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1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!
james nordlund Oct 2018
Since our political system has been laid bare, after RumputiN was installed
in the Blackhouse, it's beautiful complex of lack of complexity, in a word,
conspiracy of conspiracies, has moved me and "...we(e),..." to have as a few
of my favorite things be far more reaching questions, out of necessity. Like,
without acknowledging, and demanding others do the same, that it's been
purposely engineered to be a criminal injustice system instead, how can one
even have a real conversation that would lead to potential for real change
of it taking place in reality, if you don't know who you were, where you've
been, how on God's green Earth can you expect to know who..., where you are
and what's going on, necessary to start thinking about changing anything,
even yourself, as well as directing who you will be and where you will
be going, etc.?  Swine slaughtering lower-middle-class to poor men en masse,
mostly of color, instead of just doing the usual liquidation of their ases
and assets, are just serial murderers masquerading as cops, and what goes
around comes around, no?  If you're not taking bullets you're making them.  
Also, people are fed up with felonious RumputiN and his rootin' tootin'
organized crime family spree from the Blackhouse, which should be prosecuted
using the RICO Statute instead of just being elaborately covered up by Mueller
for he's not using it and he's handing out immunities like soldiers candy to
Iraqi kids, duh.  I would add some salient pointless points, beyond the 'empty
boat' of Zen, and 'useless tree' of the Tao, we can understand the burden
placed on our shoulders by our ancestry not exercising their responsibilities
as they should have, and thereby it's Siamese twin sisters, their freedoms,
Withered like unused muscles as well, as a panultimate challenge, saving
humanity, literally. Also, understanding Jung's "80 % of all actions, thoughts,
feelings we have, that we acknowledge, or don't, perceive or don't, are
compensatory towards our pasts", necessitates an integral understanding of
Satre's existentialism' meaning of angst, as experience integral to life, not
opposed to it, but, rather, central to it, and a nexus of it.  This is more
than an embracing of gestalt's, Perls', moment, now. Moving away from sophist
perspective, we also experience the meaning of life is struggle, which comes
through all our meaningful work, succinctly. Further, what is life beyond that
foci is also, the where, when, who, how, and sometimes why too (but never Y2K)
of life; beyond our masks and ego fulfilling stories, schtick, lines, etc..
Do we struggle, not just as lifelong students, with the impossible, not just
the improbable.  Yet, it's actually more layered than that in a much larger
dimensional paradigm than 4 dimensions.  Yes, the effects of our causes in any
action usually have effects that undo our causes as we act them out, intend,
present them, etc..  Yet, those more superficial, linear, first conclusion
layers are not less effective, per se, as the complexity of Karma, Dharma are
beyond our normal comprehension. What is the root of thought, feeling, the root
of feeling, being, the root of being, the extent to which we struggle with what
it is, no?  For, as the following twig of poetree gleans: Soul//
As my breath
is the one, prana,/
And the life's pulse, pala,/
Reaching angelic source, sura,/

So is this mind, manas, a
/  Flowering unfoldment,
/ Unendingly touching
/ The eye
that would it see,/  
Unbeckoning unto thee./
As well, this Bodhi, a temple,/

Of the four and fifth, nur,/  
So entered by atma, a ray of thy sun,/  
Thus being
winged, and
/  As such with wind,/
Flying only in dharma's dance,/
Is returning
to, Brahma, you./  For, there yet, by thy grace, go I./  
We are not who we think
we are, we are, rather, the extent to which we struggle to evolve to be some-
things, spirit, soul, Bodhi, etc., on the path of study that could and should
be one, you, me, forever asked and never answered.  Yet, even if we lived as
prayer, our light only adding to the well of light, our every step in grace,
leaving no footprints that followed none, echoing in all ways, always,
sometimes, like pulling teeth, "...we(e),...", must stalk our words from our
insides 'til we wrangle them, like cats, to the tip of our tongues, no?  For,
"Words weren't meant for cowards..." and we must "be brave...", Happy Rhodes.
We can't allow ourselves the luxury of taking our supposedly 'golden silence'
all the way to the bank, as your average bear does.  These are the end times,
we successfully struggle, to abolish global defacto-slavery by the non-renew-
able energies' corporate structure's machine and it's convolution, against
the global oligarchy's premeditated mass-****** of 7.5 billion people, or
humanity's extinct.  Gandhi, "(supposed) science is the root of all opression"
and, "...we(e),..." must be the change we want in the world".  Is not life
relation, are we not responsible for one another, are not all threads in
the fabric of life needed, as is the evoliutionary ones' mendings, for we
can't allow it to be torn asunder?  If not here, then where, if not now, when,
not you, who? Viva la evolucion.  Indivisible, illimitable you, GOTV.
Please copy, share as you will. this GOTV twig of poetree   :)   reality
PJ Poesy May 2016
}I{
“Sinuhe”

King Khety is blinking madly
Haruspex has left him ominous oracle
Sinuhe is on his return, fugitive no more
Sinuhe brings with him enemy’s daughter
Not prize, Nefru his wife and Libyan lore
Sinuhe from slavery came, poet she did adore

Egyptian tombs do tell in detail
Hieroglyphic tales, this juncture of peril
Khety not King, but Sinuhe’s noble brother
Knows true King come to claim throne
Sinuhe the nobler, knows a life of none other
Than slave sold by Odious, the step-mother

Yes Queen Odious, deep in den of asps
Collected poison venom to undue her marriage
To Sinuhe’s father Merikare, Pharaoh of Moon
Odious’ ghastly act nearly tore Egypt in two
Her derangement sent Sinuhe far across sand dune
Odious took crown, added gilded teeth of baboon

Made her son King, though he did implore
Khety saw insanity and for what, he was in store
Khety remembers his Great Father’s words
“The heart of someone who listens to his temper
Is doomed to follow the stink of camel herds
Better to let heart fly upon sky, as do birds”

Yet by years tormented, Khety became undone
More like his mother and even more sniveling
Than the Odious one, so he did as he was told
Incessant dribbling marked a life for him
He minded his words lest he knew he’d be sold
Mother’s high priest Abhorus was bitter and cold

Sinuhe’s struggles were unknown to King Khety
Years of near starvation and wearisome labor
Made Sinuhe the better man, as he did never forget
Assurances of his noblest Father, Pharaoh Merikare
Virtue ascribed, Sinuhe kept valor in each trial met
Furthermore, his noblest task still to come as of yet



}II{
“Numidian Queen”

Nefru, Numidian Queen to Land of Libya
Recalls young slave Sinuhe’s hostility to captivity
His intelligence overcoming, who once would be King
Of Egypt had not violent arm but ferocious mind
Using wit to overcome adversity and words he did sing
To free his self of internment and all oddity it did bring

Nefru looks upon loyal husband Sinuhe
It is an arduous journey this man has taken
Her commitment be bound now by ivory ring
Loyalty to this man before all forsaken
It is spring, and amongst abundant life come dead things
Fledgling birds first flight failed or so siblings did fling

Now swept into his pilgrimage, Nefru perceives
All adversity Sinuhe did overcome so nobly
To her, he is chukar, partridge of rare plumage
It is to the ground, which this bird be bound
Never reaching sky, low brush be its’ *******
Though its’ song give to her heart an anlage

Freedom from slavery, is Sinuhe’s triumph
Vindication of crown be the mark of new flight
He prays to Horus Behudety, Winged Sun God
Nefru knows of her husband’s will and might
She gifts to him her father’s pinioned golden rod
Scepter of enslaver Mehru, and his feathered shod

It was not of great agreement by Mehru
Should his daughter Nefru marry a slave?
Much less to son of Merikare, an arch enemy
Yet he be so brave, impressions of Sinuhe’s strength
Be made so to change, very nature Sinuhe’s destiny
So much so, Mehru did lament in Merikare’s elegy

So it came to be, a slave marries Queen
Sinuhe and Nefru’s love broke all patterns
Such a love to win hearts of, Gods and Goddess’ unseen
Who rule other worlds and all rings of Saturn
History had never known affection so purely clean
Gatherings from far off fields came to witness such glean



}III{
“Haruspex And Detritus”

Haruspex, soothsayer speaks in half-truths
King Khety believes only small contingent
Be on way to Byblos, presently approaching Qedem
Little does he know, armies of Elephant in tow
Masses of feathered and golden archer’s stem
Blessed by breath of Bat, Goddess and her phlegm

Detritus, Animal Man, hired scout to King Khety
Possesses claws and hair of lion, his home Serengeti
Animal Man’s mane is thrashed in thorns and rubble
Smells of cat ***** but has nose that knows much
Such why Detritus be tolerated, though be much trouble
Haruspex twists tale of tailed man, speaks of him double

Calls him lazy, shiftless, yet Haruspex be cryptic mess
Detritus be banal yes, but true to Khety none the less
Knew his father well, Merikare be his master
It was always Queen Odious, Detritus distrusted
Knowing her demonic betrayal and Egypt’s disaster
She kept him in gypsum cave, scratching alabaster

Kindness had left this Kingdom sometime ago
When Odious and Abhorus overthrew rule
Merikare Moon Pharaoh mummy cry from tomb
Sinuhe ripped from his side by Abhorus
His funeral a very mockery and Detritus’ doom
Haruspex made way from Libya, eyes mucous rheum

Planted by Mehru, Haruspex be sent through desert
King of Libya be wise, sent this oracle as disguise
Not soothsayer at all but spy of opposition
King Mehru knew upon Moon Pharaoh’s death
Peace upon land would not soon come to position
Quickly he sent Haruspex, strangest magician

Detritus knew by the first smell of him
Haruspex came from earth west, not with best
Intentions to natural order of land and sky
And this test of two egos be quite perplexed
With each other and another reason why
This brawny epic riled through years gone by



}IV{
“Ode ‘O’ Odious”

Motioning her battalions, priests and beasts
Evil Queen who overthrow, joins Abhorus’ feast
Beldams be this clergy, **** all about Odious
Snapping of rabbits heads in cacophony of blood
Plunking chalices of malice’s, sacrifices melodious
All in dark chamber halls in depth’s commodious

Stretching of intestine to fine tune harp
Butchers waylay innards with daggers sharp
Mawkish music be Odious’ fame
Concavity’s entrance a perilous scarp
Passers-by enticed by bergamot oil’s flame
Fall to their death to be eaten by dame

Ode ‘O’ Odious, Ode ‘O’ Odious
Drunken mayhap through day and nightcap
She rumpus muck, she ruckus all luck
Ode ‘O’ Odious, Ode ‘O’ Odious
Chambers fill with all matter of bile guck
Bites cobra tails, hooded heads protrude to ****

Death be her power to innocence’s pain
Queen Odious oblivious to her own danger
Seems unstoppable to submissive subjugates
Spinning her terror, cackle calls to maidens
Fem ferocious, how ‘O’ Odious undulates
Casualties collected in long hundredweights

Probity of her high priest be none
Abhorus puppets Odious and will be done
With her second rare blue water lilies run out
The Nile produces this flower of intoxication
Extinction of it is of all certainty, no doubt
Named after her, O Odious flora beguiles lout

Ode ‘O’ Odious, Ode ‘O’ Odious
It is Evil Sorceress and midnight blue flower
Power of it be all in her high flighty head
She misuses its’ tincture to her own final hour
Harvesting it foolishly, nearly till it is dead
And when it is, it will be to all worlds’ dread



}V{
“Oasis In Iaa”

Sinuhe receives word elephants parched
Water need be found, arduous trek campaigned
Nefru never witness such worry, Sinuhe’s face
Ox tail be split to drain nourishment from beasts
No water for miles, no sea birds upon sky to trace
Sinuhe prays, “Montu, God of War find oasis to race!”

Sekhmet, Archer Goddess visits Nefru
Great Lady is besieged by dessert’s spell
Hallucinations bring mirage to Nefru’s sight
Transfixed on dessert’s horizon her eyes
Contingents warriors, bands of archer’s fright
Paths set forth, only to journey by starlit night

At dawn Sinuhe strands his band
Takes his most devoted men of arms
Bhaktu, Parsi, Rhaktu, follow their Lord
Each having faith in man and his wisdom
Eastward they find Syrian tribe in horde
They are welcomed, none need draw sword

Master of Syrian tribe Abu Sefa
Understands who Sinuhe is and was
Orders falconers to find Nefru and throng
Apprises Sinuhe of oasis beyond hummocks
All are soon joined together in wine and song
Oasis found, Iaa, fruited land and lagoon long

Khety is warned of revelry in Iaa
Sends legions Egyptian arms, by order Odious
Anubis, jackal head God given zebra sacrifice
Detritus employed for battle with spears
Copper shields, mediocrity will not suffice
All swords be sharpened by order thrice

Lifeblood battle of Egypt ensues
Sinuhe taken off guard in Iaa,
Elephant screams to be heard for miles
Bhaktu cut down, Rhaktu not found
Parsi’s archers never saw such trials
From lagoons come seething crocodiles



}VI{
Twist Of Fate

Rensi was chosen by Abhorus to speak for Khety
As High Priest, Abhorus did most doling of employs
This proxy Rensi though, be mockery of King
His speech more stammered than Khety’s noise
Grossly disfigured as well, soundings as mice sing
Rensi aware of this, musters all dignity he may bring

Perigee moon at present, o howling now
Hyena laughing at dissertation of Khety’s proxy
Ill ease overcomes this Rensi, an impediment
Speech undone on terrestrial stairs to Memphis
Escalades flora, fauna; monsoons washing sediment
Tefnut, great rain goddess turns world to excrement

This not so illustrious disquisition muted
By torrent winds and torrential liquid compounds
Tefnut’s tears plunk upon all, turning mud blood
Looking out from his great house Khety embroiled
Bares soul to Sobek-Re, Crocodile God; Sun and Crud
Sobek-Re answers prayer, suspending flash flood

In Iaa, as gore of battle ensues, fate lose
As twist of tale find new bemuse and worlds infuse
Detritus sees his lost master Sinuhe encroaching peril
This recognition swells an emotion deep and confuse
Detritus bent in memories flash reacts nobly not feral
With a roar to be heard over all, clamor become sterile

Sounds of battle cease and gaze of majesty
Sinuhe seeing Detritus is overcome by sensibility
Two old beloved friends stare upon each other
Dragging swords behind each move to indemnity
Embrace of each other; secures allegiance another
Sinuhe kisses feet of Detritus; calls him “brother”

As witness to such, all weary legions unite
Moon turn blue, assured sign of Pharaoh Merikare
Mehru’s star battalions federate Moon Pharaoh’s armies
Together as one to Memphis they shall siege Khety
Overthrow Queen Odious and her sinister parties
This mainly being High Priest Abhorus’ autocracies



}VII{
Epitaph Of Detritus

Odious in lair drinks tinctures blue water lilies
Abhorus her advisor suggests only more intoxicants
Khety is shrilling at sight of this deceptive lure
Haruspex makes prophesy of Detritus’ betrayal
Khety sends hunters to trace Animal Man’s spoor
Abhorus finds more legions of archers to procure

Leaving Iaa and moving toward Memphis
Detritus is fitted by Nefru’s maidens new armor
Embroidered with gold, a striped khat is made to adorn
Detritus is humbled by Sinuhe and Nefru’s gifts
His body is perfumed and oiled; his mane then shorn
Beholden to the true King of Egypt, Detritus is sworn

Two men of different lands, both once slaves
Overcome their adversities and rise upon sun
Sinuhe and Detritus’ bond is legitimately noble
Wearing of these worlds bare them new providence
Seemingly this union appears fortuitous global
Keeping steadfast of Abhorus’s archers now mobile

In Sakkara, south of Memphis come tempest
Raining arrows as if raindrops, Sinuhe’s challenge
Detritus’ valor finds reckoning to his last will
Defending Sinuhe, Detritus falls to cumulating
By strength this virtue witnessed, Sinuhe rise still
Throwing down legions of archers, making his ****

Abhorus, Odious, and Khety with no troops left
Surrender to Sinuhe upon his return to Memphis
Odious drinks last vials blue lily tincture, expires
Abhorus struck dead by hand of Khety in resolve
Khety bows to Sinuhe and his Queen as requires
King Sinuhe , Queen Nefru read parchments and fliers

In honor of great Detritus and his noble deeds
Commissioned is greatest sculpture Animal Man
During its’ long construction, most joyful jinks
Song and dance to honor a great warrior true
Each artisan so proud to have heritage to links
Of Animal Man, Detritus, now known as Sphinx
This is my adaptation of The Tale Of Sinuhe. It is the oldest known work of Egyptian literature. This epic poem was written by me with the intent of creating a puppet opera. I hope to collaborate with other poets, musicians, artists and puppeteers to see this come to life. Between each chorus should be arias which embellish the plot and theme. If you may be interested in working on this piece, please let me know via private message. I hope to make it a collaborative work.
Nat Lipstadt Feb 2014
The Sounding Foam of Primal Things

*(The title and the poem, taken from and inspired by
Carl Sandburg's "Who Am I?")


wind and rain pound the surf.
snow falls on the beach, on the shore.
man-observer cannot tell:
has the earth gone mad, all wet?
do the seas rise, whipped up, filling the heavens,
or does the white rain replenishes the very body,
from whence it came, and now returns?

this matters greatly, yet nothing answers this, his question.

the furious soundings, the green foam churn,
the silence of no response inebriates,
drunk on the tempest's hard wet liquor,
weighed down, sodden with the despair,
solitude, silence, absent answers,
his natural walking companions!

No Stopping signs on almost every corner,
Do Not Pass, Do Not Enter,
One Way, Two Way, No Thru Passage,
but the one sign he seeks,
"Stay On The Path" absent.

Eluded,
dispassionate endings,
the essential quietude among
furious surround-sounds of creative destruction
he ceases to ask, for unanswered, undirected.

Concluded,
either
their is no one listening, or,
there is no one caring, or,

Deluded,
illusion is truth,
he is an illusion.

------------------
Who Am I?
By Carl Sandburg

My head knocks against the stars.
My feet are on the hilltops.
My finger-tips are in the valleys and shores of
     universal life.
Down in the sounding foam of primal things I
     reach my hands and play with pebbles of
     destiny.
I have been to hell and back many times.
I know all about heaven, for I have talked with God.
I dabble in the blood and guts of the terrible.
I know the passionate seizure of beauty
And the marvelous rebellion of man at all signs
     reading "Keep Off."

My name is Truth and I am the most elusive captive
     in the universe.
Sa Sa Ra Oct 2012
When we play...---...
Is it for our better'... or
for the better equipping's
of hearts, and minds freeing
to bare our souls within
as this body of life
life has given
living still
scribbles
of scripts
positioning
composition's
bets mete bettering
to better ourselves unto
this weather of givings
whether we see it 'tis
take's or receiving's
without the grace
of a child's it is
all too much
deceiving
one's
greener
leafing's fall
blowning off 'tis
grieving's leaving
going going
glowing
gone

Gong GONG GONGING GONG GONG!!!!

a
sad
noise 'tis
@ competition
shush'... listening
did you hear that if
you don't better me
i may better you
if  you don't
win,  i win
dominion
of you
too,
am
I?
Y
my
eye'...
the pain of bye's
in natures foreboding
I
by
eye
cops
comp
cop cop
for bronze
comping copper
stamping stomping
          ramp's romping
inclination's
phrasing's
of phases
chosen's
ration's
poses
to
e
y
e
be
war's
worshiped
rule breaking
nature's fool
forsaken
lost
'---
my
Y
do odes of '--- my'...??? of the sullen
gloomy calls within the ***** of tears
in paralyzing fears or of the faceless
ruse of starkness descending upon
a dimming simmering flame
shining yet or singing
'if I had a hammer'
one hammer pounds
one above, another below
another softens the soundings
of where the cooper's barrel is at
of making a rest for dearest guests
one basket withers glittering gone sold
another is casket's for the cooling
with taken souls captured
enslaved to undo ruins
whether by a taking
this being to grave
or in misgivings
crook simply
sins  fouled
"fooled" or
schooled
a fool
feels
all,
m
I
?
Y
is it
however
that dogs are
revered and best
friends
too
be
.
Y
so
then,
what is
humanity
for food controlled
leashed, collared gate
for a lease of our
soul tethering
weakening
pained ill
limping
gait
'--- ode
to the meek
the taken
of taker's
speaking's
mistakenly
tokened
tolls.

What are
being's selling's
paths by soles paving's
for hunger's relinquishing's
as footprints trodden the
starving are solemn's
no food for souls
with out love
the broken
...---...
pitch me a sales
as i already do wail
a 'poor granted soul
in soils poor planting
or then ...---... please!!!
leave and so take
your willing
chilling
chills
sown
as ...---...
to the forsaken
who depend on that pill
for the pain and the fright
which steals our dear breath
takes wings, life and flight
death walks as much
as the grim reaper
still is brewing
opiates for
balkers
asleep
walk
bye
as
I
---
you
'--- my
gr8 greeter
called life as the living
living in memories of darkness
to the soul calling light
sleeping by day
only by night
'tis flight
...---.... 'o
deceive me deception
i made you mad
really made
therefor
eyes
shuttered
fractal spawn
i can not beat thy
blinded own childs
if eye can not control
the only owners of me
sold for the glittering scold
you would be my excuses
as a mother defends
what a man can
not achieve he
must create
pretending
it's all in
the brewing
stillery stewing
so let us all play
the game as it is
of spiritual potions
where meek meets might
in the awesome of loathings
dark-lings of fear breathing omens
while dragon's breathe fire in deep keepers
Still Our Colosseum is so Romanesque
so forgive my doting while stilling
the stiller's still and so no, no
I am not that player of so,
called so of the gaming
darlings ac-cursing of
flashings thrashing
trashing of our
lives truly
dearest
here
eye
be
to
...---...
my friends clear and
Sow the never-ending story of
Our lives more worthy nurtured of loving as
Silly Will Nilly fairy dragons fired in the natures of love with
air to wax and oils fired breathing anew guidance for misgivings of
lost roaming tillers, till within it is found the pounding of lost vile's
Pouring out transmutations of the flowering scents of forgiving
Pearly rivers torrentially rush the heavenly sendings of
Soothing balm to wounds in mending and cries of
: SOS unattended finally heard as
<3 <3's ...---... <3 <3's
in the living river
of life walked
and spoken
words
are
LOVE IN ACTION!!!!!!
DING DING DING
GONG!!!!!!!!!
<3 <3
:)
Begin again!!!
Lovingly, Ra
Sa Sa Sun
Sunny
Run
Un
1
'
.
.
.
To the Roman and lost (to all those promises) roaming's of us all and the knives and swords we each wield both ways some slicing in vain in veins  and in others where hate is cleared from love as you will see, understand and accept. Yes, and still is in 'as' always and stiller-y, our brewery of soul potions more real than any witches or alchemy drink. The spirits within heart, mind, soul are the real transmutable of holy grail mountain movers, shakers, makers and breakers.

PS: ... --- ..., = SOS such is key to the rest if you would consider most other punctuation's here typical though minimally used.    
The way I wrote would be as 'help' and or 'save our souls' and 'save our selves' is worth a gander; http://acronyms.thefreedictionary.com/SOS

So about read again if you read once ignoring the ...'s and or ---'s that is overly well then is why I suggest just on the one hand as far as the read is concerned anyhow the rest you know already much about take the ...'s as s's and ---'s as o's got it go go go!!! The ...---...'s are best for your hearts choosing really of course always as with all!!! >3 >3 :) :) R

PPS: Stanza from "eye am I to ... --- ... (help) my friends dear has 3 consecutive lines respectively starting with S, O, and S leading also a second set with P P S : SOS unattended finally heard as hearts help hearts ding **** gong!!!!

PPPS: take PPS: as post post script in reading down in typical fashion or as across the lines loosely cryptic as post postmortem script, or un-dead finally!!!

PPPPS: “"If I had a world of my own, everything would be nonsense. Nothing would be what it is, because everything would be what it isn't. And contrary wise, what is, it wouldn't be. And what it wouldn't be, it would. You see?” - Alice in Wonderland quote
http://thinkexist.com/quotes/alice_in_wonderland/

******written from the left margin indeed it too would be easier to follow some of the encrypted or encoded keys; but understanding that it still can be had as in final edit it is shifted right and overall the read and shape at least on a screen with enough pixels to me seemed over all having more potency for the more willing understood albeit!! Thank You!!! Ra

What a hungry soul can do running on two grapefruits and a cup of black coffee for the day!!!!
Nite Nite!!!

<3 <3 :) R
[Being an humble address to Her Majesty's Naval advisers, who sold Nelson's old flagship to the Germans for a thousand pounds.]

            WHO says the Nation's purse is lean,
            Who fears for claim or bond or debt,
            When all the glories that have been
            Are scheduled as a cash asset?
            If times are bleak and trade is slack,
            If coal and cotton fail at last,
            We've something left to barter yet--
            Our glorious past.
            
            There's many a crypt in which lies hid
            The dust of statesman or of king;
            There's Shakespeare's home to raise a bid,
            And Milton's house its price would bring.
            What for the sword that Cromwell drew?
            What for Prince Edward's coat of mail?
            What for our Saxon Alfred's tomb?
            They're all for sale!
            
            And stone and marble may be sold
            Which serve no present daily need;
            There's Edward's Windsor, labelled old,
            And Wolsey's palace, guaranteed.
            St. Clement Danes and fifty fanes,
            The Tower and the Temple grounds;
            How much for these? Just price them, please,
            In British pounds.
            
            You hucksters, have you still to learn,
            The things which money will not buy?
            Can you not read that, cold and stern
            As we may be, there still does lie
            Deep in our hearts a hungry love
            For what concerns our island story?
            We sell our work -- perchance our lives,
            But not our glory.
            
            Go barter to the knacker's yard
            The steed that has outlived its time!
            Send hungry to the pauper ward
            The man who served you in his prime!
            But when you touch the Nation's store,
            Be broad your mind and tight your grip.
            Take heed! And bring us back once more
            Our Nelson's ship.
            
            And if no mooring can be found
            In all our harbours near or far,
            Then tow the old three-decker round
            To where the deep-sea soundings are;
            There, with her pennon flying clear,
            And with her ensign lashed peak high,
            Sink her a thousand fathoms sheer.
            There let her lie!
Where Shelter May 2023
<!>

Four Irises tall & gallant, looking though
slighted worn out, a tad bedraggled
they are springtime survivor stragglers
of the Great Spring Weather Battle.

living in an open trench, battle conditions,
wind-whipped by constant strong breezes,
raked by intermittent machine gun rain,
familiar weapons of the “handover” season

loyal guardians of their pinpoint position,
remaining on duty, standing at attention,
dignified amidst the serene, nearly summer, now,
accepting quietude & gratitude of surround soundings

arrow-straight, in dress uniforms of royally purple,
four lead a cohort of unbloomed green fellows,
protecting their charge, an ancient marker of time,
rusted-green bronze sundial, symbol of continuity

these four, boon companions to human and animal,
shall persist long after I cease to dabble in this art,
they greet their admirers in full regalia, every year,
long, long may they live, die and be yet reborn!

here, in place, when we arrived four decades ago, a tiny forever,
changelings heading a processional of the summer season,
greeting all with a simple story of constance of change, of beauty,
leading our Summertime Commencement Exercises

May 26 ~ 27, 2023
message me if you would like to see photos of the source
Robert C Howard Dec 2016
Sam Clemens snagged his nom de plume
     from a boatsman's measuring cry,
"Mark twain," two fathoms depth - quite enough
      to keep a stern wheel free from mayhem.

What are the markings of our voyages?
     What leadsman within will navigate us
through the rocks and shallows
     of feckless greed and foolish delusions?

The captain waits uneasy at his station
    then above the engine's quiet purr,
and the music of gently lapping waves,
    a voice from the deck cries out, "mark twain"
and he nudges the throttle forward.

*© 2016 by Robert Charles Howard
Sam Hawkins Jan 2018
With a shift inkling, concepts dropped
and I was all of my true name.

I etched in moving water.

I streamed me--water frozen,
water falling, water drifting
as fog, as cloud.

I was mini-singular
H2O.

My two hydrogen rabbit ears
danced five different ways,
and oxygen laughed and sang
(what a team!)

Sundried, now as the clock strikes noon,
I find my feet and I stand.
I build myself of basaltic rock.

Tower of Babel--polyglot soundings
in cyclic revision speak intelligence,
spirals I am.

Inverted, I apt dive down.
In transition, I grow rounded
hollowing.

I Earth. I Center.
I Sun Earth Center

where timeless pinpoint passages
****** me home again.

O, what strangeness and wonder
it is -- this practicing freedom.

And you, too ~ have experience?

Awareness
good beginning.
Kurt Philip Behm Aug 2023
******* of silence
leather clad temptress
enchaining the moment
in ******* allured     

Her fear but a prison  
of far away soundings
and seraphic voices
—the future insures   

(Dreamsleep: August, 2023)
Amariah Clift Dec 2014
When I started to write, I sat.
seated, leaned, balanced, distributed, coordinated
To the chair.
the stool, the bed, floor, bar stool, couch, beached log
Under my *** cheeks with one freckle on the skin of the left side
petite and friendly
I am wherever I am.
Usually in my head, sometimes nowhere at all.
Thinking of word soundings fitting into the nonsensical particles of language.
Letters cue the stage curtains of Jedi mind tricks..and mostly only in my head does it sound the way Beethoven wanted his symphony no.9 to echo in his.
Out loud is so rambunctious and persuasive.
I don't want to persuade.
I mean to convince.
You cannot read my thoughts, but I know they are beautiful.
What hath I done to earn such disdain?
   Thust'ly I'd treated thee with an utmost courtesy,
   And yet,

I'd call this breath of redundant utterances,
   A practice of utter futility.

The breadth of my wonderment at the crushing silence graced upon my disbelieving ears,
   I stand fast as the imperceptible stones are cast upon my fragile soundings,
   Your callousness resounds and rebounds within my vacant battleground.
   Occupied by none other,
   Confined within my ceaseless, if imperfect, selflessness,

I am merely a soul.
   Cast upon, or down'pon the mercifully unforgiving earth.
   Borne brazenly to those who are willing to listen,
   At the risk of those who won't.

******'d herein I lye,
   Gazing 'pon the relentless, endless skies.

I am merely a man,
   Searching for a home.
   I am merely the mind within which I reside,
   I am,
   Merely,
   Who I am.
I have posted an edited version.
Normally I would just edit the original poem, or if the changes are significant enough, delete and re-post.

I've decided to keep this older version up as a demonstration of the changing in my thought processes day to day.

I often go to read back poems I'd written and I just, don't like them at all.
The way they flow, sound, etc.
Usually I can change the wording to improve the flow and sound without losing the original meaning.


Feel free to compare the original and the edit side by side.
Which do you like better?
Nat Lipstadt Feb 2016
~

The Great Switch Off

louder in its silence,
than a flicked light switch
in the midst of a  midnight-darkened house

more crackling than the slowest
of lasting gunshot resounding re-soundings,
of the ice pond white coverlet shredding itself apart,
by its own voluble volition

I hear the switch
switching off,
the giving-in, taking over,
the surrender negotiations
swift concluded with just those you know,
two words

let the anguish languish,
the discipline,
become someone else's disciple,
just let me be

well familiar this on-off moment,
well recalled from all prior nine lives,
exactly the where and the when was,
I gave up on trying,
but never needed the why

cause the why was inadmissible,
tampered evidence, dampened down,
tainted lies and justifies

tomorrow I'll restart, re-equip,
cause the catching up with lost sleep
a minimum week,
to require, to reacquaint,
with the on-demand, life props
for properly slacking off


the oldest loudest sound
you have and will ever make,
the crack of self-deception,
when your mind lies to yourself,
this latest, greatest switch off is only
temporary


~
Feburary Nineteenth, Two Thousand and Sixteen
5:49 am
nyc
Christian Bixler Aug 2015
Notes....

Floating in a golden sea of sound....

Silver is the rain and the sighing of the flutes....

Drums for the thunder.

Trumpets sounding, with horns colliding, furious their clashing;

Lightning, hurled from the heavens.

So for music, and the soundings of the storm.
I was listening to the sound of thunder, and to music, deep and slow, when there came
a crack louder than the rest as lightning fell to earth, and all to the sound of trumpets....
The music and the storm, sounding together.
onlylovepoetry Apr 2018
dark and darker #2: the audio of innards weeping



some long ago scribbled and scribed and now just
a stumbled on this phrase that was then and is now again against

a sad Good Friday with plenty of spare time to review and
listening to busted love songs, the written but not imprinted,
of the anthology of good gone girl poems,
a yesteryear of a decaded decaying life recorded in poetry

my innards weep for me us her -
we were perfected as
perfect could have been
designed-dreamt by humans

this poem by design cannot rhyme
for the rhythmic audio
is gone and now it is only soundings of
my innards weeping self-condolences
of which I write

it just happens - even disney movies have to have
assorted sometimes sordid endings where people disarray

the dreaming of get away schemes where the
absence of this eroding dishing out of little cuts
seems the better of the unwell-being of being love-in-absentia

and the sad love songs blockchain seems to have no ending
and the audio of my innards weeping are the now the
only perfect chorus of human imperfections
CH Gorrie Sep 2012
Languid soundings of evening recede;
when commercials calm, dulling faint,
lay yourself simple in his hold. Feed
exhaustion with a touch. Wooing heads wane
and lull, softly full by the fire's beads
burning low in the hearth. Shames
of the day cannot enter there. Nothing short of
a tangible fullness describes such love.

The slow dropping of retiring snow
slumps over the roof. The business of
being disappears into the dark. Know
that they are alive and that that is enough.
Know they are alive, though sharp winds blow.
Wholly essential affections drive
the warming depth. They are alive.
Nat Lipstadt Feb 2016
together, more than a century
it occurs to his fresh coffee'd brain,
as he,
sliding in behind, half-assedly,
as in half in/half off the bed,
but the rest, the best, nestled, ensconced,
in a serpentine curvature connected

smiling too loudly,
titter~muffled giggle
at the passing by, a funny bone notion,
that combined, conjoined,
together, more than a century,
well, and well more, than that,
a depository of collections, nuances,
cross filed, so that our recollected told tales,
have been all heard before and will again
be retold with a swelling newness
to newborn readers,
checking out the classics

the roar of my suppressed soundings,
clearly too louding,
sleepy hoarse asks
the inevitable "what's the chuckle,"
so accustomed she be to my,
unexpected laughs expectorated,
menagerie of multiplicity of muckled
roars and guffaws, tee hee's,
she will n'ere be satisfied
with a non-answer,,
with a wiley evasion to
her invasion of my innermost

"occurs to me we are a very historical
(never employing that olden adjective)

library,

two cuddling librarians,
who are compelled
to our shelves,
to add a new book daily"

she laughs and kindly requests,
my immediate departure,
for having caused her by
mine awoking and
her evoking
laugh,
to be kicked out of the
library
for excessive noise making

not the first time,
and not the last,
he laughs,
uproariously,
in the deepest of his innermost,
hidden in the silent stacks of their library,
in a demilitarized zone,
neath two pillows soft by,
lest he be shushed vociferously,
by his once again, softly sleeping,
co-conspirator
librarian
7:25 am
28-2-2016
nyc
Chris Weallans Feb 2015
We sit in the still
and through tiny buffeted windows
watch the stubborn shore arrest the fierce sea.

An old clock tocks as slow as winters
as we recall the beach of crowded summers

The cold wind whispers along the scurrying dunes
to throw the sand in abstract arcs
against the ice blue sky

In large coats, billowed scarves
and stout boots
we trudge against the bickering wind
blustering in its niggling argument
far into the sea.

I never thought our steps
could be this close
as we huddle and cower
against the wind

and in a tiny distance
the gale rips up our prints
as if no foot had ever trod.

Yet behind our watering eyes
We know that once two footsteps touched
Our shoes kissed
in the wild wet and wintry night

There will be warmth
in the accordion blessed bar
with pipe smoke leering to the rafters
and yellow light from candled glasses
casting tall shadows
of the shawled women
waiting for the long lost sailors’ return.

Shall I be a sailor then
to board the narrow boat of your body
in all the crash and yaw
the swell and deep
the thunder and breech
the pounding and clamour
until in the safe soundings
in the harbours of morning
we drift like flotsam
on the shoreline of sheets.

And driving home on a damp Sunday
will we marvel at the twisting rain
and how the tiny ship of our footsteps
survives the howling gales
and the all wild wide oceans of our watery ways
If anyone has a problem with the content of this poem let me know and I will mark it as explicit
O'Reily Jun 2014
I wrote a poem two days ago! I meant to put it on here yesterday,
It was called 'easily read easily said'!
It was O'Reily a special moment for me and of the rhyme it took to be complete.. When you end in terms of a poem with rhythm, balance and in written cliché de par example; don't look back in anger,
To O'Reily when he wrote Easily Read Easily Said..

My name is Kevin Egan I'm a poet of do I know it?
But you can call me....       'O'Reily'!,                                                      ­A Pseudonym name, you said,  you read or maybe you pointed north, the other way like an order of the day to forget and carry on with your daily push.

I copy and paste... Hails Mary Grace,
I then, once finished proceeded to paper it on @here when suddenly, instantaneous not famous not loud but proud my poem disappeared,  My hesitant scream along with a crack on my screen it appeared with Order Order!!
A poem running round me like flying words and getting away in my house,
Soundings like the swear words that had ludic in finding order like a cat chasing the mouse..  

Up it appeared Order Order under my need,  
My post title of Easily Read Easily Said the last of my poetic disorders lost in my trivial complicated head showimg its nemesis!
Like a head master out rages his dandy lip orders, ripping them up in to tiny little pieces and discarding the energy of thy work..

But no, with no saving grace it was Easily Read Easily Said!
6 long verses gone forever!
All that was left, all that maintenance to reflect,
It Was its title and you readers now taking the michael.

After a work all day, with a bed,
sleep  mammoth on my head,
I slept away.
Hours later I woke up refresh and up  getting ready to write and work on something and somehow often mesmeric,
but not touched by the dead poet in my attic.  

If anyone you know who forgets what he wrote and its burnt out in the fire smoke,
Erased from its first gibberish sketches of ambience,
If they're remembrance of each detail word, each written birth mark and of going back over with a certain cert,
Then he or she would then be an O'Really remarkable poet,

and that's not me.

In honour of the pen writer
The technology forget me fighter,
The dip in the ink calligrapher!

and dit, well is that it? Finished!

If ever I had a collection of poems for a title then O'Reily! I would call it Easily Read Easily Said!

Just need 50 more collection of poems or lyrics or is it 100?
I have burnt, learnt my lessons now
I wont pinch myself over that or lose sleep over it either thank you very much.
That is i before e except after O'Reily

O'Reily@21062014
bulletcookie Apr 2016
Those Orcas that just got out of frame
fame and fortune in that shot-glass 'Sound'
and focused; coke-bottle vision into depths
far deeper than their soundings, though
secondary in nature and posed as opposed
to that pod's posse of curving mammals
arched into each wave or trough
in that fluid home we call Puget
with the sound of ferry engines
breaking the silent sail boat's cut
and jib as it too arcs its slack in black/white
canvas waving to windward destinations,
as each click-shutter-whirl encapsulates
drops of sun, sea gull and horizon
ghosting as though mist were sky
semi-filled number painting panoramas
and water-color soaked landings
bringing us closer to docked domains
and they disappeared into a dimpled surface
evading this circular myopic lens

-cec
Chris Weallans Jul 2014
In a thin misty slow the sky ghosts towards grey
And constellations of streetlamps flatter
the suburban quiet with kind shadows.

my fingers feel fertile and full of intent,
as they scratch st my butterfly activity;
while you still sleep beneath the weight of dreams.

Do not fret I will not wake you with brass
Or the soundings of tymbals thundering
But with fingers whispering at your hair.

my lisping tongues voices in soft low echoes
Against the thin filaments of your flesh,
I speak sweet sibilant kisses of sound.

I bathe you in murmurs like vague perfume.
My breath trembles penitent at your neck
summoning the grace of your awakening

I utter my quiet hallelujahs
Into the pores of your arching body
And feel tremors burn through your sheer light being.

And I will taste the Eucharist of you
In the undoing, the final writhing
That cures the heart with blessings of release.
Kurt Philip Behm May 2023
Trapped in between the lyric
and music
Wandering in a rhythm
of lost expectation
Blaming each note still unplayed
and unwritten
The echoes distend
in a moment’s undoing

Hearing a chorus
when no choir is present
Voices imagined
to sing my sequester
Wandering aimless
through scores of abandon
Harmony denied me
—nightmarish and deafening

(Dreamsleep: May, 2023)
Friday,
open one eye first
check out my surroundings
take a few soundings
make fresh coffee and
quench my thirst.

A dull pair of socks matches my mood.
I wish
I could teletype my likes and strike out
these feelings, erase self imposed limits
and smash through glass ceilings.

Friday,
one day after and one just before,
I get loaded somewhere and
become a part of the floor.
What is life for?
I wish
someone had told me, there'll be no
one to hold me in the darkness
of my falling.

She
casts a spell on me
ties me in ecstasy
sets the dull mood free
and shades me from
misery.
David Champion Aug 2017
In the morning light,

When the air is still,

Before the noises of the day

Intrude upon the mind,

A certain clarity 

Becomes a possibility,

When in moments of repose,

One can turn inside

To find deeper moods, 

Both beautiful and darker spaces, 

Places of uncertainty,

Tinged thus with anxiety,

As if, when walking in wild hills,

One comes across a vantage point,

A jutting outcrop of rock,

Overhanging a plunging valley,

And standing there alone,

One's consciousness sinks into the abyss,

Its tumbled sea of wooded slopes, 

Above which rise rugged pinnacles

Wreathed round with mountain mist.



Across a vault so vast, 

A tiny bird,

Caught in a ray of sunshine,

Seems to hang and float,

As might a dust-mote,

In a beam of tinted light,

Streaming down 

Into the transept of a great cathedral,

Illuminating the space

With divine renown, 

A sacred sense of depth,

With perspective so beyond 

All human understanding,

As to still one's breath

And overwhelm the viewer

With a sense sublime,

So near the dread of death.



Pondering thus, 

In awe,

I follow with my eyes 

The rugged forest,

Sweeping steeply down
Towards the valley-floor,

Those silent soundings

Somewhere out of sight, 

Which seem to promise 

More than I can see,

Invoking a sense of mystery

Of something hidden 

In the unseen depths below, 

And a sense again,

Of something closer still,

An abiding presence 

Of a far more intimate kind,

Calling me downward,

And, in my mind,

I begin to descend, 

Over great granite boulders,

Hand-holds found on branches, 

Offered here and there

In the tumble of mighty rocks

By trees clinging to crevices between,

Bending as they take my weight,

Shaking rustling leaves,

As I climb downward carefully,

Hand over hand,

With lack of sureness,

And fear of a poor foothold,

A slide of rock, a slip, 

A fatal fall,

Into the abyss.



At last when I have scrambled down

The wild and rough escarpment,

I stop to catch my breath,

Beneath the mass of rock,

The titanic building blocks

Of this timeless landscape,

I find the ancient ground gives way 

To a less demanding gradient, 

And my breathing comes more easily

Descending now less dangerously, 

My shoulders brushed 

By lighter leafy foliage, 

As I step down through dense bush,

Pushing back branches from my face,

Sliding over fallen trees,

And make my way down,

Through thigh-high bracken,

Between the trunks of mighty 

Mountain eucalypts,

Those giants marching silently

Down to the valley floor.



Down here the air is cooler,

And I hear a distant murmur, 

Not of mountain breezes 

Sighing in the tops of trees,

But rather the enticing sound 

Of running water, 

Coming from an unseen place,

Nearby, waiting to be found

In this shadowed peaceful realm,

Where sunlight touches softly,

Catching the frond of a fern,

Shining on smooth white boughs,

And I go further down and in,

Until the watery bell-clear sound

Seems all around, 

And reflected light catches my eye,

Between the trees and foliage,

Until eventually 
I step out into a clearing

An open space

Where there is a great flat rock,

Around which a shallow creek flows

Over a bed of white stones, 

And two great straight trees

Stand like sentinels, 

Guardians of this lovely glade, 

Water gurgling around and below 

Their gnarled roots built like buttresses.



Here I stand in breathless silence, 

Marvelling at the light

Filtering down

Through the towering trees

And floating fronds of tree-ferns

High above me,

Its soft and golden luminosity

Bringing a sense of mystery, 

And the grandeur of stillness 

To this peaceful place,

Where water trickles soothingly.


And as the beauty of this vale

Fills my mind with thoughts

Of Nature's splendour,

I sense the presence

Of that one,
I far too easily forget,
Who abides here in this valley,

Who appears

Unbidden in my dreams,

And whose steady gaze

Has always brought me back

To deep reflection,

For she is my mirror,

Soul, and centre of my being,

And I sense her standing 

Close beside me

By the running stream,

Arms outstretched to welcome me

To our place of blissful unity,

Where I will never be alone,

For she is ever-present here,

Always awaiting my descent,

My return to what is home, 

So felt with awe and gratitude,

Our lovely Vale of Solitude.
Simon Piesse Dec 2020
After the beer-can disappointments
Had foamed into
An effluence
No longer traceable
She drifts,
Ballasted by
Thin fragments of DNA
Lodged in the brain,
Like pebbles.

Who? What? When? Why?
The dissecting guilt of
Foreign judgements;
Intravenous drip, drip, drip
Of others’ expectations:
Expunged.

She looks like a Peter Doig painting:
Caked in paint as thick as tar
Peering into a lake that echoes its own
Emptiness.

Where is she headed?

The Kingfisher sun
Bobs and re-bobs its head
Into the rusty waters;
Yet, she
Drifts,
Taking soundings from
The bric à brac of
Homeless and factory workers,
Whose zero-hour cigarettes
Smoke up the factory stacks
As voluminous as pipe organs.

Don’t turn back, now, Drifter,
Don’t fall for the life
That clogs your veins and numbs your breath.


©Simon Piesse
Inspired by walking the riverine backstreets of major cities
Reena Choudhary Apr 2020
I believed love is immortal, irrational,
and sometimes, tired.

I liked the idea of an impossible god.
In all of love has there ever been such a lover as you?
Out of desire for you,

Sometimes heaven is when I’m away from you, god.
Sometimes heaven is only the two of us. I know you
understand.

Transferring the investment unkind, from mountain to cry.
The plan believes itself to be special,
having been assured of its specialness since birth.
The feeling that takes soundings
and scrapes, aims,
and knock-down blows us.
Reduced to an equality.

The loose tangles of habit and taste.
Thinking of ourselves as more than distance corrects the attachment.

In the time it took me to retrieve my cards,
the connection imperative became a stylised refusal.

I tear my way through getting to know you
The unnatural ease of disentanglement.
Unhappily having, to spend time.
Qualyxian Quest Jul 2019
walking Prague, ancient bell
      Chapel Hill clocktower does tell
               my love in vain - but I wish her well...


                                       soundings.

— The End —