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King Arthur Apr 2020
Ophelia was only remembered for being dead
Floating daintily in a river, surrounded by flowers
A spectacle for all eyes to see and drink up hungrily
But one day she’ll breathe again and rise up from her grave
White dress sodden, makeup askew, long hair soaked and tangled
And she will realize she she is and break free from that image
The one that held her dead for so long, drowned and lifeless
And for once in her life, her short-written life, she will breath with ease
Red Nov 2019
Eyes stare at me from within flowers
engulfing me in a fever-dream of light
storms rage then twist to limp showers
sprites sense the menace and take flight
In such beauty I find paradoxical peril
grabbed by the weeded floor of the ravine
suffocating on this gleaming world turned feral
I succumb to my death of melancholy green
based upon the painting by John Everett Millais
neth jones Oct 2019
Little shadow
         harked madam

a bird who wears her wings
only as wardrobe
  (though she dreams
   in fits
of infantasy)

  dusty in her bedroom
in trust to her headspace
      an attic dweller

    home school tutored
a burden to her wellspring
   and buried to her title

                      averted
         feet behind the curtain
little shadow
         with the unclaimed
the name of
            Elizabeth

               **

         A foe in the night
an aviary of the berserk :
          vocal nicker
and disputes at high frenzy
  lend from her garret

uneasy on the household
coughing up all of the family
  cussing from their berths

the awoken
shamble and mumble in the hallway
  move in a broken thread up to her attic
   they’ll crack open her privacy
     and find her fast out on the bedding

you can’t spell that to her ghost
        in Elizabeth’s sleep
    it’s sprung from its host

a living haunting
a messed up devotion
  expresses itself on the family
   enforces itself emotionally

the hallways are trailed
    with dried flowers
   and stinging nettles

don’t tread the halls at night
without a pair of slippers
emlyn lua Sep 2019
Denmark’s a prison
Where all are guards and all are inmates -
I must be the Queen
For I am held in chains,
Caught by the currents of my own thoughts;
Alas – I never learned to swim.
I am an echo chamber,
A thought is a ball kicked over and over and over and
Can I not pass law to cease this bruisement?
Goal! I speak,
And my thought is no longer contained within me
But in the world, circling the pates of the court.

Sweet, your lover calls you,
Even now;
As the battle with corruption corrupted you.
Justice, you promised me;
I no longer believe in justice.
I loved him, though his love was a leash;
You took from me my cage and now I cage myself.
Scheming and plotting against schemers and plotters –
No longer knowing ourselves as once we did,
No longer viewing the world as what it is –
If only I had seen!
You would not have abandoned me now.

You will not come again?
You will not come again.
The King is fallible,
The usurper of God is not omnipotent;
I see the traces of that which he strives to hide.
His mask is good, true, but –
A mask cannot hide all:
England is the trickster’s smiling blade,
I know so.
I mourn you, as I mourn all that I know:
This ends with the destruction of a nation.

I miss your presence beside me.
Your soft eyes, looking only at my face,
At my face only.
I was safe with you.
Hearts mirrored in forbidden affections;
Switch places with me,
Let us not be ****** for desire.
Marriage is man and wife, man and wife,
You saw the lies.

Kick, quick, pick the flowers,
One for each noble skeleton.
I show their secrets in petals and songs:
The language of the mad, the insane, the crazed fools –
Fool I am, I see all, hear all, know all.
Hang their weeds in the weep of the willow,
Cursed crowns of concealed corruption.

I reach –

A tear breaks –

And I am overwhelmed by swirling thoughts,
Sinking deeper into the abyss of my mind.
Smiling trickster, smiling blade – Pretty Ophelia!
A will not come again.
I will not come again.
No one will mourn me,
There will be no one to remember:
This ends with the destruction of a nation.
Enas Sep 2019
I’m at the river bank

drowning in your tears, Ophelia.

Why call for me?

Your soul rests in Rue.

Your Soliloquy lives in Aloe.

You’re a haunting echo.

I listen to your eulogy,

my heart is speechless

and wonders in a water dream-escape;

in remembrance it feels,

in freedom it breathes

and in love it lives.

A lotus blooms in my depths,

Lilies grow in my skin

and Roses bloom in my palms.

I wish you would see me walk on water, Ophelia.
Ophelia swimming,
Drowning in madness
As Hamlet’s body falls down
From his poisonous pain

Romeo with his potion
And Juliet with her dagger
Was it love that brought them together?
Or cruel fate?
septembre 2019
Luna Feb 2019
Madness like a red coat
Around her throat
Drowning in the ruins
Of her own misery
And
Own sorrow
O’ dear child,
You should have stayed
In that garden of yours
Among the myriads of
Growing daises
And
Gifting each of us a violet
For centuries to keep
But how long can
Leaves shade you
From the
Many faces of fate—
The cruelest ones always name after us,
Victims.

Dwell in the many layers of rosemary and pansies;
Look how is ironic history just became
With its indelible smell of
Fennel and Columbius ;

Drawn towards the many
Spun webs of the
Golden singing spiders—
She floats amongst the
Water lilies
From here on.
Jade Sep 2018
VI. I, Ophelia
___________________

­{The Drowning}

It was her--
Flower Child.
Weeping Woman.
Crazed Ophelia--
who taught me that the
drowning is in the letting go
and not in the doing.

Ophelia did not flee to the riverside
with the intention of
drowning herself, no--
it was merely a promise of bouquets--
daisies, violet, rosemary,  rue--
of wild, velveteen petals nestled softly
against tear-stained cheekbones;
pine needles--
ticklish--
beneath raw feet
(do you recall how The Little Mermaid
danced upon knives
in the name of true love?);
and the train of her nightgown
a focal point for dewy leaves
and frayed bird feathers.

For it was flying she thought of
as she climbed the scarred willow
and cradled herself atop its highest bough,
severed blossoms in hand,
legs dangling precariously over
blustering currents.

But
when the bough
b r o k e ,
the cradle did   f
                              a
                               ­   l
                                      l,
and down came
mad girl
cradle and all.

But you must understand--
the dismemberment of the
willow's flailing limbs
was not her doing;
when the rapids dragged her down
to the belly of the murky river bed,
she merely gave no struggle
as death lapped at her ribs--
she merely submitted,
allowed the snivelling maw of the river
to swallow her whole.

Now,
I think it suiting
that I ponder the demise of the
Flower Child
(wilted in her ruin);
Weeping Woman
(tears reunited
with the eye of
the water lily);
Crazed Ophelia
(forgotten)
and all she has taught me
of drowning
as I let myself
fall asleep in the bathtub
at three o clock in the morning,
all the while a little drunk
and so very sad.
(You'd might have even thought
I wanted to drown myself. )
__________________
{Th­e Resurrection}

Doused in the pallid wash
of blue stage light,
and the clamour
of imaginary tides
growling in my ears,
I metamorphosize into
Hamlet's Ophelia
and all the other Ophelias
who came before me--
mad.
broken.
lost.
women.

Women who were never
capable of quieting
the sea trembling
in their veins;
the barbaric deluge festering
within their souls;
the siren songs
musing to the cavernous twists
of their hearts,
piercing through artery
with stalagmite precision.

These women succumbed,  
not to the water,
but to the burden of their own
desire.
love.
heartbreak.

None of them survived.

Except for me,
of course.

And, I must admit,
it took my
writing this poem
to finally understand
why that is--
why--
how--
I have managed
to stay alive,
despite dreaming of that
same siren song
that lured my foremothers
to their destructions.

See,
alone,
Ophelia could not weather  
the tempest seething over her.

But I different--
I am not alone.

Because I carry with me the spirits
of all the Ophelias
who came before me,
the fragments of their beings
melding together to create
a brilliant gossamer of hope.

And that is why,
together,
we can breathe underwater.
____________________
{­Blackout}

Ophelia Bows,
her performance immortalized
through the remembrance
of a standing ovation.
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