FIRST DAY

1.
Who wanted me
to go to Chicago
on January 6th?
I did!

The night before,
20 below zero
Fahrenheit
with the wind chill;
as the blizzard of 99
lay in mountains
of blackening snow.

I packed two coats,
two suits,
three sweaters,
multiple sets of long johns
and heavy white socks
for a two-day stay.

I left from Newark.
**** the denseness,
it confounds!

The 2nd City to whom?
2nd ain’t bad.
It’s pretty good.
If you consider
Peking and Prague,
Tokyo and Togo,
Manchester and Moscow,
Port Au Prince and Paris,
Athens and Amsterdam,
Buenos Aries and Johannesburg;
that’s pretty good.

What’s going on here today?
It’s friggin frozen.
To the bone!

But Chi Town is still cool.
Buddy Guy’s is open.
Bartenders mixing drinks,
cabbies jamming on their breaks,
honey dew waitresses serving sugar,
buildings swerving,
fire tongued preachers are preaching
and the farmers are measuring the moon.

The lake,
unlike Ontario
is in the midst of freezing.
Bones of ice
threaten to gel
into a solid mass
over the expanse
of the Michigan Lake.
If this keeps up,
you can walk
clear to Toronto
on a silver carpet.

Along the shore
the ice is permanent.
It’s the first big frost
of winter
after a long
Indian Summer.

Thank God
I caught a cab.
Outside I hear
The Hawk
nippin hard.
It’ll get your ear,
finger or toe.
Bite you on the nose too
if you ain’t careful.

Thank God,
I’m not walking
the Wabash tonight;
but if you do cover up,
wear layers.

Chicago,
could this be
Sandburg’s City?

I’m overwhelmed
and this is my tenth time here.

It’s almost better,
sometimes it is better,
a lot of times it is better
and denser then New York.

Ask any Bull’s fan.
I’m a Knickerbocker.
Yes Nueva York,
a city that has placed last
in the standings
for many years.
Except the last two.
Yanks are # 1!

But Chicago
is a dynasty,
as big as
Sammy Sosa’s heart,
rich and wide
as Michael Jordan’s grin.

Middle of a country,
center of a continent,
smack dab in the mean
of a hemisphere,
vortex to a world,
Chicago!

Kansas City,
Nashville,
St. Louis,
Detroit,
Cleveland,
Pittsburgh,
Denver,
New Orleans,
Dallas,
Cairo,
Singapore,
Auckland,
Baghdad,
Mexico City
and Montreal
salute her.



2.
Cities,
A collection of vanities?
Engineered complex utilitarianism?
The need for community a social necessity?
Ego one with the mass?
Civilization’s latest *******?
Chicago is more then that.

Jefferson’s yeoman farmer
is long gone
but this capitol
of the Great Plains
is still democratic.

The citizen’s of this city
would vote daily,
if they could.

Chicago,
Sandburg’s Chicago,
Could it be?

The namesake river
segments the city,
canals of commerce,
all perpendicular,
is rife throughout,
still guiding barges
to the Mississippi
and St. Laurence.

Now also
tourist attractions
for a cafe society.

Chicago is really jazzy,
swanky clubs,
big steaks,
juices and drinks.

You get the best
coffee from Seattle
and the finest teas
from China.

Great restaurants
serve liquid jazz
al la carte.

Jazz Jazz Jazz
All they serve is Jazz
Rock me steady
Keep the beat
Keep it flowin
Feel the heat!

Jazz Jazz Jazz
All they is, is Jazz
Fast cars will take ya
To the show
Round bout midnight
Where’d the time go?

Flows into the Mississippi,
the mother of America’s rivers,
an empires aorta.

Great Lakes wonder of water.
Niagara Falls
still her heart gushes forth.

Buffalo connected to this holy heart.
Finger Lakes and Adirondacks
are part of this watershed,
all the way down to the
Delaware and Chesapeake.

Sandburg’s Chicago?
Oh my my,
the wonder of him.
Who captured the imagination
of the wonders of rivers.

Down stream other holy cities
from the Mississippi delta
all mapped by him.

Its mouth our Dixie Trumpet
guarded by righteous Cajun brethren.

Midwest?
Midwest from where?
It’s north of Caracas and Los Angeles,
east of Fairbanks,
west of Dublin
and south of not much.

Him,
who spoke of honest men
and loving women.
Working men and mothers
bearing citizens to build a nation.
The New World’s
precocious adolescent
caught in a stream
of endless and exciting change,
much pain and sacrifice,
dedication and loss,
pride and tribulations.

From him we know
all the people’s faces.
All their stories are told.
Never defeating the
idea of Chicago.

Sandburg had the courage to say
what was in the heart of the people, who:

Defeated the Indians,
Mapped the terrain,
Aided slavers,
Fought a terrible civil war,
Hoisted the barges,
Grew the food,
Whacked the wheat,
Sang the songs,
Fought many wars of conquest,
Cleared the land,
Erected the bridges,
Trapped the game,
Netted the fish,
Mined the coal,
Forged the steel,
Laid the tracks,
Fired the tenders,
Cut the stone,
Mixed the mortar,
Plumbed the line,
And laid the bricks
Of this nation of cities!

Pardon the Marlboro Man shtick.
It’s a poor expostulation of
crass commercial symbolism.

Like I said, I’m a
Devil Fan from Jersey
and Madison Avenue
has done its work on me.

It’s a strange alchemy
that changes
a proud Nation of Blackhawks
into a merchandising bonanza
of hometown hockey shirts,
making the native seem alien,
and the interloper at home chillin out,
warming his feet atop a block of ice,
guzzling Old Style
with clicker in hand.

Give him his beer
and other diversions.
If he bowls with his buddy’s
on Tuesday night
I hope he bowls
a perfect game.

He’s earned it.
He works hard.
Hard work and faith
built this city.

And it’s not just the faith
that fills the cities
thousand churches,
temples and
mosques on the Sabbath.

3.
There is faith in everything in Chicago!

An alcoholic broker named Bill
lives the Twelve Steps
to banish fear and loathing
for one more day.
Bill believes in sobriety.

A tug captain named Moe
waits for the spring thaw
so he can get the barges up to Duluth.
Moe believes in the seasons.

A farmer named Tom
hopes he has reaped the last
of many bitter harvests.
Tom believes in a new start.

A homeless man named Earl
wills himself a cot and a hot
at the local shelter.
Earl believes in deliverance.

A Pullman porter
named George
works overtime
to get his first born
through medical school.
George believes in opportunity.

A folk singer named Woody
sings about his
countrymen inheritance
and implores them to take it.
Woody believes in people.

A Wobbly named Joe
organizes fellow steelworkers
to fight for a workers paradise
here on earth.
Joe believes in ideals.

A bookkeeper named Edith
is certain she’ll see the Cubs
win the World Series
in her lifetime.
Edith believes in miracles.

An electrician named ****
saves money
to bring his family over from Gdansk.
**** believes in America.

A banker named Leah
knows Ditka will return
and lead the Bears
to another Super Bowl.
Leah believes in nostalgia.

A cantor named Samuel
prays for another 20 years
so he can properly train
his Temple’s replacement.

Samuel believes in tradition.
A high school girl named Sally
refuses to get an abortion.
She knows she carries
something special within her.
Sally believes in life.

A city worker named Mazie
ceaselessly prays
for her incarcerated son
doing 10 years at Cook.
Mazie believes in redemption.

A jazzer named Bix
helps to invent a new art form
out of the mist.
Bix believes in creativity.

An architect named Frank
restores the Rookery.
Frank believes in space.

A soldier named Ike
fights wars for democracy.
Ike believes in peace.

A Rabbi named Jesse
sermonizes on Moses.
Jesse believes in liberation.

Somewhere in Chicago
a kid still believes in Shoeless Joe.
The kid believes in
the integrity of the game.

An Imam named Louis
is busy building a nation
within a nation.
Louis believes in
self-determination.

A teacher named Heidi
gives all she has to her students.
She has great expectations for them all.
Heidi believes in the future.

4.
Does Chicago have a future?

This city,
full of cowboys
and wildcatters
is predicated
on a future!

Bang, bang
Shoot em up
Stake the claim
It’s your terrain
Drill the hole
Strike it rich
Top it off
You’re the boss
Take a chance
Watch it wane
Try again
Heavenly gains

Chicago
city of futures
is a Holy Mecca
to all day traders.

Their skin is gray,
hair disheveled,
loud ties and
funny coats,
thumb through
slips of paper
held by nail
chewed hands.
Selling promises
with no derivative value
for out of the money calls
and in the money puts.
Strike is not a labor action
in this city of unionists,
but a speculators mark,
a capitalist wish,
a hedgers bet,
a public debt
and a farmers
fair return.

Indexes for everything.
Quantitative models
that could burst a kazoo.

You know the measure
of everything in Chicago.
But is it truly objective?
Have mathematics banished
subjective intentions,
routing it in fair practice
of market efficiencies,
a kind of scientific absolution?

I heard that there
is a dispute brewing
over the amount of snowfall
that fell on the 1st.

The mayor’s office,
using the official city ruler
measured 22”
of snow on the ground.

The National Weather Service
says it cannot detect more
then 17” of snow.

The mayor thinks
he’ll catch less heat
for the trains that don’t run
the buses that don’t arrive
and the schools that stand empty
with the addition of 5”.

The analysts say
it’s all about capturing liquidity.

Liquidity,
can you place a great lake
into an eyedropper?

Its 20 below
and all liquid things
are solid masses
or a gooey viscosity at best.

Water is frozen everywhere.
But Chi town is still liquid,
flowing faster
then the digital blips
flashing on the walls
of the CBOT.

Dreams
are never frozen in Chicago.
The exchanges trade
without missing a beat.

Trading wet dreams,
the crystallized vapor
of an IPO
pledging a billion points
of Internet access
or raiding the public treasuries
of a central bank’s
huge stores of gold
with currency swaps.

Using the tools
of butterfly spreads
and candlesticks
to achieve the goal.

Short the Russell
or buy the Dow,
go long the
CAC and DAX.
Are you trading in euro’s?
You better be
or soon will.
I know
you’re Chicago,
you’ll trade anything.
WEBS,
Spiders,
and Leaps
are traded here,
along with sweet crude,
North Sea Brent,
plywood and T-Bill futures;
and most importantly
the commodities,
the loam
that formed this city
of broad shoulders.

What about our wheat?
Still whacking and
breadbasket to the world.

Oil,
an important fossil fuel
denominated in
good ole greenbacks.

Porkbellies,
not just hogwash
on the Wabash,
but bacon, eggs
and flapjacks
are on the menu
of every diner in Jersey
as the “All American.”

Cotton,
our contribution
to the Golden Triangle,
once the global currency
used to enrich a
gentlemen class
of cultured
southern slavers,
now Tommy Hilfiger’s
preferred fabric.

I think he sends it
to Bangkok where
child slaves
spin it into
gold lame'.

Sorghum,
I think its hardy.

Soybeans,
the new age substitute
for hamburger
goes great with tofu lasagna.

Corn,
ADM creates ethanol,
they want us to drive cleaner cars.

Cattle,
once driven into this city’s
bloodhouses for slaughter,
now ground into
a billion Big Macs
every year.

When does a seed
become a commodity?
When does a commodity
become a future?
When does a future expire?

You can find the answers
to these questions in Chicago
and find a fortune in a hole in the floor.

Look down into the pits.
Hear the screams of anguish
and profitable delights.

Frenzied men
swarming like a mass
of epileptic ants
atop the worlds largest sugar cube
auger the worlds free markets.

The scene is
more chaotic then
100 Haymarket Square Riots
multiplied by 100
1968 Democratic Conventions.

Amidst inverted anthills,
they scurry forth and to
in distinguished
black and red coats.

Fighting each other
as counterparties
to a life and death transaction.

This is an efficient market
that crosses the globe.

Oil from the Sultan of Brunei,
Yen from the land of Hitachi,
Long Bonds from the Fed,
nickel from Quebec,
platinum and palladium
from Siberia,
FTSE’s from London
and crewel cane from Havana
circle these pits.

Tijuana,
Shanghai
and Istanbul's
best traders
are only half as good
as the average trader in Chicago.

Chicago,
this hog butcher to the world,
specializes in packaging and distribution.

Men in blood soaked smocks,
still count the heads
entering the gates of the city.

Their handiwork
is sent out on barges
and rail lines as frozen packages
of futures
waiting for delivery
to an anonymous counterparty
half a world away.

This nation’s hub
has grown into the
premier purveyor
to the world;
along all the rivers,
highways,
railways
and estuaries
it’s tentacles reach.

5.
Sandburg’s Chicago,
is a city of the world’s people.

Many striver rows compose
its many neighborhoods.

Nordic stoicism,
Eastern European orthodoxy
and Afro-American
calypso vibrations
are three of many cords
strumming the strings
of Chicago.

Sandburg’s Chicago,
if you wrote forever
you would only scratch its surface.

People wait for trains
to enter the city from O’Hare.
Frozen tears
lock their eyes
onto distant skyscrapers,
solid chunks
of snot blocks their nose
and green icicles of slime
crust mustaches.
They fight to breathe.

Sandburg’s Chicago
is The Land of Lincoln,
Savior of the Union,
protector of the Republic.
Sent armies
of sons and daughters,
barges, boxcars,
gunboats, foodstuffs,
cannon and shot
to raze the south
and stamp out succession.

Old Abe’s biography
are still unknown volumes to me.
I must see and read the great words.
You can never learn enough;
but I’ve been to Washington
and seen the man’s memorial.
The Free World’s 8th wonder,
guarded by General Grant,
who still keeps an eye on Richmond
and a hand on his sword.

Through this American winter
Abe ponders.
The vista he surveys is dire and tragic.

Our sitting President
impeached
for lying about a *******.

Party partisans
in the senate are sworn and seated.
Our Chief Justice,
adorned with golden bars
will adjudicate the proceedings.
It is the perfect counterpoint
to an ageless Abe thinking
with malice toward none
and charity towards all,
will heal the wounds
of the nation.

Abe our granite angel,
Chicago goes on,
The Union is strong!


SECOND DAY

1.
Out my window
the sun has risen.

According to
the local forecast
its minus 9
going up to
6 today.

The lake,
a golden pillow of clouds
is frozen in time.

I marvel
at the ancients ones
resourcefulness
and how
they mastered
these extreme elements.

Past, present and future
has no meaning
in the Citadel
of the Prairie today.

I set my watch
to Central Standard Time.

Stepping into
the hotel lobby
the concierge
with oil smooth hair,
perfect tie
and English lilt
impeccably asks,
“Do you know where you are going Sir?
Can I give you a map?”

He hands me one of Chicago.
I see he recently had his nails done.
He paints a green line
along Whacker Drive and says,
“turn on Jackson, LaSalle, Wabash or Madison
and you’ll get to where you want to go.”
A walk of 14 or 15 blocks from Streeterville-
(I start at The Chicago White House.
They call it that because Hillary Rodham
stays here when she’s in town.
Its’ also alleged that Stedman
eats his breakfast here
but Opra
has never been seen
on the premises.
I wonder how I gained entry
into this place of elite’s?)
-down into the center of The Loop.

Stepping out of the hotel,
The Doorman
sporting the epaulets of a colonel
on his corporate winter coat
and furry Cossack hat
swaddling his round black face
accosts me.

The skin of his face
is flaking from
the subzero windburn.

He asks me
with a gapped toothy grin,
“Can I get you a cab?”
“No I think I’ll walk,” I answer.
“Good woolen hat,
thick gloves you should be alright.”
He winks and lets me pass.

I step outside.
The Windy City
flings stabbing cold spears
flying on wings of 30-mph gusts.
My outside hardens.
I can feel the freeze
deepen
into my internalness.
I can’t be sure
but inside
my heart still feels warm.
For how long
I cannot say.

I commence
my walk
among the spires
of this great city,
the vertical leaps
that anchor the great lake,
holding its place
against the historic
frigid assault.

The buildings’ sway,
modulating to the blows
of natures wicked blasts.

It’s a hard imposition
on a city and its people.

The gloves,
skullcap,
long underwear,
sweater,
jacket
and overcoat
not enough
to keep the cold
from penetrating
the person.

Like discerning
the layers of this city,
even many layers,
still not enough
to understand
the depth of meaning
of the heart
of this heartland city.

Sandburg knew the city well.
Set amidst groves of suburbs
that extend outward in every direction.
Concentric circles
surround the city.
After the burbs come farms,
Great Plains, and mountains.
Appalachians and Rockies
are but mere molehills
in the city’s back yard.
It’s terra firma
stops only at the sea.
Pt. Barrow to the Horn,
many capes extended.

On the periphery
its appendages,
its extremities,
its outward extremes.
All connected by the idea,
blown by the incessant wind
of this great nation.
The Windy City’s message
is sent to the world’s four corners.
It is a message of power.
English the worlds
common language
is spoken here,
along with Ebonics,
Espanol,
Mandarin,
Czech,
Russian,
Korean,
Arabic,
Hindi­,
German,
French,
electronics,
steel,
cars,
cartoons,
rap,
sports­,
movies,
capital,
wheat
and more.

Always more.
Much much more
in Chicago.

2.
Sandburg
spoke all the dialects.

He heard them all,
he understood
with great precision
to the finest tolerances
of a lathe workers micrometer.

Sandburg understood
what it meant to laugh
and be happy.

He understood
the working mans day,
the learned treatises
of university chairs,
the endless tomes
of the city’s
great libraries,
the lost languages
of the ancient ones,
the secret codes
of abstract art,
the impact of architecture,
the street dialects and idioms
of everymans expression of life.

All fighting for life,
trying to build a life,
a new life
in this modern world.

Walking across
the Michigan Avenue Bridge
I see the Wrigley Building
is neatly carved,
catty cornered on the plaza.

I wonder if Old Man Wrigley
watched his barges
loaded with spearmint
and double-mint
move out onto the lake
from one of those Gothic windows
perched high above the street.

Would he open a window
and shout to the men below
to quit slaking and work harder
or would he
between the snapping sound
he made with his mouth
full of his chewing gum
offer them tickets
to a ballgame at Wrigley Field
that afternoon?

Would the men below
be able to understand
the man communing
from such a great height?

I listen to a man
and woman conversing.
They are one step behind me
as we meander along Wacker Drive.

"You are in Chicago now.”
The man states with profundity.
“If I let you go
you will soon find your level
in this city.
Do you know what I mean?”

No I don’t.
I think to myself.
What level are you I wonder?
Are you perched atop
the transmission spire
of the Hancock Tower?

I wouldn’t think so
or your ears would melt
from the windburn.

I’m thinking.
Is she a kept woman?
She is majestically clothed
in fur hat and coat.
In animal pelts
not trapped like her,
but slaughtered
from farms
I’m sure.

What level
is he speaking of?

Many levels
are evident in this city;
many layers of cobbled stone,
Pennsylvania iron,
Hoosier Granite
and vertical drops.

I wonder
if I detect
condensation
in his voice?

What is
his intention?
Is it a warning
of a broken affair?
A pending pink slip?
Advise to an addict
refusing to adhere
to a recovery regimen?

What is his level anyway?
Is he so high and mighty,
Higher and mightier
then this great city
which we are all a part of,
which we all helped to build,
which we all need
in order to keep this nation
the thriving democratic
empire it is?

This seditious talk!

3.
The Loop’s El
still courses through
the main thoroughfares of the city.

People are transported
above the din of the street,
looking down
on the common pedestrians
like me.

Super CEO’s
populating the upper floors
of Romanesque,
Greek Revivalist,
New Bauhaus,
Art Deco
and Post Nouveau
Neo-Modern
Avant-Garde towers
are too far up
to see me
shivering on the street.

The cars, busses,
trains and trucks
are all covered
with the film
of rock salt.

Salt covers
my bootless feet
and smudges
my cloths as well.

The salt,
the primal element
of the earth
covers everything
in Chicago.

It is the true level
of this city.

The layer
beneath
all layers,
on which
everything
rests,
is built,
grows,
thrives
then dies.
To be
returned again
to the lower
layers
where it can
take root
again
and grow
out onto
the great plains.

Splashing
the nation,
anointing
its people
with its
blessing.

A blessing,
Chicago?

All rivers
come here.

All things
found its way here
through the canals
and back bays
of the world’s
greatest lakes.

All roads,
rails and
air routes
begin and
end here.

Mrs. O’Leary’s cow
got a *** rap.
It did not start the fire,
we did.

We lit the torch
that flamed
the city to cinders.
From a pile of ash
Chicago rose again.

Forever Chicago!
Forever the lamp
that burns bright
on a Great Lake’s
western shore!

Chicago
the beacon
sends the
message to the world
with its windy blasts,
on chugging barges,
clapping trains,
flying tandems,
T1 circuits
and roaring jets.

Sandburg knew
a Chicago
I will never know.

He knew
the rhythm of life
the people walked to.
The tools they used,
the dreams they dreamed
the songs they sang,
the things they built,
the things they loved,
the pains that hurt,
the motives that grew,
the actions that destroyed
the prayers they prayed,
the food they ate
their moments of death.

Sandburg knew
the layers of the city
to the depths
and windy heights
I cannot fathom.

The Blues
came to this city,
on the wing
of a chirping bird,
on the taps
of a rickety train,
on the blast
of an angry sax
rushing on the wind,
on the Westend blitz
of Pop's brash coronet,
on the tink of
a twinkling piano
on a paddle-wheel boat
and on the strings
of a lonely man’s guitar.

Walk into the clubs,
tenements,
row houses,
speakeasies
and you’ll hear the Blues
whispered like
a quiet prayer.

Tidewater Blues
from Virginia,
Delta Blues
from the lower
Mississippi,
Boogie Woogie
from Appalachia,
Texas Blues
from some Lone Star,
Big Band Blues
from Kansas City,
Blues from
Beal Street,
Jelly Roll’s Blues
from the Latin Quarter.

Hell even Chicago
got its own brand
of Blues.

Its all here.
It ended up here
and was sent away
on the winds of westerly blows
to the ear of an eager world
on strong jet streams
of simple melodies
and hard truths.

A broad
shouldered woman,
a single mother stands
on the street
with three crying babes.
Their cloths
are covered
in salt.
She pleads
for a break,
praying
for a new start.
Poor and
under-clothed
against the torrent
of frigid weather
she begs for help.
Her blond hair
and ****** features
suggests her
Scandinavian heritage.
I wonder if
she is related to Sandburg
as I walk past
her on the street.
Her feet
are bleeding
through her
canvass sneakers.
Her babes mouths
are zipped shut
with frozen drivel
and mucous.

The Blues live
on in Chicago.

The Blues
will forever live in her.
As I turn the corner
to walk the Miracle Mile
I see her engulfed
in a funnel cloud of salt,
snow and bits
of white paper,
swirling around her
and her children
in an angry
unforgiving
maelstrom.

The family
begins to
dissolve
like a snail
sprinkled with salt;
and a mother
and her children
just disappear
into the pavement
at the corner
of Dearborn,
in Chicago.

Music:

Robert Johnson
Sweet Home Chicago


jbm
Chicago
1/7/99

jp (a fellow-poet here at HP) and I were speaking of a popular Asian imagery of the Mind as a Monkey...I mentioned that I would write a poem of how this idea is also embodied in a Chinese legend of the Monkey King...And this is the poem that follows...




Sun Wukong, or the Taming of the Monkey Mind


PART 1
The arrogance of Sun Wukong

Monkey you may think of me
but ordinary I am by no means:
timeless and
of primal forces
from a rock I was born
at the Mountain of Flowers and Fruit
I, pure energy, unrestrained
in perpetual motion

Powers? Ha! you mortals are easily impressed
by miracles and powers
aren’t you, you puny lot?

In one turn I can travel a 108 000 li
I can do numerous transformations
I can cloud travel
and my magic staff that I keep
in the size of a sewing needle when not in use
has similar powers;
and with each hair of mine
I can be an infinity of myself -
though I’ll confess
I can’t make a complete change into human
as my tail just won’t go away

So in all, great deeds I’m capable of;
and I wiped my name off the Book of Life and Death
so I am immutable -
so why am I even talking to you weaklings?
Go climb a tree, you imbeciles!
And stay up there! Don’t descend!




PART 2
The taming of Sun Wukong

And Sun Wukong flies up to the Heavenly Kingdom, styles himself “Great Sage, Equal of Heaven” and there creates tremendous Havoc and Chaos…and even the Jade Emperor, the Heavenly Emperor, has his **** kicked…and then it is that Sun Wukong comes face to face with the Buddha…*


And Sun Wukong screams at the Buddha:
“I’ll kick and I’ll blow  
And you won’t know where you’ll go”

And the Buddha says:
“And who are you?”

And Sun Wukong says:
“You probably haven’t heard of evolution
but I’m the one who went straight to the top –
I can travel anywhere quick and swift
to any part of the immense void or universe”

And the Buddha says:
“Try then and show me
you travel the universe
and back here before me”


And Sun Wukong jumps into thin air
and off he goes into deep space
and emptiness and void
but no matter how far he goes
it seems endless
and it tires Sun Wukong
and then seeing what
he thinks are the 5 pillars
at the end of the universe
he scrawls on the surface:
“Sun Wukong was here!”
And in an instant Sun Wukong is there again
right before the Buddha

And says Sun Wukong:
“See I have travelled to the
end and saw the 5 pillars
and scrawled there my name”

And the Buddha says,
holding up his right palm:
“See, all you have done
is to travel across my palm”

And Sun Wukong sees the words
he had written just before but now miniscule
And the Buddha puts a coronet round
Sun Wukong’s temple
that helps calm the Monkey Mind
that helps still the Restless Mind





NOTE: 180 000 li = 54 000 km or 33 554 ml

your eyes are pearls drawn
they sing to me from deep beneath
any semblence of light

the water glimmers gold above
like the sun has has cast its lot
and waits for judgement day.

sweet and fair we call our loves
and sweet and fair they be
but when the knotted limbs grow rough
it's the sea that waits for thee

and take your crown of stars
and see it fits your head
for when the the stars come toppling down
that's all that shall be left.

more precious to me
than all the pearls in the sea
were your teeth, laughing.

I was a cottage maiden
Hardened by sun and air
Contented with my cottage mates,
Not mindful I was fair.
Why did a great lord find me out,
And praise my flaxen hair?
Why did a great lord find me out,
To fill my heart with care?
He lured me to his palace home--
Woe's me for joy thereof--
To lead a shameless shameful life,
His plaything and his love.
He wore me like a silken knot,
He changed me like a glove;
So now I moan, an unclean thing,
Who might have been a dove.
O Lady kate, my cousin Kate,
You grew more fair than I:
He saw you at your father's gate,
Chose you, and cast me by.
He watched your steps along the lane,
Your work among the rye;
He lifted you from mean estate
To sit with him on high.
Because you were so good and pure
He bound you with his ring:
The neighbors call you good and pure,
Call me an outcast thing.
Even so I sit and howl in dust,
You sit in gold and sing:
Now which of us has tenderer heart?
You had the stronger wing.
O cousin Kate, my love was true,
Your love was writ in sand:
If he had fooled not me but you,
If you stood where I stand,
He'd not have won me with his love
Nor bought me with his land;
I would have spit into his face
And not have taken his hand.
Yet I've a gift you have not got,
And seem not like to get:
For all your clothes and wedding-ring
I've little doubt you fret.
My fair-haired son, my shame, my pride,
Cling closer, closer yet:
Your father would give his lands for one
To wear his coronet.

In praise of Eliza, Queen of the Shepherds


See where she sits upon the grassie greene,
        (O seemely sight!)
Yclad in Scarlot, like a mayden Queene,
        And ermines white:
Upon her head a Cremosin coronet
With Damaske roses and Daffadillies set:
        Bay leaves betweene,
        And primroses greene,
Embellish the sweete Violet.

Tell me, have ye seene her angelick face
        Like Phoebe fayre?
Her heavenly haveour, her princely grace,
        Can you well compare?
The Redde rose medled with the White yfere,
In either cheeke depeincten lively chere:
        Her modest eye,
        Her Majestie,
Where have you seene the like but there?

I see Calliope speede her to the place,
        Where my Goddesse shines;
And after her the other Muses trace
        With their Violines.
Bene they not Bay braunches which they do beare,
All for Elisa in her hand to weare?
        So sweetely they play,
        And sing all the way,
That it a heaven is to heare.

Lo, how finely the Graces can it foote
        To the Instrument:
They dauncen deffly, and singen soote,
        In their meriment.
Wants not a fourth Grace to make the daunce even?
Let that rowme to my Lady be yeven.
        She shal be a Grace,
        To fyll the fourth place,
And reigne with the rest in heaven.

Bring hether the Pincke and purple Cullambine,
        With Gelliflowres;
Bring Coronations, and Sops-in-wine
        Worne of Paramoures:
Strowe me the ground with Daffadowndillies,
And Cowslips, and Kingcups, and lovèd Lillies:
        The pretie Pawnce,
        And the Chevisaunce,
Shall match with the fayre flowre Delice.

Now ryse up, Elisa, deckèd as thou art
        In royall aray;
And now ye daintie Damsells may depart
        Eche one her way.
I feare I have troubled your troupes to longe:
Let dame Elisa thanke you for her song:
        And if you come hether
        When Damsines I gether,
I will part them all you among.

..."Una selva oscura."--Dante.


Awake or sleeping (for I know not which)
  I was or was not mazed within a wood
  Where every mother-bird brought up her brood
    Safe in some leafy niche
Of oak or ash, of cypress or of beech,

Of silvery aspen trembling delicately,
  Of plane or warmer-tinted sycamore,
  Of elm that dies in secret from the core,
    Of ivy weak and free,
Of pines, of all green lofty things that be.

Such birds they seemed as challenged each desire;
  Like spots of azure heaven upon the wing,
  Like downy emeralds that alight and sing,
    Like actual coals on fire,
  Like anything they seemed, and everything.

Such mirth they made, such warblings and such chat
  With tongue of music in a well-tuned beak,
  They seemed to speak more wisdom than we speak,
    To make our music flat
  And all our subtlest reasonings wild or weak.

Their meat was nought but flowers like butterflies,
  With berries coral-colored or like gold;
  Their drink was only dew, which blossoms hold
    Deep where the honey lies;
Their wings and tails were lit by sparkling eyes.

The shade wherein they revelled was a shade
  That danced and twinkled to the unseen sun;
  Branches and leaves cast shadows one by one,
    And all their shadows swayed
In breaths of air that rustled and that played.

A sound of waters neither rose nor sank,
  And spread a sense of freshness through the air;
  It seemed not here or there, but everywhere,
    As if the whole earth drank,
Root fathom deep and strawberry on its bank.

But I who saw such things as I have said,
  Was overdone with utter weariness;
  And walked in care, as one whom fears oppress
    Because above his head
Death hangs, or damage, or the dearth of bread.

Each sore defeat of my defeated life
  Faced and outfaced me in that bitter hour;
  And turned to yearning palsy all my power,
    And all my peace to strife,
Self stabbing self with keen lack-pity knife.

Sweetness of beauty moved me to despair,
  Stung me to anger by its mere content,
  Made me all lonely on that way I went,
    Piled care upon my care,
Brimmed full my cup, and stripped me empty and bare:

For all that was but showed what all was not,
  But gave clear proof of what might never be;
  Making more destitute my poverty,
    And yet more blank my lot,
  And me much sadder by its jubilee.

Therefore I sat me down: for wherefore walk?
  And closed mine eyes: for wherefore see or hear?
  Alas, I had no shutter to mine ear,
    And could not shun the talk
  Of all rejoicing creatures far or near.

Without my will I hearkened and I heard
  (Asleep or waking, for I know not which),
  Till note by note the music changed its pitch;
    Bird ceased to answer bird,
And every wind sighed softly if it stirred.

The drip of widening waters seemed to weep,
  All fountains sobbed and gurgled as they sprang,
Somewhere a cataract cried out in its leap
    Sheer down a headlong steep;
  High over all cloud-thunders gave a clang.

Such universal sound of lamentation
  I heard and felt, fain not to feel or hear;
  Nought else there seemed but anguish far and near;
    Nought else but all creation
  Moaning and groaning wrung by pain or fear,

Shuddering in the misery of its doom:
  My heart then rose a rebel against light,
  Scouring all earth and heaven and depth and height,
    Ingathering wrath and gloom,
  Ingathering wrath to wrath and night to night.

Ah me, the bitterness of such revolt,
  All impotent, all hateful, and all hate,
That kicks and breaks itself against the bolt
    Of an imprisoning fate,
  And vainly shakes, and cannot shake the gate.

Agony to agony, deep called to deep,
  Out of the deep I called of my desire;
  My strength was weakness and my heart was fire;
    Mine eyes that would not weep
Or sleep, scaled height and depth, and could not sleep;

The eyes, I mean, of my rebellious soul,
  For still my ****** eyes were closed and dark:
  A random thing I seemed without a mark,
    Racing without a goal,
  Adrift upon life's sea without an ark.

More leaden than the actual self of lead
  Outer and inner darkness weighed on me.
  The tide of anger ebbed. Then fierce and free
    Surged full above my head
  The moaning tide of helpless misery.

Why should I breathe, whose breath was but a sigh?
  Why should I live, who drew such painful breath?
Oh weary work, the unanswerable why!--
    Yet I, why should I die,
  Who had no hope in life, no hope in death?

Grasses and mosses and the fallen leaf
  Make peaceful bed for an indefinite term;
  But underneath the grass there gnaws a worm--
    Haply, there gnaws a grief--
Both, haply always; not, as now, so brief.

The pleasure I remember, it is past;
  The pain I feel is passing, passing by;
  Thus all the world is passing, and thus I:
    All things that cannot last
  Have grown familiar, and are born to die.

And being familiar, have so long been borne
  That habit trains us not to break but bend:
Mourning grows natural to us who mourn
    In foresight of an end,
  But that which ends not who shall brave or mend?

Surely the ripe fruits tremble on their bough,
  They cling and linger trembling till they drop:
I, trembling, cling to dying life; for how
    Face the perpetual Now?
  Birthless and deathless, void of start or stop,

Void of repentance, void of hope and fear,
  Of possibility, alternative,
  Of all that ever made us bear to live
    From night to morning here,
  Of promise even which has no gift to give.

The wood, and every creature of the wood,
  Seemed mourning with me in an undertone;
  Soft scattered chirpings and a windy moan,
    Trees rustling where they stood
And shivered, showed compassion for my mood.

Rage to despair; and now despair had turned
  Back to self-pity and mere weariness,
With yearnings like a smouldering fire that burned,
    And might grow more or less,
  And might die out or wax to white excess.

Without, within me, music seemed to be;
  Something not music, yet most musical,
Silence and sound in heavenly harmony;
    At length a pattering fall
Of feet, a bell, and bleatings, broke through all.

Then I looked up. The wood lay in a glow
  From golden sunset and from ruddy sky;
  The sun had stooped to earth though once so high;
    Had stooped to earth, in slow
Warm dying loveliness brought near and low.

Each water-drop made answer to the light,
  Lit up a spark and showed the sun his face;
  Soft purple shadows paved the grassy space
    And crept from height to height,
  From height to loftier height crept up apace.

While opposite the sun a gazing moon
  Put on his glory for her coronet,
Kindling her luminous coldness to its noon,
    As his great splendor set;
  One only star made up her train as yet.

Each twig was tipped with gold, each leaf was edged
  And veined with gold from the gold-flooded west;
Each mother-bird, and mate-bird, and unfledged
    Nestling, and curious nest,
  Displayed a gilded moss or beak or breast.

And filing peacefully between the trees,
  Having the moon behind them, and the sun
Full in their meek mild faces, walked at ease
    A homeward flock, at peace
  With one another and with every one.

A patriarchal ram with tinkling bell
  Led all his kin; sometimes one browsing sheep
  Hung back a moment, or one lamb would leap
    And frolic in a dell;
Yet still they kept together, journeying well,

And bleating, one or other, many or few,
  Journeying together toward the sunlit west;
  Mild face by face, and woolly breast by breast,
    Patient, sun-brightened too,
  Still journeying toward the sunset and their rest.

i bought a chevy impala station wagon
off the fire chief of hackensack
it was safety yellow and glowed in the dark
had a ball on top but the chief took it with him
still a switch for it on the dashboard
way cool
until the master cylinder snapped
on my way down a steep viaduct
with my two kids in back
no brakes all the way down
splashing into a busy intersection
at the bottom of the hill
sure wish i’d had that siren

cooler still was the car before
bought for one dollar from my uncle
who’d inherited it from his oddball best bud
a scientist/author of a popular cosmology of the universe
it was a 1973 gold dodge coronet
the name conjures ancient cop shows
a huge sporty firebreathing beast
eight mighty pistons and an oil leak
i drove it for two years
until the vital fluids gushing out like the mississippi
forced me to abandon ship

the greasy kid across the street found a buyer
we waited for him one saturday morning
around the corner sailed the identical car
same color gold, same year 1973
couldn’t have shocked me more if two statues of liberty
came crashing into each other in hudson bay
the four cuban dudes driving up were thrilled
cannibalism in their eyes
my car was stripped for parts as they disappeared

now i have a new minivan and ball-busting car payments
nobody gets cooler as they get older

Tempora labuntur, tacitisque senescimus annis,
Et fugiunt freno non remorante dies.
             Ovid, Fastorum, Lib. vi.

“O Cæsar, we who are about to die
Salute you!” was the gladiators’ cry
In the arena, standing face to face
With death and with the Roman populace.

O ye familiar scenes,—ye groves of pine,
That once were mine and are no longer mine,—
Thou river, widening through the meadows green
To the vast sea, so near and yet unseen,—
Ye halls, in whose seclusion and repose

Phantoms of fame, like exhalations, rose
And vanished,—we who are about to die,
Salute you; earth and air and sea and sky,
And the Imperial Sun that scatters down
His sovereign splendors upon grove and town.

Ye do not answer us! ye do not hear!
We are forgotten; and in your austere
And calm indifference, ye little care
Whether we come or go, or whence or where.
What passing generations fill these halls,
What passing voices echo from these walls,
Ye heed not; we are only as the blast,
A moment heard, and then forever past.

Not so the teachers who in earlier days
Led our bewildered feet through learning’s maze;
They answer us—alas! what have I said?
What greetings come there from the voiceless dead?
What salutation, welcome, or reply?
What pressure from the hands that lifeless lie?
They are no longer here; they all are gone
Into the land of shadows,—all save one.
Honor and reverence, and the good repute
That follows faithful service as its fruit,
Be unto him, whom living we salute.

The great Italian poet, when he made
His dreadful journey to the realms of shade,
Met there the old instructor of his youth,
And cried in tones of pity and of ruth:
“Oh, never from the memory of my heart

Your dear, paternal image shall depart,
Who while on earth, ere yet by death surprised,
Taught me how mortals are immortalized;
How grateful am I for that patient care
All my life long my language shall declare.”

To-day we make the poet’s words our own,
And utter them in plaintive undertone;
Nor to the living only be they said,
But to the other living called the dead,
Whose dear, paternal images appear
Not wrapped in gloom, but robed in sunshine here;
Whose simple lives, complete and without flaw,
Were part and parcel of great Nature’s law;
Who said not to their Lord, as if afraid,
“Here is thy talent in a napkin laid,”
But labored in their sphere, as men who live
In the delight that work alone can give.
Peace be to them; eternal peace and rest,
And the fulfilment of the great behest:
“Ye have been faithful over a few things,
Over ten cities shall ye reign as kings.”

And ye who fill the places we once filled,
And follow in the furrows that we tilled,
Young men, whose generous hearts are beating high,
We who are old, and are about to die,
Salute you; hail you; take your hands in ours,
And crown you with our welcome as with flowers!

How beautiful is youth! how bright it gleams
With its illusions, aspirations, dreams!
Book of Beginnings, Story without End,
Each maid a heroine, and each man a friend!
Aladdin’s Lamp, and Fortunatus’ Purse,
That holds the treasures of the universe!
All possibilities are in its hands,
No danger daunts it, and no foe withstands;
In its sublime audacity of faith,
“Be thou removed!” it to the mountain saith,
And with ambitious feet, secure and proud,
Ascends the ladder leaning on the cloud!

As ancient Priam at the Scæan gate
Sat on the walls of Troy in regal state
With the old men, too old and weak to fight,
Chirping like grasshoppers in their delight
To see the embattled hosts, with spear and shield,
Of Trojans and Achaians in the field;
So from the snowy summits of our years
We see you in the plain, as each appears,
And question of you; asking, “Who is he
That towers above the others? Which may be
Atreides, Menelaus, Odysseus,
Ajax the great, or bold Idomeneus?”

Let him not boast who puts his armor on
As he who puts it off, the battle done.
Study yourselves; and most of all note well
Wherein kind Nature meant you to excel.
Not every blossom ripens into fruit;
Minerva, the inventress of the flute,
Flung it aside, when she her face surveyed
Distorted in a fountain as she played;
The unlucky Marsyas found it, and his fate
Was one to make the bravest hesitate.

Write on your doors the saying wise and old,
“Be bold! be bold!” and everywhere, “Be bold;
Be not too bold!” Yet better the excess
Than the defect; better the more than less;
Better like Hector in the field to die,
Than like a perfumed Paris turn and fly.

And now, my classmates; ye remaining few
That number not the half of those we knew,
Ye, against whose familiar names not yet
The fatal asterisk of death is set,
Ye I salute! The horologe of Time
Strikes the half-century with a solemn chime,
And summons us together once again,
The joy of meeting not unmixed with pain.

Where are the others? Voices from the deep
Caverns of darkness answer me: “They sleep!”
I name no names; instinctively I feel
Each at some well-remembered grave will kneel,
And from the inscription wipe the weeds and moss,
For every heart best knoweth its own loss.
I see their scattered gravestones gleaming white
Through the pale dusk of the impending night;
O’er all alike the impartial sunset throws
Its golden lilies mingled with the rose;
We give to each a tender thought, and pass
Out of the graveyards with their tangled grass,
Unto these scenes frequented by our feet
When we were young, and life was fresh and sweet.

What shall I say to you? What can I say
Better than silence is? When I survey
This throng of faces turned to meet my own,
Friendly and fair, and yet to me unknown,
Transformed the very landscape seems to be;
It is the same, yet not the same to me.
So many memories crowd upon my brain,
So many ghosts are in the wooded plain,
I fain would steal away, with noiseless tread,
As from a house where some one lieth dead.
I cannot go;—I pause;—I hesitate;
My feet reluctant linger at the gate;
As one who struggles in a troubled dream
To speak and cannot, to myself I seem.

Vanish the dream! Vanish the idle fears!
Vanish the rolling mists of fifty years!
Whatever time or space may intervene,
I will not be a stranger in this scene.
Here every doubt, all indecision, ends;
Hail, my companions, comrades, classmates, friends!

Ah me! the fifty years since last we met
Seem to me fifty folios bound and set
By Time, the great transcriber, on his shelves,
Wherein are written the histories of ourselves.
What tragedies, what comedies, are there;
What joy and grief, what rapture and despair!
What chronicles of triumph and defeat,
Of struggle, and temptation, and retreat!
What records of regrets, and doubts, and fears!
What pages blotted, blistered by our tears!
What lovely landscapes on the margin shine,
What sweet, angelic faces, what divine
And holy images of love and trust,
Undimmed by age, unsoiled by damp or dust!
Whose hand shall dare to open and explore
These volumes, closed and clasped forevermore?
Not mine. With reverential feet I pass;
I hear a voice that cries, “Alas! alas!
Whatever hath been written shall remain,
Nor be erased nor written o’er again;
The unwritten only still belongs to thee:
Take heed, and ponder well what that shall be.”

As children frightened by a thunder-cloud
Are reassured if some one reads aloud
A tale of wonder, with enchantment fraught,
Or wild adventure, that diverts their thought,
Let me endeavor with a tale to chase
The gathering shadows of the time and place,
And banish what we all too deeply feel
Wholly to say, or wholly to conceal.

In mediæval Rome, I know not where,
There stood an image with its arm in air,
And on its lifted finger, shining clear,
A golden ring with the device, “Strike here!”
Greatly the people wondered, though none guessed
The meaning that these words but half expressed,
Until a learned clerk, who at noonday
With downcast eyes was passing on his way,
Paused, and observed the spot, and marked it well,
Whereon the shadow of the finger fell;
And, coming back at midnight, delved, and found
A secret stairway leading underground.
Down this he passed into a spacious hall,
Lit by a flaming jewel on the wall;
And opposite, in threatening attitude,
With bow and shaft a brazen statue stood.
Upon its forehead, like a coronet,
Were these mysterious words of menace set:
“That which I am, I am; my fatal aim
None can escape, not even yon luminous flame!”

Midway the hall was a fair table placed,
With cloth of gold, and golden cups enchased
With rubies, and the plates and knives were gold,
And gold the bread and viands manifold.
Around it, silent, motionless, and sad,
Were seated gallant knights in armor clad,
And ladies beautiful with plume and zone,
But they were stone, their hearts within were stone;
And the vast hall was filled in every part
With silent crowds, stony in face and heart.

Long at the scene, bewildered and amazed
The trembling clerk in speechless wonder gazed;
Then from the table, by his greed made bold,
He seized a goblet and a knife of gold,
And suddenly from their seats the guests upsprang,
The vaulted ceiling with loud clamors rang,
The archer sped his arrow, at their call,
Shattering the lambent jewel on the wall,
And all was dark around and overhead;—
Stark on the floor the luckless clerk lay dead!

The writer of this legend then records
Its ghostly application in these words:
The image is the Adversary old,
Whose beckoning finger points to realms of gold;
Our lusts and passions are the downward stair
That leads the soul from a diviner air;
The archer, Death; the flaming jewel, Life;
Terrestrial goods, the goblet and the knife;
The knights and ladies, all whose flesh and bone
By avarice have been hardened into stone;
The clerk, the scholar whom the love of pelf
Tempts from his books and from his nobler self.

The scholar and the world! The endless strife,
The discord in the harmonies of life!
The love of learning, the sequestered nooks,
And all the sweet serenity of books;
The market-place, the eager love of gain,
Whose aim is vanity, and whose end is pain!

But why, you ask me, should this tale be told
To men grown old, or who are growing old?
It is too late! Ah, nothing is too late
Till the tired heart shall cease to palpitate.
Cato learned Greek at eighty; Sophocles
Wrote his grand Oedipus, and Simonides
Bore off the prize of verse from his compeers,
When each had numbered more than fourscore years,
And Theophrastus, at fourscore and ten,
Had but begun his “Characters of Men.”
Chaucer, at Woodstock with the nightingales,
At sixty wrote the Canterbury Tales;
Goethe at Weimar, toiling to the last,
Completed Faust when eighty years were past.
These are indeed exceptions; but they show
How far the gulf-stream of our youth may flow
Into the arctic regions of our lives,
Where little else than life itself survives.

As the barometer foretells the storm
While still the skies are clear, the weather warm
So something in us, as old age draws near,
Betrays the pressure of the atmosphere.
The nimble mercury, ere we are aware,
Descends the elastic ladder of the air;
The telltale blood in artery and vein
Sinks from its higher levels in the brain;
Whatever poet, orator, or sage
May say of it, old age is still old age.
It is the waning, not the crescent moon;
The dusk of evening, not the blaze of noon;
It is not strength, but weakness; not desire,
But its surcease; not the fierce heat of fire,
The burning and consuming element,
But that of ashes and of embers spent,
In which some living sparks we still discern,
Enough to warm, but not enough to burn.

What then? Shall we sit idly down and say
The night hath come; it is no longer day?
The night hath not yet come; we are not quite
Cut off from labor by the failing light;
Something remains for us to do or dare;
Even the oldest tree some fruit may bear;
Not Oedipus Coloneus, or Greek Ode,
Or tales of pilgrims that one morning rode
Out of the gateway of the Tabard Inn,
But other something, would we but begin;
For age is opportunity no less
Than youth itself, though in another dress,
And as the evening twilight fades away
The sky is filled with stars, invisible by day.

In your mother's apple-orchard,
Just a year ago, last spring:
Do you remember, Yvonne!
The dear trees lavishing
Rain of their starry blossoms
To make you a coronet?
Do you ever remember, Yvonne,
As I remember yet?

In your mother's apple-orchard,
When the world was left behind:
You were shy, so shy, Yvonne!
But your eyes were calm and kind.
We spoke of the apple harvest,
When the cider press is set,
And such-like trifles, Yvonne,
That doubtless you forget.

In the still, soft Breton twilight,
We were silent; words were few,
Till your mother came out chiding,
For the grass was bright with dew:
But I know your heart was beating,
Like a fluttered, frightened dove.
Do you ever remember, Yvonne,
That first faint flush of love?

In the fulness of midsummer,
When the apple-bloom was shed,
Oh, brave was your surrender,
Though shy the words you said.
I was glad, so glad, Yvonne!
To have led you home at last;
Do you ever remember, Yvonne,
How swiftly the days passed?

In your mother's apple-orchard
It is grown too dark to stray,
There is none to chide you, Yvonne!
You are over far away.
There is dew on your grave grass, Yvonne!
But your feet it shall not wet:
No, you never remember, Yvonne!
And I shall soon forget.

How rich and pleasing thou, my Julia, art
In each thy dainty and peculiar part!
First, for thy queenship, on thy head is set
Of flowers a sweet commingled coronet:
About thy neck a carcanet is bound,
Made of the ruby, pearl and diamond:
A golden ring that shines upon thy thumb:
About thy wrist, the rich dardanium.
Between thy ******* (than down of swans more white)
There plays the sapphire with the chrysolite.
No part besides must of thyself be known,
But by the topaz, opal, calcedon.

Come, Madam, come, all rest my powers defy,
          Until I labour, I in labour lie.
     The foe oft-times having the foe in sight,
  Is tired with standing though they never fight.
Off with that girdle, like heaven's zone glistering,
        But a far fairer world encompassing.
  Unpin that spangled breastplate which you wear,
That th' eyes of busy fools may be stopped there.
     Unlace yourself, for that harmonious chime
  Tells me from you, that now 'tis your bed time.
      Off with that happy busk, which I envy,
  That still can be, and still can stand so nigh.
Your gown going off, such beauteous state reveals,
As when from flowery meads th' hill's shadow steals.
        Off with that wiry coronet and show
      The hairy diadem which on you doth grow;
  Now off with those shoes, and then safely tread
   In this love's hallowed temple, this soft bed.
   In such white robes heaven's angels used to be
   Received by men; thou angel bring'st with thee
    A heaven like Mahomet's paradise; and though
     Ill spirits walk in white, we easily know
     By this these angels from an evil sprite,
Those set our hairs, but these our flesh upright.
      License my roving hands, and let them go
       Before, behind, between, above, below.
          O my America, my new found land,
  My kingdom, safeliest when with one man manned,
       My mine of precious stones, my empery,
     How blessed am I in this discovering thee!
      To enter in these bonds, is to be free;
    Then where my hand is set, my seal shall be.
      Full nakedness, all joys are due to thee
    As souls unbodied, bodies unclothed must be,
   To taste whole joys. Gems which you women use
   Are like Atlanta's *****, cast in men's views,
     That when a fool's eye lighteth on a gem,
    His earthly soul may covet theirs, not them.
  Like pictures, or like books' gay coverings made
      For laymen, are all women thus arrayed;
     Themselves are mystic books, which only we
       Whom their imputed grace will dignify
     Must see revealed. Then since I may know,
        As liberally, as to a midwife, show
  Thyself: cast all, yea, this white linen hence,
      Here is no penance, much less innocence.
     To teach thee, I am naked first, why then
  What needst thou have more covering than a man.

73

Who never lost, are unprepared
A Coronet to find!
Who never thirsted
Flagons, and Cooling Tamarind!

Who never climbed the weary league—
Can such a foot explore
The purple territories
On Pizarro’s shore?

How many Legions overcome—
The Emperor will say?
How many Colors taken
On Revolution Day?

How many Bullets bearest?
Hast Thou the Royal scar?
Angels! Write “Promoted”
On this Soldier’s brow!

You are a tulip seen to-day,
But, dearest, of so short a stay
That where you grew scarce man can say.

You are a lovely July-flower,
Yet one rude wind or ruffling shower
Will force you hence, and in an hour.

You are a sparkling rose i’ th’ bud,
Yet lost ere that chaste flesh and blood
Can show where you or grew or stood.

You are a full-spread, fair-set vine,
And can with tendrils love entwine,
Yet dried ere you distil your wine.

You are like balm enclosèd well
In amber or some crystal shell,
Yet lost ere you transfuse your smell.

You are a dainty violet,
Yet wither’d ere you can be set
Within the ******’s coronet.

You are the queen all flowers among;
But die you must, fair maid, ere long,
As he, the maker of this song.

The air I breathe,
Which gasps and sighs;
My journey of choice guided
All its winds and there were
The words my soul had yet
To Melody.

Along the sky, next to
The petals stolen and the birds
Feathery flight there was an Angel
Sobbing in blue and whose tears
When hit on ground did stroke alive
Many a lily white bloom.

And the air I breathed
Caught the Daughters of God
In mid flight and split the tongue
Into words for  Poet Saint to verse
The world in birth of inklings.

Near a sonnet yet born
A coronet of masks lay drawn
Upon the faces of nymphs I saw
The fiery lust behind open waters
Chanting to sailors revealing their
Naked spirits and seducing in words
That seemed a song from some
Romantic whale.

In the orchestra of stars,
Breathing in constellations up
Upon a pedestaled Word,
The sumptuous flows of winged words
Played like sweet violins and the chorus
Was mine to orchestrate,
Both slow and methodical,
Paced and volatile.

And I breathe,
The breath of lovers like a steed
And a mare upon whose back
Sits Eros shooting arrows into
My very soul romantically evoking
The man in me who believes
In the songs of love,
A woman whom sings them aloud
And along the moist of her lips
Sits the poem I have yet
To write.

Oh deep is the breath,
The Lovers combine in perverse
Yet controlled light,
The naked souls are entwined
In a living light of crystalline
Bodies mankind deep passionate
Starry eyed poetry.

Ah the winds that be life!
Times of sorrow that fill the void
Like restless cries of a motherless
Child, and a walk among the tombstones
Brings about the rage of death,
Both tranquil and terrifying,
These words are they that bleed.

I breathe the words in open air,
The Shepard winds upon
My ink, the poem dances light
And lovely adorned with sighs
And sorrows, would bes and regrets,
The tender ferocity of the winds.

"I wanna be best
Like no one ever was"
These words bring back
Memories of times long gone

"I travel across the land
Searching far and wide"
Whenever i feel down and out
I enter the escapist paradise

"I choose you"said Ash Ketchum
It flashed on the television screen
Now so many years have gone by
But the nostalgia doesn't leave

Walking on Mt. Coronet
As I traverse space and time
"Too much water"
Maybe but that's where Hoenn shines

Whenever the world outside
Brings the news of gloom
I go to Pallet town
And start a new journey from my room

Life is not black N white
When necrozma covers the sun and moon
On my Volcorona I ride
Through johto in search of suicune

I lose myself in Lumiose
The city of dazzling gleam
You are my sword ,my shield
And they say ,"just a fictitious being"

It maybe a children's game
But everyone's got a little child
Inside of them.Just a bunch of pixels but
They transport me to a simpler time

Just for a moment there
All the wrongs of the world disappear
In the Pokemon world I lose myself
Been lost for so many years

"You teach me
I teach you"
It's much more than an yellow rodent to me
"I choose you"
Pokemon

The window was open in the dream
In the house I built from all the perfect sentences
The things more worthy to worship
Than clothesline windstorms and
Curtain-rod jousts between
Closet clowns and the nights they hid from.
These stolen wings are an easy veil to wear.
Would you believe me if I told you I had seen a unicorn?


I left a prayer in the south of France
In a church I called upon to swallow a sinner
I went back for it
The day when forgiveness meant
Switching the soles of my boots and body
the room was filled with every person I ever wanted to meet
I pulled a snake out of my throat and let it slither down the aisle
This was never a confession


My father was a carpenter
He built pews for a chapel he could not enter
I can count the fingers on his right hand
With the fingers on my left
The aurora borealis in my leftover love said
“You were Marcel Ayme the day we decided
That he was better at beginnings than at endings”


Rachel took a rosary to her wrist
I caught her blood because my heart couldn’t pump fast enough
To satisfy the ones asking
We cannot be tied to this desert
I’m getting slow motion sickness on the speed train to someday
Somewhere along the way we stopped shoveling coal into these engines
Started using the bodies people left along the tracks
“it’s okay,” they say,
“We’re recycling.”


A Panamanian child born on neither side of the canal
Wants this holiday hate crime
To be something other than a compass rose riddle
I need a weather balloon catapult to launch my words into orbit
So they can work weightlessness to their advantage
There were never enough chairs.
Every person at the table sat alone.

This forced perspective spills arrows from my coronet
All the things meant to ornament justified distaste
Is the sky any more magnificent when you have a God to shove inside it?
Is the sea any more deep?
Is this body any more powerful if I believe it was made in the image of someone greater?
I can see so much more with my eyes open
My hands are open on every rooftop
I can catch every raindrop


This story is a work in progress
Someday this patchwork of scattered significance
Will become subject to the needle of retrospect
But for the moment I can but introspect
On a night that belongs to the words I cannot say
And to the person I cannot say them to.
I never again thought I would breathe golden.
Teach me to make blue of enslaved fortune.


Teach me how to cry in a world that will not feast upon my insecurity
I am learning to trust though I see only the shadow of the moon.
I am learning not to hate this inherited flesh
The unwoven threads that fail to shelter these shoulders
The guilt in my gait that I cannot seem to shake
The unwanted wit that tears at the seams of sobriety.
It’s amazing how many words you wrote in my genetic code that can carry just four letters.
I was never brave enough to break.
I have no merit for mercy

When darkness whispers in your ear
Songs of death throughout the years
When you stand among the graves
Of vanished friends and summer days
When it takes you by the hand
And leads you to an ash-scoured land
And gently, with a seductive smile
Hands you a knife, wreathed in its guile
Wraps your fingers around its hilt
Sweetly drains away your guilt
Pause, dear friend, and think on this
Where was it that you went amiss?

I have been lost, I walk alone
Condemned by some veiled Heaven's throne
But I am a living mortal yet
I have refused the gods' coronet
I could claim to rule my death and life
Drive deep the bright and shining knife
But I scorn that Throne and Crown
God can keep his pride -- I am my own.

Have you ever stood,
craning your neck to look up into the canopy
of the ancient kauri, Tane Mahuta,
while peace and birdsong permeate your soul?

Have you ever felt
the crusty spray and the satanic whiff
as the Pohutu geyser shoots aloft
while a dozen languages bubble through te reo?

Have you ever shivered
in the receding darkness,
standing in the china-white sand as you waited
for the first sunrise over Makorori Beach?

Have you ever sat
on the summit of Mt Taranaki
and eaten a well-deserved sandwich
while cows grazed far below on the lush, volcanic-rich pasture?

Have you ever experienced
that mixture of fear and awe
as an orca’s dorsal breached beside your too-fragile kayak
in the shining waters of the Abel Tasman?

Have you ever paused
atop a ski run on Coronet Peak
and reflected on the reflections
of sunlight dancing on snow and water?

Have you ever felt sorry
for tourism chiefs and advertising creatives
trapped in offices in the Auckland CBD
dreaming up “100% Pure” and “Clean and Green”?

i think you liked the way
my coronet of flowers was
tilted when i reached the
bottom of your black stone stairs
i think you liked the way i
placed the pomegranate seeds
one
by
one
onto my tongue and whispered
"don't tell my mother"
and i think you liked the way
i walked right up to you
as though you weren't a demon
but a fallen angels wanting to be loved
i smiled
and when you said my name...
that was the beginning and end
of everything

Standing straight in the swirling straits,
A bridge - now outdated - whose chains bear great weight and history,
Bejewelled with diamond raindrops that glisten in the winter sun,
Lending the old bridge the look of a semi-submerged crown.

This bridge is a source of pride to the islanders,
Many stories are told of it,
Some are true and some are legend,
But one tale lies inbetween:
That of a giant King chased from the island.
Forced to leap across the boiling straits,
Barely making landfall,
Falling backwards as he did so,
Watching in horror as his crown tumbled to the ground,
Falling into the grey waters.

Many years went by,
And modern ways demanded a bridge.
As foundations were laid a discovery made!
Upon the shore, deep in ancient mud,
Poked out a colossal rusting iron crown,
News broke!
Everyone spoke!
The story was true!
A giant King had once ruled!
So, in honour of this ancient King,
The design was amended to honour this crown,
And that is why this bridge, in profile,
Resembles the ancient coronet,
Found on the shore of the waters that the Romans failed to cross.
Of course, naysayers claim there was no crown,
Merely publicity seekers who found an old iron fence,
And who contrived a tale with willing locals.
Whichever is true,
The bridge is part of a glorious view,
And stories abound of its construction,
Like the man who walked the length of the chain,
Stopping halfway to take in the view whilst making a shoe!
Or of the maiden who swore that all who crossed would suffer a loss,
As great as they could ever imagine.

This bridge, whose beauty is unsurpassed,
Is now part of a glorious past of truths, lies and legends.
But forever it will stand,
And many more stories it shall inspire,
For it no longer simply links lands,
But now links truth and myth...
Am byth.

‘What will you buy when Christmas comes
To show me your love, dear heart?
Will you fill my bower with fruit and flowers
To enjoy while we’re apart?
Will you buy the things that you promised me,
Like a bangle for my wrist,
Or a diamond, topaz, sapphire ring,
Or a giant amethyst?’

He stood, head down and he held her hand
As she lay so pale in the bed,
He didn’t tell her his job was lost
Or what his employer said.
There were charges he would have to face
That would fill her heart with gloom,
That by Christmas Day he would be away
And not be returning soon.

‘I’d rather give you the crescent Moon
As a coronet, dear Tess,
And pluck the stars from the Milky Way
As sequins for your dress,
Then call on the Charioteer, my dear
For your transport to the heights,
Where the gods will fall on their knees to bless
This glimpse of paradise.’

She smiled, then faded away to sleep
And dream of a ghostly tower,
Where her prince stood long at the battlements
At the height of a fateful hour,
An army lay in the fields about
In a siege for her, no less,
‘We’ve come for the Queen of Golders Green,
And we won’t leave without Tess!’

While he sat bowed in a lonely cell
And wept at his sense of loss,
He’d only needed another month
And the price would be worth the cost,
He’d not be there when she needed him
As she glided out through the door,
The Judge fixed him with a puzzled eye,
‘Just who was the coffin for?’

On Christmas Eve she awoke before
Her heart pit-pattered and stopped,
Her fading eyes had looked to the door
Along with her hopes, they dropped.
But in her hair was a crescent Moon
And stars were all over her dress,
While a Charioteer came into the room,
‘I’ve a chariot here, for Tess!’

David Lewis Paget

w

          w


                        white is girl talk

                        


                                                              ­   l

                                                        ol

  ­                                       vol


                      evol


levol

ylevol

teeth opalescent silky















                                            ­                                             it's big


















or small

immediately after






rainsomesummer
wetly (whose shoulders are star struck shining
             manifold upon manifold of dewy ******
             shakes
             a
             nExact
             excellence of pearls straightly
             more fragile than
             the bulb of a wilting flower is fragile
             but whose body is strong beneath it
             tall with muscles
             and wears laughter like a coronet of thorns)


                        emerging
                                           timidly
                                                        d­estroys
                                                         ­              by
                                                              ­             velveteen
                                                       ­                         breath
                                 ­                                                 the tightness
                                                       ­                            of closing eyes











L





































LO







­
















































LOV












­
































































­




LOVE

Temptation came and grabbed me,
Cherry dress,
Of deep red mess,
Spiked coronet around her head,

Madam love hugs held me,
So fake in his disguise,
Played with powerful poetess from dreams,
And once again she screams,

Leave in ignorance,
Total ignorance,
I bleed indeed!
In an honesty of long past lies,

Voraciously he held me,
All to sate his need,
He doesn't want to know me,
And he hates all poetry,

Where I write,
I find true friends,
May not know most really,
Probably never will,

What we see is what we get,
In game, set and match,
Where from my brain and pen alike,
More poetry I hatch!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)

Assiduous aster couple
Defendant's of moral code,
Picking plenty of garden truffel's
Elation of electrology gonidium grove

Flex branches
Flexed to granial proportion,
Mad hatter like parkway's
No psychedelic distortion

All is real here
Tis the Jasmine's are kept in Jardiniere's
Kaddish shalt be spoken in different language
Blessed holy every seven years

No keno like chances
All is predetermined fate,
Candles on ourn table
Lap-robes to fit ourn date

A dame to all remission
Whilst Damiana to lax ourn sense
Chocolate bag's of smothered kisses
Ourn bodies to eachother to taste as mints

We shalt leave the world on doorstep
Coronet's upon ourn domes
Coroniform shapely spirit's
Corposants of ourn own ghost

Correlation of childer childe
Chimeres to glaze ourn agile
Fragile as pottery
Ourn story is painted upon!!!!

Resting Friendship!

Silver armour,
Please protect the heart that can not die.
Angel wings.
Cosseted the lady fair,
Beautiful mind, already died.
Coronet of filigree.
Rests upon sweet ladies hair.

She lays in rest.
Always best.
The lady cared.
She dared to care.

Lady destroyed.
Oh lady sweet.
Rest in peace.
Sleep deeply.
Til sunshine dies in rain.

Glass casket.
Pray smash it not.
Lacking air protects her lips.
No ageing.
Cold skin.
Encased in scarlet velvet.

Please keep her heart safe within.
Protect her from evil.
Save her from mortal sin.
Because you can.
For you are not a mortal man.

When after the war,
Together they died.
Together the fallen.
The battered and torn.
Fallen heroes warred with scorn.
Let the scorn be gone.
Enemies no longer sworn!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)

Don't awaken me to my failures
for they're my most dependable friends.
They never forsake me;
my baneful lovers until the end.

They're the sun that blinds me as it hovers
and abandons me in the twilight.
Why is it that the sun will always go down on me
but you never will anymore?

This is my ode to severence
so severe that I will bleed out
if you extract yourself from my chest.
So sleep there and keep me arduously alive.

I've been to every surgeon of a lover that loves to cut,
and none of them can fix this breach in me.
So I stuff it with rambunctuous patterns and accessories.
I wanted you to be a ravishing accessory for me,
but you're only an accessory to my spirit's assassination.

The coronet of my history still carves a hole in my brain.
With this hole in my chest
and this hole in my brain,
I feel eternally chained to the pain.

It's as if you pierce me just to see if I still can feel.
I can tell you without proof that it's the only thing that's real.

So now my molten emotions have erupted;
evanescing everyone I know away.
I'm lava that not a soul can caress.
It's not a fun game anymore.
I don't want to play anymore.

Tired of feeling like I'm ******* deranged.
They used to cheer my name,
now they whisper it,
as if my maudlin disease is contagious.

I wish I was the hero of my own epic,
but I was drafted into a tragedy
patiently awaiting my somber ending
that seems to never want to visit me.

What forlorn nights this lonesome poetry begets.
My voice, attuned to solitude, sings a desolate duet.
The only voice that answers mine is baritone regret;
and yet
I wear my words upon my head: a gaudy coronet.

LOVE AND PAIN (PART 2)

He crept tentatively up to the casket of glass,
levered up the fragile lid and peered right inside.
As in all the very best fairy tales,
He woke her with a kiss.
he stroked her face and kissed her hard.
but she was fast asleep.

He was just about to walk away,
when her little voice was heard to say.
what's going on,
I was asleep,
for you my eyes no longer weep.

He clutched a box within his mitts,
The box contained a precious gift,
A platinum ring with a precious stone,
meant for the one he called his own.
A perfect compliment to her coronet.

I came back for you my lady, said he,
Please my darling,
set me free,
come along and be with me.

Up she struggles,
with a sleep deprived smile,
yes my lord,
it's been a while.

Wandered off hand it in hand,
this time it was beneath the moon.
He once more bought her lovely flowers,
Cauliflowers,
cabbages and runner beans,
He was hungry,
loved his greens,
and somewhat ****** magazines.

His lady was his servile *****,
when chained up by the kitchen sink,
my goodness gracious me,
his truly romantic gestures really made you think!
(c) Livvi

She swore she saw an angel today.
With flowing hair in falling curls.
Of strawberry blonde,
Kiss curls hugged her face.
She wore a coronet made of twisted flowers of red and yellow, laced amid bright greenery.
Her dress was coloured ivory.
Round her waist she wore a belt of rolled gold.
From her belt hung silver bells.
Bells rang out announcing her arrival.
She took her hand.
Said to her in a voice no louder than a whisper.
Mistakes we make.
But, tis decreed on sorrow thy shall no longer feed.
Arise lady be strong.
Wash away thy torment, pray let it be gone.
The angel swore unto her.
To err is but a human trait.
Worry not woman.
Throw your troubles to the wind.
Place them in a silk purse.
Let them be carried away on the wings of a swan.
A few deep breaths.
Furrowed thoughts.
Remedial actions.
Solutions sought.
By way of a prayer to the angel with the long strawberry blonde flowing hair.
(c) Livvi MMXV

I eat my corn dog
ketchup on my chin,
and the frogs croak,
while the crickets chirp,
warm air pressing gently on my skin.

A cool breeze tugs my shirt,
carrying a faint smell of cinnamon.

The cries and laughs of children
heard vaguely in the distance.

The birds' singing dies down
as the sun begins to set,
resting for another round,
as it hides its gilded coronet.

Yet the lights of the carnival
reflect like little stars
on the pond's surface,
dainty and novel,
shining without a purpose.

Just for that moment
I am unable to move,
for the night air takes my breath
and my body the darkness soothes,
so that all my pain melts away
as does this passing day,
and I let go of my regret.

I stop pondering whether I'm still sane,
for this moment I wish to remain
petrified like a Vesuvian
and all my worries, I soon forget.

And in those delicate seconds of clarity,
I feel like I truly understand
the meaning of my humanity,
of this abstraction that I perceive as actuality
what it is I really demand.

Everything in harmony
brimming with lucidity;
in utter awe of life,
constant serendipity.

.                                                     I
                                                     at
                                                    The
                                                   sharpest
                                                  new
                                                     clean
                                                 blade
                                                of
                                                    dawn
                                               which performs
                                              the colour
                                             of life
                                                        in
                                           A curving sheet
                                          of condensed
                                         flowers
                                                      am lifted
                                        impractically
                                       petal
                                      upon petal
                                                to
                                    the breathless coronet
                                                     of
                                  unspeakable
                                 love

To His Mistress Going to Bed**

Come, Madam, come, all rest my powers defy,
Until I labour, I in labour lie.
The foe oft-times having the foe in sight,
Is tir’d with standing though he never fight.
Off with that girdle, like heaven’s Zone glistering,
But a far fairer world encompassing.
Unpin that spangled breastplate which you wear,
That th’eyes of busy fools may be stopped there.
Unlace yourself, for that harmonious chime,
Tells me from you, that now it is bed time.
Off with that happy busk, which I envy,
That still can be, and still can stand so nigh.
Your gown going off, such beauteous state reveals,
As when from flowery meads th’hill’s shadow steals.
Off with that wiry Coronet and shew  
The hairy Diadem which on you doth grow:
Now off with those shoes, and then safely tread
In this love’s hallow’d temple, this soft bed.
In such white robes, heaven’s Angels used to be
Received by men; Thou Angel bringst with thee
A heaven like Mahomet’s Paradise; and though
Ill spirits walk in white, we easily know,
By this these Angels from an evil sprite,
Those set our hairs, but these our flesh upright.
    Licence my roving hands, and let them go,  
Before, behind, between, above, below.
O my America! my new-found-land,
My kingdom, safeliest when with one man mann’d,
My Mine of precious stones, My Empirie,
How blest am I in this discovering thee!
To enter in these bonds, is to be free;
Then where my hand is set, my seal shall be.
    Full nakedness! All joys are due to thee,
As souls unbodied, bodies uncloth’d must be,
To taste whole joys. Gems which you women use
Are like Atlanta’s *****, cast in men’s views,
That when a fool’s eye lighteth on a Gem,
His earthly soul may covet theirs, not them.
Like pictures, or like books’ gay coverings made
For lay-men, are all women thus array’d;
Themselves are mystic books, which only we  
(Whom their imputed grace will dignify)
Must see reveal’d. Then since that I may know;
As liberally, as to a Midwife, shew
Thy self: cast all, yea, this white linen hence,
There is no penance due to innocence.
    To teach thee, I am naked first; why then
What needst thou have more covering than a man.

As a rose catching sunlight.
Peachy petals run with veins of sweet cerise.
A coronet of flora, held fast with grips to beat the wind.
Hair glowing blonde, eternally growing.
She's sleeping silently.
She faced last season, laying tight through winter snows  
Beside her glassy casket, be placed a wicker basket, holding nothing but a missive destined for her long time lover.
Her prince would come, she knew he would.
Long time dead.
Visage of crystal sheen.

Her prince he wants to hold her close.
She the nearest to perfection.
Much too late to face rejection.
Longing to wait and watch her rest.

Sunlight catches the claret in his glass.
Feeds her face with colour.
Her cheeks begin to glow.

Winter left, the thaw began.
Lips bitten by the winter's chill, touched at last by lover's thrill.
Eyes developed springtime spark.

From his eyes, he wiped the tears and sighed.

Walked away, his chin between his heart shaped hands.
Heard a minute whimper, which soon became a sigh.
The sound of crying snatched his ears.

Her Lord.
He lifted the lid of her fragile coffin.
She sat up and smiled.
Looked into his eyes.
Unfurled her wings and left for the skies.
Ascended to Heaven.
Their final chance to say their goodbyes.
(c) Livvi

He made love to her in flower beds.
Below the midday sun.
He plucked her, gave her roses.
He gave them with his heart.

He drugged her up with sweetness,
and in glass casket placed her,
Like him,
the casket,
the casket sang,
upon the stroke of tuning fork.

He laid her on a mattress of of pure feather down,
So she should be rested, should he e'er pass by again
He crowned her head with platinum,
Before he left he told her that,
Much too precious was she,
to wear a coronet of gold.

He mouthed the words I love you,
before he said goodbye.
Never turning back again,
to see the tears falling from her eyes.
Perhaps he didn't want to,
For he too had cried the world.
(C) Livvi

Silent graveyard.
Grass untended by the keeper.
Standing there
At the end of the six foot run.
See her crying.
Whatever the weather.
Always there.
Sense her smile.
She's was the chosen one
Young attentive woman.
Was once forever.
Now she's gone.
Ancient vase brimming with sun blanched paper flowers.
She wears a hat.
It's pink,
Faded with a garland of flowers ringing, it's skull.
Almost a summer coronet.
She sits now.
Legs crossed, she's musing.
The pen of the phantom.
Her image presented.
In mystical words.
Sometimes in pictures.
The woman is in a world of her own.
Her pen plays in time, with the motivation of the clock hands.
Turning slowly.
Each minute she watches.
Watching for the movement.
Unheard, save the quarterly chimes.
Darkness descends.
The ghost writer twists her pencil around on a whet stone.
Tomorrow shall surely come
She shall write some more.
Now the clock dictates,
Time for her to visit her cold night casket.
To wait for tomorrow's quaint wicker basket.
She knows it's coming.
She can rest in peace anticipating.
The visitor stands.
She's deep in thought.
Leaves behind a present she bought.
Brought grandma a case of colours.
Pencils, pens and ink.
Pretty pictures.
Wonderful words.
It helps her to grieve.
Finding the words her dear Nanny did leave.
Missives from a heart of gold.
(c)Livvi

hang me a poem through the mouth of night the slender smolder of cold
imprecise light that it might build into a thin strip of almost bursting
  intense colour(purpleandred). it might suddenly stagger up the
   common heap of sky--through the cheeks of white neatness--
    the blithe cursor of brutal dawn, spilling with such brinding
     creepness of light the thighs of earth full of lancing steepness
      all the wriggling of life shall commence with body lathered
       of youth in stupid love of dumb *** there will a coronet
        of hot dew wreath the pistils of flowers and the dirt
         will speak the rich secret of life in colours innumerable;
          the bending of words upon always quiet paper
           cannot meet with them the fullness of their
            drooping incantation(and lips cannot
             say with always talking mouths
              how deftly the primness
               of their serene
                majesty
                 is,

                  '

                        ,


             '

                                ,




    '





                                                           ,

Wicked steel, green and deadly,
Chimed with disturbing rhythm,
John couldn't hear his thoughts, nor call upon song to aid him.
His voice was gone.
The other six performers stopped to witness a girl untouched by injury,
Emerge from the ruins of Toblin's carriage,
Seemingly unaware of the skirmish taking place,
Before her innocent, entitled eyes hidden behind a veil of lace held in place,
By a royal black coronet.