This carpet - a Turkish Smyrna -
is made with Gordian knots,
tied by the fine fingers of a child
tied to a loom
by a thin, pale leg.

Every centimetre - a hundred knots
This carpet - two and a half million knots
all Gordian  
tied tightly
by the fine fingers of a child.

Each thread is dyed
with plants
picked by nomad hands
from shifting lands
Henna oranges and Madder reds
Saffron yellows and Indigo blues
Colours bloom and fade
with the change of seasons.

Patterns are centuries old,
never drawn or sketched,
only sung to the young
by the old blind weavers,
who walk the workshops
and the aisles of looms.

In this shadow world
of soured and fetid air
dreamless children
live threadbare under a black sun.

Wide borders holding everything in place
no figures or stories, just a labyrinth
of abstract shape and colour
drawing you in to the treasure
at the centre of the rug.

And the knowledge of the knots
the Gordion knots
tied by the fine fingers of a child
tied to a loom
by a thin, pale leg.

almost
at breaking point

almost
fleshed out of existence

she caresses
the white hospital cup

as if it were
a soft-feathered fallen dove

frightened and waiting
for a chance to fly again.

© M.L.Emmett

                                                   You
*                                               can ****
                                           your own men
                                            in friendly fire
                         And toss their bodies on a funeral pyre
                            Or bury them in sand if you desire  
                                    Wrapped in barbed wire
                                              dust  to dust
                                                still man
                                                  You.

                                                    War
        ­                                         is good
                                            for business
                                       both big and small
                        Profits will rise and make inflation fall
                        But soldiers, sailors, airmen, warriors all
                                        must heed the call
                                             face fighting
                                                  even
         ­                                        Death

‘...We are such stuff
As dreams are made on; and our little life
Is rounded with a sleep’                      
Shakespeare The Tempest Act IV.i.156

We are such stuff of stars and light
our grasping hand, our gaping eye
our mind electric sparking
all atoms in the crystal night
connected matter
across infinity
still in one moment
collected together
in the universe
and my quiet garden
at midnight.

In the grey chiffon mist and drizzling rain
I see you standing silent
embracing death
never turning your face
to the sunlight or me

In the orange ribbons of street light shadows
I see you standing silent
embracing darkness
never showing your face
to the morning or me

In the pearl crescent of the ancient moon
I see you walking away
embracing night
never stooping to look back
to say goodbye to me.

© M.L.Emmett

On the mud flats of Padma Delta
where the mighty Ganges slides
into the Bay of Bengal
ships come to die.

Rusting oil tankers,
container ships from Panama
passenger liners,
and cargo ships from Zanzibar
North Sea fishing boats
research vessels and mother ships
anything that floats
each one has made its final trip.

Steel Leviathans
low tide beached
oil-slick stuck.

Metal monoliths
****** deep
into black sand.

The people of Sitakunda
come marching, ants
across the slippery surface
of diesel sand
to pick the carcasses apart.

Barefoot, with only blow torches
hammers and brute strength
wrenching rivets, nuts and bolts
breaching beams and deck
splitting welded seams
until the hulls are gutted
ribbed struts broken down
and torn from the edges of shape

Bit by bit
they scour and empty
right down to the core.

Bit by bit
they carry *****
to the waiting shore.

Where melting pots are kept boiling
giant stock pots stewing goodness
in a broth
but metallic flavours and oily spiced stench
hang in the misty bleakness of the bay

Skeleton hulks shift and ride
lurching, lifting with the tide
rolling, dangerous still
collapsing, with groaning creak
to maim, to crush and ****
the daring, the slow and the weak.

© M.L.Emmett

Proud Abyssinian lies still on my lap
Stroking his soft grey fur time starts to slow
To the beat of a Bach adagio                                            
Tamed and relaxed we both drift to a nap.

Beloved, well fed pet, nurtured in his home
Yet wild creature, whose needs must satisfy
To watch prey, to leap, pounce and terrify
Free in garden realm to wander and roam

How can I kindly look upon this beast
that snapped and tore life from a tiny bird ?
The mother shrieking horror at her loss
Father trying to scare Cat from his feast
Their doleful lament the saddest I’ve heard
Careless cat gives the corpse another toss.

I catch the rapido train from Milano and edge slowly westward through the stops and starts of frozen points and village stations. The heating fails and an offer of warmer seats in another compartment. I decide to stay here. I put on my coat, scarf, hat and gloves and sit alone. In my grieving time, I feel closer to the cold world outside as it moves past me, intermittently. Falling snow in window-framed landscapes.            

Sky gun metal grey
shot through
with sunset ribbons.
                                                                                                          
Dusk eases into black-cornered night. After Maghera, the train seems to race to the sea. It rumbles onto the Ponte della Ferrovia, stretching out across the Laguna Veneta. Suddenly, a jonquil circle moon pulls the winter clouds back and shines a lemony silver torch across the inky waters. Crazed and cracked sheets of ice lie across the depthless lagoon. The train slows again and slides into Santa Lucia. I walk into the night.                                                                                               
Bleak midwinter      
sea-iced night wind
bites bitter.
                                                                                                      
No. 2 Diretto winding down the Canal Grande.  The foggy night muffles the guttural throb of the engine and turns mundane sounds into mysteries. Through the window of the vaporetto stop, the lights of Piazza San Marco are an empty auditorium of an opera house. Walking to Corte Barozzi, I hear the doleful tolling of midnight bells; the slapping of water and the *****-***** of the gondolas’ mooring chains. Faraway a busker sings Orfeo lamenting his lost Eurydice, left in Hades.
I wake to La Serenissima, bejewelled.                                                                                                                           
Weak winter sunshine
Istrian stone walls
flushed rosy.
                                                                                                          
Rooftops glowing. Sun streaming golden between the neck and wings of the masted Lion. Mist has lifted, the sky cloudless; I look across the sparkling Guidecca canal and beyond to the shimmering horizon.          
Molten mud
bittersweetness demi-tasse
Florian’s hot chocolate                    

I walk the maze of streets, squares and bridges; passing marble well-heads and fountains, places of assignation. I walk on stones sculpted by hands, feet and the breath of the sea. Secrets and melancholy are cast in these stones.                                                                  

At Fondamente Nuove, I take Vaporetto no.41 to Cimitero. We chug across the laguna, arriving at  the western wall of San Michele.  I thread through the dead, along pathways and between gravestones. At the furthest end of the Cemetery island, Vera and Igor Stravinsky lie in parallel graves like two single beds in an hotel room. Names at the head, a simple cross at the foot of the white stone slab. Nearby, his flamboyant mentor Serge Diaghalev. His grave, a gothic birdbath for ravens, has a Russian inscription; straggly pink carnations, a red votive candle and a pair of ragged ballet shoes with flounces of black and aquamarine tulle tied to their the ribbons. So many dead in mausoleums; demure plots; curious walled filing cabinets, marble drawer ossuaries.
                                                                                                      
Bare, whispering Poplars
swaying swirling shadows
graves rest beneath          

I walk to the other end of the island and frame Venezia in the central arch of the Byzantine gateway.  I see that sketchy horizontal strip of rusty brick, with strong verticals of campaniles and domes. It is here, before 4 o’clock closing time, I throw your ashes to the sea and run to catch the last boat.                                                                                          

Beacon light orange
glittering ripples
on the dove grey lagoon.

© M.L.Emmett
First published in New Poets 14: Snatching Time, 2007, Wakefield Press, Kent Town SA.
To view with Images: Poems for Poodles https://magicpoet01.wordpress.com

Words

We live in a wired and weird world
where meanings of our words
are paper-thin tissue and torn
tarnished and worn by wear and War.

© M.L.Emmett

(For Martin Emmett)

I write your name
on window panes

I clap out its five syllables
for the five fingers of my hand

and the five senses
lost and abandoned

I see deep white snow
and signposts buried in the drifts

I hear the jet black engine
running under my sternum

I touch the mirrored stillness
You still, me still here

I smell the red raw emptiness
bloodied, ***** and free

I taste the green of bitterness
acid etching ulcers in a stomach wall

I trace the ink of your signature
follow each loop and dot of the ‘i’

that ‘i’ Martin
that has been erased forever.

(For Martin, my brother)

I write your name
on window panes

I clap out its five syllables
for the five fingers of my hand

and the five senses
lost and abandoned

I see deep white snow
and signposts buried in the drifts

I hear the jet black engine
running under my sternum

I touch the mirrored stillness
You still, me still here

I smell the red raw emptiness
bloodied, ***** and free

I taste the green of bitterness
acid etching ulcers in a stomach wall

I trace the ink of your signature
follow each loop and dot of the ‘i’

that ‘i’ Martin
that has been erased forever.