i was watching ovation yesterday evening and i was looking forward to checking out the

new show shift out, thinking it will be a show packed with all the fun on the internet, because

dudes, there is a lot of fun you can have on the internet, there is stuff on for all likes and dislikes

like the shaytards and bratayley and old episodes of prisoner and tim minchin songs as well

as the young ones, and hello poetry which i am johnny georgy brown for the budding poets

and there are a heap of writing websites that i used to all never belonged to, there is art colony

where i am under brian allan and i have opened my mind with the world, i have a lot of youtube

stuff from aaa youtube tv and aaron clayton, and i am upset that the ovation show shift is so ******

conservative, i get it that people are thinking this guy isn’t young, no i am in my 40s but i am still

good on the internet, i want to save the world, i have been put on this earth to save the world,

and it would be great if shift wasn’t so ****** conservative, because you can interview youtube junkies

as well as bring people from youiube to appear on your show to sing, you see everyone on the internet

including me have special talents, everyone on social media including me have special talents, better than

some of these losers you get on australia’s got talent, but some of them a pretty good too, but i am just saying

that i expected shift on ovation to be a new saturday night variety show showing us entertainment on the web

because it was supposed to go on from 7.15 to 10.30, but it was boring because it only lasted from 7.15 to 7.22

if that, mind you if shift was an internet based variety show, it would be really cool, because there is a lot of cool

stuff as i said over the internet, you can even play concerts from your favourite bands on youtube, and one week

could play a concert from youtube or bringing in some youtube entertainers to entertain us, i realise that there is

a lot of copyright being done, but that is because everyone wants to have fans, like me, i watch my stuff on Facebook

and other stuff and realise i have fans, and there is nothing wrong with having fans, and if shift was what i thought

we could bring you tubers close to their fans all over the world, boy would that be ever so radically awesome

what i am saying, the internet is a big place, and shift should explain what entertainment you can find over the web

rather than little things, everyone on the web, is a computer dude to, but they ain’t getting what they want

i want to ban shift because they only show computer geeks and not computer dudes like myself

I have learned to love myself
Without You
I deserve a
Standing ovation

How can I be the closest to your home, and still unknown,
How can I be the closest to the Sun, closest to the scorch,
and still have the most icy landlords in my poles,
and why can I and twilight be seen by you alone?

How come from my surface, light does not work--light does not hurt, I do not blink as I think, even as the sunset pours lava forth, and that sunset is that lie of time, as you disappear in darkness, I almost disappear in light, then the stars scream across the sky, in a geminid shower rewind, in my unblinking muse, in the solar hues, the great inferno retreats, and the slower speed of Earth I view, And I see the astrologer, with his useless scope, trying to track my path, futile as the priests trying to invent gold.
They cannot understand my core, with machines that are perfect because I am perfectly mercurial on the surface,
with the intense cold of my poles, and the intense burning solar gold of my repose,  I view blinding light, then infinite starry night, and cold dark logic they are encased in--my deep dark basins--and the rolling triumph of my surface's relief is from breathless sandy ovation beneath.


        But now is my silver region where I compose, between extremes, no ovation no gold, only metallic mercury upon the barren from faint starlight strobes.  Here is where my dark volumes are known, but  like shifting shadows--from light are closed.  Then a clock strikes the hour, when my surface is reinvested with power,  the oncoming of a sunset getting louder and louder,  and in my face a cold severe place, and on my stare intense solar glare.

   My theater is caused by applause, my temple is lit with pale light of long dead stars, and I crash and die young forever like my short lived geminid sparks,  In your twilight is my house, and with my intense and icy blood, I protect the memory and mystery of love.

And just like coffee.
Let your aroma tingle and stimulate the smiles of those around.
The best source of touch
Without cream or sugar.
Stir the organic presentation that brings the next minute that much closer.
Whether the preference is a mug or a styrofoam cup.
Remember,
At the end of the day.
Coffee fits into any size container
And brings to life any size smile.
With one quick sip
The senses awake to a new day.
Swirled in unspoken travel sized rule.
It follows,
The beautiful ovation that rushes once poured.
Beautifully represented by your smile.
The tone of your skin.
Your hair naturally at ease.
Stirred by a finger.
Specialism by the majority nodding away,
Yet awaken by your essence.
Soon extracted and brought to life.
Swirling beyond content.
And just like coffee,
I look forward to a cup of you

Split Personality

You wanna know what goes on in my head,
if you only knew, you would drop dead.
Anger, depression and suicidal thoughts,
maybe its all those little brain clots.
Conceited, vain and very egotistical,
confused, shocking and very mystical.
I'm eccentric, bizarre, and always unconventional,
my vision is always three dimensional.
I take the path that's less traveled,
things I do leave people baffled.
Even I don't know what I'm doing,
but trust me, I always got something brewing.
I practice in the art of deception,
I'm admired by my depth of perception.
I don't know wrong from right,
I see everything in black and white.
I'm a man you don't wanna meet,
I lie, steal and always cheat.
I'm flirty, ***** and very perverted,
if we're alone, I will leave you deserted.
I'm ****, hot and always aroused,
every girl I have slowly browsed.
I love assault, ****** and ****,
but I only write it for an escape.
Inside my head is torture and pain,
I'm certified and clinically insane.
Sometimes I take my medication,
when I don't, I'm on a permanent vacation.
I'd do anything to become famous,
even **** Donald Trump in his ****.
I've crossed over to the dark side,
to hell, I've already applied.
There is no help for me now,
before I go please give me a bow.
I'll accept a standing ovation,
sick and tired of all the aggravation.
I used to be so nice and kind,
into heaven, I got denied.
Don't pay attention to the things you read,
I entertain you til my fingers bleed.
Ask anybody, I really a great guy,
just like REO Speedwagon, its time for me to fly.

VI. I, Ophelia
___________________

­{The Drowning}

It was her--
Flower Child.
Weeping Woman.
Crazed Ophelia--
who taught me that the
drowning is in the letting go
and not in the doing.

Ophelia did not flee to the riverside
with the intention of
drowning herself, no--
it was merely a promise of bouquets--
daisies, violet, rosemary,  rue--
of wild, velveteen petals nestled softly
against tear-stained cheekbones;
pine needles--
ticklish--
beneath raw feet
(do you recall how The Little Mermaid
danced upon knives
in the name of true love?);
and the train of her nightgown
a focal point for dewy leaves
and frayed bird feathers.

For it was flying she thought of
as she climbed the scarred willow
and cradled herself atop its highest bough,
severed blossoms in hand,
legs dangling precariously over
blustering currents.

But
when the bough
b r o k e ,
the cradle did   f
                              a
                               ­   l
                                      l,
and down came
mad girl
cradle and all.

But you must understand--
the dismemberment of the
willow's flailing limbs
was not her doing;
when the rapids dragged her down
to the belly of the murky river bed,
she merely gave no struggle
as death lapped at her ribs--
she merely submitted,
allowed the snivelling maw of the river
to swallow her whole.

Now,
I think it suiting
that I ponder the demise of the
Flower Child
(wilted in her ruin);
Weeping Woman
(tears reunited
with the eye of
the water lily);
Crazed Ophelia
(forgotten)
and all she has taught me
of drowning
as I let myself
fall asleep in the bathtub
at three o clock in the morning,
all the while a little drunk
and so very sad.
(You'd might have even thought
I wanted to drown myself. )
__________________
{Th­e Resurrection}

Doused in the pallid wash
of blue stage light,
and the clamour
of imaginary tides
growling in my ears,
I metamorphosize into
Hamlet's Ophelia
and all the other Ophelias
who came before me--
mad.
broken.
lost.
women.

Women who were never
capable of quieting
the sea trembling
in their veins;
the barbaric deluge festering
within their souls;
the siren songs
musing to the cavernous twists
of their hearts,
piercing through artery
with stalagmite precision.

These women succumbed,  
not to the water,
but to the burden of their own
desire.
love.
heartbreak.

None of them survived.

Except for me,
of course.

And, I must admit,
it took my
writing this poem
to finally understand
why that is--
why--
how--
I have managed
to stay alive,
despite dreaming of that
same siren song
that lured my foremothers
to their destructions.

See,
alone,
Ophelia could not weather  
the tempest seething over her.

But I different--
I am not alone.

Because I carry with me the spirits
of all the Ophelias
who came before me,
the fragments of their beings
melding together to create
a brilliant gossamer of hope.

And that is why,
together,
we can breathe underwater.
____________________
{­Blackout}

Ophelia Bows,
her performance immortalized
through the remembrance
of a standing ovation.

christmas power



i am talking about greame thorne’s only TV performance, you see it was show

called christmas power at elizabeth bay and it was hosted by john bradley, you see john brought

10 young performers in to sing christmas carols to celebrate the reason for this day

and it was set out to be an annual TV event every christmas event, but it never made

it to the 2nd year, so here we go

john’  welcome to christmas power, a show to celebrate the magic of christmas and

i will bring in 10 performers to each sing their favourite christmas carols

first up here is kenny butler aged 11 singing silver bells

he sang it well and said at the end, how about that

john’  thanks kenny and let’s see how mrs santa claus is going, here is therse berlin with mrs santa claus

and therese sang that song with absolute grace and beauty and then john introduced, greame thorne (me)

and tim mcgrath, and they will sing silent night, and they blew away the crowd so beautifully and then

after that, the next singer was bert somers with i am sending a letter to santa claus, and every note was

played so great, and then john bradley sang jingle bells and rudolph the red nosed reindeer as santa came

out to say hello to everyone on tv australia’s first christmas show, and as santa left the stage, john brought

greg harrison out to sing hi ** silver lining and he sang that so great, he was asked by church groups to

do future shows and then john bradley brought daryl simmons comes on stage to sing away in a manger

and drove the crowd completely wild and got a standing ovation and then john bradley brought out harry stone

aged 12 and he sang we wish you a merry christmas and greame thorne(me) came out to sing good tidings we

bring to you and your king, and harry got audience participation as well as a standing ovation

john brought out the 8 th singer madelline rupert, aged 5, with white christmas, and yeah mate yeah

this was the greatest version ever, and maddeline was amazed with all the crowd really cheering her performance

and now john bradley brought out the 9th singer 10 year old jacob stone, brother of harry, and he sang

jolly old st nicholas, and everyone joined in singing and gave him a standing ovation, and then john

introduced molly ringwould to sing the christmas list, and this was a very moving performance and blew the

crowd away and at the end she got a standing ovation, and now, it was time to announce the christmas power award winner

and they rolled the drums, and therese berlin won the award, and they gave her a plaque and $500, and

this was the end of the first and last version of christmas power and there is no real proof of this show as the

tape was stolen and thrown out to sea, pretty much what happened to greame thorne (me), so there isn’t proof

but i remember this was an excellent previous life memory i have, and

Ah Consuela! Invoking vast vistas for visions of green Spanish eyes,
I discern them again where she left me back then,
                 as we kissed when she parted, my friend.
Through those ruins I tread towards the footlights, now dead,
                 where I’ll muse as her shadows ascend.

                  .
                          .
Ah Consuela! I’m watching, she teases the mirror with green Spanish eyes;
her serape entangles her brooches and bangles
                 like lace on the sorcerer’s looms,
and her cape of the night, she drapes tight to excite,
                 and her fan is embellished with plumes.

Ah Consuela! I’m watching as spectators savour her green Spanish eyes;
taming wild concertinas, the dark ballerina
                 performs on the music hall stage,
but she shies from the sound of ovation unbound
                 like a timorous bird in a cage.

Ah Consuela! I’m watching, she quickens the pit with her green Spanish eyes;
as the cymbals shake, clashing, the floodlights wake, flashing,
                 igniting the wild fireflies,
and the piccolo piper’s inviting the vipers
                 to coil neath the cold caldron skies.

Ah Consuela! I’m watching the shimmering shadows in green Spanish eyes
as I rise from my chair and proceed to the stair
                 with a hesitant sip of my wine.
Though she doesn’t deny me, she wanders right by me
                 with neither a look nor a sign.

Ah Consuela! I’m watching, she looks to the stage with her green Spanish eyes,
(for her senses scoff, scorning the biblical warning
                 of kisses of Judas that sting,
with her pierced ears defeating the echoes repeating)
                 and smiles at the magpie that sings.

Ah Consuela! I’m watching faint embers a’ stir in her green Spanish eyes,
for a soft spoken stranger enveloping danger
                 has captured the rhyme in the room
as he slips into sight through a crack in the night
                 midst the breath of her heavy perfume.

Ah Consuela! I’m watching, she gauges his guise through her green Spanish eyes
– from his gypsy-like mane, to his diamond stud cane,
                 to the raven engraved on his vest –
for a faraway form, a tempestuous storm,
                 lurks and heaves neath the cleav’e of her *******.

Ah Consuela! I’m watching the caravels cruising her green Spanish eyes;
with the castanets clacking like ancient masts cracking
                 he whips ’round his cloak with a ****
and without sacrificing, at mien so enticing,
                 she floats with her face facing his.

Ah Consuela! I’m watching the vertigo veiling her green Spanish eyes,
while the drumbeat pounds, droning, the rhythm sounds, moaning,
                 of jungles Jamaican entwined
in the valleys concealing the vineyards revealing
                 the vaults in the caves of her mind.

Ah Consuela! I’m watching life’s carnivals call to her green Spanish eyes,
and with paused palpitations the tom-tom temptations
                 come taunting her tremulous feet
with her toe tips a’ tingle while jute boxes jingle
                 for jesters that jive on the street.

Ah Consuela! I’m watching, she rides ocean tides in her green Spanish eyes,
and her silhouette’s travelling on ripples unravelling
                 and shaking the shipwracking shores,
as she strides from the light to the black cauldron night
                 through the candlelit cabaret doors.

Ah Consuela! I’m watching, she dances till dawn flashing green Spanish eyes,
with her movements adorning a trickle of morning
                 as sipped by the mouth of the moon,
while her tresses twirl, shaming the filaments flaming
                 that flow from the sun’s oval spoon.

Ah Consuela! I’m watching, she masks for a moment her green Spanish eyes.
Then the magpie that sings ceases preening her wings
                 and descends as a lean bird of prey –
as she flutters her ’lashes and laughs in broad splashes,
                 his narrowing eyes start to stray.

Ah Consuela! I’m watching fey carousels spin in her green Spanish eyes,
and the porcelain ponies and leprechaun cronies
                 race, reaching for gold and such things,
even being reminded that only the blinded
                 are fooled by the brass in the rings.

Ah Consuela! I’m watching, she shepherds the shadows with green Spanish eyes,
but as evening sinks, ebbing, the skyline climbs, webbing,
                 and weaves through the temples of stone,
while the nightingales sing of a kiss on the wing
                 in the depths of the dunes all alone.

Ah Consuela! I’m watching the music and magic in green Spanish eyes,
as she dances enchanted, while firmly implanted
                 in tugs of his turbulent arms,
till he cuts through the strings, tames the magpie that sings,
                 and seduces once more with his charms.

Ah Consuela! I’m watching, the citadel steams in her green Spanish eyes,
but behind the dark curtain the savants seem certain
                 that nothing and no one exists,
and though vapours look vacant, the vagabond vagrants
                 remain within mythical mists.

Ah Consuela! I’m watching as lightning at midnight in green Spanish eyes
kindles cracks within crystals like flashes from pistols
                 residing inside of the gloom
as it hovers above us betraying a dove as
                 she flees from the fountain of doom.

Ah Consuela! I’m watching, distilling despair in her green Spanish eyes,
and the bitterness stings like the snap of the strings
                 when a mystical  mandolin sighs
as the vampire shades **** the life from charades
                 neath the resinous residue skies.

Ah Consuela! I’m watching, she looks to the ledge with her green Spanish eyes,
for the terrace hangs high and she’s thinking to fly
                 and abandon fate’s merry-go-round.
At the edge I perceive her and rush to retrieve her –
                 she stumbles, falls far to the ground.

Ah Consuela! I’m watching the sparkles a’ spilling from green Spanish eyes.
As I peer from the railing, with evening exhaling,
                 I cry out a lover’s lament –
there she lies midst the crowd with her spirit unbowed,
                 but her body’s all broken and bent.

Ah Consuela! I’m watching, she beckons me hither with green Spanish eyes,
and I’m slightly amazed being snared in her gaze
                 and a’ swirl in a hurricane way,
but the seconds are slipping, my courage is dripping,
                 the moment is bleeding away.

Ah Consuela! I touch her - she weeps tender tears from her green Spanish eyes;
as the breezes cease blowing, her essence leaves, flowing,
                 in streams neath the ambient light,
and the droplets drip swarming, so silent, yet warming,
                 like rain in a midsummer night.

Ah Consuela! I hold her, am hushed by the hints in her green Spanish eyes,
while her whispers are breathing the breaths of the seething
                 electrical skeletal winds,
and the words paint the poems that rivers a’ slowin’
                 reveal where the waterfall ends.

Ah Consuela! I’m fading in fires a’ flicker in green Spanish eyes,
as she plays back the past, she abandons and casts
                 away matters that no longer mend.
           .
                  .
And she reached out instead, as she lifted her head,
                 and we kissed as she parted, my friend.
           .
                  .
                          .
Ah Consuela! I’m tangled, entombed, trapped in tales of your green Spanish eyes,
in forsaken cantinas beyond the arenas
                 where night-time illusions once flowed,
for the ash neath my shoulder still throbs as it smoulders
                 some place near the end of the road.