Antique
paper
& ink
& glue,
a fragrance
I drink
in through
my nose,
fragrant
like a dead rose.
I fan my face,
& fall into
an antique book aroma coma.

Aphorisms rarely confer the comfort they intend
                                    BUT
   “One man’s trash is another man’s treasure”

An antique wooden trunk sits languidly beside the road (Alabama State Highway 98 Scenic Route, Main St. Daphne, for those that need to know) atop a concrete culvert cover amidst a color-guard composed of an unused ironing board, and a mildewed duffel-bag (but the nicer kind- made of synthetic blend, with the wheels that don’t really roll, and an extendable handle that’s stuck “in”; not the heavy olive-drab canvas of the pop-culture cliche, found slung across the shoulder of the love-lorn/shell-shocked/long-lost soldier returning home unannounced in a lifetime movie melodrama) discarded haphazardly, and awaiting their diesel-powered trash-truck ferry to the afterlife of moribund things; but serendipitously and surreptitiously it is to be rescued from oblivion by the unexpected happenstance of a passerby passing by distractedly (gone out of his way though he really has no where to go, just somewhere to be, eventually) meandering through town, down alternate roads making his way to a rendezvous with a friend to give them a hand, for a minute, with some chores they’d like to get through before they leave for Atlanta, because he hasn’t seen them recently, and he had nothing better to do.

How many others have passed by the unmapped X, but never saw it for they were so myopic in their missions and goals: rushed and unconscious, on autopilot, en route, to work, or to lunch, to mid-day meetings with clients for paper and gold; How many missed the possibility of adventure passing by, the childish excitement that could unfold, if they had just looked up from their phones and coffees and looked around for signs, untold? How many noticed the slight shimmer of fantasy left sitting by the road, but couldn’t stop because they were in a carpool, they weren’t driving, or just so unimaginative that to believe, for a bit, that a treasure exists outside the storied pages of fairy tales was too much to do, or too much to bear, with a rundown, old soul. Did a child see, with impressionable eyes, the chest of treasure left by a fool, unattended, out in the open (not buried, not even a bit, barely even hidden from view) and instantly wonder, too, just what might be inside? Could it be shimmering, shining jewels, loose and encrusting golden crowns, and goblets, scepters and silver candlesticks, precious oriental silks, or bullion and pirate *****; possibly a magic lamp, or maybe some enchanted tools?! A flying carpet!? Perhaps A Ghost of some grim ghoul. Did they beg a guardian to stop the carriage, but were denied and told, “we have to keep going little one, there’s much to get to that you don’t know. You have to go to school.”
Well, the glimmer caught the eye of one beholder and made them think immediately, “That looks like treasure!”

Indeed!
It did look like treasure: a literal chest, built of heartwood with a carved arch-top, weathered paint, rusted hinges, metal bindings and filigree.

(It was obviously empty of value, scuttled, broken, and relinquished to the refuse heap; However, To one with a limp, and a bad eye, and a deaf ear, brandishing a homeward bound insignia upon his chest and an island luck charm in black ink on his leg, whom you’d easily confuse for a pirate misplaced, you can see how it might seem to warrant an inspection.)

Plus: It’s uncommon to find a treasure chest
in the trash, in this century. Perhaps hope got the best of me; but also I knew its fate was not to be buried under heaps of plastic and rot.

I’ve a friend whose proclivity one could describe as a collector of things, useful and abandoned... but not a “hoarder” like on the television - Unless you count Ariel as such- with all her jetsam, Knick-knacks, thing-a-ma-bobbers, and dreams.

We are “of a kind,” prone to picking up after others, collecting aesthetic driftwood- anthropomorphized or just architecturally interesting, finding faces in fallen leaves, pointing to leaves that look like bugs, picking up bugs dried up like leaves and or sticks and stones and broken bones of small creatures long left rotting, beautifully decaying detritus of modernity - deemed useless; but still WE believe a greater purpose lies within, undefined by its usefulness, to be determined by it’s form Rather than function, appropriated and repaired  or dismantled and “re-crafted” into art, by simplification. Driven by a simple inspiration; To make beautiful decoration.

I pull aside, let traffic pass, circle back, reorient and reclaim this bounty of the proverbial “spring-clean.” Its condition is one of slight disrepair: needs hinges re-attached; but otherwise in fine shape. I collect this treasured trash and return to my path, on course to its new home with my friend to whom I was already bound; But now I come bearing gifts.

His smile was worth the drive and the dumpster-diving and the the whole day.

A gift given is a love lived-in, and a smile
shared with a friend Is love and life for me.

Another day and things are the same.
The sun shines through lace,
Obscuring my view to the chaos outside.
In here, it’s serene,  no pressure
To perform or produce,
Although I do.
No expectations of talk
During the day.
Everything I need is around me:
Books and notes and discs
With the record of my thoughts
And flash drives with feelings.
I have filled my rooms with
Things that fascinate and inspire,
Even after many years.
A red chair with printed pillows,
A prayer rug from Iran
On the wall above Buddha,
Brought a century ago by a lady
On her Grand Tour of the world.
My little, golden friend
Laughs at this excess.
Her photos of Florence and Venice
Cause feelings of nostalgia,
As if I was there in 1910,
When duster-clad ladies bought them
In Saint Mark's square,
Hand-colored by poor artists.
And on the other wall,
My young father gazes at me,
From the distance of sixty-seven years.
There are other houses from the past
And streets in my town
That almost look like now.
There are dark-finished tables,
Gracing the space between
The walls and the world and me.
Brass lamps glint out
Like beacons in the shadows
That trail the creeping evening,
For I am a mental traveler,
As Karen Blixen said.
She told her tales to Finch-Hatton
And Berkeley Cole,
On fire-lit evenings,
Like Scheherazade on her carpet.
I have no adventurers as my guests,
But instead, send my stories to a virtual world,
Hoping someone will listen and be inspired.
But even if the words remain unread, unseen,
I am content to write, to spin my tales
For my own ears and the future.

Mangle, the word alone indicates destruction.
the mutilation of an object until it is unrecognizable,
like the hands of maids in the 1800s.
The mangle has become a symbol of the working class.

An overpopulated, but unheard society.
Forced to work twelve hour days,
running at the whim of the wealthy,
unspoken and underpaid.

Diligently they worked,
sweat dripping from their brows as they scrubbed
the oil from the fabric and their hands,
washing away the filth from previous days.

Two heavy wooden rollers tightly aligned,
crushing spirits of the working class.
Wringing them dry like the sheet on wash day,
torturously expelling water from the already beaten cloth.

Buttons crushed under the intensity of pressure.
Hope dampened at the first attempt,
subjected to a second, if not third round of torture.
Only to accidentally leave an undesired crease.

A dangerous job meant for two,
hindered by the unraveling of a loose thread.
Forced to repeat the process again and again,
until finally, they reach perfection.

I can only imagine the history passed down
through the decades.
Put on display and overlooked
by a generation overwhelmed by technology.

The mangle is now a decoration piece from Grandma,
used as a table to support my coffee.
Its story, like the linen it so helplessly crushed,
a memoir of the working class.

Producers are making films
On the decades of my life.
I'm sitting there, and
I think out loud:
I remember that!

At the Henry Ford Museum
They've displayed my Radio Flyer
And wooden Yo-Yo.
I lost them long ago.

Flea Markets sell postcards
Of Grand Bend Beach and Casino.
I bet my life there.

I've been told
My steel tubular kitchen set
Is retro.
I didn't know.

Classic Car Shows
Put barrier ropes
Around VWs.
They were cheap,
Dependable.

And everything's back in vogue,
'cept me.

We sat on the floor
Of the antique shop
Thumbing through a large box
Of old postcards
Some of them have writing
and were mailed a long time ago
You buy only one
It's a faded love letter
With a line
"I love you in the same old way"

Moths float out from behind
an opened, warped door.
I push my face into your clothes,
hung heavy like pearls
in an antique shop.
Stale and familiar,
the scent follows me
like a lost little bee.
It buzzes even after I leave.

Hopscotch down the hallway
to find dead crickets
in the bathtub.
Scuffed wallpaper camouflages
a cobweb. Metallic vines
curve around bursts of petals.
I’m certain you chose this pattern,
but I don't know.

Memories are few.
I fill in the holes with honey
and arrowheads.
Indian feathers and
an old brooch.
Piles of pie.
Did you love to bake pie?

Games of bridge
on that old, scratched table top
with a musty deck of Bicycle cards.
Each deck a photo album
of your face.

Your raisined face.
I remember holding it in my hands.
“This aint a walk for old womans.”
And out the door I go.
Empty handed and independent.