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"fermata" poems
A dream once was had-- for two to be equal, For this is the land of the free, Free for you; free for me. Often we hide our faces, as if we were the ones shamed. Instead of standing up with another, Repelling awful names. Silence has a power, often more than sound. Silence tunes your true voice, Silence shakes the ground. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. Young students go to school, all shades of different skin. We all threw rocks and names, Wanting equality was their sin. Did it matter? Their race was who they were. A few rose voices, Others’ silences were fists furled. What does it matter, of what color their skin? Here comes another battle. Here it comes again. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. If one was gay, would he not be a being? Should you let others mock? Does silence stop the grieving? No, the pain is still there, still loud. The silence is louder. Silence is all around. The names, the hate, all can be repressed. Silence is the fermata. Silence has the stress. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. What is the solution, to this lack of sound? Simple. Make it loud. A word of hope, ringing upon new ears. A word of sympathy, Erasing all the fear. A smile, a hug, a song, a dream, All to be had, All to be seen. Shout against repression, against hate. For we are all equal, All the same final fate. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. Stand together, as one. Make the stand. Stop silence, create music, Ring it through the land. With your words create harmony, create rhyme. Create thirds and fifths, Stronger than the flow of time. Why must we stand alone? Aren’t we all brothers? Did our ancestors fight? Protecting our dear mother? Hand in hand we’ll rise, voices speak as one. Cruelness and evil gone, Silence on the run. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. If we do not help each other, then who will assist? Together we will rise, Or fall together into the abyss. Gay or straight, or be it black or white, Whether you believe in god, We’re all human, right? We all feel, we all hear and see. We can all make words, We all breathe. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. So why must we be made different, called by our opinions or race? Why must we be judged, Simply by our face? No more, I shout. No more the hate. No more discrimination. This is our fate. No more injustice, social and the silence. No more acts of anger. No more senseless violence. Let brothers protect brothers, let friends be friends, For we are only human. The same mortal end. Let sisters love their sisters, let strangers be strangers no more. For we are only human. Our heart is our core. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. I will stand alone, if that is what it takes. I will raise my voice, Singing with quick haste. I will be the difference, the smile to the weak. I will help protect, Helping shield the meek. I will celebrate the differences, that make you and me. I will turn the lock, My voice will be the key. Soon my friends will join, creating a choir of light, Singing against the hate, Harmonies strike the night. Silence will not be my tool, silence is not my friend. I will make my voice count. I will make this hate end. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead.
0
Dec 9, 2012
Dec 9, 2012 at 8:54 PM UTC
Silence Marks the Dead
A dream once was had-- for two to be equal, For this is the land of the free, Free for you; free for me. Often we hide our faces, as if we were the ones shamed. Instead of standing up with another, Repelling awful names. Silence has a power, often more than sound. Silence tunes your true voice, Silence shakes the ground. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. Young students go to school, all shades of different skin. We all threw rocks and names, Wanting equality was their sin. Did it matter? Their race was who they were. A few rose voices, Others’ silences were fists furled. What does it matter, of what color their skin? Here comes another battle. Here it comes again. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. If one was gay, would he not be a being? Should you let others mock? Does silence stop the grieving? No, the pain is still there, still loud. The silence is louder. Silence is all around. The names, the hate, all can be repressed. Silence is the fermata. Silence has the stress. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. What is the solution, to this lack of sound? Simple. Make it loud. A word of hope, ringing upon new ears. A word of sympathy, Erasing all the fear. A smile, a hug, a song, a dream, All to be had, All to be seen. Shout against repression, against hate. For we are all equal, All the same final fate. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. Stand together, as one. Make the stand. Stop silence, create music, Ring it through the land. With your words create harmony, create rhyme. Create thirds and fifths, Stronger than the flow of time. Why must we stand alone? Aren’t we all brothers? Did our ancestors fight? Protecting our dear mother? Hand in hand we’ll rise, voices speak as one. Cruelness and evil gone, Silence on the run. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. If we do not help each other, then who will assist? Together we will rise, Or fall together into the abyss. Gay or straight, or be it black or white, Whether you believe in god, We’re all human, right? We all feel, we all hear and see. We can all make words, We all breathe. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. So why must we be made different, called by our opinions or race? Why must we be judged, Simply by our face? No more, I shout. No more the hate. No more discrimination. This is our fate. No more injustice, social and the silence. No more acts of anger. No more senseless violence. Let brothers protect brothers, let friends be friends, For we are only human. The same mortal end. Let sisters love their sisters, let strangers be strangers no more. For we are only human. Our heart is our core. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead. I will stand alone, if that is what it takes. I will raise my voice, Singing with quick haste. I will be the difference, the smile to the weak. I will help protect, Helping shield the meek. I will celebrate the differences, that make you and me. I will turn the lock, My voice will be the key. Soon my friends will join, creating a choir of light, Singing against the hate, Harmonies strike the night. Silence will not be my tool, silence is not my friend. I will make my voice count. I will make this hate end. Silence is the foe, when words need to be said. Silence is the killer. Silence marks the dead.
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114
Well hello, all, I’m your maestro ceremonious they call me Lokonious, purveyor of the odious so sit back, relax, and celebrate the… atonalness? A: Andante con fuoco We’re goin’ a cappella so let me say first your style’s ba-roke, now let’s get on with the verse you’re all up in the scale with a falsetto pitch hittin’ soprano like a castrato ***** my mind is sharp, while you’re stuck outta key my rhythm’s all natural, you can’t find a beat you need some help ’cause you’re out on your own find that ****** on a subway, the metro-nome B: Allegro con brio throw down the fermata and hold up a minute your ***** a cacophony, no way to spin it and son, i ain’t broke, my style’s all classical you just can’t register that my words are magical I spit rhymes in fantasy, can’t you see that you’re beat? And they thought an allegro was unfit for elegy A: Moderato col legno well as for your girl, it may sound corny the ***** loves my brass ’cause she’s: oh so ***** dispel your illusion, i got one more your girl’s like a crime show… easy to score B: Allegretto grazioso your intellect is minor and your insults are bassless your composition’s hardly a harmony: graceless your cymbalism’s trite, and your motif’s unknown an unfocused opus full of dissonant drones A: Affrettando agitato get out my face with your unnatural rap you spit cold air and your lyrics are flat you’ve got no harm while my canon’s a gat so work on your refrain, ‘fore I bust da cap-OOOHHHHH B: Coda pull your weak crap, ’cause you’re outta your mode such imperfect rhymes that we’re calling a cod-a no time for the fanfare, you’re trying my patience an end to your requiem, bring out the cadence So that’s their story, best not get involved their fight’s an augmented fourth: difficult to resolve
0
Jun 13, 2012
Jun 13, 2012 at 5:47 PM UTC
La Battaglia
Well hello, all, I’m your maestro ceremonious they call me Lokonious, purveyor of the odious so sit back, relax, and celebrate the… atonalness? A: Andante con fuoco We’re goin’ a cappella so let me say first your style’s ba-roke, now let’s get on with the verse you’re all up in the scale with a falsetto pitch hittin’ soprano like a castrato ***** my mind is sharp, while you’re stuck outta key my rhythm’s all natural, you can’t find a beat you need some help ’cause you’re out on your own find that ****** on a subway, the metro-nome B: Allegro con brio throw down the fermata and hold up a minute your ***** a cacophony, no way to spin it and son, i ain’t broke, my style’s all classical you just can’t register that my words are magical I spit rhymes in fantasy, can’t you see that you’re beat? And they thought an allegro was unfit for elegy A: Moderato col legno well as for your girl, it may sound corny the ***** loves my brass ’cause she’s: oh so ***** dispel your illusion, i got one more your girl’s like a crime show… easy to score B: Allegretto grazioso your intellect is minor and your insults are bassless your composition’s hardly a harmony: graceless your cymbalism’s trite, and your motif’s unknown an unfocused opus full of dissonant drones A: Affrettando agitato get out my face with your unnatural rap you spit cold air and your lyrics are flat you’ve got no harm while my canon’s a gat so work on your refrain, ‘fore I bust da cap-OOOHHHHH B: Coda pull your weak crap, ’cause you’re outta your mode such imperfect rhymes that we’re calling a cod-a no time for the fanfare, you’re trying my patience an end to your requiem, bring out the cadence So that’s their story, best not get involved their fight’s an augmented fourth: difficult to resolve
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41
Old love letters paper the walls of my study. Faded and peeling, a few fall into the shadows while most remain, stubborn, insistent, unyielding and unapologetic. Oh, how the ink has begun to bleed! To tattoo the dull, white paint in glimpses between the letters, as if I can hear their words humming in a melody of minor chords. I've stopped checking the mailbox, full and lonely, we are enemies. Bookshelves surround me as well, keepers of cluttered wisdom, tomes of goodbyes, adieus, and one or two apologies. The stale air holds a minor chord-- the fermata of my early twenties extends in a one significant pause: You tell me, We are not our history. And then light the single match illuminating certain, brown eyes and too much ruined papers. Flames singe and curl the wallpaper The fire sings over the sounds of my past. We are alive in the crucible, flames caressing my memories now only in the fireplace you have found in the corner. Silent warmth and bare walls, We sit down to write a new book, bound in autumn leaves and cold rain, and in a new handwriting, You begin: We are alive in the crucible.
0
Sep 18, 2014
Sep 18, 2014 at 3:51 PM UTC
In Need of Arson (Or Redecorating)
The hollow of the cheek, rosy yet Maplewood, quiet, yet stirring breathless against the pale of the thigh Eyes flicker in eighths upward touch secret blue Hers is the downbeat of his coronary bolero He, the maestro for her skyward glissando- the unspoken, unbroken fermata in the dying wash of sound in the instant before the applause.
0
Sep 10, 2012
Sep 10, 2012 at 4:02 PM UTC
Symphonic Infatuation
Flowing blue and Majestic purple flecked with a Staccato of yellow, marked by the Adagio of green and Accented silver Caesura. Dolce is the rosa and lapis that Crescendo into Fortissimo red and a Vivace of cerulean -- Sforzando of orange! Decrescendo into emerald, a Morendo into the dark Grazioso, where rests a Fermata of rainbow. At least this is what I see On the black and white Sheet of paper.
0
Jan 10, 2011
Jan 10, 2011 at 8:35 AM UTC
Sight-Reading
Star crossed lovers, were we Passion burning bright We took upon wings It began to take flight Wordless conversation Your name on my breath Macabre heart melodies And the dance of death My ultimate act of hope An act of valor Desolate tears Adoration colored pallor Acid dipped colloquy Mind tires, succumbs Angelic contradictions Senses numbs Whispers of footsteps Paramours’ ceasefire Blood spilled emotions No longer my desire Unwept severed promises Hearts struggle to breathe Disunite in same direction Faceless anonymity
0
Mar 20, 2012
Mar 20, 2012 at 2:04 AM UTC
Fermata
our house lights dim, a hush spread thin as a whisper caught on your tongue embraces eyes, hearts, calls them closer to the passionate vibration between mind and string from my girl across the world, it seems a symphony of indelible impact, vocalization to sympathetic heart-drum as I close my eyes once more dreaming for two hands in the dark
0
Sep 12, 2012
Sep 12, 2012 at 11:18 PM UTC
Solo and Fermata
my maestro, how do you - with your baton - keep the pulse of my heart aching for the broad gestures your open arms insinuate? tell me wholly, how you - with your hands - conjure in me an anthem con brio, then throw me subito doloroso and even so, never losing your scherzando.
0
Jan 20, 2012
Jan 20, 2012 at 11:33 AM UTC
suspended in the fermata of your love
Waiting. Swallowed by ochre sheets, watching you reveal the stars playing under your paper skin, Outshining the ****** streetlights peering through my windowpane. Calling like sirens of melted viridian from the shores of my doom. Drifting, (apparition? wraith? spirit?) your halo of fire splayed along my bed Illuminated. Moving to the tempo of telltale hearts Conducting an orchestra of motion Strings and tendons stretched Vibrating in harmony Two frail bodies Colliding in the night, louder than the most impressive percussion Holding the last note on a heavenly fermata And the conductor never said stop. Ringing from the concert hall bedroom like the sigh sounded from a thousand symphonic suns. Fading in the evanescent eruption. The tendrils of night Weaving dread threads into our heartstrings and Plucking their sour tune - maiming our melody and hacking our harmony til the piano was but firewood to an empty flame.
0
Oct 12, 2010
Oct 12, 2010 at 2:35 PM UTC
Opus
Since you have already plucked my heart strings, let us make music together. Whisper to me at night, in syllable serenades that I will only half remember on waking. Kiss me, kiss me, kiss me, until my tongue can stand it no more and I must speak in symphonies. Touch me delicately, tickle my ribs until they become piano keys, and play them until they cry out chords that spell your name. Let your laughter be trills in our cadenzas. Let the pop of your knee drive a march to my bed. Let me run my fingers up your spine, jumping vertebrae like octaves, from your tip to your toes. Let my every shuddered breath be but syncopation to the bass drum of your heart. Be quiet with me, let us play in piano, soft as silence or sleep. Stay there, linger for as long as the fermata holds. And then, let us raise our voices together, glorious crescendos upon crescendos, until at last we can build no longer, and return together to the tonic. Run your hands across my hips, play my longing in liquid legato strokes, effortless in your endeavors. Touch me again. Let our gasps play counterpoint to the melodies of our moans. Take what you will of me, fill me with song, write sheet music in my lungs, so that every breath I draw sings on its way out. Purse your lips and kiss me like embouchure. Give me every quaver, every semitone, every holy harmony. Leave me buzzing vibrato, kiss me con brio. Let me caress your delicate curves, as though you were a violin made flesh. If my temperament be just, then play on. And let us be of one form, sonata-allegro, until we must be jazz. And then we shall burn the world with passion, with chords no one knows but us. So, for the sake of recapitulation, I must ask again: let us make music together.
0
Mar 17, 2015
Mar 17, 2015 at 5:06 PM UTC
Entwined; An Aria
Since you have already plucked my heart strings, let us make music together. Whisper to me at night, in syllable serenades that I will only half remember on waking. Kiss me, kiss me, kiss me, until my tongue can stand it no more and I must speak in symphonies. Touch me delicately, tickle my ribs until they become piano keys, and play them until they cry out chords that spell your name. Let your laughter be trills in our cadenzas. Let the pop of your knee drive a march to my bed. Let me run my fingers up your spine, jumping vertebrae like octaves, from your tip to your toes. Let my every shuddered breath be but syncopation to the bass drum of your heart. Be quiet with me, let us play in piano, soft as silence or sleep. Stay there, linger for as long as the fermata holds. And then, let us raise our voices together, glorious crescendos upon crescendos, until at last we can build no longer, and return together to the tonic. Run your hands across my hips, play my longing in liquid legato strokes, effortless in your endeavors. Touch me again. Let our gasps play counterpoint to the melodies of our moans. Take what you will of me, fill me with song, write sheet music in my lungs, so that every breath I draw sings on its way out. Purse your lips and kiss me like embouchure. Give me every quaver, every semitone, every holy harmony. Leave me buzzing vibrato, kiss me con brio. Let me caress your delicate curves, as though you were a violin made flesh. If my temperament be just, then play on. And let us be of one form, sonata-allegro, until we must be jazz. And then we shall burn the world with passion, with chords no one knows but us. So, for the sake of recapitulation, I must ask again: let us make music together.
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52
The fanfare begins The feet of 100 nervous graduates come together Attentive to the music, an oral instruction book for their march to the stage And you In the mess of individuals stick out like a sore thumb in my eyes Unwillingly, I service these instructions for you Directed by the make of these processional blueprints I rebel against the document in front of me With symbols that speak of melodies, harmonies, and chords Slow the tempo Stretch the fermata's Refrain from that horrid second ending, which proclaims your childhood Fine Save me, Mr. Conductor, from the Recessional, where we say Goodbye And you exit to the parking lot While I exit to the band room, which will no longer consist of our jokes and laughter Rather silence and empty moments that should have been filled with smiles and conversation Conversation shared between two friends A friendship that died in a gym A friendship that died because of me
0
May 30, 2012
May 30, 2012 at 10:33 PM UTC
The Procession
Go on, move your mouth and attempt to introduce thoughts. I'll just wait here because the spaces in between is where everything is said.
0
May 18, 2010
May 18, 2010 at 4:06 PM UTC
The Fermata
I bend and you extend, collarbones to the ceiling. Beads of sweat glisten and the whole world watches. Vinyl catching fire beneath the curling and scuffing of our toes. Struggling against each other to gain control. You leap out of reach and I am distorted, left alone to face piano trills and nameless faces. I grasp blindly but of course you find me, trapping me in the fermata. I break free and spin for the wings but you ****** my slender wrist. My veins bulge as the music turns desperate, a spattering of minor chords as my heart breaks, and a major longing emerges. A lift to the heavens and I taste the sun again were in sync. Wrists sprained and lungs deflated we continue this endless waltz for the rest of time.
0
Feb 17, 2021
Feb 17, 2021 at 10:06 PM UTC
Pas de Deux
Nun songo nu grand'ommo nun songo nu scienziato. 'A scola nun sò gghiuto nisciuno m'ha mannato. S' i' songo intelliggente? e m' 'o spiate a mme? I' songo nato a Napule, che ne pozzo sapè?! Appartengo alla ***** a chella folla 'e ggente ca nun capisce proprio 'o riesto 'e niente. Però ve pozzo dicere na cosa: campanno notte e ghiuomo a stu paese pur i' me sò 'mparato quacche cosa, quaccosa ca se chiamma umanità. Senza sapè nè leggere e nè scrivere, da onesto cittadino anarfabbeta, ve pozzo parlà 'ncopp' a n' argomento ca certamente ve pò interessà: chi è ll'ommo. Ll'ommo è nu pupazzo 'e carne cu sango e cu cervello ca primma 'e venì al mondo (cioè 'ncopp' a sta terra) madre natura, ca è sempre priviggente, l'ha miso 'nfunno 'a ll'anema, cusuto dint'o core, na vurzella cu dinto tante e tante pupazzielle che saccio: 'o mariuncello, na strega 'e Beneviento, nu scienziatiello atomico cu a faccia indisponente, nu bello Capo 'e Stato vestuto 'a Pulcinella; curtielle, accette, strummolo e quacche sciabbulella. Penzanno ca 'o pupazzo nu juomo se fa ommo, si se vò divertì, chesto 'o ppò fà. E comme? Sceglienno 'a dint' 'o mazzo ca tene dint' 'a vurzella, chello ca cchiù lle piace fra tutte 'e pazzielle. Si po' sentite 'e dicere: "'O tale hanno arrestato! Era uno senza scrupolo: pazziava al peculato. E trene nun camminano? 'A posta s'he fermata?". Chi tene 'mmano 'o strummolo, pazzianno s'he spassato. 'O scienziatiello atomico ch' 'a bomba 'a tena stretta "Madonna! - tremma 'o popolo- E si mo chisto 'a jetta?". Guardate che disgrazia si 'a sciabbulella afferra nu capo ca è lunatico: te fa scuppià na guerra. Senza penzà ca 'o popolo: mamme, mugliere e figlie, chiagneno a tante 'e lacreme. Distrutte sò 'e famiglie! A sti pupazze 'e carne affocaggente l'avessame educà cu 'o manganiello, oppure, la natura priviggente, avess' 'a fa turnà nu Masaniello. Ma 'e ccose no... nun cagnano e v' 'o dich'i' 'o pecché: nuie simme tanta pecure... facimmo sempe "mbee".
0
729
Chi è ll'ommo?
Nun songo nu grand'ommo nun songo nu scienziato. 'A scola nun sò gghiuto nisciuno m'ha mannato. S' i' songo intelliggente? e m' 'o spiate a mme? I' songo nato a Napule, che ne pozzo sapè?! Appartengo alla ***** a chella folla 'e ggente ca nun capisce proprio 'o riesto 'e niente. Però ve pozzo dicere na cosa: campanno notte e ghiuomo a stu paese pur i' me sò 'mparato quacche cosa, quaccosa ca se chiamma umanità. Senza sapè nè leggere e nè scrivere, da onesto cittadino anarfabbeta, ve pozzo parlà 'ncopp' a n' argomento ca certamente ve pò interessà: chi è ll'ommo. Ll'ommo è nu pupazzo 'e carne cu sango e cu cervello ca primma 'e venì al mondo (cioè 'ncopp' a sta terra) madre natura, ca è sempre priviggente, l'ha miso 'nfunno 'a ll'anema, cusuto dint'o core, na vurzella cu dinto tante e tante pupazzielle che saccio: 'o mariuncello, na strega 'e Beneviento, nu scienziatiello atomico cu a faccia indisponente, nu bello Capo 'e Stato vestuto 'a Pulcinella; curtielle, accette, strummolo e quacche sciabbulella. Penzanno ca 'o pupazzo nu juomo se fa ommo, si se vò divertì, chesto 'o ppò fà. E comme? Sceglienno 'a dint' 'o mazzo ca tene dint' 'a vurzella, chello ca cchiù lle piace fra tutte 'e pazzielle. Si po' sentite 'e dicere: "'O tale hanno arrestato! Era uno senza scrupolo: pazziava al peculato. E trene nun camminano? 'A posta s'he fermata?". Chi tene 'mmano 'o strummolo, pazzianno s'he spassato. 'O scienziatiello atomico ch' 'a bomba 'a tena stretta "Madonna! - tremma 'o popolo- E si mo chisto 'a jetta?". Guardate che disgrazia si 'a sciabbulella afferra nu capo ca è lunatico: te fa scuppià na guerra. Senza penzà ca 'o popolo: mamme, mugliere e figlie, chiagneno a tante 'e lacreme. Distrutte sò 'e famiglie! A sti pupazze 'e carne affocaggente l'avessame educà cu 'o manganiello, oppure, la natura priviggente, avess' 'a fa turnà nu Masaniello. Ma 'e ccose no... nun cagnano e v' 'o dich'i' 'o pecché: nuie simme tanta pecure... facimmo sempe "mbee".
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71
You play a perfect harmony to the music of my soul In 4/4 time the last measure is our goal You conduct me along with the swift movements of your bow Sweat collects on your prominent brow as you hit the note a little too low Andante to vivace my heart rushes to tempo We hold our fermata embracing the moment, slow The notes sit on the page while my thoughts dance with the rhythm They leap and they frolic to the sounds of the broken hymn A little sharp, maybe flat Our pulses quicken assai, as though Haydn intended that Like the Baroque Era wrote for us and our meetings in private Our handshakes that last long and our glances that are silent But it won’t last and we will face the caesura of our love It transpires as we ignore the baton waving above Our duet will end as it started, quickly, like the flight of a dove Le Carnaval Des Animaux replicates my scrambled mind No matter how hard I search, the answers I cannot find In hectic chaos I’m blind to the clearest option staring straight at me A simple kiss will suffice in helping me see For to be the maestro I must know every part Feel each chord progression and triad deep down in my heart A kiss will answer if these feelings are true Or if because of my dreams I have sudden interest in you Whether the moment is a roar of fortissimo glory Or it is a disappointing sforzando into the diminuendo of our story Do you feel a crescendo when our eyes meet for a second? Like we’re calling each other closer and with each blink we’ve beckoned One another to draw in the coda finale Together we may join and our notes, they will rally By the last bar they’re in unison and our cadence is clear The next movement will begin, there is nothing to fear
0
Apr 24, 2018
Apr 24, 2018 at 11:34 PM UTC
Maestro
You play a perfect harmony to the music of my soul In 4/4 time the last measure is our goal You conduct me along with the swift movements of your bow Sweat collects on your prominent brow as you hit the note a little too low Andante to vivace my heart rushes to tempo We hold our fermata embracing the moment, slow The notes sit on the page while my thoughts dance with the rhythm They leap and they frolic to the sounds of the broken hymn A little sharp, maybe flat Our pulses quicken assai, as though Haydn intended that Like the Baroque Era wrote for us and our meetings in private Our handshakes that last long and our glances that are silent But it won’t last and we will face the caesura of our love It transpires as we ignore the baton waving above Our duet will end as it started, quickly, like the flight of a dove Le Carnaval Des Animaux replicates my scrambled mind No matter how hard I search, the answers I cannot find In hectic chaos I’m blind to the clearest option staring straight at me A simple kiss will suffice in helping me see For to be the maestro I must know every part Feel each chord progression and triad deep down in my heart A kiss will answer if these feelings are true Or if because of my dreams I have sudden interest in you Whether the moment is a roar of fortissimo glory Or it is a disappointing sforzando into the diminuendo of our story Do you feel a crescendo when our eyes meet for a second? Like we’re calling each other closer and with each blink we’ve beckoned One another to draw in the coda finale Together we may join and our notes, they will rally By the last bar they’re in unison and our cadence is clear The next movement will begin, there is nothing to fear
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Poetry Is Beautiful Poetry is a painting. Your canvas, your paper. Your pen is your brush. Each word a pigment When blending pigments in sentences It can create beautiful things. People have trouble sharing them. Because art is personal It is a part of them that they do not want judged. It is honest. Which is beautiful And raw And is not always perfect. Which is beautiful. Poetry is music. Each note tells a story, Every crescendo A word STRESS Each pianissimo a whisper. The fermata, the lines The tempo the rhyme Music is beautiful. Poetry is music. Poetry is you. YOU are beautiful. Poetry is beautiful. Like poems, You are are criticized. And looked at up and down By greedy eyes. People search for meaning in you. You, like poetry are complex and different. and people have different opinions on you. Like Poetry, some do not get you. Some do not understand you. And others have a great appreciation for you. Which is beautiful. I am poetry. I am different. People judge me too. From the curve of my thigh To the shape of my hips To the swing of my walk To the length of my lines and stanzas. You are poetry. I am poetry. Music is poetry. Poetry is beautiful. Poetry is the earth. From the burn of the sunset to the ache of the old willow tree To the rusty croak of the toad The golden fields of wheat, To the mountains. Confident and strong. Which are beautiful. The earth is beautiful. Poetry is the world. It is yours, It is mine. Like the world It is yours. it is mine. People have trouble sharing them. Which is not good for anyone, But like the world, poetry can be beautiful if shared. Poetry is beautiful Poetry is us. It is everything. Poetry is beautiful. p o e t r y IS bEaUtIfUL.
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Apr 6, 2014
Apr 6, 2014 at 12:14 AM UTC
What exactly is poetry?
Poetry Is Beautiful Poetry is a painting. Your canvas, your paper. Your pen is your brush. Each word a pigment When blending pigments in sentences It can create beautiful things. People have trouble sharing them. Because art is personal It is a part of them that they do not want judged. It is honest. Which is beautiful And raw And is not always perfect. Which is beautiful. Poetry is music. Each note tells a story, Every crescendo A word STRESS Each pianissimo a whisper. The fermata, the lines The tempo the rhyme Music is beautiful. Poetry is music. Poetry is you. YOU are beautiful. Poetry is beautiful. Like poems, You are are criticized. And looked at up and down By greedy eyes. People search for meaning in you. You, like poetry are complex and different. and people have different opinions on you. Like Poetry, some do not get you. Some do not understand you. And others have a great appreciation for you. Which is beautiful. I am poetry. I am different. People judge me too. From the curve of my thigh To the shape of my hips To the swing of my walk To the length of my lines and stanzas. You are poetry. I am poetry. Music is poetry. Poetry is beautiful. Poetry is the earth. From the burn of the sunset to the ache of the old willow tree To the rusty croak of the toad The golden fields of wheat, To the mountains. Confident and strong. Which are beautiful. The earth is beautiful. Poetry is the world. It is yours, It is mine. Like the world It is yours. it is mine. People have trouble sharing them. Which is not good for anyone, But like the world, poetry can be beautiful if shared. Poetry is beautiful Poetry is us. It is everything. Poetry is beautiful. p o e t r y IS bEaUtIfUL.
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My body aches - beating my brain, I yearn for rest. The work needs done. I cannot sleep until I rest. That sleep - that nodding off that interrupts the song while silence plays; a long fermata on a rest. Awake and you’ll be deaf to what you’ve missed, but open your ears and you’ll appreciate the rest. I wish we could be present while we slept, so we never had to miss a single click of rest, until the very end. When the players play their loudest even if they’re resting, a long eternal rest. For the music doesn’t start until you’ve given pause— to the contents of your mind. Let yourself rest, and listen to the universe and its crashing chords; echoing in that quietness, speaking through that rest. And as I ache, I, Tyler, look towards playing that final performance – one that’s sure to give me rest.
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Dec 20, 2020
Dec 20, 2020 at 2:36 AM UTC
Requiem
He didn't compose a cantata, A symphony, song, or sonata: The best of his best Is a piece that's one rest, Played _f_ and with a fermata.
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Feb 27, 2025
Feb 27, 2025 at 6:02 PM UTC
The Musical Theorist
He could see the notes. The colors they leave behind, The presence of their warmth. They danced before his eyes, Whispering their sweet melodies. Laughter underneath his fingers, Coaxing them out from their hiding place. Music was his muse In the ungodly hours of the night. She danced with him under the moonlight. Her voice a soothing lullaby Quieted the demons in his mind. And yet the voices were too loud. Fear took hold of his gut. Guilt tripped him in his feet. He begged Darkness "Leave me alone." Shadows wrapped around his wrists. Music grew quiet. Silence reigned like fermata on an indefinite rest. He closed his eyes. He covered his ears. He shut the lid. The music stopped.
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Feb 22, 2018
Feb 22, 2018 at 9:23 AM UTC
4'33
Revenant vibrato Amongst vivid spiccato A droning tenuto Amongst the chaos in presto The pages show alla breve Poco rubato, primo tempo Agitato con fuoco And con repetizione To dal Segno we go Add a Capo Presto spiritoso Clash straight into Fermata Fine
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Nov 23, 2017
Nov 23, 2017 at 7:26 AM UTC
Final movement
A cacophony of sound Muster no wavelengths too abundant For a master of space Designs time to their own will Short notes, l o n g t o n e s All resolve by a single click Strings       snapping HORN sounds |Bars| and -beats- are c a   s    c     a      d       i        n         g Deteriorating phrases accumulate to a white noise I direct and guide my symphony to the last note fermata
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Nov 3, 2017
Nov 3, 2017 at 7:05 PM UTC
The Director, The Puppeteer