Hear ye, hear ye
hearken from the medieval times of old
where knights in the round once roamed
jousting with deeds fought in truth and honor
to protect the weak, the helpless, the oppressed
with an ideology lurking since the dawn of time
that all are born free, unshackled from contrived ordeals
only to soar high with the eagles to become one with the heavens
and bask in the glory of serving the frailty and holiness of mankind

Hear ye, hear ye
it’s Merlin conjuring a magical spell for the spirit
to behold, to marvel, new stages of self-enlightenment
where the essence of the King invades sleeping visions
possibly foretelling ominous events awaiting new missions
or predestined journeys one must endure to become so bold
in knowledge and wisdom offered, living in this world’s mold
not necessarily realized, instead shrouded with unimpeded urges
akin to the signs found in youth, immaturity, the close-minded

Hear ye, hear ye
the quest to sip from the Carpenter’s silver chalice
and taste charitable love for family, friends, and foes
where reckless pride and hatred are speared with the arrow
forged in devotion of a noble belief, tempered with selfless feats
where the sun rises and sets on the wicked actions of human nature
slaughtering the divine lights prematurely, locked within many souls
yet crusades against evil continues, no retreat, no regrets, no surrender
price to uphold the spirit of Camelot, payment in full, services rendered.

I dropped my daughters favorite cup...
James Dean was laying at my door
his face was shattered on the floor
I was trying to glue the handle back on the cup
before it slipped from my hands
I didn't seem to understand
I've been pushed aside, and over a fence

a light bulb moment happened next
and some things began to make some sense

I have been sentenced
for my so called sins
In "once upon" I had a shot
like the legend in Camelot
not perfect - no, not at all you see
but it was when I felt they may have loved me.
When I used to matter
before they dropped me
and, I shattered
I have fallen into a wall of silence
The cup is just a symbol
a sign, or - symptom
of all the blaming, and shaming
that can happen
in a twisted triangulation
a kind of strangulation --
there's always one broken cup in a family
they're the chosen one
to choke out all the darkness that's taken place
a sacrifice for all the wrongs that your ancestors have done.

it's all been passed down from face to face
generation after generation
my soul finding its way to this great nation
I was chosen long ago
by someone I do not know

I am a broken cup
I am glueing myself together...
it doesn't matter what they say
even though I've been castaway
I've decided that I'm okay
I know inside
that I am good
and, what matters most--
is that I know I'm kind.

Message cocked her head as if to understand what Arthur had just said. She pulled a lock of hair back and questioned, “All of them? How?!” Arthur sighed and said, “When time was not, Mythology
was. He is made up of twelve force-beings who many people in the past had to worship. They were joined by the strength of the Five Arguments, Power, Dominion, Acceleration, Presence, and Existence. There is this legend that an Argument called the Thirteenth was supposed to join and did not. If one of these
arguments are missing, they will not exist, or cease to exist the way Mythology is as a composite being. But these force-beings were always in disharmony, and as a result chaos and calamity was in the world.
The only beacon of hope in the world was Troy.”
Message nodded and said, “So that was how the Trojan War began?” Arthur said, “ Yes. Forget that Helen and most the beautiful woman nonsense, it was only a façade. What Mythology really wanted was to destroy the world, just as he wants to destroy this one. When the Trojans scattered all over the world his mission was deterred at every turn by their descendants throughout time. ” Message gripped her chair so hard that she thought that her veins would pop. Message inquired, “But what can I do about this threat? The Assembly of the Many voted me down and if I try to take action, those fools can take away my Rulership, as they did my father’s.” Arthur grinned slyly and said, “You can’t do
anything, but me and the other Projects can. We serve the Dahomeyian Rulership but are independent, and we don’t answer to the Assembly of the Many. That way, if anything happens….Message and Arthur yelled out together, “The Dahomeyian Rulership is not responsible!”
Message pursed her lips as she said, “ Whatever you need, I can give it to you.” Arthur said, “We first need to go on a reconnaissance mission before we can take further steps to combat Mythology. We need to know the enemy.You can stay back so if we need anything we can contact you and you can
forward it to us by Galvatar watches. I will also give you Lady of the Night’s hook-up so all of the Federation can be on stand-by. “ Message nodded, relieved that something was finally going to be done. Arthur stood up and as his walked out he said, “ Tell The Alliance Project I have a mission for him so his
days as a house husband are over.” Message laughed.
When the Alliance Project came home, he was startled to see Message crouched over the laptop with a familiar look on her face. He thought, “This is the face she has when she is determined to
fight…..””Honey!” Message said as she ran to The Alliance Project and gave him a kiss. “ Don’t honey me, what are you up to?” Message smiling seductively at him and said, “ Just a little Battlefare. I was going to send the Projects to fight Mythology.” The Alliance Project sighed and replied, “ What did the Assembly of the Many say?” Message’s smile turned into a snarl and she snapped, “The Projects are under the Federation and I am their head. It was an executive decision.” She also turned around and
said, “Need I remind you I am your head as well?” The Alliance Project sat down and pondered this decision. He got up and said, “Ok, where is Arthur and the Covenantial Project. We can bring some Scouts from Earth and go. “ “But” The Alliance Project said, waving his hands around, “This is only reconnaissance, not a combat mission.” “Right” Message, agreed, but her fingers were crossed behind her back.” “ Why are you winking” The Alliance Project demanded. “I had something in my eye,”
Message laughed.
Message, Arthur, The Covenantial Project, and The Alliance Project were in the Dahomeyian Arsenal preparing for the mission against Mythology. The Covenantial Project said, “ Mythology can
sense courage, so we need Strength Suppressors to be put on the side of the Isotrain Mechanism. Arthur and the Alliance Project nodded in agreement. The Covenantial Project then said, “I will pilot and Arthur will wield the Lifeforce Seeking Missiles. We have to see who Mythology interacts with on Dahomeyia,
because I am sure he has spies. Then we will disengage, go back up, and Message you try to convince the Assembly of the Many that Mythology is the biggest threat there is. I will send out communications to Essence because we need her in this fight.” Everyone nodded.
Far off in the distance, in a place measured not by light-years but by light-timelines, there should a woman warrior with a wicked recurved bow in her hand. She sighed as she thought of how she was not able to get to Troy, Camelot and Dahomeyia in time. Someone tapped her on the shoulder and asked, “Essence?”
She turned around.
“Dahomeyia needs you now more than ever and  sooner rather than later.”

The assassins hit in 63
And Camelot was gone,
Inspiration vanished
And the darkness sang it’s song.
Vietnam escalated
Brezhnev’s Russia loomed,
Africa was eviscerated
And Red China entombed.
Floating on a long white cloud
The Kiwis were replete
With abundant British markets
For their butter, wool and meat.
The Europeans went ****
And Britain lost it’s way
When the Beatles and the Rolling Stones
Monopolized their day.
Man landed on the moon
And raised the Yankee flag
And they shot Mahatma Ghandi
For making good things out of bad.
The Berlin Wall dividing,
The Cold War tense and spare,
ICBM’s threaten silently
In their silos of despair.
Bob Menzies ruled Australia
As an amassing of his loot
And his White Australia Policy
Condemned him as a brute.
Found naked on her tousled bed,
Blonde hair across her face,
Marylin Monroe is dead
The world’s a darker place.
In the Age of Aquarius
Our children lost their youth,
LSD and smoking ***
And Afro’s were the proof.
Lots of leg in miniskirts,
High bouffant’s in the hair,
Screaming teeny boppers
Rock with Elvis on “the Air”.
Giant, Rawhide, Ponderosa,
Martin Luther King,
Kaftans and a cheese fondue,
Abortion is a sin!

It’s a sixties kaleidoscope,
A panoramic skim
Of an era of wonderment
Which you and I lived in.


Marshalg
@the Gate
Mangere Bridge
20th January 2009

Do you recall where you were that day, that November Friday afternoon?
The moment that you heard the news that someone had murdered J.F.K?
Some were just children at the time who now have grown so old and grey.
Half those Americans are gone who heard what Cronkite had to say.
That day that Camelot came to grief, and power passed to L.B.J.
Yes, I am a child of then, that day lives still in memory.

saw:

the adoration of the daddy,
as his red haired babes
leaned into
either side of him,
courtiers to a king
on the way to school this AM,
transfusing his magical super~fatherly,
by inhaling his special powers through
their nostrils, direct from his
broad and powerful brave-heart chest,
for use later in the wild jungle
of second grade
•••
an elderly gent whose walker rattled
with every lift and kerplunk on
the street~steppes of a dangerous city
for the brittle of bone and the easily dentable,
and the crowd that gathered round walking
at precisely the same pace he required
to make it across the widest boulevard
which was thirty seconds more than the
Dept. of Transportation's asinine calculations
and a miracle from Lourdes occurred -
not one horn honked in ire as the court
escorted their Long Live the King
safely across the street, as if
idiocy was like rain, against the law,
until after sunset as in Camelot
•••
an elegant germanic man,
in homburg and velvet collared overcoat,
taking care of sales and distribution of
newspapers and candy at the corner paper "stand"
while the elderly owner, whose partner~wife of
fifty years had recently passed, now had no one
but someone's pop whose was out
walking our cocker spaniel,
to tend the place while said candyman
obeyed nature's callings

and all his fans and friends who passed
on their way to the adjacent subway station,
exclaimed Erwin, Erwin what are you doing?
his twinkled crinkled eyes replied,
enjoying their puzzlement, laughingly saying
"making spare change"
•••
where I lived these little miracles occurred so frequently,
was told a story that the ministering angels
could not keep up with their duties,
complaining to the On High, who resoundingly loudly
commanded their silence! by reminding them that
all these, his creatures, were his own precious,
the reason for creation and why they were needed,
and the sum of all these small acts gave them their own
existential purpose, now angry at himself for loss of temper,
soft spoke as a parent and told them better,
hush my children, we have much to do!
•••
so now you impatiently need to know
why this scripture
came to be known as
$$$$$
for I was witness to all of this,
all on that day,
that was twenty fours hours long
across many hard hearted Hiroshima decades,
that made me
temporarily
the richest man in the world

Fine legged Samantha held my hand
emerging from her shell,
buttermilk from Safeway's
matching her milk skin,
then a stroll to buy a camera.
Being that intentional,
she only wanted a semi automatic,
a shutter priority to capture my widening smiles.
I was  fully into manual
to capture both
her occasional wiles
and throw of tousled hair.
With slide film
we walked to Lloyds Park
Camelot of the possible,
as though Manhattan peered
from the east.
Clearly the days before
the Summer drought,
our slides captured well preserved images
lasting into time.

She was the queen of Camelot in her dreams
She wore a golden diadem and a silver swirling dress
Servants were at her beck and call
Her king was kind and brave and caring and noble
But when day broke she was a prisoner behind bars
Trapped in her bedroom
With only her dreams to comfort her

our
bodies
roasting
in passion
beneath the
Camelot sun
sprinting towards
the cool minty
green shade
swallowed laughter
underneath this
canopy of love

The Queen of the Diamond,
she of beauty and grace.
she of poise and elegance,
she of ribbon and lace.

The King of the *****,
he of joking and laughter
he of roughness and fun,
he of jacket and leather.

The Queen stood tall,
over her subjects, the
serfs of the schoolyard.
The Barons, Earls, and Counts,
alike tried to garner her favor.

All to no avail, as the Queen
was not interested in their advances.
Or in affairs of the heart altogether.
She was busy with her own lofty goals,
yet, how the countesses talked...

The King was once but a serf,
a simple, silly, joking jester.
But he had a way, and a manner,
an ability to please and to appease,
in ways the nobles could not.

However, all he really was
was a punchline, a tool for laughter.
He longed for more, and then more.
He desired importance, and status,
and not the derision of the clowns.

The Queen graced him with
her royal presence, one spare day.
With his jokes, and jests, and
his knightly sincerity, the King
managed to win her over.

In time, they made an alliance.
A partnership, an agreement,
sealed by a regal kiss. Together,
They won what they both desired.
in spite of what others conspired.

The Queen got some solace from
the nagging hand-maids, her fellow
nobles and others asking when she'd
find herself a sweet suitor, a man.
So that she could focus on her dreams.

The King finally earned respect,
the kind that comes from moving up.
No longer was he just another serf,
he could instead joke and upshow
the smug nobles of the royal court.

Yet as the seasons passed, they came to
realize that little had they in common.
The Queen was studious and stern,
The King was slack and slow at work.
They had fun, but little was earned.

Respect only went so far really,
and the King could feel it was forced,
and the Queen still had to put up with
questions of when they would be wed.
Their struggles were still present.

Camelot would not amaze much longer,
as the King and the Queen would go
their separate paths, amicably as could be.
The Queen realized that only she could
determine her own self-worth.

A lesson that rang true for the King,
as well. Self-respect mattered more,
than 'respect' from others, that can flit,
and flutter. And so, through each other,
The King and Queen got what they needed.

a grassy knoll
shots rang out
left a world in fear
with a world in doubt

we watched Camelot
suddenly pass away
on the harsh streets of Dallas
50 years ago today

as the 60's arrived
newly on the scene
hello nightmare
goodbye american dream

on that fateful day
it all fell apart
shot a hole in our soul
left a hole in our heart

when on that grassy knoll
shots rang out
which left a world in fear
to a world in doubt

Camelot was really a place
where you parked camels –
yeah, the Egyptians traded everywhere;
and sure the round table was true –
King Arthur asked Sir Circumference to
fashion him a round table
because, as a matter of strategy,
it’s never good to be cornered

And what did the Egyptians do
after they parked their camels at Camelot?
Oh, they enjoyed the knight life
and the Musical
and they eyeballed Guinevere and Julie Andrews

So really, in spite of Thomas Malory
and Richard Harris and Richard Burton
in spite of all skills literary and vocal,
and Hollywood special effects -
Camelot was just a night club;
the English have always loved a good drink

what
handsome
gallant
young
man's tenor voice
serenade
beauty
back
to sleep
are
the
dreams of Camelot

Beauty is an empty cage that shakes the world anew-
Yet, falters at the slightest rage, or faintest sickly hue.
A sweet yet poisonous embrace, it slowly clogs the pores,
Of lonely men of a pious race, slumped against heavens doors.
A heavy weight upon the back of those cursed enough to bear it,
Turned to salt for looking back, now eternally doomed to share it.
The elegance of poise and grace send shackles up the palms
Of the amorous eyes of a lover's face- the most perverted kind of alms.
Oh, Aphrodite had her laugh, her poor afflicted soul,
And now she revels in the past, as penance casts its toll
Upon her sweet reflection, the sole source of her empty joy-
As her heart cries out dejection in the name of Helen of Troy.
Ah, fragile bird have you no cause- to hide your face with shame?
Does happiness subdue your flaws- or is humility to blame?
A lepers skin can hardly hold the burden of an empty nation,
Yet, still the world has bought and sold innocence for infatuation.
There's a subtle pain beneath the ring of a mother's sordid song,
Still she bites her lip as she's forced to sing,  while the audience treads on.
The ****** Mary cast her lot among those new and pure,
Then temptation came from Camelot, and knocked her to the floor.
It's faith that holds her safe and whole, a figurine atop a shelf
Alas, her eyes so bright were smeared with coal, for love has lost itself.
Yes, virtue finds her strength in those too weak to carry further,
Doomed to bear a thorny rose, eternally sworn to serve her.
She's rattling her bones again, in hope for something hidden,
Beneath the glistening shards of glass, twisting and churning within.
How sweet it is to stomp the ground of all that hides the eye
From righteousness and morals sound- is beauty but a lie?
Rituals and good intent lay stagnant at the feet
Of Cleopatra's testament, too indifferent for defeat.
Heaven thrives as the world recoils, collapsing crumpled to the floor-
A rotten corpse of ancient toils, too tired to implore.
I've heard the sirens sing their alms, with intentions pure as snow-
As sailors mindlessly follow along, cursing the maidens as they go.
There's something to be said about a grace so bent on fate
Of that which crafts a sultry face: vanity in its purest state.

Who to hedge?
Mayor Butigedge?
Camelot with Harris?
All trying to scare us
Bidin’ my time
With this rhyme
Oh! Sleepy Joe
Establishment’s gotta go
Does Bernie Sanders
Really furnish answers?
Can Gillibrand
Instill a better plan
Choose Hickenlooper
Over Agent Cooper?
Is Eric Swalwell
Really ready as well?
Is senate Bennett
Really in it?
With smart I could I hang
Can do, Andrew Yang
There on the end,
Author Williamson
Sometimes chiming in
Hanging in
Add it up, Kamala
Show us the algebra!
Universal health care
Always and everywhere
Here’ a real shocka:
Gotta keep that DACA
We need legislation
To fix immigration
And yes we can
Care for veterans
Tax the rich, *****!
Time to shun guns
Meet the feed need
Help the poor more
All in a home zone
And note every vote
And yo:
Not your embryo

I'm Bailey.
I sometimes forget to recycle.
I'm from singing camels and trigonometry.
From soap bubbles and yellow scarves, Irish hymns and Zucchini the ferret,
piano keys, bluebonnet seeds, and DO NOT ENTER signs.
From salt.
I'm the color of hosed off sidewalk chalk.
I'm all summer in a day.
I'm a conglomeration of artistic thoughts that make me look more profound than I actually am.
I'm your infinite playlist.
I'm from elephant necklaces and rosemary bushes
from high-heeled taps and Camelot
threadless socks, shopping carts, and impromptu salons.
I'm the fifth ninja turtle.
I live where you laugh so hard you cry.
I'm from carrots and ranch.
I'm a happy cow from California, a fortune cookie with your enchilada, a drill team skirt over marching uniforms.
I'm from unfinished crossword puzzles and forgotten dead languages
from pixie dust and snapcracklepop
from actually-it's-pronounced's, because-i-said-so's, and that's-not-my-name's.
I am Nancy Drew with a Peter Pan complex.
I come from honeysuckle candles and sunroofs of pickup trucks
broken-down fences and peach salsa
the second you step onstage.
I'm from in between.
I'm Bailey.
I don't drive the speed limit.
And I'm from you.

what
bends
the
arc of history
only time
does that
the
choice
to understand
forgiveness
love
and
compassion
even in our dreams
and
waking state
thus
great men and heroes
have
eyes of Camelot

michell
i love her
alot but
her shadow
fade in
a place
called camelot

NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
       such strange things ‘have Never happened in our Land’,
       such quaint things ‘could Never happen in our Land’’,
       such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

The ***** grinder preaches fine on Sunday afternoons -
he quotes from books but overlooks the Secrets Carved in Runes:
“You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
it’s sink or swim as echoed dim in swinging door saloons”.
The laughingstocks are flinging rocks at ball-and-chained baboons.

While ghetto boys are looting toys preparing for their doom
and Mademoiselles are weaving shells on tapestries with looms,
Cathedral cats and rafter rats are peering in the room,
where ragged strangers stoop for change, for coppers in the gloom,
whose thoughts are more upon the doors of crypts in Christmas bloom,
and gold doubloons and silver spoons that tempt beyond the tomb.

Mid *** shots from vacant lots, that strike and ricochet
a painted girl with flaxen curl (named Wendy)’s on her way
to tantalise with half-clad thighs, to trick again today;
and indiscreet upon the street she gives her pride away
to any guy who’s passing by with time and cash to pay.
(In concert halls beyond the Walls, unjaded girls ballet,
with flowered thoughts of Camelot and dreams of cabarets.)

Though rip-off shops and crooked cops are paid not once but thrice,
the painted girl with flaxen curl is paring down her price
and loosely tempts cold hands unkempt to touch the merchandise.
A crazy guy cries “where am I”, a ****** titters twice,
and double quick a lunatic affects a fight with lice.

The alleyways within the maze are paved with rats and mice.
Evangelists with moneyed fists collect the sacrifice
from losers scorned and rubes reborn, and promise paradise,
while in the back they cook some crack, inhale, and roll the dice.

A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
with broken neck, he looks a wreck, the sparrows all aflutter,
the passers-by, they close an eye, and turn their heads and mutter:
“Let’s pray for rains to wash the lanes, to clear away the clutter.”
A river slows neath mountain snows, and leaves begin to shudder.

The jungle teems, a siren screams, the air is filled with ****.
The Reverent Priest and nuns unleash the Holy Shibboleth.
And Righteous Jane who is insane, as well as Sister Beth,
while telling tales to no avail of everlasting death,
at least imbrue Hagg Avenue with whisky on their breath.

The Reverent Priest combats the Beast, they’re kneeling down to prey,
to fight the truth with fang and tooth, to toil for yesterday,
to etch their mark within the dark, to paint their résumé
on shrouds and sheets which then completes the devil’s dossier.

Old Dan, he’s drunk and in a funk, all mired in the mud.
A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
“I’m feeling pain and crying rain and flailing in the flood
and no god’s there inclined to care I’m always coughing blood.”
The Monk, he turns, Dan’s words he spurns and lets the bible thud.

Well, Banjo Boy, he will annoy with jangled rhymes that fray:
“The clanging bells of carousels lead blind men’s minds astray
to rings of gold they’ll never hold in fingers made of clay.
But crest and crown will crumble down, when withered roots decay.”

A pregnant lass with eyes of glass has never learned to cope.
Once set adrift her fall was swift, she slid a slipp’ry ***** -
she casts the Curse, the Holy Verse, and shoots a shot of dope,
then stalks discreet Asylum Street her daily horoscope -
the stray was struck by random truck which was her only hope.

So Banjo Boy, with little joy, he strums her life entire:
“The wayward waif was never safe; her stars were dark and dire.
Born midst the rues and avenues where lack and want aspire
where no one heeds the childish needs that little ones require;
where faith survives in tempest lives, a swirl within the briar,
Infinity grinds as time unwinds, until the winds expire.
Her last caprice? The final peace that no one could deny her -
whipped by the flood, stray beads of blood cling, splattered on the spire;
though beads of sweat are cool and wet, cold clotted blood is dryer.”

Though broken there, she’s fled the snare with dying thoughts serene.
And now she’s dead, the rumours spread: her age? a sweet 16,
with child, *****, her soul dyed red, her body so unclean.
A place is sought where she can rot, avoiding churchyard scenes,
in limey pits, as well befits, behind forbidding screens;
and all the while a dirge is styled on tattered tambourines
which echo through the human zoo in valleys of the Queens.

Without rejoice, in hissing voice, near soil that’s seldom trod
“In pious role, God bless my soul”, was mouthed with mitred nod,
neath scarlet trim with black, and grim, behind a robed facade -
“She’ll burn in hell and sulphur smell”, spat Priest and man of god.

Well, angels sweet with cloven feet, they sing in girl’s attire,
but Banjo Boy, he’s playing coy while chanting in the choir:
“The clueless search within the church to find what they desire,
but near the nave or gravelled grave, there is no Rectifier.”
And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

A sodden dreg with wooden leg is dancing for a dime
to sacred psalms and other balms, all ticking with the time.
He’s 22, he’s almost through, he’s melted in his prime,
his bane is firm, the canker worm dissolves his brain to slime.
With slanted scales and twisted jails, his life’s his only crime.

A beggar clump beside a dump has pencil box in hand.
With sightless eyes upon the skies he’s lying there unmanned,
with no relief and bitter grief too dark to understand.
The backyard blight is hid from sight, it’s covered up and bland,
and Robin Hood and Brother Hood lie buried in the sand.

While all night queens carve figurines in gelatine and jade,
behind a door and on the floor a deal is finally made;
the painted girl with flaxen curl has plied again her trade
and now the care within her stare has turned a darker shade.
Her lack of guile and parting smile are cutting like a blade.

Some boys with cheek play hide and seek within a house condemned,
their faces gaunt reflecting want that’s hard to comprehend.
With no excuse an old recluse is waiting to descend.
His eyes despair behind the stare, he’s never had a friend
to talk about his hidden doubt of how the world will end -
to die alone on empty throne and other Fates impend.

And soon the boys chase phantom joys and, presto when they’re gone,
the old recluse, with nimble noose and ****** features drawn,
no longer waits upon the Fates but yawns his final yawn
- like Tinker Bell, he spins a spell, in fairy dust chiffon -
with twisted brow, he’s tranquil now, he’s floating like a swan
and as he fades from life’s charades, the night awaits the dawn.

A boomerang with ebon fang is soaring through the air
to pierce and breach the heart of each and then is called despair.
And as it grows it will oppose and fester everywhere.
And yet the crop that’s at the top will still be unaware.

A lad is stopped by roving cops, who shoot in disregard.
His face is black, he’s on his back, a breeze is breathing hard,
he bleeds and dies, his mama cries, the screaming sky is scarred,
the sheriff and his squad at hand are laughing in the yard.

Now Railroad Bob’s done lost his job, he’s got no place for working,
His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
The union man don’t give a ****, Big Brother lies a’ lurking,
the boss’ in cabs are picking scabs, they count their money, smirking.

Bob walks the streets and begs for eats or little jobs for trying
“the answer’s no, you ought to know, no use for you applying,
and don’t be sad, it aint that bad, it’s soon your time for dying.”
The air is thick, his baby’s sick, the cries are multiplying.

Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
and midnight dreams abound with screams. Bob knows he needs to hurry.
It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
he chooses gas, they breathe their last, there’s no more cause to worry.

Per protocols near ivied walls arrayed in sage festoons,
the Countess quips, while giving tips, to crimson caped buffoons:
“To rise from mass to upper class, like twirly bird tycoons,
you stretch the treat you always eat, with tiny tablespoons”

A learned leach begins to teach (with songs upon a liar):
“Within the thrall of Satan’s call to yield to dim desire
lie wicked lies that tantalize the flesh and blood Vampire;
abiding souls with self-control in everyday Hellfire
will rest assured, when once interred, in afterlife’s Empire”.
These words reweave the make believe, while slugs in salt expire,
baptised in tears and rampant fears, all mirrored in the mire.

It’s getting hot on private yachts, though far from desert plains -
“Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
Beyond the blame and pit of shame, outside the Walled domains,
they pet their pups and raise their cups, take sips of pale champagnes
to touch the tips of languid lips with pearls of purple rains.

Well, Gypsy Guy would rather die than hunker down in chains,
be ridden south with bit in mouth, or heed the hold of reins.
The ruling lot are in a spot, the boss man he complains:
“The gypsies’ soul, I can’t control, my patience wears and wanes;
they will not cede to common greed, which conquers far domains
and furtive spies and news that lies have barely baked their brains.
But in the court of last resort the final fix remains:
in boxcar bins with violins we’ll freight them out in trains
and in the bogs, they’ll die like dogs, and everybody gains
(should one ask why, a quick reply: ‘It’s that which God ordains!’)”

Arrayed in shawls with crystal *****, and gazing at the moons,
wiled women tease with melodies and spooky loony tunes
while making toasts to holey ghosts on rainy day lagoons:
“Well, here’s to you and others too, embedded in the dunes,
avoid the stares, avoid the snares, avoid the veiled typhoons
and fend your way as every day, ’gainst heavy heeled dragoons.”

The birds of pray are on their way, in every beak the Word
(of ptomaine tomes by gnarly gnomes) whose meaning is obscured;
they roost aloof on every roof, obscene but always herd,
to tell the tale of Jonah’s whale and other rhymes absurd
with shifty eyes, they’re giving whys for living life deferred.

While jackals lean, hyenas mean, and hungry crocodiles
feast in the lounge and never scrounge, lambs languish in the aisle.
The naive dare to say “Unfair, let’s try to reconcile.
We’ll all relax and weigh the facts, let justice spin the dial.”

With jaundiced monks and minds pre-shrunk, the jury is compiled.
The Rulers meet, First Ladies greet, the Kings appear in style.
Before the Court, their sins are short, they’re swept into a pile;
with diatribes and petty bribes, the jurors are beguiled.

The Herd entreats, the Shepherd bleats the verdict of the trial:
“You have no face. Stay in your place, stay in the Rank and File.
And wait instead, for when you’re dead, for riches after while”;
Aristocrats add caveats while sailing down the Nile:
“If Minds are mugged or simply drugged with philtres in a vial,
then few indeed will fail to feed the Pharaoh’s Crocodile.”
The wordsmiths spin, the bankers grin and politicians smile,
the riff and raff, they never laugh, they mark a martyred mile.

The rituals are finished, all, here comes the Reverent Priest.
He leads the crowds beneath the clouds, and there the flock is fleeced
(“the last are first, the rich are cursed” - the leached remain the least)
with crossing signs and ****** wines and consecrated yeast.
His step is gay without dismay before his evening feast;
he thanks the Lord for room and, bored, he nods to Eden East
but doesn’t sigh or wonder why the sins have not decreased.

The sinking sun’s at last undone, the sky glows faintly red.
A spider black hides in a crack and spins a silken thread
and babes will soon collapse and swoon, on curbs they call a bed;
with vacant eyes they'll fantasize and dream of gingerbread,
and so be freed, though still in need, from anguish of the dead.

Fat midnight bats feast, gnawing gnats, and flit away serene
while on the trails in distant dales the lonesome wolverine
sate appetites on foggy nights and days like crystalline.
A migrant feeds on gnats and weeds with fingers far from clean
and thereby’s blessed with barren breast (the easier to wean) -
her baby ***** an arid flux and fades away unseen.

The circus gongs excite the throngs in nighttime Never Land –
they swarm to see the destiny of Freaks at their command,
while Acrobats step pitapat across the shifting sands
and Lady Fat adores her cat and oozes charm unplanned.
The Dwarfs in suits, so small and cute when marching with the band,
ask crimson Clowns with painted frowns, to lend a mutant hand,
while Tamers’ whips with withered tips, throughout the winter land,
lure minds entranced through hoops enhanced with flames of fires fanned.
White Elephants in big-top tents sell black tusk contraband
to Sycophants in regiments who overflow the stands,
but No One sees anomalies, and No One understands.
At night’s demise, the dither dies, the lonely Crowd disbands,
down dead-end streets the Horde retreats, their threadbare rags in strands,
and Janes and Joes reweave their woes, for thoughts of change are banned.

The Monk of Mock has fled the flock caught knocking up a tween.
(She brought to light the special rite he sought to leave unseen.)
With profaned eyes they agonise, their souls no more serene
and at the shrine the flutes of wine are filled with kerosene
by men unkempt who once had dreamt but now can dream no more
except when bellowed bellies belch an ever growing roar,
which churns the seas and whips a breeze that mercy can’t ignore,
and in the night, though filled with fright, they try to end the War.

The slow and quick are hurling bricks and fight with clubs of rage
to break the chains and cleanse the stains of life within a cage,
but yield to stings of armoured things that crush in every age.

At crack of dawn, a broken pawn, in pools of blood and fire,
attends the wounds, in blood festooned (the waves flow nigh and nigher),
while ghetto towns are burning down (the flames grow high and higher);
and in their wake, a golden snake is rising from the pyre.
Her knees are bare, consumed in prayer, applauded by the Friar,
and soon it’s clear the end is near - while magpie birds conspire,
the lowly worm is made to squirm while dangling from a wire.

The line was crossed, the battle lost, the losers can’t deny,
the residues are far and few, though smoke pervades the sky.
The cool wind’s cruel, a cutting tool, the vanquished ask it “Why?”,
and bittersweet, from  Easy Street, the Pashas’ puffed reply:
“The rules are set, so don’t forget, the rabble will comply;
the grapes of wrath may make you laugh, the day you are to die.”

The down and out, they knock about beneath the barren skies
where homeward bound, without a sound, a ravaged raven flies.
Beyond the Walls, the morning calls the newborn sun to rise,
and Peter Pan, a broken man, inclines his head and cries...

The Last Enchantment
by Michael R. Burch

Oh, Lancelot, my truest friend,
how time has thinned your ragged mane
and pinched your features; still you seem
though, much, much changed—somehow unchanged.

Your sword hand is, as ever, ready,
although the time for swords has passed.
Your eyes are fierce, and yet so steady
meeting mine ... you must not ask.

The time is not, nor ever shall be,
for Merlyn’s words were only words;
and now his last enchantment wanes,
and we must put aside our swords ...

Originally published by Trinacria. Keywords/Tags: Lancelot, King Arthur, Arthurian, Merlin, round table, knights, sword, swords, England, stone, Excalibur, chivalry, Camelot, loyalty, friendship, magic, prophecy, Once and Future King, Celtic, Anglo-Saxon



Northern Flight: Lancelot's Last Love Letter to Guinevere
by Michael R. Burch

"Get thee to a nunnery..."

Now that the days have lengthened, I assume
the shadows also lengthen where you pause
to watch the sun and comprehend its laws,
or just to shiver in the deepening gloom.

But nothing in your antiquarian eyes
nor anything beyond your failing vision
repeals the night. Religion's circumcision
has left us worlds apart, but who's more wise?

I think I know you better now than then—
and love you all the more, because you are
... so distant. I can love you from afar,
forgiving your flight north, far from brute men,
because your fear's well-founded: God, forbid,
was bound to fail you here, as mortals did.

Originally published by Rotary Dial



These Arthurian poems by Michael R. Burch are based on mysterious ancient Celtic myths that predate by centuries the Christianized legends most readers are familiar with.



At Tintagel
by Michael R. Burch

That night,
at Tintagel,
there was darkness such as man had never seen...
darkness and treachery,
and the unholy thundering of the sea...

In his arms,
who is to say how much she knew?
And if he whispered her name...
"Ygraine"
could she tell above the howling wind and rain?

Could she tell, or did she care,
by the length of his hair
or the heat of his flesh,...
that her faceless companion
was Uther, the dragon,

and Gorlois lay dead?

Originally published by Songs of Innocence, then subsequently by Celtic Twilight, Fables, Fickle Muses and Poetry Life & Times



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation—all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold
and you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.

Originally published by The Raintown Review, where it was nominated for the Pushcart Prize.



The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels' tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.

Originally published by Celtic Twilight, then by Celtic Lifestyles and Auldwicce



Morgause's Song
by Michael R. Burch

Before he was my brother,
he was my lover,
though certainly not the best.

I found no joy
in that addled boy,
nor he at my breast.

Why him? Why him?
The years grow dim.
Now it's harder and harder to say...

Perhaps girls and boys
are the god's toys
when the skies are gray.

Originally published by Celtic Twilight as "The First Time"



Pellinore's Fancy
by Michael R. Burch

What do you do when your wife is a nag
and has sworn you to hunt neither fish, fowl, nor stag?
When the land is at peace, but at home you have none,
Is that, perchance, when... the Questing Beasts run?



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Truces
by Michael R. Burch

We must sometimes wonder if all the fighting related to King Arthur and his knights was really necessary. In particular, it seems that Lancelot fought and either captured or killed a fairly large percentage of the population of England. Could it be that Arthur preferred to fight than stay at home and do domestic chores? And, honestly now, if he and his knights were such incredible warriors, who would have been silly enough to do battle with them? Wygar was the name of Arthur's hauberk, or armored tunic, which was supposedly fashioned by one Witege or Widia, quite possibly the son of Wayland Smith. The legends suggest that Excalibur was forged upon the anvil of the smith-god Wayland, who was also known as Volund, which sounds suspiciously like Vulcan...

Artur took Cabal, his hound,
and Carwennan, his knife,
     and his sword forged by Wayland
     and Merlyn, his falcon,
and, saying goodbye to his sons and his wife,
he strode to the Table Rounde.

"Here is my spear, Rhongomyniad,
and here is Wygar that I wear,
     and ready for war,
     an oath I foreswore
to fight for all that is righteous and fair
from Wales to the towers of Gilead."

But none could be found to contest him,
for Lancelot had slewn them, forsooth,
so he hastened back home, for to rest him,
till his wife bade him, "Thatch up the roof! "

Originally published by Neovictorian/Cochlea, then by Celtic Twilight



Midsummer-Eve
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term "banshee") and, eventually, to the druids? One might assume that with the passing of Merlyn, Morgause and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil's
fen...

if nevermore again.

Originally published by Penny Dreadful



The Pictish Faeries
by Michael R. Burch

Smaller and darker
than their closest kin,
the faeries learned only too well
never to dwell
close to the villages of larger men.

Only to dance in the starlight
when the moon was full
and men were afraid.
Only to worship in the farthest glade,
ever heeding the raven and the gull.



The Kiss of Ceridwen
by Michael R. Burch

The kiss of Ceridwen
I have felt upon my brow,
and the past and the future
have appeared, as though a vapor,
mingling with the here and now.

And Morrigan, the Raven,
the messenger, has come,
to tell me that the gods, unsung,
will not last long
when the druids' harps grow dumb.



Merlyn, on His Birth
by Michael R. Burch

Legend has it that Zephyr was an ancestor of Merlin. In this poem, I suggest that Merlin was an albino, which might have led to claims that he had no father, due to radical physical differences between father and son. This would have also added to his appearance as a mystical figure. The reference to Ursa Major, the bear, ties the birth of Merlin to the future birth of Arthur, whose Welsh name ("Artos" or "Artur") means "bear." Morydd is another possible ancestor of Merlin's. In Welsh names "dd" is pronounced "th."

I was born in Gwynedd,
or not born, as some men claim,
and the Zephyr of Caer Myrrdin
gave me my name.

My father was Madog Morfeyn
but our eyes were never the same,
nor our skin, nor our hair;
for his were dark, dark
—as our people's are—
and mine were fairer than fair.

The night of my birth, the Zephyr
carved of white stone a rune;
and the ringed stars of Ursa Major
outshone the cool pale moon;
and my grandfather, Morydd, the seer
saw wheeling, a-gyre in the sky,
a falcon with terrible yellow-gold eyes
when falcons never fly.



Merlyn's First Prophecy
by Michael R. Burch

Vortigern commanded a tower to be built upon Snowden,
but the earth would churn and within an hour its walls would cave in.

Then his druid said only the virginal blood of a fatherless son,
recently shed, would ever hold the foundation.

"There is, in Caer Myrrdin, a faery lad, a son with no father;
his name is Merlyn, and with his blood you would have your tower."

So Vortigern had them bring the boy, the child of the demon,
and, taciturn and without joy, looked out over Snowden.

"To **** a child brings little praise, but many tears."
Then the mountain slopes rang with the brays of Merlyn's jeers.

"Pure poppycock! You fumble and bumble and heed a fool.
At the base of the rock the foundations crumble into a pool! "

When they drained the pool, two dragons arose, one white and one red,
and since the old druid was blowing his nose, young Merlyn said:

"Vortigern is the white, Ambrosius the red; now, watch, indeed."
Then the former died as the latter fed and Vortigern peed.

Published by Celtic Twilight



It Is Not the Sword!
by Michael R. Burch

This poem illustrates the strong correlation between the names that appear in Welsh and Irish mythology. Much of this lore predates the Arthurian legends, and was assimilated as Arthur's fame (and hyperbole)grew. Caladbolg is the name of a mythical Irish sword, while Caladvwlch is its Welsh equivalent. Caliburn and Excalibur are later variants.

"It is not the sword,
but the man, "
said Merlyn.
But the people demanded a sign—
the sword of Macsen Wledig,
Caladbolg, the "lightning-shard."

"It is not the sword,
but the words men follow."
Still, he set it in the stone
—Caladvwlch, the sword of kings—
and many a man did strive, and swore,
and many a man did moan.

But none could budge it from the stone.

"It is not the sword
or the strength, "
said Merlyn,
"that makes a man a king,
but the truth and the conviction
that ring in his iron word."

"It is NOT the sword! "
cried Merlyn,
crowd-jostled, marveling
as Arthur drew forth Caliburn
with never a gasp,
with never a word,

and so became their king.



Uther's Last Battle
by Michael R. Burch

When Uther, the High King,
unable to walk, borne upon a litter
went to fight Colgrim, the Saxon King,
his legs were weak, and his visage bitter.
"Where is Merlyn, the sage?
For today I truly feel my age."

All day long the battle raged
and the dragon banner was sorely pressed,
but the courage of Uther never waned
till the sun hung low upon the west.
"Oh, where is Merlyn to speak my doom,
for truly I feel the chill of the tomb."

Then, with the battle almost lost
and the king besieged on every side,
a prince appeared, clad all in white,
and threw himself against the tide.
"Oh, where is Merlyn, who stole my son?
For, truly, now my life is done."

Then Merlyn came unto the king
as the Saxons fled before a sword
that flashed like lightning in the hand
of a prince that day become a lord.
"Oh, Merlyn, speak not, for I see
my son has truly come to me.

And today I need no prophecy
to see how bright his days will be."
So Uther, then, the valiant king
met his son, and kissed him twice—
the one, the first, the one, the last—
and smiled, and then his time was past.



Small Tales
by Michael R. Burch

According to legend, Arthur and Kay grew up together in Ector's court, Kay being a few years older than Arthur. Borrowing from Mary Stewart, I am assuming that Bedwyr (later Anglicized to Bedivere)might have befriended Arthur at an early age. By some accounts, Bedwyr was the original Lancelot. In any case, imagine the adventures these young heroes might have pursued (or dreamed up, to excuse tardiness or "lost" homework assignments). Manawydan and Llyr were ancient Welsh gods. Cath Pulag was a monstrous, clawing cat. ("Sorry teach! My theme paper on Homer was torn up by a cat bigger than a dragon! And meaner, too! ")Pen Palach is more or less a mystery, or perhaps just another old drinking buddy with a few good beery-bleary tales of his own. This poem assumes that many of the more outlandish Arthurian legends began more or less as "small tales, " little white lies which simply got larger and larger with each retelling. It also assumes that most of these tales came about just as the lads reached that age when boys fancy themselves men, and spend most of their free time drinking and puking...

When Artur and Cai and Bedwyr
were but scrawny lads
they had many a ***** adventure
in the still glades
of Gwynedd.
When the sun beat down like an oven
upon the kiln-hot hills
and the scorched shores of Carmarthen,
they went searching
and found Manawydan, the son of Llyr.
They fought a day and a night
with Cath Pulag (or a screeching kitten),
rousted Pen Palach, then drank a beer
and told quite a talltale or two,
till thems wasn't so shore which'un's tails wus true.

And these have been passed down to me, and to you.



The Song of Amergin
by Michael R. Burch

Amergin is, in the words of Morgan Llywelyn, "the oldest known western European poet." Robert Graves said: "English poetic education should, really, begin not with The Canterbury Tales, not with the Odyssey, not even with Genesis, but with the Song of Amergin." Amergin was one of the Milesians, or sons of Mil: Gaels who invaded Ireland and defeated the mysterious Tuatha De Danann, thereby establishing a Celtic beachhead, not only on the shores of the Emerald Isle, but also in the annals of Time and Poetry.

He was our first bard
and we feel in his dim-remembered words
the moment when Time blurs...

and he and the Sons of Mil
heave oars as the breakers mill
till at last Ierne—green, brooding—nears,

while Some implore seas cold, fell, dark
to climb and swamp their flimsy bark
... and Time here also spumes, careers...

while the Ban Shee shriek in awed dismay
to see him still the sea, this day,
then seek the dolmen and the gloam.



Stonehenge
by Michael R. Burch

Here where the wind imbues life within stone,
I once stood
and watched as the tempest made monuments groan
as though blood
boiled within them.

Here where the Druids stood charting the stars
I can tell
they longed for the heavens... perhaps because
hell
boiled beneath them?



The Celtic Cross at Île Grosse
by Michael R. Burch

"I actually visited the island and walked across those mass graves of 30, 000 Irish men, women and children, and I played a little tune on me whistle. I found it very peaceful, and there was relief there." - Paddy Maloney of The Chieftans

There was relief there,
and release,
on Île Grosse
in the spreading gorse
and the cry of the wild geese...

There was relief there,
without remorse
when the tin whistle lifted its voice
in a tune of artless grief,
piping achingly high and longingly of an island veiled in myth.
And the Celtic cross that stands here tells us, not of their grief,
but of their faith and belief—
like the last soft breath of evening lifting a fallen leaf.

When ravenous famine set all her demons loose,
driving men to the seas like lemmings,
they sought here the clemency of a better life, or death,
and their belief in God gave them hope, a sense of peace.

These were proud men with only their lives to owe,
who sought the liberation of a strange new land.
Now they lie here, ragged row on ragged row,
with only the shadows of their loved ones close at hand.

And each cross, their ancient burden and their glory,
reflects the death of sunlight on their story.

And their tale is sad—but, O, their faith was grand!



At Cædmon's Grave
by Michael R. Burch

"Cædmon's Hymn, " composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon's verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker's ghoulish yet evocative Dracula.

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and time blew all around,
I paced those dusk-enamored grounds
and thought I heard the steps resound

of Carroll, Stoker and of Bede
who walked there, too, their spirits freed
—perhaps by God, perhaps by need—

to write, and with each line, remember
the glorious light of Cædmon's ember,
scorched tongues of flame words still engender.

Here, as darkness falls, at last we meet.
I lay this pale garland of words at his feet.

Originally published by The Lyric



Sun Poem
by Michael R. Burch

I have suffused myself in poetry
as a lizard basks, soaking up sun,
scales nakedly glinting; its glorious light
he understands—when it comes, it comes.

A flood of light leaches down to his bones,
his feral eye blinks—bold, curious, bright.

Now night and soon winter lie brooding, damp, chilling;
here shadows foretell the great darkness ahead.
Yet he stretches in rapture, his hot blood thrilling,
simple yet fierce on his hard stone bed,

his tongue flicking rhythms,
the sun—throbbing, spilling.

Midsummer-Eve: the Flight of the Faeries
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term “banshee”) and, eventually, to the druids? One might assume that with the passing of Merlyn, Morgause and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil’s
fen . . .

if nevermore again.

Keywords/Tags: Druids, Banshee, Picts, Scots, Scottish, fairies, glade, raven, gull, King Arthur, Arthurian, Morgause, Merlin, round table, knights, England, stone, Excalibur, chivalry, Camelot, Uther Pendragon, Colgrim, Saxon

Merlyn, on His Birth
by Michael R. Burch

I was born in Gwynedd,
or not born, as men may claim,
and the Zephyr of Caer Myrrdin
gave me my name.

My father was Madog Morfeyn
but our eyes were never the same,
nor our skin, nor our hair;
for his were dark, dark
—as our people’s are—
and mine were fairer than fair.

The night of my birth, the Zephyr
carved of white stone a rune;
and the ringed stars of Ursa Major
outshone the cool pale moon;
and my grandfather, Morydd, the seer
saw wheeling, a-gyre in the sky,
a falcon with terrible yellow-gold eyes
when falcons never fly.

Legend has it that Zephyr was an ancestor of Merlin. In this poem, I suggest that Merlin may have been an albino, which might have led to seemingly outlandish claims that he had no father, due to radical physical differences between father and son. This would have also added to his appearance as a mystical figure. The reference to Ursa Major, the bear, ties the birth of Merlin to the future birth of Arthur, whose Welsh name (“Artos” or “Artur”) means “bear.” Morydd is a another possible ancestor of Merlin’s.
Keywords/Tags: King Arthur, Arthurian, Merlin, round table, knights, England, chivalry, Camelot

Remember all the Wise Men on their knees upon your yacht?
With orphans on their backs they’d crawled (with others that they’d brought)
Through rubble on the highway sands and residues of Lot.
They came from severed cities selling postcards of your thoughts,
Though offered for a penny piece, not even worth a jot.

They mused
               “How are you feeling? What it is you want, you’ve got.
               The words you scrawl on calling cards: ‘I AM – the others NOT’
               Shun wisdoms of the Seven Seas: ‘Salvation can’t be bought’ –
               Your fathers tried before you and your fathers came to naught.

               “You started out by gelding goats and then by casting lots
               Of bodies to the battlefields, contorted, tight and taut,
               Then wallowed in the wake of trails the dervish devil trots.

               “With marching bands of fatherlands, and drums of Hottentots,
               You lure your legions in harm’s way like giant juggernauts.
               Like Tweedle Dum your minions come (the sober and the sots,
               The troglodytes, barbarians, and mislead patriots,
               The Vandals, Huns and Hannibals and seaport Cypriots,
               The Japanese, the Congolese, Americans and Scots)
               To vanquish bows and arrows, spears and catapulted shots
               Of those who hide in bamboo huts their families, pale, distraught,
               (Their withered wives with dried up *******, their swollen babes in cots)
               Who swoon, engulfed in poison darts and vats of acid hot,
               Consumed by magic mushroom clouds, atomic megawatts.

               “In churches of your deities, your Holy Huguenots,
               Your Imams, Rabbis, Voodoo Dolls and Mitered Lancelots
               Lit wicked kindled candled walls in temples (while we fought)
               (Used pins and needles, magic spells on makeshift mock whatnots)
               And mosques, cathedrals, synagogues have blessed each new onslaught
               With prayers for pipers, puppets, pawns, your rigid armed robots.

               “Upon your knees in golden naves, while peeking through the slots,
               You horded thirty silver pieces, downed a whiskey shot,
               Then crossed yourself and wrapped yourself in furs of ocelots,
               And danced on cleated cloven hoofs in purple polka-dots,
               Then drank His blood from chalice cups with pious afterthoughts.

               “You’ve treated men like mongrels chained, like little flies to swat,
               By doing what you wanted to, instead of what you aught;
               You’ve wiped your nose with dollar bills and paid your serfs with snot,
               But when you’ve paused to preen your pride, you’ve scrubbed a scarlet blot.

               “In ashes of our victories: the diamonds that you sought,
               The crock of gold, the Golden fleece of bogus Argonauts -
               In mirrors of your lifelessness, the evils you begot.
              
               “The haunted winds strew leaves of time across a shallow plot
               Where now, beneath the frozen stones blanched bodies bathe in rot,
               Disintegrate, return to dust to feed Forget-Me-Nots
               Amidst the bane and pits of pain where broken bones lie caught.

               “In fields above the catacombs and tombs of Camelot
               The black and withered tree of Death arises from the spot
               Where oft beneath a bleeding moon you hid your gold in pots
               Embedding doubts neath barren bogs where roots of wormwood squat.

               “While waiting at the river Styx, in twisted time untaught,
               From branches of the gallows tree, in recollections wrought,
               Your soul, a beggar’s blanket, hangs in crazy quilted knots,
               With dangling pearls and diamond studs mid dripping crimson clots
               And gaping wounds with bulging eyes like fouling apricots,
               For wrapped in chains around your throat, the Reaper’s grim garrote.”

Yes, that’s the fate of all your kind, disclosed by Wise Men taught.

But that was, oh, so long ago, by now you have forgot…

November 22/1963,
the day remembered in infamy,
a great man vanished,
Camelot was banished.

He rode in a deathly motorcade,
one where history was made.
Cheers deafened the mass,
he was shot by an outcast.

His smile charmed his people,
nobody was his equal.
His slick hair swayed in the Texas air,
he would soon have a new heir.

His convertible top was down,
his waves controlled the town.
His presence was tremendous,
the shot was stupendous.

CRACK, CRACK, CRACK,
two shots made contact,
his head burst in two,
the question was, who?

Head in lap, Jackie cried,
her eyes wet like low tide.
Men in black rushed to the car,
the shooter now afar.

Rushed to the hospital in haste,
the air possessed a bad taste.
The news was all about,
his life very much in doubt.

Hours passed with slow pace,
peoples tears burned like mace.
A country was without a head,
LBJ is the man they said.

Finally the time had come,
the news startling none,
JFK is dead! JFK is dead!
The people mourned in dread.

The age of youth was out,
times of havoc were about,
JFK is dead! JFK is dead!
The country is still in dread.

There once was a TV network
That made me want to exult
But now I am sad and despondent
And it’s mostly Steven Moffat’s fault

I enthusiastically started Doctor Who
Who’s chronology is twisted and bizarre
It seemed like such fun to travel through time and space with a man
Who used a blue box as his car

But soon the companions’ aspirations
To travel to planets and stars
Were crushed by the Void, lost love, and gargoyles
And the Doctor is lonely and scarred.

Not yet wise, I began watching Sherlock
His deduction left me amazed and bamboozled
He and John drank some tea, and solved crimes with glee
Although each case took quite some perusal.

They lived happily with their cool flat decorum
Mrs. Hudson made biscuits below
Then along came the menacing, mean Moriarty
There was nothing that he didn’t know.

Because of the fallacy that Sherlock’s a fake
He’s dead and John’s in the doldrums
The only thing done to commemorate him
Are John’s “I do believe in Sherlock Holmes”

Hoping for a show that was boisterous and happy
Instead of the peaceful, yet sad
I turned to the medieval Merlin
who was quite a cheery lad

He worked for the king’s son, Arthur
who eclectically chose his knights
There were sirs Lancelot, Gwaine, and Leon
The bravest people in sight.

Merlin used his job as camouflage,
His secret he did not divulge
for if they all knew he was a powerful wizard
In his execution King Uther would indulge.

Since Merlin’s destiny was to keep the prince safe
He faced many scary things
He would cower in fear, but when Arthur was near
He felt brave enough to sing

Merlin’s feelings for Arthur were obvious
But does Arthur feel the same way?
When Arthur deigns to exchange dialogue with him
It instantly brightens his day.

But Lancelot died doing Merlin’s job
And Arthur is in love with Gwen
Morgana, a wizard who was once Merlin’s friend
Is evil and wants Camelot dead.

So the Doctor is lonely and growing old
Sherlock left John all alone
And Merlin feels guilty and outcast
They’ve lost all the good they’ve ever known.

And I am left crying and angry.
How could the writers do this to me?
But still, they’re the best shows I’ve ever watched
And I’ll always love the BBC.

T'was the night before Christmas, And at the back of the bar

Sat a man all alone, Lighting up a cigar

The waitress ran over and waving her hand

You can't do that here, Smoking is banned.

If you must smoke that thing, you can go to the street

And stay away from the building, by at least fifty feet

The man took a puff and with a voice like a croak

He said, "You're kidding, right miss? You're making a joke"

I'm sorry, but sir..I'm afraid that it's true

But the law is the law, and it's not only for you

That we must say **** out, please extinguish your smoke

So our place can be filled with other fine folk

For ninety two years I have walked on this earth,

I have broken no laws and you know what it's worth?

Bupkiss, no nada it's not worth a thing

Would that law still apply if I was a King?

I've been coming in here for 60 odd years

And I think I've consumed a truckload of beers

I've smoked in this corner on many a night

Now you say **** out, I don't think that's right.

I fought for this country at the end of the war

I came home with a war wound, and you know dear...what's more

I came to this bar to have drinks with my friends

Who all weren't so lucky and met terrible ends

They died on the beach, heart as big as a house

Taking on the unknown for their country, their spouse

They battled for honor, the right to be free

And they all weren't as lucky, to come home like me.

I was here in the sixities when Camelot died

I was here with my son, and we both sat and cried

It was that night in November, I remember it well

That my son said he'd joined up and was heading to hell

He had joined the marines and was all set to fight

For freedom and honor and he knew it was right

Because I'd gone before and stood with others like him

And I said just be safe, and come home son...my Jim

In the years he was gone, I came down here to think

Of why he was there and I shared smokes and drinks

With friends, all now gone from this world of distrust

Now they all lie beneath us, decomposed back to dust.

My son made it back and we came right down here

To spend time with our friends, both from far and from near.

The years passed us by and my grandson joined too

And we sat and we prayed in this bar, for we knew

He was fighting for freedom and the rights we hold dear

Like having some fun, over smokes and some beer.

He never came home from his war, don't you see

That's why we're sitting alone here, just you and me

Tonight is the night that his letter arrived

Saying "We regret to inform you...that no one survived"

So, each Christmas Eve I come back to this bar

To savor my memories and to drink from this jar

And I finish each year thinking of what now is gone,

Of my battle scarred boy and his now deceased son

Now, you come and tell me that I must go outside

To continue my smoking and so I'll abide

'cause for 92 years that I've been on this earth

I've broken no laws and you know what that's worth

Then the waitress reached back and she pulled out a match

From a box on the bar with a rusty old catch

She said Sir, I am sorry I didn't mean to offend

For this one night each year, the law I can bend

So please light one for me on this Christmas Eve Night

And Thank you from all who continue the fight.

Merry Christmas and HAPPY NEW YEAR 2019

The lyrics float through the air
A song I have heard many times before
An impaled heart on the album cover
Warning of the pain
They will convey through their lyrics
Lyrics that at times may as well have been taken
From the deepest recesses of my head and heart

A song in which the narrator
Finds the one who gives them
Everything they asked for in life
I found not one, but two
Two men like that in my life
Who both refused my affections
And whom I hold little to no animosity toward
Though when I think of it
They're rather different

This first one, we will code him Belase
Is so unabashedly in love with the 'nerdy' things
Things he helped me get into as well
Without him I would not have found a love for the zombie shows
Or for the older classic movies which he adores
Without him I would not have found the raggedy man
Who takes me on adventures through time and space
The raggedy man who in turn helped me find
The medieval sorcerer in Camelot
And the modern-day crime-solving machine
With a doctor of his own

When I was upset I went to him
He helped everything almost immediately
When I told him of my feelings he let me down gently
Too gently, perhaps, as I retain some sliver of hope
Knowing that that hope should have died by now
He made many jokes which lightened my mood
Though sometimes they were mistimed
And only made me irrationally angrier toward him
Not the source of my first wave of sadness or anger
But I always forgave him and talked of nerdy things

His love of the nerdy things hides much of himself
Though it does speak volumes about what he is willing to convey
He hides his slightly skewed views behind these things
He hides his *******
He hides his want of being in charge
His way with words like a serpents' venom through my veins
Makes me agree with what he says
Even if in my heart I know it to be against my own views
And it terrifies me

The second, we will code Silas
The first day we met, was in school
He was alumni come to visit
We spoke very little as I was shy
And in truth I had forgotten him entirely
What is the point of remembering
Someone you only meet once?
When he left I thought I would never see him again
But our mutual friend, coded May, held a sleep-over
Long, long after that first day

This first real night, as I call it
He held me in his arms as those still up
Wound down to sleep
At about four in the morning
And we slept very little, in the two hours before the others became active once more
As summer was almost upon us
The remaining high-school students, that is
I knew at the end he would be back in his second year of college
And I would be in my last year of high school

I told him a bit of how I felt
And he said no, he didn't want the emotional attachment
Of being my first kiss, or first anything as he puts it
Doesn't want emotional attachment, ha!
If he didn't want emotional attachment
Why did he continue to hold and cuddle me
Why did he take things further and practically taunt me
By holding himself over me and brushing his face across mine
All the times we almost kissed...
Though he and everyone who knows him
Says he does this with anyone who is willing

So there we have it
The fluffy serpent with the innocent face
And the man with the visage of a teddy bear
Both have taken over my heart
And even if I could decide
Which one I want more
Neither of them want me
And perhaps that is for the best

A girl who never leaves the house
A girl who had no friends until seventh grade
A girl Belase has known for three years
A girl Silas has known for a few scant months
Who would ever want
Little
Broken
Me?