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"chequered" poems
I am the barbed thorn the serrated reward facing savage cruel winter; sedition in transmission. I am the only pawn on your chequered board facing a feisty queen; of restricting submission. I am the demonic exon a heraldic discord facing bleak futures; an inherent disposition. I am the stillborn reborn the aberration restored facing anomalies instability; violation on a mission. I am broken and worn a fallen sword facing a grim battle; outnumbered by division. I am the brass horn the out of tune chord facing orchestral expulsion; a musician in remission. I am history's forewarn the contrite accord ignored facing penitent absolution; clemency in transition.
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Jun 22, 2014
Jun 22, 2014 at 10:32 PM UTC
Demonic Exon
A Poem in 3 Parts by Sara L Russell, 4/6/15; 00:51am I There is a grey area between this world and the next. People can be foolish; they dabble in ouija, in dowsing, in automatic writing; and - wittingly or unwittingly, they may open a portal to the other side. That is how they enter. Beware of inviting them in. Shadow people are there where needle pierces skin; where the ****** sits, glassy-eyed, on the precipice of oblivion; they lurk in unholy places where godless politicians declare themselves to be speaking for God; they haunt the dreams of drunkards, schizophrenics, junkies and the paranoid. But they are not spun out of dreams, they are real. Shadow people were there when the ancient pharaohs of Egypt were interred, with all their gold; they took them to Hades for also burying their wives and servants, alive. They were there in **** concentration camps, sitting on the left shoulders of those who blindly carried out orders of death and torture. They subsist in underworlds of catacombs, they lurk in the spaces between our conscious and unconscious minds; In blackened mirrors they seek out a vortex, My friends, be the light that keeps out the darkness, Do not seek to question the dear and foregone, No matter how much they are missed; for there are others lurking in the shadows. Be not the portal inviting them in. II Did I see you in Bohemian Grove, smiling at the Cremation of the Care? Were you there, and did you have more than one shadow? Did I see you in that Great Hall with chequered floors, where the Eye of Horus watched over a pyramid of gold? Did you lift a cup of the good red wine, did blood brothers drink each other's health, gazing through a glass darkly? Did we toast the Cremation of the Care, and how many others were there? III Sometimes we visit Hell in our dreams, though we may fervently pray before sleep. There is no shame in sleeping with the light on. Wear a cross, if you think that it will help. Sometimes the citizens of Hell visit us, in that stasis between sleep and wakefulnes; they are only ever seen at the outer periphery of our vision. It's never a good idea to look at them directly. Sometimes they venture a little closer than the rules allow. Sometimes the line between their domain and ours is blurred. Occasionally, the breeze seems to whisper your name - only, it's not the breeze. Be vigilant. Always try to see them first.
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Jun 3, 2015
Jun 3, 2015 at 7:55 PM UTC
Shadow People
A Poem in 3 Parts by Sara L Russell, 4/6/15; 00:51am I There is a grey area between this world and the next. People can be foolish; they dabble in ouija, in dowsing, in automatic writing; and - wittingly or unwittingly, they may open a portal to the other side. That is how they enter. Beware of inviting them in. Shadow people are there where needle pierces skin; where the ****** sits, glassy-eyed, on the precipice of oblivion; they lurk in unholy places where godless politicians declare themselves to be speaking for God; they haunt the dreams of drunkards, schizophrenics, junkies and the paranoid. But they are not spun out of dreams, they are real. Shadow people were there when the ancient pharaohs of Egypt were interred, with all their gold; they took them to Hades for also burying their wives and servants, alive. They were there in **** concentration camps, sitting on the left shoulders of those who blindly carried out orders of death and torture. They subsist in underworlds of catacombs, they lurk in the spaces between our conscious and unconscious minds; In blackened mirrors they seek out a vortex, My friends, be the light that keeps out the darkness, Do not seek to question the dear and foregone, No matter how much they are missed; for there are others lurking in the shadows. Be not the portal inviting them in. II Did I see you in Bohemian Grove, smiling at the Cremation of the Care? Were you there, and did you have more than one shadow? Did I see you in that Great Hall with chequered floors, where the Eye of Horus watched over a pyramid of gold? Did you lift a cup of the good red wine, did blood brothers drink each other's health, gazing through a glass darkly? Did we toast the Cremation of the Care, and how many others were there? III Sometimes we visit Hell in our dreams, though we may fervently pray before sleep. There is no shame in sleeping with the light on. Wear a cross, if you think that it will help. Sometimes the citizens of Hell visit us, in that stasis between sleep and wakefulnes; they are only ever seen at the outer periphery of our vision. It's never a good idea to look at them directly. Sometimes they venture a little closer than the rules allow. Sometimes the line between their domain and ours is blurred. Occasionally, the breeze seems to whisper your name - only, it's not the breeze. Be vigilant. Always try to see them first.
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73
windmills turn slicing days as prescribed moving water as they do set troughs can't complain there is no point cycles set in place grids buckle like we're trapped live chequered lives without ourselves on deck though paths with every step trod blind at close of day did we not take that road for steering wheel this hand grabbed let's harness Self remove the screen and see in this precinct or yonder place we've opted for we took a route with outcome flawed
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Aug 5, 2018
Aug 5, 2018 at 11:35 AM UTC
take charge
Night falls over Soho and, gazing into some cheap tart's eyes Over a candelit-chequered-food-stained tablecloth, Beneath my belt an immense ******** lurks leakily, The seams of my ****** soaked with bursting lust, My groin twitching in desire for her wanton arse-flesh. Streetlight shining through threadbare curtains Glinting sexily over my hairy pounding buttocks; My screamed roars of pleasure echoing In the deepest depths of her tenth-rate mind; Her poor brain collapsing in mighty mid-climax. Morning reveals a classy scene to chambermaid's gawp: Spread-legged cold-as-chilled-salami **** Puny brainbox imploded like mashed bananas By staggering rivulets of overpowering ******* Like a duck's entrails in an unwashed sink.
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Jan 27, 2016
Jan 27, 2016 at 1:29 PM UTC
Soho Love Scene
Hot boys express emotion in the resonance and width of their exhausts in pipe dreams of measurement in the rev and roar of super heated motors mixing spark and sensibility in the sudden screech and stretch of rubber marking asphalt and bitch-u-men out there in the middle ground where the road humps. Hot boys light up the night with high beams cruise the darkest alleyways of masculinity challenging old men at intersections - in their soft leather seats and euro-neat boxes of air-conditioned luxury and debt - to pole position and the chequered flag of fortune. Hot boys in cars that throb with bass notes and bootilicious chick lyrics - sung by black boys wicked in the zone always bragging ’bout their bone and how they make the ***** moan - snarl abuse at walking women fragile objects on the pavement shelves shaped colour lost in time that pass beyond their touch and reach. Hot boys are tiny traces of an oil rich mixture trailing blue smoke in their wake foot to the floor high stakes, top geared no brakes as they snake round the hills and the hairpin bends as they wrap tight trees at the crash, crush end and the hot boys cool in the night.
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Jul 30, 2014
Jul 30, 2014 at 12:46 PM UTC
Hot Boys
There will always be an Autumn spat where the cat foils the dormouse and the Annual taster chocolate box arrives as nonchalant as the  mysterious sender. Sometimes I wish we were boxing hares to really celebrate an outlet for renewed anger. Munching on my bagels, i feel a pang of Hypocrisy. I run fickle,  planning out the chequered season.
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Oct 8, 2012
Oct 8, 2012 at 8:11 AM UTC
Season's debacle
Night fell on Montmartre and, gazing into my love's eyes Over a candelit chequered tablecloth, Beneath my belt lurked rancid lust, The seams of my ******* oozing desire, My groin drenched in desire for his wanton arse-flesh. Streetlight shone through threadbare curtains Harnessing proudly over my twitching buttocks; My screamed climaxes echoing In deepest recesses of Parisian dawnings. My clear goal: swallow his salty comings. Morning exposes a sordid scene to chambermaid's gawp: Spreadeagled cold-as-chilled-salami bozo, Puny synapses crushed like mashed strawberries Blasted smithereens of overpowering ******* Like chicken's entrails in an unwashed sink.
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Dec 26, 2014
Dec 26, 2014 at 3:54 PM UTC
Montmartre
When did it happen, how did it happen? What lonely hour did dawn break into the dark vaults of the firmament high? When did the storm-cloud tiptoe across the arid sky? Was it that night of the festival of lights, when you nudged past the crowds to stand by my side? That winter when the moon shone across the desolate snow, to rhythms of dew dripping from distant tiles? Or the days after the storms when I discovered that vulnerable you beneath your chiseled cloak of practiced calm? How does the spring bring mourning valleys to flower in the smiles of a thousand vines? O cherished mystery, when did this feeling, deeper than sorrow, unmoved by pain, mightier than weakness, stronger than the bruises from a hundred lies that line the course of this chequered life, how did this arise, anticipant joy of a journey nigh? Bonds of lives past, is this how ye come alive? That very first day when hello-eyes smiled?
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Oct 27, 2012
Oct 27, 2012 at 2:17 PM UTC
O cherished mystery!
One Sunday On one of our many births We must become the Pappa and Mamma of an ancient Nazrani tharavadu. I will go in the morning And return with A kilo of beef meat With bones Two kilos of tapioca And may be also a *** of toddy From the toddy tapper. While I slice the meat You will crush the coconut mix In the grinding stone. I will come, now and then, And wipe my face In the chatta and mundu Draped folds of yours. Go away you shameless man You will dub The slogan of a coy mistress. Meanwhile I’ll drum quick rhythms On your buttocks Graced With pleats. The kids will see You’ll repudiate, with your eyes With the sun Our bodies also will get warmer Drops of sweat Will make studs On your Nose. With the fold of My chequered mundu I will wipe them off. The sun will grow warmer The toddy inside Will simmer In our bodies An insatiable hunger will torment. The aroma of The beef curry with the coconut mix That you cooked Will drift into my nose. Unable to control the craving I will pick Tapioca pieces from it and eat. The hot bits will smolder my tongue. “You Glutton” You will then Whisper to my ears By the time I wash my hands and sit Calling out to the kids And you, to come for lunch The 12.30 bell will ring in the church. From that unexpected Sunday Which we spent Stingily We will set aside Some memories for the next creation. Trans: Shyma P
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Sep 2, 2014
Sep 2, 2014 at 9:41 PM UTC
Sunday
A "Memories" poem by the immortal Barry Hodges aka Edna Night fell on Montmartre and, gazing into my love's eyes Over a candelit chequered tablecloth, Beneath my belt lurked rancid lust, The seams of my trousers oozing love's sweet song, My groin lumped in desire for her wanton arse-flesh. Streetlight shone through threadbare curtains Harnessing proudly over my pounding buttocks; Hermione's screamed climaxes echoing In deepest recesses of her third-rate mind. My clear goal: swallow my salty comings, cow. Morning exposes a sordid scene to chambermaid's gawp: Spreadeagled cold-as-chilled-salami **** Puny synapses crushed like mashed strawberries Blasted smithereens of overpowering ******* Like chicken's entrails in an unwashed sink.
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Aug 12, 2015
Aug 12, 2015 at 8:41 AM UTC
Memories of Montmartre
some days I grieve alone as sunshine sounds obscene no help or match for rain not caring where it goes to leave a chequered scene the clouds hide their intent build-up to manic heights and storms attack our land to savage crumbling shores and saturate the nights I stare in broken starts I've seen too much that stings with stoic eyes some pray and mop the mud-soaked rooms we wish our homes had wings
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Jun 15, 2023
Jun 15, 2023 at 5:33 AM UTC
aftermath
His hands stretched out as if in the Shavasana pose, only he was Wearing his old jeans, chequered shirt Black laceless converse shoes His head on the lush green grass With Hesse’s Siddartha in his left hand and a magical airbrush in his right hand He gazed at the cloudless blue sky Like an artist in front of a canvas he drew the people he wanted in it, The boy with the inquisitive big brown eyes The girl at the bus stop carrying a tote bag the things he wanted to do, Climb the highest mountain peak Do the tango in Buenos Aires Vagabond across South America the sunsets and the full moons he wanted to see the reasons he was willing to suffer for the smiles he wanted to have. A masterpiece in the making the outline took no more than a few minutes but the finished piece took a lifetime to create.
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Dec 13, 2016
Dec 13, 2016 at 5:25 AM UTC
Masterpiece
I pull myself down to live on chequered floors of empty community pools. The chlorine burn,          the pressure in my lungs, are only a suggestion           as I listen to the echoes of my heartbeat. It is only when my lungs begin to burst,           my knees begin to kick, and I speak in bubbles, that I stop listening to my heart           and break the ceiling. Strangers glance at me           as I laugh into the sky because instead of seeking air           I am looking for you.
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Jan 29, 2023
Jan 29, 2023 at 7:55 AM UTC
Chlorine
I rolled my own tobacco tightly, lips pursed through a gormless grin, As he, the idle Gean Canach, warming up, kisses a lonesome gin, This dream as told to be his tonic - the bitter slice - so I begin... Musing over beauty, his admirable hair, warholic an' fitted to wear, Of Tartan-clad men whose ghosts have chequered stares, An' Art, Free Speech, Faith, dipped in batter - much to his despair, Of people, prickened purple as they blow a silent whistle, To how the sun beams through heather-fields of shared pistols, An' those scattered morsels of society, left to nothing but the gristle, To how more questions than answers affect his whispered speech, Yet he stirs mulling over youth and language receded to their peak, '...Come, I'll walk you back to your hiding place – safely out of reach...!' Back home to talk of MacDiarmid and McFarlan, to agree and feel solemn, As he explains that a poisoned bee carries but only poisoning pollen, An' how a love of our country, for its freedom, is all we have in common, He tells of the tears from the Nationalist, nation-less, who lives in arrears, Of the ink further dried on the receipt of forced union; of some 400 years, An' that of my friend the leprechaun; ****** on the burnt grass that he shears, An' now he exclaims - '… Swallow the pound..! Gulp on its hardened flesh..., ...We are as separate - the reluctant strawberry atop this eton mess..., The majesty of our homes, as one, forever in a state of undress, ...We shall squander fortunes on entire pleasures dear to empty minds, The resources of our country fixed to the crown with no benefit in kind, Computerised Tesco's an' ****** at the BBC is all that we will find...' It is time to take our leave; he has risen sharply an' yet crumbles into a seat, The fires of the red sun burn for independence with stomping feet, My dream recited, I wander still, and turn to the fools an' scoundrels on the street.
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Dec 30, 2013
Dec 30, 2013 at 11:11 AM UTC
A Dream Recited
I rolled my own tobacco tightly, lips pursed through a gormless grin, As he, the idle Gean Canach, warming up, kisses a lonesome gin, This dream as told to be his tonic - the bitter slice - so I begin... Musing over beauty, his admirable hair, warholic an' fitted to wear, Of Tartan-clad men whose ghosts have chequered stares, An' Art, Free Speech, Faith, dipped in batter - much to his despair, Of people, prickened purple as they blow a silent whistle, To how the sun beams through heather-fields of shared pistols, An' those scattered morsels of society, left to nothing but the gristle, To how more questions than answers affect his whispered speech, Yet he stirs mulling over youth and language receded to their peak, '...Come, I'll walk you back to your hiding place – safely out of reach...!' Back home to talk of MacDiarmid and McFarlan, to agree and feel solemn, As he explains that a poisoned bee carries but only poisoning pollen, An' how a love of our country, for its freedom, is all we have in common, He tells of the tears from the Nationalist, nation-less, who lives in arrears, Of the ink further dried on the receipt of forced union; of some 400 years, An' that of my friend the leprechaun; ****** on the burnt grass that he shears, An' now he exclaims - '… Swallow the pound..! Gulp on its hardened flesh..., ...We are as separate - the reluctant strawberry atop this eton mess..., The majesty of our homes, as one, forever in a state of undress, ...We shall squander fortunes on entire pleasures dear to empty minds, The resources of our country fixed to the crown with no benefit in kind, Computerised Tesco's an' ****** at the BBC is all that we will find...' It is time to take our leave; he has risen sharply an' yet crumbles into a seat, The fires of the red sun burn for independence with stomping feet, My dream recited, I wander still, and turn to the fools an' scoundrels on the street.
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28
He’s got natural rhythm, a girl in a red dress, a suit of clothes, a hat and a silk vest, A set of brogues, a packet of cigarettes, a 20 dollar bill with no regrets. He’s got a fast mouth, a slick deck of cards, chequered blues and a V8 ford; He’s got jazz, gospel, and ragtime too: a carpet bag and a jug for ***** Sheba, Sheba, Sheik! He’s got it, he’s got Jake, His feet will roam from town to town.   Sheba, Sheba, Sheik, Sheik! He’s the devil with a big black snake, Your feet may never leave this town; not alive anyway! For he’s on the board walk, She’s on the board walk, We’re on the board walk now! He’s got mojo, see him switch and walk, a winning smile, a stick of chalk, He’s a hot shot, man about town, his skin is sweet and his eyes are brown, He’ll strut that rooster, beat them gums, take cash or cheque before she comes. He’s got jazz, gospel, ragtime too, a carpet bag and a jug for ***** Sheba, Sheba, Sheik! He’s got it, he’s got Jake, His feet will roam from town to town,   Sheba, Sheba, Sheik, Sheik! He’s the devil and no mistake Your feet may never leave this town; not alive anyway! For he’s on the board walk, She’s on the board walk, We’re on the board walk now! Song Link: https://youtu.be/l5papPgYaBc
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Mar 6, 2018
Mar 6, 2018 at 6:53 AM UTC
Brother Jake
She is not of this world, no, not of this world at all: She comes here on difficult visits To this realm of deception enamoured of gratification Like the moon reflected on the crest of a high wave: Never certain, and assuredly mortal is her reign Breaking apart in a hundred sprays of violent agony After every roaring chequered ascension; I too mistook pain for her Pain, her distant shadow Sorrow, her cousin who triumphs here Deep in the woods I heard the song of the willow And thought it was her song It was the wind playing in the hollow reed Emptied of all essence in ****** of suffering Regal moss covers broken walls worn of centuries of abrading life The deep night deceives of peace only to die in A thousand pools of blood, every morning When the harsh light of truth proclaims: Listen, distances, resound in the hum of blowing winds, This toll of reality: Proclaim to the forlorn lover suffering in the thrall of the early night Proclaim to the hopeful lover labouring in the field of life Love is not of this world, Love does not exist in this world A moments’ exultation follows a lifetime of agony here The vain, the ****** profferer of gratification Is the sole winner here: Go break the crest of the moon on the rising tide Go break every longing heart! Go warn the wanderer in the woods Of the impending doom that looms over his quest
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Aug 17, 2012
Aug 17, 2012 at 11:54 PM UTC
She's not of this world
Far yonder aether and spaces traversed in countless night years. The tremendous travel on light waves till  oxidized on ozon layers. The tedious wait for an elemental suit equipped with sensory marvels. To sense the air fire water firmament chequered with energy levels. The suit was made to order at a court woven by matching hearts. The landing to a cosy slumber bag enacted by eye catching arts The jovial journey accomplish with purpose meeting  the reach. The cause of the entire travel tip off further detailed research.
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Nov 30, 2018
Nov 30, 2018 at 11:04 AM UTC
Journey of a soul
Difference. Praise for all variation, that diversified play of colour and shape which takes away sameness and paints nature with sheer tessilation. Hooray for the patchwork of harlequin stripes in that mackerel sky or those chequered blotches embroidered on coats of every dalmatian. Applause for the hues shot through peacocks and each rainbow, those pied streaks in ponies, marbling of stone, the frets in wide bands on speckled trout, braided tattoos over the backs of zebras and tigers flecked with a motely collection of artistically peppered mosaics. Smiles for tri-colours in butterflies and pibald frogs just made to reflect luminous wet. For kaleidoscope difference let praise be and for all crazed iridescence seen in the glorious abundance of nature.
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Feb 16, 2017
Feb 16, 2017 at 6:19 AM UTC
Difference.
As we glide An incessant Kush Softens the grind Can I Sense your Soft Surface? Or Is it merely a reflection through this Blue, Quasi-chequered construction? I long to see as you see me: A dangling ******* Encompassed by a wide, Gasping mouth Gargling sac I will see you On the next train
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Jul 24, 2015
Jul 24, 2015 at 1:35 PM UTC
The Smoothness of Those Two Trains Passing Each Other
I want to dig my nails – no longer ravaged by my teeth Into my life. I want to see the zest spray onto my chequered shirt And hope there is something sweeter inside. I could go out tonight And drink until the gag of beer seizes my throat And causes me to cling sagely to the bathroom tiles. Until I feel the Earth’s axis shudder And those plates of rock rumble together in an endless Blitzkrieg In the centre of the world. These pseudo suicidal thoughts permeate, Like an artist painting his meticulous masterpiece Next to a vat of scarlet paint or lighter fluid. I could go out tonight And take a pill until the pound of my heart Causes my eyes to open And see past the blackness of my life. I can dance double-time in an endless ocean of strangers In the centre of the world. Oh, I could take a scalpel To every freckle on my skin, Before I realise we all burn in the sun.
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Sep 29, 2012
Sep 29, 2012 at 5:50 AM UTC
A Depression to Document
So I went down the rabbit hole thinking I was following you, my love They would have said it was Mad that's why I didn't tell anyone that the living room table & house was divided into different countries America at the helm Germany, Britain and Russia as I stood in my chequered coat for days on end, crying believing people thought I was Stalin or else, a diplomat about to be killed & M&S; tea, the package being red & black made me think of communism ( red) & fascism ( black) & though being neither I wanted to promptly order my mother to spread it amongst the people then realized the irony of this & refrained instead, asking her why she was sending signals to the neighbors by putting the kettle on whilst praying for all the believers in and of True Love True Love, salvation & fury debased by them on purpose, I thought ' Erotomaniac' what? Simply for wanting to have hope? Believing in romance? And you, who rejected me you'll never know Wonderland all you saw was a rabbit hole, darkness & dirt & it's true, it all just turned into barbed wire & Angels singing, locked up little pills at bedtime fear, my only crime & yet for a while before that the world shone & I don't know how to talk about that it's just that I thought every person I met would lead me to your door that all the songs in the world were sung for me & that all your poetry was a declaration of love just waiting to happen
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Aug 17, 2015
Aug 17, 2015 at 11:33 AM UTC
Do you believe in white rabbits
Through the chequered opening A colorful kaleidoscope presents An array of lush green A wisp of fresh breeze A smiling sunbeam An expanse of immaculate welkin Through the chequered opening I see, A streak of rushing speed A slice of broad wing A naïve game of child A glimpse of active time Through the chequered opening I stitch… My work, my soul, my time
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Jan 7, 2013
Jan 7, 2013 at 12:06 AM UTC
Opening
This is where it almost blew us away. Where stunned silence gave way to chainsaws and sirens, where a whole community rolled up its chequered sleeves in solidarity, brought tractors and barrows, ladders and axes and enough rope to pull it all together. (we've seen it all on screen) It split bare trees. Some lay paralysed, varicosed roots flung skywards. Others, headless, fixed like totems gave a new slant of light to the polished cobbles. Some were touched, others not. Some cursed God's reasoning, others sure of scientific fact. The abyss did not divide them. Peace coincided with the setting sun. The wailing of sirens and chainsaws gave way to the sound of unadulterated joy. (Earth allows these moments- they are her children.) In a battle of strength, small hands locked in solidarity, made way for life. Straining against an opposing force, tugging on a rope where the trick is to stay grounded, to hold on and not let go. copyright © Caroline Grace 2014
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Jan 29, 2014
Jan 29, 2014 at 12:17 PM UTC
Tornado (one year on)
for Alice seen from the terrace above this rectangle of water absorbs the variousness of the late spring skies changing incessantly from folds of uncertain cloud past brief appearances of blue to the sudden closeness of rain the preciseness of it this rectangular pool set in an oblong garden room on a terrace the middle of three that fall away to the valley’s end where up and through and which a funnel of trees climb to the tops the very heights today severe against a modulating sky yet in the camera’s eye this horizontal mirror is a painting fit for Le Musée d’Orsay a season’s accident no less in light and growth and colour where the chequered strings of toads’ spawn and darting tiny fish are brush strokes come alive kneeling on the stone rim as if in prayer afore this reflecting space attentive to what seems between what is this woman holds within her perfect hand the pond photographically framing its image as it moves and stirs across her gentle gaze
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May 20, 2013
May 20, 2013 at 4:06 AM UTC
Pond