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Terry O'Leary Dec 2013
Ill-fated crowds neath unchained clouds: the Silent City braved
against a sudden flashing flood, unleashing lashing waves,
which stripped its stony structures, blown with neutron bursts that laved.

Its barren streets, although effete, resound of yesterday
with chit-chat words no longer heard (though having much to say)
since teeming life (at one time, rife), surceased and slipped away.

Within its walls? Whist buildings, tall... Outside the City? Dunes,
which limn its frail forgotten tales, in weird unworldly runes
with symbols strung like halos hung in lifeless, limp festoons.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, throughout the doomed domain
reflecting white, wee wisps of light in ebon beads of bane
which cast a crooked smile across a faceless windowpane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in silent swinging gait),
whelm ballrooms, bars, bereft bazaars, though no one’s left to fete.

Death's silhouettes show no regrets, 'twixt twilight’s ashen shrouds,
oblivious she always was to cries in dying crowds –
in foggy neap the spirits creep beyond the mushroom clouds.


No ghosts of ones with jagged tongues will sing a silent psalm
nor haunt pale lips with languid quips to pierce the deathly calm,
nor yet redress the emptiness that shifting shades embalm.



The City’s blur? A sepulcher for Christians, Muslims, Jews –
Cathedrals, Temples, vacant now, enshrine their residues,
for churches, mosques and synagogues abide without a bruise.

No cantillation, belfry bells, monastic chants inspire
and Minarets, though standing yet, host neither voice nor crier -
abodes and buildings silhouette a muted spectral choir.

A church’s Gothic ceilings guard the empty pews below
and, all alone amongst the stones, a maiden’s blue jabot.
The Saints, in crypts, though nondescript, grace halos now aglow.

Stray footsteps swarm through church no more (apostates that profane)
though echoes in the nave still din and chalice cups retain
an altar wine that tastes of brine decaying in the rain.

Coiled candle sticks, with twisted wicks, no longer 'lume the cracks -
their dying flames revealed the shame, mid pendant pearls of wax,
when deference to innocence dissolved in molten tracks.

Six steeple towers, steel though now drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

The chapel chimes? Their clapper rope (that tongue-tied confidante)
won’t writhe to ring the carillon, alone and lean and gaunt –
its flocks of jute, now fallen mute, adorn the holy font.


No saints will come with jagged tongues to sing a silent psalm
nor bless pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, nor beg lethean balm.


Beyond the suburbs, farmers’ fields (where donkeys often brayed)
inhale gray gusts of barren dust where living seed once laid
and in the haze a scarecrow sways, impaled upon a *****.

Green trees gone dark in palace parks (where kids once paused to play),
watch lifeless things on phantom swings (like statues made of clay)
guard marbled tombs in graveyards groomed for grievers bent to pray.

And castle clocks, unwound, defrock with speechless spinning spokes,
unfurling blight of reigning Night by sweeping off her cloaks,
and flaunting dun oblivion, her Baroness evokes.

The sun-bleached bones of those who'd flown lie scattered down the lanes
while other souls who’d hid in holes left bones with yellow stains
of plaintive tears (shed insincere, for no one felt the pains).

The wraiths that scream in sleepless dreams have ceased to terrify
though terrors wrought by conscience fraught now stalk and lurk nearby
within the shrouds of curtained clouds, frail fabrics on the sky.

And fog no longer seeps beyond the edge of doom’s café,
for when she trails her mourning veils, she fills the cabaret
with sallow smears of misty tears in sheets of shallow gray.

The City’s still, like hollowed quill with ravished feathered vane,
baptized in floods of spattered blood, once flowing through a vein.
The fruits of life, destroyed in strife... ’twas truly all in vain.


No umbras hum with jagged tongues nor sing a silent psalm
nor lade pale lips with languid quips to pierce the deathly calm –
they've seen, you see, life’s brevity, beneath a neutron bomb.


EPILOGUE

Beyond the Silent City’s walls, the victors laugh and play
while celebrating PEACE ON EARTH, the devil’s sobriquet
for neutron radiation death in places far away.
Mateuš Conrad Aug 2016
^or the equivalent of the bushidō, i.e. way of the citizen: shimin dōro (shimindō).

it's truly electrifying watching the Olympics, the diversity of
bodies, it simply shames the football ballerinas
complaining about their tiaras
and fouls *****-whiskers tingling **** -
oh ooh oh god, the end of the world!
i finally find my body type,
Greco-Roman 130 kg wrestling,
or 105 kg weightlifting, no six pack...
you watch the Olympics long enough to
sterilise what's otherwise turkey-feeding
of image... i think the discus throwers
are hot, the archery from South Korean with
their porcelain pelicans shattering on the one touch...
the Croat beauty is atypical of
Slaven Bilić - itch - that's a diacritical mark
that's itchy - breve or acute... c̆ that alternative,
along with the c̆ech - Český Krumlov - chequers-ski -
Gucci and other associates of Milan did
a runner... we don't accept anorexic in the
Paraolympics... maybe we should enter old twiggy
daddy longshanks in the races... invent
Metaolympics...  so i found out where i'm designated,
130kg Greco-Roman wrestling and 105kg weightlifting...
that's my body... if i were to be tyrannised by
the dictatorial rule of volleyball and football
i'd be nowhere... no spectrum, no difference...
some like Twiggy Ramirez at the ping pong shoo
(**** **** ****... believe me,
non-purpose onomatopoeia usage is a replacement
of sensibility knocking, i use it when i just
want a sound, not necessarily an accessible
direction of finalising a meaning) -
but watching the Olympics is like watching
the Greeks under Roman rule... the marble genius
of the spectrum of sizes... and coerced differences
ploughed into one...
which had me bewildered about the other duality,
i always thought that the Spartan way of life
was about raw physicality... that all Spartans
had to be physically fit, ten potato sacks on their
shoulders running up Etna...
and that the Athenians concerned themselves
with aesthetics of the arts and clues...
it's not about athletics at all...
i'm a Spartan in that respect, sure, i donned
the long hair like any Spartan might,
men with long hair, women with a Niqab, whatever,
Satan's postbox as the crude English myth said it was...
i might go and see a ballet, but let me tell you,
any first act of ballet is tedious... you can't warm up
to liking any ballet in the first act...
it's all downhill during the second and third acts,
but the first act is horrid...
i realised that there was another dimension of
the Spartan life, it's not the physicality at all...
Spartans' physicality is about efficiency,
we have weightlifters in Sparta, but we have
bodybuilders in Athens, the former concerns itself
in pragmatic matters, the latter in aesthetic matters...
same in art... the Spartan way concerning mental
aptitude is to do with the basics, with very little,
a minimalism, a park bench, a few beers,
a conversation... otherwise? the Athenian reign on
ballrooms, cocktails, royal dinners, flamboyance,
degeneracy, and outright excess...
forget the Olympic plus, the variations of bodies...
footballers and anorexic catwalk models...
we're talking blubber fetishes of Rembrandt -
then into the psychic life of Sparta - simplicity,
twinning with the Japanese way of life...
over and over again... simple fulfils perfection
by not competing, so self-absorbed it is,
so solipsistic it will remain... and it is an art-form
the Spartan life, if i get my sleep,
have my tobacco, a bottle of whiskey and a few beers,
a white page... the end.
the Athenian model discounts what that famous
Spartan argued for: carpenters, plumbers,
better than the claims of being a "son of god",
he broke out, on the prescription that ****** him
by the authorities: deus ex machina -
try imitating him, it's harder than you think.
the Athenian model of the arts and impracticality -
the Spartan model of geometry and practicality -
the Olympics taught me that the Spartan way of life
is not solely concerned with physical exercises,
that the physicality of body be the sole concern,
that one is to perfect the body...
the Spartan way of perfecting the mind is just as rigid
as the body demands... the pentagon of an event,
how strained is your hearing, your eyes or your tongue?
it concern the simplicity of all things being perfected,
rather than the Athenian counter of the complication
of all things being unlearned and in pyramidal schematics
expected: courtesy of approaching a king...
the dinner arrangements, the starter fork, the main meal
fork, the dessert fork... a Spartan would just look at it
and say: they can use chop-sticks because the chef
knew how to cut into bite size... i'll forget the knife
and use the one fork throughout the meal...
she better be wearing that crown of hers throughout
the meal... otherwise she's no queen, i'll just watch
her slurp the soup with that Mt. Fuji balancing on her head...
**** the airs, and all of Jane Austen.
Mariel Ramirez Nov 2013
09.01.13

I know the likelihood of me getting asked to prom measures up to the likelihood of anyone actually using the white crayon in the Crayola box. I am going to be the girl that’s not even on any guy’s Plan B.

And that would be totally cool except I’m sad.

I am shaking my head at God and how he totally owes me one.

Prom is supposed to be like, the fairytale moment! I’ve been dreaming of princes and ballrooms and dancing and romance and magic and love… probably since I was conceived. How could you even let the dreamer girl who wanted to be a princess nurture five hundred layers of beautiful only to coat her with thick paint in the shade called “ugly”? (Trivia: That drives boys away.)

So maybe I still made believe I was a princess. But often enough, the mirror reflects the facade, when I’m expecting it to hold my heart. It gets to a point that you just have to let go.

I have theories. I used to despair and say that I was in the wrong storybook. What a life for such a girl. But it happens that romantics don’t have anyone to hold. (Thus the teddy bears, I suppose. Do you know how hard I hug those? I am pathetic.) My second theory, is maybe I’ve been looking from the wrong perspective. Maybe my life isn’t going to be a fairytale in the way I expect. How about a modernized version or something?

It’s becoming obvious that I don’t really have any ideas.

Except for one last.
Maybe there’s a plot twist?

Maybe there’s a plot twist.
Samantha Dec 2013
Out of all the gin joints
Classrooms
Bedrooms
Ballrooms
Hospitals
Temples
Minds
Spir­its
Hearts
You had to walk into mine
Angela Moreno Apr 2014
Dance with me, dearest death.
Sweep me off my feet.
Dance with me, darling death.
Pull us cheek to cheek.
You take the lead, and I will follow
Matching my feet with yours.
Through the halls, into ballrooms
On a night time tour of dance floors.
Dance with me, dearest death.
Hold me by the waist.
Dance with me, darling death.
Your chest warm on my face.
See my dress flow like river water,
As you take my finger for a twirl.
In shadows of the rooms we dance
In dips and curves and curls.
Dance with me, dearest death.
Press me against your skin.
Dance with me, darling death.
Meet the flesh above my chin.
And when the night is finally over
I beg, take me home with you.
Into bed you and I will crawl
For a night I will not make through.
JL Feb 2016
I retreat into myself
Into the corridors of me
I lounge on the well worn flagstones
Gazing on the marble columns
Arranging tapestries and paintings in
A more perfect order
I stalk down old hallways and explore unnamed galleries with a
Single candle to push back the deep
Sometimes rooms are filled with old Furniture
Sometimes entirely empty
Once feeling brave I held onto
The threshold of such a room and
Stretching out I hold the candle aloft in the chasm. Nothingness, darkness complete the light puddles at my feet pitiful.
When I recall that yawning abyss the silence of
It persists.
In ballrooms I play Chopin's waltzs' for no one  in particular
Yet I take my bow and my place at the head of a table set for a score of kings
I lay on marble steps trying to guess the riddles that my echo whispers
I climb the  towers and the spires to dizzying heights and many weeks I was lost in the labyrinth of cellars of basements of tombs beneath
I have seen strange things lately: a chair upturned or
Bed unmade, quills still wet, and doors open and shut of their own volition in the inky black
I swear I have seen before
A tall figure in a hooded cloak dart
Into the shadows, and it did not seem
Altogether human

I read for years inside my library  
And have spoken at length to Shakespeare and Plato
I have seen Yggdrasil and the seven hells
And sped through time with
H.G Wells. Of death and moon, of birds and galaxies I am enamored.
Tea with Julius Ceaser, chess with Captain Hook.
Breakfast with The Buddah
Coffee with The Christ
Did you know that Captain Ahab takes His water with a squeeze of lime? No Ice. Abraham Lincoln and Mark Twain know me by my first name, I have fenced with the Gods of Olympus and of Asgard and I remain undefeated. The divine crowd my hearth and many nights have been passed here in quiet conversation, with Confucius, with Archimedes, with Epictetus, Davinci, and the brothers Grimm
I have lived ten thousand lives and Will live another ten

-Without a single thought of you-

I wander
To my garden
Gently lit by paper lanterns
The path is smooth and heady
The amber blossoms
And weathered sculptures
Make my eyelids heavy
Monuments with fists clenched beat my
Ego ******
New flowers sprout from the ivy throat
Always things are grown but never overgrowing
I steal through the hedge maze that only I know
To the secret center where no plant grows
Pavilion and pond
Where no bird sings year long
In that quiet I endeavor
To look without fear
Into the pupil of forever
Some say writing is a good outlet
Some say writting is a good inlet
Robert Guerrero Jun 2013
This meadow once a graceful place
Pathways to untold peace
Narrow corridors into the heartland of tranquility
Weaving in, out, around trees
Like perfectly formed webs
That glisten with morning dew
Even as the sun sets through the branches
Cascading this meadow with darkness
New Moon blanketing the meadow
With the hope of new light
The voices begin to play
Lullaby whispers dancing on leaves
Shaking tree limbs to the eerie silence
The nonexistent breeze
Carrying the meadow into ballrooms of vampiric flames
Thirsty for the life each tree branch holds
Silent meadow voices
Truly are silent
When meadows burn to the sound
Of crackling horror-stricken leaves
Curling under the immense heat
Fossilized in ashes
Making this once tranquil meadow
An ashen wasteland for silent meadow voices
Refusing to even open their tongues
To welcome the morning sun
Bringing new light
To the horror of silent meadow voices...silenced
Terry O'Leary Oct 2013
I’m stealing through a twilit realm, the ancient pale of Whereis,
passing chambers of an Heiress
(though no need to feel embarrassed)
through a magic mystic mirror hanging curtainless.

A glimpse near naked alleyways (denuded by the moon) ex-
poses Ghosts in gauzy tunics
carving symbols, round and runic,
in distended dingy dungeons of uncertainness.

Down misty streets of cobblestone – ancestral avenues –
patchwork paths consume my shoes
(chasing foggy curlicues
twisting, twirling by in twos,
floating anywhere they choose),
leaving footprints that confuse
vagrant wispy retinues
of the threaded wooden sticks that stalk a Puppet wandering.

Condensed in drops of fantasy, distilled in evening dew,
shifting Shadows I pursue
(wearing faces I once knew,
slipping slowly from my view)
turn their backs to bid adieu
leaving stars to tempt me through
Awful Tower residues
mocking treasures time outgrew
in the birth of old from new
framing pageants in review
midst the visions of the painted past I can’t help pondering.

Contorted candelabra claw the skyline’s walled suspension
caught in twilight’s intervention
– still unlit (in stark dissension),
therefore seething with a tension
in the quiet apprehension
of the Watchman’s inattention
to the night-time’s bold pretension
to her power, not to mention,
to her hyperspace extension
(far beyond my comprehension
of the sundown’s bleak dimension) –  
on exhausted beaten boulevards of foolish fretfulness.

Oblivion depletes me, voiding haste and hurried hassles,
me, a simple abject vassal,
trailing moonlit floating castles,
– fickle feet, but fingers facile
grasping straws and pendant tassels –
as I stumble through the rubble of forgetfulness.

I think I must be dreaming as I seem to see these things,
neath a sky alive with wings
(hear the Nightingale, she sings),
midst the whispered murmurings
soughed by Phantoms clad as Kings
pacing palaces in rings,
while their hapless footfall clings
to the sagging sinking sands of midnight’s splintered splattered ruins.

Entangled in the swirling leaves that spin in dizzy flurries,
(while the wind beside me scurries
as an ermined hermit hurries)
lurk my sleepy woes and worries
(glowing faint’ but growing blurry)
which, when plundered by the demon dusk, I’d left behind me strewn.

The forgery of Multitudes between the Silhouettes
(and discarded cigarettes,
neath the haunted parapets)
mock my lonely echoed steps
         – mock my lonely echoed steps –
(struck like clicking castanets
         – struck like clicking castanets –)
as I lace unlabeled lanes, erasing silence’ sullen treason.

The mossy stones condole with me (within the oubliettes
draped in blood and tears and sweat
sometimes dry, more often wet
quite like drops of anisette
sipped in moments one forgets
self-reproach and raw regrets)
midst the midnight minuets
and the purling pirouettes
of the fugitive Grisettes
(flaunting charms and amulets)
who, in flitting shades of arching bridges, linger longer, teasin’.

Along the When I’m drifting, but a stardust castaway,
weaving, threading by cafés
and deserted cabarets,
just a gauzy appliqué
on the river’s rippled spray,
chasing Fools along the way
through the strands of yesterday,
neath the throbbing peal of sobbing bells in spectral cloisters, quaking.

In belfries, high and haughty, alabaster Knights perform,
riding stiff against a storm,
steeped in cloudlike chloroform,
while the raven skies deform
and my shrivelled shovelled form
(rapt, while bats in steeples swarm
close to candles waxing warm)
hangs in hallowed hallways, hiding, shoulders weary, weak and aching.

Around me hover grinning masks, veiled visages of Queens,
feigning fatal final scenes
of demented doomed Dauphines
(against the scarlet sky they lean,
dreary dripping guillotines),
traced in opalescent ballrooms only tattered time remembers.

The hidden hands of Harlequins (while floating free, unseen
disbursing secrets sibylline,
amongst the manes of Halloween),
tap (on tumbrel tambourines
behind abandoned shuttered screens)
a dirge (with tattooed tones pristine)
for me (a heap in ragged jeans
in these crazy cluttered scenes),
trapped interred in toppled stone chateaus that dismal dawn dismembers.

Rogue breezes pierce, benumbing me, my ears and toes a’ freezin’
(in the Cockcrow’s purple season
as when nightmares should be easin’
and the Zephyr winds appeasin’),
so I reach for  rhyme and reason,
which endeavours leave me wheezin’,
caught impaled upon the jagged edge of early morning’s breaking.

The chill evoking silver chimes of Nodomain start knelling
as the searing sun looms swelling,
and their monodies hang dwelling
in the cloud drifts’ care, revelling,
but the Sandman’s too compelling
and my weariness impelling
– since my eyelids risk rebelling,
when they’ll fall, there’s no foretelling
for the starry sky’s past telling –
as I fade beneath the flaming forge while embers tremble, waking.
Savio Mar 2013
Crows of brooklyn
payphone goddess
Shakespeare:
old skinny
repeating thin silver words
beneath a sea shell
stolen by a 7 year old girl
in a red rag dress
from the burning contemporary
bookstore
tossing sweat thru
irrelevant back spine tunnel streets
featherless skulls
spitting sour chinese gin
from chimney blow hole
of their decaying dead thieving Fox
revolting death
to mother blessing decay
red blue green white
Fox yellow brown fur
swirling entwined like
melting crayons
on a stone militia crafted bench
researched developed by young Hispanic America Freedom wanderers
too hot
too cold to undress and ****
swirling together like cigar french ashes with
tongue hued wine
feverish coffee
thick as the bulging pregnant belly mother
giving
taking birth to a child
tossed carelessly into the Great Lakes
sipping on bad spoiled milk
digesting salt
hard boiled swan eggs
eating purity
chewing skunk
coughing industrial chemical gasoline
******* AIDS NYC bright non-existent lights
non-existent Allah
howling North Korea Communist war hymns
sing great religious protest
gunky toe nail'd feet
waltzing in the stomach of medieval
ballrooms chandelier not casted by
infinite diamonds
but by Jewish slaves
Islamic skins
Christian leather
Catholic molested brains children bones
deceased Langston Hughes
hung by Hughes spine and pupil
the size of texas
mass of the ****** female lips and knees
wearing color blind dress
shoes unfound
skin feet walking on rain drizzling beach
washed up skeleton sting ray
the skin unwrapped
like a christmas gift
Santa is starvation
licking the shoe polished long toes
of Death
riding the Downtown artificial lights
artificial scientist crafted classical
elevator time consuming Death songs

Jesus,
waking up,
to his body dry,
like that of Winter's rose and lips.
Martin Narrod Dec 2020
Dearest Britni,

I was warmed by your thermal tub, the belly of your indiscretions and the way you held those mule-hearts
in plastic jars beneath the cupboard where your favorite cups and coins were kept.  The magic beat of your fingertips made my skin jump crazy out of my shirt and pants.  I wonder if the turnover has always been this way for you, meaning to say, when the trips always ended did you take back the second pillow into the other room, where your ivory curtains opened, and did you feel the need to lock the door to your bedroom.

The word, 'house guest' implies less visitation privileges than actually took place.  I believe it was more of an involved visit.  There were certainly visitation privileges but there was also visitation writ.  I had to keep my jeans clean.  There were no shoes allowed in the bed.  And extracurricular activities were kept to their time tables-- that is to stay that spontaneity occurred only when it fit into the time table.  I was never much for making you lunch in the morning.  It has always been difficult for me to think of the meals before they happened, though I knew what was in every drawer, every closet, every cabinet.  The insides and outs of a decade of dreams.

In short time I became mesmerized with the perfect patterns in your arms and on your legs.  I could crook my head in a way to look at the sunset from under your arm or stand on a chair to look down at the top of your head.  And then one day you told me I was weird.

This time I wanted to be fulfilled.  I did not want to miss a thing.  I made sure to slide my fingers in between your toes, I squeezed the bottoms of your feet with the bottoms of my feet.  There are many recitals, many performances, and even more personal encounters that cannot be recalled to mind, but I am sure they happened.  If I had the opportunity I would attempt to pick your nose again.  Something I did every chance I had though you abhorred it.  To lick the side of your face, the bottom of your chin, the interior of your armpit, the lengths of your legs, and the rims of your lips-- I lived our life to the fullest.

All interactions were encouraged.  We played in sunlight, in nightlight, during day showers, and ate by the seaside.  We traveled to four states, two lakes, and two oceans.  We drove in excess of 20,000 miles, received fifty-seven parking tickets, five speeding tickets, thirty-five thousand two hundred eighty four compliments, fifty-two salutations, fifteen, "you're an adorable couple," three hundred complimentary access, two free tickets to a museum exhibition, took over one hundred fifty flights between the two of us, and received your father's permission.  We slept in showers, swam in baths, and drank from swimming pools.  We shared the bathroom, the bed, and the kitchen sink.  I memorized how many times you rolled over when sleeping, and you told me what I talked about in my sleep.  I knew the five places you lived at and the four places you wanted to.  We danced in nightclubs, in bars, in schoolyards, in back seats and bedrooms, and ballrooms.  There were fifteen black tie events, one wedding, and over two hundred concerts.  I wrote over fifty thousand poems made over three hundred paintings, and took somewhere around twenty-eight thousand pictures.  I once took you to breakfast every morning for a week and dinner every night.  I bought you one hundred twenty six cups of coffee, fifty-two cocktails, and one Shirley Temple.  I only had to help you change clothes thrice, but I helped you undress over a thousand.  I always remembered to lift up you hair if I helped you put on a jacket, and never made you walk on the street side.

There were over 2,000 bands and artists I introduced you too.  You taught me about fashion, about photography, about being a good person.  We sang in the shower, sang in the car, whispered before falling asleep.  I sent you dozens of flowers and you watered them all.

In my favorite yellow chair I do not have any regrets or any wants.  I fulfilled a life time in two years.  I was an upstanding gentleman, always.  And then out of the blue you didn't want me to touch you anymore.  One time in an airport in DC we ran 48 terminals to see each other again.  You taught me not to be afraid of flying, that it's important to be myself.  And when it ended the first time I wrote you two letters a day for three months.

Tomorrow when I wake up I will make the bed, put the music on, smoke a cigarette, then take a shower.  Afterwards I will get dressed, grab my belongings and go get four shots of espresso like I have been doing every day for the past five years.  Everything will be the same.  At the end of the day, after work, after listening to a plethora of music, talking to a plethora of people, I will not talk to you.  After two years two years and 2,163 phone calls, I will not talk to you for two days in a row.  I will lay in my bed and count the mews, but I miss the weight on the mattress, the heat of your whole, the temperature of your voice, and the redolence of your perfume, but I will have no regrets when I rollover thrice, to the right, to the left, and to the right.
A letter written to a love of my life, written 10 months after lasting seeing one another, but still speaking by phone, the thoughts and imaginations were running rampant.
Trevor Gates Jul 2013
The silent planet of crystallized dreams

Nebula clouds emitting translucency

Nothing is ever what is seems

With God’s touch and delicacy



The song that remains and forever played

Amongst the promised womb before

The mother goddess loved and swayed

While the child watches from the hallway door



“Mother and father copulating with the door open.”

Read the words on the off-white typewriter paper

The boy tedious and tired, working and hoping

His work be acclaimed before meeting his maker



Telling stories of psychopath magicians in Long Island

Or Chicago lawyers fighting underground matches in drag

“A disturbing, fantastic point-of-view, from a ****** man”

Said one critic before nitpicking as reading a greasy pulp mag



Countless images worth their weight in gold

Majestic ballrooms ravishing supple choirs

Groping masked ballerinas with a urge so bold

Witty fops and serving props aiding proper sires

Sir Xavier proclaiming the night as a celebration

Showing sharpened teeth behind his mask

The shadows merging and demonstrating mutilation

With enough wine to soak, bathe and bask



The man breathed in exhaustion. He cracked his fingers and wrote:



“Circles of Blood, of **** and pain.

    Audacious institutions praising the Goat Head of Fame

                    Vicious clowns of chains and leather sought to cleanse the mind

                             The flesh and struggle that was kindled at the discovery of Gabriel’s find

                                      Stiffening, hardening clay over roots and glands

                                      The skin of earth ravaged from birth

                                      Yes men and polished conveyor belt twins

                                      Nodding, prodding and smirking

                                      Evicting and molesting the commonwealth

                                      The taxpayers and voters

                                      The people, new and old

                             Sewing fishing line into us

                   Like strings to puppets

          Severing wings

Denying us flight

          Expecting us to fight

                   With blank expressions

                             And

                   Collective motives

                             Because we should all think the same

                                      While in the jungles of Vietnam

                                                The cities of Korea

                                                          Deserts of Iraq

                                                                   Caves of Afghanistan

                                                                             Or

                                                                   Anyplace our leaders

                                                          Mispronounce

                                                What is to gain if not

                                      Something profitable?

                                                Thieves condemning thieves  

                                                Murders judging murders

                                                Psychopaths killed for killing

                                      Women ***** and thrown into a

    guilt trip for not keeping a child that

    was forced into them, saying the

    will of God is infallible.

    Children without homes suffer for what they are

              While more populate the world with their own

              Before helping the needy


The names of the world

          The foundations built upon on another

The empires envisioned and dreamt

          Destined for glory and prosperity

Then torn down in the cataclysmic volley of change

          Then the cycle, the circle, is repeated again

          This is how the world functions

In the name of one

Or many

Or God

Or even the Gods

The Circles, the rings and arena.”





The man wrote with the typewriter on top of books and clippings

Watching riots outside his window, bottle of liquid fire exploding

Screams of terror, of revolt and damnation drippings

Calling out for all to see, the fury and loathing



What the man wanted to write was a simply story to tell

But his rising emotions took hold of his fingers

Instead, he told a story of malicious passivity in living hell

Where in his room the fumes of gas lingers



What if on other places in space

Where we’ve discovered other Earth-like planets

God Created different forms of humans

And watched how they grew

In their own way

Eliminating one previous flaw from the next

Till there was no conflict



If he did and kept doing that

Till he had the perfect human

Then there would be no more

And just God again.

Mystic moons and puppy dragon tales
Silver oceans with crystal silk sails

Frozen lakes above the stone angel choir

Marble pianos soothed by fingers of fire
Jonathan Witte Aug 2017
Mothers crawl home on all fours
and fathers crack their hammers
into the temples of the moon.

The dogs are long gone.

The children of catastrophe
flick their knives at the sun,

shuffling from ruin to ruin
in their parents’ heavy boots,

stepping over the skeletons
of buildings and hummingbirds.

The children of catastrophe whet
their blades on the skulls of childhood.

They shave their heads
and argue about the history
of chandeliers and ballrooms.

The frogs at the water’s edge
expand into dumb balloons.

Hunted by an army of hollow men,
we race toward the sound of a dog
barking at the edge of the world.

We sleep in shifts,
cursing moonlight.

In our dreams,
the horizon binds us
with a blinding flash—

your hand in mine,
our cells married
and incandescent:

each to each,
ash to ash.
Claire Ellen Mar 2013
Here I was,
waiting, wishing, hoping,
for the songs to start,
for you to sweep me,
right off my feet.
But the music,
it has been playing,
all night.
Here we were,
waiting, wishing, hoping,
for each other.
Daniel Samuelson Aug 2014
Every needle in the wind-whipped pines whispers out a soft "I do"
and the daisies dancing in their grassy ballrooms
"I do, I do, I do"
and the cardinals crowned with Christmas snow
chirping their identical
"I do."
Resonating through the trees and channeled through the earth
in places where the sun shines red
and stars shimmer through the waking hours
"I do."
Perhaps one day
our hearts and lips conform to the rhythm
as we whisper with transparent eyes
"I do,
I do."
I'd like to be anywhere as long as it's with you.
g Jul 2013
4.30am and she is trying to speak to god like she believes he exists.
Bleeds like she is trying to speak to the stars,
when all she wants is to get further lost in herself,
I wish this girl was mine but she's not.
I can see his hands now on the back of her neck, contrasting skin
illuminating
the angle at which she holds her head
like she's dancing,
she's not.
He's not even there.
I have never been jealous like this before
but I can see it in the way she looks at me
that he is not exactly what she wants
like I was.
Maybe I should give her a name:
tree trunks trembling towards the ground like they're trying to get back home;
flowers thriving on the dirt made from your mother's bones;
the song I still sing to myself every time I am terrified of the lights turned out;
my names are too long. I have too many words written about her.
I couldn't even tell you about a reflection in her eyes without writing a ******* poem about it.
I just want her to dance,
to dance with me like I am a ghost and she is the last person left on this earth,
like a storm wrapping itself entirely around a streetlight,
like cracked eggs leaking what could have been into the dust,
her telling me I came on too strong,
too soon
too fast.
I just didn't want to lie to her.
She absorbed all my blood sugar,
left me shaking and sour,
"just let me sleep all night",
I will pretend I'm simply exhausted,
let me try and act like this didn't happen,
let me attempt to act normal around you,
let's pretend you didn't ***** all those lies on me
after you kicked me to the ground.
At least I was honest.
I don't think about you like I used to,
but when the rain is tapping my window like it wants to come inside and make a friend,
it is only masking the glaring silences you forgot to take with you
when you left me that night.
At least I was honest.
But I never told her that she was my church,
my last crumpled cigarette stuffed into my backpack whispering:
"they'll never find you here,"
praying to you that we would be something more,
like midnight movies,
4am ballrooms,
ringing ears after a concert,
ringing
like I heard you,
ringing through telephone lines after you left me,
you only ever called after you forgot it was my birthday.
You only cared when it was convenient,
when we were away from prying eyes,
when he was nowhere to be found,
do not try and deny it,
I am not stupid you know.
I am not blessed with numbers,
I do not know anything about the meaning of life,
or the behaviour of protons,
but I can mix colours and take a good photo
and
sometimes I write,
I still don't know what a poet is though.
I can only see that she moves like these words write themselves,
and she speaks like music bleeding through a closed window,
I swear I am still cracked.
The day that I left she never even said goodbye,
though I still have tattoos left from the tips of her fingers on those heavy handed nights,
I swear,
they didn't even sting.
grace beadle 2013
Josh Koepp Oct 2012
if two butterflies lock together in the air

sharing their color in a wild embrace

their wings, their hearts, seem to fly fast

faster than before
and they will be faster forever more i am sure

               2 wings and 2 wings now four wings
four lips
two to a body
who are entangled together making one entity

living in a moment where when one half of you breathes
the other becomes breathless
the air stolen but if asked for
it would have been given upon request
       even insisted upon that one takes it
      and the other wouldn't resist

i insist, because my whole life is written nowhere
and is only spoken word of mouth
let me share my story with you and just for a second
my one story
your one history
will bloom into understanding through the courting gesture of

word of mouth
its a language all its own, written only upon shower mirrors
when we feel the most alone
with the imprint of nervous energy, before we begin realizing that
we cannot do our language justice through writing
or even story telling
we must be story experiencing
story weaving, and story dancing with our tongues in ballrooms
switching leads, and songs and dances
lit only by the warmth of the fireplace

lit by the gentle swaying of our embrace
and the taste!
it tastes like conversation
patient and understanding conversation
amid the dancing and the lights of a masquerade
where participation is not mandatory
                      because you always find your own motivation

and all of this started with a look
the one look, the one comment

"you really look beautiful tonight" your hearts don a mask, gain a rhythm, and step two steps closer
"why thank you" your heart extends a rose and is favorably taken, a hand is taken, the dance begins
"especially in this light, right here" your heart asserts a pose, and waits for the music
"no one's ever said that before" the music plays and it leans in for its partners hands
"well...." young hearts lose themselves, a slave to their own slave, as their mask falls to reveal a face

and they dance once more

just like dancing a kiss reveals everything
every sad song that brings you pain
every time youve danced in the rain to dismantle some inner child
every time you've fought the plain and the innocent
and how innocent your lips have been
where they belong

mine belong in forests, spontaneously and under street lamps
and in places i have not yet discovered could hold in a moment of such utter bliss

but my next kiss, will be there
my body lies prepared and i swear
i will not miss but if i do it only means
my wings could not fly faster with your wings
Joshua Haines Dec 2014
She likes fashion and interviews. I like getting lost.
Sometimes she grabs my bulge,
as she drinks from an aluminum flask.
She told me to rhyme something with 'flask'.
I said, "Fine. In your life, you've been wearing a mask.
But I can see. And you can see. They can't see.
That you are a detached, blond doll
and your back is against the wall,
as I kiss your neck until you're dead."
She said to rhyme something with 'dead'.
I said, "Fine. You ******* in my head.
And it's quarrelsome
that they don't see that you're numb.
I'd pull on your lip, with my teeth.
Dig my hand between your legs.
Just to make you feel. Just to make you feel.
And I study your hairbrush
to see that there are too much
strands of memories from melodies
that lay dormant in ballrooms
and scented kisses
that drip of the misses
in your life and mine."
She said **** me with your words.
I refused because I'd rather watch her bloom
in my dreams than the seams of
a fiber noose that rings loose
the bell in your neck
that sounds until birds fly
and we die-
You look at me,
"Home."
Megan May Apr 2014
She belongs in Cadillacs and lush apartments and big, bright cities
She belongs on the covers of magazines and in the fantasies of boys across the nation
She belongs in four poster beds and silk sheets and decorative pillows
She belongs in high heels and long dresses and expensive perfume
She belongs in perfectly curled hair and flawless makeup
She belongs on red carpets and in the focus of cameras
She belongs in ballrooms and night clubs and fancy hotel rooms
She belongs in loyal arms and a loving heart
She belongs to money and power and fame
And the word stunning belongs to her
Holly Salvatore Mar 2012
I'm in love with a boy

Who makes me feel like fried chicken on a sunday

Like the Meat

That I don't eat

I'm an animal

I'm colossal

I'm the ballrooms in his eyes

I'm in love with a boy who makes me feel

Like pancakes on a weekday

We don't do that

In my family

We do grapefruit

cereal

oatmeal

We do not do orange juice

ever

I'm in love with a boy

Like honey in my tea

To take away the bitter

Take away the hunger

Amplify the wonder

And the way we grew together

All the tangles

All the thunder

All the things I never let you--

All the things I should have said to you

I'm in love with a boy

Who feels like sin in the morning

And sweet all the time

Like violence at night

And the freckles on his shoulders call me with words he'd never be able to find

Words that make me blind

The way he makes me feel is like the sun in my eyes

I'm in love with a boy like peaches in the summertime

And apples in the fall

He makes me feel like all the songs

I've never played

All the cobblers I should have baked

I'm my apron

I am taken

I'm the muffins that I baked him

I'm in love with a boy who makes me feel like candles on a birthday cake

Right after they hit the lights

And the sparkle

When the flames jump to the birthday girl's hair

And the scare

And the faces of the parents

All the horrified stares

I'm the 30 unburnt pieces, 45 guests

It's never enough

It's always too much

But I'm in love with this boy

He makes me feel

Like robbing a bank and making a clean get away

And worn out boots with no soles

From running hard and running fast

He makes me feel like guns

And a red hot sun

And the worst blisters of my life

Like fleeing in the night

and I'm your girl, right?

I'm in love with that boy like the first day he saw me

I'm in love with our mythology

and I want him to know

I'm still that girl

It's still that first day
For everyone who has ever had their heart broken
Joey Zimmerman Dec 2010
Ich fühle mich wie wir in einem früheren Leben erfüllt
(I feel like we met in a former life)
Auch…where are my manners
English, right
I feel like we met not in this life
But before
And by “met” I mean loved

I have no idea how

We share common things
Und our eyes meet whenever we think the other isn’t looking

Maybe I’m going crazy under ******’s hand
I don’t feel like I’m in the right state of mind
But I feel like we’ve loved
Once upon a time



Have I met you before
Because you seem super familiar
I think you were my neighbor before I moved
Because I remember the pretty girl
Next door with brown hair
We played in my back yard and pretended to be aliens
Then made macaroni art
That’s us….on a hill….holding hands
You fell and got a boo boo on your elbow
And I put a dinosaur band-aide on it
We road bikes to the park and we swinged
Remember my best friend Johnny? His birthday party?
Well you were there and I got cake in your hair and you cried…
I gave you a gift on valentines day
It was a flower I put in a purple box
my mom planted in my yard
And later she yelled at me and put me in the corner for digging it up
I shared my dairy queen milkshake with you
Even though It was chocolate and that’s my favorite flavor
And I was really surprised because you said that was your favorite too
Do you remember…
No…?
Oh okay sorry.
You can come over and play with some of my toys if you want
I like your shoes…

I met her in a past life,
In February, new grass reaching through snow
This funeral only reminds me of
Vibrations in my spine when she’d leave
Symphony strings come in
Crushing all my Ambien
Recreating Adam and Eve

I could feel my disgusting old heart pulse
When I became her.
When she took over me.

I remember
Watching life go by like movies
Ich erinnere mich (I remember)
Dancing in ballrooms to records
I remember
Young bodies in ***. Minds dowsed in ecstasy
I remember you

Our dying won’t stop euphoria like this
It’ll just be put on hold for a while
Emotions becoming a straight beaming line
Because I’ll meet her again
All we’ll do is change the date and time
Benedictine Warlords
Hold ceremonies in ballrooms
Tie knots in dying children’s hair
Demarking havoc to succumb
Red X-es on trees
Placating these
Monsters
These scumbags
These treasons
Against a muck they scoured
A much maligned superfluity
Of words, of thoughts
Of feelings
Of devotion
Sympathy
What of it?
You’ve heard my ideas on living
You’ve killed my attempts
Superavero
Veni
Superavero
Now go, before you learn what life is
MMX

In a way this poem is about the silent evil of the status quo and I'm using "Benedictine warlords" as a metaphor for the occidental consumer in modern times**esp. in the US where capitalists often behave as free-market evangelists.

Latin: I will have survived, I came, I will have survived
Madeysin Apr 2015
Feeling a little bit crazy,
Lifes getting kinda hazy,
Is this more than a crush?
Spunky and funny idk hava
Louisa Coller Oct 2018
Sick as hell I check my phone, messaging into school,
I sigh inside and notice the time, deciding to message you.
The pain falls deep in my body, I type to you in glee,
Crushed, squished, I sit up waiting, stuck in a morning daydream.
Sharp stabs and bubbling insides, lead my fragile mind,
despite the feeling, a childish grin came at your reply.

Your golden personality dripping on me, after whimpering a battle cry,
Ballrooms fill with dancing literature, written in the night by a fool.
Words, movements, gentle touches, make my heartstrings unwind,
Music, intimacy, gifts for you, under a sky of blue.
Child-like fantasies feel trapped inside a tub of Neapolitan ice cream,
My confidence felt numb under a heavy lock until I saw your key.

Cheek caresses and dark chocolate eyes are all I want to see,
Our anxieties scare me, but we’ll overcome it like a butterfly.
Despite it all, it feels wonderful, to meet someone who sees esteem,
Blind ourselves, of achievements we hold, to me you are a jewel.
Your impact, care and self dedication is the reason why my smile grew,
Joyful tears, the pain we’ve known, I know we can finally leave behind.

Gazing downwards, I feel at ease, seeing your name signed,
Touching your handwriting, a piece of you, here beyond the sea.
Ambitions are goals made from our souls, we dream of making come true,
if feeling love is what I feel, I want you to prolong this high.
Colours are bright within our lives and I feel like we could rule,
We spoke in harmony, we spoke in warmth, we watch the pouring stream.

Hardships will fall, sometimes we will but I know we are a team,
We push onwards through the force like a blistering wind.
I promise you, I’ll hold on to you, during this whirlpool,
Life is fun with someone and you mean everything to me.
I’ll dream of you thinking of when I’ll see you come by,
The scent of tea over me, over you, awaiting our breakthrough.

Crying, singing and feeling, It’s all I wish to do,
Learning what’s wrong, doing what’s right, mild to extreme.
We cheer, we laugh and hold hands under this moonbeam,
For your attitude of faith, reminded me that day, to never feel resigned.
Carve your name into mine on the bark of a tree,
Celebrate every moment, kiss me in time, the rush of a joule.

I want your days to be as shiny as the lights, glistening near Blackpool,
It amazes me, that this sheltered dream, could become our reality,
You coat me in romance, I will pay back in kind.
This is somewhat based on Sestina structure but broken into some free verse.
Natasha Dec 2013
Oh, how I pity my poor pessimist
Do you not mind what I scribe?
Does curiosity never approach you
When I know you can't sleep at night

If you do, I hope you discover
That I write simply- you & I.
With my being beyond the horizon
In these words you must rely

A carpenters daughter,
(It's true) I was never taught, how to fix the lonely
But I assure you dear
You won't be in the slightest disappointed

My entire life is an intricate patchwork
Of multiple afflictions
Through hotel rooms & glamour
Abuse & drug addiction

"Through bathrooms & ballrooms
On dumpsters & heirlooms"
Baby, we'll be fine
I know in my minds eye
We'll be fine


As for the sea
I feel the vibrato,
A ripple when you're lonely
But the tides will greet you, excited at the pier
To bring you back home to me  
For darling,
I long only to bury my tear-stained face
In the man too far to say he's home
I do not choose the life I live but it's the only one I can call my own.

*One day
I promise
You will wake in bliss
Between ruffled sheets
And my petite, contented figure
The pessimist will embody nothing
But the purest form of happiness
Sara Rose Jan 2014
I used to be a
rocking chair
in the home of a lovely
elderly two.
In the summers I sat in the shade
on the porch
that was my world.

But I got tired of going
back and forth
with the same old things

I used to be
a pair of rubber gloves
belonging to the maid
of a grand old palace.
I held the sponges
that cleaned the biggest of ballrooms
and the feather duster
that danced along
the most delicate riches.

But I didn't like
being used
to do someone’s
***** work.

I've been a wish from a genie
(I was taken for granted)
I've been the pencil of an artist
(That job was too sketchy)

I was a sapphire gem in a mineral museum
(But I started feeling really blue)
I was a sunken stone in a rolling river
(But I just couldn't go with the flow)

Though, I don’t regret
a single thing I've been.
Because the best part of imagination
is the only thing about it
that I don’t need to make up:

my mind.
Trevor Gates Jan 2013
Through untamed shadows and blurred silhouettes
The moon remembers what the night forgets
it was a time before all, before the time we met
the form of a shadow and my love's silhouette

Gathering darkness of the collective noir
the hellish display of Satan's bazaar.
The passively insane, jokers and boars
of Victorian plays and Spanish guitars!

The view from here is lovely indeed
the vantage point of insanity.
A suit of skin is miraculous, I see
The stunning cloth of evil dreams

My, my, what a treat
ah,Visitors we see
all waiting to share
a shallow moment of care

Please show us, what's new
in the world of the living, this paradigm stew


A dance on the roof summons suspicion
from the mess below of ugly submission
I plead, I implore, abandon all tradition!
Before you pummel down the world's attrition...

I have seen the wonders of the other side.
Where mass ballrooms of dead reside
all swooping, crying, laughing with pride
While the they truly live and you surely die.

The fires of madness, the abundant endeavor
strikes a chord with those, whomever,
enjoy such masked adventures, whichever
Such with Boris, Phil, Julie and Trevor.

beating pain out from the brim
Retching blood and bile from within
Yes, of course I'll obey
Please...could you stay?

Yes my lover, my illustrious shadow tamer
the other that is here but only I can see, my sane reclaimer....
Jon Tobias Apr 2011
Just in case you didn’t know

You are perfect

You are a freak of nature

A happy accident

So fragile

Like some old century vase on a pedestal being thrown across a room

You

Have a voice

A voice that when you speak all I wanna do is stay

You put me in awkward situations

Like how sometimes we sit close and I just wanna put my arm around you

No reason

I just get this urge to do it

How I sometimes just want to tell you how lonely hallways feel,

And how empty the ballrooms are

Why don’t they have those anymore?

‘cause I’d dance with you

Hold you in my arms nothing short of forever

You

are perfect

Because you have eyes

Eyes that see better than most of the blind things
And feet that help you move, but never take you far

When we walk away from each other it always feels like slow motion

And there is strange music in the background that makes me feel like the Beast

I stay up nights just waiting for you

You are perfect

Like shallow breathes of air

After almost drowning

Reminds me life is short

Can you hear it?

That music?

Must be getting ready to leave me again

Just know

before you go

You are perfect

Perfect like

Hands

And old people

Perfect like awkward situations

Like those silly sad reminders that life is short

Just

Perfect
KM Jones Mar 2011
black top hats and heretical clowns
surprise! the circus is back in town
ladies and Gentlemen- we've a show tonight
so bed the kids and dim the lights

hotel ballrooms and cheap champagne
silhouettes of Falsehood and the infamous Fame
a gallery of harlots and libertines
blessed with the curse of controversy

suicidal salvations and casualties
religion built the bomb that burned the buildings
a ballet of East making martyr of West
they pulled their own trigger- shot themselves in the chest

creaky pulpits and dusty pews
a prayer to be one of the Chosen Few
but holy water won't cleanse these Sins
in time, all shows must come to an end

so bed the kids and dim the lights
it's time for a panicked revival tonight
clasp your hands- bound by rosary beads
baptism- your wants, prostitution- your needs.
Terry O'Leary Jul 2015
Six steeple towers, cold as steel, drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

Coiled candle sticks! Their twisted wicks no longer 'lume the cracks
with dying flame, subdued and tame, mid pendant pearls of wax,
since deference to innocence dissolved in molten tracks.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, across the cruel moraine
reflecting white a wisp of light in ebon beads of bane
which casts a crooked smile across a faceless window pane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in lurid swinging gait),
haunt ballrooms, bars and bare bazaars, though no one's there to fete.

The souls who come with jagged tongue won't sing a silent psalm,
nor paint pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, nor beg lethean balm,
nor yet redress the emptiness that shifting shades embalm –
they've seen, you see, life’s brevity, and face it with aplomb.
Shades On Inside Mar 2013
The Slow Dance, of what does it make you think?
Of summer dresses, ice tea and lemonade
Of ballrooms and masquerades

The Slow Dance, it has a deliberate movement, does it not?
In time you must roll hand in hand
Like lovers cheek to cheek lost in forgotten land

The Slow Dance, but is it a dance?
A waltz, a trot, and a rag time step
You feel  secrets that no one knows you've kept

The Slow Dance, surely you see what I mean?
Gravely, I know not what is in store
To end is to begin and find out once more

The Slow Dance, why do only a few take part?
It is meant for one but not for all
Yet many take their step, stutter, and fall

The Slow Dance, when does it end?
Through pain and sorrow of a heavy heart
When it is all too great, you must step apart

The Slow Dance, but how long does it take?
Over in a moment, a decision of rash
The end can be long or just a flash

Ah yes, The Slow Dance is not a dance at all
Just an isolated path sauntered alone
The means to end only a few have shown
Zach Merrill Oct 2010
well? was it worth it, the things we used to do and all the memory warm.

as you trembled with a smile, and all the light on earth fill your heart

down at federal jacks tonight.



so confuse me with your smile

keep me warm today, tonight, tomorrow

and you'll sit, and love the life you have, and drink your coffee to

and just write the poetry, that we make



the ballrooms alomost emty the lights are dim,

it's wonderful to be around to champnge dreams



so confuse me with your smile

keep me warm today, tonight, tomorrow

and you'll sit, and love the life you have, and drink your coffee to

and just write the poetry, that we make



and the timeing was always wrong the weathers changed

and the suns not as warm as your voice,

you my sun, you are my muse, you bring out the best in me



so confuse me with your smile

keep me warm today, tonight, tomorrow

and you'll sit, and love the life you have, and drink your coffee to

and just write the poetry, that we make



.
Carolin Dec 2015
He asked his wife to get her
dance moves on a christmas night.
To twist and twirl like ballerinas
do in fancy ballrooms. To feel
the heat and vibes and create
a spark tonight. The candles flickering flame was moving
from the left to the right with
such an excite. The flames
went from orange to red every
time his hands slid down on
the small of her back. They
must of blushed while they
did the tango as well. They
must of sighed when they
kissed as the carols went
off. He made love to her
body on that christmas
night. When the lights
went dim and the
flames caressed
and licked the
concrete walls.
While the cold
winter's air
touched their
bodies and skin
as they were
exposed* ~
Emma Mar 2014
it's like floating
that feeling when you know
you're still on the ground
but you're up in clouds

when you laugh so hard you can't
when you smile so big
you can't stop

it's the feeling of empty corridors
turning into ballrooms
where you dance all night long
conversation  turns to song

because you're smiling so much
and laughing so hard
and floating so high

that you're up in the clouds
but your still on the ground
Jay Esse Dec 2013
sleep is a date with death.
it's a time when your body is present but your conscious is not.
but are you really alive without being conscious?
in sleep your consciousness goes on a journey
taking Death by the hand
and accompanying him to the most majestic of ballrooms
and into the eyes of terrifying storms,
to the highest of mountains
and the deepest of the oceans' chasms,
to the most distant of memories
and the depths of what you had forgotten,
to your most prideful of accomplishments
and the greatest of all of your fears,
to the brightest of hopes and aspirations
and the most vacant corners of darkness.
he shows you what this world has to offer
anything and everything
each journey to be an experience your body may not have the chance to live.
yet every time you arouse from sleep
you awaken with nothing but haze
blurred images being all that your body can comprehend
in comparison to what journeys your mind can traverse.
as you age, your body becomes rickety and wrinkled
barely able to hold back such a bursting mind.
this is the time when your mind does not want to confine itself to a body any longer
it wants to experience more than what this world has to offer,
for in the hours awake within the body
combined with every date with Death
every memory has been made
every child has been born
every tear has been shed
every moment as a human, in body and mind, has been experienced.
your mind is not weak nor weary, rather, it thrives
within a clear container
and all that Death has yet to show you visible in the distance.
once your body can hold you back no longer, it sets you free,
sets your mind free.
that is when Death greets you
just as a peaceful lover would come dawn
and just as affectionately
he would accompany your mind
to everything else there is beyond
being human,
being conscious.
Alyssa May 2014
I apologize in advance for the ash swirling in the wind, but this morning i woke up and clutched your name with such reckless devotion that it turned to dust. Every syllable fell to the floor. I tried to reconcile my wounds but the infections are swelling like the tide. I wish this melancholy would come like the waves so my body could stop feeling so dehydrated. I never wanted that girl to break your heart, only to hand it back to me. She stood on ground previously reserved for my feet. I don't hate her, but i can't be her friend. I loved your hands that were so thin but trained to destroy life. Particularly mine every time they brushed by my body without stopping to linger. You thought of every stop sign as a yield so that explains why you were always in a rush but never why you were constantly late. I've always waited for you. You know I hate being late but i don't mind walking in and being the cause of turned heads with you. You've smoothed out my complexion because i don't experience anxiety with you so my worry lines have disappeared. The only breaking out I've done is coming out of my shell because you taught me to live life with the sunshine in my face rather than fluorescent light bulbs. The artificial suns never seem to be turned on in my room because i only wanted you with the lights off. Not because I'm afraid of my body but because I don't need light to memorize your every shape and contour. Like a blind man learning Braille, i wanted to spend hours memorizing you so i could read you properly. When you came back your body was a different shape, rougher, more defined. And when i asked to sharpen up my memory of you, you turned away and i think thats why i had trouble reading your letters because your Braille required something new to continue. But i dont come with upgrades or new technology every time you come back, i am the same as before. Like Windows 4 i am starting to run slower than the last time you saw me and a few things have become unrecognizable even to myself so when you asked me what's new my brain started yelling ERROR 404 and i broke down.  No doctor, no repairman, not even you knew how to put me back together again and i felt like Humpty Dumpty and you were the king who sent all of the horses and all of the men. But what i would give to be your queen. Sit beside you in a throne and have portraits painted of you and i until there were halls and ballrooms filled of us. I wanted to carve pictures into all of the vertebrae in my back but i realized you took my spine with you when you left. You unfortunately left my heart untouched which made it ache more because you have never hurt me. Although I wanted you to **** me so i had a reason to hate you but i cant help but resent you every time you say my name with no love at all. You've always protected me, but safety is your only concern especially because i am not beautiful enough to cause a rupture in your make up, not even a quicker pace of your heart beats were produced when you saw me. I wanted to anatomically break you down and rewire your nerves so the next time i held your hand your only response would be to hold on so tight that only the jaws of life could tear us apart. But the jaws of life dont seem as terrifying as your hands leaving on their own. But now they're thousands of miles away and my heart was left in tact but it's slowly tearing itself to pieces without you here.

— The End —