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"chorale" poems
Upward I swirl into the swirl of death shrills Discontented about absolutism; the lies of war Discontented about the perversions against nature; man's egomaniacal tendencies Upward I spiral into the swirl of darkness Gravity has no power to keep me bound within myself I let loose once again I float towards another endless spiral of dark clouds, these clouds spin expeditiously within its air-vortex I see carnage, I smell blood, I witness the land of all misanthropes Into the blackness as I spin, my vision catches a chorale begging to be autonomous in the state of sovereignty The impetus in my desperate and saddened heart I curse the gods My tightened fist fails at at the darker darkness, at this ominous swirling I see no light ahead likened to the event horizon on the outer rim of a black hole My breath is being ****** out as the greed-succubus ***** out life I see you in me, as we both are caught in this uninvited storm Will we ever survive? Will we ever survive? So we must fight on!
0
Sep 26, 2014
Sep 26, 2014 at 3:49 PM UTC
Into the stormy Vortex
Heartstone is a reflection in music on a ‘lost’ poem. The poem described in its two short verses a summer’s day, a landscape, a fossil found and placed in the palm of a child’s hand. The poem inspired a seven-movement work for wind, brass and percussion with solo piano. Here is its poetic programme note. Chert The piano draws an arc of rhythm rising then falling. Above two choirs of wind and brass exclaim, fanfare, mark out shorter, determined gestures of sound. The procession, almost a march, becomes a dance. Alone Two choirs of wind and brass become four couples whose music weaves from complexity a simplicity: Chromatic to Pentatonic twelve becoming five. Prase Four stopped horns, five extended tonalities. Together they wander a maze of Pentatonic paths; alone, and in pairs, as a quartet they discover within a measured harmonic rhythm. Tension: resolution . . . and surrounding their every move the piano insists an obligato, a continuum of phrases, absorbing into itself the warp and weft of horn tone. Sard Oscillating in perpetual motion the full ensemble occupies a frame of time and space. Flutes, reeds, double-reeds brass, piano, percussion mirror-fold on mirror-fold layer upon layer overlapping. Yarns of threaded sound. Tuff Without a break the mirrored oscillations patter pentatonics on tuned percussion of marimba and vibraphone whilst a batterie of drums lays down shards of beaten rhythm against this onward folding of tonality change. In the background a choir of winds flutes and single reeds waymark this recursive journey gathering together cadential moments and the necessary pause for breath. Marl Relentlessly, the motion is sustained, piano-driven, a syncopated continuo, rhythm-sectioned amidst layers of percussion. Adding edge, a choir of brass and double reeds amplify the piano’s jagged rhythms providing impetus for phrases to become longer and longer, ratching up the tension, ever-denying closure until the batterie delivers a conclusive flourish. Paramoudra Pulse-figures of winds. Motific cells of brass. Both negotiate a stream of fractal-shaped tonality expanding: contracting. A blossom of fanfares folding into pulsating layers of tuned percussion, flutes and reeds. A dance-like episode absorbs a chorale. Four horns in close harmony against the continuing dance. A duet of differences flows into a cascade of chords in closed and open forms. The piano supports brass-flourishing figures before a final stillness. Heartstone In gentle reflection the solitary piano – a figure in a landscape of collapsed harmonic forms - presents in slow procession the essence of previous music.
0
Jan 27, 2013
Jan 27, 2013 at 12:41 PM UTC
Heartstone
Heartstone is a reflection in music on a ‘lost’ poem. The poem described in its two short verses a summer’s day, a landscape, a fossil found and placed in the palm of a child’s hand. The poem inspired a seven-movement work for wind, brass and percussion with solo piano. Here is its poetic programme note. Chert The piano draws an arc of rhythm rising then falling. Above two choirs of wind and brass exclaim, fanfare, mark out shorter, determined gestures of sound. The procession, almost a march, becomes a dance. Alone Two choirs of wind and brass become four couples whose music weaves from complexity a simplicity: Chromatic to Pentatonic twelve becoming five. Prase Four stopped horns, five extended tonalities. Together they wander a maze of Pentatonic paths; alone, and in pairs, as a quartet they discover within a measured harmonic rhythm. Tension: resolution . . . and surrounding their every move the piano insists an obligato, a continuum of phrases, absorbing into itself the warp and weft of horn tone. Sard Oscillating in perpetual motion the full ensemble occupies a frame of time and space. Flutes, reeds, double-reeds brass, piano, percussion mirror-fold on mirror-fold layer upon layer overlapping. Yarns of threaded sound. Tuff Without a break the mirrored oscillations patter pentatonics on tuned percussion of marimba and vibraphone whilst a batterie of drums lays down shards of beaten rhythm against this onward folding of tonality change. In the background a choir of winds flutes and single reeds waymark this recursive journey gathering together cadential moments and the necessary pause for breath. Marl Relentlessly, the motion is sustained, piano-driven, a syncopated continuo, rhythm-sectioned amidst layers of percussion. Adding edge, a choir of brass and double reeds amplify the piano’s jagged rhythms providing impetus for phrases to become longer and longer, ratching up the tension, ever-denying closure until the batterie delivers a conclusive flourish. Paramoudra Pulse-figures of winds. Motific cells of brass. Both negotiate a stream of fractal-shaped tonality expanding: contracting. A blossom of fanfares folding into pulsating layers of tuned percussion, flutes and reeds. A dance-like episode absorbs a chorale. Four horns in close harmony against the continuing dance. A duet of differences flows into a cascade of chords in closed and open forms. The piano supports brass-flourishing figures before a final stillness. Heartstone In gentle reflection the solitary piano – a figure in a landscape of collapsed harmonic forms - presents in slow procession the essence of previous music.
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112
With my heart I picture you in polaroids tinted blue by my eyes, surrounded by crushed leaves. In the skipping track of my inner eye your mouth, the way it moves when you focus the open-palmed reaching of marimba chorale and softening of your brow from the vines of midnight-colour hair. From many perspectives, again and again, in the skipping track of my inner eye, photographs shot with love.
0
Nov 17, 2012
Nov 17, 2012 at 12:04 PM UTC
Blurry Love
7:00am Shelter Island, Sat Sep10 on the south west edge of the isle, the slowrise sunrise just behind the trees, so early day yet, no full frontal of a sun bathing to wake up woman, babes asleeping, but the animals know exactly this hours early perfection. indeed, the crazy squirrels are random hither and dithering in spurts of energy, only stopping to observe a viewing of the humans nest~resting through the glass doors with their inquisitive, self-possessed, bedside reckless manner, perfected. the suns pealing gleaming gleanings picks out any shiny reflective surface that enhances its low-rise greeting, with a chorale of living objects singing “Hallelujah orb, what’s in store for us today,” river~bay, wake-less, its becalming, marbling surface, again, perfected. me? I’m mugged by the perfection intersection of my eyes-scape, first coffee, the holy quietude, only the regular soft breaths beside, lend a counterpoint to these thoughts and the litany of chores the iCal happily, annoyingly,  prematurely but with certainty lists, resistance (Walk!) perfectly ok. ok not to move an inch, watching this daily movie rerun, that energizes hope, a contemporary localized contented without the humdrum of blaring headlines, talking heads, and the infiltration of the guilty unfulfilled responsibilities demanding a due, then heavens signal me, Donovan, earbud singing Colors, confirmed perfectly ok! “*Yellow is the color of my true love's hair In the mornin', when we rise In the mornin', when we rise That's the time, that's the time I love the best*”
0
Sep 10, 2022
Sep 10, 2022 at 8:21 AM UTC
My Saturday Vantage Point
7:00am Shelter Island, Sat Sep10 on the south west edge of the isle, the slowrise sunrise just behind the trees, so early day yet, no full frontal of a sun bathing to wake up woman, babes asleeping, but the animals know exactly this hours early perfection. indeed, the crazy squirrels are random hither and dithering in spurts of energy, only stopping to observe a viewing of the humans nest~resting through the glass doors with their inquisitive, self-possessed, bedside reckless manner, perfected. the suns pealing gleaming gleanings picks out any shiny reflective surface that enhances its low-rise greeting, with a chorale of living objects singing “Hallelujah orb, what’s in store for us today,” river~bay, wake-less, its becalming, marbling surface, again, perfected. me? I’m mugged by the perfection intersection of my eyes-scape, first coffee, the holy quietude, only the regular soft breaths beside, lend a counterpoint to these thoughts and the litany of chores the iCal happily, annoyingly,  prematurely but with certainty lists, resistance (Walk!) perfectly ok. ok not to move an inch, watching this daily movie rerun, that energizes hope, a contemporary localized contented without the humdrum of blaring headlines, talking heads, and the infiltration of the guilty unfulfilled responsibilities demanding a due, then heavens signal me, Donovan, earbud singing Colors, confirmed perfectly ok! “*Yellow is the color of my true love's hair In the mornin', when we rise In the mornin', when we rise That's the time, that's the time I love the best*”
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38
The music swirls around inside my head The vague colors and apparitions Flickering behind my eyelids A truly haunting melody I hear, Whether it be sung or strummed I am unsure It is beautiful and eerie A lovely sound my mind is forming, A sort of song for my visions to dance to, That drowns out the static of the room In which i currently am I’d rather listen to this other-worldly chorale And watch my pretty dreams play out Than listen to this droning teacher anyways.
0
Sep 28, 2017
Sep 28, 2017 at 10:08 PM UTC
Falling Asleep in Class
We shalt Noel ourn favorite aria A chorale of valiant rendezvous, Overcome by ourn setting sun Enchanted by ourn moon, Fixated and elevated, by flying bolide's in the empyrean Statue's of us to be built, with ourn amour' as its coliseum, Dozy by ourn ardor spree, worn out from long heartfelt night Covering eachother with balm, mollified by ourn spice... The birds to maketh their fly-by, the bugs to creep on foot The sand beneathe ourn locked feet, touched by the soot.... Her head on mine chest, as this she Whisper's ( I loveth thee mine rey) I whisper back (I loveth thee more, reina of mine heart's display) As tis The passer-byers witnessed two angels lost in the moment Forgetting the world ever existed... Looking into eachother's extraterrestrial pupil's!!!!!
0
Jul 5, 2015
Jul 5, 2015 at 9:08 PM UTC
Configuración de sol, la luna encantadora( setting sun, enchanting moon) spanish tongue
**Back in time during some tense moment, of weakness causes a state -of Confusion or was it  an era of delusion in my poetic mind? to my greatest surprise, this became a series   of my confessional poetry. Aching for someone to fill a void A love that couldn’t be granted Without the repercussion of the change..... Why have I chosen? Such a man of low caliber To fulfill my wildest fantasies A man who knows Not what he wants Who never delivered those timely sigh Or made the almighty seem Less powerful than him Oh how long have I waited to reach? That high pitch of satisfaction To hear the sound of “Oh God, oh my God Without a choir chorale My bed, his cave, No waiver, the thrill is gone A wish not granted A void yet to be filled**
0
Oct 25, 2015
Oct 25, 2015 at 7:09 AM UTC
A Void Yet To Be Filled
we sit at the edge of vespertide listening to the chorale of evensong this day's opus almost done now tapering off in slow melodious decrescendo.. it is the gloaming and the final flurry of light glimmers on the horizon now the night becomes the diva, the first star has been wished upon, the first sattelite too. and the bass note of the cicadas builds to a ***** needful hum... lights go on in little square patches, and the smell of barbeque fragrances the summer night air under the streetlights the moths come to dance a dare each other to touch the midnight sun... and in our garden the rustle of the tame gone feral rabbit "bellamy" has begun... a hulking grey white shadow now he lollops toward the tasty green carrot-tops... until the sound of pounding feet causes him to freeze considering his position bellamy chooses discretion over valour and departs with haste the wind now has a coolness to it and the grass grows damp about us by still we sit enamoured of the changing slow and quiet about us the seas whisper secrets and the birds settle in for the night excepting those who hunt on silent wings the stars begin to pop bright white on the darkening sky and the crescent moon smile with a sideways grin... it is now the darker things come owls on the wing spiders to reknit there webs the big bass frog to sing his song and the small blood seeker come with whinging wings now we must give the night it's privacy, as we walk inside, from the pond a series of sounds means the frog has found dinner hopefuuly a mosiquito buffet the vesper tide hath turned the night is now come.....
0
Apr 5, 2017
Apr 5, 2017 at 9:51 AM UTC
vespertide
we sit at the edge of vespertide listening to the chorale of evensong this day's opus almost done now tapering off in slow melodious decrescendo.. it is the gloaming and the final flurry of light glimmers on the horizon now the night becomes the diva, the first star has been wished upon, the first sattelite too. and the bass note of the cicadas builds to a ***** needful hum... lights go on in little square patches, and the smell of barbeque fragrances the summer night air under the streetlights the moths come to dance a dare each other to touch the midnight sun... and in our garden the rustle of the tame gone feral rabbit "bellamy" has begun... a hulking grey white shadow now he lollops toward the tasty green carrot-tops... until the sound of pounding feet causes him to freeze considering his position bellamy chooses discretion over valour and departs with haste the wind now has a coolness to it and the grass grows damp about us by still we sit enamoured of the changing slow and quiet about us the seas whisper secrets and the birds settle in for the night excepting those who hunt on silent wings the stars begin to pop bright white on the darkening sky and the crescent moon smile with a sideways grin... it is now the darker things come owls on the wing spiders to reknit there webs the big bass frog to sing his song and the small blood seeker come with whinging wings now we must give the night it's privacy, as we walk inside, from the pond a series of sounds means the frog has found dinner hopefuuly a mosiquito buffet the vesper tide hath turned the night is now come.....
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62
the rain falls, like a hymn, upon the windows. a song of hope, sent from grey and sombre sky. given to an adoring ground accepted as communion and restoration. listened to from within, watched by wondering eyes, the holiness of nature. ....beautifuly divine....
0
Feb 21, 2015
Feb 21, 2015 at 4:39 AM UTC
summer chorale
So today, I realized that I was depressed, based on the poem "my fear" that is evident. so I told some people. Like my English teacher, who has been very supportive of me this past year. He quite possibly understands me better than my parents do. But what He said after I showed him "My Fear", shocked me. He said I needed therapy, to get someone else's opinion on my life, which is true. So I decided to get a second opinion, from my band director. I love my band director, He gets me. So I told him that I was depressed about family and stress and school. and He started talking to me about this, and how it effects my playing and ect. But one thing He said was that I need to use this pressure, for that was what it boiled down to was pressure, and use it as motivation. And so I left, feeling a little better. But what really got me was that when I enter the band room afterschool, to grab some music to copy at home, my folder is missing. Now folders rarely go missing, because we have our own spot for them. And I did eventually locate my folder, but the thing was that 4 pieces of my music were missing. a exercise book, a chorale and 2 festival music. Now I know that when I put my music away after class, which was 6th period, we only had one class left. but I KNOW that I had my music in that folder. So sometime within 50 min, someone took my folder out and took my music. Now that, that is out, the fact that I was depressed than this incident with my music made me paranoid, it was not a good combination. I almost started to cry.... it was terrible.
0
Jan 7, 2015
Jan 7, 2015 at 5:38 PM UTC
Rant
So today, I realized that I was depressed, based on the poem "my fear" that is evident. so I told some people. Like my English teacher, who has been very supportive of me this past year. He quite possibly understands me better than my parents do. But what He said after I showed him "My Fear", shocked me. He said I needed therapy, to get someone else's opinion on my life, which is true. So I decided to get a second opinion, from my band director. I love my band director, He gets me. So I told him that I was depressed about family and stress and school. and He started talking to me about this, and how it effects my playing and ect. But one thing He said was that I need to use this pressure, for that was what it boiled down to was pressure, and use it as motivation. And so I left, feeling a little better. But what really got me was that when I enter the band room afterschool, to grab some music to copy at home, my folder is missing. Now folders rarely go missing, because we have our own spot for them. And I did eventually locate my folder, but the thing was that 4 pieces of my music were missing. a exercise book, a chorale and 2 festival music. Now I know that when I put my music away after class, which was 6th period, we only had one class left. but I KNOW that I had my music in that folder. So sometime within 50 min, someone took my folder out and took my music. Now that, that is out, the fact that I was depressed than this incident with my music made me paranoid, it was not a good combination. I almost started to cry.... it was terrible.
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1
On the 21st floor of a corporate building down in Valero street, there is an orchestra. The delicate-paired symphony of clicking keyboards and heels tapping on cold cement to the beat of practiced impassivity. The seconds also made sounds along with a chorale of both sweet and bitter voices singing like cicadas faintly next to your ear– "I told you so". The second you glanced out the window will have been the twelfth time; gawking, scanning the view like a hawk. But a hawk is vicious— and you remember how everyday always seems to feel like a train ride to a dead end, and how Fridays are finales to a weekly competition where you reward yourself merely with participation because you’re here, you’re here, but you’ve crawled your way to be here. You’re not a hawk. But you gaze down at the people crossing the intersection of streets and maybe that’s just as good as life can get. You’re a lighthouse. Watching as the hours and people go by through a small office window — but how do you call yourself a lighthouse if you have lost your light? The script says, “I’m making a living” and one ought to take it as it is. But more often than not we fail to ask ourselves if we’re actually living, or just merely getting by. Nowadays, the latter sounds more like a normal thing.
0
Jul 6, 2018
Jul 6, 2018 at 6:16 AM UTC
Adherence
How is it possible? That in your eyes... I have found, that my music Resonates As hard, As the shining of the stars. Never a human show me That music can be found In the warm of mortal arms. Melodies fly over the skies When I think, on those eyes. Now, that the light is just white... My music has no life, You took the colors apart. I can not decorate The rhythm of your lips. They faded and, I can not paint them. I can not hold those hands anymore Indicating the tempo. So, I will go find you. The world that is below Does not scare me at all The smell of your dry tears Is singing me to where I should be. After I finish my last piece, I will trust in my ears and, I will bring you with me. So, we both shall compose, The greatest symphony of love. I have figured out that If I play this twelve row.   The doors of the underworld will open, so I won’t feel this cold. Every night after you closed your eyes... I have been dreaming with: dramatic purple Melodies.    Sophisticated       Rhythms. And Lyrics that… Try to convince me To forget Your turquoise smell.   It feels like a dream but it is so real that It feels like my music Now is complete Without your breath.   Now, I’m here… it seems like nowhere Absence of presence NO tonality ambiguous personality Kind of I’m liking this place… I see you precious as the last sky that I see in my dreams every sleep, I take out The purple melody And I play an elegant transcription of the symphony of my dreams… You look at me and smile So we both will be apart… I will bring you alive... with my next chorale. With a Symphony for 300 hundred souls. I WILL BRING YOU ALIVE WITH AN ETERNAL RHYTHM Every morning, Every dream, where there is a note you are with me.
0
Oct 31, 2014
Oct 31, 2014 at 2:48 PM UTC
PURPLE MELODY
How is it possible? That in your eyes... I have found, that my music Resonates As hard, As the shining of the stars. Never a human show me That music can be found In the warm of mortal arms. Melodies fly over the skies When I think, on those eyes. Now, that the light is just white... My music has no life, You took the colors apart. I can not decorate The rhythm of your lips. They faded and, I can not paint them. I can not hold those hands anymore Indicating the tempo. So, I will go find you. The world that is below Does not scare me at all The smell of your dry tears Is singing me to where I should be. After I finish my last piece, I will trust in my ears and, I will bring you with me. So, we both shall compose, The greatest symphony of love. I have figured out that If I play this twelve row.   The doors of the underworld will open, so I won’t feel this cold. Every night after you closed your eyes... I have been dreaming with: dramatic purple Melodies.    Sophisticated       Rhythms. And Lyrics that… Try to convince me To forget Your turquoise smell.   It feels like a dream but it is so real that It feels like my music Now is complete Without your breath.   Now, I’m here… it seems like nowhere Absence of presence NO tonality ambiguous personality Kind of I’m liking this place… I see you precious as the last sky that I see in my dreams every sleep, I take out The purple melody And I play an elegant transcription of the symphony of my dreams… You look at me and smile So we both will be apart… I will bring you alive... with my next chorale. With a Symphony for 300 hundred souls. I WILL BRING YOU ALIVE WITH AN ETERNAL RHYTHM Every morning, Every dream, where there is a note you are with me.
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73
(A)bove the church were golden bells. (N)ext to it was the finest sight, a hunch-back belle. (N)ested in a tower of cobwebs and dusty shelves. (E)xcept no one new that she was a princess walking among our common selves. (C)arved within her heart is a beauty without comparison. (U)nsuspectingly she can bust you out and then throw you to a jail garison. (R)eclaimed by her will was a kingdom of magic. (T)hat three young lads fought for her though always arguing about logic. (I)n her eyes you can see a bright red glow. (S)hining like blood red rubies in a cave under six feet of snow. (S)ilence is sought out whenever she starts to sing. (M)ajestic is her voice but can give you an alarming sting. (I)n her greatest moments she sings with an enormous chorale. (T)he kind of crowd that boosts her morale. (H)old your breath for a mesmerizing musical royale.
0
Oct 19, 2018
Oct 19, 2018 at 7:18 AM UTC
BUY BUST
By green and windblown rippled slopes where cattle graze in summer sun; beneath blue skies where larks sing shrill and rabbits by the hedgerows run. When meadowsweet and columbine bedeck the grass like ocean foam; we soft return like shadows lost to seek our old ancestral home. Within the tree-lined borderlands we wait until the day is done; ‘til passing fancies leave us be and once again our time is come. When doors and gates are closed and locked we slip within as night winds roam; and talk in whispered secrecy of times in our ancestral home. No more within cold fireplace do fallen logs burn bright and fair; from panelled walls in sullen oils dark portraits of the long dead stare. On bowing shelves of oak repose the toils of men in leathern tome; unread and lost for centuries, hid deep in our ancestral home. And through the watches of the night we drift from room to balcony; recalling days of childhood lost, and laughter of sweet memory. Yet all too soon we must be gone ‘ere birds again chorale the dawn; and disappear like shadows soft that fly from our ancestral home.
0
Apr 9, 2020
Apr 9, 2020 at 7:02 AM UTC
Ancestors
Morning Spider What were you trying to say from down the dry well of the German coffee maker? A brusque “guten Morgan” unworthy of the finesse required to defeat the hinged plastic lid, ****** off mate” belying the English taste for tea, begging bus fare for the Silk Road transparent even without a bracing first cup. A caution, then? Don’t leave bags unattended, know the warning signs of stroke, sleep like a baby with two-step authentication? Choirmaster alone in the apse, dwarfed by vaulting cathedral walls soaring seamless into heavenly gloom, where I hover on high, indifferent god commanding flood water, bestowing the random fly of mercy, deigning to lower a spoon of salvation while you weave a gossamer chorale, perhaps, working the tiny shuttles your batons.
0
Mar 8, 2017
Mar 8, 2017 at 9:22 AM UTC
Morning Spider
- tap into the line of grief -  Receiving this message. Recieving messages. Intense and deep. It running through me like a shock. A primal instinct. A knowing. - last night i dreamt that your face fell apart - last night i dreamt your came came apart - in broad day light i dreamt your face fell apart - in broad day light i dreamt your face came apart - just when i thought there was no saving me, your mother invites me to join the family chorale of shrieks in response to a baby garter snake (on the porch) i am unimpressed calls me out to the porch to look at a snake i am unimpressed would i really be concerend? everyone knows i'm a snake you (momma) call me out to you invite me to witness the 3 headed spetacle of a baby garter snake and your daughter trapping it by its tail "someone **** it" you invite me to the family event of killing the baby garter snake on the porch it looks innocent to me do you expect me to be impressed afraid? we all know i'm a (the) snake
0
Jan 21, 2016
Jan 21, 2016 at 2:12 AM UTC
Work in progress
Early winter morning under the weakened sun. Trees sway with the thunderous roar of the blowing wind above the snowy sand. Heaven's glorious symphonies are heard as church bells rang. Young and old gather around as the choir started and sang. Loud prayers can be heard from an echoing distance. Emancipating each and every heart in a matter of chance. Evangelic voices from the chorale continued aloud. Now the priest started to preach with a voice so loud. Valiant soldiers arrived to join the uplifted crowd. In a timely manner unveiling a hidden shroud. Little children were out in the fields playing. Out in the evergreens vast wilderness and doing their own thing. Roses and rasp berries were plenty on a nearby garden. Its a beatiful place with a few wooden carvings. At last the day is retiring, dusk arrives and the night will finally come and settle in.
0
Jul 5, 2018
Jul 5, 2018 at 7:34 AM UTC
ETHYLEEN VILORIA
among the summer stupor, the gleeful pounce onto that that flies on diaphanous wings tracing secret silver spirals small bursting berries in tiny flaxen fingers blue blackberry mouthfuls the boys of summer with indigo grins and legs akimbo their chorale sweet and brimming between the shrinking hours a jovial furor against a backdrop of blue
0
Jul 11, 2021
Jul 11, 2021 at 11:13 PM UTC
blackberry season
I SAW THE BEST MINDS OF MY GENERALIZATION wearing halos of fog, opening their eyes with a burst of surreal an' shattering the beacon of light with a splatter of the gray matter... afterwards it all became so fug'n trite. I'm phrasing perfect with a hint of propulsive barb'd barkin' —Man, I am aching to blather, **** man, it's more than butt-cheek chatter— it BBBBBBBBBButt bubbles with a puhcussive tootin'; a howl absurd! I raise a cup & say cheers t' Allen Ginsberg "O BLOATED BLUES an' DECIBELS DANCE t'BALLYHOO'd BE-BOP FLUNG An' BOMBS BUSTIN OPEN with Gear's CLAWING t'BE AIRBORNE", Yes, he SITs IN a SPACE SHARE'd with us; finger snappin' & poetry clappin' from a heavenly ladder's rung... A MAD HATTER's CHINA TEACUP is filled with continuous soft crackling liveliness of effervescence... and buoyed by the holy soul jelly roll that moves through here now. So let us praise and bestow upon him, a heartfelt bow before we etch on the walls of my primitive pome cave our beatnik chorale reverberation of "AND HOW!" By "ooznozz"
0
Aug 9, 2017
Aug 9, 2017 at 7:57 AM UTC
Poem: Now Bear Witness to an Exclamatory Puddle of Gee-Whiz!
Vespers What were you chanting from down the dry well of our German coffee maker? A brusque Gute Nacht masking the finesse required to defeat the hinged plastic lid? Begging bus fare for the Silk Road transparent, even without mornings bracing first cup. A caution, then? Don’t leave bags unattended? Know the warning signs of stroke? Sleep like a baby, use two-step authentication? Your cloistered solitude, fringed bulb of abdomen whispered tonsure, solitary choirmaster dwarfed by cathedral walls soaring graduated into heavenly gloom where I hovered on high, my nightly routine to summon The Flood, deigning to lower a spoon of salvation while you wove a gossamer chorale, working the eight tiny shuttles of your batons.
0
Mar 17, 2017
Mar 17, 2017 at 8:23 AM UTC
Vespers
Swell cut back trace the outline of my shadow with caution tape Holy **** I'm about to die Arpeggios Metronomical beats ****** the tempo with a chorale prelude This time in Pig Latin: Oly-Hay Uck-Fay, M-Iay Bout-Aay O-Tay Ie-Day Out of key with somber inflections Press on my dear, Press on with a dog eared national geographic bookmarked to all the places I want to travel One more time for someone who cares:
0
Nov 2, 2017
Nov 2, 2017 at 10:49 AM UTC
Richard Branson is My Nemesis
Morning Spider What were you trying to say from down the dry well of our German coffee maker? A brusque “guten Morgan”, unworthy of the finesse required to defeat the hinged plastic lid, ****** off mate” belying the English taste for tea, begging bus fare for the Silk Road transparent, even without a bracing first cup. A caution, then? Don’t leave bags unattended, know the warning signs of stroke, sleep like a baby with two-step authentication? But your solitude, small bare bulb of abdomen, put me in mind of a monks tonsure, choirmaster alone in the apse, dwarfed by vaulting cathedral walls soaring seamless into heavenly gloom, where I hover on high, indifferent god commanding the flood waters, bestowing random flies of mercy, deigning to lower a spoon of salvation while you weave a gossamer chorale, working the tiny shuttles of your batons.
0
Mar 8, 2017
Mar 8, 2017 at 5:58 PM UTC
repost
You were a smeary bruise, your eye hysterical, cut from white twill in the brumal March; I slipped my blues, to a blonde chorale in your room, on the hill gushing with larch. We practiced slow, while black cones bled coffee. Your breath came in little throws, your heart in parcels of red, that led to our little death.
0
Feb 7, 2021
Feb 7, 2021 at 9:53 AM UTC
Sonnet (To H-----)
By green and windblown rippled slopes where cattle graze in summer sun; beneath blue skies when larks sing shrill and rabbits by the hedgerows run. When meadowsweet and columbine bedeck the lea like ocean foam; we soft return like shadows lost to seek our old ancestral home. Within the tree-lined borderlands we wait until the day is done; ‘til passing fancies leave us be and once again our time is come. When doors and gates are closed and locked we slip within as night winds roam; and talk in whispered secrecy of times in our ancestral home. No more within cold fireplace do fallen logs burn bright and fair; from panelled walls in sullen oils dark portraits of the long-dead stare. On bowing shelves of oak repose forgotten tales in leathern tome; unread by men for centuries, hid deep in our ancestral home. And through the marches of the night we drift from room to balcony; recalling days of childhood lost, the laughter of sweet memory. Yet all too soon we must be gone ‘ere birds again chorale the dawn; and disappear like shadows soft that fly from our ancestral home.
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Jul 17, 2018
Jul 17, 2018 at 6:47 AM UTC
Ancestral Home