Submit your work, meet writers and drop the ads. Become a member
sadgirl Sep 2017
after robin coste lewis*

the dogs do not have names
so you just call them
with a whistle
they bark still and still and still

they are not animals
they are just humans
that have lived out their lives
and found a new body

the dogs do not speak english
so you bark back
and they look at you,
ears raised

and mouths dry
and dumb, tongues,
rough like sandpaper
and teeth that shine like enamel pins

the dogs do not run
they move like water
muscles like leaves in
autumn

all you need is
an ocean calling
your name, the dogs
can't give you that

the dogs are all you need,
as they run and whisper to
each other
they do not speak english
so you curse each one in tsimshian
Inspired by Huk-Huk by Robin Coste Lewis and my Alaskan roots. Also, my dogs, Charlie and Sally.
When my grandmother dies,
I hope they fill her casket with flowers.
So that the last time we see her,
she is nestled in amongst
the delicate feathered petals of mountain bluet
haloed by the bright yellow of birdsfoot
the length
of her soft
decaying body
is caressed by the long stalks of bottle brush
and bog candle
so that we can imagine her,
splayed out in a warm field
on the outskirts of St Johns
laughing in the sunlight
the weight
of such a long life,
of mothering so many children,
melting away
into the warm red soil.

I hope the service
is held in a small white church
with all the windows thrown open;
the clear air and the sunlight
tumbling down onto our heads,
onto her lightly clasped hands,
onto her soft  lips...

I hope they read poems for her
play light happy songs for her
I hope
everyone remembers to tell her
they love her.
I will ask,
that they bury her somewhere
with a good view of the stars,
lay her to rest where the wind
blows the smell of the ocean over her,
and she can admire the sunrise
under the arms of a gentle Alder.

I hope we remember
that she has loved
so deeply
that she has laughed
and lost
and been so unbearably human
all of her life
even when she has been quiet
even as she has cared for us.

I hope we remember
what a resilient woman she is
but also how tender.
How new she once was,
to love
and to it’s touch.

And when I
am someone’s grandmother
I hope they remember
that even I,
was once somebody’s lover.
Edgar MoneyPenny Mar 2017
The came on the boat, not too long ago.
We are not the natives to this land.
They came in starvation, hearing the call of the huddled masses...
all because one man couldn't plant more than one variety of potato.
They could drink water on the boat but that doesn't stop the thirst,
an irishmen is taken to the bottle at birth, but never weaned.
An unwelcome visitor, no doubt the target of slander, they took up the courage not many would have.
Go West Young Man.
heritage,
Cate Feb 2017
“I won't drink the tap water, its poison here”
and when she declared that,
I couldn't decipher if she meant here
as in Northside, or here as in America.

We ate sushi at 2am in the city
I was trying not to show my drunkenness
but I was stumbling into an accent
my grandparents carried with them

tucked in the backs of their mouths,
now peering out of mine.
testing the hydrogen
in the beer
in the back of my throat.

I need sleep,
I'm hungover
This poem can wait.

My mind seems to move itself,
spinning somewhat
while I remain stationed
to soft and tattered cushions

At times, not sure who's moving
Mind or body
like parking next to someone
who's leaving the lot

for a moment
you're caught in the standstill
Where nothing really stands,
Still.

I need sleep
My head feels fuzzy
This poems not great.

Its much later now,
the world seems
more capacious somehow
When my eyes are fully open.

The last of my confounding
half light musings
dissipate like tendrils,
mist in the rising sun  

and I, I am left behind
in the residue,
The hardened truth
that cannot move.

“This water is poison”
Her words echo through my day
and I wonder if this poison
will ever evaporate from our veins.

C.e.M. 12.15.2016
first draft
George Krokos Feb 2017
Intelligence and love are parts of a universal language
that we all communicate with because of our heritage.
They usually transcend all barriers of time and space
which in this world are common for the human race.
______
From "The Quatrains" ongong writings since the early '90's.
Anita Daniel Sep 2016
It is the way my traditional head cloth covers my head artistically.
Giving me a sense of a gracefully hand made Crown.
Passed on from generation to generation by
My ancestors from all corners of Africa.

It is the way my hands flatter when I narrate a story.
Giving me a sense of articulation.
Pride, dances through my veins.

It is the way my body moves to rhythm from hip to hip.
Shoulders momentarily shaking to the sound of unique beads woven Shekere.
Legs aggressively moving to the talking drum.

It is the way  I speak to my elders with respect.
Knees on the floor when taking or giving them something.
Sweep the compound when asked to.
Adherence of instructions turn to turn.

Heritage moves with me in one accord.
I am proudly African. My words speak for themselves. Know where you are from it will help you go further with life.
9 | 31 Poems for August 2016

She unapologetically loves each and every crevice of her canvas.
Each part regally resonates to the woman who birthed her.
Each part elegantly exudes the exuberance of its own beauty.
The curves on her body are more than just her dress or jean size.
More than the heads of men which turn as she walks down the street.
Her curves are her heritage – a beautiful sign of where home is.
Through pain she found love and through love she found herself.
We meet in the pages of our story where the ink intimately holds us together.
These words I write become intertwined in the veins of our loving hearts.
In the rain of her presence, my words will always form a rainbow.
I can never get enough of her love; I’m always left yearning for more.
In a world ravaged by cold wars, we both know what we’re fighting for.
She has never spent a day letting the world turn her starry sky into a ceiling.
She wears her crown proudly and embraces the queen that she is.
The curves on her body are more than just her dress or jean size.
More than the whistles which dissipate the silence as she enters the room.
Her curves are her heritage – a beautiful sign of where home is.
The world is my canvas and I hope this African queen will always be my muse.
unwritten Jun 2016
my father carries his grandmother's wisdom with him
like a satchel upon his back,
like a palm print;
his own father’s teachings tug like strings
and read like a map worn but never wrong —
one that transcends.

my father knows how to live for himself
for the sake of others.
a hidden art form —
secretive to his son
who only knows how to live for others
for the sake of himself.

i could ask him how he does it,
but he tells me first that i will live and learn and hurt and grow,
and so i know, instead, that i will come to know.

my father carries me in his arms as though i am still one day old,
as though i am still taking my first few tiny gasps of air from this great big world
(the world he built for me),
as though my eyes have not yet become accustomed to the light.

my father’s arms never tire and i know why.
they are satchel and palm print,
strings and map.

i am one day old and sure that my father has lived a thousand lifetimes.
he speaks in bloodlines, holds heritage in his hands and then brings it to his head when it whispers.
like a child holding a shell to his ear, listening to the ocean.
my father knows where to find right answers.

i could ask him how he does it,
but he is already answering.

he has always been answering.

(a.m.)
written june 21 & 22, 2016. hope you enjoy. xoxo.
Rustle McBride May 2016
I am Guatemala
I am its mountains and its shore
I am its black sand beaches. I am its artists and its poor

I am the mist from its volcanoes
I am its limestone richly carved
I am the Mayan, and the Latin. I am the hungry and the starved

I am its folklore and its future
I am its markets and its clothes
I am the abandoned and forgotten. I am its children no one knows

I am its colorful conventions
I am its jungles and its fare
I am its colonial traditions. I am the pilas in the square

I am Guatemala
I am its living and its dead
One is always Guatemala, no matter how far we are spread
my heritage
one day i will disappear
without a name
without a history

i won't leave any trails
for you to find me

because the truth is
i died a long time ago
Next page