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Tom McCone Mar 2014
dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into


balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.


out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.
thank you, if you made it all the way through :>
Liam Apr 2014
like a fish out of water
walking backwards upstream
grand illusion of compliance
buying nothing sight unseen

respecting their essence
detached from their path
connected in spirit
repelled by all wrath

norms without ethics
morality sans love
passion ever searching
a need to rise above

heart sinking hatred
mind numbing neglect
mountain moving greed
rarely circumspect

not infrequently i ponder
how my being was unfurled
wondering deeply in my soul
if i belong to another world
It must have been thirty five years ago now,
I remember the kid as clear as day
His name was Eddie, or Timmy or something
Remember him clear as day, I think it was Eddie
Well, this kid was sure something
A true believer in his ability to play the game
He really loved it, ****** at it, but the desire
You could see it in them brown eyes of his
Or were they blue?, no matter...they might have been brown
Anyways, kid had desire, no talent, but desire
Played third base for me, thought he was a pitcher
But, he played third...that I'm sure of
He didn't have speed enough to move anywhere else
And I think he was blind in his right eye,
So, he could only move left
Good kid, Timmy or Eddie
Had an arm like a rocket
the ball would just explode out of his hand
I never knew where it was going
And truthfully, I don't think he did either
But, wow....it went fast, wherever it ended up
Kid actually made it rain one day
Just because he threw the **** ball so high into the clouds
He was trying to throw to first, but hell, it went high
Always smiling this kid, always...
don't know if he was just happy
Or if his jaw hadn't grown right for his teeth,
But, he was always smiling
couldn't hit worth a ****, had a nice swing
But, that blind eye....couldn't see a pitch until it hit him
Cooled us down on the bench though
Made a hell of a breeze when he swung
He was good for that,
lots of wind from Eddie, or Timmy
He did get a hit once or twice, I remember that
Scared us, scared him too I imagine
But, he did hit it, and it did go a long way
Problem was it happened so infrequently
He always forgot to run
And when he did, he ran like a duck
*** wobbled all over, arms flailing, head still
Quack, Quack...run Eddie, I'd yell
He'd smile, and take off,
couldn't see where he was going
But he'd run....and he'd stop only when he felt like it
I remember he was Mexican looking, or Spanish
There, brown eyes...knew I'd remember
anyways, he got called out for swearing once
Knocked the **** cover off the ball
then he stood there and watched it go
By the time he started to run,
He'd Holy ******* at least three times
And got tossed by the umpire
I argued, but, the ump would draw the line at two
Three holy *****...that's a little much
But, he knocked that ball into the next county
He'd probably throw it there too if he tried
The kid had desire, no talent,
but a smile and desire
Got tossed after striking out once too
Struck out a lot, once he let loose with a barrage
And I mean a barrage of swear words ....In Italian no less
I always thought the kid was Mexican or Spanish or something
But, he swore in Italian in front of an Italian ump
Poor kid, three holy ***** in another language
And he got tossed,
If I could get him to stop at two....he'd be fine
Eddie was a good kid, I liked him
He tried, he smiled, and he was terrible
couldn't hit water if he fell out of a boat
But he didn't care, and neither did I
But, Eddie, or Timmy, whoever he was
Was a good kid,
I hope he remembers me as fondly as I do him.
Don Bouchard Jun 2015
Planting excitement upon us,
My daughter asks how to thin the beets.

"When the plants are three inches tall,
Pick the weaker ones and pull them up,"
I say. "You'll take out two thirds of the young  plants
So the rest can grow."

I see a troubled look upon her face,
And realize what I find in myself....

The teacher's quandary:
Picking whom to keep,
Whom to cull...
We put our love into them all.

Watching for first and tender shoots,
Celebrating as the fledgling leaves appear,
Not thinking of a time ahead,
Dreaded time to thin....

Teachers are reluctant to cull,
Building emotional connection,
Providing loving direction,
Promising success to all....

Then come the standardized tests,
The  team selections,
The popularity contests,
The invitations to slumber parties,
The division of elites,
The rising of divas,
The rostering of first teams...

The separation of pariahs begins,
The promise we made to early learners ends,
Superiors, exultant, drown out the tears
Of those left standing by the fence,
Excluded from the chances to advance.

Standing in the seedling beds,
Spring breezes rustling tender leaves,
I turn to Kate....
"It's never easy....
But if we don't  thin the beets,
The beets will not develop
Beneath the leaves."

These damnable analogies arise
Infrequently these days,
And I am standing in the dirt,
Black soil upon on my hands,
Wondering about survival of the weak,
The treatment of humans and young plants,
Pondering humane ways to honor every student
In which I am investing...
Wishing I could see the end of high stakes testing....
Conversation with Katelyn, the newest teacher in the Bouchard line.

db
Bus Poet Stop Oct 2023
since I last
rode a bus,

no, poems aplenty
have poured and dripped
from ink-saturated fingers,
here there and  everywhere,
disguised by many a nom de guerre

the bus riding infrequently,
as work no longer demands me,
I ride for the occasional occasion, when legs won’t
carry me the far away distances

they say violence in the city
is random, and just seems worse,
seemingly a newspaper creation,
but I know better, and random violence &
poetry inspiration do not walk or talk
hand in hand, not for the hands that write…

in every crack, lamppost,
festooned
with flyers for concerts years ago,
poems reached out to me, write, right?
I too am papered with memories of long-ago
city travels, picking up scenes & dreams
that became poems, instantaneously, scrambling,
to get home with them retained, untainted,
preserved with the freshness of city smells,
city swells, homeless, rowdies & oldies shuffling,
the interwoven of disparate desperate humans,
fodder once and now for Walt Whitman’s leaves,
each distinct needy for something else,
but for me,
just one city big view, a Cloister’s museum tapestry,
remade, rewoven anew every moment of every day

and a poem-rough tumbles from
without
&
within


,
Sarina Feb 2013
The desperate are animals under the moon
howling infrequently, ******-breeders. I, a part of
the thousand fragrances they simmer upon –
my mouth around a tree trunk that rots
in summer, boiling like eggs or water for tea.

God loves me, he loves me not.
I know I have broken my promises to Heaven –
disappointment lavishes me in aches so velvet
I swear I could make a coat from them.

We scream for womanly voices and pictures on a
wall of mothers kissing or showing a breast,
the ****** is pink. I melt inside my head.
Every morning we scavenge for the same sun –
bright under the glass, soon no one is loved.

Not even my brother hands me his tongue –
when he does, it parishes to black soil
and I pretend it is my child. She has hair just like
us, when she is happy, when she is well.

I rock her until the wolf-hollers halt,
my skin is her mansion. Her sprinkles on me are
as thick as grime doused the door for company
welcome here, she is warm as she is alive
though she didn’t come from inside me, my eggs.
Dearest Daddy

Disguised in melancholy
my thought is barren today
yesterday was my late Dad's BirthDay
oh really, i miss him still in a way

a way so infrequently
i can not currently put it up with me

he is so cute, patient and tender
every being is not like him, no matter the gender

given this wonderful life, will
gratitude fill my heart still

quite deep inside a little nibble gently
tolerance is a different song
but it is love completely, never wrong

how I wish my beloved dad talks to me again
his art tells me of all these, not in vain
i proudly present it on the mantelpiece
every time i pray oft, may he rest in peace

i'll never forget you, daddy dearest
i am sure yesterday you would be happiest



© Sylvia Frances Chan~~~
AD. Saturday 22nd March 2014 ~~~17.21 hrs
TODAY, Monday 20 Oct 2014, posted on 22nd March for PF, now especially for dearest sis Meggie on HP, thank you so much. As a response to your comment and question, I post this now, here on HP
that was not the same poem, I wrote two on the dates, resp. 21st March and then for PF, realizing I was one day too late, this poem.
Paul S Eifert Jan 2013
It having been decided, herein is pronounced.
Let them know the number of days; let them count the number of days
and the count shall be 180.
Day 1 let him strike his head with his fists and call it "stupid".
Day 5 let the vomiting begin without surcease.
Let him dress for work as if he can.
Let him park and never drive beyond Day 10.
Let him pass out at the toilet.
Let him shed 100 pounds and all his hair.
He shall suffer such indignities as appertain
until he is brought to tears before his eldest son
of whom he shall ask, "Do you believe in miracles?"
Let there be no reprieve, neither for the holidays.
Let him wander out into the snow without a coat
and utter, "So beautiful. So beautiful."
All this in due course to precede the final 3.
The son and he shall smoke a last cigarette on the porch.
He shall proceed to the gurney and not see home again.
Let them gather at the hospice room.
Let him suffer terminal rage
thus shall he be manhandled by the sons.
On that day he shall be bedridden by narcotic.
Let him fall into persistent incoherence.
They shall play the New World by Dvorak.  
He shall not hear.
They shall gather for the Rosary over him.
He shall not hear.
The eldest son shall vow to stay at his side
nor shall he sleep for 72 hours.
The son shall not permit the end to come.
The son shall take his hand and say
"Only God takes it away."
And when the room is empty but for them he shall sing softly
"Today While the Blossoms Still Cling to the Vine"
He shall not hear.
Let them all tell him it is okay to die.
Let the eldest son protest, "It is not okay to die."
In the final hours he shall struggle again
thus to be manhandled by the sons.
Then amid his incoherence he shall look the eldest in the eyes
and solemnly say
"I love you."
These shall be his last words.
Let them check his toes for signs of life.
Let the breathing come infrequently.
Let the breathing cease.
Let the son remain until they pull away the sheet
and display him in his nakedness at last.
All this to be accomplished January 15
in the year of Our Lord.
Remembering you dad. I love you.
mk May 2013
i always

wanted to be in love,
to be the person that others groan at in the hallway,
swapping affections and possibly personality with the boy of my choice.
wanted to be wanted.

wanted friends to be jealous,
to say god i wish i had a relationship like yours
and ask questions about where we met and how we got along.
wanted to be noticed.

wanted my mom to talk to her friends,
complaining about how obnoxious i was and how infrequently i made my way home,
causing family members to ask on about my boyfriend at gatherings.
wanted something normal.

believed it was possible for someone like me to finally have something average,
something to give me acceptance into the social world.
wanted not to be the outcast i made myself out to be.
thought and then.

thought and then i met a girl with eyes like cool ash and shoulders so heavy, so broad,
it took everything i had inside me to help her bear the load.
knew, knew as a child, when i suppressed my urges to hold a hip like mine,
to dip a red haired beauty under warm ballet hall lights and instead be dipped myself.

knew, especially when i pounded against the walls of a tiny bathroom cubicle,
screaming my desperation at not wanting,
but wanting so much to allow myself to lick the space where her collarbones met her neck.
thought i had been brought up to have an open mind.

-but, darling, i needed so much more than an open mind for this.
zebra Aug 2018
God came to me one night
and said i'm reading your ****** up poems
don't you think your kinda sugar coating this stuff, gag head?
if your gonna write filth
you need to get a little more ***-centric

i like it raw
with hella lottsa kink
lottsa squealing
more squirting
blood tears mucous saliva
gag why don't ya
and remember ******* are used relatively infrequently
so don't get all hygienic on me
what did you think they are for the rest of the time
besides what's a little **** between friends
and what the hell do you think i sent the devil for
the little *****

PS
if you really wanna be reborn
slide up in that goddess ******
and you'll be surprised
how much better you'll feel

im God for god's sake
i already thought of every
despicable
voluptuous
deliciously disgusting
twisted
tortuous
tormented
sick thing
you could possibly wanna do
so get the **** on with it
adult

thou shalt not ****
leave the fun stuff for me

is it trending?
John F McCullagh Nov 2011
Mary was on time, as usual.
As per usual, John was late.
“He’d be late for his own funeral!”
Mary fumed and cursed her fate.
They’d first hooked up in freshman year
at a frat house mixer bar
John got sick from too much beer
and hurled in Mary’s car.
They were pursuing the same major
and they lived in the same dorm.
He was always in her classes,
and they both worked at the Mall.
It was natural that they bonded.
It‘s said opposites attract.
His folks were alcoholics
from the wrong side of the tracks.
Mary came from Celtic stock
Hence her saintly name
She always called upon the Lord
when, infrequently, she came.
They both loved the Smashing Pumpkins
and were devoted to the band.
But it’s not enough to make her want
to wear John’s wedding band.
When at last John made his appearance
her well rehearsed words went askew.
She said, when giving back his ring;
“It’s not me, it’s you.”
John F McCullagh Jan 2012
The 506th is aging,
passing into history
**** Winters now has fallen in
with Easy Company.

He did not like to speak of war,
once He was safely home.
-Excepting at reunions
Or, infrequently, by phone.

Still the story needs be told
to the generations next:
How they parachuted into France,
How they fought ******’s best.

How many left their youth behind
In hedgerows or in fields,
Or in the snow around Bastogne
which they refused to Yield.

He was the biggest brother.
He commanded "Easy "well.
He had the gift of leading men-
They would follow him to Hell..

He never wanted medals
Or acclaim for what he’d done.
In the company of heroes,
He never boasted he was one.

Some are old and crippled,
some forever young.
In that company of heroes
Each man did what must be done.

Somewhere Easy Company
is gathered all around.
As they place **** Winters in the earth
let a mournful trumpet sound.
Richard( ****) Winters was the leader of "Easy" company of the 506th- the inspiration for the book and series "Band of Brothers"  This  tribute was written at the time of his passing.
Deyer Feb 2016
It's so easy
to write while grief spews from
the greatest depths of your character.
Everyone, too,
needs to read about the heartbreak,
the lingering heartache that makes
life decisions feel like clouds.
And it's so easy to give in
and put pitied pen to paper,
and the beautiful only
blossoms with agony, angst, and anger.
Infrequently, though,
can you really find the blood curdling words
that turn ache into anything but
agony. Only then
is a poet born.
John F McCullagh Jun 2013
My calling patterns are rather dull.
I’m a sixty year old man.
I get phone calls infrequently
almost never from Sudan.
Then one day I received a call
From some fellow called Abdul.
I thought it was a prank at first,
from students at my school.
He talked of pressure cookers
and praised his foreign god.
I said “it’s a wrong number, Bub.”
And I thought “that was odd!”
That didn’t stop him calling here
Oh, once or twice a week.
I explained I’m not the party
To whom he wished to speak.
(It seems my number was one digit
off from a certain Chechen geek).
After Tax day it got interesting-
all this clicking on my phone.
One time my placed was ransacked
while I was not at home.
Eric Holder, if you’re listening,
I am not the Droid you seek.
It seems the fourth amendment
Must be null and void this week...
I might be your perfect villain:
White, Catholic, and a man.
I know if I made videos
I’d be rotting in the “can”

I knew nothing about the plot,
I’m innocent, you see.
My knowledge, like the President’s
comes strictly from T.V.
Secret Courts and eavesdropping on Citizens Phones are not the stuff of Liberty
Ariella Jan 2014
She is a master of words.
She uses them wisely.
She uses them haphazardly.
She uses them to plant seeds
to grow flowers of either beauty or poison
Or both, with equal feverishness.
She uses them quietly.
She uses them loudly.
She uses them build beautiful ideas
of either Paradise or Babylon
with no regard of passions but her own.
She uses them infrequently.
She uses them continuously.
She creates a symphony
of either joy or sorrow for the audience to feel
and she merely watches the catastrophe from afar,
And walks away.
Brian Oarr Feb 2012
In soft darkness my aura of sadness emanates.
O'er cresting notes my lonely whistle treads.
Night birds sing to me their potentate
And lull the drifting images in my head.

All this my emptiness devours,
It feeds upon such times and moods.
My youthful optimism cowers;
Ideals tonight are mere exotic foods.

Do not look for me 'neath street lamps.
I shun the light, as wolves would shun a fire,
Preferring the company of street tramps,
Who seem to understand a man's desires.

So foolish are the rash, deceiving hearts,
Which convince our minds that love is rare,
For not infrequently a couple parts,
Never realizing the secret was to care.
Lessons of Darkness
A Simillacrum Apr 2018
Sad to see the past
Turn into our future
When the foundation our
Creators laid was, from the beginning, incorrect
Their every attempt to correct it went wrong
Sad to see them dedicated too late to the cause
Sad to see them now, so infrequently
Almost dead and gone

Honestly,
I'm more concerned for us
Becoming effigies in rust
In a dying world
Vibrancy overlaid with dust
Beaten all to red
Given in to dread
Purposefully wasting
Our batteries to death

Death, death, death

Death,

Death,

Death

Sad to feel it coming on so strong
When you'd rather dance than
Be taken naked to bed
annh Dec 2019
Sometimes I'm an apathist,
Infrequently an anarchist,
Mostly an apologetic aesthete,
And almost never myself.

Whatever...f$@k it...sorry...hello.
'To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.'
- Ralph Waldo Emerson
Ann M Johnson Sep 2013
I remember when you were a baby snuggled safely against me
Baby bird in my hand
I remember when you seemed to grow so quickly and learned to fly
I cried when you left my nest
Bird in the sky
I now see you so infrequently
I know you would rather be with your friends
Bird flying with friends
I miss you
I love to hear you sing
I'm tempted to hold unto you and tell you not to go
I need to let you grow
I hide my tears
I have memories of you to cherish of all these years
I let go and let you fly
I hope you know I will always be here if you need me
I hope you know how much I love you
My bird soar to new heights
My bird fly
I will look to the sky and watch you from afar
Fly my bird fly glide across the sky
Filomena Feb 2022
I never make friends;
My friends make me.
And it happens incredibly infrequently.

I'm naturally passive,
and purposefully patient,
so I'm glad for the gift of assimilation.
Mateuš Conrad Oct 2015
and like dante i’d write the geometric of heaven
likened to his hell,
although instead of the ix roundabouts
i’d write of the x winding paths,
harry potter en route 9 & 3/4
buddha between motorway 4.5 and 5.5
and jesus on the crossroads junction between 2.9 and 3.1.
of course i slow down sometimes, i figure,
write a boorish poem dependent on sloth,
write a prosaic poem in vain hope of mirroring equal speed
of the reader,
never write: poets are the unacknowledged legislators of the world...
instead write: poets mediate all mediums of art the easiest,
and sometimes do more than the ostriches could
and attack philosophy.
but then there’s this memory i have of myself
sitting in a room with rodin’s kiss marble statue at tate modern,
sketching the statue from all the vivaldi angles,
just before the statue was given an s & m makeover
by cornelia parker, wrapping the statue in the next best thing
to leather gimp masks... petrifying sexuality like
that can scar the hardest metallurgy product, including my eyes,
the ******* rope will not make the hellish couple cling tighter...
but a mantis or a black widow overshadowing the couple
probably would to make the male petrified to stick to
providing for high heels handbags and feminism;
i know the modern word rope = ***** in pink,
but come on... the contortions are not even exfoliating under
the ropes...
i guess i never learnt the art of “pure” and “animalistic”
expression everyone is into... verbiage and all kinds of vegetables
for me it would seem...
moving in between different art forms with an eel slippery ease...
giving due admiration for composer, visualizer, synchroniser,
post stamp / card artist, metal techno indie rapper, busker
and prose exerciser - it’s not that we leave our footmarks
almost idly, almost too infrequently, almost too lightly,
it’s because we are changing lanes on the motorway of sounds & colours,
while people like tolstoy and stephen king are stuck in
the traffic of prose, while people like beethoven and mozart
are stuck in the traffic of music -
but never you mind that quote from picasso...
that quote: all children are artists; the problem is how to remain
an artist once you grow up...
well... there’s an answer to that... retain a childish element
in your art... like picasso did in his work although womanising like
a strong alpha gorilla balancing both testicles in the abyss
of the crotch and a coconut on its head...
perfect cubes with triangles and squares on rectangular canvases...
or start talking like salvador d. about the paranoid expression
using sniffs of ammoniac substances to remember the stench of cows’ **** in the surreal.
Patrick N Aug 2015
Life is lived between the waves
In those moments prior to being carried or pushed,

What make you of those moments
When life’s ocean ebbs and flows

Infrequently offering just enough respite
That you may catch sight of what awaits

Whether its better to resist against or float atop
Is not sometimes known until afterwards

To know so little, arrive at land
And walk forth
Tyson Williams Nov 2010
When muse is lost


And flair be failing


To where do I look for my mana?




In the nooks and the crannys


Are the dregs and the pale


The thoughts not so worthy of print




In my heart is desire


For words that inspire


But I’m blocked by the rustle of feet!




The hum in the air


Craves pulling of hair


When will failings desist?


-


In heart are the answers


Mature in their nature


Written in untarnished text




Virtuotous is patience


Commendable indeed


An art form infrequently found




To better myself


New teaching of tricks


No old dog here will be found


-


Content will I be within silence


Awaiting the discharge of words


Come wind, come rain, come turbulent weather


Come fill my empty page
© Tyson Williams
Eric W Oct 2016
This will be the only poem here that I do not first write in my notebook.
Because it is not meant for me, it is meant for you,
this community.
A community where writers dare to write,
and judgement is not cast, no.
Where everyone knows and understands that the words are just that --
our own, and just words,
and that disagreeing, shamefully disgracing, and harming another
would only harm the community.
A community with hearts of gold and understanding in the darkest
of all of our  times.
We know that when we are feeling worst, or better,
our best,
we can spill ourselves onto paper, and then this screen,
or skip the paper (but I will only this once!),
and we will be welcomed with open arms
to those that understand
on the fundamental level what it is to love and to lose,
and to those that will not cast their own bias toward us.
And although I only post infrequently,
and love and share others' poetry even less infrequently
(I always and will always feel guilty about my lack
of contribution to this beautiful place),
I know that this is the place that has literally,
yes, literally,
the best people around.
Even though I haven't been around much,
I've never been met with a word that was less than kind,
and I think that the world should strive to be like you,
each and every one of you,
this community.
Portland Grace Jun 2015
That home is not a place it's a feeling. It's a feeling that wraps you in warmth and when you get there you know, because how could you ever feel like you feel when you're home?

2. That home will change. Home will adapt. You will come to the house you were raised in after being away for a while and you will your hand will shake as you open the door. The bed where you lost your virginity will feel stiff and old and you will realize that this doesn't feel like home anymore, that home is 800 miles away and sits with your stuff in boxes and with a girl with brown eyes and your favorite smile.

3. That time changes people, and time will change you. You will kiss the boy you swore you loved with all your heart a few years ago, just for the hell of it, and you will find that time has changed you both and you can't remember why his lips used to taste so sweet.

4. You will grow apart from people you don't want to grow apart from.   And that's okay. There will always be memories shared, and things you will miss. You will move on and talk infrequently and wish them the best.

5. You will hate how quickly things have changed. You will look back and you will think about high school and the excitement of leaving and wonder why you never fully appreciated where you were in this moment. You will feel pangs of regret, but they will pass.

6. You will bring to your home town habits you picked up while in school. You will take tequila shots in your kitchen at midnight because you're bored and you will shotgun a beer because it reminds you of home, and you miss your dorm room more than you would like to admit.

7. You are not invincible. When you leave school, you no longer have exams and work and parties to hide behind. Life moves slower here. You have to look at yourself each day with a new kind of acceptance, and that acceptance might seem harder here.

8. And you will be more alone, and this is a part of growing up. You went a year without regularly talking to your friends. It will hurt that you are not as a part of their group anymore. It will feel odd that you no longer have people to hang out with everyday. That your best friend is across the country and no longer shares a room with you. That you can't go to the guys down the hall's room to see what they are doing. That you will have days where no one texts you, no one talks to you, and this is all okay. You will learn about solitude and moving on and loving yourself. And of course, you will be okay, you've always been okay.
Wrenderlust Dec 2012
I wear my scars on my sleeve,
far away from my heart.
I give them no introduction, and in return,
hardly anyone comments.
Once, I was told that such marks are
something to hide
with neatly pressed skirts,
long sleeves, and dim lighting.
For some time, I made an effort,
then lost the shame-filled motivation.
They are rose-pink, criss-crossing,
haphazard badges of a life
lived free of convention,
every one a road sign that tells
just how far I've come-
beautiful if solemn reminders
of a former self.
They are small, puckered triumphs,
things to admire if only for their stability:
They do not grow in number.
I love their gaping mouths,
their age and soft surrender.
Infrequently, I examine each scar
with all the care and concentration
of a cynic in wonderland.
My fingers land on them like butterflies,
any pain has long since faded.
twenty-minute poem, i realized today that it has been almost two years since the last new scar.
Terry Collett Jul 2013
Shlomit remembers
the slaps at the back

of the legs by Mother’s
wet hand. Sins must

be punished, Father said,
lounging in the armchair

by the fire. She had
asked for more pudding,

milky, white, warm to
fill her small stomach,

the stinging hot flesh,
Mother’s hand striking

slaps one, two and three.
Straight to bed, none of

the stories, no supper,
no tea. She recalls that

dark room, the cold bed,
the smell of nightclothes

over worn, infrequently
washed, the aching head.

She remembers that more
than once, always that

hand wet, flesh exposed,
the slaps thrice, painfully

given, not nice. She recalls
the hand marks left behind,

red on white, carves or
thighs, the stinging sensation,

the shame of it all and them
arguing down the darken hall.
Leah May 2014
this is what gothmess says, in 140 characters or less..

on going out, and going home:
"just can't be happy tonight"
"so I left. unwilling to be anything but alone"

some things are better left forgotten:
"forget what I was going to tell you"

about to pass out:
"radio silence"

cough medicine:
"dextromethorphan"


an autobiography:
"if you like what you can't have and the smell of stale cigarettes
you're sure going to love me."
"and that's dedicated to somebody"

a confession:
"theres an awful lot of rapid life changes being thrown at me & so typically I've decided to sleep more and smoke more and be lazier overall"
"additionally I might add that all of my friends have discovered how infrequently I get laid and have decided to comment about it"
"so that feels nice. okay goodnight"

on relaspse:
"puked my throat out. the taste of loneliness is the taste of failure"

on alliterations:
"migranes and mixed feelings today"

on fine dining:
"stir fry is the best way to eat your feelings"

death cab for cutie references:
"tiny vessels from the other side of the microphone isn't great"

on setting goals:
"tomorrow I will wake up new and fresh and young and me"
"replacing all meals with green tea"

and not quite accomplishing them:
"old habits die hard"
"I didn't wake up new or fresh because I woke up me"

missing MySpace's "current mood" feature:
"tired and jaded and bored to tears"

potential comedy ideas:
" "my easter hickey"  "

on having a hickey:
"tiny vessels *******"

on alka seltzer cough and cold medicine:
"no such thing as a half dose"
"orange carbonated salvation"

on life outlook:
"**** 'em"
Clare Talbot Mar 2014
the most accurate descriptions of how i feel about you
are disturbing at best
i want to crawl inside your skin
is the phrase that most often comes to mind.
never close enough, sticking skins pressed together
shins to calves chest to back
arms twisting and knotted around you
and i keep shifting in place because i don't have enough body to cover you with.
it's infrequently ****** but when it is i crave anatomy i lack,
and spit-slick tongue, rubbery silicon hardly begin to satisfy
my need to exist in the same space you occupy.
scientific law states that two objects cannot exist in the same space at the same time but you inspire a devotion to prove that wrong.
and those times you're above me limbs entangled unsure where one of us ends and the other begins
the litany of closer is silenced but the hunger for your flesh still craves,
not moving not giving enough for comfort or pleasure and the satisfaction never lasts.
in my love there is a constant undercurrent of unnerving devotion
passion and fury and not-yet violence streaked through with thrilling mania
i'd **** for you
another of those too-common phrases;
but i would.
there is a current of violence under my skin, my love,
and the idea of you being hurt brings to mind images of gore
and grit and rending of limbs from those who have harmed you.
i share my skin with a part-time psychopath
and you are the pivotal point, the focus
just tell me where to aim.
i am embracing my own monstrosity; you inspire religions within me

(uh oh I think I'm embracing tumblr's recent fixations w godhood...)
Elizabeth Aug 2014
Am I doing this right?
Do we punctuate in slow motion or should we scream with no meaning behind crystal words?
And how do we define good from great?
If we dream it, can we make it?
If we want it, can we get it?
Do my rhymes make ripples or meaningless disturbances?
And will these ripples even cause waves? Will the motion become an ocean?
To prove yourself is to move mountains, yet mountains come by so infrequently today.

We possess the story telling wiseman within us all.
He belly laughs and wonders at tales of great.
The music he produces out of his fingertips flow seamlessly within the words of old.
And we wish to tell the novels inside of us yet we draw into each other like hibernation,
And we ignore the signals written in front of us.
Forever shading grey the power of our thoughts and feelings,
Wiping our faces clean of originality.

Personally, I need the success I deserve.
There's something inside that pushes the letters through my hands onto paper.
The drive courses like hot maple syrup,
Accelerating the existing liquids,
Pushing my limits to get what I want.
I want to prove I have to do this,
But I was always caught wondering if these words I give were prescribed or abused under the table of lesser men.
There will always be the greedy, the skeptical who question my right, who question my point of writing these rhymes.
But I must keep going,
Or these words will raisin,
Shriveled and wasted in graves and ashes.
Inspired by The Asia Project. If anyone reads this and has not heard of them, look them up today, tonight, right now!
Mia Eugenia Sep 2013
This piece of glass that has always been between us
Isn't so see through anymore
Is it
The shades of grey have taken over
They make me feel disfigured
Dismembered
Disheartened
And I can't reach through a computer screen
And hear the voice that so often resonates
From the speaker on my phone
But so infrequently in person.
All documented nonsense
From a world I built up
To protect my outer shells from crumbling
And it isn't fair to blame you for everything
But that won't stop me from doing it
And it isn't right for me to always side with you
But that doesn't mean I'm going to stop.
But nothings fair
No one is fair
And I hate that word
Cause it reeks of entitlement
And is spray painted on every house I've ever walked by
In this little suburb
That nobody wants.
That word oozes with self righteousness
As if just because you don't see it as right
It must be wrong.
I hate that word because
Four letters that used to mean something in this world
Have been hollowed out
By spoiled children
Whose parents braided their hair
And are throwing a fit in the market
Because they cant buy the sugary monstrosity of a food
Whatever they saw on TV this week
Screaming about how it's "not fair"
Because Susie gets everything she wants.
And I would know because I was one of those kids
And my dad always braided my hair for me.
Most of all what isn't fair
And isn't right is
For you to know that you have that power over me
And exploit it
Use it to turn to when no one answers
But like you said before
I always answer
And I always will.
le wy Feb 2015
Always add acid to the water.
Otherwise the acid can get on your skin and hurt you.
Always add the acid to the water.  
for as you try to dilute it, a lot of heat should be generated and the larger volume of water should be able to absorb that heat.
Always add the acid to the water.
But
She's  always the water and you're always the acid.
notwithstanding the facts,
She is always trying to pour herself unto you.
Knowing what unwanted reactions it might bring
She still tries to add herself.
Trying to make yourselves match;
always believing you could have the most perfect reactions
and
All she has was an illusion.
For
Water in acid should never be done
because Acid in water infrequently goes wrong.
Now
She's terribly hurt.
Can't escape from what the solution brought.
-lkc
Paul Glottaman Mar 2011
I stayed awake to watch the sun come up.
I stayed up to watch it go down.
I climbed a tree to see what the country side told me.
I stood on the parking complex to hear the music of the city.
I ate food that were bad for me.
I drank V-8 and took those ****** vitamins.
I checked my blood pressure compulsively.
I checked my heart beat infrequently.
I drove fast through silent streets.
I slowed down on the highway.
I had not places to be.
I was in a hurry to get no where.
I breathed in the smoke from the end of this cigarette.
I breathed out under water to watch the bubbles.
I read like books were never going to be published again.
I watched DVDs until my eyes hurt.
When the third day came I slept.
I had such dreams.
adept Apr 2018
i'm worried about You
please be okay
i can't lose You too
don't put Yourself down
it's not Your fault
know that You can talk to me
know that i am reaching out
please talk to me
please
please

— The End —