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Ken Pepiton Nov 2018
Josteen Yazzi said the Critic should ask his thought

on the matter of great art and literature

What do you know of art and literature, Uncle?

Nothing, he said, I think about what I do not know.

I do not know why people don't like Norman Rockwell.

Norman Rockwell painted the American Dream,
with Indians in it, some times.

I like Norman Rockwell because I know how he felt.
I saw my people live in a good world that vanished.

Magic or other wise, I remember mine,
the way
when I see
Mr. Rockwell's America as he imagined
he had seen it.

Or maybe he painted
what you should have been able to see,
but for wars and Spanish Flu and cattle barons
and reaping machines and steam and electricity.

Olaf Wieghorst coulda painted America ugly, too.
But he didn't.

Literature. I have nothing left to say, Norman Rockwell, maybe he needed a mentioning for some
reader anchored reason.

We have to deal with that more these days.
People with big old dish antennae out there,
rusting after Direct TV got a satellite to see the res,

Some o'the kids build a radio telescope, outa them three meter models,
so we are connected.

Norman Rockwell painted the Peaceful Kingdom,
just like Mr. Hicks and Mr. Kincaid,

not mr klee or mr picaso, they could image hell.
My ma liked That drippy guy, said she could see the swing of things in he's paintings, What's-isname,

Jackson, damshame, Jackson Pollak right?

but the message is in the medium, that's what my Shicheii yoosto say. Art must sing.
So I can play my drum. And she can dance.
When we think nothing about it.
Thinking about America and an old man who taught me to ball trees. I had a job rescuing orange trees, Josteen Yazzi, he's not really a Navajo, but he was a bracero who staid without papers and nobody cared cause he was the last tree baller.
Mike Hauser Dec 2018
I want to live in a Norman Rockwell painting
Where I'm surrounded by the simple times
If you don't know what I mean let me explain it
It consists of front porch swings and Mom's apple pie

Sunday afternoons in Grandma's kitchen
Lazy fishing days down by the lake
Or in a Soda Shop drinking Chocolate Malts with cherries on top
As I while away the day Norman's way

Riding bikes down hills the whole time laughing
Cowboys, Indians, and Pirates all in one day
With sunsets painted red and no strangers met
No secrets kept to wanna give away

Life on parade the American way
Pride in your family and friends
Helping each other no matter race, creed, or color
Starting each meal out with an amen

Picnics at the park, hot dogs and gaming
Potato sack and three-legged racing
Nothing like today's grind taxing both the heart and mind
Which to me desperately needs replacing
With life in a Norman Rockwell painting
CK Baker  Feb 2017
Lost Lake
CK Baker Feb 2017
There’s a silverback haze
on the shallow face
of the Rockwell Ridge
folded brow
puzzled chin
and dark hollow eyes
keeping watch
over the lilies
and crane flies
and will of the wisp

Rust brown ravens
and fisher kings
delight
in the reeds off north bend
(chased by the terraced streams!)
youth blades engrain
on the favoured
and historic
Banka Memorial

Mustard
and pumpkin skies
are clipped
by a call from
the resident loon
the sounds of Buddha Bar
piercing the silence
and shaping the afternoon chord

It’s a time to make way (stream side)
seems the anuran are courting
CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l
CK Baker  May 2017
Flowerfields
CK Baker May 2017
like that pill bitter Sunday morning (after)
with a nauseating hack
the previously uneventful Tuesday
derailed
in surrealistic tale
with Auntie and Jack (and a quarter of fate)
in the 748
on a night flight
from Sherwood to Lore

reverberating waves
of imminent summer haze
river flats
and flower fields
fly weights
and silver bait
shredders and shysters
and open gates
(into those everlasting
and sweated journeys of hope)

bloods and strays
and florentine grays
(reminiscent of Rockwell fame)
running horses
and overgrown country lanes
morning grace
and gentle cheer
eyes clear
on the river pass
blunted paddles for those ancient
and not so willing suckers!


duke making his own way
(to the corner club)
Parsons and Poe
stream from the torn screen door
cricket cadence
and symphony of the Deere
calm and deliberate
in the soft
and silent fields

meadows open for grazing
(guineas scamper across the till)
pocket apples fill
the country ripe air
drunken bees
and chestnuts
and electric fingers
strike the surface pool
(a cedar strip wedged on the white wash dock)

baited bull heads set to cast
evenings with hearts
and Nolten Nash
may flowers bloom
across the grass
~ time unmatched ~
with blue jays
and river bends
and channel cats
...and that warm
and recurring
Coleman drift
Rolling down St. John's Heritage Highway
after Sean, my grandson's birthday party
I belt out my pioneer song with vigor
echoing across the vast beauty,
wide open, sacred spaces
pristine vistas

Norman Rockwell cows grazing
in bygone pastures happily
moo along

Driving past the yellow deer crossing sign
Florida woodlands giddyap near the edge of the road
long brown antlers prancing to
a timeless rhythm

I hope and pray that I can somehow
kindle a spark of appreciation
in my niece and grandsons
so that they may behold
the baffling greatness
and mystery that is our universe

These young'uns are mighty attached to the
virtual reality, world and landscape
of computer technology

A sprinkling of cowboy stars flash
an omnipresent wink
Sunset bonfire explodes across
the frontier horizon

Turning the corner onto Emerson Drive
smoldering scarlet orange embers
reflecting lights
shoot fireworks, launch rockets
through an ever expanding field of vision
Norman Rockwell weekend
Faded baseball gloves
Slick stones off the water
Fishing for lost loves  

Boathouse Road revival
Rope swing double back flips
Red serape twilight
Rolling back for night dips  

Adirondack north woods
Boy Scout jamboree
Telling age-old stories
Felling age-old trees  

Back seat back road banter
Front seat small town blues
Lukewarm diner coffee
Corner TV news    

Swearing off old demons  
Swearing at red lights  
Chasing down old crushes  
Long into the night    

Headlights on the highway
Headlamps in the mines
Mountains in the rear view
Main Street on my mind  

Norman Rockwell weekend
Corduroy on wool
Campfire snap and sparkle
All-nighters to pull
I

What new element before us unborn in nature? Is there
        a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
        Scientific theme
First penned unmindful by Doctor Seaborg with poison-
        ous hand, named for Death's planet through the
        sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of
        Hades, Sire of avenging Furies, billionaire Hell-
        King worshipped once
with black sheep throats cut, priests's face averted from
        underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
        Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow,
        black hail, grey winter rain or Polar ice, immemor-
        able seasons before
Fish flew in Heaven, before a Ram died by the starry
        bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
        flood
washed memory from the skull, or Lion sniffed the
        lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
        ere constellations wheeled for twenty-four thousand
        sunny years
slowly round their axis in Sagittarius, one hundred
        sixty-seven thousand times returning to this night

Radioactive Nemesis were you there at the beginning
        black dumb tongueless unsmelling blast of Disil-
        lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
        dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao,
        Ialdabaoth, Aeon from Aeon born ignorant in an
        Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
        pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
        oblivion!
Grand Subject that annihilates inky hands & pages'
        prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
        sky over silent mills at Hanford, Savannah River,
        Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado,
        Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the
        Sun, where Rockwell war-plants fabricate this death
        stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
        secret by ten thousands, & where Manzano Moun-
        tain boasts to store
its dreadful decay through two hundred forty millenia
        while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with
        your presence, I roar your Lion Roar with mortal
        mouth.
One microgram inspired to one lung, ten pounds of
        heavy metal dust adrift slow motion over grey
        Alps
the breadth of the planet, how long before your radiance
        speeds blight and death to sentient beings?
Enter my body or not I carol my spirit inside you,
        Unnaproachable Weight,
O heavy heavy Element awakened I vocalize your con-
        sciousness to six worlds
I chant your absolute Vanity.  Yeah monster of Anger
        birthed in fear O most
Ignorant matter ever created unnatural to Earth! Delusion
        of metal empires!
Destroyer of lying Scientists! Devourer of covetous
        Generals, Incinerator of Armies & Melter of Wars!
Judgement of judgements, Divine Wind over vengeful
        nations, Molester of Presidents, Death-Scandal of
        Capital politics! Ah civilizations stupidly indus-
        trious!
Canker-Hex on multitudes learned or illiterate! Manu-
        factured Spectre of human reason! O solidified
        imago of practicioner in Black Arts
I dare your reality, I challenge your very being! I
        publish your cause and effect!
I turn the wheel of Mind on your three hundred tons!
        Your name enters mankind's ear! I embody your
        ultimate powers!
My oratory advances on your vaunted Mystery! This
        breath dispels your braggart fears! I sing your
        form at last
behind your concrete & iron walls inside your fortress
        of rubber & translucent silicon shields in filtered
        cabinets and baths of lathe oil,
My voice resounds through robot glove boxes & ignot
        cans and echoes in electric vaults inert of atmo-
        sphere,
I enter with spirit out loud into your fuel rod drums
        underground on soundless thrones and beds of
        lead
O density! This weightless anthem trumpets transcendent
        through hidden chambers and breaks through
        iron doors into the Infernal Room!
Over your dreadful vibration this measured harmony        
        floats audible, these jubilant tones are honey and
        milk and wine-sweet water
Poured on the stone black floor, these syllables are
        barley groats I scatter on the Reactor's core,
I call your name with hollow vowels, I psalm your Fate
        close by, my breath near deathless ever at your
        side
to Spell your destiny, I set this verse prophetic on your
        mausoleum walls to seal you up Eternally with
        Diamond Truth!  O doomed Plutonium.

                        II

The Bar surveys Plutonian history from midnight
        lit with Mercury Vapor streetlamps till in dawn's
        early light
he contemplates a tranquil politic spaced out between
        Nations' thought-forms proliferating bureaucratic
& horrific arm'd, Satanic industries projected sudden
        with Five Hundred Billion Dollar Strength
around the world same time this text is set in Boulder,
        Colorado before front range of Rocky Mountains
twelve miles north of Rocky Flats Nuclear Facility in
        United States of North America, Western Hemi-
        sphere
of planet Earth six months and fourteen days around
        our Solar System in a Spiral Galaxy
the local year after Dominion of the last God nineteen
        hundred seventy eight
Completed as yellow hazed dawn clouds brighten East,
        Denver city white below
Blue sky transparent rising empty deep & spacious to a
        morning star high over the balcony
above some autos sat with wheels to curb downhill
        from Flatiron's jagged pine ridge,
sunlit mountain meadows sloped to rust-red sandstone
        cliffs above brick townhouse roofs
as sparrows waked whistling through Marine Street's
        summer green leafed trees.

                        III
                        
This ode to you O Poets and Orators to come, you
        father Whitman as I join your side, you Congress
        and American people,
you present meditators, spiritual friends & teachers,
        you O Master of the Diamond Arts,
Take this wheel of syllables in hand, these vowels and
        consonants to breath's end
take this inhalation of black poison to your heart, breath
        out this blessing from your breast on our creation
forests cities oceans deserts rocky flats and mountains
        in the Ten Directions pacify with exhalation,
enrich this Plutonian Ode to explode its empty thunder
        through earthen thought-worlds
Magnetize this howl with heartless compassion, destroy
        this mountain of Plutonium with ordinary mind
        and body speech,
thus empower this Mind-guard spirit gone out, gone
        out, gone beyond, gone beyond me, Wake space,
        so Ah!
        
                                        July 14, 1978
Autumn Dec 2013
so there's this girl,
with a huge grin on her face,
walking down the devils corridor,
her eyes gleam,
with shade of green you've never seen before,

so there's this girl sitting on her bed,
with tears spilling over one other,
and wrists ridden with blood,
her weak hands trembling form the searing pain of her reality,
her eyes they hold your gaze,
the gaze you can't seem to pull away from,

and as you stare,
you still have yet to figure it out,
you still have yet to finally SEE
even right here in this moment that will live on forever through eternity,
this moment that will mean absolutely nothing to everyone and everything else
in this world,
you still do not see.
you still do not comprehend.

so there's this girl walking through the doorway, leading to her inevitable blood bath, her inevitable jump,
with her head held high,
and laughter ringing throughout all their ears,
and generic confidence oozing out of every vein leading them to believe that she truly is confident.
words of wisdom flowing from her mouth leading them to believe that she herself actually uses her own advice,
leading them all to believe that she is strong.

The flicker in her eyes, the slight crack,
finally taking a home run for her heart,
is what they believed her to be brushing something off.
Her retaliation and rude finger gestures make them believe that she HONESTLY does not give one ******* **** as to what they think,
her quieted yells and invisible blows to their sensitive ego's,
convinces everyone that she is bold
she is strong
she is confident
that when she goes home
she does not think about their words
that when she goes home it is a Norman Rockwell scene everyday
that her smile does not leave her face,
that it is imbedded into her entire essence.

so there's this girl walking through her front door,
ready to drop,
ready to fall,
to finally breathe,
yet she cannot.
as their words replay through her head
over
and
over
and
over
and
over
and
over
and
over
and
over
again
she cannot take it.
the slits in her flesh
they are not enough
anymore
well I suppose they never really were

so there's this girl walking up to a mountain

so there's this girl calling the one her heart and happiness lies with,
the one she met through an accident,
the one who's touch she never felt,
the one who's oh so much older,
the one who made her smile through tears,
the one who CARED,
saying that she loves him and is sorry.

so there's this girl throwing her phone away
down to the ground where her body will soon lie

so there's this girl running
off
the edge
and free falling
throughout the
                                                           A
                                                                       I
                                                                                   R
until her fragile body slams against the bottom,
and her last breathe is exhaled,
and her head is finally awoken.

as she sits up in bed,
she realizes that this is what our world has become.
that this is how so many people live their life.
no, this is not living
this is taking one step in front of the other
this is one huge big lie
that never ends
this is not what it should be
yet
it
is
for
all
to
many
so here I end saying
WAKE UP.
Thoughts?
Bellapoesie Jul 2020
Welcomed me
as a newly minted
lucky penny
I guess

My world
left behind
revolving dictators, military juntas
state police arresting, holding, never to be found again
university protesters
the lucky ones
pushed out of a plane in the middle of the night
their tortured bodies washed ashore
their families at the morgue demanding justice
that never came
All of it
erased from my mind
on my arrival in a nonstop American Airlines flight
at least
that is what I thought

“We must change your name, you must learn English quickly, don’t worry WE blend in,” my uncle said

My first day of American school
not all a Norman Rockwell painting


My teacher spoke above me to the class
while making room in the far back corner for my lone desk
She handed me “word searches”
for a language I did not have
and at recess she showed me the library
but after that
I did not count

I should thank her

The library become my sanctuary
all those books for me to read
The librarian pulled these for me
The Adventures of Tom Sawyer and Huckleberry Finn
My Friend Flicka, Little Women

I was so proud
when my broken English
could finally pledge
with my hand over my heart
my allegiance to the flag
and I could feel the idea that …
“This Land is Your Land”

As time always does
it infuses light color and clarity
I realized that the paintings
Norman Rockwell painted
the Americana he sold us
was missing so much
They really are fakes

Well maybe
not total fakes
but maybe an incomplete pictorial
a one-sided legend
one half of an complex whole
the oxygen removed one could say
now making it hard for me to breath

Each canvas needs another side
Another story is owed
These canvases are a forgery of the truth

It is more comfortable like this
We give ourselves license
to whitewash our “American” lives
but now
hear George Floyd’s words on repeat
“I can’t breathe”

Rockwell, your Ruby Bridge painting is a fantasy

You robbed her and me
missing the black doll in a baby's casket
which the crowd used to taunted Ruby with
giving her for years recurring nightmares


How about the terror
in her mother’s heart

You did not paint in
the white cop, yep, I said white cop
that pulled his gun to **** Ruby’s mother

You missed the horror
You missed the terror

You painted a splashed tomato
as if this was a bad comedy or play
The background you painted a peachy peach wall
with gray capturing the hate
how apropos
nope, you cannot take it back  

I cannot unsee
the Americana you invited me to see
or unpave the world
over blood spilled
or pretend I do not hear…
“I can’t breathe.”
M H John Aug 2019
look at you
with your ocean colored eyes,
sun kissed cheeks,
and coffee bean colored hair

you look as if
you were painted by

Norman ******* Rockwell himself
Norman Rockwell and Jim Unger
Artists from my past
I've met one but not the other
A memory that  will last

Who the hell is Bertrand Russell?
I asked over a drink
A man who changed the world forever
Changed the way we think

I remember the Norman Rockwell painting
It's burned deep  inside my mind
But, I have got a copy
It's the best one that you'll find

An artist unknown to others
But, a special one to me
My father drew old Russell
It's quite a piece to see

It's never been inside a book
And never will it be
But, Bertrand Russells' wrinkles
Mean a lot to me

Jim Unger and his Herman
Were a favorite of my brother
The artist and his humour
Were unlike any other

We met him at a signing
My brother brought his art
He showed it to Jim Unger
He broke my brother's heart

My brother was an artist
Just like my Dad as well
Their art, not for the public
Their art, was not to sell

Their art should be remembered
Their art should be displayed
Like a vintage guitar  sitting
It's better if it's played

So, now two artists pictures
Hidden for an age
Will be shown, for everybody
On a printed page

I give you first, my brother
Ian Turner was his name
No longer is he with us
But, this will show he came

The second one, my father
John Turner, is his name
His drawing days behind him
But, man did he have game

So, here for your enjoyment
Rockwell via Turner number one
Followed by Ungers' Herman
That was done by Turner's son
written for my brother and my dad. Ian Turner (1966-2017) and John Turner (1940 - still going strong)
I -- A Pleasant Afternoon

                for Michael Brownstein and **** Gallup

One day 3 poets and 60 ears sat under a green-striped Chau-
        tauqua tent in Aurora
listening to Black spirituals, tapping their feet, appreciating
        words singing by in mountain winds
on a pleasant sunny day of rest -- the wild wind blew thru
        blue Heavens
filled with fluffy clouds stretched from Central City to Rocky
        Flats, Plutonium sizzled in its secret bed,
hot dogs sizzled in the Lion's Club lunchwagon microwave
        mouth, orangeade bubbled over in waxen cups
Traffic moved along Colefax, meditators silent in the Diamond
        Castle shrine-room at Boulder followed the breath going
        out of their nostrils,
Nobody could remember anything, spirits flew out of mouths
        & noses, out of the sky, across Colorado plains & the
        tent flapped happily open spacious & didn't fall down.
        

                                                        June 18, 1978

II -- Peace Protest

Cumulus clouds float across blue sky
        over the white-walled Rockwell Corporation factory
                                        -- am I going to stop that?

                                

Rocky Mountains rising behind us
        Denver shining in morning light
-- Led away from the crowd by police and photographers

                                


Middleaged Ginsberg and Ellsberg taken down the road
        to the greyhaired Sheriff's van --
But what about Einstein? What about Einstein? Hey, Einstein
                                Come back!

III -- Golden Courthouse

Waiting for the Judge, breathing silent
        Prisoners, witnesses, Police --
the stenographer yawns into her palms.

                                        August 9, 1978

IV -- Everybody's Fantasy

I walked outside & the bomb'd
        dropped lots of plutonium
        all over the Lower East Side
There weren't any buildings left just
        iron skeletons
groceries burned, potholes open to
        stinking sewer waters

There were people starving and crawling
        across the desert
the Martian UFOs with blue
        Light destroyer rays
passed over and dried up all the
        waters

Charred Amazon palmtrees for
        hundreds of miles on both sides
        of the river

                                August 10, 1978

V -- Waiting Room at the Rocky Flats Plutonium Plant

"Give us the weapons we need to protect ourselves!"
        the bareheaded guard lifts his flyswatter above the desk
                                                -- whap!

                                *

A green-letter'd shield on the pressboard wall!
        "Life is fragile.  Handle with care" --
My Goodness! here's where they make the nuclear bomb
                                  triggers.

                                        August 17, 1978

VI -- Numbers in Red Notebook

2,000,000 killed in Vietnam
13,000,000 refugees in Indochina 1972
200,000,000 years for the Galaxy to revolve on its core
24,000 the Babylonian Great Year
24,000 half life of plutonium
2,000 the most I ever got for a poetry reading
80,000 dolphins killed in the dragnet
4,000,000,000 years earth been born

                                                Summer 1978

— The End —