Indeed

this important and yet impotent word,
sometimes hurled with mighty scorn,
or quiet whispered ruefully reflectively,
empowering, yet so weakly confessional, that
it is a word equally reveling in overarching wonder,
or a summarizing a simplicity of inability,
to surrender by weak agreement…

indeed,
 that selfsame word,
indeed,
I’ve employed usage unthinkingly casually,
mis-appreciating its power of causality,
used so often in poems, slipping it in to the
hilt, succinct dagger of irony, killing easily,
and yet only 17
thousand
poems of the mega-thousands here,
have been designated with the honorific
*#indeed

I.      the smell of sad

odorless colorless like *****, similar familiar sidewinder effects,
musty invasive, it has no specificity, no locale centrale, well closeted,
saddling sadding, in place, plain sighted better to toy our lives,
pervades persists, worse lingers, impervious to sprays
and even everyone’s good literature (even Will S’s),
good wishes good intentions and mood prayers
to the nearest lay god
on duty at the spiritual emergency room on weekends,
still stink

don’t think that this poem is for you; solely for the writer,
your doppelgänger ******, your mirror’s inside hiding out place,
I,
who has your sadness smell into my skin cells creepily crept
waft woof and warp wet weft-woven
into the sad receptacles hidden in my
head’s cubbies and the palms of my tree hands-covering face

there are cures so wonderful and inexpensive but unavailable
at the local Rite Aid, though they are the right aid recoverable,
so closer than close, so close that the internist
cannot prescribe them because he must inject himself first
because the live bacteria in the antidote can **** all

this odor lays down bamboo-strong roots;
to eradicate you must dig down deep,
six feet perhaps more, with heavy earth moving equipment,
uproot at the source, follow sad always all-the-way down and the root
great god gone,
but the saddest truth
stench odor yet present

~a question of a thousand dreams~^

“Where are you going now my love? Where will you be tomorrow? Will you bring me happiness?  Will you bring me sorrow? All the questions of a thousand dreams, what you do and what you see”

this one composes itself
for all dreams go unremembered
the first, the thousandth, the  every in between,
erased by the push button of opening eyes

but dreams come, marching in, saints mining the raw materiel
the quartermaster has stored, awaiting requisition by an
unarmed unnamed corp, witnessed but never seen

these dreams wisped soft willow budded, tempting taunting,
leaving nothing but unanswered questions that colored come
in black and white

elementary clues,
a pillow indentation,
single hair that stretches
across the sea between two pillows that is blonde or red  
but
certainly unmine,  
dregs of soured sentiment linger like the
aftertaste of too many coffees and stainless steel beers

heated summers breezes give no succor or relief,
and the rain following gives no pleasure,
for now you are hot and soaked,

but somewhere in there a dream is part replayed,
and eyes widening in major league surprise,
the question acknowledged, the dreams quest hinted  

she has gone, neither happiness or sorrow will she
provide on the morrow, no toweling of your wet hair fair,
and you awake sweat besotted, it is not rain, just pain,
and it is only one dream a thousand times repeated

and what you do and what you see
is the abraded night ahead, and
you bitter laugh, for there is no more other than to think,
the question answered, and you beg relief by
uttering
“perchance to dream”

3:49 pm

see the notes!!


someone accuses me of Plagiarism
because  I did not acknowledge that the quote in marks and Italics was from a famous song written 39 years ago

so here is my response to
“just saying”

congratulations on ******* me off
and yes I agree, you do not know the rules

“#1: Quotation Marks Are for Quoting People—Verbatim
Perhaps it should go without saying, but quotation marks are for quoting people. Quoting doesn’t mean summarizing or paraphrasing; it means repeating exactly what someone said. If you put double quotes around a phrase, your reader will often assume  that someone, somewhere, said that exact phrase or sentence.“

http://thevisualcommunicationguy.com/2013/09/11/10-things-you-really-need-to-know-about-quotation-marks/

are you generally happy?

a semi-innocuous query
now actualized as a two sided bladed poker,
hot stabbing me smack dab in
the chests hollow crown bullseye,
continuously,  as in all life long, and eternal longing for a
“yes”

it fits inside a pubescent aged wound that
refreshes with every breath;
a life long struggle for an accurate definition,
be a general of genuine happy,
that alone would deliver, bringing on bright day satisfaction

as a human, one operates on parallel continuums;
slide slipping on well oiled poles that over the years,
their lengths, increasing with add-on extender poles
formed by
twisty turny slips and falls of sundered hearts and sad loves,
marriages nicknamed Titanic, children found and lost,
complications responsibilities that are denied meeting the words  
  “The End”

a life that many would envy, questioning what’s wrong
with you dude, are you blinded to the riches yours,
reality is
shoulders permanently bent, a spine that’s held together by
spit and solder and curved by wearying wearing longing for
a straightness that is also called crooked unobtainable
and a piece of a peace that comes and goes
like a highway billboard that you pass too fast to be fully read

the body is corroding and worser yet to come and that’s a hand
you selected - luck of the self-selecting-drawing -

the opioids of the mind offers are rejected

the clarity of painful self exploration valued overall -
the place where the poems come from,
and go to die,
a landscape of a scene repeatedly visualized
but never been and never left,
the crazy contradictions come in two flavors;
vanilla smiles and chocolate weeping of tears that have
etched pathways cheek-chiseled

the city is a struggling strife for most,
the next red line on the side
of the measuring cup  and
everyone has a cell, a credit card,
and a measuring cup
<•>
here I stop can’t finish  
someone missing alerts me
to their real worlds troubles
making my complaints super superficial but
the silent running of the stilleto
cuts shallow
repeated hourly
the cut color,

pitch black

5 Sensory Deprivation Relevations  (Happy Birthday Will Shakespeare)


I     the smell of sad

odor colorless like *****, similar familiar sidewinder effects,
musty invasive, it has no specificity, no locale centrale, well closeted,
saddling saddlng, in place, plain sighted better to toy our lives,
pervades persists, worse lingers, impervious to sprays
and even everyone’s good literature (even Will’s)
good wishes good intentions and mood prayers
to the nearest lay god
on duty at the spiritual emergency room on weekends,
stink

don’t think that this poem is for you; solely for the writer,
your doppelgänger ******, your mirror’s inside hiding out place,
I, who has your sadness smell into my skin cells crept
waft woof and warp wet weft-woven
into the sad receptacles hidden in my
head’s cubbies and the palms of my tree hands-covering face

there are cures so wonderful and inexpensive but unavailable
at the local Rite Aid, though they are the right aid recoverable,
so closer than close, so close that the internist
cannot prescribe them because he must inject himself first
because the live bacteria in the antidote can **** all

this odor lays down bamboo-strong roots;
to eradicate you must dig down deep,
six feet perhaps more, with heavy earth moving equipment,
uproot at the source, follow sad always all-the-way down and the root
great god gone,
but the saddest truth
stench odor yet present

II    the taste of joy

the joy of cooking is not a gene in my litany possess,
but the buttery taste of joy I know, I know,
it’s a real princess rarity,
the hard costs of finding and keeping it,
I’ve paid endlessly and willingly pay on

the taste of joy is like presents under the tree,
shock surprises delights lives/life, customized, infectious
(except for socks, no matter how joyously exceptional),
joy to those whose buds never blossomed for its taste
readable on some one else’s, anyone’s ****** expression

I think of it as the taste of fast traveling cumulus whites
upon my eyelashes blinking as they are speeding you by, but happy
for ten more behind before the evening stars takes over

the taste of joy is physical, there can be no denying,
concentrations can be found in the lips and the fingertips,
which you think of as a tandem, someone else’s on mine

but it ain’t necessarily so; the taste of joy, shared I, having submitted to others kisses carried on the wind that
found their mark and were well received,
poems from the heart
that arrive well,
as their intended is sleeping, and
as intended, as waking gifts

the taste of joy in droplet tears
when you are notified that words
you joined in holy matrimony made you cry,
because the reader did, wept for two,
the weeping of contentment released,
free at last from container confinement;
this particular taste of joy is in the  
recovery and recognition that these
are not for you,
just joy peculiar these tasted tears for whomsoever sheds them

III   the hearing of truthful

truth am told is oft served cold and hard up for the hearing,
best avoided tween noon and midnight and any time a
bathroom mirror is in the vicinity; though religious men lie
too easily; bathroom mirrors cannot; a character flaw for sure,
but the truth to be trusted is this: no one is truly contented, always there are the richer, the more famous, the employed and
someone above who has more, more burdens of a different sort,
better quality losses and pains unseen not dreamed of

truth tastes terrible and is awful sometimes noisy painful;
it hides well in the stink of sad exposed to the atmosphere when exposed it turns red humans blue

truth may set you free, free to be what are you are or truthfully
an admission of what greatness you have to release the trick is
use the correct scale, do not let the wrong sized ruler rule you,
the truth, if you hear, hear it unfiltered w/o the bias implanted
by not your people; hear your poet voice growl like a blues singer and be truthfully satisfied like no thing no person only you could hear it as you intended it be spoken

IV   touches of fantasy fantastic
secret confess: touch my fav cause when its juiced with
mental visions of what might be, it Saturday satisfies and let me weep happy smile silly and is mine all mind; yes another’s tip
has sorcerer powers of revelation
but alone by myself I yet
relevate
and flow; my hands are right sized, my arms reach around myself for so designed, and the pleasure is mine to give;
mine to take,
neither better or worse if self-administered,
touch myself anywhere anytime and fantasy over dreams wins,
rise up, touch is a language and I speak six or a hundred;
listen to the sounds of touching and be touched human

V  insights for the sightless

at last we close the deprived
with an elegant elevation
sight overrated when imagination exists,
cannot be restrained
this the revelation
you have proffered and preferred all this time

have pity on me
I crystallize the unseen with the replacements
of my conjuring
the other senses lend a hand
telling me look up look up, be life save life
let your madness blossom in the spring airs,
the coolness of a first fingered ungloved snow
sight,
a mathematical function from the other four derived,
sightless an impossibility for with one alone defeat the
sensory deprivation and give tongues to words

epilogue

read my face
incapable of,
deprivation
but how now silent bow my head to Will
for teaching the way of words
traced upon
a fool or a king's tongue,
two too human,
so that poet may ken
his senses keener,
all for the better,
for the betterment of all

this peculiar notion transmigrates into a startling potion,
one that creates, not slakes human thirst,
a consequential first position for those who are in possess
of a direct line to gods who hide in the pitch black,
perforce one must make discrete deferential inquiries
avec une politesse indirecte

just in case we are wrong

(honest aside:
as composition proceeds, ear buds fill me with
Music of Transmigration, notably Op. 11, of S. Barber making
contradicting souls passing through me tenable and malleable)

naturellment,
loud radio silence, was I naive to expect otherwise?

perhaps god is not the subject of this poem
but perhaps the author(!)  who's
just  keeping his "hand" in the poem game,
spoofing human memes,
with a spot of fun even in
New Z--l-and-other domiciles

after all who has more
nominalistic titles,
is cursed and blessed,
by almost everyone
at least once a day, and in
a thousand different names
with an impishly
cruel sense of what this human gig
it created.
is about

tonight
I am a composer,
tomorrow’s decomposer,
or just a funny named follower

ah,
the answer is in the
data