tonight, I'm typing
into a different phone,
drinking at a different bar,
but somehow it's essentially the
same night that I've been living
for ten years...maybe more.

The same words, the same feeling
of a knife in the heart, the same
Irish jigs playing through busted speakers, and what I think I'll find somewhere in the haze still eluding.

All flowing back into a night so often repeated in so many places...Virginia, Washington, Arizona, Florida, even the night in Nogales I never mention.

It all comes back to girls with razors in their purses, the boys who put them there, and the unseen hand that has pushed them all.
Brent Kincaid Mar 2018
I want to write such words
That can reach out and teach,
And share with the world
What I have found on beaches
And mountain passes, in cities
And the countrysides, like music;
Lilting songs without tunes
But such that please any critic
And help them learn to sing
Even when there is no melody,
Experiences that changes them
To symphonies from threnodies.

I want to help everybody hear
The jigs and tarantellas here
Made from words that keep
Their lively memory very near,
That we may subtly hear it
And love it and treasure
Every beat, rest and thought
In every verbal measure,
So they can ride along with
An orchestra often unheard:
The precious gift to us all,
The magnificent spoken word.

I have set my sights on this,
The mission I have chosen
And shall make it my quest to
Insure my stride is not broken.
Not everyone is given the gift
To say what they deeply feel,
It falls to those who can speak
To show others what is real,
Or what may just be tinsel
And what is golden, or wrong.
Thus is the fate of our poets
To parse it in poetry and song.
I wrote this for you, but also for every poet you will ever know.
Jon Shierling Feb 2015
There it is!
Vague memories of a night
at a Brand New show,
when the truth hit as hard
as the ***** and the music.

I'm only good for the people
I love, and that love me,
when things get to the point
that crisis appears.

I can dance Irish jigs in the street,
but only when I'm drunk,
I can spit in the face of people
much bigger and angrier than me,
but only when I'm drunk,
I can live how I believe I should,
but only when I mix the right amount
of alcohol and/or other things,
and only for that night.

The rest of the time I am
a slave to memories and
intrusive thoughts, states
of agitation based on a
chemical and experiencial
**** up in my head.

When you need me to
pull you out of a crack house,
or be fierce enough to keep
you from shooting up one more time,
I'll be there of course.

But happiness and bliss,
when everything is going
exactly the way it should...
I'm bad at that.

— The End —