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"gooseberry" poems
I took the left path where hydrangeas grew and sleepy primroses under woods, edged shady trees. The empty stream ran quietly dry With grass cuttings piling high. If one peeped, one would find tiny creatures To cast a sparkle here and there, a delight. So on tip-toe, with sandels bent Up high I reached to take The plastic fairy as she twirled a pirouette In a theatre made by chance. Reflected in a silver mirror intwinned with ivy branch A mottled foal tends his dreams and Chrismas robin chirps. My brother took the right hand path where the trees grew fruit Ripe berries from the gooseberry bush bulged their prickles. Dangling from hawthorn now a cowboy with a hat Looking for his fellow Indian with the yellow back sack. Sheep gather in a hollow, dark, protected from the sun And Mr toad, now lost of paint, has turned a bit glum. And so we leave our woodland friends and travel up the slope Winding round the rose bed and goldfish where they float. Then up we climb, the middle route, to jump the pruned clipped Hedge. The lawn divided in two halves, a contemporary taste. Now we're nearly at that place where if one was to turn Could see down across the land To the sea and sand. Of all the beauties that I've known Nothing beats this Island home. Love Mary x My grandfather’s retirement bungalow was in Totland Isle of Wight. It was named Innisfail meaning ‘Isle of Ireland’. Behind, the garden led down to magical and delightful to children who came as visitors. My grandfather would prepare this woodland with some suitable surprises. The garden and woodland deserved its own name and in retrospect Is now named ‘Innislandia’ to suggest a separate, mysterious land. Beyond the real world. In the poem A Country Lane on page 8 the latched gate is the back gate to my grandparent’s garden and bungalow in Totland as above.
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Jun 23, 2018
Jun 23, 2018 at 7:57 AM UTC
‘NOPO@HEPO’.My Grandfather’s Garden: Innislandia, The imaginary world of my grandfather.
I took the left path where hydrangeas grew and sleepy primroses under woods, edged shady trees. The empty stream ran quietly dry With grass cuttings piling high. If one peeped, one would find tiny creatures To cast a sparkle here and there, a delight. So on tip-toe, with sandels bent Up high I reached to take The plastic fairy as she twirled a pirouette In a theatre made by chance. Reflected in a silver mirror intwinned with ivy branch A mottled foal tends his dreams and Chrismas robin chirps. My brother took the right hand path where the trees grew fruit Ripe berries from the gooseberry bush bulged their prickles. Dangling from hawthorn now a cowboy with a hat Looking for his fellow Indian with the yellow back sack. Sheep gather in a hollow, dark, protected from the sun And Mr toad, now lost of paint, has turned a bit glum. And so we leave our woodland friends and travel up the slope Winding round the rose bed and goldfish where they float. Then up we climb, the middle route, to jump the pruned clipped Hedge. The lawn divided in two halves, a contemporary taste. Now we're nearly at that place where if one was to turn Could see down across the land To the sea and sand. Of all the beauties that I've known Nothing beats this Island home. Love Mary x My grandfather’s retirement bungalow was in Totland Isle of Wight. It was named Innisfail meaning ‘Isle of Ireland’. Behind, the garden led down to magical and delightful to children who came as visitors. My grandfather would prepare this woodland with some suitable surprises. The garden and woodland deserved its own name and in retrospect Is now named ‘Innislandia’ to suggest a separate, mysterious land. Beyond the real world. In the poem A Country Lane on page 8 the latched gate is the back gate to my grandparent’s garden and bungalow in Totland as above.
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35
lines cut heavy on a button stretched brow thick rubber shoes and dragon canes fill out the closet floor gospel sounds and narratives (drowned) apparitions set sullenly amid voices from the past finger pins and crosswords find the favor list point men and preachers tip up their tuscany caps twitching and sign gazing with spectacles held firm recurring evening news and beadledom views clappers and caregivers raise a crooked foot grips and rockers settle in on the front porch gertrude grimaces at an untimely turn as the gooseberry pie (with a smidgen of cloves) chills by the night watch
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Feb 11, 2018
Feb 11, 2018 at 12:07 PM UTC
the golden years
They call it a 'Class War" They call it a "War of Liberation" whilst its just another instance of white oppression Childish, immature, mean and nasty underachievers like the kid on the beach who kicks over others sandcastle because they are better than the ******* castle he made Like that that uncool dumb teen who scatters the board game because he's now seen that he is losing and cannot win at all like those ugly pimpled friends who would play gooseberry and cock-blockers because  they can't get nice dates of their own like that bitter mad one who will spill ink over your white top or new Trainers because he or she has old and ***** ones They are all from the world of the sicko psychos and damaged talent-less mean, envious, sad pathetic people going nowhere If I can't make it, why should others do and be winners They all graduate to the divisive politics of the ****** losers Power is stopping progress and advancement because they are down Power is bringing achievers and enterprise down they can's gain Power is sabotaging all that is good because they are bad in all Measly fetid minds they plot and conspire in gangrenous network dolts, scums, unwashed losers and rejects of society, bottom feeders Come join the Party, our specialty is chaos and disruption of winners The pathetic jokes of the white West, losers in their own backyards picks on an African who came from disadvantages to better them better educated, more intelligent, cool and stylish in every way pack full of potential, going places they can never go or reach Our sick, mean spirited under-achievers, expert losers and scums crawled on the war-path, riddled with envy, sick with jealousy ruin his progress, oppose and disrupt a black man who doubles efforts to achieve, what if losers try is given to them on a plate What here is done for the greater good, what here is honorable celebrated victories for psychos, racist underachievers I think not peoples power? more sick, tormented, jealous n envious chicanery anarchy jealousy, anarchy shame, anarchy racists, anarchy liars One Single Black achiever demonstrates the inherent strength and grace of our all our Ancestors against sick, persistent white oppression. That's the story here. If its a fair war, why hide and go underground, why fight *****
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May 17, 2019
May 17, 2019 at 7:40 AM UTC
They glorify sick sadistic oppression...
They call it a 'Class War" They call it a "War of Liberation" whilst its just another instance of white oppression Childish, immature, mean and nasty underachievers like the kid on the beach who kicks over others sandcastle because they are better than the ******* castle he made Like that that uncool dumb teen who scatters the board game because he's now seen that he is losing and cannot win at all like those ugly pimpled friends who would play gooseberry and cock-blockers because  they can't get nice dates of their own like that bitter mad one who will spill ink over your white top or new Trainers because he or she has old and ***** ones They are all from the world of the sicko psychos and damaged talent-less mean, envious, sad pathetic people going nowhere If I can't make it, why should others do and be winners They all graduate to the divisive politics of the ****** losers Power is stopping progress and advancement because they are down Power is bringing achievers and enterprise down they can's gain Power is sabotaging all that is good because they are bad in all Measly fetid minds they plot and conspire in gangrenous network dolts, scums, unwashed losers and rejects of society, bottom feeders Come join the Party, our specialty is chaos and disruption of winners The pathetic jokes of the white West, losers in their own backyards picks on an African who came from disadvantages to better them better educated, more intelligent, cool and stylish in every way pack full of potential, going places they can never go or reach Our sick, mean spirited under-achievers, expert losers and scums crawled on the war-path, riddled with envy, sick with jealousy ruin his progress, oppose and disrupt a black man who doubles efforts to achieve, what if losers try is given to them on a plate What here is done for the greater good, what here is honorable celebrated victories for psychos, racist underachievers I think not peoples power? more sick, tormented, jealous n envious chicanery anarchy jealousy, anarchy shame, anarchy racists, anarchy liars One Single Black achiever demonstrates the inherent strength and grace of our all our Ancestors against sick, persistent white oppression. That's the story here. If its a fair war, why hide and go underground, why fight *****
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37
When I was a windy boy and a bit And the black spit of the chapel fold, (Sighed the old ram rod, dying of women), I tiptoed shy in the gooseberry wood, The rude owl cried like a tell-tale *** I skipped in a blush as the big girls rolled Nine-pin down on donkey's common, And on seesaw sunday nights I wooed Whoever I would with my wicked eyes, The whole of the moon I could love and leave All the green leaved little weddings' wives In the coal black bush and let them grieve. When I was a gusty man and a half And the black beast of the beetles' pews (Sighed the old ram rod, dying of ******* Not a boy and a bit in the wick- Dipping moon and drunk as a new dropped calf, I whistled all night in the twisted flues, Midwives grew in the midnight ditches, And the sizzling sheets of the town cried, Quick!- Whenever I dove in a breast high shoal, Wherever I ramped in the clover quilts, Whatsoever I did in the coal- Black night, I left my quivering prints. When I was a man you could call a man And the black cross of the holy house, (Sighed the old ram rod, dying of welcome), Brandy and ripe in my bright, bass prime, No springtailed tom in the red hot town With every simmering woman his mouse But a hillocky bull in the swelter Of summer come in his great good time To the sultry, biding herds, I said, Oh, time enough when the blood runs cold, And I lie down but to sleep in bed, For my sulking, skulking, coal black soul! When I was half the man I was And serve me right as the preachers warn, (Sighed the old ram rod, dying of downfall), No flailing calf or cat in a flame Or hickory bull in milky grass But a black sheep with a crumpled horn, At last the soul from its foul mousehole Slunk pouting out when the limp time came; And I gave my soul a blind, slashed eye, Gristle and rind, and a roarers' life, And I shoved it into the coal black sky To find a woman's soul for a wife. Now I am a man no more no more And a black reward for a roaring life, (Sighed the old ram rod, dying of strangers), Tidy and cursed in my dove cooed room I lie down thin and hear the good bells jaw-- For, oh, my soul found a sunday wife In the coal black sky and she bore angels! Harpies around me out of her womb! Chastity prays for me, piety sings, Innocence sweetens my last black breath, Modesty hides my thighs in her wings, And all the deadly virtues plague my death!
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5.3k
Lament
When I was a windy boy and a bit And the black spit of the chapel fold, (Sighed the old ram rod, dying of women), I tiptoed shy in the gooseberry wood, The rude owl cried like a tell-tale *** I skipped in a blush as the big girls rolled Nine-pin down on donkey's common, And on seesaw sunday nights I wooed Whoever I would with my wicked eyes, The whole of the moon I could love and leave All the green leaved little weddings' wives In the coal black bush and let them grieve. When I was a gusty man and a half And the black beast of the beetles' pews (Sighed the old ram rod, dying of ******* Not a boy and a bit in the wick- Dipping moon and drunk as a new dropped calf, I whistled all night in the twisted flues, Midwives grew in the midnight ditches, And the sizzling sheets of the town cried, Quick!- Whenever I dove in a breast high shoal, Wherever I ramped in the clover quilts, Whatsoever I did in the coal- Black night, I left my quivering prints. When I was a man you could call a man And the black cross of the holy house, (Sighed the old ram rod, dying of welcome), Brandy and ripe in my bright, bass prime, No springtailed tom in the red hot town With every simmering woman his mouse But a hillocky bull in the swelter Of summer come in his great good time To the sultry, biding herds, I said, Oh, time enough when the blood runs cold, And I lie down but to sleep in bed, For my sulking, skulking, coal black soul! When I was half the man I was And serve me right as the preachers warn, (Sighed the old ram rod, dying of downfall), No flailing calf or cat in a flame Or hickory bull in milky grass But a black sheep with a crumpled horn, At last the soul from its foul mousehole Slunk pouting out when the limp time came; And I gave my soul a blind, slashed eye, Gristle and rind, and a roarers' life, And I shoved it into the coal black sky To find a woman's soul for a wife. Now I am a man no more no more And a black reward for a roaring life, (Sighed the old ram rod, dying of strangers), Tidy and cursed in my dove cooed room I lie down thin and hear the good bells jaw-- For, oh, my soul found a sunday wife In the coal black sky and she bore angels! Harpies around me out of her womb! Chastity prays for me, piety sings, Innocence sweetens my last black breath, Modesty hides my thighs in her wings, And all the deadly virtues plague my death!
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60
When I was a windy boy and a bit And the black spit of the chapel fold, (Sighed the old ram rod, dying of women), I tiptoed shy in the gooseberry wood, The rude owl cried like a tell-tale *** I skipped in a blush as the big girls rolled Nine-pin down on donkey's common, And on seesaw sunday nights I wooed Whoever I would with my wicked eyes, The whole of the moon I could love and leave All the green leaved little weddings' wives In the coal black bush and let them grieve. When I was a gusty man and a half And the black beast of the beetles' pews (Sighed the old ram rod, dying of ******* Not a boy and a bit in the wick- Dipping moon and drunk as a new dropped calf, I whistled all night in the twisted flues, Midwives grew in the midnight ditches, And the sizzling sheets of the town cried, Quick!- Whenever I dove in a breast high shoal, Wherever I ramped in the clover quilts, Whatsoever I did in the coal- Black night, I left my quivering prints. When I was a man you could call a man And the black cross of the holy house, (Sighed the old ram rod, dying of welcome), Brandy and ripe in my bright, bass prime, No springtailed tom in the red hot town With every simmering woman his mouse But a hillocky bull in the swelter Of summer come in his great good time To the sultry, biding herds, I said, Oh, time enough when the blood runs cold, And I lie down but to sleep in bed, For my sulking, skulking, coal black soul! When I was half the man I was And serve me right as the preachers warn, (Sighed the old ram rod, dying of downfall), No flailing calf or cat in a flame Or hickory bull in milky grass But a black sheep with a crumpled horn, At last the soul from its foul mousehole Slunk pouting out when the limp time came; And I gave my soul a blind, slashed eye, Gristle and rind, and a roarers' life, And I shoved it into the coal black sky To find a woman's soul for a wife. Now I am a man no more no more And a black reward for a roaring life, (Sighed the old ram rod, dying of strangers), Tidy and cursed in my dove cooed room I lie down thin and hear the good bells jaw-- For, oh, my soul found a sunday wife In the coal black sky and she bore angels! Harpies around me out of her womb! Chastity prays for me, piety sings, Innocence sweetens my last black breath, Modesty hides my thighs in her wings, And all the deadly virtues plague my death!
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4.9k
Lament
When I was a windy boy and a bit And the black spit of the chapel fold, (Sighed the old ram rod, dying of women), I tiptoed shy in the gooseberry wood, The rude owl cried like a tell-tale *** I skipped in a blush as the big girls rolled Nine-pin down on donkey's common, And on seesaw sunday nights I wooed Whoever I would with my wicked eyes, The whole of the moon I could love and leave All the green leaved little weddings' wives In the coal black bush and let them grieve. When I was a gusty man and a half And the black beast of the beetles' pews (Sighed the old ram rod, dying of ******* Not a boy and a bit in the wick- Dipping moon and drunk as a new dropped calf, I whistled all night in the twisted flues, Midwives grew in the midnight ditches, And the sizzling sheets of the town cried, Quick!- Whenever I dove in a breast high shoal, Wherever I ramped in the clover quilts, Whatsoever I did in the coal- Black night, I left my quivering prints. When I was a man you could call a man And the black cross of the holy house, (Sighed the old ram rod, dying of welcome), Brandy and ripe in my bright, bass prime, No springtailed tom in the red hot town With every simmering woman his mouse But a hillocky bull in the swelter Of summer come in his great good time To the sultry, biding herds, I said, Oh, time enough when the blood runs cold, And I lie down but to sleep in bed, For my sulking, skulking, coal black soul! When I was half the man I was And serve me right as the preachers warn, (Sighed the old ram rod, dying of downfall), No flailing calf or cat in a flame Or hickory bull in milky grass But a black sheep with a crumpled horn, At last the soul from its foul mousehole Slunk pouting out when the limp time came; And I gave my soul a blind, slashed eye, Gristle and rind, and a roarers' life, And I shoved it into the coal black sky To find a woman's soul for a wife. Now I am a man no more no more And a black reward for a roaring life, (Sighed the old ram rod, dying of strangers), Tidy and cursed in my dove cooed room I lie down thin and hear the good bells jaw-- For, oh, my soul found a sunday wife In the coal black sky and she bore angels! Harpies around me out of her womb! Chastity prays for me, piety sings, Innocence sweetens my last black breath, Modesty hides my thighs in her wings, And all the deadly virtues plague my death!
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60
I The Nutcrackers sate by a plate on the table, The Sugar-tongs sate by a plate at his side; And the Nutcrackers said, 'Don't you wish we were able 'Along the blue hills and green meadows to ride? 'Must we drag on this stupid existence for ever, 'So idle so weary, so full of remorse,-- 'While every one else takes his pleasure, and never 'Seems happy unless he is riding a horse? II 'Don't you think we could ride without being instructed? 'Without any saddle, or bridle, or spur? 'Our legs are so long, and so aptly constructed, 'I'm sure that an accident could not occur. 'Let us all of a sudden hop down from the table, 'And hustle downstairs, and each jump on a horse! 'Shall we try? Shall we go! Do you think we are able?' The Sugar-tongs answered distinctly,'Of course!' III So down the long staircase they hopped in a minute, The Sugar-tongs snapped, and the Crackers said 'crack!' The stable was open, the horses were in it; Each took out a pony, and jumped on his back. The Cat in a fright scrambled out of the doorway, The Mice tumbled out of a bundle of hay, The brown and white Rats, and the black ones from Norway, Screamed out, 'They are taking the horses away!' IV The whole of the household was filled with amazement, The Cups and the Saucers danced madly about, The Plates and the Dishes looked out of the casement, The Saltcellar stood on his head with a shout, The Spoons with a clatter looked out of the lattice, The Mustard-pot climbed up the Gooseberry Pies, The Soup-ladle peeped through a heap of Veal Patties, And squeaked with a ladle-like scream of surprise. V The Frying-pan said, 'It's an awful delusion!' The Tea-kettle hissed and grew black in the face; And they all rushed downstairs in the wildest confusion, To see the great Nutcracker-Sugar-tong race. And out of the stable, with screamings and laughter, (Their ponies were cream-coloured, speckled with brown,) The Nutcrackers first, and the Sugar-tongs after, Rode all round the yard, and then all round the town. VI They rode through the street, and they rode by the station, They galloped away to the beautiful shore; In silence they rode, and 'made no observation', Save this: 'We will never go back any more!' And still you might hear, till they rode out of hearing, The Sugar-tongs snap, and the Crackers say 'crack!' Till far in the distance their forms disappearing, They faded away.--And they never came back!
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4.4k
The Nutcrackers And The Sugar-Tongs
I The Nutcrackers sate by a plate on the table, The Sugar-tongs sate by a plate at his side; And the Nutcrackers said, 'Don't you wish we were able 'Along the blue hills and green meadows to ride? 'Must we drag on this stupid existence for ever, 'So idle so weary, so full of remorse,-- 'While every one else takes his pleasure, and never 'Seems happy unless he is riding a horse? II 'Don't you think we could ride without being instructed? 'Without any saddle, or bridle, or spur? 'Our legs are so long, and so aptly constructed, 'I'm sure that an accident could not occur. 'Let us all of a sudden hop down from the table, 'And hustle downstairs, and each jump on a horse! 'Shall we try? Shall we go! Do you think we are able?' The Sugar-tongs answered distinctly,'Of course!' III So down the long staircase they hopped in a minute, The Sugar-tongs snapped, and the Crackers said 'crack!' The stable was open, the horses were in it; Each took out a pony, and jumped on his back. The Cat in a fright scrambled out of the doorway, The Mice tumbled out of a bundle of hay, The brown and white Rats, and the black ones from Norway, Screamed out, 'They are taking the horses away!' IV The whole of the household was filled with amazement, The Cups and the Saucers danced madly about, The Plates and the Dishes looked out of the casement, The Saltcellar stood on his head with a shout, The Spoons with a clatter looked out of the lattice, The Mustard-pot climbed up the Gooseberry Pies, The Soup-ladle peeped through a heap of Veal Patties, And squeaked with a ladle-like scream of surprise. V The Frying-pan said, 'It's an awful delusion!' The Tea-kettle hissed and grew black in the face; And they all rushed downstairs in the wildest confusion, To see the great Nutcracker-Sugar-tong race. And out of the stable, with screamings and laughter, (Their ponies were cream-coloured, speckled with brown,) The Nutcrackers first, and the Sugar-tongs after, Rode all round the yard, and then all round the town. VI They rode through the street, and they rode by the station, They galloped away to the beautiful shore; In silence they rode, and 'made no observation', Save this: 'We will never go back any more!' And still you might hear, till they rode out of hearing, The Sugar-tongs snap, and the Crackers say 'crack!' Till far in the distance their forms disappearing, They faded away.--And they never came back!
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54
To a Louse by Robert Burns translation/interpretation by Michael R. Burch Hey! Where're you going, you crawling hair-fly? Your impudence protects you, barely; I can only say that you swagger rarely Over gauze and lace. Though faith! I fear you dine but sparely In such a place. You ugly, creeping, blasted wonder, Detested, shunned by both saint and sinner, How dare you set your feet upon her— So fine a lady! Go somewhere else to seek your dinner On some poor body. Off! around some beggar's temple shamble: There you may creep, and sprawl, and scramble, With other kindred, jumping cattle, In shoals and nations; Where horn nor bone never dare unsettle Your thick plantations. Now hold you there! You're out of sight, Below the folderols, snug and tight; No, faith just yet! You'll not be right, Till you've got on it: The very topmost, towering height Of miss's bonnet. My word! right bold you root, contrary, As plump and gray as any gooseberry. Oh, for some rank, mercurial resin, Or dread red poison; I'd give you such a hearty dose, flea, It'd dress your noggin! I wouldn't be surprised to spy You on some housewife's flannel tie: Or maybe on some ragged boy's Pale undervest; But Miss's finest bonnet! Fie! How dare you jest? Oh Jenny, do not toss your head, And lash your lovely braids abroad! You hardly know what cursed speed The creature's making! Those winks and finger-ends, I dread, Are notice-taking! O would some Power with vision teach us To see ourselves as others see us! It would from many a blunder free us, And foolish notions: What airs in dress and carriage would leave us, And even devotion! One Sunday while sitting behind a young lady in church, Robert Burns noticed a louse roaming through the bows and ribbons of her bonnet. The poem "To a Louse" resulted from his observations. The poor woman had no idea that she would be the subject of one of Burns' best poems about how we see ourselves, compared to how other people see us at our worst moments. Keywords/Tags: Robert Burns, louse, church, bonnet, lace, Scotland, Scots, dialect, translation
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Apr 21, 2020
Apr 21, 2020 at 5:26 AM UTC
Robert Burns "To a Louse" translation
To a Louse by Robert Burns translation/interpretation by Michael R. Burch Hey! Where're you going, you crawling hair-fly? Your impudence protects you, barely; I can only say that you swagger rarely Over gauze and lace. Though faith! I fear you dine but sparely In such a place. You ugly, creeping, blasted wonder, Detested, shunned by both saint and sinner, How dare you set your feet upon her— So fine a lady! Go somewhere else to seek your dinner On some poor body. Off! around some beggar's temple shamble: There you may creep, and sprawl, and scramble, With other kindred, jumping cattle, In shoals and nations; Where horn nor bone never dare unsettle Your thick plantations. Now hold you there! You're out of sight, Below the folderols, snug and tight; No, faith just yet! You'll not be right, Till you've got on it: The very topmost, towering height Of miss's bonnet. My word! right bold you root, contrary, As plump and gray as any gooseberry. Oh, for some rank, mercurial resin, Or dread red poison; I'd give you such a hearty dose, flea, It'd dress your noggin! I wouldn't be surprised to spy You on some housewife's flannel tie: Or maybe on some ragged boy's Pale undervest; But Miss's finest bonnet! Fie! How dare you jest? Oh Jenny, do not toss your head, And lash your lovely braids abroad! You hardly know what cursed speed The creature's making! Those winks and finger-ends, I dread, Are notice-taking! O would some Power with vision teach us To see ourselves as others see us! It would from many a blunder free us, And foolish notions: What airs in dress and carriage would leave us, And even devotion! One Sunday while sitting behind a young lady in church, Robert Burns noticed a louse roaming through the bows and ribbons of her bonnet. The poem "To a Louse" resulted from his observations. The poor woman had no idea that she would be the subject of one of Burns' best poems about how we see ourselves, compared to how other people see us at our worst moments. Keywords/Tags: Robert Burns, louse, church, bonnet, lace, Scotland, Scots, dialect, translation
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52
After the ball game on the high school playing field Shoshana is still sitting there with another girl so I go over to her and she blushes slightly and I say what did you think? she looks at me and says not very good are you? I smile no not much but they will insist I play at least you're honest she says I am best way I reply the other girl stands up and says don't want to play gooseberry see you later Shoshana and she walks off something I said? I say no I think she finds boys embarrassing Shoshana says I look at her sitting there dark hair long straight bell will ring in a minute she says best get back towards school she stands up and I say where do you live? I live a little way away I get a school bus home she says so do I I say I know you do she says you get on the same bus as I do I look at her do I? yes you've not seen me I get on as quick as I can she says I see you though a bell rings from school well see you later then I say and she's off leaving me there and I wander back to school across the grass watching her go her slight figure in the afternoon sun taking note of her neat ***
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Jul 1, 2015
Jul 1, 2015 at 2:58 AM UTC
AFTER THE BALL GAME 1962
it will be, you know 1. small bird shivering kind hand covering warmth spreading destined for life 2. her well-trained cats at the door          ants always spared (!)          on sill          with sugared saucer poultry in the yard collecting deep-yolked eggs          making gooseberry jam and sweet, strong tea with hot milk just for me she taught me inner grace and the real meaning of quietness         just birds chattering away         whistling wondrous         in fig trees laden with heavy fruit awaiting her deft hands how I loved her so accounting exams interrupted in sixth grade sorry she's gone, dear dumbstruck silence           they ask           why I'm not crying? 3. kismet peeps in to embrace you and kiss your brow you try to sidestep and stub a toe knock your head in the end: full-circle prayer que sera...sera S T, 28 June 2013
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Jun 28, 2013
Jun 28, 2013 at 3:32 PM UTC
kismet-bird
So desolate, I walked onward An expanse of sand running mile after mile In the distance the sound of thunder Then as if a mirage at sea a village of ramshackle homes Single story on a sandbank all with gardens of the strangest design A flea farm,  gooseberry bushes and butterflies in net cages Children playing, the voices of grandparents The sea now lapping at my heels and between their twisted porches, where on earth could I be In reality? For I no longer walked the earth The thunder was the howitzers shelling the beach The vilage, that of my childhood For my mind in its last throws had given me a thought of memory,  that of childhood and family that of loving not war The sea and sand being of beauty Now limbless, face down on a Normandy beach drowning. Then darkness Silence Peace
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Nov 4, 2013
Nov 4, 2013 at 8:09 PM UTC
Normandy on sea
Why oh why do I love pie? The ABCs of it and the LMNO-Pie of it A Apple Pie B Boston cream Pie C Cherry Pie D Dutch Apple Pie E Equation Pie 3.14 F Fruit Pie G Grandma's Gooseberry Pie H Humble Pie I Ice Cream Pie J Jell-O Pudding Pie K Kidney Pie L Lemon Meringue Pie M Moon Pie N Nutty Pecan Pie O Oreo Cookie Crust Pie P Pud'nin Pie Q Quick Set Frozen Cream Pie R Rhubarb Pie S Sweet Tater Pie T Tuxedo Pie U Upside Down Pineapple Pie V Velvet Truffle Pie W Whip Cream Pie X PIE IN THE FACE Y Yummy Pie Z Zesty Lemon/Lime Pie Now you have the XYZ of it and the PIE of it Why oh why do you love Pie?
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May 31, 2015
May 31, 2015 at 3:17 PM UTC
The ABCs of PIE
I took a trip down the ecstatic abyss of Amoria Through narrow crooked bylanes and juniper dumpsters Peering through moments of insipid laughter Prime pranksters, nerdsters and gooseberry gangsters Languishing through marauding beauracratic rituals Peering through unexpected ideals and benign gestures Then out in this rugged terrain lay the bear with cold feet Eyes like blessed blue whales and timid water hyacinth Narrow corridors of limbs endowed with firm yet hollow muscles Tuberculosis and octopus gunk lay smeared in every nostril "Ah! Nauseating yet divine!" said the knight to the pitiful jester Rowan Moses
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Jun 14, 2016
Jun 14, 2016 at 10:51 PM UTC
The Landscape in Amoria
There was an Old Person of Leeds, Whose head was infested with beads; She sat on a stool, And ate gooseberry fool, Which agreed with that person of Leeds.
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There Was An Old Person Of Leeds
If I am to count, One hundred & seventy five days Have passed by Since the taste of gooseberries, Peaches with a crisp aromatic Taste, graced my lips. As I type, my lips Imagine, the Loire white Embracing all taste buds. I can smell the depth & body, The lingering scent And how around the cold glass Would form a dew. I can feel the weight Of the most fine rimmed Of drinking glasses. Not the crystal glasses My mother has become so Accustomed to. But my favourite glass One in which would hold The half bottle of wine I could pass off As less. Red chipped nails, Form a snake hold Around the glass, My hand feels the chill. What is to be remembered In my nostalgic recollections Is how that taste remains Even today. One hundred & seventy five days Have passed by And those gooseberry, And peach undertones Still linger on my lips. © Sia Jane
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Oct 30, 2014
Oct 30, 2014 at 10:52 PM UTC
Loire Valley
Again today I hunted the wily morel, armed with little knowledge and dulling eyes. I sought in vain through gooseberry thicket, pucker brush, cedar, tripping on fox-grape vines, finding only box tortoises and one sad reminder of an autumn pastime: the picked- over carcass of a young buck, bones and hide scattered at the foot of a stately white oak. I claimed the skull. On the drive home I collected six morels from a high bank roadside. I took them, leaving the skull and rack of the buck. Balance is important.
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Apr 30, 2013
Apr 30, 2013 at 4:28 PM UTC
Seeking
It was a dream, To explore the wines. The Cabernet Sauvignon. With a bold fearless taste. Aged only a few decades. And in a glass, The smell of charred cedar, Baked currants & Satin pulled sage. Which was the dripping spirit of the grape vines. The passion would be the Saxifrage. Snowy herbs, Caught from the coldest flakes, Of an Artic storm. The aromas of violets & sweet basal, Made a home in the burgundy tint. The dark density spiraled from The acid in edible fruits. The golden gooseberry's were a surprise, A leather flavor, Which kept you sleep longer in the morning. The Diamond Creek is a dream. For dinner, a medium rare, prime rib, Topped with plum skins Thick smoke, & mushrooms from a forest. I didn't want to leave. But I woke up anyway.
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Oct 23, 2013
Oct 23, 2013 at 10:06 PM UTC
" Diamond Creek "
*Yellow pumpkin on a table So blind with its crab's eyes Smiling with white tooth of Lady's finger seeds A nose of gooseberry Like Johnny had a little pie Thick red lips of capsicum Which makes him a wizard Scary looks of pumpkin Made the onions cry Out his tongue of lily leaves With his spells of magic Trapping all the veggies Into his pumpkin head of basket*
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Jul 15, 2016
Jul 15, 2016 at 10:55 AM UTC
The Wizard
All Roads lead to Salvatore A Poem by Corset On the way to Salvatore I was cracked A diamond with her head down pops another piece of gum makes light of the crest makes the sign of the cross across her window pane breast forever more Gooseberry products only she swears the scratch of her voice a sonnet of fingernails on chalkboard "there are no teachers here " says she only nightmares of agriculture" and the slow lonely climb, limbs bowing to the knees. acquiesce of leaves holding on in vertigo skinny dipping the night air. Bertram tells you to ram it his balcony tilted like a slot machine a glimpse of clothes drying on a Taiwan breeze ran into a tree "don't be afraid"  says he "it won't feel a thing" You keep your voice down still it drowns the radio while fashion jewelry lift their pointed legs it's pepper on a dying mans steak we dare to be sub-standard people are shouting we will do our best to make sure promises are not kept, to honor the test subjects we will build a barn threaten the faculty with time honored contingency and look forward to the ***** side of fact. We shall take our time, scoffing behind our hands we know if a person can not be themselves they tend to be someone else... suffering., surely there must be a way to pin this tail on the donkey, or at least the blunt blonde official, when you get a close up you can tell how old she is.
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Feb 1, 2017
Feb 1, 2017 at 12:03 AM UTC
All Roads lead to Salvatore
The blackberries be coming. Thorny brambles being fruity. In shades and tones of ruby red, gooseberry green and mauve, shiny in late summer sun. In spite of a little the summer sun, a sure fire sign that summer's done. An odd day dons a beach umbrella, a sun hat and a deck chair. The coming in of autumn slowly, Provocative of cardigans and rain hats. Here we go, All fall down. Anyone fancy a crumble or pie. Spite the end of summer days. Smack autumn in the eye. There be bonus upon the yield be given from the hedgehog bush. (c)LIVVI
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Aug 9, 2016
Aug 9, 2016 at 11:34 AM UTC
FRUIT FALL
never made it to a **** fell for you   on first nibble now I am your  fool have lived  without you   for seven years too long searched  high and  low my face crumbles  again no markets here carry your  piquant harvest
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May 26, 2014
May 26, 2014 at 12:58 PM UTC
Gooseberry Gamble
*Walls painted with mosses Snails shifting lento Towards their new house Spreading fragrance Of muddy scent Waving gooseberry leaves Begetting chilly breeze Toppling plumeria flowers Embellishing landscape Creepers hugging trees With craving squirm Squirrels squealing secrets Throughout branches White butterflies fluttering To kiss ravishing flowers Lustrous sun getting ready Fabricating exuberance Awakening moody chums!*
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Sep 21, 2016
Sep 21, 2016 at 1:32 AM UTC
Moody Chums
I became aware of my own solitude a crestfallen fool, there being no further care shown. A pie dish that did not even rank a second thought, cankerous I ought to think. Maybe if I just snake around, then preen; somebody get their just desserts. Forget that, I was gooseberry to my best friend Marilyn but alas the bloke was insincere, it was a waste of her time.
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Jan 11, 2013
Jan 11, 2013 at 5:13 PM UTC
Gooseberry
I spot a Spider in the sandpit abdomen like a gooseberry      and the colour           gooseberry green tastes like regular Spider
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Aug 19, 2021
Aug 19, 2021 at 11:53 PM UTC
0100
That’s Speedwell and that’s Red Sorrel Jane said pointing out the wildflowers as you both walked down the lane that led to the empty cottage with apples trees in the garden and gooseberry bushes in fruit by hedges They all look the same to me you said Just flowers growing she shook her head and smiled and said You townies do you know nothing of nature’s beauty? I’m looking at beauty now you replied and as you both walked on down the lane she in her summery dress and you in your open neck shirt and faded jeans you felt the morning sun touching your head like a fond mother and the smell of flowers and sound of birds and she said after a minute or so of silence Father says beauty is only skin deep real beauty lies in a person’s soul if that soul is not blemished by sin that is and you looked at her hand by her side swinging as she walked and the fingers curled as if she held something invisible yet ready to throw and you took in her white ankle socks above her brown sandals and the calves of her legs and her thighs just showing as the dress moved and you breathed in deep like one immersed in water about to drown of love or the feeling of such and you said I guess he’s right but I love the beauty of skin pretty much and she laughed and her laughter shooed off birds from the tree tops around who probably never heard such a beautiful sound.
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Jun 1, 2012
Jun 1, 2012 at 2:23 AM UTC
MATTER OF BEAUTY.
After the ball game on the high school playing field Shoshana is still sitting there with another girl so I go over to her and she blushes slightly and I say what did you think? she looks at me and says not very good are you? I smile no not much but they will insist I play at least you're honest she says I am best way I reply the other girl stands up and says don't want to play gooseberry see you later Shoshana and she walks off something I said? I say no I think she finds boys embarrassing Shoshana says I look at her sitting there dark hair long straight bell will ring in a minute she says best get back towards school she stands up and I say where do you live? I live a little way away I get a school bus home she says so do I I say I know you do she says you get on the same bus as I do I look at her do I? yes you've not seen me I get on as quick as I can she says I see you though a bell rings from school well see you later then I say and she's off leaving me there and I wander back to school across the grass watching her go her slight figure in the afternoon sun taking note of her neat ***
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Jul 1, 2015
Jul 1, 2015 at 4:40 AM UTC
AFTER THE BALL GAME 1962