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When insect wings are glistening in the beam
    Of the low sun, and mountain-tops are bright,
  Oh, let me, by the crystal valley-stream,
    Wander amid the mild and mellow light;
And while the wood-thrush pipes his evening lay,
Give me one lonely hour to hymn the setting day.

  Oh, sun! that o'er the western mountains now
    Goest down in glory! ever beautiful
  And blessed is thy radiance, whether thou
    Colourest the eastern heaven and night-mist cool,
Till the bright day-star vanish, or on high
Climbest and streamest thy white splendours from mid-sky.

  Yet, loveliest are thy setting smiles, and fair,
    Fairest of all that earth beholds, the hues
  That live among the clouds, and flush the air,
    Lingering and deepening at the hour of dews.
Then softest gales are breathed, and softest heard
The plaining voice of streams, and pensive note of bird.

  They who here roamed, of yore, the forest wide,
    Felt, by such charm, their simple bosoms won;
  They deemed their quivered warrior, when he died,
    Went to bright isles beneath the setting sun;
Where winds are aye at peace, and skies are fair,
And purple-skirted clouds curtain the crimson air.

  So, with the glories of the dying day,
    Its thousand trembling lights and changing hues,
  The memory of the brave who passed away
    Tenderly mingled;--fitting hour to muse
On such grave theme, and sweet the dream that shed
Brightness and beauty round the destiny of the dead.

  For ages, on the silent forests here,
    Thy beams did fall before the red man came
  To dwell beneath them; in their shade the deer
    Fed, and feared not the arrow's deadly aim.
Nor tree was felled, in all that world of woods,
Save by the ******'s tooth, or winds, or rush of floods.

  Then came the hunter tribes, and thou didst look,
    For ages, on their deeds in the hard chase,
  And well-fought wars; green sod and silver brook
    Took the first stain of blood; before thy face
The warrior generations came and passed,
And glory was laid up for many an age to last.

  Now they are gone, gone as thy setting blaze
    Goes down the west, while night is pressing on,
  And with them the old tale of better days,
    And trophies of remembered power, are gone.
Yon field that gives the harvest, where the plough
Strikes the white bone, is all that tells their story now.

  I stand upon their ashes in thy beam,
    The offspring of another race, I stand,
  Beside a stream they loved, this valley stream;
    And where the night-fire of the quivered band
Showed the gray oak by fits, and war-song rung,
I teach the quiet shades the strains of this new tongue.

  Farewell! but thou shalt come again--thy light
    Must shine on other changes, and behold
  The place of the thronged city still as night--
    States fallen--new empires built upon the old--
But never shalt thou see these realms again
Darkened by boundless groves, and roamed by savage men.
Nat Lipstadt Sep 27
I skip, across a streaming, upon random~laid
flat and comfortable flat flagstone stepping stones,
from poet to poet, color to color, poem to poem,
Auden to Whitman, Schuyler to
myself, a dingaling notion, an errant word,
the here to there, all randoms, yet,
oval chain linked all,
a question posed, an answer unknown,
a reference to an old Italian myth,
and there, and here, a body,
comes to rest,
& also,
comes to rest…

<>

led not by the nose, but the single fingered
tip that guides across a landscape patterned
painting, lost but never a loser, each implants,
each imbibes, and the H&H^ alternatively
rumbles, pounds, vibrato burns erratically,
and the difference between a life in love,
and a life in poetry,
is not a line dividing,
but a path combining,
and the only sign
upon the road,
is never a reddened "stop!"

always just a soft lavender, so tender, inquiring,
requiring, deep thoughts and reckless abandonment,
the only guide inspired when ecstatic adrift in
a season, a sea, any one of nature's designed
unlimited
schemata's of vista creations,
      is this, simply stated:


What?
<>

postscript

6:27 Sabbath Sep 27
nyc
after a sunrise glorious, where
the windows eastern facing
make an irresistible irrational
pattern of golden yellow reflecting,
mirrors, and
after reading much,
and so I too, reflect, vista, vista,
what do you see, I see…What?

after reading a poem by James Schuyler,
entitled (yes, we are)
"What"^^
^ abbrev. for Heart & Head,
also, H&H, a  "dairy" restaraunt, on second ave.,  where I lunched,  in the Village in 1960's, when it was NYC's   drugs, rock n' roll mecca
of cheap rents, fashion, and West 4th St folk rock, the Village Voice,
a coating of many colored ethnicities
and still there(!) as "health restaurant"

^^ https://wikipoem.org/2017/12/19/what-by-james-schuyler/
Third Eye Candy Oct 2012
a loop of spume immune to fumes of eastern tombs
a burnin‭'; ‬ a  mad flash of candied wrath
and junebug randy newman‭; ‬
what rumbles jest in vestments yet
to loom a knit or pearl two...‭ ‬a ****** crest
of ***** wrecks and rubber necks‭
to view you...‭
‬a nop of lopsy,‭ ‬
fever pitched in thicket rich begonia‭;
‬and roman roads
too golden
kicks
from hydro
in
your hedge
row.

a droop of noon in cool remove
from gypsum dim sum laude.‭
‬a drowning witch on boney creeks
of needles and salami.‭ ‬
untongued.‭ ‬a pool of fringe
rhymes with orange,‭ ‬
yes a door-hinge,‭ ‬
off it's moorings...‭ ‬
off it's Meds

death beds
for trampolines
in petrified forests...‭
a nop of lopsy,‭ ‬frogging Gatsby,‭
‬greatly famished to the Nines‭;
‬an olden toll of wish fits‭
then nothing
comes.

and that's
Life.
(alternately known as the Doubting Thomas Crown
Taj Mahal Cupid Affair)
-  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -   -  -  -

Fortunate (for me) thee bona fide "FAKE" Cupid
(aka Decoy Donald Duck
and side kickstarter Jay Rad,
colluded donning one alias,
which (former and latter)

amounted tube bing disguised incognito
as the cingular "Ivan Ha Bea Robber Baron),"
while same above placed
their System Of A Down on high alert
whereby, they unwittingly, fortunately,
and accidentally discerned disquieting "noise"

i.e. static electronic crackling
purportedly from nemesis, asper sans above
whereby broadcasters colluded
confusingly, congruously, and convincingly
as thee infamous digital (duplicity)
faux "Big Mac" Trump.

The chalkboard scratching, hair sprayed bouffant,
and knuckle crackling
appeared tubby the handiwork cleverly disguised
(as tinpot dictator antics of Moscow's version,

sans Putin on the ritz),
which decrypted garble (a fluke) as iterated above
strongly emanating via polygamous,
prestigious, and pseudonymous
pull no punches ploy

innocently convincing feigned
duo code named "Ashley Madison and Bert"
disclosing (when uncovered),
a heartless conspiracy in concert

with Sesame Street studded lesser known Muppets
pretending tubby oil tycoon Bedouins
intent to fleece "sensitive"
top secret military defense contracts,

which Russian motley crue ace double agents
intended this act of espionage thence sabotage
feted as a Black Sabbath Lupercalia feint
not for the faint hearted clubby fete

where Cupid given free rule of the roost
allowing, enabling and proffering
Cyrillic chattering Cherubim

hook cooked United States "figurative goose"
lock, stock and barrel, which stratagem
captured president unawares
and did significantly boost

Eastern Bloc reconnaissance (on par
with the Philadelphia Eagles
winning 2018 Super Bowl LII
which surprise clenching championship
wrought frenzied hoopla, gala, and bacchanalia
where barenaked ladies

cavorted nsync with beastie boys,
whence City of Brotherly love hoopla found
nearly every man, woman and child ******
(analogous to each person garnering
an early Sainted Patrick's *** of gold.
Who art thou, who art thou, oh-who art thou?
With eyes as shiny and like seas blue,
and glittering smiles so deep and true.
Thy voice as flawless as the walls,
but sleek and charming as rainfalls.
With skin as bright and slender pearls,
and lips as sensuous as mortal worlds.
And with thy golden hair thou art pure and white
as thou lay t'ere tranquilly by my side.
Ah, touch and rub my hand against thine,
but all th' way keep me still in thy mind.
Wake my soul and heal its coldness,
but fill it with more loving tenderness!
Just like th' youthful soul of an old painting,
and th' playful pages of some crusted writing.
Or like th' old door and its generous windowsill,
capture my heart and send all my spines to shrills.
And stare just like t'at into my eyes,
with gazes so clear, sweet and wise.
But never ever hesitate my love,
just like gladness nurses and shelters its laughter,
and how springs yearn to taste long summers.
Ah, thy white skin so made of eternal shades
a symbol of youth t'at just never fades.
How canst, how canst thou be so comely?
And with thy grace thou art but too lovely
For my Eastern being to bear,
and my curious soul to share.
O thee, my Western, Western prince!
Make me all brave; lure and tease me
'Till I canst no more resist thee.
How could thou but slip and enthrall my songs-
whenst all whose tones hath just gone wrong!
Andst how could thou write my poem-
with its my coquettish, and girlish rhyme;
as if having in thy hand, endless wits and time!
Ah, I hopeth thou shalt always be with me,
and wert but born and sewn for me-
o, and always just for me, selfishly.
And at one bare noon lifts my love,
into thy hands and thy merry soul
becoming thy dream princess sole.
WIFE and servant are the same,
But only differ in the name :
For when that fatal knot is ty'd,
Which nothing, nothing can divide :
When she the word obey has said,
And man by law supreme has made,
Then all that's kind is laid aside,
And nothing left but state and pride :
Fierce as an eastern prince he grows,
And all his innate rigour shows :
Then but to look, to laugh, or speak,
Will the nuptial contract break.
Like mutes, she signs alone must make,
And never any freedom take :
But still be govern'd by a nod,
And fear her husband as a God :
Him still must serve, him still obey,
And nothing act, and nothing say,
But what her haughty lord thinks fit,
Who with the power, has all the wit.
Then shun, oh ! shun that wretched state,
And all the fawning flatt'rers hate :
Value yourselves, and men despise :
You must be proud, if you'll be wise.
Don Bouchard Feb 2015
Between two wars, a blizzard,
Fifteen degrees below,
Wind howling shook the house,
Drove the dirt and snow
In snarling threads across the ground,
Separated farms from town.

My mother and her sister, little girls,
Up and chilled in the kitchen
Huddled by the iron stove,
Warmed to a mix of fuel:
Coal, wood, dried cow manure
Radiating steady heat,
Water starting to steam,
Sad irons warming slow,
Breakfast down,
Ironing to be done.

Wind howling and roads blocked,
Dad out milking cows,
Chopping ice on water tanks,
Pitching down a few forkfuls hay...
Not much else to do
In the howling wind.

No co-op telephone to say
School was closed;
Not that it mattered,
No one could have made their way
Over country roads blown shut,
Over snow-blown dunes  of snow.

Dad and the uncles had wired
A makeshift telephone along the fences,
Two miles to the home farm,
A haphazard affair, but still a marvel
On the eastern Montana prairie
To keep Grandpa and sister Anna close....
(Grandmother gone, and only Anna home),
A crank to send the  current along the line,
The hope that someone heard the bell,
Picked up to say, "Hello?"
A modern miracle
Between two farm houses in Montana.

The bell rang,
Mother answered,
Listened and then spoke low....
"Anna's gone," she told  her husband
As he stomped in, white with cold and driven snow.

"We'll try to go across the fields," he said.
But first they ate, and bundled up:
Long stockings, woolen dresses for the girls,
Blankets, coats and mittens,
Sad irons from the stove top,
Bricks warmed in the oven,
Wrapped in burlap for the floor
Of the old truck.

The journey was unsteady, slow,
Following the fence line,
A makeshift guide in the blowing snow,
Moving patch to patch of brown blown bare,
Avoiding rock hard drifts
Looking out for stones,
Seeking gates to find approaches
To the neighbor's fields.

Two hours later, the old house
Stood ghost-like in the swirling snow,
Bleak it seemed,
Windows staring dark,
Holding death within.

The quiet girls stayed in the kitchen,
Little mothers with their dolls;
The men carried sister Anna to the porch,
Laid her on the boot shelf, stiff and still,
And Momma washed her,
Dried and combed the soft brown hair,
Dressed her in her flannel gown,
Wrapped  her in a linen sheet,
Ready for her ride to town,
Said her good-byes out on the porch.

They left Grandpa standing
In the glooming cold,
Chores to do, stoves to tend,
Waiting for the storm to end....

"The undertaker told my mother
He'd never seen
Such a wonderfully prepared body,"
My Mother's voice crackles
through my cell phone.
She's sitting in a soft chair
A thousand miles away;
I am parked along a road
Reliving an event 80 years past.
Towers hurl our thoughts:  
The  past - the present,
The looming future
Frozen in a telephonic moment.

My mother recites a memory
Eighty years' past...
Her parents long gone;
Her life nearly through;
Her son grasping every word,
Blizzard whipped in the rush
Of time.
Trying to preserve these old family memories.... As we grow older, our family stories become more important. Go ask your folks for their memories. They tell us who we are....
Part I

It is an ancient Mariner,
And he stoppeth one of three.
‘By thy long grey beard and glittering eye,
Now wherefore stopp’st thou me?

The bridegroom’s doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din.’

He holds him with his skinny hand,
“There was a ship,” quoth he.
‘Hold off! unhand me, grey-beard loon!’
Eftsoons his hand dropped he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years’ child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—”
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“And now the storm-blast came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And foward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As it had been a Christian soul,
We hailed it in God’s name.

It ate the food it ne’er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner’s hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moonshine.”

‘God save thee, ancient Mariner,
From the fiends that plague thee thus!—
Why look’st thou so?’—”With my crossbow
I shot the Albatross.”

Part II

“The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.

And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners’ hollo!

And I had done a hellish thing,
And it would work ’em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!

Nor dim nor red, like God’s own head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
’Twas right, said they, such birds to slay,
That bring the fog and mist.

The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.

Down dropped the breeze, the sails dropped down,
’Twas sad as sad could be;
And we did speak only to break
The silence of the sea!

All in a hot and copper sky,
The ****** sun, at noon,
Right up above the mast did stand,
No bigger than the moon.

Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.

Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.

The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.

About, about, in reel and rout
The death-fires danced at night;
The water, like a witch’s oils,
Burnt green, and blue, and white.

And some in dreams assured were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.

Ah! well-a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.”

Part III

“There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye—
When looking westward, I beheld
A something in the sky.

At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.

A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water-sprite,
It plunged and tacked and veered.

With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I ****** the blood,
And cried, A sail! a sail!

With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.

See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!

The western wave was all a-flame,
The day was well nigh done!
Almost upon the western wave
Rested the broad bright sun;
When that strange shape drove suddenly
Betwixt us and the sun.

And straight the sun was flecked with bars,
(Heaven’s Mother send us grace!)
As if through a dungeon-grate he peered
With broad and burning face.

Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the sun,
Like restless gossameres?

Are those her ribs through which the sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman’s mate?

Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Nightmare Life-in-Death was she,
Who thicks man’s blood with cold.

The naked hulk alongside came,
And the twain were casting dice;
‘The game is done! I’ve won! I’ve won!’
Quoth she, and whistles thrice.

The sun’s rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper o’er the sea,
Off shot the spectre-bark.

We listened and looked sideways up!
Fear at my heart, as at a cup,
My life-blood seemed to sip!
The stars were dim, and thick the night,
The steersman’s face by his lamp gleamed white;
From the sails the dew did drip—
Till clomb above the eastern bar
The horned moon, with one bright star
Within the nether tip.

One after one, by the star-dogged moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.

Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.

The souls did from their bodies fly,—
They fled to bliss or woe!
And every soul it passed me by,
Like the whizz of my crossbow!”

Part IV

‘I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.

I fear thee and thy glittering eye,
And thy skinny hand, so brown.’—
“Fear not, fear not, thou Wedding-Guest!
This body dropped not down.

Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.

The many men, so beautiful!
And they all dead did lie;
And a thousand thousand slimy things
Lived on; and so did I.

I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.

I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came and made
My heart as dry as dust.

I closed my lids, and kept them close,
And the ***** like pulses beat;
Forthe sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.

The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.

An orphan’s curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man’s eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.

The moving moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside—

Her beams bemocked the sultry main,
Like April ****-frost spread;
But where the ship’s huge shadow lay,
The charmed water burnt alway
A still and awful red.

Beyond the shadow of the ship
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.

O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.

The selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea.”

Part V

“Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from heaven,
That slid into my soul.

The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.

My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.

I moved, and could not feel my limbs:
I was so light—almost
I thought that I had died in sleep,
And was a blessed ghost.

And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.

The upper air burst into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.

And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The moon was at its edge.

The thick black cloud was cleft, and still
The moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.

The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the moon
The dead men gave a groan.

They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.

The helmsman steered, the ship moved on;
Yet never a breeze up blew;
The mariners all ‘gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools—
We were a ghastly crew.

The body of my brother’s son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me.”

‘I fear thee, ancient Mariner!’
“Be calm, thou Wedding-Guest!
’Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:

For when it dawned—they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.

Around, around, flew each sweet sound,
Then darted to the sun;
Slowly the sounds came back again,
Now mixed, now one by one.

Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!

And now ’twas like all instruments,
Now like a lonely flute;
And now it is an angel’s song,
That makes the heavens be mute.

It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.

Till noon we quietly sailed on,
Yet never a breeze did breathe;
Slowly and smoothly went the ship,
Moved onward from beneath.

Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.

The sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she ‘gan stir,
With a short uneasy motion—
Backwards and forwards half her length
With a short uneasy motion.

Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.

How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.

‘Is it he?’ quoth one, ‘Is this the man?
By him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.

The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.’

The other was a softer voice,
As soft as honey-dew:
Quoth he, ‘The man hath penance done,
And penance more will do.’

Part VI

First Voice

But tell me, tell me! speak again,
Thy soft response renewing—
What makes that ship drive on so fast?
What is the ocean doing?

Second Voice

Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the moon is cast—

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.

First Voice

But why drives on that ship so fast,
Without or wave or wind?

Second Voice

The air is cut away before,
And closes from behind.

Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner’s trance is abated.

“I woke, and we were sailing on
As in a gentle weather:
’Twas night, calm night, the moon was high;
The dead men stood together.

All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the moon did glitter.

The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.

And now this spell was snapped: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen—

Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.

But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.

It raised my hair, it fanned my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,
Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew.

Oh! dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own country?

We drifted o’er the harbour-bar,
And I with sobs did pray—
O let me be awake, my God!
Or let me sleep alway.

The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the moon.

The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.

And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.

A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck—
Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;

This seraph-band, each waved his hand,
No voice did they impart—
No voice; but oh! the silence sank
Like music on my heart.

But soon I heard the dash of oars,
I heard the Pilot’s cheer;
My head was turned perforce away,
And I saw a boat appear.

The Pilot and the Pilot’s boy,
I heard them coming fast:
Dear Lord i
Lee Janes Dec 2012
Pluck two feathers from cupid's wing,
Fly, bring thou thy muses I sing.

The warbled sung, that lark on high,
Tracing thou name; through dots on frosty sky.

Echoes blow clouds, reveal white torch bright,
Light love blinds, in cold Suffolk night.

Hail! For eastern far, amber dim glow,
Open earth's eye-lid, as colours over dark flow.

Till the veil touches peak, high'n mount Helicon,
Floats on mirror'd water, beauty of the swan.
Such is a night, in a thousand days,
Then I love thee in soo many ways
And what lies between here and there
Might I saint thee but anywhere?

Behind the grace which has a curse
I have written just too many words
And this feeling, that a hundred nights
Woke me to, like those random lights

What is more, and what is less
Can such a phantom make love painless
Clutching a youngster spring too brief
But shan't die, and always lives

So long as 'tis pain, and not fate
We may not be together, again
Like a lust to haunt, but that died
Within March's coloured rimmed lights

So long as 'tis late, and not again
I may not seek you in my rogue poems
For it hath long sailed across the winds
With the love songs of redeemed sins

So long as I paint you, and not once
I have loved then, for a hundred months
To kiss thy pretty, but unheard truth
To murmur all these crazes, a few

So long as I writ you, and hold anew
Like the rose that might be new
Aided only by a caterpillar-like sun
Lost in the morn's unguided moon

So long as I draw you, to my arms
Like a sketch with italic charms
I hold your fate, and idol's poems
I keep all your drawings in my room

So long as I hold you, but not mind
'Tis a sanguine reason still, to be one
I have expected wine and a white kiss
To not be wise, to have a little bliss

So long as I hold you, hold you still
To run around with too much to feel
With a love to guard, my soul beholds
Such a desire too strong to hold.

So long as I see you, 'tis untrue
Such summer colds that barely knew
The ties of a right lie, and the spring
I miss you within the tunes they sing.

So long as I miss you, and I love
Sighs and disgrace being far from enough
The furs of a silent truth, and me
I have writ wan poetry thou shan't see.

So long as I have you, and fly free
With plain lithe eyes that are not me
I may have loved for far too long;
Calling out to you in my fourth song.

So long as I think more, of thee
What is the crossed feel of the sky?
That knits at the night, and be
Dark, in its spoilt sight of thee.

So long as I long for you, then why
How shall our meres touch, and gaze
At the southern patch of grass
That oft' not frequent love too fast

So long as I want you, then run;
My feelings have all grown numb
As though 'tis an umbrella under the sun
Underneath the eastern hum

So long as I kiss you, then free me;
But to be free is to love you
And the tales that can never be;
I have no signs, I have no clue

So long as I hear you, and be mine
I have wanted to fall in thy line;
I like you there, beneath the sky
You are there for me so high

So long as I love you, come to me;
To relate to me an awkward song
I may be asleep, but love is no wrong
A thousand suns, all along.
Marshal Gebbie Dec 2014
The fiscal snare is drawing tight
Putin’s day... now courting night,
Rouble tilts vertiginously
To Satan’s **** religiously.
Fiscal snare is drawing blood
A trickle then... is now a flood,
Russia’s central bank adjusts
But ineffectually, combusts.
Hard line prospects elbow dance
Aligning for assasins lance.

Perhaps….
Better now, the Devil known
Than facing down an Unknown throne…..
Facing down an Iron call
With finger poised in nuclear thrall.

What choice now for ego’s Prince
Retreat from Eastern Ukraine’s wince?
Retreat Crimea’s balmy shores
To face the nationalistic howl of hordes?
Brinkmanship…the other way
A gamble that the West might sway?

Either way the game is up
Now bitter wine brims Russia’s cup.

M.
Kendall Mallon Jul 2013
Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!
This is the Final Voyage epic thus far. I am converting Home into blank verse and it is taking longer than I thought to do; which is why that part is incomplete here. I also added line numbers. I changed The names as well.
Erin Atkinson May 2014
.
A sudden southern accent
    A slight northern breeze
        A soft western glance
            A silent eastern call
                              *Cardinal.
JDH Jun 2017
Some introductory food for thought...

"Manufacturing and commercial monopolies owe their origin not to a tendency imminent in a capitalist economy but to governmental interventionist policy directed against free trade and laissez faire."
  - Ludwig Von Mises

"Bureaucracies are inherently antidemocratic. Bureaucrats derive their power from their position in the structure, not from their relations with the people they are supposed to serve. The people are not masters of the bureaucracy, but its clients."
  - Alan Keyes


The European Union as the New Eastern Bloc?
The Eastern Trading Bloc of the Soviet system had it's origins in the tail end of the Second World war, where, through the suppression of the whereabouts of Kremlin manipulation, had purported itself as democratic agreement, initially giving itself the appearance of a 'bourgeois democracy' as the Soviets called it. Though, inherently was, and clearly became an imperial establishment of control from the Soviet Bureaucracy. Likewise, the European Union, when originally advertised to the nations of Europe was propped up in a similarly unassuming manner, despite having been previously discussed and having the concepts of such a union already organised further back into 1948 at the Hague Conference. The parallels of such such unions (Eastern/Euro) are that they garnered the consent of the public through their foundation being merely upon an economic transnational policy, and not a political one, and therefor their basic parallels are that of deceit.

The Eastern Bloc formed what was essentially a symbiosis of the state and the economy, something that naturally would be inherent under a Communist regime. However, the European Union, too, follows a similar reciprocal foundation, for it binds the state and economy, removing the separation of powers by Capitalistic enterprise, and instead, Centralises governance in a more oligarchical, corporate and bureaucratic apparatus. Operating through a complex arrangement of multitudinous committees and boards, whose members form a body of non-elected representatives. Essentially the European Union, on the guise of an economic market, has formed a centralised, quasi-private parliament akin to the Soviet style hegemony of the Eastern Bloc, and through soft-intimidation and misinformation, keeps it's members bonded. Lest it be forgotten that the Union is allegedly one of 'free trade', yet, when discourse begins to brew of leaving, as it did in Britain, why are we met with threats of economic disability and ostracization? That shows more the signs of a protection racket; of bureaucratic gangsterism, than it does of a voluntary cooperation of national markets.


The unification of Germany and the amalgamation of the European continent?
In a more predictive sense, the European Union shares similarities in it's unifying policies, as it it does to the unification of the German states circa 1871. Spearheaded during the Bismarckian era of the late nineteenth century, Germany, well within a period of two decades transformed from a collection of trading states, to a fully amalgamated nation under Prussian dominated rule, but by what means did this occur, and in what ways does the unification of Germany share similarities to modern Europe?

Of course, the chief processes of German unification lied in the economy, the political structure and culture, the political structure I have already covered. The establishment of a newly amalgamated economy among the German States was created through the breaking down of trade barriers between the previously independent states, one of which ways in doing so was the introduction of the single German currency (the Mark) along with a centralised banking system that allowed for both monetary control by the state and the removal of currency exchange between regions. Likewise the European Union brought with it the introduction of a common European currency (the Euro) and too, a European Central Bank. The new Germany also extended its unification to the creation of a common German culture that evoked a sense of nationalism, for instance, the establishment of a new national anthem and German military, to be paraded with pride. Too, the standardisation of the school system to create a state of coherent socialisation among the German generations. What we see with the European Union is also the creation of a common European national anthem and a cooperative European military (though a centralised European military is still developing) and through policies such as the Bolonga Process, the education system of Europe as a whole has been standardised to the specific image of the European Union, even a single European emergency number (112) is under proposition.

It is said that history repeats itself, and perhaps what we are living through today is the amalgamation of the European states as transpired nearly 150 years ago within central Europe. And that the non-representative, self appointing parliament of the European Union, resembles almost a kind of bureaucratic Kaiserreich; a kind of Prussian hegemony of the modern day.


- a short essay by JDH
Butch Decatoria Jan 2017
Yo
Fil -Am I am
Tho' that Uncle Sam
Is a pilfering kind of uncle,

I still believe in Love
Of Freedom rides
Of Lady Liberty's symbolic
Light
Burning brightest
A united flame...

Yo! Bro'
There's no need (yet so many do)
Have - nots hafta
Feed
         All Walks
                            Long Roads
Home.

The seeds will sprout
                   Great roots / Evergreen

When we quench every thirst
        With poetic Justice
Logic / Science / Reasoning

Truth.

Yo!
Now, Says we
No Underground or miners' sky of coal
Cuz hearth is home
Where the heart is strong,
(Where resides living souls)

A coat of amor of many hues

Of cotton--chain gang--rainbows
Of our bodies
Electric / this sojourn railroad
We dance
       Deep down getting down
Blues / rhythm/ love on high
Every kind
Spectrums of hot jungles and purest light.
Sun tan and showers
Brought to you by the Maker
Of Sky...

Yo!
Joe, my bro', is not
No ******,
G's / Living Proof
Peeps this
White wigs
My All American is multinational
(A Hero)

Youths
And fountains

A World of many nations
Toward one republic :
Mans Fire and Golden worth
(The future points to moot)

From soot or steep
Great Walls and Mountains'
Sherpa Buddhist peace
Rise from our only Earth
As we bask beneath
with all
The bounties of the Sun

We are Sam / I am you
And we are
One
      together

Here the same
We are
American genomes

As for me, half breed
A Filipino and green
With Irish flame
"O-oh"
No shame in my game.

Yo! Americans
            
Be Thankful / you thinkers in kind

Mankind / Human
Down to the last
Past
Suffering,
Sufferage and Tribunes,
From melting pots
A succotash

What kind of American are you?

___________

*African American
Native American / Indian American-Hindi
Asian American
Irish / Italian American
Spanish speaking Mexican American
Japanese and Chinese American
Korean American
European / Candian / French American
Siberian / Slavic American
Middle Eastern / Arab American
All American Russian / Serian American

A cohabitat of all of us.
(A world of beautiful Mutts)
LJ May 2016
Blooming with happiness
The sun stroked and I smiled
The park adventurous and prided
The grass was soaked with dew
The wasp befriended my notepad
My face was pretty for you
Hands in my pockets as I waved a dog
A shy hide away in the open space
A French book on my minds fence
.............je veux la paix...................
A bench with grounded families
Young hobbits playing ball
Young couples indulging thigh on thigh
The romping poodle and German shepherd
The pond with the calm natured ducks
Underage puffs of clouded cigarette fumes
My awakened spirit opened it's legs
It flew to the overwhelmed senses of hope
.............je veux la paix......................
A scoff of falafel parcels and fizzy muscles
The stalker sat on the aligned bench
A season to figure out what life is
A strange woman on the bike in amusement
The Portuguese cafe full of beautiful souls
The world revolved with a cleansed sheen
An Eastern Europe parade of basketball novices
A melodious day that though of you babe
.............je veux la paix......................
Sleep tight babe!
Brittany Hesse Mar 2015
With the wind under my wings I soar
I see the west Canadian shore
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Nuu-chan-nulth – A caring and nurturing people are thee
Small families among the mountains, rivers, and sea
Vancouver Island’s west coast is where you reside
Awaiting your canoes on evenings incoming tide

Your men are fishing in the ocean’s secret places
Worry and hope etched in their weathered faces
Each man knowing the days hunting success must provide
For many wives, children, and elders the spoils they must divide

Your rhythm and harmony with the ocean is strong
Whale hunts and oceans spirits intertwined through your song
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
I hear the east call, and open my wings to take flight
The distant drum’s heartbeat calls from the suns rising light
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Coast Salish – You know how the sea dances and quivers
As you watch the expanse from your inlets, and rivers
Vigilance is needed in case a Storm approaches
To mount a defence if an enemy encroaches.

Your wise headmen lead with such divine humility
Your family life embodies true equality
Your features are defined by a broad face and flat brow
Your girls with plucked brows, braided hair prepare for their vow

You seasonally harvest your rivers resources
Spawning Eulachon and sturgeon complete their courses
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
As I leave your forests of tall cedars and aged fir
The drumming beckons me up the wild Fraser River
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war


Okanagan – You survive in the Valley and slopes
In a legend of a coyote you set your hopes
He educated you how to live off the hard land
Your very own lives you bestowed in his paw like hand

Your offspring, your joy, your future you know must be taught
So at an early age, to the elders they were brought
Your youths are handpicked and taught the roll they shall assume
If a warrior shall fall another shall resume

Your seasonal harvest of forest meadows and marsh
Will insure you survival when the winters are harsh
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
With the updrafts I glide over the dry desert plains
I hear the drum call from a land where it hardly rains
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Secwépemc – your men come out through the eastern sunrise’s door
Your women’s entrance faces the stream to ease her chore
In seasonal cozy houses built into the ground
In a secret place your spoils and possessions are found

Your request for spawning salmon grows louder each day
The messenger crickets announce salmons on their way
You hunt with arrows and spears you crafted from strong stone
Needles and jewelry you made from animal bone

You patiently, wait in the winter’s silent brisk eve  
For the deer’s stealthy approach from the snow covered trees  
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The drum it beckons from the land of river crossroads
The land where men come to bring and trade their canoes loads
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war


Dakelh – You are the people who learned how to barter
You are known as the people who travel on water
With gathered roots you weave fish weirs in the evening air
And you set your high hopes in the chanted salmon prayer

Your children learn from the oral traditions you tell
Chinlac massacres, caves where dwarves shooting arrows dwell
Your widows carry ashes of the husband they held dear
Their Mourning and sadness that will last over a year

The respect for the land for everything you have gain
Though much, and bountiful your harvest some shall remain
The drum it echoes, echoes, echoess, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
A plume of smoke and drum beat come from the distant Northwest
Echoing from the place where the Skeena River rests
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Gitxsan –Your Home is surrounded by snow tipped glaciers
Forests of spruce, hemlock, cedars, and subalpine firs
Your chieftain name and duties you hold for a short time
Other Wilp members are only ‘children’ in their prime

Like the rivers your families closely intertwine
Each account told is a lesson that is sublime
Each Wilp has your story told by a tall totem pole
Your History affects and moves you deep in your soul

Deer, Moose, and small mammal in the wild woodlands you stalk
You pursue the Mountain goat through rugged peaks of rock
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The drums incessantly pounds as I take to the sky
Urgently calling from remote islands of Haida Gwaii
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Haida - You live in the pacific northern islands
Your fam’lies Belong to the eagle or raven clans
You watch the tide rise and fall over the rocks and sand
Great mighty sculptures you have created with your hand

With strong healthy cedar trees you made your long dwellings
The entrance way totem your history is telling
Your warrior canoes glide through the rolling waves
Through victories and battles you have prisoner slaves


The sound of the drum beat is mixed in saltwater spray
To Vancouver Island’s west shore I must fine my way
The drum it echo, echo, echo’s, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
As I leave your vast, and memorable territory
In the soft twilight air I watch the sunset’s glory
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Kwakwakawakw- So proud you are of your mother tongue
Born in this beautiful land your ancestors came from
Noblemen, Aristocrats, commoners and your slaves
Your narrative exists among your forefathers graves

Your canoes bow is carved into animal features
The whale, otter, salmon and other sea creatures
You hunt with such heroic assurance all year round
In the shapes of well carved masks their likeness will abound

Your long homes are protected by the oceans embrace
First nations, my people, you are a amazing race
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
I leave your land of legends in a misty gray veil
And on the horizons comes change’s white sail
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The Europeans came into your isolated lands
Dividing your people into tribes, reserves, and bands
Before their arrival you lived mighty, strong, and free
Now your children fight to reclaim their identity

The drum will echo, echo, echo through time’s core
It will whisper a rhythm of time, change, and war
The drum will echo, echo, echo through your core
It will whisper a rhythm of time, change, and war
Beryl Starkovic Jun 2014
These dreams fade as westerly whispers,
in a soft eastern rain.
Unremembered by morning's light
filtered by reality's coldness,
leaving only colored shadows,
we must walk alone through.

Shadows that sullenly settle
like colored chalk dust,
covering all,
but easily blown away.
These dreams fade as westerly whispers,
in a soft eastern rain.

We are the dreamtesters,
recorders of our life's events
to be read by God.

Upon our day of reckoning...
David Barr Oct 2014
Your belief system can alter that which is considered to be reality.
Although vulnerability is a parade of commonality which adorns blissful blinkers, we must never forget that we are inseparably connected to parental validity and unequivocal yet treacherous insecurity.
I do not believe in gender stereotypes and embrace the promise that the taste of copulation is as beautiful and rebellious as teenage wanton prowess in possession of a ligature in a dense forest.
So, my darling, wear your crown.
It’s an acoustic romance where death has cultivated a harmonious melody with an essential bass.
How beautiful is a classical symphony of sadness which is enriched by a recent discharge from hospital?
The train meandered its way along distant tracks toward South-Eastern utopia.
Chapter IV
Gordian knot

Greek legend according to which the inhabitants of Phrygia, Anatolian region, in the current one needed to choose a king, so they consulted the oracle. The latter replied that the new sovereign would be the one who entered through the Eastern Gate, accompanied by a crow perched on his chariot. The one who fulfilled the conditions was Gordias, a farmer who had his cart and oxen for all his wealth. When he was elected monarch, he founded the city of Gordio and, in gratitude, offered the temple of Zeus his chariot, tying the spear and yoke with a knot whose ends were hidden inside, so complicated that no one could untie it. According to what was said then, whoever succeeded would conquer the East.
Alexander the Great, supported by Vernarth and a hand impregnated with globules from Eritrea, was on his way to conquer the Persian Empire, already united with both Bi steeds, Fire Hoof and Ox Head, in 333 BC. C. After crossing the Hellespont he transgressed the Sudpichi Stream like a weightless cloak of a Machi Begging to the Cosmos for Negechen for the rickety Rehue, prophesying to him on his hands dismembered of bravery, great assistance of 300 years of Nge -Nge Mapus souls in his furious nose that propelled him with anger; and which untied the Champollion knot with some sphinx uncovering Pandora's allegories from the Valleys of the Kings. Then he conquered Phrygia, where they faced the challenge of untying the diocesan knot. He solved the problem by cutting it with his sword, cutting his head between the eyes, one for each side ..., the South one was from Vernarth with his beautiful eyes saying "I always see light when I wake up and dawn at night to rub the back of my Alikanto always riding with Him in Lid Universal Patriotics”.  According to Curcio Rufo's narration:   "It is the same to cut it as to untie it." That night there was a storm of unburied lightning that symbolized, according to Alejandro, that Zeus and Joshua´s stone were with him Espanta cuculí, genuflecting his knee towards such a Period in his analogy, that he would go through the shadowy time zone of Time and his eroded geo intelligence Both exhorting the oracles appeared before the stormy voices saying: "We agree on the agreements with the solution and its knot avoiding more knots by the hands of empires without a solution."

It alludes to this knot, made of mane's manes killed in battle and sleeping maiden's hair for the hope of widowhood beyond Eden: "both meditates cutting and loosing." That is, it does not matter how it is done, the important thing is that it is achieved. Millions of arrows actually fall from their badly vibrated bows, before this motto that appeared on the arrows, with a single rope cut around it.

Currently the expression Gordian knot refers to a difficulty that cannot be solved, an obstacle that is difficult to overcome or a difficult solution or outcome, especially when this situation only supports creative or own solutions of lateral thinking. "To cut the Gordian knot" means to solve a problem sharply and unceremoniously; that is to say, that discovering the essence of the problem, we will be able to reveal all its implications.

Top Ten Oases:
Just half a day after arriving in Gaugamela, Etrestles from Kalavrita, who came from Messolonghi, joined them; He came with his Kanti Black Steed "Rain of Perennial Fog". They came from Crete where the ultra cosmic powers were transmuted through their noses. That is why Kanti, as he approached the pair Vernarth and Alexander the Great flew leaping and shooting blue fire down his foamy muzzle. His ears sparkled like a Laziko dance of the Mediterranean Dodecanese of the proto Sirtakis of the north wing of whispered compasses. Holy kisses and hugs are halted and uttered, and the Macedonian Saints bowed to Lord Etretles.

Etrestles says:
I come from Messolonghi; of the eighth cemetery and of the eighth day. I get stuck the Dionysian aroma of his intentions when untying the Gordian knot. I was welcomed by the Charioteer in his armored car, after sleeping a thousand years I was reborn next to my face of the current of the greater solar star. The search for that shouting made me celebrate the search for that shouting of you. The similiar hairy body that fell contracted on my wonderful fingers, delighting my humble tributes to the beetles that accompanied me to direct my sight to the sepulchral vaults near their bodie Incorrupt.
Which of all the columns erected is capable of opening all the columns built in the pavilion of these moles without shapes or caves of colors ..., only the vitalizing Aeolian pulmonary diaphragm of my reverie, is who I think would ... To all of us who are trapped in holy Hellenic soils, I bring you good news: Auriga supports me with her Blacksmiths from the twelve rivers of the Dodecanese, to loosen the barriers of You, Beloved Brother Vernarth, and of you, my Lord Alexander the Great. .  Our father Staktos and our mother Vitabión that her lineage and beautiful face have not been corrupted in a thousand years.   Since our ninth baptism in Ayia Lavra, where she saw me be buried for the ninth time. Whose archpriest with his holy oils made him slide down our partition, pretending to be a dance of blessed water for this task in Gaugamela. To all of you. Blood of my blood, I feel your sacred vertebral need speak from within!

Auriga says: Orion's *****; everlasting fuel, will give strength to their steeds, to rise above the great contest, to brandish my undulating Xiph swords, to unsolder the bars of their oppressed souls before spilling the blessed blood of a Hellenic Soldier as sweet syrup for the dying delirium of those who will see the boom of the fireflies decay, baptisms about past lives, deaths about future lives.

Etrestles says: My ****** Vernarth, by the underground caste conglomerate you will wake up! To you. Like me, one day I lay as I was to my crude death in my last life at the hands of a Spartan Soldier. You blood of my blood released my bars to determine my Hellenic situation!

As this happened, I put in an odalisque and blew a similiar flow of ***** into my ear from the numb Vernarth. The waves and waves of paradise caused amazement at the coming duel. Before the enemy more than 250 thousand infantry and cavalry, faked tanks, archers, Greek hoplites, Peltasts, elephants and sophisticated weapons of war. Beyond mercenaries of death sowing the last words of ardor in their hands of faith of triumph, before the Macedonian militants too inferior  to the hordes of Darius in account only of 47 thousand militiamen of Alexander the Great.

under edition, to be continued
VERNARTH IV  LIGHT WARRIOR
Jessica Duru Jul 2020
Her smile,
that smile
Her beauty that yonder shines,
and her love which doth strengthens me
Like the wind blowing unceasingly
Across the White Eastern sea
Shall it forever be?
Oh,I wish...
If only wishes do come true

I feel the longing pile up
With each day that goes by,
Shall it ever pass?
Oh,I doubt
Love is really hard like they say

Everything seems so broken
Even from afar,
One could still see
Can it ever be fixed?
Oh,I know not...
Nor the royal empress herself
For the rust will forever go on...

Ciara
1-BROKEN
A Forever Rust
The poem centers on a man who loves his treasure so dear; A woman born with a fine, white skin like that of a newborn, and an exotic beauty which the beholder never seems to overlook. But then, the tragic wind came blowing in their path, seperating them, and leaving the poet personae broken and void. He fears he'll never be healed of the damage caused and doubts there will ever be an end to his aching pain.....
Emily Miller Jun 2018
Under the unforgiving summer sun, their small, winged bodies hover from one flowering plant to another, working tirelessly in the sweltering heat as we laze in the shade...

Their work is endless, the product harvested in minutes. Smoked into a stupor while we steal their treasures, and if some of them die, so be it...

Melissa, Queen of Bees,
revered before by human royalty and great innovators,

Melissa, Queen of Bees,
who connects life and death,
whose children killed the demon Arunasura in India,
and were prophets to the gods in Greece and Rome.

Melissa, Queen of Bees,
her bees fell from the sun in Egypt,
aided the first living man in Uganda,
and created man from the back of a mantis in the Kalahari Desert.

Melissa, Queen of Bees,
her children are the origin of magic in Eastern Europe,
a source of fertility and a connection to nature in North America,
and fierce, terrifying warriors in the South.

Melissa, Queen of Bees,
the Great Mother,
the root of being,
the bridge to the afterlife,
we owe her children our lives,
the least we can do is spare them their's.
Sonkei Ichimaru Oct 2014
When the dry eastern wind raises the dust,
The northern Scottish breeze sways the grass,
Where the pasture and desert meet, the fulfillment of cultivating is met.
Where the man and the woman meet, the very ground shall be covered with scattered weeds, for she will bring the snow, and he will bring the shovel.
Don't worry if you don't get it... I really don't think anyone can decipher it...
Many things perplex me and leave me troubled,
Many things are locked away in the white book of stars
Never to be opened by me.
The starr'd leaves are silently turned,
And the mooned leaves;
And as they are turned, fall the shadows of life and death.
Perplexed and troubled,
I light a small light in a small room,
The lighted walls come closer to me,
The familiar pictures are clear.
I sit in my favourite chair and turn in my mind
The tiny pages of my own life, whereon so little is written,
And hear at the eastern window the pressure of a long wind, coming
From I know not where.
How many times have I sat here,
How many times will I sit here again,
Thinking these same things over and over in solitude
As a child says over and over
The first word he has learned to say.
CORNEL PUNK Oct 2014
Before the breathing of this blissful altar,
There once was,actually,on this place,
A frightened shrine of Uzu deity.
Where we sacrified our last **** to Uzu,
Ate stragnled meat,food,wine,colanut,
Consulted our ancestral spirit,
Bowed down to the eastern sun.

But after our immersion into water,
We folded aside our old garments.
And believe in God Almighty.
Who on cross,with cross and cross
Saved all mankind of all races.
We are now carriers of cross,
Hoping for a blissful eternity.
Our fowl and palmy became bread and wine.
Brett W Jul 2016
All of this debate going on
Cops shooting black men
Mass shooting at a gay club
It is all the same, it is killing
I must say this before I start
I apologize for any language
But this is all a load of *******
And it honestly has to stop
When a white man kills a white man
There is no publicity in the ordeal
When a black man kills a black man
There is still no debate going on
But people are dying in these situations
Someone's family member or close friend
Gone, taken away from their life
Then a cop shoots a white man
And there's a little discussion on it
But a cop shoots a black man
And there are riots, marches, but why
All lives should matter in this world
The declaration says all men are equal
So no life is greater than anyone else's
White, Black, Mexican, Asian, Middle Eastern
Straight, gay, lesbian, transgender, ect.
It is all equal to one another, it's 2016
Stop the killing and keep peace and equality

— The End —