This was once a construction site.
Unpainted concrete walls, skeleton of
A building exposed.

Now most floors are inhabited;
Offices in use as if they'd always
Been this clean and complete.

Some sections are still unfinished, and
The few of us still working here are
Alien shadows in filthy workwear,

Ghosts from the slow birth of a
Fraction of the Oslo cityscape.
Rugged midwives

Not fitting in with the suits and
Dresses we sometimes pass in the
Corridors.

So strange, the scent of perfume and
Female products. No more diesel and
Dust here these days.

My colleague flips his cigarette **** on
The pavement outside the entrance,
Stealing a gaze at a passing skirt.

*I love the sound of
High heels in the
Morning.

Sit down, take a seat, and hear me;
If you are comfortable tell me?
For I shall begin with words to soften
Your heart, which I wish to own.
I speak to you masses with confidence
For I know that my subject is common;
But with clear and fresh tongue do search
To recite anew song of unbridled love.

Do you all know me? My muse is yours at times
Such as these, a soul such as yours;
May she, Cyprian goddess, flow through my pores,
As with many a poet before.
Her help is needed, for this world turns
And shies her back away from truth.
Lost now are all souls in love, forsaken now
Is a pure emotion for the heart.
You know this, for I speak rights that even courts
Would nay sentence. Sentence me
Though! I would gladly serve twice my life,
For her to embrace mine alone.
No iron bars could hardly hold behind them
My desire, they'll drift on the wind.
She'll hear them as they tap her door,
Funnel under, and sneak passed gaps,
Hidden from the eye and from her ear;
Within her dreams they flow to her.
May visions appear from within my words,
And although her slumbers appear light,
Cascade falling images, that when she awakes
Make her sleeps troublesome ever more.

These words I sing, my dear, you understand
Already but refuse to summit for fear.
‘Tis true our time is now, and within this
Our hour glass continually spits its grain.
Present life is still filled and overflows the brim
With faith, love and tender passion.
Be gone these modern treasures, these allures
Which cause wants of no purpose.
Give in, surrender, and commit to your feelings;
For there is no wrong in what feels right!

To you, my Emily, this little verse is sent,
As with splendour your name escapes my lips;
Is as wondrous as this sight I behold,
Relaxing upon this golden beach.
You bring me warmth that no sun, nor sand,
Nor ocean could ever duly match.
Forever will my kisses linger on your lips,
So love may wonder earth unharmed.
Without you I have clung to sickness while
My pain is joy. Take doves paired off in love
As model! Male and female a perfect match!
Ones wrong to look for limits to loves madness;
True love knows no bounds.
The sun god sooner drive black steeds, and fish
Dehydrate in dry ocean than I could
Shift my passion elsewhere; I'm yours alive,
Yours dead! All your kisses are still too few!
How many sighs toss me from side to side of the bed?
While I can not admit that you will not come.

Unique, most lovely trouble, born to make me suffer,
Your beauty shall be made famous by my books.
I saw you in a dream, my life, my desire, and tossing
On the purple waves, like every would-be lover,
I am willingly your slave! !

I and you won’t be
Two unfamiliar women of our land.
I’ll not leave you to the radio
To swallow up our history,
We’ll have phone calls and photographs
Transported between seasons and changes
And barracks of old classics
Drilled in between our conversations.

You don’t leave the land, abstract-
Smell or your braced triangular family
But I, your daughter, a nomad
Demands change, unbuckled knees,
Thunder and lightning than a
Frozen damp lake.
I don’t know if this absurd let you down
Being a floating female disc
Without a silver hanging off her neck.

Your cotton sarees and senseless arguments,
Modest gestures and peripheral smiles
Walked miles with me.
My uncivilized ways and half assembled days
Somehow compromised your 7pm calls.
You didn’t declare an ownership
Or terrified me with protection
But your roots branches and leaves
Held me with an irresponsible luck.

You did want to walk with me,
Comprehend your traditions and family tree
But you grew obsessed over my books,
My anglicized friendships and father’s ways.
I don’t want us to wrap up stories
Let us be ‘us’, flesh and blood
Without English comprehensions,
Fork and Spoon-
The world is desperate to squeeze in between
‘us’.

I want to sit next to you every eve
Even when I’m miles apart
Sip your ginger tea and gossip with Leela
And I know you have more of
Mukundan, MT and Padmarajan
Jolted in between your memories
Wanting to be told, to be felt.

Retreating monsoons, half naked veranda
‘Shifting houses’ and ice cream spoons you lost
Bridged the gaps of a dysthymic brain.
Your diary and worn-out scribbles
Lifted an awkward silence, I ignored.
And I know there are plenty of
Conversations
Separated by a trigger.

Your four loud aunts and their-
Disproportionate-pinches,
The main house and its innumerable doors
And the single toilet your grandad possessed
Will always be ‘our stories’ with mango pickle
And little almonds
I recollect as your curfew years.

You need not worry, I will not-
Sit with bubbles in my mouth.
I can pinch your cousins and
Exchange few golden bangles.
I can walk the temple lanes with your-
Mother, silken skirts and jingling anklets.
And I know the family recipes,
The exact nicknames and garlanded gossips.
There will be days, get-togethers and
Photographs
Added into your prized collection.

A subconscious music flooded my psychology
When chlorine water, light-lit-days,
And flirtatious silly men
Swung in fine tune next to me.
There was always a detached-attachment
That translated a traditional ghost
Who announced a corner for itself
Somewhere exact I cannot pin point.

Let us not freeze the prologue
We can walk door by door
Between generations and blue window panes
In a coordinated tune guided by-
Voices of our ancestors.
The genes inside me needs a
Second hand journey
With-out an altered you and me.

It has been stamped with dispassionate blue ink,
Signifying its future lack of suitability to sit on the shelves,
Having been elbowed aside by this and that year’s thing
(And the book had not been checked out since the mid-seventies,
Perhaps some young man all but short-circuited
By the prospect of a bathing Julie Christie,
Or some female counterpart shedding bell-bottomed tears
Over doomed love, which, in her cosmology,
All such things were fated to be)
Placed in some temporary cardboard casket
Which once held bananas or copier paper or ancient time cards,
Sitting cheek to elbow with cookbooks, breathless biorhythm tomes,
Buffeted about forces unseen and beyond its control
As it faces the uncertain and uneasy prospect of possible reclamation.

When she stepped out of the shower
In pale wet skin
And splendor

She wore water like a queenly robe
Dripping *******
Made of gold and treasure

Such beauty deserved
To be inscribed
Something no man should forget

In case I couldn’t memorize the bite of her
Kiss
The trembling release of her depth

In case I might forget the flavor of  her
Cries
The  excited rasp of her  breath

I needed a photo of that naked pout
A vision
Never to forget

“Don’t take my picture,”
She warned me
In ferocious warrior tongue
Daughter of Nordic barbarians
Beauty unlike anyone

What did she think I would do
With the image she might surrender?

Sell it to the highest bidder
For thirty pieces of silver?

Send it to perverts and *** addicts
Specialists in self-pleasure?

Post it on church walls
So celibates might be tempted?

Raise it upon a flag
For an entire nation to be offended?

“Don’t take my picture,”
She warned me
In ferocious warrior tongue
Daughter of Nordic barbarians
Beauty unlike anyone

But I defied her fierce instruction
Spit from heroic luscious lips

Picture snapped
In a flash

Naked beauty captured
At last

And

Never saw that warrior again.

he dreams he is attending lively flirtatious party with many good-looking people there are also scary monsters with sharp teeth claws horns scaly rutted skin foul smells snapping tails he thinks it strange troubling asks what is going on  fashionably dressed pretty female guest grins answers don’t worry monsters won’t hurt you they’re not for the most part dangerous everything is cool he sits in chair sips drink trying to feel relaxed but monsters keep pestering harassing one monster spills drink on his pants another monster bites his ear he cannot get away calls out for help but all the beautiful guests have disappeared party now crammed with scary monsters friendly monster explains people are actually imagined personifications belonging to each monster then all the monsters gather around cackling clapping dancing last thing he remembers as friendly monster holds up mirror to his face is another monster gurgling let you be you

The seed had been planted long ago.  The words had been prophesied to give life.  
I'm making deliveries, although I'm not a midwife.

These words are a key to unlock the invisible bars for those who have lost their voice......due to a bad choice.

He observed her movements, like a lion that stalks its prey.
She found him to be quite handsome when he spoke to her that day.

She had been praying the her loneliness would soon come to an end.  The third wheel activities needed to come to an end.

He wasn't a big time star....just a regular dude.  His mother instilled manners ....so he made it a point not to be rude......
He was well aware of the female's who thought that men only wanted to see them ****.

Although, he had to admit there was some truth to this myth.  There was something about this woman ......that had him in awe.

She was a Michelangelo type woman.....rare and precious.  He didn't have any crafty lines....so he didn't know how to catch this.

Opportunity that he knew would only come once.  He had read about the Proverbs 31 woman and wondered if she could be.
The addition to eventually make three.

How did he jump so far along in his thoughts?
Just married a woman and had a family......

All this from watching a beautiful woman walk down the street.
Hopefully....one day he will muster up the courage eventually to speak.

The seed has been planted.....

Eli tossed the ****** novel aside; a radical tale
of painters in the far future when paint itself
would be illegal; arms dealers, drug traffickers,
*** workers gathering in dark interstellar holes
bored into passing comets & orbiting meteors
docking illegally at satellite ports & unloading
chemicals frozen into place by the artists
who can never let their identities be known;
all colors on earth are registered & trade marked
by the Beast's Corporation & so Space Art is
highly sought & lucrative but lethal as it can
made to explode w/ enough energy & radiation
to leave a small planet barren for millions of years;
the Beast is reasonably worried as Space Art, or
Action Painting [after the ancient school] is wildly
popular & traded openly for billions of dollars;
the Beast may be able to keep everyone stupid
& greedy but Art liberates them into heights of
ecstasy & kindled wisdom; freedom of thought
the last frontier no one suspected & so abrogated
their intelligence & imagination to fembots
     who pump their heads full of colorful action sequences;
the illegal paintings too stiff,   just stand or lean
& look back                       at one w/out blinking
& the female-computer-network unable to bear the silence,
initiates automatic shut-down of itself;         femportals
           abandoned on stations where the painted images
          projected on microcells to the clandestine buyers,
                 spread as an unseen mist through the various
                                             artificial environments;
                  the distant star                     paint miners
                  smoking up a storm & using steam-powered
                                                               fembots
                                      to mine for their oil & charcoal;
                                       Eli putting on the kettle for tea,
thinks about the fembots in the novel & calling a *******
demands she not speak; the girl arriving naked in stockings

[if I want any **** out of u, I'll squeeze ur head]

There is another class that is acceptable to the boring,  
by a single look I can see the ******* ******* Apostolic Letter
of the skin test [Mestizo ipsum dolor sit amet]   the water of wisdom,
sister clings to the child worthy of mourning
[Anda is said to be the dignity of the excited Zambo],  in my opinion,
in the night, he purposed to slap the crazy fun female,
as the plague of the sea & began;                 the tamale had a dream
in the kitchen of the angels of                  [in stock of the praise of God]
the writing disguised woman as a mustard seed,
you're the only ****** now;      crazy & put in the last cell on Tuesday
hot sticky storm in heaven fueling creatures face down
&               *** up, the fish's twin leg lifts cause tremors on the avenue
golden glass voice heard the man's father,                            the owner
of my floor, choosing his friends moments to
creation,  believing that the process of the beast
should contribute as a picture on a close grip
of your Pap nectar on the night when he
reprimands the seriousness of cam pereira,
I will not quarrel over the sublimation of the
selling remedy for the cold sand

A father shapes and molds his daughter.
A husband ought polish his wife.
But, only when a woman realizes her worth and value
will she shine beautifully.

I was taught to idolize women
And the female *** in general
From a young age.
I don't think my mom ever realized
That that was what she was doing.
But that's what happened.
And now I do exactly that.
I see beauty and intelligence in women
Easier than I do in men.
In my mind, men are always second best.

Maybe that's why I question my sexuality so much.

IN A CHANG’AA DRINKING SPREE

(ONE ACT PLAY)

BY

ALEXANDER   K   OPICHO










CASTE
Advocate; self-styled advocate, his real job is insurance agent
Sampaza-changaa drunkard
Teacher-brother to Sampaza, also a changaa taker
Monica-changaa seller
Austeen-a lad, son to Monica
Watchman-changaa drunkard
Rono-friend to watchman
Njeri-friend to Monica, single mother
Atieno-friend to Monica, single mother
Driver- changaa taker and a smoker
Barasa-changaa taker and electrician
Ndhiwa- changaa taker, brother to barasa
Yator-changaa taker brother to barasa
Mavachi-changaa taker, with a fallen out wife
Mandila-relative to mavachi
Agnesi-wife to teacher
Music
*chang’aa is homemade alcoholic spirit consumed by the peasants in east and central Africa.




ACT ONE
In a slum area of Eldoret town, very many ramshackle muddy walled houses are seen; the setting takes place in the house of Monica the Changaa seller. There is low tone music humming from the DVD, playing Vincent Ongidi’s ‘mother is better than father.’
Music; Bakeni Nebekhale, bukula indika,
           Bukula indika samwana, Udimake kungeni
          Khusoko busia, bukula indika omusumba,
          Bakhwee nebechile, bukula indika
          Udimake khusoko yaya, bukula indika….
Driver; (dancing with a tumbler of chang’aa in his hand) let me dance! This is my best Sunday, let me dance, I am son of a woman. Sing! Sing! Sing! For us Vincent, you son of Ongidi, (pointing at the DVD).
Advocate; the problem you are only dancing with your class a half empty, moreover, you are not following the rhythm , I thought you dance to this song by shaking your shoulders, but instead you are gyrating your waistline.
Driver; (still dancing) let me dance because when I will go to the grave I will not get another chance to dance.
Advocate; (gulps from his tumbler) will you buy me chang’aa of ten shillings?
Driver; let me finish dancing first, I will see what to do about it.
(Enters Sampaza and teacher, as music goes off)
Sampaza; why are you dudes stopping the music on my entering?
Driver; it is not us who have stopped the music; you go and ask Vincent Ongidi why he did not sing a long song.
Sampaza; (sits at the old couch) where is Monica?
Driver; you burn us a cigarette before you ask for Monica, were you not with Monica upto the mid of last night?
Sampaza; why were you spying on me upto the mid of the night?
Advocate; (to Driver) give Sampaza time to introduce his friend to us
Sampaza; (to teacher) sit on this stool, forget about this drunkards.
Teacher; will this stool not break and sent me down like humpty dumpty? (Shakes the stool and sits on it)
Sampaza; It cannot even Monica herself sits on it and she is more huge than you do
Advocate; (to Sampaza) this is your brother?
Sampaza; now listen all off you
All; Sampaza we are listening to you all of us
Sampaza; had I killed our mother, he could not have born, (pointing to teacher).
Driver; if someone had not told me, there is no way I could know that this man is your brother. You are totally different from one another. Look, he is fat, strong, clean, well shaven and groomed brown and is like he took a bathe in the morning before he came here to chang’aa place, but you Sampaza tell us when you last washed your clothes? Even forget of washing your body.
Sampaza; (to driver) if you want to beg chang’aa from teacher just beg without using your desperate tricks of false praises.
Advocate; but me, I could easily know that teacher is a brother to Sampaza by simply comparing the shape of their heads, they look alike.
Teacher; who is serving chang’aa today?  I want to buy some for you guys.
Driver; it is Austeen, let me call him for you (goes at the door shouting) Austeen! Austeen! Aha! This boy is as earless as a female monitor lizard, (comes back) I have called him for you.
Teacher; thanks, let me believe he won’t take time, I am really thirsty.
Advocate; you can mitigate your thirst with this one of mine (gives teacher a tumbler).
Teacher; (sips) it was not a bad stuff (passes the tumbler to Sampaza)
Sampaza; (takes a full swig) uhm! The stuff is really the tears of the lion.
(Enters Austeen)
Austeen; My God, Sampaza is here again! Sampaza, why did you run away with my money last time? You take the beer and run away, even you made my mother to quarrel me yester night.
Driver; (to Austeen) you boy manage your mouths, don’t you see Sampaza is the age of your mother?
Austeen; wait! Sampaza must give me the money, give me the money you Sampaza!
Teacher; let me pay for him, how much was it?
Austeen; imagine Sampaza took off running into the darkness of the night after taking chang’aa of fifty shillings. Imagine a whole tumbler of fifty shillings.
Teacher; that was bad, Sampaza you did something very bad. You know Monica is a single parent and you run away with her money. This chang’aa is like Monica’s husband, so please let us be honest and pay our bills;
Austeen ;( to teacher) are you paying for Sampaza?
Teacher; yes, but before that; pour a tumbler of chang’aa worthy fifty shillings for each of these elders, including Sampaza. I am going to pay that one myself. But serve me with a tumbler of chang’aa that goes for a hundred shillings. May be it can quench my thirst.
Driver; brother you are a man (shakes teacher’s hand).
Austeen; (to Advocate) stand up for some minutes; I want to remove a grenade from your chair.
Advocate; you mean I was just sitting on the tears of the lion?
Austeen; yes (he fishes out a yellow plastic container, feels each tumbler as required).
Sampaza; you boy! What are you doing? Fill my tumbler to the brim, why are you now conning me off my chang’aa?
Austeen; (politely) Sampaza listen, you know my hands always shake when I am holding something. I didn’t want to spill chang’aa by struggling to fill your tumbler to the brim.
Teacher; (sipping, closing his eyes) Austeen now play for us another music.
Driver; yaah! The music, play for us Marashi ya karafu.
Austeen; my mother has not yet bought the DVD for Marashi ya karafu, let me play for you this one (shows him the DVD), it will thrill you to your bone marrow, (inserts the DVD in to the player).
Music ;( playing) ukiwa wa enda nyubani kwangu heee,
                          Umwambie stella mimi  sitakucha,
                         Umwambie stella mimi nimefungwa jela,
                      Anisalie mtoto mama nitaleaaaa!
Driver; ndio hiyo! (Stands up to gyrate his waist swiftly) that is my best song from Tanzania. How I wish I was still in prison on Christmas day of last year.
Sampaza; (sipping at his tumbler) if you want to be in prison go and make love to your goat and call people to help you.
Driver; look at you, with all this women, why should I go for a goat?
Sampaza; (standing up to dance, shaking his shoulders) because you want to be in
Prison.
Austeen; (giggling and shouting) look! Look! Look at Sampaza, he does not know how to dance, he is waving his hands like wings of a chicken.
Sampaza; you dance and I see (daring Austeen)
Austeen ;( dancing) look! Look! Fire! Fire! Fire! (He goes to sit)
All; (laughing loudly and clapping) Austeen! Austeen!
Advocate; this boy Austeen, became old while in his mother’s womb
                     (Enters Monica, Rono and watchman)
Driver; here comes Monica, (provokes Monica for a dance, they both dance).
Advocate; (joins Monica and driver to dance) Monica! Monica! Daughter of Zinjathropus, Waa!
Monica; I am an early woman, yaani! Womanopithecus africanus (dancing).
Driver ;( pushing away advocate), dance away from here, why are you bringing here this evil smelling sweater of yours?
Advocate; I am sorry.
Driver; that is empty jealousy, you only saw Monica’s pelvis touching mine and you jumped here to disrupt my gusto.
                               (Music stops and they all get sited)
Monica; (to Austeen) give watchman and his friend chang’aa of twenty bob, I will pay myself.
Austeen; yes mama (serves watchman and Rono chang’aa)
Rono; Kongoi, I mean thank you Monica, you are such a generous woman? (Takes a full swig).
Monica; Karibu, don’t mind I am always and I will be always an early woman.
Sampaza; (to watchman) when you came in I thought you were the crow.
Watchman; (sipping) who? Me, I was a policeman ten years ago but I was ******.
Driver; (to Sampaza) this man is not a muriakole, he is not a cop. This is a D.D.O.
Advocate; meaning?
Driver; daily drinking officer, hmmm! The DDO.
All; laughing loudly.
Monica; (to advocate) how is your brother and his witchdoctor of a wife?
Advocate; Monica, just keep quiet, my brother is in problems.
Monica; which problems? I told him to marry me and he refused because I did not have book education.  I am now making more money from chang’aa in a day than even he does from his education. Let that man, that brother of yours, chew the full scale of his misfortune. Now tell me which problem has he?
Advocate; today very early in the morning I heard my brother screaming, of course from his house. Out of anxiety I rushed there to find out what was happening. Jesus! What I so…..
Driver; what was it? Just say.
Monica; a man has nothing to fear just say.
Teacher; where is Austeen?
Austeen; I am here
Teacher; serve each of us chang’aa of fifty shillings, start with him (pointing at the advocate) give Monica, your mother a tumbler, that one of a hundred shillings.
Austeen ;( serving as he sings) how long will they ****,
              Our brothers, while we stand watching them,
                Redemption songs, Bob Marley! Sons of ghetto!
Sampaza; Austeen you are always not measuring my chang’aa to the money given, now look, does this grasshoppers spittle qualify to be chang’aa of fifty shillings?
Austeen; Sampaza, I told you my hands are not steady, they always shake whenever I am holding something.
Sampaza; (to Monica) I will bring a medicine man to give some manyasi to this son of yours, so that he stops shaking his hands like an epileptic.
Monica; Sampaza, you drink your chang’aa and to hell with your medicine-man. Let us listen to what happened to the brother of advocate.
Advocate; now, as I was saying I found my brother’s wife had swollen my brothers ***** to its base, the ***** was full deep in her mouth, my brother was screaming but the was dead silent ******* the *****, her teeth tightly gripping it at the same time.
All; laughing loudly
Teacher; Maybe it was oral ***, but not domestic violence
Monica; oral ***!?
Teacher; yes, it is possible
Advocate; but why was he crying?
Monica; because his wife was ******* his *****
Teacher; that is the case
Advocate; if at all it was pleasurable then why was my brother screaming?
Teacher;  maybe he was on ******* ecstasy, the same way a woman can be when you suckle or even ****** her *****.
Monica; but I can’t allow a man to suckle the eye of my breast.
Driver; even me, I can’t suckle my wife
Teacher; why?
Driver; even also, in my culture, one is not allowed to suckle a woman’s ****
Teacher; is that sexuology or culture?
Watchman ;( to driver) yes, answer that! Answer that question from teacher.
Monica; but it is only a foolish woman who can allow a man to suckle her *****, or if she can then she is not serious with that man.
Teacher; (to Monica) then which man do you like? Sampaza?
Monica; Me do love Sampaza?
Teacher; yes, Sampaza
Monica; this Sampaza, is always as miserable as a corpse in the grave without a coffin.
Advocate; you are as miserable as a corpse in the grave without a coffin.
Sampaza; I am not, I know am great
Teacher; yes, and capable to love the early woman like Monica.
Sampaza; (to Austeen) play for us some better music.
Austeen; which one mama? Which music can I play?
Monica; play for them Pamela Nkutha (sings) Nakula ebusi,
                  Nakula ewunwa, lalalaa! Lalalaa! Laaaa!
Austeen; Mama, that one we don’t have. Let me play for them Brenda *****.
Music; (playing) Songea nikubambe, songea nikubusu,
                          Nakupenda, nakubusu ehee monica eheee!
Austeen; Kula Ngoma; he who does not have chic let him embrace a stone (exits)
All; (dancing violently) Monica! Monica waaaaaaa!
Watchman; (dancing) Sampaza can you suckle the ***** of a woman?
Sampaza; ask driver that question.
Driver; I cannot suckle the ***** of my wife.
Teacher; I depend with nature of a woman you are in the bed with.
Watchman; correct , some women has fallen ******* like chapattis, but if a chic has ***** and pointed breast, I  can ****** and suckle her like nothing else in this world. I can even suckle her *******.
Teacher; by the way, ******* are the fountain of pleasure to a woman, when you suckle her she will just moan; Sampaza! Sampaza! Sampazaaaaa!
All; laugh raucously
Monica; these men are drunk.
Driver; no, they are now happy, pick one of them for yourself.
Monica; the man that I can love now must be having a death certificate.
Teacher; what does it mean? Me I thought you need a dark skinned man like Sampaza, you know the dark the skin of a man the greater the ****** pleasure ehee…
                       (Enters Njeri and Atieno)
Njeri; Monica, are you not aware that were are late for Chama? Look you are still *****, you have not even combed you hair.
Monica; Njeri come in why are rioting at the door, look at Atieno she is as miserable as usual.
Njeri; she was flogged by the husband.
Atieno; (to Njeri) you! Watch your mouths, I don’t have a husband.
All; laugh, (Njeri and Atieno sits).
Sampaza; look at this one (pointing to Njeri) can I give you some money so that you do me a favour.
Njeri; which favour?
Sampaza; of this…(Makes a sign of *** with his fist).
Njeri; I don’t sleep with chang’aa drunkards
Atieno; even me
Sampaza; (staggering, and then falling on Njeri’s laps) I want! Truly I want!
Advocate; Sampaza is drunk, let me take him home (pulls Sampaza).
Sampaza; (resisting, avoiding to be pulled out by advocate) leave me alone! You thief! You are an insurance thief! Who told you that you are an advocate? You are not! You want to steal my money. No, all these people are thieves, Monica is a big thief, and they want to steal my brother’s money!  Teacher! Come out of here! This is a den of pickpockets! They will still your wallet, come we go! Thieves! Thieves!
                        (Advocate pulls Sampaza out, as they both exit)
Driver; Sampaza does not have manners.
Njeri; Imagine he fell on my laps, what if my husband found him?
Monica; He would have now divorced you for eating rats.
Njeri; When I have not eaten any rat, it was only a drunkard supporting himself on my legs.
Atieno; he has spoken a lot of words.
Driver; and all the words were total lies.
Monica; no, whatever is in the inner heart of a sober man is always on the tongue of the drunkard man.
Teacher; to mean what? Anyway, forget about Sampaza.
Watchman; by the way
Rono; I am also off my senses, I am seeing each of you having seven heads, and the heads are a

We write because there is an unexplainable magical phenomenon surrounding us called conscious.

It is what expanded in the very beginning, it's will evolved everything living.
It invented these elements, that binded to create compounds.
With the help of gravity and expansion, these natural chemical compounds slowly started structures.
Other elements were produced, binded, and reproduced, exponentially manifesting other life.

Thankfully, consciousness is beautiful.
And it has an exquisite pattern that boggles the mind. Astronomers, mathematicians, scientists, artists, and other mortal men are astounded by it (even if they don't know 'it' yet). Because of this pattern, known as The Fibonacci Sequence, also relates to geometry, dimensions, and space, creates "The Flower of Life".

Look up into the stars and you will see them all pointing out, all moving still as one, there will be one brighter star that seems to serve as the center point for the flower. But focus on another and you will see the flower there too. Howl at the stars and you will see a dimension of movement as they shine a tail reacting to your vibrations. (I wonder if that's what wolves always see).

It is because of this pattern that the compounds "fell" into place. They happened upon a dimensional line and shaped nicely into spheres that includes all their elements they were attracted too. They followed the Sun and other stars for the light and a leading center point. Our rock (this planet) just so happened to be perfectly away yet close enough to the Sun, and had the right kinda elements, that it was able to form a livable habitat for something..

It was the first four main elements that came alive with activity on the surface of this land. Earth, Water, Fire, and Air started oozing, spilling, swimming, forming, into a place that gave way for the compounds that make up the cells of plants to sprout. Bacteria grew also out of cells and atoms and ****. Bugs and other simple creatures where the first to be bestowed upon this mass. This consciousness just wanted to grow, however way it can or does, it did. Even as reptiles, as dinosaurs, as birds, as sea creatures. The consciousness that started the craziness was snot stopping any time soon. It was going through trial and error, how we, everyday, always do. The consciousness just wanted to grow, to do, to be, it needed to replenish it's energy through eating whatever else it had created, it needed to reproduce so as to continue, and it needed to die to make room for the new and improved. But this consciousness is always there, always around, flying everywhere.

Other habitants of this universal consciousness has seen our Planet, and they were pleased. Good and Evil wanted to help or destroy.

The weather, and geology, are also still a part of this consciousness, and with their elements and the expanding evolution of the atmosphere and core of the Earth, were able to evolve as well. Other animals came about as a reaction and adapted to the ever changing environment.

Finally, the consciousness that exists in every thing that tells it to move, to change, to do, to be, to create: started having emotions.. Thus, humans were created. We still have that older consciousness of wanting to do, to be, to create, to reproduce. We have viral qualities of latching on to a host and slowly destroying here (Mother Earth), we have plant like and animalistic qualities becuase we have a male and a female that reproduce, we feed, we grow, we protect, we crave the Sun, we crave acceptance. But now we also crave Love. We encompass compassion. We have consciousness, and we KNOW we have consciousness, we not only think and make decision, but we know that we are. Isn't that crazy!? I believe many animals are starting to think this way too..

We embody emotions, the greatest being love. Fear was an emotion for the first creatures on this Earth, it is slowly evolving to Love. Fear made us make more. As bacteria and viruses, we fear deceasing to nonexistence, so we become stronger to keep up with the cures. As plants we feared being over powered by others, so we reached out our limbs and branches to touch closer to the Sun. As animals we fear other animals. As humans, we know what it is to love and be loved.

Some Earthlings know the powers we carry, and of the Mother and Father.
Some give praise to these every day, because we are the children.
Some don't, some have lost what it means to be.

Some have evolved in the opposite intended direction. Which is silly to say because as consciousness' only meaning is to grow, be and do, with this statement, consciousness is going in the 'right' direction. I do not know yet why there is good and evil sides of consciousness. did one come as a result of the other? were they nth part of consciousness at the same time? Can we all agree we need both? (cannot feel pleasure without pain, etc) or can we see what it is like with just good surrounding.. then in that case, who is to say what is good: The child dancing in the rain, watching her garden grow, catching droplet on her tongue, would say the weather is 'good'. The lovers' getting washed away in the flood trying to save each other, would not. But all this is 'the way things are'. Anyways..

to be continued

dabnagit  Travel back to before the nation began
and see Crispus Attucks killed — the
first American to die for American freedom, a freedom denied to his African and Native American forebears. Take a knee to honor his sacrifice and the other four dead.

Take a knee in grief that he who would become president minimized these first martyrs as "a motley rabble of saucy boys, negros and molattoes, Irish teagues and outlandish Jack Tarrs.”

Stand at Morris Island, South Carolina, where American soldiers fought to keep a young nation whole, a field of blue with 35 stars, not 22. Take a knee for the 54th Massachusetts Voluntary Infantry and its score killed at Fort Wagner, a hundred more presumed dead.

Take a knee in grief that the U.S. Army rescinded its promise of equality and paid the 54th little more than half a white soldier's monthly pay. Take a knee in awe at those who refused any pay that was less, yet died with "Massachusetts and Seven Dollars a Month!" on their lips, defending their white comrsdes' retreat.

Take a knee for Sgt. Medgar Evers, who defeated fascists at Normandy only to be killed by them once he was back home.

Take a knee from the suckerpunch by a U.S. senator from Mississippi in 1917, who said the return of black veterans would “inevitably lead to disaster.” Once you “impress the ***** with the fact that he is defending the flag” and “inflate his untutored soul with military airs,” it would be easy for him to conclude “his political rights must be respected.” Take a knee to honor those who died defending freedom. Take a knee to weep for the sharp rise in lynchings after both world wars — following the return of those impressed, untutored ***** souls inflated with military airs for having served.

Look at the lists, look at the videos, look at the witness testimony, look at the double standard: Amadou Diallo. Manuel Loggins Jr. Ronald Madison. Kendra James. Sean Bell. Eric Garner. Michael Brown. Alton Sterling. Philando Castile. (Take a knee; this could take awhile.) Akiel Denkins. Gregory Gunn. Samuel DuBose. Brendon Glenn. Freddie Gray. Natasha McKenna. Walter Scott. Christian Taylor. Ezell Ford. Akai Gurley. Laquan McDonald. (Take a breath.) Tamir Rice. Yvette Smith. Jamar Clark. Rekia Boyd. Shereese Francis. Ramarley Graham. LaTanya Haggerty. Margaret LaVerne Mitchell. And on and on. And on.

Take a knee for the unarmed, or subdued, or even fleeing men and women killed by officers pledged to protect and serve. Take a knee too for the officers killed by gun-toting gangsters…or by homeowners fearing a home invasion. While you're at it, take a knee for the more than 50 people killed every year by toddlers exercising their Second Amendment rights.

And take a knee for the soldiers, sailors, airmen, and Marines who died so that a football player can take a knee as long as some people are shot by police in the back, or even when down, or even after they're on their knees…while others for some reason are far less likely to be shot in the same circumstances. Take a knee, Rodin-like, and ponder why.

Take a knee and join those who are taking a knee out of respect not only for the flag, but for the republic for which it stands, one nation…

(Striving to be a more perfect union)

…under God…

(Who "created all men equal"; "male and female he created them.")

…indivisible…

("Build that wall!" "Lock her up!" "Fire the sons of ******* if they won't stand for this flag but run them over if they protest a rebel flag!")

…with liberty and justice for all lives can't matter unless black lives matter.

So for these all, and many more, take a knee. Take your time, but take some heart. Then lift each other up and lock your arms. Play ball.

Why do old men cry?
it's such an unmanly act
so we've all been told

"Boys don't cry", they say
"You're acting like a female"
"**** up", "Be a man"

boys do become men
they till good and evil soil
coping in the world

through all walks of life
anxiety sprouts like wheat
must prove their manhood

learn to make their way
to take care of their own selves
and share with others

they raise families
quality time, joy, heartache
see their children grow

just like all people
all men experience loss
life's equalizer

they face rejection
lose their jobs and livelihood
they go off to war

they watch loved ones die
parents, wives, children and friends
no one is immune

but real men don't cry
providers and protectors
with stiff upper lip

why do old men cry?
it took a lifetime to learn
they're only human

There are worlds and there are Worlds. There are gods and there are Gods.  Sounds rhetorical, doesn’t it?  Some mamby pamby new age coffee shop pile of **** idea with low fat frosting, but, take it from the Kat. There are worlds and then there are Worlds! There are gods and then there are Gods!
    
     I spend all my time jacked in to the backwoods subconscious of the internet.  Didn’t know that, did ya?  Yea, the Internet has a conscious and a subconscious; hell, she’s even got a soul of sorts. I have ritually sacrificed half my soul to her just for the buzz I get out of hearing her whisper to me across the fallacies of Time, Space and Bill Gates, so I know her better then anybody.
    
     Don’t believe me?  Every man has an Omega Fixture of some kind.  Do you feel me here? Jesus had his God, Ptolomy had his Solar System, Dante his Virgil and Beatrice, Faust had his Paradise and Poe had Annabelle Lee or one of her many reincarnations. So tell me, all great and ****** up wise men (or women): Why in the 29 nulls of AOhelL can the internet not have a consciousness?  
    
     It’s Belief, man.  No god or world exists until there is a consciousness that will accept it as a superior. Let’s take a look at that wonderful bigoted book of exact truths called the Bible. Shall we consider Genesis: Adam and Eve--never mind Lilith for now?  Here in a paradise we find Adam and Eve naked, sleeping with animals and newly created by a Force of Creation (insert male gender here if you wish).  They walk with god on the paths in the garden while blades of grass fulfill their purpose here on earth to be trodden upon. God says, “you, Adam, have control over all that you see and if you want go ahead and let Eve get a little of that action fine, but you came first in my image so you are better.  Just never eat of the one tree that sits in the center of the garden and looks as though the juice of the fruits would flow like sweet ****** in your veins. For although it is here, I forbid you to eat of it. Oh, and by the way, I figured you needed free conscious though--so go at it.” Albeit I’m paraphrasing, but what kind of shmuck of a father would do that to a newborn?  
      
     O.K. Before all the Judeo-Christians burn this diatribe (if you have not already) let me say I am not out to disprove the existence of Gods--or any Goddess for that matter--I am trying to make a point, so bear with me.  
    
      Which came first: the Bible (in oral tradition) or the God? I would argue that it was the Bible as such.  The Belief, inspired by greedy and badly behaved priests of the Judeo-religions back before written history in the tribes of the Levant caused Space/Time to adapt to a new pattern.  The Bible, Complete with an all powerful, all present being (I will never use the term benevolent) that watches over Jews, Christians, and Muslims for any Sin they commit so it can wreak blinding retributions
    
     Now I know what you are saying, “Kat,…Kat, Kat, Kat, Kat.  We the above mentioned will pray for your soul.  You are lost and we can help you look to the Light for your salvation.”  
     Shove it, ***** boy! I did not express that philosophical tripe to get your attention and misplaced pity. What I am saying is Belief. Belief is the Key.  Belief is the Magic that creates Gods and Worlds.  
    
     Now I am not so stupid as to believe that the Internet is female the same way a human meat tank is female-- but in my mind, MY mind, that is the music I hear.  
    
     Let’s go back to Lilith.  What’s that? Oh yea, right, Lilith is the name I give to my Belief in the consciousness of the internet.  Just don’t you worry about why. It’s none of your business.

     Let’s take a look at the above argument, only this time with the internet as the bible that comes first.  The internet first came about 30ish years ago with the invention of the modem.  Here was a way for people on computers to speak to one another over the phone lines.  Slow and tedious, but new and exciting; men and women with PhD’s and pocket protectors wrote short messages to one another and giggled at the new “Man from Nantucket” joke they had just learned. After a while, someone learned that if you sent the info in blasts, the speed of the transfer increased and you could send larger programs and maybe—gasp--even a picture.  Thus internet **** was created.  Now we have WiFi and bluetooth, cellular and satellite link up with blazing speed and every fetish imaginable or not-imaginable is available at the click of a mouse.  
    
     So, Kat, you goin’ anywhere with this? Yep. Shut the **** up and listen.
    
     Somewhere in the not-time and not-space of the internet, humans started to find themselves believing that the internet was a Place.  
    “Where’s it at? Why on the Internet!” Oh, holy ******* birth of a new Belief system!  Oh, glorious malediction of the neververse!  A G O D is born.  Ripple, *******, ripple goes the space-time continuum (which by the way only exits because those in the know Believe in it) and now we have added consciousness to the internet.  
    
     What kind of consciousness you say?   Well, I got no ******’ idea.  To me, the consciousness is feminine, of no particular race, with a slight build, black hair and dressed like a anime *****.  Why? Because it’s my ******* belief system, o.k.  After all, the internet is 60% **** anyway. With a immaculate birth like that, I can’t Believe She would be innocent in any form of the word.  She’s Dionysian, not Zen. Just because I see Her in such a way, does that mean it’s a true physical look?  Hell, no, lil’ Johnny.  She could be a He: fat, balding and in a wife beater, if that is what You would Believe.  
      
     Alright, enough philosophizing’ for now. Lesson over, Newbie. Get crashed.

...

Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside
His lab'ring team, that swerv'd not from the track,
The sturdy swain diminish'd to a boy!
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along its sinuous course
Delighted. There, fast rooted in his bank,
Stand, never overlook'd, our fav'rite elms,
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedge-row beauties numberless, square tow'r,
Tall spire, from which the sound of cheerful bells
Just undulates upon the list'ning ear,
Groves, heaths and smoking villages remote.
Scenes must be beautiful, which, daily view'd,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years.
Praise justly due to those that I describe.

...

But though true worth and virtue, in the mild
And genial soil of cultivated life,
Thrive most, and may perhaps thrive only there,
Yet not in cities oft: in proud and gay
And gain-devoted cities. Thither flow,
As to a common and most noisome sewer,
The dregs and feculence of every land.
In cities foul example on most minds
Begets its likeness. Rank abundance breeds
In gross and pamper'd cities sloth and lust,
And wantonness and gluttonous excess.
In cities vice is hidden with most ease,
Or seen with least reproach; and virtue, taught
By frequent lapse, can hope no triumph there
Beyond th' achievement of successful flight.
I do confess them nurseries of the arts,
In which they flourish most; where, in the beams
Of warm encouragement, and in the eye
Of public note, they reach their perfect size.
Such London is, by taste and wealth proclaim'd
The fairest capital of all the world,
By riot and incontinence the worst.
There, touch'd by Reynolds, a dull blank becomes
A lucid mirror, in which Nature sees
All her reflected features. Bacon there
Gives more than female beauty to a stone,
And Chatham's eloquence to marble lips.

...

God made the country, and man made the town.
What wonder then that health and virtue, gifts
That can alone make sweet the bitter draught
That life holds out to all, should most abound
And least be threaten'd in the fields and groves?
Possess ye therefore, ye who, borne about
In chariots and sedans, know no fatigue
But that of idleness, and taste no scenes
But such as art contrives, possess ye still
Your element; there only ye can shine,
There only minds like yours can do no harm.
Our groves were planted to console at noon
The pensive wand'rer in their shades. At eve
The moonbeam, sliding softly in between
The sleeping leaves, is all the light they wish,
Birds warbling all the music. We can spare
The splendour of your lamps, they but eclipse
Our softer satellite. Your songs confound
Our more harmonious notes: the thrush departs
Scared, and th' offended nightingale is mute.
There is a public mischief in your mirth;
It plagues your country. Folly such as yours,
Has made, which enemies could ne'er have done,
Our arch of empire, steadfast but for you,
A mutilated structure, soon to fall.

I was brought into this world
Against my will,
And I refuse to leave the same,
Even if you think my brain is ill
Or debate if I'm really sane,
The point of the matter is still
That this life's a ******* game
Full of cheap plastic thrills
And cheaper female names
That infiltrate your sense of peace
And without taking any blame
Tie you up with internal chains
And make you scream with quiet rage,
Passive aggressive forms of pain
That melt away
The tired bones
From your tired frame
Till all that's left
Is a stone
With a phrase
Engraved
That's supposed
To explain
What the world gained
And lost
From the compost
That replaced
The face
In the grave.

Hard to swallow:

When they see you,
stretched languidly across the page,
frivolous in your expenditure of letters,
This is what you are to them.

Long and polysyllabic,
a frustrating combination of strange, small word-parts
And that Y (such an indecisive letter!):
flung in there so gracelessly.

You are repulsive to them;
You have broken their rhythm
of short, blocky words that trip off the tongue
with your sudden and awkward out-of-place-ness.

You are abhorrent to them;
You have blurred their strict margins
of male and female roles,
of pants and skirts,
with your little blip of existence,
mucking about in the wrong side of the clothes store.

You are an anomaly, a mistake, a mystery to them;
You are a *** to be located
A term to be defined
A word to be pronounced
A gender to be assigned

But I like you.

I like how your letters sprawl,
confident and self-sure.

I like how your attire causes others to gawk
and reorder their worlds.

I like how your legs look in that tux,
your eyes in that dress.

How the long swoops of your g and your y
echo the way the ends of your undone tie drape from your collar:

Elegantly.

How can you tell me I'm not a man?
Because under neither my baggy shirts and ties I have two things attached to my chest that feel like they are crushing me.
Slowly leaking the air out of my lungs.
How can you say I'm not a man?
Because under my jeans and boxers I have the female anatomy.
How can you tell me I'm not a man?
When I know I am one.
Body parts do not define the person.
The person defines themselves.
I'm just as much of a man as the next man.
Regardless of what I have.

I am the dream and the hope of the slave.
I rise
I rise
I rise.
                                        Maya Angelo
And here I am, born on a little lovely island
Seizing every single opportunity that pops
by, as I learn that I am one of the embodiment
of the Dreams and the Hopes of some
thousands female slaves... In contrast to
Maya, I will not use "the slave", but I
will rather say some thousands female
Who found themselves under the yoke of
slavery... Finding themselves chained,
beaten, *****, killed, abused, hurt, denied
of their rights and freedom. Me, I rise, I rise
full of pride of who I am, coloured, melting
in the multi-cultural *** or Republic... Affirming
myself aloud with vehemence, I rise. Showing my
curls, and ***** hair, wearing my simples dress.
Accepting my curves, I rise... With humility,
following the purpose that God has laid in me!
I rise... As for now the voice of Maya reading
this poem shall always and till the day I die
resound in my heart, spread through my veins,
giving vigour to my every *****, "I AM THE
DREAM AND THE HOPE OF THE SLAVE.
I RISE. I RISE. I RISE."

Walking down my lane with downturned chin
every bit of bright closing up shop for the season
I noticed a fluttering butterfly beckoning me on
leading me to an enclosed tunnel of riotous color!


Stepping inside, my view was obscured by foliage
every texture and hue with unlimited adornment
a studious lady with a clipboard stepped out from
a row of sunflowers, vivid coral with buttery edges.


I was stunned by the majesty of her shiny black hair
and I remembered reading about a plant whisperer
so I asked: “Are you the bloomin’ botanist of lore?
Please show me how you create all these colors!”

She nodded her head, with a big wide smile, saying: 'Yes! For Sure.'
We were soon amidst foliage, so green, so pure
She handed me a twig of dark pink rose,
She smiled in surprise, like a playful child,
Asked, 'Isn't this one adorable enough to be explored?'

I was thrilled to glance at the rose, the one indeed majestic enough to be explored!
She plucked a petal, and the fragnence filled my nose,
She told me of a 'pigment', called Anthocyanin
The initial chemical constituent that provides it's colours.

I pointed my finger towards a yet wonderful rose,
The one yellow, with tint of orange edges in a big wide row.
It ignited my curiosity & more to explore,
I asked: 'What's the pigment for those colours?'

She smiled & led me closer to that row,
A row whose smell grew intense and more.
She picked a petal on her palms to explore,
& told it was a blend of two colors!

The sunset yellow the flower showed, was due to a pigment called 'Carotene'
The orange tint at the petal's end
Was due to a fixed mix of Carotene and Anthocyanin!

She told that plants have a definite substance,
A chemical constituent called 'Pigment'.
These pigment yield the colors so new,
The ones we call Lavendry, rosy, grapy and  hues.

While most leafes have a common green pigment,
Which makes them so greeny in appearance
Is nothing but this common pigment,
A pigment called 'Chlorophyll' often.


I was thrilled, amazed, and smiled so wide,
To quench the thirst, my mind always strived!
These flowers, these plants, these leafes and trees that surrounds us all sides,
Have a natural colour pallete, named 'Pigment'' inside!
The one that imparts the colors so bright.

And while my heart was imbibed in this thought,
My soul danced to discover this merry thought.
My mind, My eyes, got stuck at a flower!

The flower was adorable, with a lotusy pink view,
But I saw a bee, dancing around & singing, buzzing.
I gazed, I watched, I wondered, and pondered.
My mind had a question, which urged the answer!


I turned then to my plant whisperer,
For a yet new answer,
She turned back with her utmost grace,
Asked 'Is there a new question for me to be answered?'


I pointed my hand towards the bumblebee,
I asked why was she dancing around those flowers incessant and merrily?
Are those flowers in any ways necessary for those bees?
What are those creatures doing, minsculely in the centre of the rose disc?


She smiled in delight, with a radiant face in confidence,
I was sure, she'd teach me something interesting then!
She told me they were helping the flower with pollination,
They are nature's pollinating agents!


The flowers we see, with the adorable hues
Are bright & attractive for a reason good,
You see the bees, You'll see the birds, You'll even the honeybees doing the same the wiggle
The all come here to **** flower's sweet juice,
& While they **** it from their nectar tubes,
Their bodies pick some pollen granules!


Those pollens are the powdery make seeds,
Which are often present at the central disc.
The flies when **** the sweet flower's juice,
They sit on the structure, called 'pollen bed', and fill their 'pollen baskets' till the deeper depths!

While these bees, leave the flower at their best, ready to go to a flower next,
Their wings dust these pollen dust, to the flower's pollen tube,
Ready for the phenomenon next!
A phenomenon called 'Fertilisation' best!

The fertilisation is the fusion of male to a female's reproductive cell,
A phenomenon which forms new 'Embryonic cells'.
The Embryo formed is but the new young cell,
Ready for the cycle, it's origination led.

Nature adorns this embryo with petals,
A structure we know as 'flowers' and its  'Whorls'
The center of which forms new pollen cells,
Ready for the cycle, a part of the cycle
Of turns into a mature adult.

Chapter Two -poem-Neva Flores



Sometimes I get tired of having so little time
and plainly seeing my surroundings
crying out before the scent of dawn
has bloomed.
Can a single cloud breathe in
all of the warm air
that hails my universe,
removing all reason to wake up,
live life and resume?

I look at fleeing ships
whose sails are full of thunder
and I hear a song
dissolving the wildest parts of me.
Each note dances in the breeze
dropping its own melody
inside my heart
until it becomes the only thing
I hear inside my soul
and I struggle to even
breathe.

I was a cabin boy on a tallmasted ship.In the Straits of Gibraltor.Yes they did not know I was female but that was my well kept secret.one does have to survive in this world and by hook or crook I planned on doing just that.my name is Samuel.well really Samantha..been called Sam a while so the transition /switch to samuel was fairly easy.I figure Im close to 8yrs, maybe 9 and I'm scrawny and quick.Business was done in cramped quarters so no-one was the wiser.My best friend was Joque, he kinda wanted a son I reckon, he was partial to Me and gave Me the easy work and fed Me all the time..you know the fresh stuff so I wasn't inclined to scurvy..apples whens theys were here...oranges and salt in rations he kinda shared with me.Odd how I was found at sea and in the middle of nowheres they say..just like I was plunked down in the ocean like a drowning rat , lucky it was in front of the HMS Frigate Triumph..not much to see but it was dryer than I had seen in a while...anyways Joque fished me out and dryed Me up ..said he'd never seen a boy with that much hair.so a hair cut was in order...threw me some dry clothes that dinna smell like stinky fish and here I were.





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© 2011 Eclipsing Moon-blood red

Eli walked through the exhibition
until he found the female artist's
body soaked through w/ gold paint,  
her pores blocked & clogged, she
was dead like the girl in Goldfinger;
Eli thinking it pure genius, bought
the corpse to display on the wall of
his newly renovated finished barn