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beth winters Jan 2011
the expectation of sanity
as you emerge from a nine-month womb
is commercialised.
a waving sensation of breathing
overtakes instinct-driven lungs
and that is when your humanity begins to dissipate.

do your invisible friends get recycled
when you decide that society is more
important than imagination?

if we're all hiding something,
why hide?


-


people are entirely too polite
when you sing loudly in their inane
faces. sometimes expression
is the best way to get ignored.


-


stuffing cotton and paper
down your throat, does not,
in fact, shut down your emotions.

shrugging off your body,
in an attempt to be god-like,
even subconsciously,
is human.
JAATC Oct 2020
Im tryna
Build a house of gold
But its a straw world, where dey
Freely give diseases and sell antidotes
World, INC.
Commercialised population control
No sovereign man, no sovereign state
Big Bank make the rules
The police are corporate agents
And prisons are big business
Under a government
That's been bankrupt for a century
My straw man is a Trust,
"MY NAME" in all caps on a certificate
As a Citizen
My assets, labour, and energy
Was promised as commerce to back this fictional entity
The fight is perpetual as long as we concede with this system
Really,
Is suicide escape or submission?
Wana vow to my people
To be there when they awake but its hopeless
*** in the near and distant future
I can see no changes
Fake smiles as a hypocrite
And all I can do is injustice
As long as I accept it
Is Man the peak of expression,
And is samsara his polarity?
In a non-meta way I aint happy
Lucky Queue Jan 2013
Lies are lullabies
Sweet songs that we sing
To ourselves and to others
Trying to convince ourselves
That something isn't our fault
That our world is more utopian than
Reality allows for
We tell ourselves that
It's better to live a lie
Than face the harsh world
Without our emerald glasses
Or maybe everything we believe
In is a lie*
The faerie tales have even been
Changed to suit our own needs
Pretty ballgowns and sparkling glass shoes
Forget the truths of rags, dirt, blood and filth
The romance still remains
But the glamorous side is tougher
More truthful, less plastic
The grime and dirt gives the story life
These Disney-fied, prettied up stories
Are just machine made, molded
Plastic. Commercialised. Dead.
And they spell faerie wrong too
Wrote this a couple weeks ago, thanks to star and nick for the inspiration :)
Tamara Fraser Sep 2016
Who do I give my love to?
Can I return home? To something
lost, found, lost.
Myself, the barren cage,
Do you ever stop and breathe
in where I place your love
now?

Now. *** is so commercialised, objectified, underrated and understated;
fearful and lust-driven;
you want me to give it
to you so badly ,
I don’t even get to quote
‘we made love’
anymore.

Being close with you has taken on
the same meaning
as talking
on the phone
with you for an hour.
The ancient town of Glastonbury stands proud
known for its famous Tor.
And leylines that converge in fertile earth
surrounded by human history.
Mystical, today commercialised they flock
soaking up power and to rock.

As this isolated Somerset town is engaging
colourful characters thrive.
Bringing the past and its history to life
as Pagan and Christian mingles.
Once an island surrounded by marshland
an aura of magic is at hand.

Here there's a sense of timeless wonder!

The Foureyed Poet.
Just a glimpse at an ancient town within the Somerset countryside. Glastonbury! The Foureyed
Poet
Gabriel Jan 2022
sometimes, i look at dainty strong marble effigies
of the ****** mary holding her birth-bloodied son
and wonder if some loves aren't meant for everyone.

chastity-locked inside my heart, there's a woman
who wears long sundresses and lives in the little mac and cheese potluck moments;
she prays her rosary and feels the warm arms
of her traditional husband who loves her as a duty.

as for jesus, well, he's a cheap plastic figurine
she bought from ebay and stuck on the dashboard of her car;
the heat melted his feet in a crucifixion of 2020
but he still stands, wobbly and shaky and commercialised.
when she travels, she prays to him for safety.

(she doesn't travel a lot. she's happy to be stagnant and pray for still waters every morning.)

who cares about my heart, though?
who loves unconditionally and always,
and sees through the rips of cartilage and crushed aorta -
who will look and look and look
and see me? sorry, see me? sorry, see me out.

sometimes, i want to be a child again;
cradled in my mother's arms. sometimes,
i want to no longer put my dreams on hold.
sometimes, i want the world to look at me and say
"hey, pontius pilate, there's another one for martyrdom."
something something catholic guilt and childhood dreams of fame
L H R Jan 2012
It may be established,
as dull as the Amish
even nightmarish
but I want to publish.

It never seems boarish
The reading is moreish
in fact it, I would relish
the contracts most hellish.

I have just one wish,
and that is to publish
music to nourish
talent to astonish
and help it to flourish
and try to abolish
the commercialised anguish
The ancient town of Glastonbury stands proud
known for its famous tor.
And ley lines that converge in fertile earth
surrounded by human history.
Mystical today commercialised they flock
soaking up power and to rock.

As this isolated Somerset town is engaging
colourful characters thrive.
Bringing the past and its history to life
as Pagans and Christians mingle.
Once an island surrounded by marshland
an aura of magic is at hand.

Here there's a sense of timeless wonder!

The Foureyed Poet.
A visit to the ancient town of Glastonbury leaves its mark in your thoughts. The Foureyed Poet.
A C Leuavacant Sep 2014
Those frowned upon days would leave you unaware of us
Us
I think that if it hadn't been for the hustle and bustle of Saturday you would still be blindly stumbling around me
And part of me still longs for that day
You handing me a clay bowl you had crafted specially for me
And I returning the favour by swearing the gesture would stay  in my heart forever
I still remember the feel of the hard clay on my brittle fingers
Clay of gods
The clay of the unsilenced man who climbs through the bathroom window to feast on the partially digested moonlight
That was us

I remember that day so well
eighty seven green leeks sitting on the windowsill
The ever changing planet earth
That is where Saturday and I waited
We we're both awake
Awake
But thoroughly unsatisfied
Me and my grandfather
We sat in the old field that we had finally forgiven
eating partially grown corn
Full on the cob
But we would not eat it to the core
For we were starving ourselves for evening supper
Which meant Aunty Mason's famous Shepard's pie
And the two of us sitting beside each other was enough
For me and my grandfather had an unspoken bond
We were each other

These were the days, might I add
Before spaceships and the commercialised automobile
When a lazy Saturday would be enough to fill our hearts with bliss
And keep us going through the week
Enough to last the millennium
And Each single drop of ale we drank that day
Would echo through our bodies that night
And I would still cry
About love dismissed from myself
Which was, of course
No big deal to the watching eye
Not even a speck of light on a foggy night
And They say to us that remaining sane is like elephant tusks
Fierce and piercing
we would cling to that idea like nothing else mattered
And To be with you
Recreating old memories
Not thinking of meanings
Meant the world to me

And there I was with my grandfather
But years ahead he had died
And I had replaced him with those good memories in that corn field
I wish the same could be said for others
The ones who I had sworn not to mention again
Is it me creating this barrier?
Is it the same one as you made with that clay bowl that day?
Am I a mongrel, bison or bear?
A monster or a demon?
To shred up those memories
Those seven neatly wrapped parcels you sent to my office in London
Each containing another clay bowl
That was enough
That was enough
Being back in your loop was too much of a sin
An attempt to pierce my own armour
Which I had sworn on the overcast morning of my grandfather's funeral
I would avoid doing at all costs

And You were done and over
The pinnacle of my sad memories
How could I even think to look back?
And I was older now
At least to you I was
Then there was that strange third fold
The thought that you were still following my adventures
I began to think that another day alive
Would be enough to confuse you
To lead you away
But each stigma you had wrote was still attached to me
Weighing me down
I began to loose the desire to leave where I was

To the rest of them I was still nobody
A manager of head office
with lots of clay bowls on his desk
Not somebody to love
Love was for people who tried
I had given up trying years ago
In a bar in New York
under red coloured lights
Have I asked myself why?
Of course I have
But with each answer
forty one more question are born
God was playing a practical joke on me
And with the end result
The close of this chronicle
Ended me
For my last bud had blown
And my last hair had turned white
Yes
That was me, all in all
Something different.
An entirely fictional account of a fictional life.
I have no idea how I feel about it, it just kind if fell out of my head onto paper.
Comments appreciated!
ciannie Sep 2015
-and we were sat
in front of the sea
illuminated in moony streetlights
watching the silver worm of the swashing waves
inky black except for that contact

and across the water
distant lights shone, red, yellow, white
fast food commercialised with the big yellow M
sitting in our laps
the night cold, and we two shivering
although we both refuse to be warmed by the other's coat

and our song plays
and I look to you
sat by me on the cold bench
you, physical, mass, warm and breathing
you existing
and the song carries on

our mistakes, they were bound to be made,
but I promise you I'll keep you safe

and I do promise
because you are there
breathing next to me
and you exist
and that's all I need
poem from a memory of mine, a very treasured one too
Mims Feb 2019
Suger kisses
Silly crushes
Candy hearts ask
"Will you be mine?"
Wandering eyes
A glance at her thighs
Thorns on the roses in the bouquet you bought yesterday
Two things that can pierce
And in between
Two things that bleed
Heart shaped cardboard boxes
Filled with chocolate
And caramel
Walking through target
Commercialised, consumerisim
And everyone likes talking about how
This holiday is what it is for more sales
Than romance
And its true
Sugar hearts do not equal ancient love
But we love to spend
Money and time
On someone we love
Or someone we are saying sorry to
Maybe its the same one
Humans are so cute
Making cards
Red and pink
And surprising with favorited
Chocolate things
But today is take out
The girl your 'one true' doesn't know about
Or maybe they do
But choose not to mention it
Because maybe they
Really

Love,

You.

Lacy black things
Long receipts
Long nights
Not at the office
Where you claim to be
Let me ask you
Were the flowers for her

As large, and as beautiful,

As the flowers for me?
Things I hear about in wine tainted conversations between the wives
kirk Nov 2017
I do not enjoy New Years Day well what a ******* bore
Its meant to be a brand new start but I am not so sure
A beginning of another year its still the same old tour
Everything is​ the same you know what is in store
It is just another day there isn't nothing more
No difference from the previous year same as the one before

Valentine's day is for lovers at least that's what is said
But maybe its for people who want you in thier bed
Sending cards with the intent and they say romance is dead
I don't mean to sound a rotter but its all in your head
it usually ends up in tears so be careful where you tread
Dreams and hopes are always dashed so **** those roses red

Easter is a ******* joke it's never the same day
How can it be historical when its always been this way?
What's good about good Friday when the people had their say
If there was a crucifixion then wasn't it fare play
If he died for our sins it's satanic keeping death at bay
And then being resurrected without the need to pray

What's the point in Halloween with all those ghosts and ghouls
If your not going to dress appropriately then why dress up as fools
Don't bother even dressing up if your breaking ghoulish rules
And going out into the night looking like a bunch if tools
I don't want people begging at my door trying to get my jewels
So say no to trick or treat and lit lantern pumpkin pools

Bonfire night don't make much sense when its a none event
Why celebrate the gunpowder plot or a destroyed parliament
Guy Fawkes had it all planned out and he never made a dent
Bonfires had nothing to do with the death of this high treason gent
So stick penny for the guy and don't you spend a cent
Bonfires and fireworks should be banned and nothing should be spent

Santa does not come down the chimney on Christmas Eve
Cos he is such a fat ******* if that's what you believe?
One night isn't long enough parents do all the heave
There's no magical deliveries Its just a web they weave
There are no flying Raindeer so don't be so naive
Presents don't come from Santa Claus please kids don't you grieve

Christmas day's commercialised which everybody knows
With all of the toy advertisements in between the shows
Christmas carols in the shops months before the Christmas woes
The toy expense the start of the ***** is when the pressure flows
We don't want ****** fairy lights when the bulb always blows
Bah humbug to the turkey and **** the Christmas snows

it's a waste of time singing the new year's eve goodbye
Old acquaintances should not be forgotten it makes me want to cry
What's the point in celebrations when there is no realistic high
False people you don't ******* know they are no longer shy
Wishing you a happy new year why do they even try?
Why do we sing Auld Lang Syne they don't care if you live or die?
  
Everything in the calender there all of my pet hates
This is what happens when its left up to the fates
Why do we have all this crap, there are no real good traits
All of it is designed for interaction and socialistic baits
Come on you Gregorians your not making any mates
Don't let all this flood out please close the ******* gates
They say that all good things comes to he who waits
But I don't know if I really want all of these crap dates
Aditya Roy Feb 2020
It is everyday after dinner
I lose sleep on problems
Many a book by side
If I were a poet I'd give my life for creativity

She fixes my flat for free food at three
Someday she'll be ignoring how I curl asleep
A despot comes to ask me pay my dues
True, we might be leaving very soon

If I loved her, I would formulate a lie
She is my friend in the darkest dream
Guiding me to the hour I'll wake up the trees facing the midnight gale

My heart wants sleep with the wooden puppets
The strings of stars carry the leaves
They bid farewell
As I remember they should say hello, should I dwell

I read the paper
Revise the news
Watch televised ads
And eat commercialised food
My life is on the radio

First they tell you to marry
Then they ask you to find the right one
Or let them choose
They don't know what they are doing
Because you want to be someone else

Such are my dinner ruminations that never make the table

— The End —