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1413

Sweet Skepticism of the Heart—
That knows—and does not know—
And tosses like a Fleet of Balm—
Affronted by the snow—
Invites and then retards the Truth
Lest Certainty be sere
Compared with the delicious throe
Of transport thrilled with Fear—
A note of seeming truth and trust
                      Hid crafty observation;
                And secret hung, with poison’d crust,
                      The dirk of defamation:
                A mask that like the gorget show’d
                      Dye-varying, on the pigeon;
                And for a mantle large and broad,
              He wrapt him in Religion.
                   (Hypocrisy-à-la-Mode)


Upon a simmer Sunday morn,
     When Nature’s face is fair,
I walked forth to view the corn
     An’ ***** the caller air.
The risin’ sun owre Galston muirs
     Wi’ glorious light was glintin,
The hares were hirplin down the furrs,
     The lav’rocks they were chantin
          Fu’ sweet that day.

As lightsomely I glowr’d abroad
     To see a scene sae gay,
Three hizzies, early at the road,
     Cam skelpin up the way.
Twa had manteeles o’ dolefu’ black,
     But ane wi’ lyart linin;
The third, that gaed a wee a-back,
     Was in the fashion shining
          Fu’ gay that day.

The twa appear’d like sisters twin
     In feature, form, an’ claes;
Their visage wither’d, lang an’ thin,
     An’ sour as ony slaes.
The third cam up, hap-step-an’-lowp,
     As light as ony lambie,
An’ wi’ a curchie low did stoop,
     As soon as e’er she saw me,
          Fu’ kind that day.

Wi’ bonnet aff, quoth I, “Sweet lass,
     I think ye seem to ken me;
I’m sure I’ve seen that bonie face,
     But yet I canna name ye.”
Quo’ she, an’ laughin as she spak,
     An’ taks me by the han’s,
“Ye, for my sake, hae gien the ****
     Of a’ the ten comman’s
          A screed some day.

“My name is Fun—your cronie dear,
     The nearest friend ye hae;
An’ this is Superstition here,
     An’ that’s Hypocrisy.
I’m gaun to Mauchline Holy Fair,
     To spend an hour in daffin:
Gin ye’ll go there, you runkl’d pair,
     We will get famous laughin
          At them this day.”

Quoth I, “With a’ my heart, I’ll do’t:
     I’ll get my Sunday’s sark on,
An’ meet you on the holy spot;
     Faith, we’se hae fine remarkin!”
Then I gaed hame at crowdie-time
     An’ soon I made me ready;
For roads were clad frae side to side
     Wi’ monie a wearie body
          In droves that day.

Here, farmers ****, in ridin graith,
     Gaed hoddin by their cotters,
There swankies young, in braw braidclaith
     Are springin owre the gutters.
The lasses, skelpin barefit, thrang,
     In silks an’ scarlets glitter,
Wi’ sweet-milk cheese in mony a whang,
     An’ farls, bak’d wi’ butter,
          Fu’ crump that day.

When by the plate we set our nose,
     Weel heaped up wi’ ha’pence,
A greedy glowr Black Bonnet throws,
     An’ we maun draw our tippence.
Then in we go to see the show:
     On ev’ry side they’re gath’rin,
Some carryin dails, some chairs an’ stools,
     An’ some are busy bleth’rin
          Right loud that day.


Here some are thinkin on their sins,
     An’ some upo’ their claes;
Ane curses feet that fyl’d his shins,
     Anither sighs an’ prays:
On this hand sits a chosen swatch,
     Wi’ *****’d-up grace-proud faces;
On that a set o’ chaps at watch,
     Thrang winkin on the lasses
          To chairs that day.

O happy is that man and blest!
     Nae wonder that it pride him!
Whase ain dear lass that he likes best,
     Comes clinkin down beside him!
Wi’ arm repos’d on the chair back,
     He sweetly does compose him;
Which by degrees slips round her neck,
     An’s loof upon her *****,
          Unken’d that day.

Now a’ the congregation o’er
     Is silent expectation;
For Moodie speels the holy door,
     Wi’ tidings o’ salvation.
Should Hornie, as in ancient days,
     ‘Mang sons o’ God present him,
The vera sight o’ Moodie’s face
     To’s ain het hame had sent him
          Wi’ fright that day.

Hear how he clears the points o’ faith
     Wi’ rattlin an’ wi’ thumpin!
Now meekly calm, now wild in wrath
     He’s stampin, an’ he’s jumpin!
His lengthen’d chin, his turn’d-up snout,
     His eldritch squeal and gestures,
Oh, how they fire the heart devout
     Like cantharidian plaisters,
          On sic a day!

But hark! the tent has chang’d its voice:
     There’s peace and rest nae langer;
For a’ the real judges rise,
     They canna sit for anger.
Smith opens out his cauld harangues,
     On practice and on morals;
An’ aff the godly pour in thrangs,
     To gie the jars an’ barrels
          A lift that day.

What signifies his barren shine
     Of moral pow’rs and reason?
His English style an’ gesture fine
     Are a’ clean out o’ season.
Like Socrates or Antonine
     Or some auld pagan heathen,
The moral man he does define,
     But ne’er a word o’ faith in
          That’s right that day.

In guid time comes an antidote
     Against sic poison’d nostrum;
For Peebles, frae the water-fit,
     Ascends the holy rostrum:
See, up he’s got the word o’ God
     An’ meek an’ mim has view’d it,
While Common Sense has ta’en the road,
     An’s aff, an’ up the Cowgate
          Fast, fast that day.

Wee Miller niest the Guard relieves,
     An’ Orthodoxy raibles,
Tho’ in his heart he weel believes
     An’ thinks it auld wives’ fables:
But faith! the birkie wants a Manse,
     So cannilie he hums them;
Altho’ his carnal wit an’ sense
     Like hafflins-wise o’ercomes him
          At times that day.

Now **** an’ ben the change-house fills
     Wi’ yill-caup commentators:
Here’s cryin out for bakes an gills,
     An’ there the pint-stowp clatters;
While thick an’ thrang, an’ loud an’ lang,
     Wi’ logic an’ wi’ Scripture,
They raise a din, that in the end
     Is like to breed a rupture
          O’ wrath that day.

Leeze me on drink! it gies us mair
     Than either school or college
It kindles wit, it waukens lear,
     It pangs us fou o’ knowledge.
Be’t whisky-gill or penny-wheep,
     Or ony stronger potion,
It never fails, on drinkin deep,
     To kittle up our notion
          By night or day.

The lads an’ lasses, blythely bent
     To mind baith saul an’ body,
Sit round the table weel content,
     An’ steer about the toddy,
On this ane’s dress an’ that ane’s leuk
     They’re makin observations;
While some are cozie i’ the neuk,
     An’ forming assignations
          To meet some day.

But now the Lord’s ain trumpet touts,
     Till a’ the hills rae rairin,
An’ echoes back return the shouts—
     Black Russell is na sparin.
His piercing words, like highlan’ swords,
     Divide the joints an’ marrow;
His talk o’ hell, whare devils dwell,
     Our vera “sauls does harrow”
          Wi’ fright that day.

A vast, unbottom’d, boundless pit,
     Fill’d fou o’ lowin brunstane,
Whase ragin flame, an’ scorching heat
     *** melt the hardest whun-stane!
The half-asleep start up wi’ fear
     An’ think they hear it roarin,
When presently it does appear
     ’Twas but some neibor snorin,
          Asleep that day.

‘Twad be owre lang a tale to tell,
     How mony stories past,
An’ how they crouded to the yill,
     When they were a’ dismist:
How drink gaed round in cogs an’ caups
     Amang the furms an’ benches:
An’ cheese and bred frae women’s laps
     Was dealt about in lunches
          An’ dauds that day.

In comes a gausie, **** guidwife
     An’ sits down by the fire,
Syne draws her kebbuck an’ her knife;
     The lasses they are shyer:
The auld guidmen, about the grace
     Frae side to side they bother,
Till some ane by his bonnet lays,
     And gi’es them’t like a tether
          Fu’ lang that day.

Waesucks! for him that gets nae lass,
     Or lasses that hae naething!
Sma’ need has he to say a grace,
     Or melvie his braw clathing!
O wives, be mindfu’ ance yoursel
     How bonie lads ye wanted,
An’ dinna for a kebbuck-heel
     Let lasses be affronted
          On sic a day!

Now Clinkumbell, wi’ rattlin tow,
     Begins to jow an’ croon;
Some swagger hame the best they dow,
     Some wait the afternoon.
At slaps the billies halt a blink,
     Till lasses strip their shoon:
Wi’ faith an’ hope, an’ love an’ drink,
     They’re a’ in famous tune
          For crack that day.

How monie hearts this day converts
     O’ sinners and o’ lasses
Their hearts o’ stane, gin night, are gane
     As saft as ony flesh is.
There’s some are fou o’ love divine,
     There’s some are fou o’ brandy;
An’ monie jobs that day begin,
     May end in houghmagandie
          Some ither day.
This is the church which Pisa, great and free,
Reared to St. Catharine. How the time-stained walls,
That earthquakes shook not from their poise, appear
To shiver in the deep and voluble tones
Rolled from the *****! Underneath my feet
There lies the lid of a sepulchral vault.
The image of an armed knight is graven
Upon it, clad in perfect panoply--
Cuishes, and greaves, and cuirass, with barred helm,
Gauntleted hand, and sword, and blazoned shield.
Around, in Gothic characters, worn dim
By feet of worshippers, are traced his name,
And birth, and death, and words of eulogy.
Why should I pore upon them? This old tomb,
This effigy, the strange disused form
Of this inscription, eloquently show
His history. Let me clothe in fitting words
The thoughts they breathe, and frame his epitaph.

  "He whose forgotten dust for centuries
Has lain beneath this stone, was one in whom
Adventure, and endurance, and emprise
Exalted the mind's faculties and strung
The body's sinews. Brave he was in fight,
Courteous in banquet, scornful of repose,
And bountiful, and cruel, and devout,
And quick to draw the sword in private feud.
He pushed his quarrels to the death, yet prayed
The saints as fervently on bended knees
As ever shaven cenobite. He loved
As fiercely as he fought. He would have borne
The maid that pleased him from her bower by night,
To his hill-castle, as the eagle bears
His victim from the fold, and rolled the rocks
On his pursuers. He aspired to see
His native Pisa queen and arbitress
Of cities: earnestly for her he raised
His voice in council, and affronted death
In battle-field, and climbed the galley's deck,
And brought the captured flag of Genoa back,
Or piled upon the Arno's crowded quay
The glittering spoils of the tamed Saracen.
He was not born to brook the stranger's yoke,
But would have joined the exiles that withdrew
For ever, when the Florentine broke in
The gates of Pisa, and bore off the bolts
For trophies--but he died before that day.

  "He lived, the impersonation of an age
That never shall return. His soul of fire
Was kindled by the breath of the rude time
He lived in. Now a gentler race succeeds,
Shuddering at blood; the effeminate cavalier,
Turning his eyes from the reproachful past,
And from the hopeless future, gives to ease,
And love, and music, his inglorious life."
anastasiad Dec 2015
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1237

My Heart ran so to thee
It would not wait for me
And I affronted grew
And drew away

For whatsoe’er my pace
He first achieve they Face
How general a Grace
Allotted two—

Not in malignity
Mentioned I this to thee—
Had he obliquity
Soonest to share
But for the Greed of him—
Boasting my Premium—
Basking in Bethleem
Ere I be there—
You **** all your warriors heroes
Die in fire.
A name. A name as it just is, but one t'at is so dear
to my heart-th' glint of my dreams,
th' tempest of my soul. Th' wave of my life,
th' tide of my *****-and how bound to my heart-as t'ey art!
Th' glide of my tempest, th' water of my drought-in t'at
simpering stain of th' past-thou wert but my sole emblem
of imagination. Thou wert th' only thunder to my heart-
and my benign indulgence-thy words wert to me my kingdom,
my most earnestly desired kingdom! Thou wert but to me so near-in t'at
affronted fright of my being, thou wert my enigmatic master
and ardour. How thou comforted me!
And how thy charm was but so near!
My prince, my love!
I was but in a striving trance-but as soon as thou reached my handth-
and pressed me so tenderly to thy chest-o!
How I was entangled in a haven of imminent soliloquy.
And my eyes-my very eyes, watched t'ose shadows of bubbles-
and t'at splash of foreign doubts, drift, drift away-like a busy wind,
trying to escape its shrieking rims: how t'ose fears and drears
astoundeth me no more!
And thee,
How replenishing, andth becoming thou art to me!
Vanquished areth now t'ose thoughts unsure-in thee I witnesseth nothing
but pleasure! Thee-thou art, and just thou art, is my warmth and
fiery treasure-just thee, my love. Thou art th' blood t'at feeds my veins!
How thy first words art but fresh in my memory-thou blesth my morning,
and its sublime meekness, but its kisses art as fervent as thine not-and would I
still be gripped by its dangling, mystical fear.
And t'ose rainbows of falsehood, how t'ey snickered-hark to t'eir deceit,
and flakes of malice-hark now! I was so entranced by t'eir speeches, and
blinding emotions, so captivating in t'ose years of insincere heat, but no more!
No more shalt I give my life to 'em-to endue 'em with my glows of aspiration
as heretofore. I would be clever t'is time-and fleet as I like th' pouring rain-
beware ought 'ey to become, of my festive storm!
But thou-as majestic as th' morn's melodious dew-caught my love in a burst
of eloquent second, and lock it in thy memories, heart, and salubrious
weather. How thou gleamed my life-my very life!
T'is life t'at was isolated by flushes of unripe redness-
unlike t'ose taints of glamorous roses-fake, indolent shapes as t'ey are,
scattered along t'ose innocent bushes, and am but afraid t'ey shalt
survive not-and wither shalt t'eir robust leaves, from t'at ample
sadness bestowed guiltlessly on 'em. How t'eir glistening surfaces
shalt be left no more!
Thou art my only jewelry-and th' atonement of my surly sins-
knight to my armour-my warm, neglected armour, how soft and epic
thou art! And thou wilt be by my side-as fatefully'th it been decided,
and how miraculous it wouldth be to me-my very prince, my own,
my own thee! And shall beginth just t'is journey-our very, very journey,
with no more blandnessth as heretofore-in t'is gusty time of year,
as I wouldth but be here with my thee-my dear, my dear.
Jedd Ong Mar 2016
"Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”
-Ozymandias

I.
O wait for us, Colossus

as we wait - and throw you
to earth: from heaven’s gates judge you
unworthy - to hades’ lands assign,
where your iron limbs make mincemeat out
of anguished homes - by tyrants
you were thrown but floated aimless past

the drifting realms where once lay hell,
and fired you your rocket boosters - apollo’s gift

blinding still your eyes -

II.
next, awake: the visage of the Child
in your face - languishing, affronted:
two vast and trunkless legs of iron glare, only to grow
rigid still - slumping at His feet: with heart-engine smoking,

eyes hollowed-black,
lying in slumber with giant's knees bent,
in grasslands rest and where hearkens the plain - He cries out:
’tis you!

though dwarf, He is - he kneads your iron
by grass, and your wounded legs the earth
now christens, snd blesses still your sleep.

III.
He moves forth with grass blades and twigs,
crown you a nest; and bear stones unrolled to where

your feet first kisses ground.

-2.17.16
An attempt at "sketching" a cartoon. Originally a photo piece.
Those unchained melodies are heard-
slayed and naked, like a lost soul-
wand'ring along a village; a dejected village!
And hark, hark to how they plead!
O, how they beg to be alive, to be free
from the deadness of these winds.
But no-one greets them, with a handful
of care!-how ill, and thievery is,
such inattentiveness! What a smug
egotism!-For these areth living
creatures, not lurking shadows as they'th seemed!
Blackened willows, stiffened dust;
trembling trees, affronted branches-
bending in their nakedness, a scene of vulgarity
with no ******* and sensations-
to capture attention, o, am'rous
attention! How poor these humans are! Brutes
are they to natureth-dappled with disgrace,
insincerely prayin' for more and more to feed their
ungrateful innuendoes-which prey on their
mortality-to fascinate their tongue,
and *****! And elements with no such marks
are out of them, no thinking is set on them;
no moreth! Peek, peek now, at how those
bountiful thorns blureth, and dieth!-at the scorn
and rivalry amongst humans-and still no-one bothers
kindethly-to eventh peek at 'em, yon miserable,
pitiful creatures! But 'ose humans, whose spitefulness
is awayth from b'ing praiseworthy, are aboundth with
death; cannot they defy it, inescapable as it's always
been-for death is not destined to dieth-never!
Thus thy sins, humans, wilt swing thy joys into swamps
of guilt, denial, and suffrage-be unafraid of which,
straighten thy chins-for these are all what thou'th
deserved, all along! Thou'th betrayed nature, and now
thy souls wilt be thy subtlest enemy-thy veiled threat!-
beware of 'tis, but still perchance, it is futile to
exhort thee-now and again! Thou art stained with
remorse, and prefereth doth thou-to follow thy own
course, rather than nature's bliss's vows.
Bardo Mar 2021
She wore a Golden Salamander (brooch)
That's quite a lizard you got there, I said
"Lizard!" she replied quite affronted, "that's no lizard, that's my Golden, my Golden Salamander",
So what does it stand for then this, this Golden Salamander, I asked
" What does it stand for, my Golden Salamander!!! ", she almost shrieked, " it stands for Strength, Courage and Fortitude, qualities you've probably never even heard of! "
O! I replied, I thought it might have meant you were just one slippery customer,
"Well, what creature would you have to encapsulate your qualities I wonder", she said, "I bet you have none".
O! But I do, I said surprising her, and then...then I whipped it out, hidden behind my shirt, a necklace, I showed it to her.
" It's...it's a Scorpion ", she said,
No! I corrected her, it's...it's a Black Scorpion
She gave a little gasp, and then she started to stammer
" You... you're... you're not Him, are you, you're not the... the real...the real Black Scorpion "
Guilty as charged I answered with a little bow, at your service Mom,
Well suddenly her glass, it fell to the floor as her hands they rushed to cradle her face
And then she let out this fearful roar
"It's!... It's the Black Scorpion!!!"
Suddenly the whole room it went quiet, all the music and chatter coming to an abrupt halt as every head turned in our direction
Then the next moment... Sheer Pandemonium had broken out
As glasses were tossed aside, tables and chairs overturned as a hundred frenzied guests scrambled toward the door to get out
But...but it was too late, Me! I'd already...farted
You see I wasn't really The Black Scorpion at all, I'd only been pretending, messing about
Secretly all the time, all along I'd really been just...yea!
I'd just been The Blue Skunk, The Blue Skunk in disguise.
There was road works on the road one day and I was stuck in a traffic jam, and the car in front of me had a little salamander painted on the back, and while I was waiting the first lines of this came to me. More silliness. Happy St Patrick's day! Cheers!
Joe Cottonwood Nov 2017
In my little town
dogs sleep on the street
and act affronted
when you drive on the bed.

My little town allocates resources
in proportion to priorities.
We have one school
two churches
and three bars.

The teenage boys in my little town
gather by the pond after dark
with big engines and little cans of beer.
They steal the Stop sign, stone the streetlight,
moon a passing car.
But at least
we know where they are.

In my little town some girls keep horses
in their back yards. Above the dogs and surly boys,
they cruise on saddles astride a big beast,
dropping opinions as they meet.

On the Fourth of July
the whole little town
has a big picnic.

The ducks on the pond in my little town
waddle across the road each afternoon
a milling, quackling crowd
round the door of the yellow house
where the lady gives them grain.
When it rains,
they swim on the road
or sleep there, like dogs.

On a cold morning
the woodsmoke of stoves
lingers like fog
in my little town.

We hold village meetings
where a hundred-odd cranks and dreamers
***** for a grudging consensus.

We cling to the side of our mountain
building homes, making babies
beneath trees of awesome height.
We work too hard, play too rough,
and sense daily something sweet about living
in our little town.
Carson Hurley Mar 2017
Cliffs of dying coral affronted me as I slipped to the depth,
my heart wept for the inspiring sight it once was.
What it has become is a paragon to man's destruction.
I look for something beautiful.
A painter sat cross-legged on the white sandy bed,
his canvas weighted down, the weights accompanied by two mischievous ***** as he cast his oil paint to the page using his hands.
A masterpiece, to paint the ocean's belly from the inside.
'That's true beauty,' I mouth, watching the silver bubbles escape from me with my dwindling oxygen.
moonrays Mar 2023
I have been peeled
the ripest of my juices trickle
between cracks within the fold.
held up by the hands of affronted lust
and weighed beneath twin peaks
not crafted by I
but molded for the other;
a single mirage
reflects itself onto many surfaces,
in which they have been ****** upon
---s.r.
softcomponent Dec 2014
If Christmas were given
the same gaze as Yom Kippur,
there would be riotous, careful,
false-faced diligence in the streets
of every Capital; silent prayers of
meditation mediation senseless acts
of kindness from a root of sterile fear
as if to offend Christianity would bring
about a Talibani death-wrath if-and-when
affronted-- but Christmas and Christ have
been so transparent as to become tested
combinations on the invisible lock of human
desire everyone eventually frustrated at the failure
of probable-consistent guess as to turn to Freudian
psychology for answer in lieu of Christ's final revelation
numerical in nature-- numerical strangeness Da Vinci Code
impossible-- as all other religions keep their yaps shut whilst
all Christianity has left is the little grey Luoyang City safe--
we've all given up and assumed it's empty-- empty like the
universe, maybe.
Woe is me, oh woe is me,
As I languish in mediocrity,
I am as stagnant as our rulers, or maybe not as so,
For at least I can decide what rule stays and what rule goes,
At least I can I can move on from constant prose,
At least I can realize what good should trump,
Whether the ideas or the person, or even both lumped,
At least I can put aside issues affronted,
No matter the hill or re -designed face it is front with,
'Cause crimes are crimes, and should be punished as such,
But to sacrifice human rights is a price too much,
And while a third option is available still,
As always t'will happen as Jack and Jill,
Well now i'm not sure if I feel better or not,
For now I feel happier, but I see our country could be shot.
howard brace May 2011
Please don't be offended
for I dare not be too prone
to read anothers written word
that may supplant my own.

Please don't think me selfish
should I not reply,
the words I read may influence
the style that I apply.

Please don't feel affronted
I do not mean you wrong
for just like you when writing
my verse, is my own song.

...   ...   ...
Lauren Hitchcock Oct 2013
Standing there, unshed tears, sadness stroking my heart

Numb to the world, thoughts a strewn, confusion blight and bleary

Watching the woman, in the casket, shaking as we part

What could I do, to overcome this, when all I feel is weary

Dead and gone, a victim of the night, affronted to the day

All that's left of her is memories, as I turned and walked away
awesome apothecary addressed as Agamemnon  
alleviates anxiety, and alimentary aggravation
anodyne appeasement arrests ailment
amphetamines acquaintanceship assuages
agonizing aches also advocates amorousness

assiduously activating admiration
aggressive attacks assault air afoul
affable affinity affects adumbration
anatomical accidental addiction attested as academic,

although afterward abnegation absolutely arduous,
affianced attired apparently as an anomaly
Ares and Abyssinian Astarte admixture
acquiescence affliction affected adroitly,

and abruptly abends accessible
altruistic alms axed
albeit admonishing, alluding,
and attributing authored

autonomous anonymous adroit arriviste agents
accompanying as accomplished accomplices
accredited ace advertisers
applaud ascendent assaults amidst agonizing appeals

acting all acrimoniously apropos
avowedly ardently, and antagonistically, agitating
appositely advocating ancillary assistance  
addict adrift afloat anchors away

assails along, among, and an alias archenemy -
adorned abominable assassin alters ambition
adroitly, aggressively, absolutely
addict announces asseveration

against avid admonishment
alarmingly annulling authentic affiliation
anew anonymous ability acclaims alignment
aegis actually adversarial abetting attrition appetite

acceleration ascendent after aplenty anesthetization
additionally activating arced analogous arrow
advancing added abdominal and arterial agony
abject ambivalence arrests accomplishments attainable

any artistic avocation absconded
asper auditorial approbation, animadversion
artificial aggrandizement abrogates astuteness
appropriate adjudication affronted

alternative afforded amnesty about acing audioslave
as aerosmith ambition assumes arriviste affectation
already appalling alacrity awakens amendment
although Awol administration adamant

acrimonious affront agonizingly attributable
announces another afterworld
apparent ailing apparition
ardent allegiance asking anyone appreciable affix
apathy abounds attending apriorism allotment.
Yanamari Dec 2023
Angry distasteful stare
Eyes squinted, affronted glare
Dismissive
In all her care, uncaring
Unwanting of any responsibility
Associated with falsehood
'You're unreasonable'
Emanates without being spoken

How can you begin to even think for yourself
Think of the validity of your perspective
When you're caught overwhelmed and mocked
Belittled in what you think is fair
And I'm stuck with that stare
And you without a care
So often I'm labelled over-sensitive, overly emotional, undermined. It makes me wonder how many people out there would treat my emotions as I'd want them to, with the care, understanding and attentiveness that I desire but do not often receive. Makes me feel distance from those that should be dear to me. Makes no sense, when I'm asked why I don't talk as much as I listen.
Mitchell Dec 2018
Declarations
Are supported
By nothing
But the vocal patterns
Of solidarity's
Sole believers.

I'm in love and
I know I am
Because I smile
Every time I shower.

Perceptions are similar
To that of the gnat:
Buzzing;
Incessant;
And somewhat believable.

Love asked me the time,
And I told them -
What's it matter?

We see one another's
Eyes
Yet,
When we glance or
Flick
A stare toward ourselves,
We are faced
Affronted
Cornered into facing
Not just our physical

But our everything.

I worry about dinner,
Then dessert.
Yogurt instead of ice cream?
I'm a hunter gatherer
Hoarding anxiety, self-loathing, and shame

Then I remember all of the Earth's
Continents will be under water
2040.

I buy Rocky Road - extra rock, extra road.

A reflection is not worth
A thousand words,
But an infinite mirror
Of accomplishments,
Regrets,
Successes, and
Failures.

The mirror is a mirror
As well as a beginning
Of facing
Whatever the hell you are now
And whatever the hell
You maybe want to be, if better.

I like to make sure
She's breathing.
I put my open palm on her navel,
Or her lower back; feel the breath.

Sometimes I wonder, I fear,
What I would do, would be, turn into,
If there was no rise or
Fall.

Deconstruction
Is a means
To rebirth.

Tactics of repression.

Maneuvers
Of

Being human

In

An inhumane world.
Debra A Baugh Jun 2012
When I smiled and
looked into his face
my heart raced;
then I awakened,
realized his was
laced with a false grace;
whereas, his eyes
could never erase the
sadness written all
over his face.

My insides screamed,
hurting for what
seemed like a lifetime
of dreams, fore,
he made our life an
affronted scheme;
feeding me sweet nothings,
making my heart dip;
kissing me with champagne
sips, loving me until I could
only think of the way he made
my mind take an around
the world trip.

I knew we'd no longer
stay together; living a life of
unfulfilled dreams, as those
sips of champagne spills
down life's drain, the look
in his eyes remain the same;
even though I'm left with the
pain, I can still walk away
knowing he didn't take away  
my happiness & love for myself,
his loss; my gain...freedom
Mitchell Feb 2015
It's a fresh start
When all things shine
The way
You thought they'd
Be

But most
Everything
Isn't
The way
You thought
They'd
Be

Make do
Adapt
Life is
As it is
From the bad
And the
Good choices
You've made.

Throw passion in there
And see
What kind of maelstrom
You
Create.

I've attended no
Meetings,
No press junkets,
No glamour parties,
No welcome farewell's,
Yet I've seen the faces of victors and
Loser's and they all
Seem
To say the same thing:

It's not enough.

What isn't?

This life.

This life
Isn't enough.

The crowd
Goes
Silent.

The mob
Grows
Tranquil.

The masses
Shift in shape into a
Congenial blob.

What do you mean

This life

Isn't the best
That

IT

Can be?

If the land were to give an answer it would say:
It is forever eroding to something better.

If the sea were to give a response it would whisper:
It's tide is forever cycling for something better.

If the wind were forced say something it would shrug:
When I will, I will and you will of course feel it.

If this life
Were not enough
There would be
No

Hope

For something better -

For you - for I - for her - for him - for everyone.

It is a strange fact
That we forget ourselves subconsciously
Thinking of all selves

Consciously.

Advancement.
Progression.
Betterment.

Thou­gh we see these things as personal gain, we must

Remember

That every small feat for human kind in our small time,
Dually affected by our travesties and faults in our small time,
Affect said future, either crippling their thoughts in hate or

Allowing their thoughts to flourish

In freedom.

Every cloud in the sky
Appears
From nothing.

Yet it is there.

I've seen wind pass through the leaves of tree,
Like ghosts fingers through a child's hair.
I see it - the physical passing - and I admire the invisible
Touching and transcending the physical.

I am no closer to anything
Then the one
Sitting next to me but,

I know something is missing.

Something is amiss.

We are too connected to believe that the grass on the other side
Is greener.

So we are affronted with the fact that there is no great trail
That leads to ultimate happiness;
There is no great land that leads to salvation;
And as the great HST stated: the false belief that someone greater
Is attending the light at the end of the tunnel.

Let us be our own saviors.

Let us be our own light.

Let us be us with the trials and tribulations of the past but not affecting our said goals with injustice or prejudice or hate, but with unity.

Unity.
M Clement Dec 2012
Take me to the skies Dad
I said silently
Hoping that today would be different

Affronted with something else
Rather than happiness
There's a biting edge to the words
I'm sorry I'm ten year's old

It's always been on me,
I'm not sorry that I failed you
I'm sorry that you expected miracles
From a human child
S Mar 2015
I had a dream, a while back.
You were there, standing tall and proud with face toward the sun
never affronted by my disturbing you of your peace.
I said I was sorry about, well, you know.
Not knowing.
You shrugged it off with that golden child shrug of yours,
that earth mama groove shrug that always rolled
like water off your back.
But I guess it didn’t roll like we thought it did, did it.
I was mad, too, in my dream.
I was so mad at you. I was as mad as I had not let myself be yet.
I don’t remember much after that,
other than you taking it in stride.
I think I remember us talking.
When I woke up, I was not mad anymore
and I was crying.

Someone posted on a photo of yours earlier.
It popped up on my newsfeed like a ghost;
for a second my heart stopped, I think.
You have a bunny on your head
that looks like some sort of renegade furry halo to me
for some reason.
There are lines under your eyes
but you look so serene.
Just staring up at this ******* bunny sitting on your head,
looking all the world like a Renaissance painting.
It’s not fair to know
the pain somewhere in those lines of shadow and light,
your shadow and light,
you’re shadow and light.
I think maybe tonight I’ll dream again,
and maybe you’ll be there. Or maybe not.
But that’s the only place I can find you,
the only place any one can find you.
There’s a curve to your mouth that’s making me cry.

It’s a little dark, you have to admit.
Dark, but healing, like some sort of witchy cave.
You might have liked that. But who can say?
Every once in a while someone will post on your wall
on your photos
and there you pop up again.
But we’ve all shifted, and you’re just a frozen face.
Frozen shadows. Frozen light. The princess in the box,
and the people gaze upon her, never touching.
It’s enough to inspire.
Art in different forms, telling different myths and legends.
You can’t be woken up with a kiss.
You are only in a box.
You are only in the dreams of the living now.
And in us you will live as long as the last of us.
A longer life than you might have had but never did,
definitely a longer life than most.
But really, who can say?
Wk kortas Jul 2017
Its color sat somewhere on the spectrum between brown and gray
(Such things being dependent on vagaries of the light,
And the perspective of the beholder)
And it served as a testament
To the muted benefits of near adequacy,
Being too thin for the portentous winds of December,
And too warm for the capricious sunshine of May,
Its threadbare functionality emblematic of its owner,
Whose relationship with those around him
(Indeed mankind and his universe in general)
Vacillated between an affronted indifference
And an implacable if somewhat muted contempt,
His commerce with his fellow man,
Excepting that required to provide him
With the basics of sustenance and shelter,
Carried on in an epistolary fashion,
Through letters he wrote,
Sometimes to those he encountered on a daily basis,
More often to mankind and the unheeding cosmos in general,
Which were stuffed higgledy-piggledy into his coat pockets.
These missives were not humdrum laundry lists
Of those slights and injuries, be they petty or mortal,
But rather soaring and high-flown in nature and tone,
More kin of the sermon than the scolding,
Celebrations of life’s splendors great and small,
More often than not those he knew little or nothing of first-hand.
He’d no intention of sharing these dispatches
With the world at large or anyone in particular;
He’d simply empty his pockets once they were full enough
To present an inconvenience,
And he’d laundered any number of them
On more than one occasion,
And when he’d passed behind this earthly veil,
All but unnoticed and unmourned,
His landlady had simply emptied the contents of the coat's pockets
And consigned them to the trash,
Believing the garment barely fit for charitable purposes
Washed and given a goodly airing out,
Let alone burdened with the detritus of another man’s life.
Something of a draft document, as it strikes me as woefully in need of sanding and varnishing.
MRQUIPTY Jun 2016
affronted
by words
crafted to
incite
a gale howls
in protest.
I temper.
response to
goad is
your lead.
I set leeward
in spite.
Tweet size poem
Michael John Aug 2017
in one picture a woman
on a telephone the lead
which leads to what may
have been a golden mannequin..

her eyes are blind and her mouth
hangs down she looks left..(her left)
the doll stands on the table..
in the heels what look like bullets..

in the second a scene in a washroom
a young man flees clearly affronted..
a woman bespectacled watches his retreating
back..and dries her hands..

everyone is incredible
it goes without saying
everyone is perfect and
dazzling..
everyone is thin...

(taken from a magazine..)
m May 2018
Context and trust go hand in hand. If I tell you some stout men walked out of a bar, you'll understand that they're probably drunk. If I tell you they then walked into your house, you will be concerned, and then stop reading, or at least stop believing the things I say. And, understandably, you will be disillusioned with my tricks when I begin a story with an unexplained pronoun. But the fact of the matter is: the spaces between my words will not be a silence you abide. People have a tendency to fill in the gaps.

She held out one hand, her left, cupped firmly, fingers together, bound and tense. A tiny, prickly-cold ball of teal sparks bounced up and down, remarkably slowly, lying about gravity. She could feel each orphaned spark dissipate coolly on her skin. With her right, she squished the man's fingers together, then curled her hand around his, forcing it into the tight shape of her left. Curious townsfolk pointed excitedly at the hopping magic in her hand as they passed, walking from booth to booth.

It had been six years since Maria had felt so anxious, and even back then it was only half. She knew it would come today, in great waves. Rhythms of merry-making divided by chasms of trepidation, legato, slow-moving and dreadful. Her spine hurt, as though she had spent the previous day lifting boxes of reagents for her show at the end of the Midsummer Festival. Well, she had, but she knew how to lift; she was a responsible person, and knew proper form. Rather, her muscles were tight with nerves. She worried she might remember. With today's celebration all around her, the past was so near.

"Make sure you hold tense, all the way up through your wrist. If you give this unruly stuff any chance to hurt you, it will." She demonstrated, moving her left hand around rigid, and the spark-ball followed. She had a stern look on her face. "But it's fun as long as you're safe. Are you ready?"

He nodded. He must've been thirty, but he had clearly never gotten a chance to be a part of the magic before. His awestruck silence gave her a smirk.

She moved her left hand over his tensed right hand, then quickly snatched it back to her side, leaving the spark-ball floating above his slightly quavering fingers like a tablecloth trick. It bounced there, in his hand, just as it had for her. His face was concentrated deeply, brows clambering to touch but blocked by a pudgy wrinkle between. And yet his sense of wonder was somehow still clear, visible in the corners of his eyes, so Maria allowed herself a full-blown smile.

It was context that left that moment bittersweet for Maria. She would get it right this time.

She pulled at the head of her paper belt, a machination that often caught the eye of village children. The belt lapped her just above her hips several times, terminating in an odd box, something between a belt buckle and a mouse trap. As she pulled at the lapped belt, the latch cranked back, and then snapped down, tearing off a piece with a small wooden bead upon it. It was like a reel of button candies turned witch's tool.

Maria concentrated, rubbed her thumb across the wood, and it gave way to another playful sphere of light. She repeated her process, handing out a few more of these to those passersby she could convince herself she had taught to be safe.

One child had found it funny to spread her hand open suddenly just before Maria could give her the spark-ball. Maria glared the sphere into shattering spectacularly, sending sparks everywhere and seeming very dangerous. Of course, she would never have hurt the child, but when the girl ran off to her mother, Maria felt the smugness of the worst sort of teacher.

The horizon had just been kissed by the setting sun when she realized the time. She tried her best to steel herself and walked towards the weathered stage.

As she walked up the stairs and onto the stage, she looked out at the crowd. There was a sense of rurality that she hoped would be welcoming. The hearts of hard work preferred consistency to splendor, and she knew it. But she had worked so hard for this moment.

Behind her, the stage set was covered in trinkets. Ivy and moss draped over the drapery. A few stagehands rustled around behind the brown, musty curtains, occasionally sliding an open tome out into view, or rolling a small cart covered in lit candles out. None of these props were necessary, per se, but she knew her fellow performers had a penchant for the dramatic, so she wanted to impress them when they arrived. If they arrived.

Her back tightened and she could feel all the iron in her chest and arms. She could see shadows, fickle for sight, wisping at the outskirts of the celebration, teeming up from the earth and out from the forest on the outskirts of town. Please, help me, she whispered in her mind, knowing it was just for her own keeping calm. The motion behind the curtain grew quiet, and she knew things were ready. She swallowed.

"Good evening and good eats, my good folk! And what a festival it has been! For all of the wonderful people who were out in booths today, selling delectable treats and delightful trinkets they made themselves, can I get a round of applause?" She paused, and the crowd obeyed. Everyone likes to pat themselves on the back.

"Excellent, excellent," Maria said, nodding, her practiced smile radiant. "You know, before we start I just want to say: it's truly been a pleasure to share experiences with you all these last six years. I know I'm not always out and about at parties and the like, but your hospitality has been a beacon of light for me through a tough time. I want you all to know that. So, another round of applause, for being so amazing!"

She smiled and looked down at her feet for a moment, and as she did, she allowed herself to grit her teeth. She was suddenly chillingly aware of the danger she had gathered for her fellow citizens. This can't go wrong, she repeated in her mind, as she had been for weeks leading up to this day, to this show. She was sweating. She had to trust in her thoroughly proofread calculations, and the goodwill she had accrued with the fae near town in the last few years. Everything had been set up perfectly. It had to be.

And so she was smiling out at the crowd again when she flipped a switch on the dispenser head on her belt. "Now! Allow me to deliver to you all the display of a lifetime! Tonight, feast your eyes, ears, and hearts on the Parade of the Star Witch!" She grabbed the end of her belt and slung her hand out, casting the reel of paper out over the audience, and she left her hand there, gently grazing her thumb over each button as it passed.

She had cleared the first objective perfectly, but she didn't relax.

No fewer than twenty huge spark-***** shot wildly up into the air off the paper, directly overhead of many villagers, leaving wide, bright tails of blues and purples as they went. They hovered in place at the top of their range, blasting out light in unpredictable rhythm. It was loud. Children caught and argued over the used launch paper as it fell.

Maria stepped back with one foot and snapped. The candles on the table behind her roared into irresponsibly and unbelievably tall flames, instantly shifting from orange to varying cool colors. The scents of lavender and anise washed over the performance. The entire standing space of the stage lit up a deep green with the intricate details of a spell circle. She manually triggered the latch on her dispenser head, severing the paper, and snatched one last button into her hand. It was time for the second stage.

She turned and spun gracefully into the center of the circle, her dark sundress taking the light of the stage and the still-hovering spectacle above moodily. She put her hands together, and the wind began to swirl fiercely, and as it grew shadows eked out into the fading sunset, upright and physical, on either side of her. They lashed around rapidly, plentiful and playful, but seemed unguided by the sudden gusts.

She felt a sudden, sharp pain behind her eyes. One of her traps must have triggered backstage. Whoever it was had come too careless, and too late. No one could stop this now, not this time. It was finally going to happen right.

She raised her left hand up into the twilight sky, that last single button rising into the sky to be the biggest sparkler yet, in the shape of a massive star. Everyone would remember who brought them the joy of this night for years.

The shadows suddenly grew rigid, and then hands reached out of each, and the parade began in earnest.

Fae poured out of each shadow-portal in a march, walked off the stage, and continued out, stepping up into the air over the stunned crowd. They wove their own path through the air, finding a beat that affronted in theory but pleased in practice. They were of inconsistent shape and size, not just between individuals, but between moments. It was difficult to pin your eyes on any feature they had, but it was harder still to find them anything but dazzlingly beautiful. If the denizens of the town were impressed by the lightshow, they were rapt now.

Some of the fae reached down and pulled an audience member up to them, dragging them into the march. Those left on the ground blossomed with envy.

Now, at last, Maria relaxed. The props had been enough. Her work had been enough. Her "fellow performers" had accepted her offerings, and tonight the town would fall away from the cruelties of reason and time, and into something delightful, eternal, and fun.

There was -- to describe it as a sudden turn gives the suggestion that this eventuality was not certain. But it was abrupt, as more people were pulled up into the parade. Kissing spread like wildfire across the skywalking troupe. Some townspeople seemed uncomfortable. Some followed suit. But no one ran.

The town had left the world. The people would be swallowed up by the fae, or become them, or both, and the night would soak in revelry ad infinitum.

It was context and trust that always misguided the prey of the Town-Eater Witch.

A crackle before her, a gemstone green and deep, borne of Oberon. She collected her payment with a hand still shaky with adrenaline, and then she was the wind, and then she was gone. But the sparks remained.
KorbydAngyle Nov 2020
... Is more than this?... lost to life on a dime
The reason that a culture locks
their chastity belts
arguing rather a time

When June stands and the
frustration which is
lost on her mind

Framed into all value stand extemporaneously
against the drink of mace fluid
While the ****** statue
orders the last of peace the state
exits as we go before it

Final passage invokes a self...
this is when life moves on
now proven to reform it
Forms use the brave lieutenant
as thoughts with so eternal
see the reality affronted

Which is more the opposite of real solutions
chains which prove the sister stood to cry
One allows it... nor of vanity at the time
this and that culture won
the jewelry people die

Paths meant as legal
are gathering eternally
Yet snow returns as thoughts
are cued the effort pie
I am the free and the use for me
is why I am born one day
this is best and no other solution allows I

And lost in a train afflicted
by moments you promise
Ideas placed like clocks on victory's formulae

Make culture's real foundation return in irony
as facts that blame are using the religious for a saw
A state we wouldn’t as enemies as well in a ceremony
used as a disrespect going off forever making
yet another denial computorial flaw

Gifts... efforts... a slap...
all places now never changing
as body and chemical volunteering
It's amounting challenge flows disrespect
answers implications of maw

Once did I not to lose life on my time& bind
but in the end a political party did I find!!
i'm not sure what anyone might make of this but its theme is relevant...
it's a rework of a previous... makes the rhyme more easy to notice

— The End —